130-617: In Greek mythology , Tartarus ( / ˈ t ɑːr t ər ə s / ; Ancient Greek : Τάρταρος , romanized : Tártaros ) is the deep abyss that is used as a dungeon of torment and suffering for the wicked and as the prison for the Titans . Tartarus is the place where, according to Plato 's Gorgias ( c. 400 BC ), souls are judged after death and where the wicked received divine punishment. Tartarus appears in early Greek cosmology , such as in Hesiod 's Theogony , where
260-579: A pederastic light . Alexandrian poets at first, then more generally literary mythographers in the early Roman Empire, often re-adapted stories of Greek mythological characters in this fashion. The achievement of epic poetry was to create story-cycles and, as a result, to develop a new sense of mythological chronology. Thus, Greek mythology unfolds as a phase in the development of the world and of humans. While self-contradictions in these stories make an absolute timeline impossible, an approximate chronology may be discerned. The resulting mythological "history of
390-677: A Christian moralizing perspective. The discovery of the Mycenaean civilization by the German amateur archaeologist Heinrich Schliemann in the nineteenth century, and the discovery of the Minoan civilization in Crete by the British archaeologist Arthur Evans in the twentieth century, helped to explain many existing questions about Homer's epics and provided archaeological evidence for many of
520-585: A collection of epic poems , starts with the events leading up to the war: Eris and the golden apple of Kallisti , the Judgement of Paris , the abduction of Helen , the sacrifice of Iphigenia at Aulis . To recover Helen, the Greeks launched a great expedition under the overall command of Menelaus 's brother, Agamemnon, king of Argos, or Mycenae , but the Trojans refused to return Helen. The Iliad , which
650-492: A combination of their name and epithets , that identify them by these distinctions from other manifestations of themselves (e.g., Apollo Musagetes is " Apollo , [as] leader of the Muses "). Alternatively, the epithet may identify a particular and localized aspect of the god, sometimes thought to be already ancient during the classical epoch of Greece. Most gods were associated with specific aspects of life. For example, Aphrodite
780-471: A conclusion about each other's beliefs. At the same time, truth is not based upon commonly accepted beliefs. Socrates outlines a problem about truth when it is misaligned from public opinion: "you don't compel me; instead you produce many false witnesses against me and try to banish me from my property, the truth. For my part, if I don't produce you as a single witness to agree with what I'm saying, then I suppose I've achieved nothing worth mentioning concerning
910-525: A convenient framework into which to fit their own courtly and chivalric ideals. Twelfth-century authors, such as Benoît de Sainte-Maure ( Roman de Troie [Romance of Troy, 1154–60]) and Joseph of Exeter ( De Bello Troiano [On the Trojan War, 1183]) describe the war while rewriting the standard version they found in Dictys and Dares . They thus follow Horace 's advice and Virgil's example: they rewrite
1040-534: A craft, but a knack, because it has no account of the nature of whatever things it applies by which it applies them, so that it's unable to state the cause of each thing" (465a). Socrates discusses the morality of rhetoric with Gorgias, asking him if rhetoric was just. Socrates catches the incongruity in Gorgias' statements: "well, at the time you said that, I took it that oratory would never be an unjust thing, since it always makes its speeches about justice. But when
1170-504: A festering and incurable tumour growing in his soul, he needs to hurry himself to a judge upon realising that he has done something wrong. Socrates posits that the rhetorician should accuse himself first, and then do his family and friends the favour of accusing them, so great is the curative power of justice (480c–e). Socrates maintains that, assuming the converse of the previous argument, if your enemy has done something awful, you should contrive every means to see that he does not come before
1300-489: A flat disk afloat on the river of Oceanus and overlooked by a hemispherical sky with sun, moon, and stars. The Sun ( Helios ) traversed the heavens as a charioteer and sailed around the Earth in a golden bowl at night. Sun, earth, heaven, rivers, and winds could be addressed in prayers and called to witness oaths. Natural fissures were popularly regarded as entrances to the subterranean house of Hades and his predecessors, home of
1430-558: A god "greater than he", Zeus swallowed her. She was already pregnant with Athena , however, and she burst forth from his head—fully-grown and dressed for war. The earliest Greek thought about poetry considered the theogonies to be the prototypical poetic genre—the prototypical mythos —and imputed almost magical powers to it. Orpheus , the archetypal poet, also was the archetypal singer of theogonies, which he uses to calm seas and storms in Apollonius' Argonautica , and to move
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#17327727187841560-624: A hundred earthly years (while good deeds would be rewarded in equal measure). There were a number of entrances to Tartarus in Greek mythology. One was in Aornum . In Roman mythology, sinners (as defined by the Roman societal and cultural norms of their time) are sent to Tartarus for punishment after death. Virgil describes Tartarus in great detail in the Aeneid, Book VI . He described it as expansive. It
1690-409: A jury of children with a cook as prosecutor" (521e). He says that such a pandering prosecutor will no doubt succeed in getting him sentenced to death, and he will be helpless to stop it. Socrates says that all that matters is his own purity of soul; he has maintained this, and it is the only thing that is really within his power (522d). Socrates ends the dialogue by telling Callicles, Polus, and Gorgias
1820-513: A limited number of gods, who were the focus of large pan-Hellenic cults. It was, however, common for individual regions and villages to devote their own cults to minor gods. Many cities also honored the more well-known gods with unusual local rites and associated strange myths with them that were unknown elsewhere. During the heroic age, the cult of heroes (or demigods) supplemented that of the gods. "The origins of humanity [were] ascribed to various figures, including Zeus and Prometheus ." Bridging
1950-423: A little later you were saying that the orator could also use oratory unjustly, I was surprised and thought that your statements weren't consistent" (461a). To this argument, Gorgias "… is left wishing he could respond, knowing he cannot, and feeling frustrated and competitive. The effect of the 'proof' is not to persuade, but to disorient him". Socrates believes that rhetoric alone is not a moral endeavour. Gorgias
