73-495: The Inner Eye is a 1972 short documentary film made by Satyajit Ray on Benode Behari Mukherjee , a blind artist and a teacher from Visva-Bharati University , a university founded by Rabindranath Tagore at Santiniketan . The twenty minutes documentary features the life and works of Mukherjee in the form of paintings and photographs, starring himself. The documentary covers his journey from childhood till his blindness along with much of his works and features his words, "Blindness
146-564: A historical record ". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Early documentary films, originally called " actuality films ", briefly lasted for one minute or less. Over time, documentaries have evolved to become longer in length and to include more categories. Some examples are educational , observational and docufiction . Documentaries are very informative , and are often used within schools as
219-591: A Metropolis (dir. Walter Ruttmann , 1927); Man with a Movie Camera (dir. Dziga Vertov , 1929); Douro, Faina Fluvial (dir. Manoel de Oliveira , 1931); and Rhapsody in Two Languages (dir. Gordon Sparling , 1934). A city symphony film, as the name suggests, is most often based around a major metropolitan city area and seeks to capture the life, events and activities of the city. It can use abstract cinematography (Walter Ruttman's Berlin ) or may use Soviet montage theory (Dziga Vertov's, Man with
292-421: A Movie Camera ). Most importantly, a city symphony film is a form of cinepoetry , shot and edited in the style of a " symphony ". The European continental tradition ( See: Realism ) focused on humans within human-made environments, and included the so-called city symphony films such as Walter Ruttmann's, Berlin: Symphony of a Metropolis (of which Grierson noted in an article that Berlin, represented what
365-429: A Summer ( Jean Rouch ), Dont Look Back ( D. A. Pennebaker ), Grey Gardens ( Albert and David Maysles ), Titicut Follies ( Frederick Wiseman ), Primary and Crisis: Behind a Presidential Commitment (both produced by Robert Drew ), Harlan County, USA (directed by Barbara Kopple ), Lonely Boy ( Wolf Koenig and Roman Kroitor ) are all frequently deemed cinéma vérité films. The fundamentals of
438-527: A broader perspective, as a reaction against studio-based film production constraints. Shooting on location, with smaller crews, would also happen in the French New Wave , the filmmakers taking advantage of advances in technology allowing smaller, handheld cameras and synchronized sound to film events on location as they unfolded. Although the terms are sometimes used interchangeably, there are important differences between cinéma vérité ( Jean Rouch ) and
511-555: A divided South Asia onto the global intellectual stage. Another accomplishment was the invention of the Chaturanga game which later was exported to Europe and became Chess . In Southern India, the Tamil Hindu Kingdom of Chola gained prominence with an overseas empire that controlled parts of modern-day Sri Lanka , Malaysia , and Indonesia as overseas territories, and helped spread Hinduism and Buddhism into
584-630: A documentary should not be); Alberto Cavalcanti's, Rien que les heures; and Dziga Vertov's Man with a Movie Camera . These films tend to feature people as products of their environment, and lean towards the avant-garde. Dziga Vertov was central to the Soviet Kino-Pravda (literally, "cinematic truth") newsreel series of the 1920s. Vertov believed the camera – with its varied lenses, shot-counter shot editing, time-lapse, ability to slow motion, stop motion and fast-motion – could render reality more accurately than
657-437: A form of journalism, advocacy, or personal expression. Early film (pre-1900) was dominated by the novelty of showing an event. Single-shot moments were captured on film, such as a train entering a station, a boat docking, or factory workers leaving work. These short films were called "actuality" films; the term "documentary" was not coined until 1926. Many of the first films, such as those made by Auguste and Louis Lumière , were
730-515: A major battle and re-enact scenes to film them. The propagandist tradition consists of films made with the explicit purpose of persuading an audience of a point. One of the most celebrated and controversial propaganda films is Leni Riefenstahl 's film Triumph of the Will (1935), which chronicled the 1934 Nazi Party Congress and was commissioned by Adolf Hitler . Leftist filmmakers Joris Ivens and Henri Storck directed Borinage (1931) about
803-437: A minute or less in length, due to technological limitations. Examples can be viewed on YouTube. Films showing many people (for example, leaving a factory) were often made for commercial reasons: the people being filmed were eager to see, for payment, the film showing them. One notable film clocked in at over an hour and a half, The Corbett-Fitzsimmons Fight . Using pioneering film-looping technology, Enoch J. Rector presented
