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101-628: The Aspern Papers is a novella by American writer Henry James , originally published in The Atlantic Monthly in 1888, with its first book publication later in the same year. One of James's best-known and most acclaimed longer tales, The Aspern Papers is based on the letters Percy Bysshe Shelley wrote to Mary Shelley 's stepsister, Claire Clairmont , who saved them until she died. Set in Venice , The Aspern Papers demonstrates James's ability to generate suspense while never neglecting

202-727: A British citizen in 1915, a year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916. Jorge Luis Borges said "I have visited some literatures of East and West; I have compiled an encyclopedic compendium of fantastic literature; I have translated Kafka , Melville , and Bloy ; I know of no stranger work than that of Henry James." James was born at 21 Washington Place (facing Washington Square) in New York City on 15 April 1843. His parents were Mary Walsh and Henry James Sr. His father

303-580: A feminist icon. She was seen as struggling through her illnesses to find her own voice. Henry, one of Alice's brothers, read this work with deep alarm (because of its candid indiscretions about family and friends) but also with enormous admiration. He wrote in a letter to another of the James brothers, William, that he now understood what had caused their sister's debility. The diary, Henry said, displayed for him Alice's great "energy and personality of intellectual and moral being," but also, "puts before me what I

404-414: A Preface and changes including "Miss Tita" being renamed to "Miss Tina", for the 1908 New York Edition . Henry James Henry James OM ( ( 1843-04-15 ) 15 April 1843 – ( 1916-02-28 ) 28 February 1916) was an American-British author. He is regarded as a key transitional figure between literary realism and literary modernism , and is considered by many to be among the greatest novelists in

505-448: A close relationship that has been argued to consist of eroticism . William would write “mock sonnets” to Alice and read them to her in front of their family. One such sonnet has William declaring his desire to marry Alice, "I swore to ask thy hand, my love." The sonnet goes on to describe Alice rejecting him, "So very proud, but yet so fair/The look you on me threw/You told me I must never dare/To hope for love from you." William concludes

606-447: A diary in 1889. Full of witty, acerbic, insightful comments on English life and manners, it included excerpts from various publications to support her opinions. The diary was not published for many years after her death due to sharp comments on various persons whom she had mentioned by name. A poorly edited version of the diary was eventually released in 1934. Leon Edel edited a fuller edition in 1964. The diary has made James something of

707-616: A dramatisation of his popular novella Daisy Miller in 1882. From 1890 to 1892, having received a bequest that freed him from magazine publication, he made a strenuous effort to succeed on the London stage, writing a half-dozen plays, of which only one, a dramatisation of his novel The American , was produced. This play was performed for several years by a touring repertory company, and had a respectable run in London, but did not earn very much money for James. His other plays written at this time were not produced. In 1893, however, he responded to

808-581: A fire. This injury, which resurfaced at times throughout his life, made him unfit for military service in the American Civil War. His younger brothers Garth Wilkinson and Robertson, however, both served, with Wilkinson serving as an officer in the 54th Massachusetts . In 1864, the James family moved to Boston, Massachusetts, to be near William, who had enrolled first in the Lawrence Scientific School at Harvard and then in

909-431: A letter explaining how much he pitied her. He advised her to "look for the little good in each day as if life were to last a hundred years." He wanted her to save herself from suffering the torment of physical pain. "Take all the morphia (or other forms of opium if that disagrees) you want, and don't be afraid of becoming an opium-drunkard. What was opium created for except for such times as this?" James began to keep

1010-649: A letter to their parents in Paris, while the boys were staying in Bonn, that Henry and Garth Wilkinson would wrestle "when study has made them dull and sleepy." In 1860, the family returned to Newport. There, Henry befriended Thomas Sergeant Perry , who was to become a celebrated literary academic in adulthood, and painter John La Farge , for whom Henry sat as a subject, and who introduced him to French literature, and in particular, to Balzac . James later called Balzac his "greatest master", and said that he had learned more about

1111-482: A living, however, and lacked the experiences of select schools, university, and army service, the common bonds of masculine society. He was furthermore a man whose tastes and interests were, according to the prevailing standards of Victorian era Anglo-American culture, rather feminine, and who was shadowed by the cloud of prejudice that then and later accompanied suspicions of his homosexuality. Edmund Wilson compared James's objectivity to Shakespeare's: One would be in

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1212-806: A long visit, James refers jocularly to their "happy little congress of two". In letters to Hugh Walpole, he pursues convoluted jokes and puns about their relationship, referring to himself as an elephant who "paws you oh so benevolently" and winds about Walpole his "well-meaning old trunk". His letters to Walter Berry printed by the Black Sun Press have long been celebrated for their lightly veiled eroticism. However, James corresponded in equally extravagant language with his many female friends, writing, for example, to fellow novelist Lucy Clifford : "Dearest Lucy! What shall I say? when I love you so very, very much, and see you nine times for once that I see Others! Therefore I think that—if you want it made clear to

