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91-619: (Redirected from Tim Brown ) Timothy , Timmy , or Tim Brown may refer to: Music [ edit ] Timothy Brown (bassist) (born 1969), bassist for the band The Boo Radleys Timothy Brown (conductor) (born 1946), English choral conductor Timothy Brown (hornist) , English hornist Sports [ edit ] Gridiron football [ edit ] Tim Brown (American football) (born 1966), American wide receiver and 1987 Heisman Trophy winner Tim Brown (Canadian football) (born 1984), American football running back and kick returner in
182-484: A confessional tone. Rites of Spring has been described as the first "emo" band. Former Minor Threat singer Ian MacKaye founded Dischord Records which became the center for the city's emo scene. Gothic rock developed out of late-1970s British post-punk . With a reputation as the "darkest and gloomiest form of underground rock", gothic rock uses a synthesizer-and-guitar based sound drawn from post-punk to construct "foreboding, sorrowful, often epic soundscapes", and
273-523: A cynical response to an "authentic" rock movement. Bush , Candlebox and Collective Soul were labelled almost pejoratively as post-grunge which, according to Tim Grierson of About.com , is "suggesting that rather than being a musical movement in their own right, they were just a calculated, cynical response to a legitimate stylistic shift in rock music." Post-grunge morphed during the late 1990s and 2000s as newer bands such as Foo Fighters , Matchbox Twenty , Creed and Nickelback emerged, becoming among
364-545: A flurry of British bands emerged that wished to "get rid of grunge" and "declare war on America", taking the public and native music press by storm. Dubbed " Britpop " by the media, and represented by Pulp , Blur , Suede , and Oasis , this movement was the British equivalent of the grunge explosion, in that the artists propelled alternative rock to the top of the charts in their home country. Britpop bands were influenced by and displayed reverence for British guitar music of
455-571: A headliner in 1998. In light of the festival's troubles that year, Spin said, "Lollapalooza is as comatose as alternative rock right now". Despite these changes in style however, alternative rock remained commercially viable into the start of the 21st century. During the latter half of the 1990s, grunge was supplanted by post-grunge . Many post-grunge bands lacked the underground roots of grunge and were largely influenced by what grunge had become, namely "a wildly popular form of inward-looking, serious-minded hard rock."; many post-grunge bands emulated
546-706: A late night new wave show entitled "Rock and Roll Alternative". " College rock " was used in the United States to describe the music during the 1980s due to its links to the college radio circuit and the tastes of college students. In the United Kingdom, dozens of small do it yourself record labels emerged as a result of the punk subculture . According to the founder of one of these labels, Cherry Red , NME and Sounds magazines published charts based on small record stores called "Alternative Charts". The first national chart based on distribution called
637-420: A majority of groups that were signed to indie labels drew from a variety of rock and particularly 1960s rock influences. This represented a sharp break from the futuristic, hyper-rational post-punk years. "Alternative music is music that hasn't yet achieved a mainstream audience, Alternative isn't new wave any more, it's a disposition of mind. Alternative music is any kind of music that has the potential to reach
728-469: A new wave of post-rock bands such as Godspeed You! Black Emperor and Sigur Rós emerged who further expanded the genre. In 1993, the Smashing Pumpkins' album Siamese Dream was a major commercial success. The strong influence of heavy metal and progressive rock on the album helped to legitimize alternative rock to mainstream radio programmers and close the gap between alternative rock and
819-464: A number of genres, including Krautrock , progressive rock , and jazz . The genre subverts or rejects rock conventions, and often incorporates electronic music. While the name of the genre was coined by music journalist Simon Reynolds in 1994 referring to Hex by the London group Bark Psychosis , the style of the genre was solidified by the release of Millions Now Living Will Never Die (1996) by
910-693: A popular recording studio before going on to John Moores University for teacher training. He progressed on to teaching information technology at St Louis's Grammar School in Kilkeel , County Down , in Ulster , and also taught at Park High School in Birkenhead . Under the name Bravecaptain , Carr has since released six albums, including The Fingertip Saint Sessions Volume 1 , Go with Yourself , Advertisements for Myself (2002) and All Watched Over by Machines of Loving Grace (2004). His most recent album
1001-517: A record as diverse and boundary-bending as this is, at first glance, staggering. Isn't this the job of the U2s and the leisured idols of rock, unable to do anything without the tacit approval of history? Fortunately not. The Boo Radleys are sifting through time (the mid-'60s, mostly) and conjuring up something that's as cut-up and ambitious as anything you'd care to mention". Reviewing the album's re-release in 2008, Sic Magazine wrote, "For 64 minutes they were
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#17327940947461092-488: A wariness of its "macho" aesthetic. While indie rock artists share the punk rock distrust of commercialism, the genre does not entirely define itself against that, as "the general assumption is that it's virtually impossible to make indie rock's varying musical approaches compatible with mainstream tastes in the first place". Labels such as Matador Records , Merge Records , and Dischord , and indie rockers like Pavement , Superchunk , Fugazi , and Sleater-Kinney dominated