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#1732780004814876-506: A more poetic aesthetic approach to documentary. Examples of their work include Drifters (John Grierson), Song of Ceylon (Basil Wright), Fires Were Started , and A Diary for Timothy (Humphrey Jennings). Their work involved poets such as W. H. Auden , composers such as Benjamin Britten , and writers such as J. B. Priestley . Among the best known films of the movement are Night Mail and Coal Face . Calling Mr. Smith (1943)
949-577: A new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts for interpreting the modern world; and that materials "thus taken from the raw" can be more real than the acted article. In this regard, Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance; however, this position is at variance with Soviet film-maker Dziga Vertov 's credos of provocation to present "life as it is" (that is, life filmed surreptitiously), and "life caught unawares" (life provoked or surprised by
1022-826: A new state of being". A sitar composition by Nikhil Banerjee plays in the background, composed in the Hindustani classical morning raga Asavari , indicating optimism. After the Academy of Motion Picture Arts and Sciences awarded Satyajit Ray an honorary Academy Award in 1992 for his lifetime achievements, the Academy Film Archive , part of the Academy Foundation, which mainly works with objectives as "preservation, restoration, documentation, exhibition and study of motion pictures" took an initiative to restore and preserve Ray's films. Josef Lindner
1095-428: A resource to teach various principles . Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media platforms (such as YouTube ) have provided an avenue for the growth of the documentary- film genre . These platforms have increased the distribution area and ease-of-accessibility. Polish writer and filmmaker Bolesław Matuszewski
1168-625: A well-educated family in Behala , in the state of West Bengal . He could not pursue normal schooling due to his poor eyesight. However, his family recognized his interest for art and literature and sent him to Santiniketan for further studies in an art faculty, Kala Bhavan . He eventually became a teaching staff member at Santiniketan in 1925. Later he joined as a curator at the Nepal Government Museum in Kathmandu and taught at
1241-514: A wordless meditation on wartime Britain. From 1982, the Qatsi trilogy and the similar Baraka could be described as visual tone poems, with music related to the images, but no spoken content. Koyaanisqatsi (part of the Qatsi trilogy ) consists primarily of slow motion and time-lapse photography of cities and many natural landscapes across the United States. Baraka tries to capture
1314-516: Is a new feeling, a new experience, a new state of being". The documentary was awarded as Best Information Film (Documentary) at 20th National Film Awards in 1972. Mukherjee is known as the most informed Indian artist of his generation and a legend of modern Asian Art. Born with severe eye problem, being myopic on one eye and blind in the other, Mukherjee lost his sight completely after an unsuccessful cataract operation. However, he continued his work as an artist. The Academy Film Archive , part of
1387-474: Is a separate area. Pathé was the best-known global manufacturer of such films in the early 20th century. A vivid example is Moscow Clad in Snow (1909). Biographical documentaries appeared during this time, such as the feature Eminescu-Veronica-Creangă (1914) on the relationship between the writers Mihai Eminescu , Veronica Micle and Ion Creangă (all deceased at the time of the production), released by
1460-419: Is an anti-Nazi color film created by Stefan Themerson which is both a documentary and an avant-garde film against war. It was one of the first anti-Nazi films in history. Cinéma vérité (or the closely related direct cinema ) was dependent on some technical advances to exist: light, quiet and reliable cameras, and portable sync sound. Cinéma vérité and similar documentary traditions can thus be seen, in
1533-505: The Banasthali Vidyapith , Rajasthan , during 1951–52. He returned to Kala Bhavan in 1958 and then became the principal of art theory. He lost his eyesight completely in an unsuccessful cataract operation. As an artist, Mukherjee worked with different media like murals, watercolor, and oils. In his work, he used a complex fusion of idioms absorbed from Western modern art and the spirituality of oriental traditions. In 1974, he
