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119-445: The Rolling Stone Record Guide was the first edition of what would later become The Rolling Stone Album Guide . It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson , and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of

238-458: A do it yourself (DIY) spirit are prized in punk rock. UK pub rock from 1972 to 1975 contributed to the emergence of punk rock by developing a network of small venues, such as pubs, where non-mainstream bands could play. Pub rock also introduced the idea of independent record labels , such as Stiff Records , which put out basic, low-cost records. Pub rock bands organized their own small venue tours and put out small pressings of their records. In

357-703: A "dirty bastard", a "dirty fucker", and a "fucking rotter", triggering a media controversy. The episode had a major impact on the history of the scene and the punk term became a household name in 24 hours thanks to the press coverage, and several front covers of newspapers. Two days later, the Sex Pistols, the Clash, the Damned, and the Heartbreakers set out on the Anarchy Tour, a series of gigs throughout

476-473: A "national scandal". Jamie Reid 's "anarchy flag" poster and his other design work for the Sex Pistols helped establish a distinctive punk visual aesthetic . On December 1, 1976, an incident took place that sealed punk rock's notorious reputation, when the Sex Pistols and several members of the Bromley Contingent , including Siouxsie Sioux and Steven Severin , filled a vacancy for Queen on

595-472: A "passable pop voice". Marsh described Bob Seger 's 1980 album Against the Wind as "absolutely cowardly". He was much more supportive of Seger's earlier work. In the 1983 Rolling Stone Record Guide , Marsh called Journey "a dead end for San Francisco area rock", and their music "calculated". He awarded every single Journey album released up to that point – seven studio albums, a compilation album and

714-610: A "punk mass" for the next couple of years. In the March 1971 issue of Creem, critic Greg Shaw wrote about the Shadows of Knight 's "hard-edge punk sound". In an April 1971 issue of Rolling Stone , he referred to a track by the Guess Who as "good, not too imaginative, punk rock and roll". The same month John Medelsohn described Alice Cooper 's album Love It to Death as "nicely wrought mainstream punk raunch". Dave Marsh used

833-409: A "style of adornment calculated to disturb and outrage". Among the other facets of the punk rock scene, a punk's hair is an important way of showing their freedom of expression. The typical male punk haircut was originally short and choppy; the mohawk later emerged as a characteristic style. Along with the mohawk, long spikes have been associated with the punk rock genre. Between the late 16th and

952-546: A 1974 interview for his fanzine Heavy Metal Digest , Danny Sugerman told Iggy Pop "You went on record as saying you never were a punk" and Iggy replied "...well I ain't. I never was a punk." By 1975, punk was being used to describe acts as diverse as the Patti Smith Group , the Bay City Rollers , and Bruce Springsteen . As the scene at New York's CBGB club attracted notice, a name was sought for

1071-568: A 2001 interview that "I don't know that it was any more important than disco ", and believes hip hop is more significant than punk in the history of rock music. He has written extensively about his favorite artists, including Marvin Gaye , whose song " I Heard It Through the Grapevine " he chose as the number one single of all-time in his book The Heart of Rock and Soul: the 1001 Greatest Singles Ever Made , and Sly Stone , whom he called "one of

1190-545: A band who can lay claim to influencing the movement, "the seeds of punk remain blatant in the howling ultimatum Erickson transferred from his previous teen combo to the Elevators" as well as describing other bands in the Houston , Texas psychedelic rock scene as "a prime example of the opaque proto-punk undertow at the heart of the best psychedelia ". Hippie proto-punk David Peel of New York City 's Lower East Side

1309-532: A characteristic sound described by Christgau as a "buzzsaw drone". Some punk rock bands take a surf rock approach with a lighter, twangier guitar tone. Others, such as Robert Quine , lead guitarist of the Voidoids , have employed a wild, " gonzo " attack, a style that stretches back through the Velvet Underground to the 1950s recordings of Ike Turner . Bass guitar lines are often uncomplicated;

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1428-459: A consolidation of the 1985 jazz guide and the blues coverage from other Rolling Stone guides. He recommended it to novices, calling it "a worthy addition to any serious jazz/blues collector's library", even though it was not as comprehensive as The Penguin Guide to Jazz or All Music Guide to Jazz , in his opinion. Approximately 70 writers contributed to this edition. Text on the back cover of

1547-618: A distinct musical style. Even where they diverged most clearly, in lyrical approach – the Ramones' apparent guilelessness at one extreme, Hell's conscious craft at the other – there was an abrasive attitude in common. Their shared attributes of minimalism and speed, however, had not yet come to define punk rock. After a brief period unofficially managing the New York Dolls, Briton Malcolm McLaren returned to London in May 1975, inspired by

1666-479: A form of cancer. The fund is dedicated to supporting research in the treatment and cure of sarcoma, as well as improving the lives of young adult cancer patients and their families. Marsh is also a member of the National Advisory Board of PROTECT : The National Association to Protect Children. Punk (music) Punk rock (also known as simply punk ) is a music genre that emerged in

1785-619: A former member of New York's experimental rock group the Velvet Underground , who inspired many of those involved in the creation of punk rock. The New York Dolls updated 1950s' rock 'n' roll in a fashion that later became known as glam punk . The New York duo Suicide played spare, experimental music with a confrontational stage act inspired by that of the Stooges. In Boston, the Modern Lovers , led by Jonathan Richman , gained attention for their minimalistic style. In 1974, as well,

