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Terrytoons

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An animation studio is a company producing animated media. The broadest such companies conceive of products to produce, own the physical equipment for production, employ operators for that equipment, and hold a major stake in the sales or rentals of the media produced. They also own rights over merchandising and creative rights for characters created/held by the company, much like authors holding copyrights . In some early cases, they also held patent rights over methods of animation used in certain studios that were used for boosting productivity. Overall, they are business concerns and can function as such in legal terms.

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60-589: Terrytoons was an American animation studio headquartered in New Rochelle, New York that produced animated cartoons for theatrical release from 1929 to 1973 (and briefly returned between 1987 and 1996 for television in-name only). It was founded by Paul Terry , Frank Moser , and Joseph Coffman, and operated out of the "K" Building in downtown New Rochelle. The studio created many cartoon characters including Fanny Zilch , Mighty Mouse , Heckle and Jeckle , Gandy Goose , Sourpuss, Dinky Duck , Little Roquefort,

120-519: A director, at Terrytoons. Terrytoons shorts were originally released to theaters by 20th Century Fox from 1935 until 1973. After Paul Terry had retired, Terrytoons was sold to CBS , which would later purchase the entire library. Paramount Pictures would eventually take theatrical rights ownership of the Terrytoons library in 1994 (which was then already purchased by Viacom ), and would purchase CBS in 2000. As of 2019, Paramount Pictures has owned

180-484: A full-length animated feature film i.e. Snow White and the Seven Dwarfs , which laid the foundation for other studios to try to make full-length movies. In 1932 Flowers and Trees , a production by Walt Disney Productions and United Artists , won the first Academy Award for Best Animated Short Film . This period, from the 1920s to the 1950s or sometimes considered from 1911 to the death of Walt Disney in 1966,

240-601: A longer running manga or animated series. As the OAV market is not adapted to the rigors that are faced by television shows or feature films, they have been known to show gratuitous amounts of violence and/or pornography. Some OAV's have registered such strong acclaim that they have been remade as anime television series as well as theatrical releases. Since most new OVA's are derived from other animated media, many animation studios that have previously worked on animated series or movies, and adaptations of Japanese manga, have now entered

300-506: A new animation studio, Studio Ghibli , which would be used for the personal works of Miyazaki and his close friend, Isao Takahata . Many of Ghibli's works have become Japan's top-grossing theatrical films, whether in live-action or animated form. The market for 'OAV's or ' Original Anime Video ' later the acronym would be better known as 'OVA' meaning 'Original video animation' as the term 'OAV' could often be misunderstood for 'Original Adult Video', began in 1984. These are often tended towards

360-482: A new cartoon every other week, regardless of the quality of the films. Until 1957, screen credits were very sparse, listing only the writer (until 1950, solely John Foster; then Tom Morrison thereafter), director (Terry's three main directors were Connie Rasinski , Eddie Donnelly, and Mannie Davis), and musician (musical director Philip A. Scheib). Terrytoons' first distributor was Educational Pictures , specialists in short-subject comedies and novelties. Audio-Cinema in

420-465: A parody of late-night talk shows with Heckle and Jeckle serving as hosts of the show, along with their assistant Dinky Duck, and would have featured new cartoons featuring Terrytoon characters like Deputy Dawg, Sidney the Elephant, and Mighty Mouse. Curbside features talented voices of Toby Huss and Bobcat Goldthwait as Heckle & Jeckle, Dee Bradley Baker as Dinky Duck, Mighty Mouse and Sidney

480-485: A predecessor of Marvel Comics , in 1942. St. John Publications took over the license from 1947 to 1956, Pines Comics published Terrytoons comics from 1956 to 1959, Dell Comics made an attempt from 1959 to 1962 (and again later from 1966 to 1967), and finally Western Publishing published Mighty Mouse comics from 1962 all the way up to 1980. The lead title, Terry-Toons Comics , was published by Timely from Oct. 1942–Aug. 1947. With issue #60 (Sept. 1947), publication of

540-508: A profitable enterprise and many have entered the made for television market since, with Joseph Barbera and William Hanna refining the production process for television animation on their show Ruff and Reddy . It was in 1958 that The Huckleberry Hound Show claimed the title of being the first all-new half-hour cartoon show. This, along with their previous success with the series Tom and Jerry , elevated their animation studio, H.B. Enterprises (later Hanna-Barbera Productions ), to dominate

