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33-649: (Redirected from The National Ballet ) National Ballet may refer to: National Ballet of Washington, D.C. Chilean National Ballet Cuban National Ballet Dutch National Ballet English National Ballet Finnish National Ballet Georgian National Ballet Hungarian National Ballet Iranian National Ballet Company Korea National Ballet National Ballet of Canada National Ballet of China National Ballet of Portugal National Ballet of Rwanda National Ballet Theater of Puerto Rico National Ballet of Ukraine Topics referred to by

66-403: A 75-minute informal ballet class for adults ages 21 and up with little to no prior dance experience. These programs are all facilitated by NYCB dancers. New York City Ballet offers tickets for $ 30 to select performances for patrons ages 13 to 30 at the box office, or online or by phone with an account; sales for each performance week (Tue. evening through Sun. matinee) begin at 10:00 a.m. on

99-543: A Faun . The performers included Maria Calegari, Kyra Nichols, Heather Watts , Leonid Kozlov , Afshin Mofid, Patricia McBride , Helgi Tomasson , Karin von Aroldingen , Lourdes Lopez , Bart Cook, and Joseph Duell. After Balanchine's death in 1983, Peter Martins was selected as balletmaster of the company. After 30 years, Martins was judged to have maintained the New York City Ballet's financial security and

132-823: A choreographer flourished. He created works that were the basis of the company's repertory until his death in 1983. He worked closely with choreographer Jerome Robbins , who resumed his connection with the company in 1969 after having produced works for Broadway. NYCB still has the largest repertoire by far of any American ballet company. It often stages 60 ballets or more in its winter and spring seasons at Lincoln Center each year, and 20 or more in its summer season in Saratoga Springs. City Ballet has performed The Nutcracker , Romeo and Juliet , A Midsummer Night's Dream , and many more. City Ballet has trained and developed many great dancers since its formation. Many dancers with already developed reputations have also joined

165-601: A resident company in the nation's capital." He resigned in April 1961 after a dispute over the future direction of the company. The National Ballet of Washington, D.C., was co-founded in 1962 by Jean Riddell, chairman of the board of the Washington Ballet Guild and a committed patron of the arts, and Frederic Franklin, artistic director, with financial assistance from the Ford Foundation . Mrs. Riddell

198-506: A summer residency at the Saratoga Performing Arts Center and regularly tour internationally. Introductory talks about a current performance, called First Position Discussions, are held before some performances or during some intervals in the fourth ring, house right; the docents are volunteers and include laymen as well as former dancers. Hour-long Inside NYCB events explore the history and inner workings of

231-445: Is an important symphonic institution in its own right, having played for virtually all of the thousands of performances NYCB has given over the decades. It is one of the most versatile orchestras in the world, on any given week performing perhaps three or four times the repertoire that another symphony might be expected to do. Principal players of the orchestra also perform the majority of the concertos, other solos, and chamber music in

264-660: Is different from Wikidata All article disambiguation pages All disambiguation pages National Ballet of Washington, D.C. The company debuted on January 3, 1962, at the George Washington University Lisner Auditorium , changed residency upon the opening of the John F. Kennedy Center for the Performing Arts in 1972, and officially ended on June 13, 1974. The National Ballet brought ballet to every state in

297-724: The National Symphony Orchestra was General Manager. Oleg Tupine was the Ballet Master. Ottavio DeRosa was Principal Conductor. James McInnes was Associate Conductor. James Gamble was Stage Manager. May Ishimoto was costumer. The repertoire of the National Ballet of Washington, D.C., included Swan Lake , The Nutcracker , Giselle , Les Sylphides , La Sylphide , Coppelia Con Amore, Homage au ballet, Raymonda Pas de Dix , Sylvia (ballet) Pas de Deux, Bachianas Brasileiras, Tribute, Legend of

330-663: The New York City Ballet and the original policy of the Sadler's Wells Ballet ." Riddell said, "The National Ballet is the only logical name for this company – it's designed not only for Washington, but also for growth." After three months of rehearsal, the company debuted on January 3, 1962, at the George Washington University Lisner Auditorium, with New York City Ballet co-founder and choreographer George Balanchine in

363-808: The Royal Ballet , and Violette Verdy , Patricia McBride and Edward Villella of the New York City Ballet . Other guest artists included Gaye Fulton of the Zurich Ballet Company, Fleming Flint of the Paris Opera Ballet , and Seija Simonen of the Helsinki Dance Company of Finland. The first graduates of the National Ballet School to be accepted into the company were Sheryl McKechnie, Judy Rhodes and Betty Risen. Ralph Black, former manager of