1904-488: A live album – the minimum possible score of 1/5 stars. When asked about Marsh's unrelenting derision of Journey on a 1986 television program during which other critics had defended the band, lead singer Steve Perry called Marsh "an unusual little man who all too often thinks that his subjective opinions translate to inarguable fact". Also in the 1983 Rolling Stone Record Guide , Marsh described Air Supply as "The most calculated and soulless pseudo-group of its kind, which

2023-431: A mere four. This edition also included reviews of Jazz albums, which had been removed from the previous edition for the sake of publishing a separate Jazz guide. Unlike both previous editions, this edition did not include comedy artists. Similar to the first edition, it employed a five star rating scale (without the "zero stars" (▪) rating), but this edition had new definitions of what the number of stars meant, and employed

2142-525: A movement and cultural fad confined to western world in the 1970’s and 1980’s. The early punk bands emulated the minimal musical arrangements of 1960s garage rock . Typical punk rock instrumentation is stripped down to one or two guitars, bass, drums and vocals. Songs tend to be shorter than those of other rock genres and played at fast tempos. Most early punk rock songs retained a traditional rock 'n' roll verse-chorus form and 4/4 time signature . However, later bands often broke from this format. Punk music

2261-529: A musical and a cultural "Year Zero". As nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols ' slogan "No Future"; in the later words of one observer, amid the unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." While "self-imposed alienation " was common among "drunk punks" and "gutter punks", there

2380-399: A re-evaluation of their work. The Rolling Stone Jazz Record Guide was published in 1985 and incorporated the jazz listings omitted from The New Rolling Stone Record Guide with additional reviews edited by John Swenson. It included contributions from 16 music critics and featured alphabetical album listings under the name of each artist. This jazz edition uses the same rating system as

2499-584: A requisite item for punk fans. The BBC banned "Oh Bondage Up Yours!" due to its controversial lyrics. In October, the Sex Pistols hit number eight with " Holidays in the Sun ", followed by the release of their first and only "official" album, Never Mind the Bollocks, Here's the Sex Pistols . Inspiring yet another round of controversy, it topped the British charts. In December, one of the first books about punk rock

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2618-401: A single, "Little Johnny Jewel". In the words of John Walker, the record was "a turning point for the whole New York scene" if not quite for the punk rock sound itself – Hell's departure had left the band "significantly reduced in fringe aggression". Early in 1976, Hell left the Heartbreakers to form the Voidoids , described as "one of the most harshly uncompromising [punk] bands". That April,

2737-405: A two-month-long weekend residency at CBGB that significantly raised the club's profile. The Television sets included Richard Hell's "Blank Generation", which became the scene's emblematic anthem. Soon after, Hell left Television and founded a band featuring a more stripped-down sound, the Heartbreakers , with former New York Dolls Johnny Thunders and Jerry Nolan . In August, Television recorded

2856-527: A vehement, straight-ahead punk rock style with a committed anarchist mission, and played a major role in the emerging anarcho-punk movement. Sham 69, London's Menace, and the Angelic Upstarts from South Shields in the Northeast combined a similarly stripped-down sound with populist lyrics, a style that became known as street punk . These expressly working-class bands contrasted with others in

2975-725: Is also a committee member of the Rock and Roll Hall of Fame . Marsh grew up in Pontiac, Michigan , and graduated from Waterford Kettering High School in Waterford, Michigan . He attended Wayne State University in Detroit before dropping out in 1969 to write for Creem magazine. Marsh began his career as a rock critic and editor at Creem , which he helped start. At Creem , he was mentored by close friend and colleague Lester Bangs . While supportive of punk music in general, he said in

3094-399: Is applied to those who adopt its stylistic attributes but do not actually share or understand its underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult"; as the punk scene matured, he observes, eventually "everyone got called a poseur". Cultural scholars and music journalists have often attributed ‘true’ punk rock as

3213-481: Is much less the rule. Hardcore drumming tends to be especially fast. Production tends to be minimalistic, with tracks sometimes laid down on home tape recorders or four-track portastudios. Punk rock lyrics are typically blunt and confrontational; compared to the lyrics of other popular music genres, they often focus on social and political issues. Trend-setting songs such as the Clash's " Career Opportunities " and Chelsea 's "Right to Work" deal with unemployment and

3332-468: Is saying something". In 1989, Marsh referred to the Grateful Dead as the "worst band in creation". Regarding a possible Rock and Roll Hall of Fame induction for Kiss , Marsh said: "Kiss is not a great band. Kiss was never a great band. Kiss never will be a great band, and I have done my share to keep them off the ballot." Kiss were ultimately inducted in 2014; in the lead-up, Marsh said: "I

3451-403: Is superior and who is inferior. Its anthem, 'We Will Rock You', is a marching order: you will not rock us, we will rock you. Indeed, Queen may be the first truly fascist rock band...[I] wonder why anyone would indulge these creeps and their polluting ideas." Marsh had previously described Queen frontman Freddie Mercury – who is regarded as one of the best rock singers of all time – as possessing

3570-598: The Los Angeles Times , reviewing the debut album by a hard rock band, Aerosmith , declared that it "achieves all that punk-rock bands strive for but most miss." A March 1973 review of an Iggy and the Stooges show in the Detroit Free Press dismissively referred to Pop as "the apotheosis of Detroit punk music". In May 1973, Billy Altman launched the short-lived punk magazine in Buffalo, NY which

3689-528: The CBGB club, also in Lower Manhattan . At its core was Television , described by critic John Walker as "the ultimate garage band with pretensions". Their influences ranged from The Velvet Underground to the staccato guitar work of Dr. Feelgood 's Wilko Johnson . The band's bassist/singer, Richard Hell , created a look with cropped, ragged hair, ripped T-shirts, and black leather jackets credited as