600-550: A very small core group. After being bought out or sold to other companies, they eventually consolidated with other studios and became larger. The drawback of this setup was that there was now a major thrust towards profitability with the management acting as a damper towards creativity of these studios, continuing even in today's scenario. Currently, the independent animation studios are looking to ensure artistic integrity by signing up with big animation studios on contracts that allow them to license out movies, without being directed by

660-707: Is commonly known as the Golden Age of American Animation as it included the growth of Disney, as well as the rise of Warner Bros. Cartoons and the Metro-Goldwyn-Mayer cartoon studio as prominent animation studios. Disney continued to lead in technical prowess among studios for a long time afterwards, as can be seen with their achievements . In 1941, Otto Messmer created the first animated television commercials for Botany Tie ads/weather reports. They were shown on NBC-TV in New York until 1949. This marked

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720-591: Is dated around 1917, but it would take until 1956 for the Japanese animation industry to successfully adopt the studio format as used in the United States. In 1961, these productions began to be aired in the US. Toei Animation , formed in 1948, was the first Japanese animation studio of importance and saw the reduction of animators as independent anime artists. After the formation of Toei Animation Co. Ltd. in 1948,

780-606: Is subject to local intellectual property rights. The animators must also be aware of the contracts laws and labour laws prevalent in the jurisdiction to which the animation studio is subject to. There have been numerous legal battles fought over the copyright of famous franchises, such as Kung Fu Panda and SpongeBob SquarePants . This has come about as a result of the clause in Copyright contracts that states that an idea cannot be protected, only an actual piece of work can be said to be infringed upon. This means that though

840-581: The Deputy Dawg series for television in 1959. Another television production for the Captain Kangaroo show was The Adventures of Lariat Sam , which was written in part by Gene Wood , who would later become the announcer for several TV gameshows including Family Feud . Phil Scheib continued as the studio's musical director through the mid-1960s when he was replaced by Jim Timmens and Elliott Lawrence. The best-known talent at Terrytoons in

900-604: The CBS Films subsidiary. Later, in 1957 CBS put it under the management of UPA alumni Gene Deitch , who had to work with even lower budgets. Deitch's most notable works at the studio were the Tom Terrific cartoon segments for the Captain Kangaroo television show. He also introduced a number of new characters, such as Sidney the Elephant, Gaston Le Crayon, John Doormat, and Clint Clobber . Before Deitch

960-455: The public domain and have either been issued on low-budget VHS tapes and DVDs or have been uploaded on sites such as Internet Archive . On January 5, 2010, the first official release of any Terrytoons material by CBS DVD was issued in the form of the complete series of Mighty Mouse: The New Adventures . In 1999, Nickelodeon attempted to revive the Terrytoons characters as part of a TV series called Curbside . Curbside would have been

1020-526: The 1960s was animator/director/producer Ralph Bakshi , who started with Terrytoons in the 1950s as an opaquer, and eventually helmed the Mighty Heroes series. Bakshi left Terrytoons in 1967 for Paramount 's own cartoon studio , which closed its cartoon unit later that year. He would later go on to produce Mighty Mouse: The New Adventures for television in 1987, which was also produced by future Ren & Stimpy creator John Kricfalusi . After

1080-411: The 1970s Terrytoons cartoons (especially Mighty Mouse and Deputy Dawg ) being syndicated to many local TV markets, and they were a staple of after-school and Saturday-morning cartoon shows for over three decades, from the 1950s through the 1980s, until the television rights to the library were acquired by USA Network in 1989. However, any new cartoons of the studio's stars came from other studios. In

1140-467: The Elephant, Billy West as Deputy Dawg, Haley Joel Osment as Tom Terrific, and additional voices of Baker, West, Charlie Adler , and Rob Paulsen . However, it was never picked up, making it the only Terrytoons show that was never officially released. Between 2001 and 2002, the Terrytoons characters returned to television in original commercials for Brazilian blue cheese (for what is now America's Dairy Farmers) and fine wine. One such infamous commercial