2080-405: A musical contest with Apollo . Ian Morris considers Prometheus' adventures as "a place between the history of the gods and that of man." An anonymous papyrus fragment, dated to the third century, vividly portrays Dionysus ' punishment of the king of Thrace , Lycurgus , whose recognition of the new god came too late, resulting in horrific penalties that extended into the afterlife. The story of
2210-458: A number of local legends became attached. The story of Medea , in particular, caught the imagination of the tragic poets. In between the Argo and the Trojan War, there was a generation known chiefly for its horrific crimes. This includes the doings of Atreus and Thyestes at Argos. Behind the myth of the house of Atreus (one of the two principal heroic dynasties with the house of Labdacus ) lies
2340-451: A poem of Troy instead of telling something completely new. Gorgias (dialogue) Gorgias ( / ˈ ɡ ɔːr ɡ i ə s / ; Greek : Γοργίας [ɡorɡíaːs] ) is a Socratic dialogue written by Plato around 380 BC. The dialogue depicts a conversation between Socrates and a small group at a dinner gathering. Socrates debates with self-proclaimed rhetoricians seeking the true definition of rhetoric , attempting to pinpoint
2470-406: A point, he agrees to concede to it (506a–c). Socrates proceeds with a monologue, and reiterates that he was not kidding about the best use of rhetoric, that it is best used against one's own self. A man who has done something wrong is wretched, but a man who gets away with it is even worse off (509b). Socrates argues that he aims at what is best, not at what is pleasant, and that he alone understands
2600-485: A shortened form of the classical Greek verb kata-tartaroō ("throw down to Tartarus"), does appear in 2 Peter 2:4. Liddell–Scott provides other sources for the shortened form of this verb, including Acusilaus (5th century BC), Joannes Laurentius Lydus (4th century AD) and the Scholiast on Aeschylus ' Eumenides , who cites Pindar relating how the earth tried to tartaro "cast down" Apollo after he overcame
2730-507: A spirit to every aspect of nature. Eventually, these vague spirits assumed human forms and entered the local mythology as gods. When tribes from the north of the Balkan Peninsula invaded, they brought with them a new pantheon of gods, based on conquest, force, prowess in battle, and violent heroism. Other older gods of the agricultural world fused with those of the more powerful invaders or else faded into insignificance. After
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#17327727187842860-550: A story that they regard as a myth, but he regards as true (523a). He recounts that in the old days, Cronos judged men just before they died, and divided them into two categories. He sent good and righteous men to the Isles of the Blessed, and godless, unrighteous men to the prison of vengeance and punishment called Tartarus . These cases were judged badly because the men were judged while they were alive and with their clothes on, and
2990-512: Is above earth." Similarly the mythographer Apollodorus , describes Tartarus as "a gloomy place in Hades as far distant from earth as earth is distant from the sky." While according to Greek mythology the realm of Hades is the place of the dead, Tartarus also has a number of inhabitants. When Cronus came to power as the King of the Titans , he imprisoned the three ancient one-eyed Cyclopes and only
3120-497: Is actually more convincing in front of an ignorant audience than an expert, because mastery of the tools of persuasion gives a man more conviction than mere facts. Gorgias accepts this criticism and asserts that it is an advantage of his profession that a man can be considered above specialists without having to learn anything of substance (459c). Socrates calls rhetoric a form of flattery, or pandering, and compares it to pastry baking and self-adorning ( kommōtikōn ). He says that rhetoric
3250-409: Is also this sort of man, who would rather be refuted than refute another. Gorgias has only one misgiving: he fears that the present company may have something better to do than listen to two men try to outdo each other in being wrong (458b–c). The company protests and proclaims that they are anxious to witness this new version of intellectual combat. Socrates gets Gorgias to agree that the rhetorician
3380-450: Is criticised because, "he would teach anyone who came to him wanting to learn oratory but without expertise in what's just …" (482d). Socrates believes that people need philosophy to teach them what is right, and that oratory cannot be righteous without philosophy. Socrates continually claims that his methods of questioning are aimed at discovering the truth. He sarcastically compliments Callicles on his frankness because it helps expose
3510-431: Is disgraceful, and that if anyone should seize him and carry him off to prison, he would be helpless to defend himself, saying that Socrates would reel and gape in front of a jury, and end up being put to death (486a,b). Socrates is not offended by this, and tells Callicles that his extraordinary frankness proves that he is well-disposed towards him (487d). Callicles then returns to his defence of nature's own justice, where
3640-481: Is in love with the son of Cleinias and the Athenian Demus, and that neither can stop their beloveds from saying what is on their minds. While the statements of certain people often differ from one time to the next, Socrates claims that what philosophy says always stays the same (482b). Callicles accuses Socrates of carrying on like a demagogue . He argues that suffering wrong is worse than doing it, that there
3770-463: Is in their own best interest, but are actually pitiable. Socrates maintains that the wicked man is unhappy, but that the unhappiest man of all is the wicked one who does not meet with justice, rebuke, and punishment (472e). Polus, who has stepped into the conversation at this point, laughs at Socrates. Socrates asks him if he thinks laughing is a legitimate form of refutation (473e). Polus then asks Socrates if putting forth views that no one would accept
3900-670: Is more disgraceful than to suffer it, that equality is justice (489a–b), and that a man such as Callicles' ideal is like a leaky jar, insatiable and unhappy (494a). Socrates returns to his previous position, that an undisciplined man is unhappy and should be restrained and subjected to justice (505b). Callicles becomes exasperated at the intellectual stalemate, and invites Socrates to carry on by himself, asking and answering his own questions (505d). Socrates requests that his audience, including Callicles, listen to what he says and kindly break in on him if he says something that sounds false. If his opponent (whom he will be speaking for himself) makes
4030-412: Is not a refutation in itself. Socrates replies that if Polus cannot see how to refute him, he will show Polus how. Socrates states that it is far worse to inflict evil than to be the innocent victim of it (475e). He gives the example of tyrants being the most wretched people on earth. He adds that poverty is to financial condition as disease is to the body as injustice is to the soul (477b–c). This analogy
