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88-395: The Glenn Miller Story is a 1954 American biographical film about the eponymous American band-leader , directed by Anthony Mann and starring James Stewart in their second non- western collaboration. The film follows big band leader Glenn Miller (1904–1944) from his early days in the music business in 1929 through to his 1944 death when the airplane he was flying in was lost over

176-562: A B-29 bomber is in the background. The marching troops are desegregated , which did not occur until 1948. Scenes ostensibly shot in England are clearly staged in the U.S., as witness the presence of RCA Type 44 microphones during a BBC broadcast. In reality, the BBC could not afford them and designed and built its own, cheaper version . In addition, several key plot points are either highly fictionalized from actual events or were invented for

264-558: A band of his own; the failure of his first band on the road; and the subsequent re-forming of his successful big band and the establishment of the "Miller Sound" as typified by " Moonlight Serenade ". Also depicted is Miller's international success touring his band in support of the Allies in World War II. There are several anachronisms in the picture. When the military band led by Miller is playing in front of General "Hap" Arnold ,

352-548: A centralized basis from theaters rather than each theater chain collating their own numbers from other theater chains. The company later became National Gross Service then Entertainment Data, Inc. (EDI). Except for disclosures by the studios on very successful films, total domestic (U.S. and Canada) box office gross information for films was not readily available until National Gross Service started to collate this data around 1981. The collation of grosses led to wider reporting of domestic box office grosses for films. Arthur D. Murphy,

440-660: A century as a result of their broadcasts on the NBC and CBS networks of the annual New Year's Eve celebrations from the Roosevelt Grill at New York's Roosevelt Hotel (1929-1959) and the Ballroom at the Waldorf Astoria Hotel (1959-1976) . Gloria Parker had a radio program on which she conducted the largest all-girl orchestra led by a female. She led her Swingphony while playing marimba. Phil Spitalny ,

528-483: A different feeling from just sentimentality. Of course the film was fraught with sentimentality." The film opened in New York City on February 10, 1954. The film was re-released in 1960. An alternate cut of the film, running 3–4 minutes shorter than the original theatrical release was re-released in 1985 with a stereo soundtrack. The film was originally recorded in stereo but was initially released in mono. It

616-504: A former U.S. Navy lieutenant at Variety was one of the first to organize and chart that information and report it in a meaningful form. During the 1980s, Daily Variety started to publish a weekly chart of the domestic box office grosses of films collated from the studios as compared to the Top 50 chart in Variety which was based on a sample of theatre grosses from key markets. Gradually

704-505: A genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing the Lindy Hop . In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Big bands generally have four sections: trumpets, trombones, saxophones, and

792-420: A list of films that had achieved or gave promise of earning $ 4,000,000 or more in domestic (U.S. and Canada) theatrical rentals . This became a leading source of data for a film's performance. Variety would publish an updated all-time list annually for over 50 years, normally in their anniversary edition each January. The anniversary edition would also normally contain the list of the top performing films of

880-431: A menace. After 1935, big bands rose to prominence playing swing music and held a major role in defining swing as a distinctive style. Western swing musicians also formed popular big bands during the same period. A considerable range of styles evolved among the hundreds of popular bands. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel. Count Basie played

968-413: A movie made a profit, it is not correct to directly compare the box office gross with the production budget , because the movie theater keeps nearly half of the gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks. Usually the distributor gets a percentage of the revenue after first deducting a "house allowance" or "house nut". It

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1056-420: A native of Ukraine, led a 22-piece female orchestra known as Phil Spitalny and His Hour of Charm Orchestra , named for his radio show, The Hour of Charm , during the 1930s and 1940s. Other female bands were led by trumpeter B. A. Rolfe , Anna Mae Winburn , and Ina Ray Hutton . Big Bands began to appear in movies in the 1930s through the 1960s, though cameos by bandleaders were often stiff and incidental to