1200-728: The Japanese studios churned out minor works of animation. But with the release of Toei's first theatrical feature, The Tale of the White Serpent released in October 1958, the animation industry in Japan came into the eye of the general public. The success of Alakazam the Great led to the finding of the artist Osamu Tezuka , who would go on to become the father of Japanese manga with his brand of modern, fast-paced fantasy storylines. He became influenced by Hanna-Barbera productions of

1260-858: The North American and European markets, direct-to-video animation has seen a rise, as a concept, in the Western markets. With many comic characters receiving their versions of OVA 's, original video animations , under the Westernized title of direct-to-video animations, the OVA market has spread to American animation houses. Their popularity has resulted in animated adaptations of comic characters ranging from Hellboy , Green Lantern and Avengers . Television shows such as Family Guy and Futurama also released direct-to-video animations. DC Comics have continually released their own animated movies for

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1320-406: The North American television animation market during the latter half of the 20th century. In 2002, Shrek , produced by DreamWorks and Pacific Data Images won the first Academy Award for Best Animated Feature . Since then, Disney / Pixar have produced the most number of movies either to win or be nominated for the award. Though the term "direct-to-video" carries negative connotations in

1380-413: The OVA market, looking to capitalize on the popularity of their flagship shows. Studios participating in such circumstances include Production I.G and Studio Deen . Although there are permanent/full-time positions in studios, most animators work on a contract basis. There are some animators that are considered to be in the core group of the studio, which can either be as a result of being there since

1440-567: The Terry Bears, Dimwit, and Luno ; Terry's pre-existing character Farmer Al Falfa was also featured often in the series. The "New Terrytoons" period of the late 1950s through the mid-1960s produced such characters as Clint Clobber , Tom Terrific , Deputy Dawg , Hector Heathcote , Hashimoto-san , Sidney the Elephant, Possible Possum, James Hound, Astronut , Sad Cat , The Mighty Heroes , and Sally Sargent. Also during that time, Ralph Bakshi got his start as an animator, and eventually as

1500-530: The Terrytoons studio near his former studio. One staff member during that time was Art Babbitt , who went on to become a well-known Disney animator. Through much of its history, the studio was considered one of the lowest-quality houses in the field, to the point where Paul Terry noted, "Let Walt Disney be the Tiffany's of the business. I want to be the Woolworth's !" Terry's studio had the lowest budgets and

1560-603: The Timely run. That series eventually ran 71 issues with St. John, moving to Pines for 16 issues from Apr. 1956 to Aug. 1959, to Dell for 12 issues from Oct./Dec. 1959–July/Sept. 1962, and Western for 17 issues from Oct. 1962 to Jan. 1980 (with a hiatus from Sept. 1965 to Mar. 1979), finally ending with issue #172. St. John's Terrytoons comics include the field's first 3-D comic book, Three Dimension Comics #1 (Sept. 1953 oversize format, Oct. 1953 standard-size reprint), featuring Mighty Mouse. According to Joe Kubert , co-creator with

1620-477: The animators may have forwarded ideas to the animation studios about certain characters and plots, these ideas alone cannot be protected and can lead to studios profiting on individual animator's ideas. However, this has not stopped many independent artists from filing claims to characters produced by different studios. Due to the wide range of animation techniques and styles, many animation studios typically specialize in certain types. Traditional animation employs

1680-547: The bigger studios. Examples of such co-operation are the joint ventures between DreamWorks and Paramount Pictures and that of Blue Sky Studios and 20th Century Studios . On August 22, 2016, Comcast's NBCUniversal acquired DreamWorks Animation , appointing Meledandri oversee Comcast's Universal Animation/DreamWorks/Illumination, Disney's Disney Animation/Pixar/20th Century Animation, & Warner Bros. Warner Bros. Animation/Warner Bros. Pictures Animation. The first known example of Japanese animation, also called anime ,

1740-437: The brothers Norman Maurer and Leonard Maurer, it sold an exceptional 1.2 million copies at 25 cents apiece at a time when comics cost a dime. Dell Comics published eight issues of a New Terrytoons title from June/Aug. 1960 to March/May 1962. Animation studio The idea of a studio dedicated to animating cartoons was spearheaded by Raoul Barré and his studio, Barré Studio , co-founded with Bill Nolan , beating out