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#17327800048141606-670: The Bucharest chapter of Pathé . Early color motion picture processes such as Kinemacolor (known for the feature With Our King and Queen Through India (1912)) and Prizma Color (known for Everywhere With Prizma (1919) and the five-reel feature Bali the Unknown (1921)) used travelogues to promote the new color processes. In contrast, Technicolor concentrated primarily on getting their process adopted by Hollywood studios for fiction feature films. Also during this period, Frank Hurley 's feature documentary film, South (1919) about
1679-743: The Ghurid Empire and founded the Delhi Sultanate which ruled until the 16th century. As a consequence, Buddhism declined in South Asia , but Hinduism survived and reinforced itself in areas conquered by Muslim empires. In the far South, the Vijayanagara Empire resisted Muslim conquests, sparking a long rivalry with the Bahmani Sultanate . The turn of the 16th century would see introduction of gunpowder and
1752-666: The Imperial Trans-Antarctic Expedition was released. The film documented the failed Antarctic expedition led by Ernest Shackleton in 1914. With Robert J. Flaherty 's Nanook of the North in 1922, documentary film embraced romanticism . Flaherty filmed a number of heavily staged romantic documentary films during this time period, often showing how his subjects would have lived 100 years earlier and not how they lived right then. For instance, in Nanook of
1825-691: The Muslim conquests of the Indian subcontinent and the decline of Buddhism, the eventual founding of the Delhi Sultanate and the creation of Indo-Islamic architecture , followed by the world's major trading nation, the Bengal Sultanate . The start of the Mughal Empire in 1526 marked the beginning of the early modern period of Indian history, often referred to as the Mughal era. Sometimes,
1898-450: The 16th century to the 18th century, is often referred to as the early modern period , but is sometimes also included in the 'late medieval' period. An alternative definition, often seen in those more recent authors who still use the term at all, brings the start of the medieval times forward, either to about 1000 CE, or to the 12th century. The end may be pushed back to the 18th century, Hence, this period can be effectively considered as
1971-884: The 1920s and 1930s. These films were particularly influenced by modern art , namely Cubism , Constructivism , and Impressionism . According to art historian and author Scott MacDonald , city symphony films can be described as, "An intersection between documentary and avant-garde film: an avant-doc "; however, A.L. Rees suggests regarding them as avant-garde films. Early titles produced within this genre include: Manhatta (New York; dir. Paul Strand , 1921); Rien que les heures /Nothing But The Hours ( France ; dir. Alberto Cavalcanti , 1926); Twenty Four Dollar Island (dir. Robert J. Flaherty , 1927); Moscow (dir. Mikhail Kaufman , 1927); Études sur Paris (dir. André Sauvage , 1928); The Bridge (1928) and Rain (1929), both by Joris Ivens ; São Paulo, Sinfonia da Metrópole (dir. Adalberto Kemeny , 1929), Berlin: Symphony of
2044-432: The Academy Foundation, took an initiative to restore Satyajit Ray's films and could successfully restore 19 Ray films. The Inner Eye is yet to be restored but found to be in good condition for the restoration. The film's original script was included in a book named Original English Film Scripts Satyajit Ray , put together by Ray's son Sandip Ray . Benode Behari Mukherjee was an Indian artist, born on 7 February 1904, into
2117-553: The Belgian coal mining region. Luis Buñuel directed a " surrealist " documentary Las Hurdes (1933). Pare Lorentz 's The Plow That Broke the Plains (1936) and The River (1938) and Willard Van Dyke 's The City (1939) are notable New Deal productions, each presenting complex combinations of social and ecological awareness, government propaganda, and leftist viewpoints. Frank Capra 's Why We Fight (1942–1944) series
2190-810: The Furnaces , from 1968), directed by Octavio Getino and Fernando Solanas , influenced a whole generation of filmmakers. Among the many political documentaries produced in the early 1970s was "Chile: A Special Report", public television's first in-depth expository look at the September 1973 overthrow of the Salvador Allende government in Chile by military leaders under Augusto Pinochet , produced by documentarians Ari Martinez and José Garcia. A June 2020 article in The New York Times reviewed
2263-668: The Indian subcontinent, which hosted a variety of cultures, languages, writing systems, and religions . At the beginning of the time period, Buddhism was predominant throughout the area , with the Pala Empire on the Indo Gangetic Plain sponsoring the Buddhist faith's institutions. One such institution was the Buddhist Nalanda mahavihara in modern-day Bihar , India , a centre of scholarship and brought