1144-413: A relaxed, propulsive swing, Bob Crosby (brother of Bing ), more of a dixieland style, Benny Goodman a hard driving swing, and Duke Ellington's compositions were varied and sophisticated. Many bands featured strong instrumentalists whose sounds dominated, such as the clarinets of Benny Goodman and Artie Shaw , the trombone of Jack Teagarden , the trumpet of Harry James , the drums of Gene Krupa , and

1232-481: A rhythm section of guitar, piano, double bass, drums and sometimes vibraphone. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxophones, and a rhythm section of four instruments. In the 1940s, Stan Kenton 's band used up to five trumpets, five trombones (three tenor and two bass trombones ), five saxophones (two alto saxophones , two tenor saxophones , one baritone saxophone ), and

1320-581: A rhythm section. Duke Ellington at one time used six trumpets. While most big bands dropped the previously common jazz clarinet from their arrangements (other than the clarinet-led orchestras of Artie Shaw and Benny Goodman), many Duke Ellington songs had clarinet parts, often replacing or doubling one of the tenor saxophone parts; more rarely, Ellington would substitute baritone sax for bass clarinet, such as in "Ase's Death" from Swinging Suites . Boyd Raeburn drew from symphony orchestras by adding flute , French horn , strings, and timpani to his band. In

1408-548: A young Bob Hope as the announcer. Big band remotes on the major radio networks spread the music from ballrooms and clubs across the country during the 1930s and 1940s, with remote broadcasts from jazz clubs continuing into the 1950s on NBC's Monitor . Radio increased the fame of Benny Goodman , the "Pied Piper of Swing". Others challenged him, and battle of the bands became a regular feature of theater performances. Similarly, Guy Lombardo and his Royal Canadians Orchestra also achieved widespread notoriety for nearly half

1496-579: Is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever is larger. The distributor's share of the box office gross is often referred to as the "distributor rentals", especially for box office reporting of older films. Ceramic money boxes were used at the sixteenth-century Globe Theatre and Rose Theatre in London, where many examples have been found during archaeological investigations. They were possibly used by

1584-415: Is generally configured so lead parts are seated in the middle of their sections and solo parts are seated closest to the rhythm section. The fourth trombone part is generally played by a bass trombone. In some pieces the trumpets may double on flugelhorn or cornet , and saxophone players frequently double on other woodwinds such as flute , piccolo , clarinet , bass clarinet , or soprano saxophone . It

1672-408: Is now also used. In particular, the weekend box office for the initial week of release, or opening weekend, is often widely reported. (See List of highest-grossing openings for films .) Theaters is the number of theaters in which the movie is showing. Since a single theater may show a movie on multiple screens, the total number of screens or engagements is used as another measure. The theaters measure

1760-467: Is often incomplete due to the way box office reporting evolved, especially in the U.S., and the availability of information prior to the introduction of the internet. Variety started reporting box office results by theatre on March 3, 1922, to give exhibitors around the country information on a film's performance on Broadway, which was often where first run showings of a film were held. In addition to New York City, they also endeavoured to include all of

1848-413: Is used to classify whether a film is in wide release , meaning at least 600 theaters, or limited release which is less than 600 theaters. Occasionally, a film may achieve wide release after an initial limited release; Little Miss Sunshine is an example of this. Gross refers to gross earnings. On average, the movie's distributor receives a little more than half of the final gross (often referred to as

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1936-524: Is useful to distinguish between the roles of composer, arranger and leader. The composer writes original music that will be performed by individuals or groups of various sizes, while the arranger adapts the work of composers in a creative way for a performance or recording. Arrangers frequently notate all or most of the score of a given number, usually referred to as a "chart". Bandleaders are typically performers who assemble musicians to form an ensemble of various sizes, select or create material for them, shape

2024-625: The Cotton Club in Harlem. Fletcher Henderson 's career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the Roseland Ballroom . At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofé, Whiteman on Bill Challis . Henderson and arranger Don Redman followed

2112-590: The English Channel during World War II. Prominent placement in the film is given to Miller's courtship and marriage to Helen Burger, and various cameos by actual musicians who were colleagues of Miller. Several turning points in Miller's career are depicted with varying degrees of accuracy, including: the success of an early jazz band arrangement; his departure from the Broadway pit and sideman work to front