1800-577: The characters (such as Mighty Mouse, Heckle and Jeckle, Dinky Duck, Deputy Dawg, and others) were slated to make cameos in the 1988 film Who Framed Roger Rabbit , but only Oscar the Timid Pig, Looey Lion, and a character resembling Gandy Goose appeared. They can all be seen during the film's finale. They were also planned to appear in the deleted scene of Marvin Acme's funeral. In 1994, Fox would sell its Terrytoons theatrical distribution to Paramount, which

1860-513: The departure of Ralph Bakshi , the studio petered out, and finally closed in 1973. As a result of the FCC banning TV networks from owning cable television and syndication of television programs, CBS created Viacom Enterprises to handle all network programs beyond TV production and network broadcasting. On July 4, 1971, Viacom Enterprises spun off from CBS; neither Viacom Enterprises nor CBS had any interest in Terrytoons. The Terrytoons film library

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1920-646: The early 1930s backed the production of Terrytoons, and distributed the Educational library internationally, except in the United Kingdom and Ireland where the library was distributed by Educational and Gaumont-British in partnership with the Ideal Film Company . The Fox Film company then released Educational shorts to theaters in the 1930s, giving the Terry cartoons wide exposure. Following

1980-452: The first forays of animation designed for the smaller screen and was to be followed by the first animated series specifically made for television, Crusader Rabbit , in 1948. Its creator, Alex Anderson , had to create the studio 'Television Arts Productions' specifically for the purpose of creating this series as his old studio, Terrytoons , refused to make a series for television. Since Crusader Rabbit, however, many studios have seen this as

2040-414: The home video market, while not tending to the television or theatrical audience as such. They refer to those movies that are launched as direct-to-video releases and not meant to be released in theatres. Video productions can run from half an hour productions to well over two hours. They require that premise or story be original in order to be counted as an OVA, though sometimes, the story can be derived from

2100-421: The inception of the company or being talented recruits from other animation studios. These are the more secure positions in an animation studio, though the studio might have policies concerning the possible tenure of animators. Since studios can hire animators on a work for hire basis nowadays, many artists do not retain rights over their creations, unlike some of the early animators. The extent of these copyrights

2160-575: The late 1950s and made Japan's first made for television animation studio, Mushi Productions . The success of the studios' first show in 1963, Astro Boy , was so immense that there were 3 other television animation studios by the end of the year and Toei had opened their own made for television division. The greatest difference between Japanese studios and North American studios was the difference in adult-themed material to make way in Japan. Tezuka's thought that animation should not be restricted to kids alone has brought about many studios that are employed in

2220-420: The late 1970s, Filmation Studios licensed the rights to make the new Mighty Mouse and Heckle & Jeckle series from Viacom International. The series was The New Adventures of Mighty Mouse and Heckle & Jeckle and aired from 1979 to 1980 on CBS. Ralph Bakshi would later produce Mighty Mouse: The New Adventures in 1987, which lasted for two seasons. Bakshi and his friend John Kricfalusi inspired

2280-527: The merger between Fox Film and 20th Century , the newly formed 20th Century Fox withdrew its support from Educational Pictures, and the company both backed and distributed Terrytoons. Farmer Al Falfa was Terry's most familiar character in the 1930s; Kiko the Kangaroo was spun off the Farmer Al Falfa series. Most of the other cartoons featured stock generic animal characters and designs, one of which

2340-560: The production of adult-themed adaptations of classic stories such as Heidi ( Heidi, Girl of the Alps ), One Thousand and One Nights and The Diary of a Young Girl and many more. In the 1980s, animation studios were led back to their theatrical roots due to the success of Hayao Miyazaki 's film Nausicaä of the Valley of the Wind , which led publishing house Tokuma Shoten to finance

2400-783: The resulting frames are played back. Notable studios specializing in this style of animation include Aardman Animations , Laika and ShadowMachine . 3D animation is the newest of the animation techniques, using the assistance of computers and software, such as Houdini , to create 3D models that are then manipulated and rendered to create movement. Notable studios include Pixar Animation Studios , Sony Pictures Imageworks , Blue Sky Studios , Illumination , DNEG and Marza Animation Planet . Connie Rasinski J. Conrad " Connie " Rasinski (January 28, 1907 in Torrington, Connecticut – October 13, 1965 in Larchmont, New York )