1313-568: A number of weeks in Italy in 1887, and his shock and grief over her suicide in 1894, are discussed in detail in Edel's biography and play a central role in a study by Lyndall Gordon . Edel conjectured that Woolson was in love with James and killed herself in part because of his coldness, but Woolson's biographers have objected to Edel's account. James is one of the major figures of trans-Atlantic literature. His works frequently juxtapose characters from

1414-430: A once-familiar paradigm in biographies of homosexuals when direct evidence was nonexistent. Novick also criticised Edel for following the discounted Freudian interpretation of homosexuality "as a kind of failure." The difference of opinion erupted in a series of exchanges between Edel (and later Fred Kaplan filling in for Edel) and Novick, which were published by the online magazine Slate , with Novick arguing that even

1515-489: A position to appreciate James better if one compared him with the dramatists of the seventeenth century— Racine and Molière , whom he resembles in form as well as in point of view, and even Shakespeare , when allowances are made for the most extreme differences in subject and form. These poets are not, like Dickens and Hardy , writers of melodrama—either humorous or pessimistic, nor secretaries of society like Balzac , nor prophets like Tolstoy : they are occupied simply with

1616-457: A product of conflict between her character and her "usual world" surroundings. To her it was instead the outcome of a struggle between her "will" or "moral power" and her "body". "In looking back now," she wrote toward the end of her life, "I see how it began in my childhood, altho' I was not conscious of the necessity until '67 or '68 [when she was 19 and 20] when I broke down first, acutely, and had violent turns of hysteria. As I lay prostrate after

1717-409: A repeated exposure of this wickedness, a reiterated and passionate plea for the fullest freedom of development, unimperiled by reckless and barbarous stupidity. Philip Guedalla jokingly described three phases in the development of James's prose: "James I, James II, and The Old Pretender," and observers do often group his works of fiction into three periods. In his apprentice years, culminating with

1818-610: A reputation as the most analysed and ambiguous ghost story in the English language and remains his most widely adapted work in other media. He wrote other highly regarded ghost stories, such as " The Jolly Corner ". James published articles and books of criticism, travel , biography, autobiography, and plays. Born in the United States, James largely relocated to Europe as a young man, and eventually settled in England, becoming

1919-573: A request from actor-manager George Alexander for a serious play for the opening of his renovated St. James's Theatre, and wrote a long drama, Guy Domville , which Alexander produced. A noisy uproar arose on the opening night, 5 January 1895, with hissing from the gallery when James took his bow after the final curtain, and the author was upset. The play received moderately good reviews and had a modest run of four weeks before being taken off to make way for Oscar Wilde 's The Importance of Being Earnest , which Alexander thought would have better prospects for

2020-663: A series of adverbs. The overall effect could be a vivid evocation of a scene as perceived by a sensitive observer. It has been debated whether this change of style was engendered by James's shifting from writing to dictating to a typist, a change made during the composition of What Maisie Knew . In its intense focus on the consciousness of his major characters, James's later work foreshadows extensive developments in 20th-century fiction. Indeed, he might have influenced stream-of-consciousness writers such as Virginia Woolf , who not only read some of his novels but also wrote essays about them. Both contemporary and modern readers have found

2121-405: A serious disease, and her impact on the people around her. Some of these people befriend Milly with honourable motives, while others are more self-interested. James stated in his autobiographical books that Milly was based on Minny Temple, his beloved cousin, who died at an early age of tuberculosis. He said that he attempted in the novel to wrap her memory in the "beauty and dignity of art". James

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2222-457: A ship and sneaked them through customs, allowing her to bury him in their family plot. James regularly rejected suggestions that he should marry, and after settling in London, proclaimed himself "a bachelor". F. W. Dupee , in several volumes on the James family, originated the theory that he had been in love with his cousin, Mary ("Minnie") Temple, but that a neurotic fear of sex kept him from admitting such affections: "James's invalidism ...

2323-516: A view of Florence by Thomas Cole hung in the front parlor of this house on West Fourteenth. His education was calculated by his father to expose him to many influences, primarily scientific and philosophical; it was described by Percy Lubbock, the editor of his selected letters, as "extraordinarily haphazard and promiscuous." Once, a cousin of the James family came down to the house in Fourteenth Street and, one evening during his stay, read

2424-402: Is a heart with an arrow through it, suggesting that she is in love. William’s initials are drawn on the sleeve covering Alice’s arm. This has been suggested to mean that William has branded his sister as his, and she was content with this as she wore her ‘heart’ on her sleeve. James's relationship with her companion Katharine Peabody Loring , with whom she lived for over a decade, may have been