2200-527: The Library of Congress film collection. Theatrical rental Box office business can be measured in terms of the number of tickets sold or the amount of money raised by ticket sales ( revenue ). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry . To determine if

2288-543: The coronavirus pandemic . Only drive-in theaters , which are typically not included in box office reporting, remained open. The average ticket price (ATP) is the average cost to purchase a film ticket at the box office in any given year. According to the UNESCO Institute for Statistics , the ATP is "calculated as the total revenues generated from tickets sales divided by the number of feature film tickets sold during

2376-430: The "gatherer" at the entrance to the theatres, who collected the admission money. There is disagreement, however, around whether the term originates from this time, as the objects could have been carried by the many snack-sellers attending the audiences; they too needed a convenient and secure way to collect their customers' cash. There is no record of the term being used until the eighteenth century. The term "box office"

2464-627: The 1930s, Earl Hines and his band broadcast from the Grand Terrace in Chicago every night across America. In Kansas City and across the Southwest, an earthier, bluesier style was developed by such bandleaders as Bennie Moten and, later, by Jay McShann and Jesse Stone . By 1937, the "sweet jazz band" saxophonist Shep Fields was also featured over the airways on the NBC radio network in his Rippling Rhythm Revue, which also showcased

2552-479: The 1930s, BoxOffice magazine published a Barometer issue in January, which reported the performance of movies for the year expressed as percentages. In 1946, Variety started to publish a weekly National Box Office survey on page 3 indicating the performance of the week's hits and flops based on the box office results of 25 key U.S. cities. Later in 1946, Variety published a list of All-Time Top Grossers with

2640-671: The 1960s and '70s, Sun Ra and his Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects. As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by Buddy Rich , Gene Krupa , Lionel Hampton , Earl Hines , Les Brown , Clark Terry , and Doc Severinsen . Progressive bands were led by Dizzy Gillespie , Gil Evans , Carla Bley , Toshiko Akiyoshi and Lew Tabackin , Don Ellis , and Anthony Braxton . In

2728-401: The 1960s and 1970s, big band rock became popular by integrating such musical ingredients as progressive rock experimentation , jazz fusion , and the horn choirs often used in blues and soul music , with some of the most prominent groups including Chicago ; Blood, Sweat and Tears ; Tower of Power ; and, from Canada, Lighthouse . The genre was gradually absorbed into mainstream pop rock and

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2816-478: The Billboard charts in 1954. Big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones , trumpets , trombones , and a rhythm section . Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe

2904-574: The Friday grosses sourced from Exhibitor Relations so that they were publicly available for free online on Saturdays and posted the Sunday estimates on Sundays. In July 2008, Box Office Mojo was purchased by Amazon.com through its subsidiary , IMDb . Rentrak started tracking box office data from point of sale in 2001 and started to rival EDI in providing the studios with data. In December 2009, Rentrak acquired Nielsen EDI for $ 15 million, and became

2992-617: The North American ticket sales by dividing the domestic box office gross by the average ticket price (ATP) of a given year, a method that Box Office India uses to estimate Indian footfalls (ticket sales). See List of films by box office admissions for the films with the highest known estimated ticket sales. For lists of films which are major box-office hits, see List of highest-grossing films , List of films by box office admissions and Lists of highest-grossing films . Films that are considered to have been very unsuccessful at

3080-519: The Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s, Stan Kenton referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism characterized much of jazz after World War II. During

3168-476: The UK, moved into Germany in 1993 and Spain in 1995 reporting box office data for those markets. EDI were acquired by ACNielsen Corporation in 1997 for $ 26 million and became Nielsen EDI. By the 1990s, Daily Variety started to report studio's weekend estimates from Sundays on Monday mornings which led to other media reporting the data earlier. When Entertainment Weekly was launched in 1990 it started to publish