2460-591: The rights to the studio and its library after the re-merger of Viacom and CBS. Terry first worked for Bray Studios in 1916, where he created the Farmer Al Falfa series. He would then make a Farmer Al Falfa short for Edison Pictures , called "Farmer Al Falfa's Wayward Pup" (1917), and some later cartoons were made for Paramount Pictures . Around 1921, Terry founded the Fables animation studio, named for its Aesop's Film Fables series, in conjunction with

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2520-417: The sole purpose of sale in the direct-to-video market. With growing worries about piracy, direct to video animation might become more popular in the near future. With the growth of animation as an industry, the trends of ownership of studios have gradually changed with time. Current studios such as Warner Bros. and early ones such as Fleischer Studios , started life as small, independent studios, being run by

2580-455: The staff to try to get as much Jim Tyer-style drawing in the show as possible. Tyer, a stand-out Terry animator of the original cartoons with a unique style, became a strong influence on the artists of the Bakshi series, such as now recognizable artists and animators— Bruce Timm , Doug Moench , Andrew Stanton , Rich Moore , Lynne Naylor , Jim Reardon , Tom Minton , and Bob Jaques . Many of

2640-566: The studio created by J.R. Bray , Bray Productions , to the honor of the first studio dedicated to animation. Though beaten to the post of being the first studio, Bray's studio employee, Earl Hurd , came up with patents designed for mass-producing the output for the studio. As Hurd did not file for these patents under his own name but handed them to Bray, they would go on to form the Bray-Hurd Patent Company and sold these techniques for royalties to other animation studios of

2700-479: The studio of Amedee J. Van Beuren . Fables churned out a Fable cartoon every week for eight years in the 1920s. In 1928, Van Beuren, anxious to compete with the new phenomenon of talking pictures , released Terry's Dinner Time (released October 1928). Van Beuren then urged Terry to start producing actual sound films, instead of post-synchronizing the cartoons. Terry refused, and Van Beuren fired him in 1929. Almost immediately, Terry and much of his staff started up

2760-544: The studio to a ghost studio with executive producer Bill Weiss and story supervisor Tom Morrison; Viacom kept the studio open until 1972. By October 1972, Viacom International announced that Terrytoons would leave New Rochelle and relocate to Viacom International's office in New York City. By December 29, Viacom sold the now abandoned New Rochelle studio, and the company's fate was forever sealed. Bill Weiss continued Terrytoons production from his New York City office with

2820-417: The time. The biggest name in animation studios during this early time was Disney Brothers Animation Studio (now known as Walt Disney Animation Studios ), co-founded by Walt and Roy O. Disney . Started on October 16, 1923, the studio went on to make its first animated short, Steamboat Willie in 1928, to much critical success, though the real breakthrough was in 1937, when the studio was able to produce

2880-499: The title was taken over by St. John Publications, which published another 27 issues until issue #86 (May 1951). The series continued in 1951 (with duplicate issues #85–86) as Paul Terry's Comics , publishing another 41 issues until May 1955, when it was canceled with issue #125. Timely launched the Mighty Mouse series in 1946. The first St. John Terrytoons comic was Mighty Mouse #5 (Aug. 1947), its numbering also taken over from

2940-513: The use of hand-drawn frames, and is used in the world of cartoons, movies and anime. Notable studios that specialize in this style include Studio Ghibli , Cartoon Saloon , Nickelodeon Animation Studio , Disney Television Animation , 20th Television Animation , Warner Bros. Animation , Cartoon Network Studios , Titmouse , Ufotable , Studio Chizu and CoMix Wave Films . Stop-motion animation uses objects that are incrementally moved and photographed in order to create an illusion of movement when

3000-450: The year, but 20th Century Fox continued to release Terrytoons to theaters for the next two decades. With a new emphasis on "star" characters, Terrytoons featured the adventures of Super Mouse (later renamed Mighty Mouse ), the talking magpies Heckle and Jeckle , silly Gandy Goose , Dinky Duck , mischievous mouse Little Roquefort, and The Terry Bears. Despite the artistic drawbacks imposed by Terry's inflexible business policies, Terrytoons