2525-416: Is a visual representation of a defloration fantasy. The fourth sketch created by William of his sister contains a drawing of her head when she was a young teen. Alice’s eyes are cast downward and underneath her head, William wrote the caption “The loveress of W.J.” The fifth sketch William drew of Alice when she was in her late teens. She is seen wearing a tight bodice and a feather hat. Across from her eye

2626-459: Is exercised well or badly. His protagonists were often young American women facing oppression or abuse, and as his secretary Theodora Bosanquet remarked in her monograph Henry James at Work : When he walked out of the refuge of his study and into the world and looked around him, he saw a place of torment, where creatures of prey perpetually thrust their claws into the quivering flesh of doomed, defenseless children of light ... His novels are

2727-400: Is generally straightforward and, though personally characteristic, well within the norms of 19th-century fiction. Roderick Hudson (1875) is a Künstlerroman that traces the development of the title character, an extremely talented sculptor. Although the book shows some signs of immaturity—this was James's first serious attempt at a full-length novel—it has attracted favourable comment due to

2828-456: Is set mainly in Europe, especially in England and Italy. Generally regarded as the masterpiece of his early phase, The Portrait of a Lady is described as a psychological novel , exploring the minds of his characters, and almost a work of social science, exploring the differences between Europeans and Americans, the old and the new worlds. The second period of James's career, which extends from

2929-580: Is the subject of contention among James's biographers, but the letters to Andersen were occasionally quasierotic: "I put, my dear boy, my arm around you, & feel the pulsation, thereby, as it were, of our excellent future & your admirable endowment." His numerous letters to the many young homosexual men among his close male friends are more forthcoming. To his homosexual friend Howard Sturgis , James could write: "I repeat, almost to indiscretion, that I could live with you. Meanwhile, I can only try to live without you." In another letter Sturgis, following

3030-443: Is to have lived & loved & cursed & floundered & enjoyed & suffered—I don't think I regret a single 'excess' of my responsive youth". The interpretation of James as living a less austere emotional life has been subsequently explored by other scholars. The often intense politics of Jamesian scholarship has also been the subject of studies. Author Colm Tóibín has said that Eve Kosofsky Sedgwick 's Epistemology of

3131-541: The Old World (Europe), embodying a feudal civilisation that is beautiful, often corrupt, and alluring, and from the New World (United States), where people are often brash, open, and assertive , and embody the virtues of the new American society—particularly personal freedom and a more exacting moral character. James explores this clash of personalities and cultures, in stories of personal relationships in which power

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3232-604: The Society to Encourage Studies at Home , a Boston-based correspondence school for women founded by Anna Eliot Ticknor . The three years she taught were "among the most illness-free she had." James never married, seeking affection from her brothers and female friends instead. After her father's death in late 1882, she inherited a share in the income from the family properties in Albany, and her brother Henry made over his own share to her. This allowed her to live independently. In

3333-484: The Victorian era , hysteria was an extremely common diagnosis for women. Almost any disease a woman had could fit the symptoms of hysteria because there was no set list of symptoms. In 1888, twenty years after James was "overwhelmed by violent turns of hysteria", she wrote in her diary that she was both suicidal and homicidal . She was struggling with the urge to kill her father, though this diary entry does not state

3434-411: The " New York Edition ", a 24-volume collection of his works. In 1910, his brother William died; Henry had just joined William from an unsuccessful search for relief in Europe, on what turned out to be Henry's last visit to the United States (summer 1910 to July 1911) and was near him when he died. In 1913, he wrote his autobiographies, A Small Boy and Others and Notes of a Son and Brother . After

3535-472: The 1880s was The Tragic Muse . Although he was following the precepts of Zola in his novels of the '80s, their tone and attitude are closer to the fiction of Alphonse Daudet. The lack of critical and financial success for his novels during this period led him to try writing for the theatre; His dramatic works and his experiences with theatre are discussed below. In the last quarter of 1889, "for pure and copious lucre," he started translating Port Tarascon ,

3636-474: The 27-year-old Andersen in Rome in 1899, when James was 56, and wrote letters to Andersen that are intensely emotional: "I hold you, dearest boy, in my innermost love, & count on your feeling me—in every throb of your soul". In a letter of 6 May 1904, to his brother William, James referred to himself as "always your hopelessly celibate even though sexagenarian Henry". How accurate that description might have been

3737-526: The Atlantic. It drew notice perhaps mostly because it depicted a woman whose behaviour is outside the social norms of Europe. He also began his first masterpiece, The Portrait of a Lady , which appeared in 1881. In 1877, he first visited Wenlock Abbey in Shropshire, home of his friend Charles Milnes Gaskell , whom he had met through Henry Adams. He was much inspired by the darkly romantic abbey and

3838-530: The Closet made a landmark difference to Jamesian scholarship by arguing that he be read as a homosexual writer whose desire to keep his sexuality a secret shaped his layered style and dramatic artistry. According to Tóibín, such a reading "removed James from the realm of dead white males who wrote about posh people. He became our contemporary." James's letters to expatriate American sculptor Hendrik Christian Andersen have attracted particular attention. James met