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3808-505: The Internet Archive and Open Library ( registration required ) : Dave Marsh Dave Marsh (born 1949 or 1950) is an American music critic and radio talk show host. He was an early editor of Creem magazine, has written for various publications such as Newsday , The Village Voice , and Rolling Stone , and has published numerous books about music and musicians, mostly focused on rock music . He

3927-538: The Krautrock tradition of groups such as Can . In Japan, the anti-establishment Zunō Keisatsu (Brain Police) mixed garage-psych and folk . The combo regularly faced censorship challenges, their live act at least once including onstage masturbation. A new generation of Australian garage rock bands, inspired mainly by the Stooges and MC5 , was coming closer to the sound that would soon be called "punk": In Brisbane ,

4046-428: The safety-pin aesthetic —was a major influence on Sex Pistols impresario Malcolm McLaren and, in turn, British punk style. ( John D Morton of Cleveland's Electric Eels may have been the first rock musician to wear a safety-pin-covered jacket.) McLaren's partner, fashion designer Vivienne Westwood , credits Johnny Rotten as the first British punk musician to rip his shirt, and Sex Pistols bassist Sid Vicious as

4165-592: The 18th centuries, punk was a common, coarse synonym for prostitute; William Shakespeare used it with that meaning in The Merry Wives of Windsor (1602) and Measure for Measure (1603–4). The term eventually came to describe "a young male hustler, a gangster, a hoodlum, or a ruffian". The first known use of the phrase "punk rock" appeared in the Chicago Tribune on March 22, 1970, when Ed Sanders , co-founder of New York's anarcho-prankster band

4284-583: The 1990s with Nirvana , punk rock saw renewed major-label interest and mainstream appeal exemplified by the rise of the California bands Green Day , Social Distortion , Rancid , the Offspring , Bad Religion , and NOFX . The anti-government stance and nihilistic impression of the future provided by capitalism united the punk scene in the 1970’s in the United Kingdom as other bands emerged in

4403-456: The 70’s and 80’s like X-Ray Spex and Steel Pulse. The first wave of punk rock was "aggressively modern" and differed from what came before. According to Ramones drummer Tommy Ramone , "In its initial form, a lot of 1960s stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what

4522-484: The Alex Harvey Band — their influence was enormous. And they try to write that all off and wrap it around Patti Smith. It's so wrong!". In October 1976, the Damned released the first UK punk rock band single, " New Rose ". The Vibrators followed the next month with "We Vibrate". On November 26, 1976, the Sex Pistols' released their debut single " Anarchy in the U.K. ", which succeeded in its goal of becoming

4641-459: The Clash , which was joined by Joe Strummer . On June 4, 1976, the Sex Pistols played Manchester's Lesser Free Trade Hall in what became one of the most influential rock shows ever. Among the approximately forty audience members were the two locals who organised the gig—they had formed Buzzcocks after seeing the Sex Pistols in February. Others in the small crowd went on to form Joy Division ,

4760-581: The Clash's debut had included a cover of the recent Jamaican reggae hit " Police and Thieves ". Other first wave bands such as the Slits and new entrants to the scene like the Ruts and the Police interacted with the reggae and ska subcultures, incorporating their rhythms and production styles. The punk rock phenomenon helped spark a full-fledged ska revival movement known as 2 Tone , centered on bands such as

4879-458: The Dead Boys. They were soon playing regularly at Max's Kansas City and CBGB. At this early stage, the term punk applied to the scene in general, not necessarily a particular stylistic approach as it would later—the early New York punk bands represented a broad variety of influences. Among them, the Ramones, the Heartbreakers, Richard Hell and the Voidoids, and the Dead Boys were establishing

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4998-603: The Detroit band Death —made up of three African-American brothers—recorded "scorching blasts of feral ur-punk", but could not arrange a release deal. In Ohio, a small but influential underground rock scene emerged, led by Devo in Akron and Kent and by Cleveland's Electric Eels , Mirrors and Rocket from the Tombs . Bands anticipating the forthcoming movement were appearing as far afield as Düsseldorf , West Germany, where "punk before punk" band Neu! formed in 1971, building on

5117-541: The Electric Lady in New York City. Underground and pub rock scenes became filled with cacophonous sounds, haziness brought by drugs and alcohol, and unassuming fashion. American punk represented a new generation that combined bohemian atmosphere with an aggressive guitar distortion. The Dead Boys' debut LP, Young, Loud and Snotty , was released at the end of August. October saw two more debut albums from

5236-611: The English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band". British punk rejected contemporary mainstream rock, the broader culture it represented, and their musical predecessors: "No Elvis , Beatles or the Rolling Stones in 1977", declared the Clash song "1977". 1976, when the punk revolution began in Britain, became

5355-568: The Exploited ), and anarcho-punk (e.g., Crass ), became some of the predominant modes of punk rock, while bands more similar in form to the first wave (e.g., X , the Adicts ) also flourished. Many musicians who identified with punk or were inspired by it went on to pursue other musical directions, giving rise to movements such as post-punk , new wave , thrash metal , and alternative rock . Following alternative rock's mainstream breakthrough in

5474-559: The Fall , and – in the 1980s — the Smiths . In July, the Ramones played two London shows that helped spark the nascent UK punk scene. Over the next several months, many new punk rock bands formed, often directly inspired by the Sex Pistols. In London, women were near the center of the scene—among the initial wave of bands were the female-fronted Siouxsie and the Banshees , X-Ray Spex , and