3060-454: Was a scruffy dog with a black patch around one eye; Terry ultimately built a series around this character, now known as Puddy the Pup. Paul Terry may have realized that Educational was in financial trouble because he found another lucrative outlet for his product. In 1938, he arranged to release his older cartoons through home-movie distributor Castle Films . Educational went out of business within

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3120-459: Was among the slowest to adapt to new technologies such as sound (in about 1930) and Technicolor (in 1938). While its graphic style remained remarkably static for decades, it actually followed the sound cartoon trend of the late 1920s and early 1930s very quickly. Background music was entrusted to one man, Philip Scheib, and Terry's refusal to pay royalties for popular songs forced Scheib to compose his own scores. Paul Terry took pride in producing

3180-640: Was an animation director who did the 1952 animated short "Hansel and Gretel" among others. Rasinski's "House of Hashimoto" was in competition at the 1961 Cannes Film Festival . Connie Rasinski was born Constantine Rasinski on January 28, 1907, in Torrington, Connecticut. As a young man Rasinski studied with Norman Rockwell at the Art Students League of New York . After a variety of jobs, Rasinski decided to become an animator. In 1930 he became an inker for Terrytoons . In 1937 he became

3240-560: Was cancelled and has been in development hell since then. However, development later revived in April 2019 for Paramount Animation with Jon and Erich Hoeber to write the screenplay and both Karen Rosenfelt and Robert W. Cort to produce. Among the many licensed Terrytoons products are comic books, mainly published throughout the 1940s and 1950s. The company's characters — including Mighty Mouse, Heckle and Jeckle, Dinky Duck, Gandy Goose, and Little Roquefort — were initially licensed to Timely,

3300-517: Was fired in 1959, Bill Weiss took complete control of the studio. Under his supervision, Heckle and Jeckle and Mighty Mouse went back into production. Besides the three core directors of the Terry era who were still involved as animators and directors, two Famous Studios stalwarts joined the crew, Dave Tendlar and Martin Taras . Other new theatrical cartoon series included Hector Heathcote , Luno and Hashimoto San . The studio also began producing

3360-411: Was folded into CBS Entertainment Group after releasing Jexi on the same day, Paramount Pictures now owns the theatrical distribution on behalf of Paramount Animation and CBS Entertainment Group, while CBS Media Ventures (formed in 2006) owns the television distribution on behalf of CBS Eye Animation Productions to the Terrytoons film library. However, some Terrytoons shorts are believed to be in

3420-520: Was nominated four times for the Academy Award for Animated Short Film : All Out for V in 1942, My Boy, Johnny in 1944, Mighty Mouse in Gypsy Life in 1945, and Sidney's Family Tree in 1958. The studio was sold outright by the retiring Paul Terry to CBS in 1955, but 20th Century Fox (TCF) continued distribution. The deal closed the following year in 1956, and it became a division of

3480-479: Was still regularly re-released to theaters by Fox. The studio's one of the last short was an unsold TV pilot called Sally Sargent , about a 16-year-old girl who is a secret agent. Soon after Sally Sargent was completed, Viacom International ended their relationship with Fox and re-releases ceased. Terrytoons’ existence soon came to an end. Art Bartsch, who kept the studio running after Bakshi left, would soon die along with Connie Rasinski, and Bob Kuwahara , reducing

3540-557: Was the Mighty Mouse ad (entitled "Dining With Cheese") dining calmly on cheese in a restaurant, utterly unconcerned with a scene of chaos and terror visibly unfolding in the street outside. That said commercial was then pulled from airing following the September 11th attacks . In 2004, a supposed live-action/animated hybrid Mighty Mouse film adaptation was announced for Nickelodeon Movies and Paramount Pictures with Steve Oedekerk of Omation Animation Studio to produce and direct, but

3600-517: Was then purchased by Viacom that same year, and would go on to purchase CBS six years later in 2000. However, through the years that have followed since the last Terrytoons TV series material in 1988, the rights have been scattered as a result of prior rights issues and the corporate changes involving Viacom and CBS, especially in 2005. Since CBS Corporation re-merged with Viacom to form ViacomCBS ( Paramount Global as of February 2022), reuniting CBS with Paramount, on December 4, 2019, and CBS Films

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