3939-525: The English language. He was the son of Henry James Sr. and the brother of philosopher and psychologist William James and diarist Alice James . He is best known for his novels dealing with the social and marital interplay between émigré Americans, the English, and continental Europeans, such as The Portrait of a Lady . His later works, such as The Ambassadors , The Wings of the Dove and The Golden Bowl were increasingly experimental. In describing

4040-809: The Eternal City", he wrote to his brother William. "At last—for the first time—I live!" He attempted to support himself as a freelance writer in Rome and then secured a position as Paris correspondent for the New York Tribune through the influence of its editor, John Hay . When these efforts failed, he returned to New York City. During 1874 and 1875, he published Transatlantic Sketches , A Passionate Pilgrim and Roderick Hudson . In 1875, James wrote for The Nation every week; he received anywhere from $ 3 to $ 10 for brief paragraphs, $ 12 to $ 25 for book reviews and $ 25 to $ 40 for travel articles and lengthier items. During this early period in his career, he

4141-495: The French writers that he had studied assiduously. Critical reaction and sales were poor. He wrote to Howells that the books had hurt his career rather than helped because they had "reduced the desire, and demand, for my productions to zero". During this time, he became friends with Robert Louis Stevenson , John Singer Sargent , Edmund Gosse , George du Maurier , Paul Bourget , and Constance Fenimore Woolson . His third novel from

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4242-538: The James family; she was to write in her journals that "Henry Jr....was very friendly. Being a literary youth he gave me advice, as if he had been eighty, and I a girl." His first published work was a review of a stage performance, "Miss Maggie Mitchell in Fanchon the Cricket ", published in 1863. About a year later, " A Tragedy of Error ", his first short story, was published anonymously. James's first literary payment

4343-628: The New York edition of The American , James describes the development of the story in his mind as exactly such: the "situation" of an American, "some robust but insidiously beguiled and betrayed, some cruelly wronged, compatriot..." with the focus of the story being on the response of this wronged man. The Portrait of a Lady may be an experiment to see what happens when an idealistic young woman suddenly becomes very rich. In many of his tales, characters seem to exemplify alternative futures and possibilities, as most markedly in " The Jolly Corner ", in which

4444-445: The brooding conscientious mentor. In The Portrait of a Lady (1881), James concluded the first phase of his career with a novel that remains his most popular piece of long fiction. The story is of a spirited young American woman, Isabel Archer, who "affronts her destiny" and finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. The narrative

4545-463: The coming season. After the stresses and disappointment of these efforts, James insisted that he would write no more for the theatre, but within weeks had agreed to write a curtain-raiser for Ellen Terry . This became the one-act "Summersoft", which he later rewrote into a short story, "Covering End", and then expanded into a full-length play, The High Bid , which had a brief run in London in 1907, when James made another concerted effort to write for

4646-519: The craft of fiction from him than from anyone else. In July 1861, Henry and Thomas Sergeant Perry paid a visit to an encampment of wounded and invalid Union soldiers on the Rhode Island shore, at Portsmouth Grove ; he took walks and had conversations with numerous soldiers and in later years compared this experience to those of Walt Whitman as a volunteer nurse. In the autumn of 1861, James received an injury, probably to his back, while fighting

4747-560: The deaths of those closest to him, including his sister Alice in 1892; his friend Wolcott Balestier in 1891; and Stevenson and Fenimore Woolson in 1894. The sudden death of Fenimore Woolson in January 1894, and the speculations of suicide surrounding her death, were particularly painful for him. Leon Edel wrote that the reverberations from Fenimore Woolson's death were such that "we can read a strong element of guilt and bewilderment in his letters, and, even more, in those extraordinary tales of

4848-470: The development of his characters. A nameless narrator goes to Venice to find Juliana Bordereau, an old lover of Jeffrey Aspern, a famous and now dead American poet. The narrator presents himself to the old woman as a prospective lodger and is prepared to court her niece Miss Tita (renamed Miss Tina in later editions), a plain, somewhat naïve spinster, in hopes of getting a look at some of Aspern's letters and other papers kept by Juliana. Miss Tita had denied

4949-464: The existence of any such papers in a letter to the narrator and his publishing partner, but he believes she was dissembling on instructions from Juliana. The narrator eventually discloses his intentions to Miss Tita, who promises to help him. Later, Juliana offers to sell a portrait miniature of Aspern to the narrator for an exorbitant price. She doesn't mention Jeffrey Aspern's name, but the narrator still believes she possesses some of his letters. When

5050-563: The family travelled in Europe. A tutor of the James children in Paris, M. Lerambert, had written a volume of verse that was well reviewed by Sainte-Beuve. Their longest stays were in France, where Henry began to feel at home and became fluent in French. He had a stutter, which seems to have manifested itself only when he spoke English; in French, he did not stutter. In the summer of 1857, the James family went to Boulogne-sur-Mer, where they set up house at No. 20 Rue Neuve Chaussée, and where Henry