5593-595: The Five-Star Records section, which is coincidentally five pages in length. The edition also included reviews for many comedy artists including Lenny Bruce , Lord Buckley , Bill Cosby , The Firesign Theatre , Spike Jones , and Richard Pryor . Comedy artists were listed in the catch-all section "Rock, Soul, Country and Pop", which included the genres of folk ( Carter Family , Woody Guthrie , Leadbelly ), bluegrass ( Bill Monroe ), funk ( The Meters , Parliament - Funkadelic ), and reggae ( Toots &

5712-546: The Fugs described his first solo album as "punk rock – redneck sentimentality". In 1969 Sanders recorded a song for an album called "Street Punk" but it was only released in 2008. In the December 1970 issue of Creem , Lester Bangs , mocking more mainstream rock musicians, ironically referred to Iggy Pop as "that Stooge punk". Suicide 's Alan Vega credits this usage with inspiring his duo to bill its gigs as "punk music" or

5831-532: The Heartbreakers' 1976 and 1977 tours of Britain, Thunders played a central role in popularizing heroin among the punk crowd there, as well.) The Ramones' third album, Rocket to Russia , appeared in November 1977. The Sex Pistols ' live TV skirmish with Bill Grundy on December 1, 1976, was the signal moment in British punk 's transformation into a major media phenomenon, even as some stores refused to stock

5950-523: The Jerks led what became known as no wave . The Misfits formed in nearby New Jersey. Still developing what would become their signature B movie –inspired style, later dubbed horror punk , they made their first appearance at CBGB in April 1977. The American youth were searching for authenticity and newcomers like The Ramone, The Clash and The Stooges. They brought their unique sound to venues like CBGB and

6069-535: The March 13, 1975 edition of Rolling Stone, Marsh was one of a number of critics asked about Bob Dylan's Blood on the Tracks. Marsh wrote: "The long songs, particularly, suffer from flat, tangled imagery, and the music, with all its hints at the old glory, is often incompetently performed. I suppose it's all a matter of what you're willing to settle for." Dave Marsh hosts three Sirius XM Radio shows, one called Live from E Street Nation , airing on E Street Radio and

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6188-551: The Maytals , Peter Tosh ), as well as comedy. Traditional pop performers were not included (e.g. Andrews Sisters , Tony Bennett , Perry Como , Bing Crosby , Peggy Lee , Rudy Vallee , Lawrence Welk ), with the notable exceptions of Frank Sinatra and Nat King Cole . (Dave Marsh justified this decision in his Introduction.) Included too were some difficult-to-classify artists (e.g. Osibisa , Yma Sumac , Urubamba ) who might now be considered as world music . ( Ethnic music

6307-754: The Ramones", when nothing could have been further from the truth. In Perth , the Cheap Nasties formed in August. In September 1976, the Saints became the first punk rock band outside the U.S. to release a recording, the single " (I'm) Stranded ". The band self-financed, packaged, and distributed the single. "(I'm) Stranded" had limited impact at home, but the British music press recognized it as groundbreaking. A second wave of punk rock emerged in 1977. These bands often sounded very different from each other. While punk remained largely an underground phenomenon in

6426-460: The Ramones' debut album was released by Sire Records ; the first single was " Blitzkrieg Bop ", opening with the rallying cry "Hey! Ho! Let's go!" According to a later description, "Like all cultural watersheds, Ramones was embraced by a discerning few and slagged off as a bad joke by the uncomprehending majority." The Cramps , whose core members were from Sacramento, California and Akron, Ohio , had debuted at CBGB in November 1976, opening for

6545-516: The River ", John Swenson described it both as an "FM radio classic" (p. 425), and as a "wimp anthem" (p. 244). His colleague, Dave Marsh, in reviewing the three albums of the jazz fusion group Chase , gave a one-word review: "Flee." Marsh's review of a then-current rock band called Platypus stated simply: "Lays eggs." The guide employs a five star rating scale with the following descriptions of those ratings: The New Rolling Stone Record Guide

6664-698: The Saints evoked the live sound of the British Pretty Things , who had toured Australia and New Zealand in 1975. The origins of New York's punk rock scene can be traced back to such sources as the late 1960s trash culture and an early 1970s underground rock movement centered on the Mercer Arts Center in Greenwich Village , where the New York Dolls performed. In early 1974, a new scene began to develop around

6783-405: The Sex Pistols as central players in a new youth movement, "hard and tough". As described by critic Jon Savage , the band members "embodied an attitude into which McLaren fed a new set of references: late-sixties radical politics, sexual fetish material, pop history, [...] youth sociology". Bernard Rhodes , an associate of McLaren, similarly aimed to make stars of the band London SS , who became

6902-570: The Specials , the Beat , Madness , and the Selecter . In July, the Sex Pistols' third single, " Pretty Vacant ", reached number six and Australia's the Saints had a top-forty hit with " This Perfect Day ". In September, Generation X and the Clash reached the top forty with, respectively, "Your Generation" and " Complete Control ". X-Ray Spex's " Oh Bondage Up Yours! " did not chart, but it became

7021-454: The T-shirt, motorcycle jacket, and jeans ensemble favored by American greasers of the 1950s associated with the rockabilly scene and by British rockers of the 1960s. In addition to the T-shirt, and leather jackets they wore ripped jeans and boots, typically Doc Martens . The punk look was inspired to shock people. Richard Hell 's more androgynous, ragamuffin look—and reputed invention of

7140-693: The Teenage Wasteland" in his review of the Stooges July 1972 performance at King's Cross Cinema in London for a British magazine called Cream (no relation to the more famous US publication). In the January 1973 Rolling Stone review of Nuggets , Greg Shaw commented "Punk rock is a fascinating genre... Punk rock at its best is the closest we came in the '60s to the original rockabilly spirit of Rock 'n Roll." In February 1973, Terry Atkinson of