3256-465: The United States and Canada, and foreign which includes all other countries. Weekly box office figures are now normally taken to be from Friday through Thursday to allow for the fact that most films are officially released in the United States on a Friday. With Variety being published for many years every Wednesday, most weekly box office figures they reported from the 1920s to the 1990s were for

3344-495: The United States, and the personnel often had to perform having had little sleep and food. Apart from the star soloists, many musicians received low wages and would abandon the tour if bookings disappeared. Sometimes bandstands were too small, public address systems inadequate, pianos out of tune. Bandleaders dealt with these obstacles through rigid discipline (Glenn Miller) and canny psychology ( Duke Ellington ). Big bands raised morale during World War II . Many musicians served in

3432-488: The absence of their original leaders. Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader Charlie Barnet 's recording of " Cherokee " in 1942 and "The Moose" in 1943 have been called the beginning of the bop era. Woody Herman 's first band, nicknamed the First Herd, borrowed from progressive jazz, while

3520-631: The bands of Guy Lombardo and Paul Whiteman. A distinction is often made between so-called "hard bands", such as those of Count Basie and Tommy Dorsey, which emphasized quick hard-driving jump tunes, and "sweet bands", such as the Glenn Miller Orchestra and the Shep Fields Rippling Rhythm Orchestra who specialized in less improvised tunes with more emphasis on sentimentality, featuring somewhat slower-paced, often heart-felt songs. By this time

3608-403: The big band was such a dominant force in jazz that the older generation found they either had to adapt to it or simply retire. With no market for small-group recordings (made worse by a Depression-era industry reluctant to take risks), musicians such as Louis Armstrong and Earl Hines led their own bands, while others, like Jelly Roll Morton and King Oliver, lapsed into obscurity. Even so, many of

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3696-416: The box office are called box-office bombs or box office flops. For a list of these films, see List of biggest box-office bombs . Inflation Adjustment There are two main methods of box office inflation. First, used by boxofficemojo and comscore, To adjust it for inflation (or see what it might have made in the past), the estimated number of tickets sold is multiplied by the average ticket price of

3784-594: The distinction between these roles can become blurred. Billy Strayhorn , for example, was a prolific composer and arranger, frequently collaborating with Duke Ellington , but rarely took on the role of bandleader, which was assumed by Ellington, who himself was a composer and arranger. Typical big band arrangements from the swing era were written in strophic form with the same phrase and chord structure repeated several times. Each iteration, or chorus, commonly follows twelve bar blues form or thirty-two-bar (AABA) song form . The first chorus of an arrangement introduces

3872-508: The entire band then memorizing the way they are going to perform the piece, without writing it on sheet music. During the 1930s, Count Basie 's band often used head arrangements, as Basie said, "we just sort of start it off and the others fall in." Head arrangements were more common during the period of the 1930s because there was less turnover in personnel, giving the band members more time to rehearse. Before 1910, social dance in America

3960-471: The film on Blu-ray in the United States on November 20, 2018. This release includes both the original theatrical version, at 1h 56m, and the 1985 alternate cut, running 1h 52m. A detailed comparison of the differences in the two versions can be found at movie-censorship.com. The critical reception to The Glenn Miller Story was generally positive. The film holds an 88% rating on Rotten Tomatoes based on 8 reviews. Upon release in 1954, The Glenn Miller Story

4048-472: The film. In 1954, the film was nominated for three Academy Awards , including Best Screenplay (by Valentine Davies and Oscar Brodney ) and Best Score (by Henry Mancini and Joseph Gershenson). The film won the Academy Award for Best Sound Recording , by Leslie I. Carey . Glenn Miller Orchestra pianist John "Chummy" MacGregor was a technical advisor on the movie. Composer Henry Mancini composed

4136-549: The film. These cameos include: Louis Armstrong , Barney Bigard , Cozy Cole , Ray Conniff , Gene Krupa , Frances Langford , Skeets McDonald , The Modernaires , Marty Napoleon , Ben Pollack , Babe Russin , Arvell Shaw , and James Young . The original soundtrack to the movie, The Glenn Miller Story ---Sound Track , Decca DL 5519 (USA)/BML 8647 (UK), was number one for 10 weeks on the Billboard albums chart in 1954. The 1954 album contained eight selections. The soundtrack