5151-642: The father's current interests and publishing ventures, retreating to the United States when funds were low. The James family arrived in Paris in July 1855 and took rooms at a hotel in the Rue de la Paix. Some time between 1856 and 1857, when William was fourteen and Henry thirteen, the two brothers visited the Louvre and the Luxembourg Palace. Henry studied primarily with tutors, and briefly attended schools while

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5252-498: The first instalment of David Copperfield aloud to the elders of the family: Henry Junior had sneaked down from his bedroom to listen surreptitiously to the reading, until a scene involving the Murdstones led him to "loud[ly] sob," whereupon he was discovered and sent back to bed. Between 1855 and 1860, the James household travelled to London, Paris, Geneva , Boulogne-sur-Mer , Bonn , and Newport, Rhode Island , according to

5353-566: The inaugural issue of the journal. Henry Junior was later to describe his friendship with Godkin as "one of the longest and happiest of my life." In 1871, he published his first novel, Watch and Ward , in serial form in the Atlantic Monthly . The novel was later published in book form in 1878. During a 14-month trip through Europe in 1869–70, he met John Ruskin , Charles Dickens , Matthew Arnold , William Morris , and George Eliot . Rome impressed him profoundly. "Here I am then in

5454-540: The inspiration for Henry James's 1886 novel The Bostonians . Anna Robeson Brown Burr edited and wrote an introduction to Alice James, Her Brothers — Her Journal (1934). Jean Strouse published what has become the standard life ( Alice James: A Biography ) in 1980. Strouse steered something of a middle course between Alice-as-icon and Alice-as-victim. Ruth Yeazell published James's correspondence in The Death and Letters of Alice James (1981). Susan Sontag wrote

5555-474: The internal states of mind and social dynamics of his characters, James often wrote in a style in which ambiguous or contradictory motives and impressions were overlaid or juxtaposed in the discussion of a character's psyche. For their unique ambiguity, as well as for other aspects of their composition, his late works have been compared to Impressionist painting . His novella The Turn of the Screw has garnered

5656-511: The intimate life of his subject. James paints the nameless narrator of The Aspern Papers as, in Juliana's words, a "publishing scoundrel", but also generates sympathy for the narrator as he tries to work the papers loose from Juliana, who is presented as greedy, domineering and unappealing. The story unwinds into the double climax of Juliana's discovery of the narrator about to break into her desk, and Miss Tita's revelation that she has destroyed

5757-677: The late style difficult and unnecessary; his friend Edith Wharton , who admired him greatly, said that some passages in his work were all but incomprehensible. James was harshly portrayed by H. G. Wells as a hippopotamus laboriously attempting to pick up a pea that had got into a corner of its cage. The "late James" style was ably parodied by Max Beerbohm in "The Mote in the Middle Distance". More important for his work overall may have been his position as an expatriate , and in other ways an outsider, living in Europe. While he came from middle-class and provincial beginnings (seen from

5858-789: The latter introducing him to the Travellers' and the Reform Clubs . He was also an honorary member of the Savile Club , St James's Club and, in 1882, the Athenaeum Club . In England, he met the leading figures of politics and culture. He continued to be a prolific writer, producing The American (1877), The Europeans (1878), a revision of Watch and Ward (1878), French Poets and Novelists (1878), Hawthorne (1879), and several shorter works of fiction. In 1878, Daisy Miller established his fame on both sides of

5959-404: The masterwork The Portrait of a Lady , his style was simple and direct (by the standards of Victorian magazine writing) and he experimented widely with forms and methods, generally narrating from a conventionally omniscient point of view. Plots generally concern romance, except for the three big novels of social commentary that conclude this period. In the second period, as noted above, he abandoned

6060-432: The meanest intelligence—I love you more than I love Others." To his New York friend Mary Cadwalader Rawle Jones : "Dearest Mary Cadwalader. I yearn over you, but I yearn in vain; & your long silence really breaks my heart, mystifies, depresses, almost alarms me, to the point even of making me wonder if poor unconscious & doting old Célimare [Jones's pet name for James] has 'done' anything, in some dark somnambulism of

6161-571: The medical school. In 1862, Henry attended Harvard Law School , but realised that he was not interested in studying law. He pursued his interest in literature and associated with authors and critics William Dean Howells and Charles Eliot Norton in Boston and Cambridge and formed lifelong friendships with Oliver Wendell Holmes Jr. , the future Supreme Court justice, and with James T. Fields and Annie Adams Fields , his first professional mentors. In 1865, Louisa May Alcott visited Boston and dined with