7259-793: The UK. Many of the shows were cancelled by venue owners in response to the media outrage following the Grundy interview. A punk subculture began in Australia around the same time, centered around Radio Birdman and the Oxford Tavern in Sydney's Darlinghurst suburb. By 1976, the Saints were hiring Brisbane local halls to use as venues, or playing in "Club 76", their shared house in the inner suburb of Petrie Terrace . The band soon discovered that musicians were exploring similar paths in other parts of

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7378-783: The US, in the UK it had become a major sensation. During this period punk music also spread beyond the English speaking world, inspiring local scenes in other countries. The California punk scene was fully developed by early 1977. In Los Angeles, there were: the Weirdos , The Dils , the Zeros , the Bags , Black Randy and the Metrosquad , the Germs , Fear , The Go-Go's , X , the Dickies , and

7497-506: The album Radios Appear on its own Trafalgar label. By 1979, the hardcore punk movement was emerging in Southern California . A rivalry developed between adherents of the new sound and the older punk rock crowd. Hardcore, appealing to a younger, more suburban audience, was perceived by some as anti-intellectual, overly violent, and musically limited. In Los Angeles, the opposing factions were often described as "Hollywood punks" and "beach punks", referring to Hollywood's central position in

7616-417: The all-female the Slits . There were female bassists Gaye Advert in the Adverts and Shanne Bradley in the Nipple Erectors , while Sex store frontwoman Jordan not only managed Adam and the Ants but also performed screaming vocals on their song "Lou". Other groups included Subway Sect , Alternative TV , Wire , the Stranglers , Eater and Generation X . Farther afield, Sham 69 began practicing in

7735-479: The artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leonard Maltin 's book TV movies and Robert Christgau 's review column in the Village Voice . He gives Phonolog and Schwann's Records & Tape Guide as raw sources of information. The first edition included black and white photographs of many of the covers of albums which received five star reviews. These titles are listed together in

7854-415: The basis for punk rock visual style. In April 1974, Patti Smith came to CBGB for the first time to see the band perform. A veteran of independent theater and performance poetry, Smith was developing an intellectual, feminist take on rock 'n' roll. On June 5, she recorded the single " Hey Joe "/" Piss Factory ", featuring Television guitarist Tom Verlaine ; released on her own Mer Records label, it heralded

7973-522: The bestsellers Born to Run and Glory Days . Marsh has edited and contributed to Rock and Roll Confidential , a newsletter about rock music and social issues. The newsletter has since been renamed Rock and Rap Confidential . Marsh contributed to the 1994 book Mid-Life Confidential , a book about and by the Rock Bottom Remainders , a rock band composed of American authors. He has also worked for Newsday and The Real Paper . Marsh's book 360 Sound: The Columbia Records Story — Legends and Legacy ,

8092-435: The developing sound. Club owner Hilly Kristal called the movement "Street rock" ; John Holmstrom credits Aquarian magazine with using punk "to describe what was going on at CBGBs". Holmstrom, Legs McNeil , and Ged Dunn's magazine Punk , which debuted at the end of 1975, was crucial in codifying the term. "It was pretty obvious that the word was getting very popular", Holmstrom later remarked. "We figured we'd take

8211-486: The early Who , the British punks also reflected the influence of glam rock and related artists and bands such as David Bowie , Slade , T.Rex , and Roxy Music . However, Sex Pistols frontman Johnny Rotten (real name John Lydon) insisted that the influences of the UK punk scene were not from the US and NY. "I've heard an awful lot of American journalists pretending that the whole punk influence came out of New York." He argued: "T. Rex, David Bowie, Slade, Mott The Hoople ,

8330-404: The early 1970s to refer to mid-1960s garage acts. In the liner notes of the 1972 anthology LP, Nuggets , musician and rock journalist Lenny Kaye , later a member of the Patti Smith Group, used the term "punk rock" to describe the genre of 1960s garage bands and "garage-punk", to describe a song recorded in 1966 by the Shadows of Knight. Nick Kent referred to Iggy Pop as the "Punk Messiah of

8449-443: The early days of punk rock, this DIY ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very many skills as musicians but still felt the need to express themselves through music". In December 1976,

8568-483: The early evening Thames Television London television show Today to be interviewed by host Bill Grundy . When Grundy asked Siouxsie how she was doing, she made fun of him saying, "I've always wanted to meet you, Bill". Grundy who was drunk, told her on the air; "we shall meet afterwards then". This instantly generated a reaction from Sex Pistols guitarist Steve Jones who pronounced a series of terms inappropriate for prime-time television. Jones proceeded to call Grundy

8687-520: The first edition, the only difference being that in addition to a rating, the second edition also employs the pilcrow mark (¶) to indicate a title that was out of print at the time the guide was published. Many albums had their rating revised from the first edition; some artists had their ratings lowered (notably The Doors , Yes and Neil Young ) as the book now offered a revisionist slant to rock's history, whilst others, such as Little Feat and Richard Hell And The Voidoids , garnered higher ratings from

8806-817: The first to use safety pins, although few of those following punk could afford to buy McLaren and Westwood's designs so famously worn by the Pistols, so they made their own, diversifying the 'look' with various different styles based on these designs. Young women in punk demolished the typical female types in rock of either "coy sex kittens or wronged blues belters" in their fashion. Early female punk musicians displayed styles ranging from Siouxsie Sioux 's bondage gear to Patti Smith 's "straight-from-the-gutter androgyny". The former proved much more influential on female fan styles. Over time, tattoos, piercings , and metal-studded and -spiked accessories became increasingly common elements of punk fashion among both musicians and fans,