4224-415: The film: The following artists all appeared as themselves (listed alphabetically): Universal-International's first public announcements, early in 1953, employed the soon-discarded title, "Moonlight Serenade." This is the second of three movies that paired Jimmy Stewart and June Allyson, the others being The Stratton Story and Strategic Air Command . Mann said "The reason I became interested in it

4312-474: The first bands to accompany the new rhythms was led by a drummer, Art Hickman , in San Francisco in 1916. Hickman's arranger, Ferde Grofé , wrote arrangements in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919, Paul Whiteman hired Grofé to use similar techniques for his band. Whiteman

4400-523: The focus of a film's performance became its box office gross rather than the rentals that Variety continued to report annually. Prior to the tracking of these grosses, domestic or worldwide box office grosses is not available for many earlier films so the only domestic or worldwide data available is still often the rental figures. Murphy started to publish Art Murphy's Box Office Register annually from 1984 detailing U.S. box office grosses. In 1984, EDI started to report Canadian grosses as well and by 1985

4488-455: The form include modulations and cadential extensions. Some big ensembles, like King Oliver 's, played music that was half-arranged, half-improvised, often relying on head arrangements. A head arrangement is a piece of music that is formed by band members during rehearsal. They experiment, often with one player coming up with a simple musical figure leading to development within the same section and then further expansion by other sections, with

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4576-468: The form of the "rhythm sextet ". These ensembles typically featured three or more accordions accompanied by piano, guitar, bass, cello, percussion, and marimba with vibes and were popularized by recording artists such as Charles Magnante , Joe Biviano and John Serry . Twenty-first century big bands can be considerably larger than their predecessors, exceeding 20 players, with some European bands using 29 instruments and some reaching 50. In

4664-645: The instrumentation of the big bands. Examples include the Vienna Art Orchestra , founded in 1977, and the Italian Instabile Orchestra , active in the 1990s. In the late 1990s, there was a swing revival in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again. Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as house accompaniment . Typically

4752-497: The jazz rock sector. Other bandleaders used Brazilian and Afro-Cuban music with big band instrumentation, and big bands led by arranger Gil Evans, saxophonist John Coltrane (on the album Ascension from 1965) and bass guitarist Jaco Pastorius introduced cool jazz , free jazz and jazz fusion, respectively, to the big band domain. Modern big bands can be found playing all styles of jazz music. Some large contemporary European jazz ensembles play mostly avant-garde jazz using

4840-479: The key cities in the U.S. in future and initially also reported results for 10 other cities including Chicago and Los Angeles. In 1929, the first issue of The Motion Picture Almanac was released and included a list of the top 104 grossing films for the past year. In 1932, Variety published the studios' top-grossing films of the year and has maintained this tradition annually since. In 1937, BoxOffice magazine]began publishing box office reports. Beginning in

4928-419: The late 1930s, Shep Fields incorporated a solo accordion, temple blocks , piccolo , violins and a viola into his Rippling Rhythm Orchestra. Paul Whiteman also featured a solo accordion in his ensemble. Jazz ensembles numbering eight ( octet ), nine ( nonet ) or ten ( tentet ) voices are sometimes called "little big bands". During the 1940s, somewhat smaller configurations of the big band emerged in

5016-466: The melody and is followed by choruses of development. This development may take the form of improvised solos, written solo sections, and " shout choruses ". An arrangement's first chorus is sometimes preceded by an introduction, which may be as short as a few measures or may extend to a chorus of its own. Many arrangements contain an interlude, often similar in content to the introduction, inserted between some or all choruses. Other methods of embellishing

5104-541: The middle of the decade. Bridging the gap to white audiences in the mid-1930s was the Casa Loma Orchestra and Benny Goodman's early band. The contrast in commercial popularity between "black" and "white" bands was striking: between 1935 and 1945 the top four "white" bands had 292 top ten records, of which 65 were number one hits, while the top four "black" bands had only 32 top ten hits, with only three reaching number one. White teenagers and young adults were