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2336-492: The Mughal era is also referred as the 'late medieval' period. Modern historical works written on medieval India have received some criticism from scholars studying the historiography of the period. E. Sreedharan argues that, from the turn of the century until the 1960s, Indian historians were often motivated by Indian nationalism . Peter Hardy notes that the majority of modern historical works on medieval India up until then were written by British and Hindu historians, whereas
2409-474: The National Museum of Kathmandu and his Nepalese frescoes at Banasthali Vidyapith , Rajasthan , the film also highlights his own school at Dehradun . It describes Mukherjee's failed cataract operation which led him to lose his eyesight completely. It finally shows the now-blind Mukherjee painting some of his works. The film ends with Mukherjee's own words, "Blindness is a new feeling, a new experience,
2482-574: The North , Flaherty did not allow his subjects to shoot a walrus with a nearby shotgun, but had them use a harpoon instead. Some of Flaherty's staging, such as building a roofless igloo for interior shots, was done to accommodate the filming technology of the time. Paramount Pictures tried to repeat the success of Flaherty's Nanook and Moana with two romanticized documentaries, Grass (1925) and Chang (1927), both directed by Merian C. Cooper and Ernest Schoedsack . The " city symphony " sub film genre consisted of avant-garde films during
2555-680: The North American " direct cinema " (or more accurately " cinéma direct "), pioneered by, among others, Canadians Michel Brault , Pierre Perrault and Allan King , and Americans Robert Drew , Richard Leacock , Frederick Wiseman and Albert and David Maysles . The directors of the movement take different viewpoints on their degree of involvement with their subjects. Kopple and Pennebaker, for instance, choose non-involvement (or at least no overt involvement), and Perrault, Rouch, Koenig, and Kroitor favor direct involvement or even provocation when they deem it necessary. The films Chronicle of
2628-465: The Penguins , and An Inconvenient Truth among the most prominent examples. Compared to dramatic narrative films, documentaries typically have far lower budgets which makes them attractive to film companies because even a limited theatrical release can be highly profitable. The nature of documentary films has expanded in the past 30 years from the cinéma vérité style introduced in the 1960s in which
2701-581: The Romanian professor Gheorghe Marinescu made several science films in his neurology clinic in Bucharest : Walking Troubles of Organic Hemiplegy (1898), The Walking Troubles of Organic Paraplegies (1899), A Case of Hysteric Hemiplegy Healed Through Hypnosis (1899), The Walking Troubles of Progressive Locomotion Ataxy (1900), and Illnesses of the Muscles (1901). All these short films have been preserved. The professor called his works "studies with
2774-485: The advantage of documentaries lies in introducing new perspectives which may not be prevalent in traditional media such as written publications and school curricula. Documentary practice is the complex process of creating documentary projects. It refers to what people do with media devices, content, form, and production strategies to address the creative, ethical, and conceptual problems and choices that arise as they make documentaries. Documentary filmmaking can be used as
2847-408: The beginning of Muslim domination to British India . Or the "early medieval" period as beginning in the 8th century, and ending with the 11th century. The use of "medieval" at all as a term for periods in Indian history has often been objected to, and is probably becoming more rare (there is a similar discussion in terms of the history of China ). It is argued that neither the start nor the end of
2920-461: The break-up of the Gupta Empire in the 6th century CE to the start of the early modern period in 1526 with the start of the Mughal Empire , although some historians regard it as both starting and finishing later than these points. The medieval period is itself subdivided into the early medieval and late medieval eras. In the early medieval period, there were more than 40 different states on
2993-474: The camera). The American film critic Pare Lorentz defines a documentary film as "a factual film which is dramatic." Others further state that a documentary stands out from the other types of non-fiction films for providing an opinion, and a specific message, along with the facts it presents. Scholar Betsy McLane asserted that documentaries are for filmmakers to convey their views about historical events, people, and places which they find significant. Therefore,
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3066-656: The ceiling of the new dormitory of Kala Bhavan , executed using earth colours to display a pond surrounded by rural life around Santiniketan. The documentary also shows another fresco drawn at China Bhavana which displays life at the Santiniketan campus. Mukherjee himself then explains another fresco done at the Hindu Bhavana in Santiniketan covering three walls of the central hall, which displays religious themes of Medieval India and its uniqueness of not having any preliminary tracing. Covering Mukherjee's tenure at