8925-458: The first two editions. The Rolling Stone Album Guide was a complete rewrite of both 1979's The Rolling Stone Record Guide and 1983's The New Rolling Stone Record Guide . The title change reflects the fact that by the time this edition was published in 1992, records were almost completely replaced by cassettes and CDs . This edition employs three new editors and reduces the number of reviewers from more than 50 as seen in previous editions to

9044-418: The fourth edition claims that the guide had been "completely updated and revised to include the past decade's artists and sounds", and offered "biographical overviews of key artists' careers, giving readers a look at the personalities behind the music". Some of the artists included in the previous guides but omitted in this edition include: Copies of the 1st, 2nd, and 4th editions are available to loan through

9163-606: The garage phenomenon gathered momentum around the US. By 1965, the harder-edged sound of British acts, such as the Rolling Stones , the Kinks , and the Who , became increasingly influential with American garage bands. The raw sound of U.S. groups such as the Sonics and the Seeds predicted the style of later acts. In the early 1970s some rock critics used the term "punk rock" to refer to

9282-834: The genre that became known as punk was developing, prominent acts included Television , Patti Smith , and the Ramones in New York City; the Saints in Brisbane ; the Sex Pistols , the Clash , and the Damned in London, and the Buzzcocks in Manchester. By late 1976, punk had become a major cultural phenomenon in the UK. It gave rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing , such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands and jewelry, safety pins, and bondage and S&M clothes. In 1977,

9401-442: The genres it reviewed into one section except for Jazz titles which were removed for this edition and were later expanded and published in 1985 Rolling Stone Jazz Record Guide (ed. Swenson). Besides adding reviews for many emerging punk and New Wave bands, this edition also added or expanded a significant number of reviews of long-established reggae and ska artists (such as U-Roy , Prince Buster , Ijahman , et al.). Since

9520-406: The goal of this guide was to review records that were in print at the time of publication, this edition featured a list of artists who were included in the first edition but were not included in the second edition because all of their material was out of print. This edition also dispensed with the album cover photos found in the first edition. The second edition uses exactly the same rating system as

9639-690: The greatest musical adventurers rock has ever known." Along with Rolling Stone magazine publisher Jann Wenner , Marsh has been involved in organizing and maintaining the Rock and Roll Hall of Fame in Cleveland , Ohio . Marsh has at times courted controversy with his style of maintaining selections. Marsh has championed the work of many rock and roll artists of the Fifties and early Sixties, including doo-wop and soul artists and girl groups, in his books and Rolling Stone contributions. Marsh also published four books about Bruce Springsteen , including

9758-574: The grim realities of urban life. Especially in early British punk, a central goal was to outrage and shock the mainstream. The Sex Pistols' " Anarchy in the U.K. " and " God Save the Queen " openly disparaged the British political system and social mores. Anti-sentimental depictions of relationships and sex are common, as in "Love Comes in Spurts", recorded by the Voidoids . Anomie , variously expressed in

9877-445: The influence of the music and subculture spread worldwide. It took root in a wide range of local scenes that often rejected affiliation with the mainstream. In the late 1970s, punk experienced a second wave, when new acts that had not been active during its formative years adopted the style. By the early 1980s, faster and more aggressive subgenres, such as hardcore punk (e.g., Minor Threat ), Oi! (e.g., Sham 69 ), street punk (e.g.,

9996-523: The job. Adopting a new name, the group played its first gig as the Sex Pistols on November 6, 1975, at Saint Martin's School of Art , and soon attracted a small but dedicated following. In February 1976, the band received its first significant press coverage; guitarist Steve Jones declared that the Sex Pistols were not so much into music as they were "chaos". The band often provoked its crowds into near-riots. Rotten announced to one audience, "Bet you don't hate us as much as we hate you!" McLaren envisioned

10115-467: The kind of "cerebral mix of musical ferocity and rebellious posture" that would characterize much of the later British punk rock of the 1970s. The garage/beat phenomenon extended beyond North America and Britain. In America, the psychedelic rock movement birthed an array of garage bands that would later become influences on punk, the Austin Chronicle described the 13th Floor Elevators as

10234-493: The mid-1960s garage genre, as well as for subsequent acts perceived to be in that stylistic tradition, such as the Stooges. In Britain, largely under the influence of the mod movement and beat groups, the Kinks' 1964 hit singles " You Really Got Me " and " All Day and All of the Night ", were both influenced by "Louie, Louie". In 1965, the Who released the mod anthem " My Generation ", which according to John Reed, anticipated

10353-509: The mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock , punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic ; many bands self-produce recordings and distribute them through independent labels . The term "punk rock"

10472-643: The movement: the Vibrators , formed as a pub rock–style act in February 1976, soon adopted a punk look and sound. A few even longer-active bands including Surrey neo-mods the Jam and pub rockers Eddie and the Hot Rods , the Stranglers , and Cock Sparrer also became associated with the punk rock scene. Alongside the musical roots shared with their American counterparts and the calculated confrontationalism of

10591-630: The music of Columbia Records, Legends and Legacy is available as a free eBook on iTunes." Marsh has been characterised as a "grumpy rock and roll journalist" due to his acerbic comments on popular musicians whom he dislikes. In 1976, he wrote that Led Zeppelin had an "insurmountable flaw" in drummer John Bonham (who has frequently been named as one of the greatest rock drummers of all time), whom he saw as "something like clinically incompetent" and responsible for marring every Zeppelin album to date. Marsh wrote in 1978: " Queen isn't here just to entertain. This group has come to make it clear exactly who