5192-402: The military and toured with USO troupes at the front, with Glenn Miller losing his life while traveling between shows. Many bands suffered from loss of personnel during the war years, and, as a result, women replaced men who had been inducted, while all-female bands began to appear. The 1942–44 musicians' strike worsened the situation. Vocalists began to strike out on their own. By the end of

5280-419: The more literal 4 of early jazz. Walter Page is often credited with developing the walking bass , although earlier examples exist, such as Wellman Braud on Ellington's Washington Wabble (1927). This type of music flourished through the early 1930s, although there was little mass audience for it until around 1936. Up until that time, it was viewed with ridicule and sometimes looked upon as

5368-411: The most common seating for a 17-piece big band, each section is carefully set-up in a way to optimize the bands sound. For the wind players, there are 3 different types of parts: lead parts (including first trumpet, first trombone, and first alto sax), solo parts (including second or fourth trumpet, second trombone, and the first tenor sax), and section members (which include the rest of the band). The band

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5456-776: The most popular big bands of the swing era cultivated small groups within the larger ensemble: e.g. Benny Goodman developed both a trio and a quartet, Artie Shaw formed the Gramercy Five, Count Basie developed the Kansas City Six and Tommy Dorsey the Clambake Seven. The major "black" bands of the 1930s included, apart from Ellington's, Hines's, and Calloway's, those of Jimmie Lunceford , Chick Webb , and Count Basie. The "white" bands of Benny Goodman, Artie Shaw, Tommy Dorsey, Shep Fields and, later, Glenn Miller were more popular than their "black" counterparts from

5544-402: The most prominent shows with the earliest time slots and largest audiences have bigger bands with horn sections while those in later time slots go with smaller, leaner ensembles. Many college and university music departments offer jazz programs and feature big band courses in improvisation, composition, arranging, and studio recording, featuring performances by 18 to 20 piece big bands. During

5632-719: The music's dynamics, phrasing, and expression in rehearsals, and lead the group in performance often while playing alongside them. One of the first prominent big band arrangers was Ferde Grofé , who was hired by Paul Whiteman to write for his “symphonic jazz orchestra”. A number of bandleaders established long-term relationships with certain arrangers, such as the collaboration between leader Count Basie and arranger Neil Hefti . Some bandleaders, such as Guy Lombardo , performed works composed by others (in Lombardo's case, often by his brother Carmen ), while others, such as Maria Schneider , take on all three roles. In many cases, however,

5720-720: The musical score with Joseph Gershenson, who conducted the Universal-International studio orchestra's recreations of Miller's arrangements on the soundtrack. Miller's band was portrayed by The Airmen of Note , an ensemble of the United States Air Force Band originally created in 1950 to carry on the Glenn Miller tradition. The soundtrack included many big band pieces originally performed by Glenn Miller's orchestra. The film contains songs by musicians who also make cameo appearances in

5808-514: The number of tickets sold at the box office. In countries such as France, box office reporting was historically reported in terms of admissions, with rules regulated by the government and fines issued if exhibitors failed to report the data. Other countries which historically reported box office figures in terms of admissions include European countries such as Germany, Italy, and Spain, the Soviet Union , and South Korea. Box Office Mojo estimates

5896-509: The plot. Shep Fields appeared with his Rippling Rhythm Orchestra in a playful and integrated animated performance of "This Little Ripple Had Rhythm" in the musical extravaganza The Big Broadcast of 1938 . Fictionalized biographical films of Glenn Miller , Gene Krupa , and Benny Goodman were made in the 1950s. The bands led by Helen Lewis, Ben Bernie , and Roger Wolfe Kahn's band were filmed by Lee de Forest in his Phonofilm sound-on-film process in 1925, in three short films which are in