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4160-505: Is nothing good about being a victim. He further argues (as Glaucon does in the Gyges story in the Republic ) that wrongdoing is only by convention shameful, and it is not wrong by nature. Then, he berates Socrates for wasting time in frivolous philosophy, saying there is no harm in young people engaging in useless banter, but that it is unattractive in older men. He tells Socrates that he
4290-405: Is one of the few Athenians to practice true politics (521d). Socrates interrogates Gorgias to determine the true definition of rhetoric, framing his argument in the question format, "What is X?" (2). He asks, "… why don’t you tell us yourself what the craft you’re an expert in is, and hence what we’re supposed to call you?" (449e). Throughout the remainder of the dialogue, Socrates debates about
4420-461: Is portrayed as a sacrificer, mentioned as a founder of altars, and imagined as a voracious eater himself; it is in this role that he appears in comedy. While his tragic end provided much material for tragedy— Heracles is regarded by Thalia Papadopoulou as "a play of great significance in examination of other Euripidean dramas." In art and literature, Heracles was represented as an enormously strong man of moderate height; his characteristic weapon
4550-619: Is set in the tenth year of the war, tells of the quarrel between Agamemnon and Achilles, who was the finest Greek warrior, and the consequent deaths in battle of Achilles' beloved comrade Patroclus and Priam 's eldest son, Hector . After Hector's death, the Trojans were joined by two exotic allies, Penthesilea , queen of the Amazons , and Memnon , king of the Ethiopians and son of the dawn-goddess, Eos . Achilles killed both of these, but Paris then managed to kill Achilles with an arrow in
4680-565: Is surrounded by three perimeter walls, beyond which flows a flaming river named the Phlegethon . Drinking from the Phlegethon will not kill a mortal and it will heal while causing great pain. To further prevent escape, a hydra with fifty black, gaping jaws sits atop a gate that screeches when opened. They are flanked by adamantine columns, a substance that, like diamond, was believed to be so hard that nothing can cut through it. Inside
4810-476: Is that "the Greek gods are persons, not abstractions, ideas or concepts." Regardless of their underlying forms, the Ancient Greek gods have many fantastic abilities; most significantly, the gods are not affected by disease and can be wounded only under highly unusual circumstances. The Greeks considered immortality as the distinctive characteristic of their gods; this immortality, as well as unfading youth,
4940-420: Is the body of myths originally told by the ancient Greeks , and a genre of ancient Greek folklore , today absorbed alongside Roman mythology into the broader designation of classical mythology . These stories concern the ancient Greek religion 's view of the origin and nature of the world ; the lives and activities of deities , heroes , and mythological creatures ; and the origins and significance of
5070-461: Is the separation of body and soul. He says that each retains after death the qualities it had in life, so that a fat, long-haired man will have a fat, long-haired corpse. If he was a scoundrel, he will bear the scars of his beatings. When the judge lays hold of some potentate, he will find that his soul bears the scars of his perjuries and crimes, because these will be branded on his soul (524b–525a). Socrates remarks that some people are benefited by
5200-425: Is to politics what pastry baking is to medicine, and what cosmetics are to gymnastics. All of these activities are aimed at surface adornment, an impersonation of what is really good (464c–465d). Bruce McComiskey has argued that Gorgias may have been uncharacteristically portrayed by Plato, because "… Plato's Gorgias agrees to the binary opposition knowledge vs. opinion" (82). This is inaccurate because, "for Gorgias
5330-423: Is used to define the states of corruption in each instance. Money-making, medicine, and justice are the respective cures (478a,b). Socrates argues that just penalties discipline people, make them more just, and cure them of their evil ways (478d). Wrongdoing is second among evils, but wrongdoing and getting away with it is the first and greatest of evils (479d). It follows from this, that if a man does not want to have
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5460-749: The Homeric Hymns , in fragments of epic poems of the Epic Cycle , in lyric poems , in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age , and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias . Aside from this narrative deposit in ancient Greek literature , pictorial representations of gods, heroes, and mythic episodes featured prominently in ancient vase paintings and
5590-589: The Chimera and Medusa . Bellerophon's adventures are commonplace types, similar to the adventures of Heracles and Theseus. Sending a hero to his presumed death is also a recurrent theme of this early heroic tradition, used in the cases of Perseus and Bellerophon. The only surviving Hellenistic epic, the Argonautica of Apollonius of Rhodes (epic poet, scholar, and director of the Library of Alexandria ) tells
5720-476: The Derveni Papyrus now proves that at least in the fifth-century BC a theogonic-cosmogonic poem of Orpheus was in existence. The first philosophical cosmologists reacted against, or sometimes built upon, popular mythical conceptions that had existed in the Greek world for some time. Some of these popular conceptions can be gleaned from the poetry of Homer and Hesiod. In Homer, the Earth was viewed as
5850-520: The Geometric period from c. 900 BC to c. 800 BC onward. In fact, literary and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict; however, in many cases, the existence of this corpus of data is an indication that many elements of Greek mythology have strong factual and historical roots. Mythical narration plays an important role in nearly every genre of Greek literature. Nevertheless,
5980-539: The Hellenistic and Roman ages was primarily composed as a literary rather than cultic exercise. Nevertheless, it contains many important details that would otherwise be lost. This category includes the works of: Prose writers from the same periods who make reference to myths include Apuleius , Petronius , Lollianus , and Heliodorus . Two other important non-poetical sources are the Fabulae and Astronomica of
6110-598: The Parthenon depicting the sack of Troy); this artistic preference for themes deriving from the Trojan Cycle indicates its importance to the Ancient Greek civilization. The same mythological cycle also inspired a series of posterior European literary writings. For instance, Trojan Medieval European writers, unacquainted with Homer at first hand, found in the Troy legend a rich source of heroic and romantic storytelling and