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6262-509: The next half-dozen years, " The Altar of the Dead " and " The Beast in the Jungle ". The years spent on dramatic works were not entirely a loss. As he moved into the last phase of his career, he found ways to adapt dramatic techniques into the novel form. In the late 1880s and throughout the 1890s, James made several trips through Europe. He spent a long stay in Italy in 1887. In 1888, he published

6363-488: The old woman falls ill, the narrator ventures into her room and gets caught by Juliana as he is about to rifle her desk for the letters. Juliana calls the narrator a "publishing scoundrel" and collapses. The narrator flees, and when he returns some days later, he discovers that Juliana has died. Miss Tita hints that he can have the Aspern letters if he marries her. Again, the narrator flees. At first he feels he can never accept

6464-838: The outbreak of the First World War in 1914, he did war work. In 1915, he became a British citizen and was awarded the Order of Merit the following year. He died on 28 February 1916, in Chelsea, London , and was cremated at Golders Green Crematorium . A memorial was built to him in Chelsea Old Church . He had requested that his ashes be buried in Cambridge Cemetery in Massachusetts. This was not legally possible, but William's wife smuggled his ashes onboard

6565-445: The panels which progressively gets closer to the ceiling until it is pushing against it in the final panel. Growing from the outside of the building is a full bush in the first panel. The bush in the second panel is almost completely devoid of leaves and in the third panel, it is no longer there. The walls of the building shrink throughout the panels until they are almost nonexistent in the final panel. It has been argued that this triptych

6666-419: The papers. Miss Tita is ashamed of her marriage proposal to the narrator, but James implies that she does exactly the right thing by depriving him of the papers. In a way, she develops into the true heroine of the story. James thought so highly of this story that he put it first in volume 12 of The New York Edition , ahead of even The Turn of the Screw . Critics have almost unanimously agreed with him about

6767-468: The permission of James's family. Edel's portrayal of James included the suggestion he was celibate, a view first propounded by critic Saul Rosenzweig in 1943. In 1996, Sheldon M. Novick published Henry James: The Young Master , followed by Henry James: The Mature Master (2007). The first book "caused something of an uproar in Jamesian circles" as it challenged the previous received notion of celibacy,

6868-461: The perspective of European polite society), he worked very hard to gain access to all levels of society, and the settings of his fiction range from working-class to aristocratic , and often describe the efforts of middle-class Americans to make their way in European capitals. He confessed he got some of his best story ideas from gossip at the dinner table or at country house weekends. He worked for

6969-547: The pit of your stomach, the palms of your hands, the soles of your feet, and refuse to keep them sane when you find in turn one moral impression after another producing despair in the one, terror in the others, anxiety in the third and so on until life becomes one long flight from remote suggestion and complicated eluding of the multifold traps set for your undoing." Howard Feinstein, in Becoming William James (1984), wrote that Alice and her brother William had

7070-415: The presentation of conflicts of moral character, which they do not concern themselves about softening or averting. They do not indict society for these situations: they regard them as universal and inevitable. They do not even blame God for allowing them: they accept them as the conditions of life. Many of James's stories may also be seen as psychological thought experiments about selection. In his preface to

7171-412: The proposal, but gradually he begins to change his mind. When he returns to see Miss Tita, she bids him farewell and tells him that she has burned all the letters one by one. The narrator never sees the precious papers, but he does send Miss Tita some money for the miniature portrait of Aspern which she gave him. James (a very private man) examines the conflicts involved when a biographer seeks to pry into

7272-460: The protagonist and a ghost-doppelganger live alternative American and European lives; and in others, like The Ambassadors, an older James seems fondly to regard his own younger self facing a crucial moment. The first period of James's fiction, usually considered to have culminated in The Portrait of a Lady , concentrated on the contrast between Europe and America. The style of these novels

7373-402: The psychological and physical problems that would plague her until the end of her life at age 43. The youngest of five children, she lived with her parents until their deaths in 1882. She went to a Boston school called Miss Clapp’s, where she met Frances Rollins Morse , one of her life-long friends often cited in her published diary and correspondence. James taught history from 1873 to 1876 for

7474-637: The publication of The Portrait of a Lady through the end of the 19th century, features less popular novels, including The Princess Casamassima , published serially in The Atlantic Monthly in 1885–1886, and The Bostonians , published serially in The Century during the same period. This period also featured James's celebrated Gothic novella, The Turn of the Screw (1898). The third period of James's career reached its most significant achievement in three novels published just around

7575-558: The publication of The Europeans , Washington Square , Confidence and The Portrait of a Lady . The period from 1882 to 1883 was marked by several losses. His mother died in January 1882, while James was in Washington, D.C., on an extended visit to America. He returned to his parents' home in Cambridge , where he was together with all four of his siblings for the first time in 15 years. He returned to Europe in mid-1882, but