5984-431: The principal fans of the big bands in the late 1930s and early 1940s. They danced to recordings and the radio and attended live concerts. They were knowledgeable and often biased toward their favorite bands and songs, and sometimes worshipful of famous soloists and vocalists. Many bands toured the country in grueling one-night stands. Traveling conditions and lodging were difficult, in part due to segregation in most parts of

6072-412: The rentals) with the remainder going to the exhibitor (i.e., movie theater). Multiple is the ratio of a film's total gross to that of the opening weekend. A film that earns $ 20 million on its opening weekend and finishes with $ 80 million has a multiple of 4. From 2004 to 2014, films viewers graded as A+ on CinemaScore had a 4.8 multiple, while films graded as F had a 2.2 multiple. Admissions refers to

6160-634: The selected year. Second, Using CPI of respective country. Both methods have some flaws. I first, content of movies change over time, then number of ticket sold may increase or decreas. In second, ATP of movies increased exponentially in 1990s but CPI increased slower than ATP. A third method is also available, In which we can use APT of movies as CPI and adjust box office. There are numerous websites that monitor box-office receipts, such as BoxOffice , Box Office Mojo , The Numbers , Box Office India , and ShowBIZ Data . These sites provide box office information for hundreds of movies. Data for older movies

6248-539: The sole provider of worldwide box office ticket sales revenue and attendance information which is used by many of the websites noted above. On October 23, 2019, Box Office Mojo unveiled a dramatic redesign resembling IMDb, and was rebranded as "Box Office Mojo by IMDbPro" with some of the content move to the subscription based IMDbPro. US box office reporting largely paused for the first time in 26 years in March 2020, as nearly all theaters nationwide were closed because of

6336-475: The template of King Oliver , but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band full of talent: Coleman Hawkins on tenor saxophone, Louis Armstrong on cornet, and multi-instrumentalist Benny Carter , whose career lasted into the 1990s. Swing music began appearing in the early 1930s and was distinguished by a more supple feel than

6424-569: The top 10 box office weekend lists from Exhibitor Relations and the company was also supplying box office data to companies such as the Los Angeles Times , CNN and the Associated Press . In 1994, Variety published their first annual global box office chart showing the top 100 grossing films internationally for the prior year. On August 7, 1998, Box Office Mojo was launched by Brandon Gray and in 1999 he started posting

6512-699: The vibes of Lionel Hampton . The popularity of many of the major bands was amplified by star vocalists, such as Frank Sinatra and Connie Haines with Tommy Dorsey , Helen O'Connell and Bob Eberly with Jimmy Dorsey , Ella Fitzgerald with Chick Webb , Billie Holiday and Jimmy Rushing with Count Basie , Kay Starr with Charlie Barnet , Bea Wain with Larry Clinton , Dick Haymes , Kitty Kallen and Helen Forrest with Harry James , Fran Warren with Claude Thornhill , Doris Day with Les Brown , and Peggy Lee and Martha Tilton with Benny Goodman . Some bands were "society bands" which relied on strong ensembles but little on soloists or vocalists, such as

6600-421: The war, swing was giving way to less danceable music, such as bebop . Many of the great swing bands broke up, as the times and tastes changed. Many bands from the swing era continued for decades after the death or departure of their founders and namesakes, and some are still active in the 21st century, often referred to as " ghost bands ", a term attributed to Woody Herman, referring to orchestras that persist in

6688-402: The week from Thursday to Wednesday. A large component of the weekly gross is the weekend box office. Historically, this was reported as the box office receipts around Friday through Sunday plus any public holidays close to the weekend, such as a 4-day Memorial Day weekend, however, with the increased regularity of reporting of box office figures, a comparable 3-day figure for the Friday to Sunday

6776-417: The year of reference." Box-office figures are reported in the form of either gross receipts or distributor rentals, the latter being especially true of older films. Commonly mistaken for home video revenue, the rentals are the distributor's share of the film's theatrical revenue i.e. the box office gross less the exhibitor's cut. Historically, the rental price averaged at 30–40% when the distributors owned