10710-595: The name before anyone else claimed it. We wanted to get rid of the bullshit, strip it down to rock 'n' roll. We wanted the fun and liveliness back." The early to mid-1960s garage rock bands in the United States and elsewhere are often recognized as punk rock's progenitors. the Kingsmen 's " Louie, Louie " is often cited as punk rock's defining " ur-text ". After the success of the British Invasion ,

10829-454: The new scene he had witnessed at CBGB. The King's Road clothing store he co-owned, recently renamed Sex , was building a reputation with its outrageous "anti-fashion". Among those who frequented the shop were members of a band called the Strand, which McLaren had also been managing. In August, the group was seeking a new lead singer. Another Sex habitué, Johnny Rotten , auditioned for and won

10948-490: The poetic terms of Richard Hell's " Blank Generation " and the bluntness of the Ramones' " Now I Wanna Sniff Some Glue ", is a common theme. The controversial content of punk lyrics has frequently led to certain punk records being banned by radio stations and refused shelf space in major chain stores. Christgau said that "Punk is so tied up with the disillusions of growing up that punks do often age poorly." The classic punk rock look among male American musicians harkens back to

11067-513: The political idealism and Californian flower-power silliness of hippie myth." Hippies were rainbow extremists; punks are romantics of black-and-white. Hippies forced warmth; punks cultivate cool . Hippies kidded themselves about free love ; punks pretend that s&m is our condition. As symbols of protest, swastikas are no less fatuous than flowers. — Robert Christgau in Christgau's Record Guide (1981) Technical accessibility and

11186-476: The quintessential approach is a relentless, repetitive "forced rhythm", although some punk rock bass players—such as Mike Watt of the Minutemen and Firehose —emphasize more technical bass lines. Bassists often use a pick due to the rapid succession of notes, making fingerpicking impractical. Drums typically sound heavy and dry, and often have a minimal set-up. Compared to other forms of rock, syncopation

11305-525: The records and radio airplay was hard to come by. Press coverage of punk misbehavior grew intense: On January 4, 1977, The Evening News of London ran a front-page story on how the Sex Pistols "vomited and spat their way to an Amsterdam flight". In February 1977, the first album by a British punk band appeared: Damned Damned Damned (by the Damned) reached number thirty-six on the UK chart. The EP Spiral Scratch , self-released by Manchester's Buzzcocks ,

11424-787: The relocated Tupperwares, now dubbed the Screamers . Black Flag formed in Hermosa Beach in 1976 under the name Panic. They developed a hardcore punk sound and played their debut public performance in a garage in Redondo Beach in December 1977. San Francisco's second wave included the Avengers , The Nuns , Negative Trend , the Mutants , and the Sleepers. By mid-1977 in downtown New York, bands such as Teenage Jesus and

11543-541: The scene's DIY ethic and has often been cited as the first punk rock record. By August, Smith and Television were gigging together at Max's Kansas City . In Forest Hills, Queens , the Ramones drew on sources ranging from the Stooges to the Beatles and the Beach Boys to Herman's Hermits and 1960s girl groups, and condensed rock 'n' roll to its primal level: " '1–2–3–4!' bass-player Dee Dee Ramone shouted at

11662-409: The scene: Richard Hell and the Voidoids' first full-length, Blank Generation , and the Heartbreakers' L.A.M.F. One track on the latter exemplified both the scene's close-knit character and the popularity of heroin within it: " Chinese Rocks " — the title refers to a strong form of the drug – was written by Dee Dee Ramone and Hell, both users, as were the Heartbreakers' Thunders and Nolan. (During

11781-706: The second Kick Out the Jams , airing Sundays on music talk channel Volume . The title references the MC5 album Kick Out the Jams . Marsh's third Sirius program, the political talk show Live From the Land of Hopes and Dreams , airs Sunday afternoons on Sirius Left , channel 146 and America Left , channel 167 on XM Satellite Radio . Marsh is a co-founder and trustee of the Kristen Ann Carr Fund, created in memory of his step-daughter who died in 1993 from sarcoma,

11900-471: The second wave that presaged the post-punk phenomenon. Liverpool's first punk group, Big in Japan , moved in a glam, theatrical direction. The band did not survive long, but it spun off several well-known post-punk acts. The songs of London's Wire were characterized by sophisticated lyrics, minimalist arrangements, and extreme brevity. Alongside thirteen original songs that would define classic punk rock,

12019-411: The southeastern town of Hersham . In Durham , there was Penetration , with lead singer Pauline Murray . On September 20–21, the 100 Club Punk Festival in London featured the Sex Pistols, Clash, Damned, and Buzzcocks, as well as Paris's female-lead Stinky Toys . Siouxsie and the Banshees and Subway Sect debuted on the festival's first night. On the festival's second night, audience member Sid Vicious

12138-429: The start of every song as if the group could barely master the rudiments of rhythm." The band played its first show at CBGB in August 1974. By the end of the year, the Ramones had performed seventy-four shows, each about seventeen minutes long. "When I first saw the Ramones", critic Mary Harron later remembered, "I couldn't believe people were doing this. The dumb brattiness." That spring, Smith and Television shared

12257-527: The term in the May 1971 issue of Creem , where he described ? and the Mysterians as giving a "landmark exposition of punk rock". Later in 1971, in his fanzine Who Put the Bomp , Greg Shaw wrote about "what I have chosen to call "punkrock" bands—white teenage hard rock of '64–66 ( Standells , Kingsmen, Shadows of Knight , etc.)". Lester Bangs used the term "punk rock" in several articles written in