7676-420: The reason why she was patricidal . In 1866, James traveled to New York to receive "therapeutic exercise", and in 1884, she received electrical "massage". Hoping that a change of scenery would improve her health, she traveled to England with her companion Katharine Loring . As Alice was suffering from breast cancer , which would claim her life in London in 1892 at age 43, her brother William James wrote her

7777-524: The result of a kind of self-analysis, expressed in fiction, which partly freed him from his fears. Other biographers and scholars have not accepted this account, with the more common view being that of F.O. Matthiessen, who wrote: "Instead of being crushed by the collapse of his hopes [for the theatre]... he felt a resurgence of new energy." Alice James Born into a wealthy and intellectually active family, daughter of Henry James Sr. of Albany, New York , and Mary Robertson Walsh. James soon developed

7878-600: The serialised novel and from 1890 to about 1897, he wrote short stories and plays. Finally, in his third and last period he returned to the long, serialised novel. Beginning in the second period, but most noticeably in the third; he increasingly abandoned direct statement in favour of frequent double negatives, and complex descriptive imagery. Single paragraphs began to run for page after page, in which an initial noun would be succeeded by pronouns surrounded by clouds of adjectives and prepositional clauses, far from their original referents, and verbs would be deferred and then preceded by

7979-439: The short novel The Aspern Papers and The Reverberator . In 1897–1898, he moved to Rye, Sussex and wrote The Turn of the Screw ; 1899–1900 had the publication of The Awkward Age and The Sacred Fount . During 1902–1904, he wrote The Wings of the Dove , The Ambassadors , and The Golden Bowl . In 1904, he revisited America and lectured on Balzac. In 1906–1910, he published The American Scene and edited

8080-418: The sketches form a triptych . All of the panels exhibit Alice drawn older than she was at the creation of these sketches as she was 11 at the time. She is sitting in a chair on a top floor while William is in a room below her. William is seen hunched over an instrument as he is serenading his sister in the first panel. He stands more erect in the next two panels. William is wearing a large head feather in each of

8181-418: The sonnet by saying that he will commit suicide because Alice will not marry him. There were also times where his letters to her were candidly erotic—he would describe her physical and personality characteristics and state how “desirable” and “lovable” they made her. Feinstein recounts that William used his artistic skill to draw five sketches of Alice. These pictures also demonstrate erotic overtones. Three of

8282-472: The spirit, which has ... given you a bad moment, or a wrong impression, or a 'colourable pretext' ... However these things may be, he loves you as tenderly as ever; nothing, to the end of time, will ever detach him from you, & he remembers those Eleventh St. matutinal intimes hours, those telephonic matinées, as the most romantic of his life ..." His long friendship with American novelist Constance Fenimore Woolson , in whose house he lived for

8383-439: The stage. He wrote three new plays, two of which were in production when the death of Edward VII on 6 May 1910 plunged London into mourning and theatres closed. Discouraged by failing health and the stresses of theatrical work, James did not renew his efforts in the theatre, but recycled his plays as successful novels. The Outcry was a best-seller in the United States when it was published in 1911. During 1890–1893, when he

8484-453: The start of the 20th century: The Wings of the Dove (1902), The Ambassadors (1903), and The Golden Bowl (1904). Critic F. O. Matthiessen called this "trilogy" James's major phase, and these novels have certainly received intense critical study. The second-written of the books, The Wings of the Dove , was the first published because it was not serialised. This novel tells the story of Milly Theale, an American heiress stricken with

8585-416: The storm with my mind luminous and active and susceptible of the clearest, strongest impressions, I saw so distinctly that it was a fight simply between my body and my will, a battle in which the former was to be triumphant to the end ..." She eventually found, she continued, that she had to let loose of her body, giving up "muscular sanity" in order to preserve her mind: "So, with the rest, you abandon

8686-414: The suggestion of celibacy went against James's own injunction "live!"—not "fantasize!" A letter James wrote in old age to Hugh Walpole has been cited as an explicit statement of this. Walpole confessed to him of indulging in "high jinks", and James wrote a reply endorsing it: "We must know, as much as possible, in our beautiful art, yours & mine, what we are talking about—& the only way to know it

8787-578: The surrounding countryside, which feature in his essay "Abbeys and Castles". In particular, the gloomy monastic fishponds behind the abbey are said to have inspired the lake in The Turn of the Screw . While living in London, James continued to follow the careers of the French realists, Émile Zola in particular. Their stylistic methods influenced his own work in the years to come. Hawthorne's influence on him faded during this period, replaced by George Eliot and Ivan Turgenev. The period from 1878 to 1881 had

8888-463: The tale's superb quality. Leon Edel wrote, "The story moves with the rhythmic pace and tension of a mystery story; and the double climax ... gives this tale ... high drama". The Aspern Papers was first published in three parts in March–May 1888 editions of The Atlantic Monthly , and published in book form in London and New York later in the same year. It was subsequently revised, with the addition of