1183-568: A wider audience. It also has real strength, real quality, real excitement, and it has to be socially significant, as opposed to Whitney Houston, which is pablum." —Mark Josephson, Executive Director of the New Music Seminar speaking in 1988 Throughout the 1980s, alternative rock remained mainly an underground phenomenon. While on occasion a song would become a commercial hit, or albums would receive critical praise in mainstream publications like Rolling Stone , alternative rock in
1274-549: Is different from Wikidata All article disambiguation pages All disambiguation pages Timothy Brown (bassist) The Boo Radleys are an English alternative rock band who were associated with the shoegazing and Britpop movements in the 1990s. They originally formed in Wallasey , England, in 1988, with singer / guitarist Simon Rowbottom, guitarist/songwriter Martin Carr , and bassist Tim Brown. Their name
1365-510: Is often difficult because of two conflicting applications of the word. Alternative can describe music that challenges the status quo and that is "fiercely iconoclastic, anticommercial, and antimainstream", and the term is also used in the music industry to denote "the choices available to consumers via record stores, radio, cable television, and the Internet." However alternative music has paradoxically become just as commercial and marketable as
1456-510: Is taken from the character Boo Radley in Harper Lee 's 1960 novel, To Kill a Mockingbird . The band split up in 1999. In their 11-year-long career, the band had one top-ten single, 1995's " Wake Up Boo! ", which charted at no. 9, and a number-one album, Wake Up! . The band reunited in 2021, without Carr, and released a single, "A Full Syringe and Memories of You", their first new music since 1998. Paul Banks of Interpol has cited
1547-660: The Billboard 200 album chart. Soundgarden 's album Badmotorfinger , Alice in Chains ' Dirt and Stone Temple Pilots ' Core along with the Temple of the Dog album collaboration featuring members of Pearl Jam and Soundgarden, were also among the 100 top-selling albums of 1992. The popular breakthrough of these grunge bands prompted Rolling Stone to nickname Seattle "the new Liverpool ". Major record labels signed most of
1638-504: The Billboard charts. Pearl Jam also continued to perform well commercially with its second album, Vs. (1993), which topped the Billboard charts by selling a record 950,378 copies in its first week of release. In 1993, the Smashing Pumpkins released their major breakthrough album, Siamese Dream —which debuted at number 10 on the Billboard 200 and sold over 4 million copies by 1996, receiving multi-platinum certification by
1729-531: The Indie Chart was published in January 1980; it immediately succeeded in its aim to help these labels. At the time, the term indie was used literally to describe independently distributed records. By 1985, indie had come to mean a particular genre, or group of subgenres, rather than simply distribution status. The use of the term alternative to describe rock music originated around the mid-1980s; at
1820-631: The RIAA . In 1995, the band released their double album, Mellon Collie & the Infinite Sadness — which went on to sell 10 million copies in the US alone, certifying it as a Diamond record. With the decline of the Madchester scene and the unglamorousness of shoegazing, the tide of grunge from America dominated the British alternative scene and music press in the early 1990s. As a reaction,
1911-503: The UK Singles Chart , peaking at number 9. The single remained on the chart for two months, by far the band's longest run for any of its singles; later, on 26 October 2009, BFBS Forces Radio launched its live Afghanistan studio output with the track after it topped a listeners poll seeking a suitable first track. Carr describes writing the song watching The Big Breakfast after a night on acid . The follow-up release, "Find
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#17327940947462002-495: The hair metal that had dominated rock music at that time fell out of favor in the face of music that was authentic and culturally relevant. The breakthrough success of Nirvana led to the widespread popularization of alternative rock in the 1990s. It heralded a "new openness to alternative rock" among commercial radio stations, opening doors for heavier alternative bands in particular. In the wake of Nevermind , alternative rock "found itself dragged-kicking and screaming ... into
2093-561: The "grunging of America" to the mass-marketing of punk rock, disco , and hip hop in previous years. As a result of the genre's popularity, a backlash against grunge developed in Seattle. Nirvana's follow-up album In Utero (1993) was an intentionally abrasive album that Nirvana bassist Krist Novoselic described as a "wild aggressive sound, a true alternative record." Nevertheless, upon its release in September 1993 In Utero topped
2184-553: The 1970s, which served as a progressive alternative to top 40 radio formats by featuring longer songs and giving DJs more freedom in song selection. According to one former DJ and promoter, "Somehow this term 'alternative' got rediscovered and heisted by college radio people during the 80s who applied it to new post-punk, indie, or underground-whatever music." At first the term referred to intentionally non-mainstream rock acts that were not influenced by "heavy metal ballads, rarefied new wave" and "high-energy dance anthems". Usage of