12376-415: The use of 1/2 stars in the reviews. The descriptions of the markings used in the third edition of the guide are: Some of the artists included in the previous editions but omitted in this edition include: The Rolling Stone Jazz & Blues Album Guide was first published by Random House in 1999, with John Swenson as the editor. Reviewing the book for All About Jazz , C. Michael Bailey regarded it as

12495-435: The world. Ed Kuepper , co-founder of the Saints, later recalled: One thing I remember having had a really depressing effect on me was the first Ramones album. When I heard it [in 1976], I mean it was a great record [...] but I hated it because I knew we'd been doing this sort of stuff for years. There was even a chord progression on that album that we used [...] and I thought, "Fuck. We're going to be labeled as influenced by

12614-470: Was a benchmark for both the DIY ethic and regionalism in the country's punk movement. The Clash 's self-titled debut album came out two months later and rose to number twelve; the single " White Riot " entered the top forty. In May, the Sex Pistols achieved new heights of controversy (and number two on the singles chart) with " God Save the Queen ". The band had recently acquired a new bassist, Sid Vicious , who

12733-424: Was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass , who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer 's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do." Authenticity has always been important in the punk subculture—the pejorative term " poseur "

12852-448: Was an update of 1979's The Rolling Stone Record Guide . Like the first edition, it was edited by Marsh and Swenson. It included contributions from 52 music critics and featured chronological album listings under the name of each artist. In many cases, updates from the first edition consist of short, one-sentence verdicts upon an artist's later work. Instead of having separate sections such as Blues and Gospel, this edition compressed all of

12971-508: Was arrested for having thrown a glass at the Damned that shattered and destroyed a girl's eye. Press coverage of the incident reinforced punk's reputation as a social menace. Some new bands, such as London's Ultravox !, Edinburgh's Rezillos , Manchester's the Fall, and Leamington 's the Shapes , identified with the scene even as they pursued more experimental music. Others of a comparatively traditional rock 'n' roll bent were also swept up by

13090-426: Was done with them before I ever turned the first album over to the second side... all that mediocrity was harmless enough until the boastful bassist decided to turn it into a propaganda machine for the only two things he's ever loved: Gene Simmons and money." Lead singer Paul Stanley described Marsh as "pompous", and pointed to his derision of Led Zeppelin and Queen as evidence that he had "no clue" about music. In

13209-467: Was largely devoted to discussion of 1960s garage and psychedelic acts. In May 1974, Los Angeles Times critic Robert Hilburn reviewed the second New York Dolls album, Too Much Too Soon . "I told ya the New York Dolls were the real thing," he wrote, describing the album as "perhaps the best example of raw, thumb-your-nose-at-the-world, punk rock since the Rolling Stones ' Exile on Main Street ." In

13328-441: Was needed was some pure, stripped down, no bullshit rock 'n' roll." John Holmstrom , founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." According to Robert Christgau , punk "scornfully rejected

13447-483: Was not a standalone movement in the 70’s and 80’s. Major punk communities gather across the globe as punk perseveres among contemporary musicians and listeners today. The vocals are sometimes nasal, and the lyrics often shouted in an "arrogant snarl", rather than conventionally sung. Complicated guitar solos were considered self-indulgent, although basic guitar breaks were common. Guitar parts tend to include highly distorted power chords or barre chords , creating

13566-444: Was previously used by American rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges , and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York have also been cited as key influences. Between 1974 and 1976, when

13685-464: Was published: The Boy Looked at Johnny , by Julie Burchill and Tony Parsons . In February 1977, EMI released the Saints ' debut album, (I'm) Stranded , which the band recorded in two days. The Saints had relocated to Sydney; in April, they and Radio Birdman united for a major gig at Paddington Town Hall . Last Words had also formed in the city. The following month, the Saints relocated again, to Great Britain. In June, Radio Birdman released

13804-506: Was released in October 2012, as a companion to Sean Wilentz's book 360 Sound: The Columbia Records Story . In the same format as Heart of Rock and Soul , this book covers the 264 greatest songs from Columbia Records beginning with the 1890 performance of John Philip Sousa 's " Washington Post March " and working its way chronologically up to Adele 's " Rolling in the Deep " (2011). To promote

13923-509: Was seen as exemplifying the punk persona. The swearing during the Grundy interview and the controversy over "God Save the Queen" led to a moral panic . Scores of new punk groups formed around the United Kingdom, as far from London as Belfast 's Stiff Little Fingers and Dunfermline , Scotland's the Skids . Though most survived only briefly, perhaps recording a small-label single or two, others set off new trends. Crass , from Essex , merged

14042-401: Was the first person to use the word " motherfucker " in a song title and also directly influenced the Clash . In August 1969, the Stooges , from Ann Arbor , premiered with a self-titled album . According to critic Greil Marcus , the band, led by singer Iggy Pop , created "the sound of Chuck Berry 's Airmobile —after thieves stripped it for parts". The album was produced by John Cale ,

14161-530: Was the normal term in 1979.) Big band jazz was handled selectively, with certain band leaders omitted (e.g. Tommy Dorsey , Glenn Miller , Paul Whiteman ), while others were included (e.g. Count Basie , Cab Calloway , Duke Ellington , Benny Goodman ). Many other styles of jazz did appear in the Jazz section. The book was notable for the time in the provocative, "in your face" style of many of its reviews. For example, writing about Neil Young 's song, " Down by

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