6864-430: The year. In the late 1960s, Variety used an IBM 360 computer to collate the grosses from their weekly reports of 22 to 24 U.S. cities from January 1, 1968. The data came from up to 800 theatres which represented around 5% of the U.S. cinema population at the time but around one-third of the total U.S. box office grosses. In 1969, Variety started to publish a list of the top 50 grossing films each week. The Love Bug

6952-719: Was being used from at least 1741, deriving from the office from which tickets for theatre boxes were sold (although the use of "box" for a private section from which to watch the play was in use in 1609); this is the derivation favoured by the Oxford English Dictionary . Total ticket sales were being termed box office from at least 1904. The following is film industry specific terminology used by box office reporters such as Variety and Box Office Mojo . For films released in North America, box office figures are usually divided between domestic, meaning

7040-509: Was dominated by steps such as the waltz and polka . As jazz migrated from its New Orleans origin to Chicago and New York City , energetic, suggestive dances traveled with it. During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop . The dance duo Vernon and Irene Castle popularized the foxtrot while accompanied by the Europe Society Orchestra led by James Reese Europe . One of

7128-515: Was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New Orleans jazz. With the exception of Jelly Roll Morton , who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of Broadway , Tin Pan Alley , ragtime , and vaudeville . Duke Ellington led his band at

7216-433: Was massively successful at the box-office and earned theatrical rentals of over $ 7 million, placing it third for the year behind White Christmas and The Caine Mutiny . It was Universal's highest-grossing film overseas, with rentals of $ 5 million, for worldwide rentals of $ 12 million. Stewart took a percentage of the profits. In 1955, William Goetz estimated that Stewart had earned $ 2 million from

7304-665: Was number nine on the same Billboard album chart for that week. The extended play versions of the same albums also reached the same position on the Billboard EP charts for that week. The Modernaires released a 45 single on Coral Records, 9-61110, "A Salute to Glenn Miller," which included medleys in two parts from the movie soundtrack, Parts 1 and 2: (I've Got a Gal In) Kalamazoo / Moonlight Cocktail /Elmer's Tune/ Moonlight Serenade / Chattanooga Choo Choo / String of Pearls / Serenade in Blue / At Last / Perfidia , that reached number 29 on

7392-546: Was re-released with an expanded track list. The album Glenn Miller Plays Selections From the Film "The Glenn Miller Story" was number one for 11 weeks on the Billboard albums chart the same year, released as RCA Victor LPT 3057. The original 1954 album contained eight selections. An expanded version of the latter album was certified Gold in 1961 by the RIAA . A tribute album I Remember Glenn Miller , Capitol H 476, by Ray Anthony

7480-434: Was reporting data for 15,000 screens. In 1987, EDI set up a database of box office information which included data on certain films back to 1970. By 1991, all U.S. studios had agreed to share their complete data reports with EDI. By then box office results were publicized, with Entertainment Tonight segments on the weekend's top films, increasing public discussion of poorly performing films. In 1990, EDI opened an office in

7568-546: Was screened out of competition at the 1985 Cannes Film Festival . The film was originally released on home video in the VHS format in 1986. On March 4, 2003, the film was released onto DVD with an anamorphic display, remastered surround sound, and subtitles. The film can also be found in a James Stewart DVD collection that was released in 2007. The film was released on Blu-ray in Germany on July 24, 2014. Shout Factory released

7656-489: Was that I wanted to dramatize a sound. And it’s the story of finding a new sound... To tell the story of a man who is hunting something new and finally finds it, and who, during the war years, became one of the great heroes. We tried to make the narrative a little different too. When he proposes to June Allyson, it’s very humorous, because she has curlers in, and so forth. At the end when he’s dead, instead of very sentimental music, we played ‘Little Brown Jug,’ so that it gave it

7744-458: Was the number one on the first chart published for the week ending April 16, 1969. The chart was discontinued in 1990. In 1974, Nat Fellman founded Exhibitor Relations Co., the first company set up to track box office grosses, which it collected from the studios. Two years later, Marcy Polier, an employee of the Mann theater chain, set up Centralized Grosses to collate U.S. daily box office data on

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