8989-459: The third volume of Daudet's adventures of Tartarin de Tarascon . Serialized in Harper's Monthly from June 1890, this translation – praised as "clever" by The Spectator – was published in January 1891 by Sampson Low, Marston, Searle & Rivington . After the stage failure of Guy Domville in 1895, James was near despair and thoughts of death plagued him. His depression was compounded by

9090-404: The vivid realisation of the three major characters: Roderick Hudson, superbly gifted but unstable and unreliable; Rowland Mallet, Roderick's limited but much more mature friend and patron; and Christina Light, one of James's most enchanting and maddening femmes fatales . The pair of Hudson and Mallet has been seen as representing the two sides of James's own nature: the wildly imaginative artist and

9191-585: Was Alice . Both of his parents were of Irish and Scottish descent. Before he was a year old, his father sold the house at Washington Place and took the family to Europe, where they lived for a time in a cottage in Windsor Great Park in England. The family returned to New York in 1845, and Henry spent much of his childhood living between his paternal grandmother's home in Albany, and a house, 58 West Fourteenth Street , in Manhattan. A painting of

9292-402: Was a regular customer at an English lending library. In the autumn of that year, Henry Senior wrote from Boulogne to a friend that "Henry is not so fond of study, properly so-called, as of reading...He is a devourer of libraries, and an immense writer of novels and dramas. He has considerable talent as a writer, but I am at a loss to know whether he will ever accomplish much." William recorded in

9393-552: Was back in America by the end of the year following the death of his father. Emerson, an old family friend, died in 1882. His brother Wilkie and friend Turgenev both died in 1883. In 1884, James made another visit to Paris, where he met again with Zola, Daudet, and Goncourt. He had been following the careers of the French "realist" or "naturalist" writers, and was increasingly influenced by them. In 1886, he published The Bostonians and The Princess Casamassima , both influenced by

9494-569: Was for an appreciation of Sir Walter Scott's novels, written for the North American Review . He wrote fiction and nonfiction pieces for The Nation and Atlantic Monthly , where Fields was editor. In 1865, Ernest Lawrence Godkin , the founder of The Nation , visited the James family at their Boston residence in Ashburton Place; the purpose of his visit was to solicit contributions from Henry Senior and Henry Junior for

9595-575: Was influenced by Nathaniel Hawthorne . In the fall of 1875, he moved to the Latin Quarter of Paris . Aside from two trips to America, he spent the next three decades—the rest of his life—in Europe. In Paris, he met Zola , Daudet , Maupassant , Turgenev and others. He stayed in Paris only a year before settling in London, where he established relationships with Macmillan and other publishers, who paid for serial instalments that they published in book form. The audience for these serialised novels

9696-471: Was intelligent and steadfastly congenial. He was a lecturer and philosopher who had inherited independent means from his father, an Albany banker and investor. Mary came from a wealthy family long settled in New York City. Her sister Katherine lived with her adult family for an extended period of time. Henry Jr. was one of four boys, the others being William , who was one year his senior, and younger brothers Wilkinson ( Wilkie ) and Robertson. His younger sister

9797-444: Was itself the symptom of some fear of or scruple against sexual love on his part." Dupee used an episode from James's memoir, A Small Boy and Others, recounting a dream of a Napoleonic image in the Louvre, to exemplify James's romanticism about Europe, a Napoleonic fantasy into which he fled. Between 1953 and 1972, Leon Edel wrote a major five-volume biography of James, which used unpublished letters and documents after Edel gained

9898-418: Was largely made up of middle-class women, and James struggled to fashion serious literary work within the strictures imposed by editors' and publishers' notions of what was suitable for young women to read. He lived in rented rooms, but was able to join gentlemen's clubs that had libraries and where he could entertain male friends. He was introduced to English society by Henry Adams and Charles Milnes Gaskell ,

9999-435: Was most engaged with the theatre, James wrote a good deal of theatrical criticism, and assisted Elizabeth Robins and others in translating and producing Henrik Ibsen for the first time in London. Leon Edel argued in his psychoanalytic biography that James was traumatised by the opening-night uproar that greeted Guy Domville , and that it plunged him into a prolonged depression. The successful later novels, in Edel's view, were

10100-474: Was particularly interested in what he called the "beautiful and blest nouvelle ", or the longer form of short narrative. Still, he produced a number of very short stories in which he achieved notable compression of sometimes complex subjects. The following narratives are representative of James's achievement in the shorter forms of fiction. At several points in his career, James wrote plays, beginning with one-act plays written for periodicals in 1869 and 1871 and

10201-448: Was tremendously conscious of in her lifetime—that the extraordinary intensity of her will and personality really would have made the equal, the reciprocal life of a 'well' person—in the usual world—almost impossible to her—so that her disastrous, her tragic health was in a manner the only solution for her of the practical problems of life—as it suppressed the element of equality, reciprocity, etc." Alice, however, did not see her illness as

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