3139-498: The creation of a Film Archive to collect and keep safe visual materials. The word "documentary" was coined by Scottish documentary filmmaker John Grierson in his review of Robert Flaherty 's film Moana (1926), published in the New York Sun on 8 February 1926, written by "The Moviegoer" (a pen name for Grierson). Grierson's principles of documentary were that cinema's potential for observing life could be exploited in
3212-429: The development of "reality television" that occasionally verges on the documentary but more often veers to the fictional or staged. The "making-of" documentary shows how a movie or a computer game was produced. Usually made for promotional purposes, it is closer to an advertisement than a classic documentary. Modern lightweight digital video cameras and computer-based editing have greatly aided documentary makers, as has
3285-407: The director. The commercial success of these documentaries may derive from this narrative shift in the documentary form, leading some critics to question whether such films can truly be called documentaries; critics sometimes refer to these works as " mondo films " or "docu-ganda." However, directorial manipulation of documentary subjects has been noted since the work of Flaherty, and may be endemic to
3358-452: The dramatic drop in equipment prices. The first film to take full advantage of this change was Martin Kunert and Eric Manes ' Voices of Iraq , where 150 DV cameras were sent to Iraq during the war and passed out to Iraqis to record themselves. Films in the documentary form without words have been made. Listen to Britain , directed by Humphrey Jennings and Stuart McAllister in 1942, is
3431-536: The early part of the 20th century. They were often referred to by distributors as "scenics". Scenics were among the most popular sort of films at the time. An important early film which moved beyond the concept of the scenic was In the Land of the Head Hunters (1914), which embraced primitivism and exoticism in a staged story presented as truthful re-enactments of the life of Native Americans . Contemplation
3504-527: The entirety of a famous 1897 prize-fight on cinema screens across the United States. In May 1896, Bolesław Matuszewski recorded on film a few surgical operations in Warsaw and Saint Petersburg hospitals. In 1898, French surgeon Eugène-Louis Doyen invited Matuszewski and Clément Maurice to record his surgical operations. They started in Paris a series of surgical films sometime before July 1898. Until 1906,
3577-520: The films was so vital that they were often given co-director credits. Famous cinéma vérité/direct cinema films include Les Raquetteurs , Showman , Salesman , Near Death , and The Children Were Watching . In the 1960s and 1970s, documentary film was often regarded as a political weapon against neocolonialism and capitalism in general, especially in Latin America, but also in a changing society. La Hora de los hornos ( The Hour of
3650-533: The form due to problematic ontological foundations. Documentary filmmakers are increasingly using social impact campaigns with their films. Social impact campaigns seek to leverage media projects by converting public awareness of social issues and causes into engagement and action, largely by offering the audience a way to get involved. Examples of such documentaries include Kony 2012 , Salam Neighbor , Gasland , Living on One Dollar , and Girl Rising . Although documentaries are financially more viable with
3723-479: The great pulse of humanity as it flocks and swarms in daily activity and religious ceremonies. Bodysong was made in 2003 and won a British Independent Film Award for "Best British Documentary." Medieval India Medieval India refers to a long period of post-classical history of the Indian subcontinent between the "ancient period" and "modern period". It is usually regarded as running approximately from
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#17327800048143796-694: The help of the cinematograph," and published the results, along with several consecutive frames, in issues of La Semaine Médicale magazine from Paris, between 1899 and 1902. In 1924, Auguste Lumière recognized the merits of Marinescu's science films: "I've seen your scientific reports about the usage of the cinematograph in studies of nervous illnesses, when I was still receiving La Semaine Médicale , but back then I had other concerns, which left me no spare time to begin biological studies. I must say I forgot those works and I am thankful to you that you reminded them to me. Unfortunately, not many scientists have followed your way." Travelogue films were very popular in