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396-553: The Arts and Humanities School of American Ballet Conjunctive Point Westside School of Ballet School of American Ballet School of American Ballet Miami City Ballet Summer Program School of American Ballet Les Jeunes Danseurs Chautauqua Summer Dance Program School of American Ballet Westside Ballet School of American Ballet The following is the current artistic staff (except dancers, who are listed at List of New York City Ballet dancers ): The 66-member NYCB Orchestra

429-515: The Monday of that week. New York City Ballet's Fourth Ring Society offered discounted tickets to all shows in the theater's Fourth Ring for a small annual fee. This program was closed to new members in 2011 and renamed Society NYCB to reflect an expanded offering of discounted seats in all sections of the theater, although over time a few ballet programs (e.g., Nutcracker) and individual dates became unavailable. City Ballet's Choreographic Institute

462-596: The NYCB repertory as well. The orchestra accompanies the ballet on all of its North American tours, and while the ballet uses local orchestras on its international tours, members of the NYCB Orchestra often go along as soloists or extras. Besides the members of the orchestra, the NYCB has six pianists on full-time staff. They all perform in the pit with the orchestra on a regular basis. The NYCB Orchestra also occasionally accompanies dance companies from other cities at

495-460: The Pearl, Night Song, Four Temperaments , La sonnambula (Balanchine) , Othello, Danse Brilliante, Le Combat, and Serenade (ballet) . New York City Ballet New York City Ballet ( NYCB ) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein . Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin

528-622: The Spring 2008 season was a celebration of Jerome Robbins ; major revivals were mounted of the following ballets: Friday, June 27, 2008, the first Dancers' Choice benefit was held for the Dancers' Emergency Fund. The program was initiated by Peter Martins , conceived and supervised by principal dancer Jonathan Stafford , assisted by Kyle Froman, Craig Hall, Amanda Hankes, Adam Hendrickson, Ask la Cour, Henry Seth, and Daniel Ulbricht, and consisted of:   and excerpts from: On June 14, 2009,

561-731: The United States but two, and also performed in Canada and Mexico. Ben Stevenson OBE was co-artistic director from 1971 to 1974. In 1958, Frederic Franklin was appointed co-director of the Washington Ballet by its founder, Mary Day. Franklin choreographed two original works – Etalage to music by Franz Liszt and Homage au Ballet with music by Charles-François Gounod – for the Washington Ballet. In 1960, Franklin said in an interview, "We are working towards

594-1247: The audience. The company received 13 curtain calls. Principal dancers included Sonia Arova , Alida Belair, Marilyn Burr, Eugene Collins, Jean-Paul Comelin, Ivan Dragadze, Roderick Drew, Anita Dyche, Stevan Grebel (1965–1971), Daniel Franck, Jacqueline Hepner, Claudine Kamoun, Desmond Kelly, Christine Knoblauch, Michelle Lees, Roni Mahler, Carmen Mathe, Kevin McKenzie, Yvonne Meyer, Ivan Nagy, Kirk Peterson, Dennis Poole, Stuart Sebastion, Andrea Vodehnal. Soloists included James Capp, Roy Gean, Helen Heineman, Judith Helman, Hiller Huhn, Linda Kintz, James Maher, Lucy Maybury, Patricia Mideke, Jane Miller, Judith Reese, Judy Rhodes, Judith Rigler, Ilona Russell, Thomas Russell, Christine Spizzo, Frederic Strobel, James Thompson, Franklin Yezer. Corps de Ballet included Mariana Alvarez, Charlotte Belcher, Roger Bigelow, Phyllis Blake, Karen Brown, Nancy Davis, Evelyn Ebel, Susan Frazer, Susan Gore, Katherine Laqueur, Maxine Mahon, Sheryl McKechnie, Andrea Price, Betty Risen, Susan Smith, Patricia Sorrell, Llanchie Stevenson , and James Thompson. Guest artists included Dame Margot Fonteyn of

627-476: The ballet as principal dancers: In 1960, Balanchine mounted City Ballet's Salute to Italy with premieres of Monumentum pro Gesualdo and Variations from Don Sebastian (called the Donizetti Variations since 1961), as well as performances of his La Sonnambula and Lew Christensen 's Con Amore . The performance was repeated in 1968. In 1972, Balanchine offered an eight-day tribute to

660-420: The company through performance and discussion, often with dancers and artistic staff. Other public programs include Family Saturdays, one-hour interactive programs for children 5 and up; Children's Workshops and In Motion Workshops, pre-performance explorations of the music, movement, and themes of a ballet featured in the matinee performance for children ages 5–8 and 9–11, respectively; and Ballet Essentials,

693-538: The composer, his great collaborator, who had died the year before. His programs included twenty-two new works of his own dances, plus works by choreographers Todd Bolender , John Clifford , Lorca Massine , Jerome Robbins, Richard Tanner , and John Taras , as well as repertory ballets by Balanchine and Robbins. Balanchine created Symphony in Three Movements , Duo Concertant , and Violin Concerto for