6240-692: The Peloponnesian kingdoms of Mycenae , Sparta and Argos , claiming, according to legend, a right to rule them through their ancestor. Their rise to dominance is frequently called the " Dorian invasion ". The Lydian and later the Macedonian kings, as rulers of the same rank, also became Heracleidae. Other members of this earliest generation of heroes such as Perseus, Deucalion , Theseus and Bellerophon , have many traits in common with Heracles. Like him, their exploits are solitary, fantastic and border on fairy tale , as they slay monsters such as
6370-562: The Republic , Plato mentions the Myth of Er , who is said to have been a fallen soldier who resurrected from the dead, and saw their realm. According to this, the length of a punishment an adult receives for each crime in Tartarus, who is responsible for a lot of deaths, betrayed states or armies and sold them into slavery or had been involved in similar misdeeds, corresponds to ten times out of
6500-589: The Roman culture because of the story of Aeneas , a Trojan hero whose journey from Troy led to the founding of the city that would one day become Rome, as recounted in Virgil's Aeneid (Book II of Virgil's Aeneid contains the best-known account of the sack of Troy). Finally there are two pseudo-chronicles written in Latin that passed under the names of Dictys Cretensis and Dares Phrygius . The Trojan War cycle ,
6630-473: The Ancient Greek pantheon, poets composed the Homeric Hymns (a group of thirty-three songs). Gregory Nagy (1992) regards "the larger Homeric Hymns as simple preludes (compared with Theogony ), each of which invokes one god." The gods of Greek mythology are described as having essentially corporeal but ideal bodies. According to Walter Burkert , the defining characteristic of Greek anthropomorphism
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#17327727187846760-558: The Greek leaders (including the wanderings of Odysseus and Aeneas (the Aeneid ), and the murder of Agamemnon) were told in two epics, the Returns (the lost Nostoi ) and Homer's Odyssey . The Trojan cycle also includes the adventures of the children of the Trojan generation (e.g., Orestes and Telemachus ). The Trojan War provided a variety of themes and became a main source of inspiration for Ancient Greek artists (e.g. metopes on
6890-472: The Greek world and noted the stories they heard, supplied numerous local myths and legends, often giving little-known alternative versions. Herodotus in particular, searched the various traditions he encountered and found the historical or mythological roots in the confrontation between Greece and the East. Herodotus attempted to reconcile origins and the blending of differing cultural concepts. The poetry of
7020-553: The Olympians, the Greeks worshipped various gods of the countryside, the satyr-god Pan , Nymphs (spirits of rivers), Naiads (who dwelled in springs), Dryads (who were spirits of the trees), Nereids (who inhabited the sea), river gods, Satyrs , and others. In addition, there were the dark powers of the underworld, such as the Erinyes (or Furies), said to pursue those guilty of crimes against blood-relatives. In order to honor
7150-530: The Python. In classical texts, the longer form kata-tartaroo is often related to the throwing of the Titans down to Tartarus. The English Standard Version is one of several English versions that gives the Greek reading Tartarus as a footnote: For if God did not spare angels when they sinned, but cast them into hell(a) and committed them to chains(b) of gloomy darkness to be kept until the judgment; Adam Clarke reasoned that Peter's use of language relating to
7280-712: The Roman writer styled as Pseudo- Hyginus , the Imagines of Philostratus the Elder and Philostratus the Younger , and the Descriptions of Callistratus . Finally, several Byzantine Greek writers provide important details of myth, much derived from earlier now lost Greek works. These preservers of myth include Arnobius , Hesychius , the author of the Suda , John Tzetzes , and Eustathius . They often treat mythology from
7410-545: The Titans was an indication that the ancient Greeks had heard of a Biblical punishment of fallen angels . Some Evangelical Christian commentaries distinguish Tartarus as a place for wicked angels and Gehenna as a place for wicked humans on the basis of this verse. Other Evangelical commentaries, in reconciling that some fallen angels are chained in Tartarus, yet some not, attempt to distinguish between one type of fallen angel and another. Greek mythology Greek mythology
7540-519: The Trojan cycle, as well as the adventures of Heracles. These visual representations of myths are important for two reasons. Firstly, many Greek myths are attested on vases earlier than in literary sources: of the twelve labors of Heracles, for example, only the Cerberus adventure occurs in a contemporary literary text. Secondly, visual sources sometimes represent myths or mythical scenes that are not attested in any extant literary source. In some cases,
7670-456: The age when gods lived alone and the age when divine interference in human affairs was limited was a transitional age in which gods and mortals moved together. These were the early days of the world when the groups mingled more freely than they did later. Most of these tales were later told by Ovid's Metamorphoses and they are often divided into two thematic groups: tales of love, and tales of punishment. Tales of love often involve incest, or
7800-405: The ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of
7930-481: The appropriation or invention of some important cultural artifact, as when Prometheus steals fire from the gods, when Tantalus steals nectar and ambrosia from Zeus' table and gives it to his subjects—revealing to them the secrets of the gods, when Prometheus or Lycaon invents sacrifice, when Demeter teaches agriculture and the Mysteries to Triptolemus , or when Marsyas invents the aulos and enters into
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#17327727187848060-681: The army of the dead." Another important difference between the hero cult and the cult of gods is that the hero becomes the centre of local group identity. The monumental events of Heracles are regarded as the dawn of the age of heroes. To the Heroic Age are also ascribed three great events: the Argonautic expedition, the Theban Cycle , and the Trojan War . Some scholars believe that behind Heracles' complicated mythology there
8190-454: The arrival of Dionysus to establish his cult in Thrace was also the subject of an Aeschylean trilogy. In another tragedy, Euripides' The Bacchae , the king of Thebes , Pentheus , is punished by Dionysus, because he disrespected the god and spied on his Maenads , the female worshippers of the god. In another story, based on an old folktale-motif, and echoing a similar theme, Demeter