3869-625: The historic cultural area of Southeast Asia . In this time period, neighbouring regions such as Afghanistan , Tibet , and Southeast Asia were under South Asian influence . During the late medieval period, a series of Islamic invasions by the Arabs , the Ghaznavids and the Ghurids conquered large portions of Northern India. Turkic general Qutb ud-Din Aibak declared his independence from
3942-428: The human eye, and created a film philosophy from it. The newsreel tradition is important in documentary film. Newsreels at this time were sometimes staged but were usually re-enactments of events that had already happened, not attempts to steer events as they were in the process of happening. For instance, much of the battle footage from the early 20th century was staged; the cameramen would usually arrive on site after
4015-471: The increasing popularity of the genre and the advent of the DVD, funding for documentary film production remains elusive. Within the past decade, the largest exhibition opportunities have emerged from within the broadcast market, making filmmakers beholden to the tastes and influences of the broadcasters who have become their largest funding source. Modern documentaries have some overlap with television forms, with
4088-665: The landmark 14-hour Eyes on the Prize : America's Civil Rights Years (1986 – Part 1 and 1989 – Part 2) by Henry Hampton, 4 Little Girls (1997) by Spike Lee , The Civil War by Ken Burns , and UNESCO-awarded independent film on slavery 500 Years Later , express not only a distinctive voice but also a perspective and point of views. Some films such as The Thin Blue Line by Errol Morris incorporate stylized re-enactments, and Michael Moore 's Roger & Me place far more interpretive control with
4161-493: The period from the 6th century, the first half of the 7th century, or the 8th century up to the 16th century, essentially coinciding with the Middle Ages of Europe. It may be divided into two periods: The 'early medieval period' which lasted from the 6th to the 13th century and the 'late medieval period' which lasted from the 13th to the 16th century, ending with the start of the Mughal Empire in 1526. The Mughal era, from
4234-572: The period really mark fundamental changes in Indian history, comparable to the European equivalents. Burton Stein still used the concept in his A History of India (1998), referring to the period from the Guptas to the Mughals, but most recent authors using it are Indian. Understandably, they often specify the period they cover within their titles. The start of the period is typically taken to be
4307-513: The political documentary And She Could Be Next , directed by Grace Lee and Marjan Safinia. The Times described the documentary not only as focusing on women in politics, but more specifically on women of color, their communities, and the significant changes they have wrought upon America. Box office analysts have noted that the documentary film genre has become increasingly successful in theatrical release with films such as Fahrenheit 9/11 , Super Size Me , Food, Inc. , Earth , March of
4380-645: The process of mural making and how he spends most of his time alone in Santiniketan with his favourite drink, tea . Mukherjee, the youngest child of his family among six children, is shown spending his initial days as a student in Santiniketan with his drawings and paintings. He was a student of Nandalal Bose , another acclaimed painter from Santiniketan. The film mentions Bose's influence of Mukherjee's initial work with his own "striking" originality. The film then features Mukherjee's journey to Japan where he learned from noted Japanese artists, including Tawaraya Sōtatsu and Toba Sōjō . It shows Mukherjee's first fresco on
4453-613: The rise of a new Muslim empire—the Mughals , as well as the establishment of European trade posts by the Portuguese colonists . Mughal Empire was one of the three Islamic gunpowder empires , along with the Ottoman Empire and Safavid Persia . The subsequent cultural and technological developments transformed Indian society, concluding the late medieval period and beginning the early modern period . One definition includes
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#17327800048144526-477: The slow collapse of the Gupta Empire from about 480 to 550, ending the "classical" period , as well as "ancient India", although both these terms may be used for periods with widely different dates, especially in specialised fields such as the history of art or religion. Another alternative for the preceding period is "Early Historical" stretching "from the sixth century BC to the sixth century AD", according to Romila Thapar . At least in northern India, there