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726-622: The first ballet company in the United States to have two permanent venue engagements: one at Lincoln Center 's David H. Koch Theater on 63rd Street in Manhattan , and another at the Saratoga Performing Arts Center , in Saratoga Springs, New York . The School of American Ballet (S.A.B.), which Balanchine founded, is the training school of the company. After the company's move to the State Theater, Balanchine's creativity as

759-542: The following year. Balanchine's 50th Anniversary Celebration was held by the company in 2002. On April 26, 1984, NYCB celebrated the 20th anniversary of the New York State Theater. The program started with Igor Stravinsky 's Fanfare for a New Theater, followed by Stravinsky's arrangement of The Star-Spangled Banner . The ballets included three of Balanchine's works, Serenade , Stravinsky Violin Concerto , and Sonatine ; and Jerome Robbins' Afternoon of

792-828: The musicality and performance level of the dancers, but he has not emphasized the Balanchine style to the extent that many observers expected he would. Martins retired from his position in 2018. For the company's 40th anniversary, Martins held an American Music Festival, having commissioned dances from choreographers Laura Dean , Eliot Feld , William Forsythe , Lar Lubovitch , Paul Taylor . He also presented ballets by George Balanchine and Robbins. The programs included world premieres of more than twenty dances. Martins contributed Barber Violin Concerto , Black and White , The Chairman Dances , A Fool for You , Fred and George , Sophisticated Lady , Tanzspiel , Tea-Rose , and The Waltz Project . A major component of

825-728: The occasion. He and Robbins co-choreographed and performed in Pulcinella . Balanchine had produced an earlier Stravinsky festival in 1937 as balletmaster of the American Ballet while engaged by the Metropolitan Opera . The composer conducted the April 27th premiere of Card Party . In 1975, Balanchine paid his respects to the French composer Maurice Ravel with a two-week Hommage à Ravel . Balanchine, Robbins, Jacques d'Amboise , and Taras made sixteen new ballets for

858-605: The occasion. Repertory ballets were performed as well. High points included Balanchine's Le Tombeau de Couperin and Robbins' Mother Goose . In 1981, Balanchine planned a two-week NYCB festival honoring the Russian composer Peter Ilyitch Tschaikovsky . Balanchine, Joseph Duell , d'Amboise, Peter Martins , Robbins, and Taras created twelve new dances. In addition to presenting these and repertory ballets, Balanchine re-choreographed his Mozartiana from 1933. Philip Johnson and John Burgee 's stage setting of translucent tubing

891-427: The same term [REDACTED] This disambiguation page lists articles associated with the title National Ballet . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=National_Ballet&oldid=1237451528 " Category : Disambiguation pages Hidden categories: Short description

924-451: The second Dancers' Choice benefit was held at a special evening performance. The program included Sleeping Beauty and Union Jack . The program was supervised by principal dancer Jenifer Ringer. NYCB performs fall, winter and spring repertory seasons at the David H. Koch Theater at Lincoln Center as well as George Balanchine's Nutcracker during November and December; they have

957-461: The way he wants to do it." He served as the company's General Director from 1946 to 1989, developing and sustaining it by his organizational and fundraising abilities. The company was named New York City Ballet in 1948 when it became resident at City Center of Music and Drama . Its success was marked by its move to the New York State Theater, now David H. Koch Theater , designed by Philip Johnson to Balanchine's specifications. City Ballet became

990-508: Was designed to be hung and lit in different architectural configurations throughout the entire festival. In 1982, Balanchine organized a centennial celebration in honor of his long-time collaborator Igor Stravinsky , during which the City Ballet performed twenty-five ballets set to the composer's music. Balanchine made three new ballets, Tango , Élégie , and Persephone , and a new version of Variations . The choreographer died

1023-720: Was founded by Irene Diamond and Peter Martins in 2000. It has three main programmatic programs: choreographic sessions, providing choreographers with dancers and studio space; fellowship initiatives, annual awards in support of an emerging choreographer affiliated with a ballet company; and choreographic forums, symposia and round-table discussions on choreography, music, and design elements. School of American Ballet School of American Ballet Houston Ballet Academy (Houston Ballet II) School of American Ballet Ballet West Conservatory School of American Ballet San Francisco Ballet School Contra Costa Ballet School School of North Carolina Dance Theatre South Carolina Governor's School for

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1056-538: Was named president of its sustaining organization, the National Ballet Society. Franklin and Riddell also created the National Ballet School with an enrollment of 250 girls and boys with class size limited to 15 students. Franklin said: "The school and the company are for America and for all the good dancers that we can find and develop. Our intention is to establish a national company in the nation's capital based on artistic policies similar to those of

1089-614: Was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet , 1934; the American Ballet , 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan , 1941; and directly from the Ballet Society , 1946. In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in

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