8320-476: The assembly to make an unwise decision, or to let a guilty man go free), but he says the teacher cannot be held responsible for this. He makes an argument from analogy: Gorgias says that if a man who went to wrestling school took to thrashing his parents or friends, you would not send his drill instructor into exile (456d–457c). He says that just as the trainer teaches his craft ( techne ) in good faith, and hopes that his student will use his physical powers wisely,
8450-574: The basis for the collection; however, the "Library" discusses events that occurred long after his death, hence the name Pseudo-Apollodorus. Among the earliest literary sources are Homer 's two epic poems, the Iliad and the Odyssey . Other poets completed the Epic Cycle , but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no direct connection with Homer. The oldest are choral hymns from
8580-409: The beginnings of the universe in human language. The most widely accepted version at the time, although a philosophical account of the beginning of things, is reported by Hesiod , in his Theogony . He begins with Chaos , a yawning nothingness. Next comes Gaia (Earth), "the ever-sure foundation of all", and then Tartarus , "in the depth of the wide-pathed Earth", and Eros (Love), "fairest among
8710-614: The bottom of this pit. Tartarus occurs in the Septuagint translation of Job (40:20 and 41:24) into Koine Greek, and in Hellenistic Jewish literature from the Greek text of the Book of Enoch , dated to 400–200 BC. This states that God placed the archangel Uriel "in charge of the world and of Tartarus" (20:2). Tartarus is generally understood to be the place where 200 fallen Watchers ( angels ) are imprisoned. Reference to
8840-458: The brevity of his replies. Gorgias remarks that no one has asked him a new question in a long time, and when Socrates asks, he assures him that he is just as capable of brevity as of long-windedness (449c). Gorgias admits under Socrates' cross-examination that while rhetoricians give people the power of words, they are not instructors of morality. Gorgias does not deny that his students might use their skills for immoral purposes (such as persuading
8970-512: The composition of the story of the Argonauts is earlier than Odyssey , which shows familiarity with the exploits of Jason (the wandering of Odysseus may have been partly founded on it). In ancient times, the expedition was regarded as a historical fact, an incident in the opening up of the Black Sea to Greek commerce and colonization. It was also extremely popular, forming a cycle to which
9100-451: The concept and ritual. The age in which the heroes lived is known as the Heroic age . The epic and genealogical poetry created cycles of stories clustered around particular heroes or events and established the family relationships between the heroes of different stories; they thus arranged the stories in sequence. According to Ken Dowden (1992), "there is even a saga effect: We can follow
9230-400: The culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today primarily from Greek literature and representations on visual media dating from
9360-513: The daughter of Sophia (wisdom) casts Ialdabaōth (demiurge) down to the bottom of the abyss of Tartarus. In The Book of Thomas , Tartaros is claimed by Jesus to be the place where those who hear the word of Judas Thomas and "turn away or sneer" are to be sent. These damned will be handed over to the angel or power Tartarouchos . In the New Testament , the noun Tartarus does not occur but tartaroō ( ταρταρόω , "throw to Tartarus"),
9490-408: The dead. Influences from other cultures always afforded new themes. According to Classical-era mythology, after the overthrow of the Titans, the new pantheon of gods and goddesses was confirmed. Among the principal Greek gods were the Olympians, residing on Mount Olympus under the eye of Zeus. (The limitation of their number to twelve seems to have been a comparatively modern idea.) Besides
9620-462: The deathless gods". Without male assistance, Gaia gave birth to Uranus (the Sky) who then fertilized her. From that union were born first the Titans —six males: Coeus , Crius , Cronus , Hyperion , Iapetus , and Oceanus ; and six females: Mnemosyne , Phoebe , Rhea , Theia , Themis , and Tethys . After Cronus was born, Gaia and Uranus decreed no more Titans were to be born. They were followed by
9750-473: The decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Epic Cycle as well as the adventures of Heracles . In the succeeding Archaic , Classical , and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on
9880-624: The divine-focused Theogony and Homeric Hymns in both size and popularity. Under the influence of Homer the "hero cult" leads to a restructuring in spiritual life, expressed in the separation of the realm of the gods from the realm of the dead (heroes), of the Chthonic from the Olympian. In the Works and Days , Hesiod makes use of a scheme of Four Ages of Man (or Races): Golden, Silver, Bronze, and Iron. These races or ages are separate creations of
10010-480: The earlier part of the so-called Lyric age . Hesiod , a possible contemporary with Homer, offers in his Theogony ( Origin of the Gods ) the fullest account of the earliest Greek myths, dealing with the creation of the world, the origin of the gods, Titans , and Giants , as well as elaborate genealogies, folktales, and aetiological myths. Hesiod's Works and Days , a didactic poem about farming life, also includes
10140-511: The essence of rhetoric and unveil the flaws of the sophistic oratory popular in Athens at the time. The art of persuasion was widely considered necessary for political and legal advantage in classical Athens , and rhetoricians promoted themselves as teachers of this fundamental skill. Some, like Gorgias , were foreigners attracted to Athens because of its reputation for intellectual and cultural sophistication. Socrates suggests that he (Socrates)
10270-476: The evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued. The earlier inhabitants of the Balkan Peninsula were an agricultural people who, using animism , assigned
10400-405: The fates of some families in successive generations." After the rise of the hero cult, gods and heroes constitute the sacral sphere and are invoked together in oaths and prayers which are addressed to them. Burkert (2002) notes that "the roster of heroes, again in contrast to the gods, is never given fixed and final form. Great gods are no longer born, but new heroes can always be raised up from
10530-410: The father, by Gaia, of the monster Typhon . According to Hyginus , Tartarus was the offspring of Aether and Gaia. Hesiod asserts that a bronze anvil falling from heaven would fall nine days before it reached the earth. The anvil would take nine more days to fall from earth to Tartarus. In the Iliad ( c. 8th century BC), Zeus asserts that Tartarus is "as far beneath Hades as heaven
10660-509: The first known representation of a myth in geometric art predates its first known representation in late archaic poetry, by several centuries. In the Archaic ( c. 750 – c. 500 BC ), Classical ( c. 480 –323 BC), and Hellenistic (323–146 BC) periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has changed over time to accommodate