4599-530: The style include following a person during a crisis with a moving, often handheld, camera to capture more personal reactions. There are no sit-down interviews, and the shooting ratio (the amount of film shot to the finished product) is very high, often reaching 80 to one. From there, editors find and sculpt the work into a film. The editors of the movement – such as Werner Nold , Charlotte Zwerin , Muffie Meyer , Susan Froemke , and Ellen Hovde – are often overlooked, but their input to
4672-432: The use of portable camera and sound equipment allowed an intimate relationship between filmmaker and subject. The line blurs between documentary and narrative and some works are very personal, such as Marlon Riggs 's Tongues Untied (1989) and Black Is...Black Ain't (1995), which mix expressive, poetic, and rhetorical elements and stresses subjectivities rather than historical materials. Historical documentaries, such as
4745-427: The work of modern Muslim historians was under-represented. He argues that some of the modern Muslim historiography on medieval India at the time was motivated by Islamic apologetics , attempting to justify "the life of medieval Muslims to the modern world." Ram Sharan Sharma has criticised the simplistic manner in which Indian history is often divided into an ancient "Hindu" period, a medieval "Muslim" period, and
4818-494: The year of his last film, Doyen recorded more than 60 operations. Doyen said that his first films taught him how to correct professional errors he had been unaware of. For scientific purposes, after 1906, Doyen combined 15 of his films into three compilations, two of which survive, the six-film series Extirpation des tumeurs encapsulées (1906), and the four-film Les Opérations sur la cavité crânienne (1911). These and five other of Doyen's films survive. Between July 1898 and 1901,
4891-687: Was a newsreel series in the United States, commissioned by the government to convince the U.S. public that it was time to go to war. Constance Bennett and her husband Henri de la Falaise produced two feature-length documentaries, Legong: Dance of the Virgins (1935) filmed in Bali , and Kilou the Killer Tiger (1936) filmed in Indochina . In Canada, the Film Board , set up by John Grierson,
4964-479: Was among those who identified the mode of documentary film. He wrote two of the earliest texts on cinema, Une nouvelle source de l'histoire ("A New Source of History") and La photographie animée ("Animated photography"). Both were published in 1898 in French and were among the earliest written works to consider the historical and documentary value of the film. Matuszewski is also among the first filmmakers to propose
5037-573: Was appointed as a preservation officer and as of October 2010 the Academy could successfully restore 19 Ray titles. The Inner Eye , shot with 35mm interpositive , was found to be in good condition. The film was then partially repaired with mylar and its Eastmancolor negative had tears at notches. At "Ray Festival 2009", Satyajit Ray Society screened The Inner Eye along with other three Ray documentaries, namely Two , Rabindranath Tagore and Sukumar Ray on 7 May 2009. The film's original script
5110-600: Was awarded with Padma Vibhushan , the second-highest civilian award in the Republic of India. Mukherjee died on 19 November 1980, at the age of 76. The documentary begins by showcasing a process by which a wall, 5 feet (1.5 m) high by 60 feet (18 m) wide, of a newly developed building in Santiniketan would be decorated by 20 murals designed by Benode Behari Mukherjee. While the narrator ( Satyajit Ray ) describes Mukherjee's family, Mukherjee himself explains
5183-416: Was included in a book named Original English Film Scripts Satyajit Ray , put together by Ray's son Sandip Ray along with an ex-CEO of Ray Society, Aditinath Sarkar. The book also includes original scripts of Ray's other films. Documentary film A documentary film or documentary is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining
5256-494: Was no larger state until the Delhi Sultanate , or certainly the Mughal Empire, but there were several different dynasties ruling large areas for long periods, as well as many other dynasties ruling smaller areas, often paying some form of tribute to larger states. John Keay puts the typical number of dynasties within the subcontinent at any one time at between 20 and 40, not including local rajas . This period follows
5329-610: Was set up for the same propaganda reasons. It also created newsreels that were seen by their national governments as legitimate counter-propaganda to the psychological warfare of Nazi Germany orchestrated by Joseph Goebbels . In Britain, a number of different filmmakers came together under John Grierson. They became known as the Documentary Film Movement . Grierson, Alberto Cavalcanti , Harry Watt , Basil Wright , and Humphrey Jennings amongst others succeeded in blending propaganda, information, and education with
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