10790-472: The gods, the Golden Age belonging to the reign of Cronos, the subsequent races to the creation of Zeus . The presence of evil was explained by the myth of Pandora , when all of the best of human capabilities, save hope, had been spilled out of her overturned jar. In Metamorphoses , Ovid follows Hesiod's concept of the four ages. "Myths of origin" or " creation myths " represent an attempt to explain
10920-541: The heel. Achilles' heel was the only part of his body which was not invulnerable to damage by human weaponry. Before they could take Troy, the Greeks had to steal from the citadel the wooden image of Pallas Athena (the Palladium ). Finally, with Athena's help, they built the Trojan Horse . Despite the warnings of Priam's daughter Cassandra , the Trojans were persuaded by Sinon , a Greek who feigned desertion, to take
11050-548: The heroes of the Trojan War and its aftermath became part of the oral tradition of Homer 's epic poems , the Iliad and the Odyssey . Two poems by Homer's near contemporary Hesiod , the Theogony and the Works and Days , contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and the origin of sacrificial practices. Myths are also preserved in
11180-729: The highest social prestige through his appointment as official ancestor of the Dorian kings. This probably served as a legitimation for the Dorian migrations into the Peloponnese . Hyllus , the eponymous hero of one Dorian phyle , became the son of Heracles and one of the Heracleidae or Heraclids (the numerous descendants of Heracles, especially the descendants of Hyllus —other Heracleidae included Macaria , Lamos, Manto , Bianor , Tlepolemus , and Telephus ). These Heraclids conquered
11310-420: The horse inside the walls of Troy as an offering to Athena; the priest Laocoon, who tried to have the horse destroyed, was killed by sea-serpents. At night the Greek fleet returned, and the Greeks from the horse opened the gates of Troy. In the total sack that followed, Priam and his remaining sons were slaughtered; the Trojan women passed into slavery in various cities of Greece. The adventurous homeward voyages of
11440-493: The hundred-armed Hecatonchires in Tartarus and set the monster Campe as its guard. Campe was part scorpion and had a ring of animal heads around her waist, snapping at anyone who dared to get near. She also carried a whip to torture the Cyclopes and the hundred-armed ones. Zeus killed Campe and released these imprisoned giants to aid in his conflict with the Titans. The gods of Olympus eventually triumphed. Cronus and many of
11570-415: The judges of the dead and chose who went to Tartarus. Rhadamanthus judged Asian souls, Aeacus judged European souls and Minos was the deciding vote and judge of the Greek. Souls regarded as unjust or perjured would go to Tartarus. Those who committed crimes seen as curable would be purified there, while those who committed crimes seen as uncurable would be eternally damned, and demonstrate a warning example for
11700-410: The judges were fooled by appearances. Zeus fixed the problem by arranging for people to be dead, and stripped naked of body and made his sons judges, Minos and Rhadamanthus from Europa and Aeacus from Aegina . (523d–524a) The judges had to be naked too, so they could scan the souls of men without distractions. Socrates adds that he has heard this myth, believes it, and infers from it that death
11830-404: The judicial system. Polus and Callicles are both astounded at Socrates' position and wonder if he is just kidding (481b). Callicles observes that if Socrates is correct, people have life upside down, and are everywhere doing the opposite of what they should be doing. Socrates says that he and Callicles share similar conditions in that he is in love with Alcibiades and philosophy, while Callicles
11960-464: The living. In Gorgias , Plato writes about Socrates telling Callicles , who believes might makes right , that doing injustice to others is worse than suffering injustice, and most uncurable inhabitants of Tartarus were tyrants whose might gave them the opportunity to commit huge crimes. Archelaus I of Macedon is mentioned as a possible example of this, while Thersites is said to be curable, because of his lack of might. According to Plato's Phaedo ,
12090-576: The middle of the Archaic period, myths about relationships between male gods and male heroes became more and more frequent, indicating the parallel development of pedagogic pederasty ( παιδικὸς ἔρως , eros paidikos ), thought to have been introduced around 630 BC. By the end of the fifth-century BC, poets had assigned at least one eromenos , an adolescent boy who was their sexual companion, to every important god except Ares and many legendary figures. Previously existing myths, such as those of Achilles and Patroclus , also then were cast in
12220-442: The monster Typhon , he threw him into "wide Tartarus". Originally, Tartarus was used only to confine dangers to the gods of Olympus and their predecessors. In later mythologies, Tartarus became a space dedicated to the imprisonment and torment of mortals who had sinned against the gods, and each punishment was unique to the condemned. For example: According to Plato ( c. 427 BC), Rhadamanthus , Aeacus and Minos were
12350-577: The myth of the voyage of Jason and the Argonauts to retrieve the Golden Fleece from the mythical land of Colchis . In the Argonautica , Jason is impelled on his quest by king Pelias , who receives a prophecy that a man with one sandal would be his nemesis . Jason loses a sandal in a river, arrives at the court of Pelias, and the epic is set in motion. Nearly every member of the next generation of heroes, as well as Heracles, went with Jason in
12480-479: The mythological details about gods and heroes. The evidence about myths and rituals at Mycenaean and Minoan sites is entirely monumental, as the Linear B script (an ancient form of Greek found in both Crete and mainland Greece) was used mainly to record inventories, although certain names of gods and heroes have been tentatively identified. Geometric designs on pottery of the eighth-century BC depict scenes from
12610-530: The myths of Prometheus , Pandora , and the Five Ages . The poet advises on the best way to succeed in a dangerous world, rendered yet more dangerous by its gods. Lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar , Bacchylides and Simonides , and bucolic poets such as Theocritus and Bion , relate individual mythological incidents. Additionally, myth
12740-399: The nature of rhetoric. Although rhetoric has the potential to be used justly, Socrates believes that in practice, rhetoric is flattery; the rhetorician makes the audience feel worthy because they can identify with the rhetorician’s argument. Socrates and Polus debate whether rhetoric can be considered an art . Polus states that rhetoric is indeed a craft, but Socrates replies, "To tell you
12870-492: The one-eyed Cyclopes and the Hecatoncheires or Hundred-Handed Ones, who were both thrown into Tartarus by Uranus. This made Gaia furious. Cronus ("the wily, youngest and most terrible of Gaia 's children") was convinced by Gaia to castrate his father. He did this and became the ruler of the Titans with his sister-wife, Rhea, as his consort, and the other Titans became his court. A motif of father-against-son conflict
13000-473: The only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus. This work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c. 180 BC to c. 125 BC and wrote on many of these topics. His writings may have formed
13130-542: The other Titans were banished to Tartarus, though Prometheus , Epimetheus , and female Titans such as Metis were spared. Other gods could be sentenced to Tartarus as well. In the Homeric hymn to Hermes, Apollo threatens to throw Hermes into Tartarus. Apollo himself was almost condemned to Tartarus by Zeus for the act of killing the Cyclops. The Hecatonchires became guards of Tartarus's prisoners. Later, when Zeus overcame
13260-497: The pain and agony of their own punishments (525b) and by watching others suffer excruciating torture; but others have misdeeds that cannot be cured. He says that the Odyssey by Homer pictures kings suffering eternally in Hades, but not the ordinary scoundrel, like Thersites . Socrates warns Callicles that when he is up before the judge on his own judgement day, he will reel and gape no less there than Socrates does here. He says that
13390-453: The personified Tartarus is described as one of the earliest beings to exist, alongside Chaos and Gaia (Earth). In Greek mythology, Tartarus is both a deity and a place in the underworld . In the Greek poet Hesiod 's Theogony ( c. late 8th century BC), Tartarus was the third of the primordial deities , following after Chaos and Gaia (Earth), and preceding Eros , and was
13520-459: The problem of the devolution of power and of the mode of accession to sovereignty. The twins Atreus and Thyestes with their descendants played the leading role in the tragedy of the devolution of power in Mycenae. The Theban Cycle deals with events associated especially with Cadmus , the city's founder, and later with the doings of Laius and Oedipus at Thebes; a series of stories that lead to
13650-409: The rhetorician has the same trust, that his students will not abuse their power. Socrates says that he is one of those people who is actually happy to be refuted if he is wrong. He says that he would rather be refuted than to refute someone else because it is better to be delivered from harm oneself than to deliver someone else from harm. Gorgias, whose profession is persuasion, readily agrees that he
13780-510: The seduction or rape of a mortal woman by a male god, resulting in heroic offspring. The stories generally suggest that relationships between gods and mortals are something to avoid; even consenting relationships rarely have happy endings. In a few cases, a female divinity mates with a mortal man, as in the Homeric Hymn to Aphrodite , where the goddess lies with Anchises to produce Aeneas . The second type (tales of punishment) involves
13910-593: The ship Argo to fetch the Golden Fleece. This generation also included Theseus , who went to Crete to slay the Minotaur ; Atalanta , the female heroine, and Meleager , who once had an epic cycle of his own to rival the Iliad and Odyssey . Pindar , Apollonius and the Bibliotheca endeavor to give full lists of the Argonauts. Although Apollonius wrote his poem in the 3rd century BC,
14040-483: The society while the beliefs were held. After they ceased to become religious beliefs, few would have known the rites and rituals. Allusions often existed, however, to aspects that were quite public. Images existed on pottery and religious artwork that were interpreted and more likely, misinterpreted in many diverse myths and tales. A few fragments of these works survive in quotations by Neoplatonist philosophers and recently unearthed papyrus scraps. One of these scraps,
14170-476: The sophist, all 'knowledge' is opinion. There can be no rational or irrational arguments because all human beliefs and communicative situations are relative to a kairotic moment" (83). Socrates then advances that "orators and tyrants have the very least power of any in our cities" (466d). Lumping tyrants and rhetoricians into a single category, Socrates says that both of them, when they kill people or banish them or confiscate their property, think they are doing what
14300-615: The stone, which had been sitting in Cronus's stomach all this time. Zeus then challenged Cronus to war for the kingship of the gods. At last, with the help of the Cyclopes (whom Zeus freed from Tartarus), Zeus and his siblings were victorious, while Cronus and the Titans were hurled down to imprisonment in Tartarus . Zeus was plagued by the same concern, and after a prophecy that the offspring of his first wife, Metis , would give birth to
14430-406: The stony hearts of the underworld gods in his descent to Hades . When Hermes invents the lyre in the Homeric Hymn to Hermes , the first thing he does is sing about the birth of the gods. Hesiod's Theogony is not only the fullest surviving account of the gods but also the fullest surviving account of the archaic poet's function, with its long preliminary invocation to the Muses . Theogony also
14560-405: The strong exercise their advantages over the weak. He states that the natural man has large appetites and the means to satisfy them, and that only a weakling praises temperance and justice based on artificial law not natural . (483b, 492a–c). Socrates calls Callicles a "desired touchstone " (486) and counters that not only " nomos " (custom or law) but also nature affirms that to do injustice
14690-473: The tale known to us through tragedy (e.g. Sophocles' Oedipus Rex ) and later mythological accounts. Greek mythology culminates in the Trojan War, fought between Greece and Troy , and its aftermath. In Homer's works, such as the Iliad , the chief stories have already taken shape and substance, and individual themes were elaborated later, especially in Greek drama. The Trojan War also elicited great interest in
14820-405: The technique of politics. He says that he enjoins people to take the bitter draughts, and compels them to hunger and thirst, while most politicians flatter the people with sweetmeats. He also says that "the body is our tomb of soul" (493a) citing the words of Euripides , "who knows if life be not death and death life". (492e) He says of his trial that, "I shall be judged like a doctor brought before
14950-459: The things we’ve been discussing" (472c). The dialogue begins just after Gorgias has given a speech. Callicles says that Gorgias is a guest in his home, and has agreed to a private audience with Socrates and his friend Chaerephon. Socrates gets Gorgias to agree to his cross-examination style of conversation. Gorgias identifies his craft as rhetoric, and affirms that he should be called a rhetorician. As Socrates asks him questions, he praises him for
15080-435: The truth about oratory: "I well know that if you concur with what my soul believes, then that is the very truth. I realize that the person who intends to put a soul to an adequate test to see whether it lives rightly or not must have three qualities, all of which you have: knowledge, goodwill, and frankness." (487a). Truth can be found through deliberation with others, relaying to one another the knowledge in one's soul to come to
15210-462: The truth, Polus, I don't think it's a craft at all" (462b). The dialogue continues: "POLUS: So you think oratory's a knack? "SOCRATES: Yes, I do, unless you say it's something else. "POLUS: A knack for what? "SOCRATES: For producing a certain gratification and pleasure." (462c) Socrates continues to argue that rhetoric is not an art, but merely a knack that "guesses at what's pleasant with no consideration for what's best. And I say that it isn't
15340-416: The uncurable consisted of temple robbers and murderers, while sons who killed one of their parents during a status of rage but regretted this their whole life, and involuntary manslaughterers, would be taken out of Tartarus after one year, so they could ask their victims for forgiveness. If they should be forgiven, they were liberated, but if not, would go back and stay there until they were finally pardoned. In
15470-469: The walls of Tartarus sits a wide-walled castle with a tall, iron turret. Tisiphone , one of the Erinyes , who represents vengeance, stands sleepless guard at the top of the turret lashing her whip. Roman mythology describes a pit inside extending down into the earth twice as far as the distance from the lands of the living to Olympus . The twin sons of the Titan Aloeus were said to be imprisoned at
15600-577: The war of the Seven against Thebes and the eventual pillage of that city at the hands of the Epigoni . (It is not known whether the Seven figured in early epic.) As far as Oedipus is concerned, early epic accounts seem to have him continuing to rule at Thebes after the revelation that Iokaste was his mother, and subsequently marrying a second wife who becomes the mother of his children—markedly different from
15730-574: The watchers of the book of Enoch is also observed in Jude 1:6-7 where scripture describes Angels being bound by chains under everlasting darkness, and 2 Peter 2:4 which further describes fallen angels committed to chains in Tartarus. In Hypostasis of the Archons (also translated 'Reality of the Rulers'), an apocryphal gnostic treatise dated before 350 AD, Tartarus makes a brief appearance when Zōē (life),
15860-434: The world" may be divided into three or four broader periods: While the age of gods often has been of more interest to contemporary students of myth, the Greek authors of the archaic and classical eras had a clear preference for the age of heroes, establishing a chronology and record of human accomplishments after the questions of how the world came into being were explained. For example, the heroic Iliad and Odyssey dwarfed
15990-598: Was central to classical Athenian drama . The tragic playwrights Aeschylus , Sophocles , and Euripides took most of their plots from myths of the age of heroes and the Trojan War. Many of the great tragic stories (e.g. Agamemnon and his children, Oedipus , Jason , Medea , etc.) took on their classic form in these tragedies. The comic playwright Aristophanes also used myths, in The Birds and The Frogs . Historians Herodotus and Diodorus Siculus , and geographers Pausanias and Strabo , who traveled throughout
16120-478: Was insured by the constant use of nectar and ambrosia , by which the divine blood was renewed in their veins. Each god descends from his or her own genealogy, pursues differing interests, has a certain area of expertise, and is governed by a unique personality; however, these descriptions arise from a multiplicity of archaic local variants, which do not always agree with one another. When these gods are called upon in poetry, prayer, or cult, they are referred to by
16250-592: Was probably a real man, perhaps a chieftain-vassal of the kingdom of Argos . Some scholars suggest the story of Heracles is an allegory for the sun's yearly passage through the twelve constellations of the zodiac. Others point to earlier myths from other cultures, showing the story of Heracles as a local adaptation of hero myths already well established. Traditionally, Heracles was the son of Zeus and Alcmene , granddaughter of Perseus . His fantastic solitary exploits, with their many folk-tale themes, provided much material for popular legend. According to Burkert (2002), "He
16380-511: Was repeated when Cronus was confronted by his son, Zeus . Because Cronus had betrayed his father, he feared that his offspring would do the same, and so each time Rhea gave birth, he snatched up the child and ate it. Rhea hated this and tricked him by hiding Zeus and wrapping a stone in a baby's blanket, which Cronus ate. When Zeus was full-grown, he fed Cronus a drugged drink which caused him to vomit, throwing up Rhea's other children, including Poseidon , Hades , Hestia , Demeter , and Hera , and
16510-540: Was searching for her daughter, Persephone , having taken the form of an old woman called Doso, and received a hospitable welcome from Celeus , the King of Eleusis in Attica . As a gift to Celeus, because of his hospitality, Demeter planned to make his son Demophon a god, but she was unable to complete the ritual because his mother Metanira walked in and saw her son in the fire and screamed in fright, which angered Demeter, who lamented that foolish mortals do not understand
16640-575: Was the bow but frequently also the club. Vase paintings demonstrate the unparalleled popularity of Heracles, his fight with the lion being depicted many hundreds of times. Heracles also entered Etruscan and Roman mythology and cult, and the exclamation "mehercule" became as familiar to the Romans as "Herakleis" was to the Greeks. In Italy he was worshipped as a god of merchants and traders, although others also prayed to him for his characteristic gifts of good luck or rescue from danger. Heracles attained
16770-431: Was the goddess of love and beauty, Ares was the god of war, Hades the ruler of the underworld, and Athena the goddess of wisdom and courage. Some gods, such as Apollo and Dionysus , revealed complex personalities and mixtures of functions, while others, such as Hestia (literally "hearth") and Helios (literally "sun"), were little more than personifications. The most impressive temples tended to be dedicated to
16900-503: Was the subject of many lost poems, including those attributed to Orpheus, Musaeus , Epimenides , Abaris , and other legendary seers, which were used in private ritual purifications and mystery-rites . There are indications that Plato was familiar with some version of the Orphic theogony. A silence would have been expected about religious rites and beliefs, however, and that nature of the culture would not have been reported by members of
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