2275-479: The 1980s was primarily featured on independent record labels, fanzines and college radio stations. Alternative bands built underground followings by touring constantly and by regularly releasing low-budget albums. In the United States, new bands would form in the wake of previous bands, which created an extensive underground circuit filled with different scenes in various parts of the country. College radio formed an essential part of breaking new alternative music. In
2366-463: The 1980s, alternative bands generally played in small clubs, recorded for indie labels, and spread their popularity through word of mouth . As such, there is no set musical style for alternative rock as a whole, although in 1989 The New York Times asserted that the genre is "guitar music first of all, with guitars that blast out power chords, pick out chiming riffs, buzz with fuzztone and squeal in feedback." More often than in other rock styles since
2457-567: The 1993 film So I Married An Axe Murderer with their cover of The La's song "There She Goes". Despite critical acclaim and a cult fanbase, the Boo Radleys were still largely unknown to the general public by the time the Britpop phenomenon broke into the mainstream in 1995. This changed when the band released the upbeat single "Wake Up Boo!" in the spring of that year. It made the Top 10 in
2548-752: The 2000s with multi-platinum acts such as Fall Out Boy , My Chemical Romance , Paramore and Panic! at the Disco . Bands such as the White Stripes and the Strokes found commercial success in the early 2000s, influencing an influx of new alternative rock bands that drew inspiration from garage rock , post-punk and new wave , establishing a revival of the genres. In the past, popular music tastes were largely dictated by music executives within large entertainment corporations. Record companies signed contracts with those entertainers who were thought to become
2639-473: The American indie scene for most of the 1990s. One of the main indie rock movements of the 1990s was lo-fi . The movement, which focused on the recording and distribution of music on low-quality cassette tapes , initially emerged in the 1980s. By 1992, Pavement, Guided by Voices and Sebadoh became popular lo-fi cult acts in the United States, while subsequently artists like Beck and Liz Phair brought
2730-515: The Answer Within," was the band's only other single to chart for more than two weeks. Their fourth album Wake Up! (1995), was their commercial peak. Interviewed in 2005 by the BBC , Carr said: "I tried to have nothing to do with what was being called Britpop. Our whole career was spent trying not to 'fit in'. We just carried on doing what we had been doing. I didn't like most of the new bands or
2821-513: The Berlin Patient , American considered to be the first person cured of HIV Timothy Yeats Brown (1789–1858), banker and British consul to Genoa Tim Brown (Indiana politician) (born 1956), American politician Tim Brown (Ohio politician) (born 1962), American politician See also [ edit ] Spirit House (Georgetown, New York) , also known as Timothy Brown House or Brown's Hall [REDACTED] Topics referred to by
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2912-512: The British indie scene through the end of the decade, as various bands drew from singer Morrissey 's English-centered lyrical topics and guitarist Johnny Marr 's jangly guitar-playing style. The C86 cassette, a 1986 NME premium featuring Primal Scream , the Wedding Present and others, was a major influence on the development of indie pop and the British indie scene as a whole. Other forms of alternative rock developed in
3003-723: The British music press at the end of the decade along with the Madchester scene. Performing for the most part in the Haçienda , a nightclub in Manchester owned by New Order and Factory Records , Madchester bands such as Happy Mondays and the Stone Roses mixed acid house dance rhythms with melodic guitar pop. The Amerindie of the early '80s became known as alternative or alt-rock, ascendant from Nirvana until 1996 or so but currently very unfashionable, never mind that
3094-936: The Canadian Football League Timmy Brown or Timothy Brown (actor) (1937–2020), American football running back in the NFL and actor Other sports [ edit ] Tim Brown (darts player) (born 1944), retired Australian darts player Tim Brown (figure skater) (1938–1989), American former figure skater Tim Brown (footballer) (born 1981), association football player from New Zealand Others [ edit ] Timothy Brown (actor) (1937–2020), American singer and former actor and NFL football player Timothy Brown (game designer) , American role-playing game designer Timothy Brown (judge) (1889–1977), American jurist Timothy Brown (radical) (1743/4–1820), English banker, merchant and radical Timothy Ray Brown (1966–2020), also known as
3185-586: The Chicago group Tortoise . Post-rock was the dominant form of experimental rock music in the 1990s and bands from the genre signed to such labels as Thrill Jockey , Kranky , Drag City , and Too Pure . A related genre, math rock , peaked in the mid-1990s. In comparison to post-rock, math rock relies on more complex time signatures and intertwining phrases. By the end of the decade a backlash had emerged against post-rock due to its "dispassionate intellectuality" and its perceived increasing predictability, but
3276-881: The Lollapalooza festival became the most successful tour in North America in July and August 1991. For Dave Grohl of Nirvana who attended the festival at an open-air amphitheater in Southern California , "it felt like something was happening, that was the beginning of it all". The tour helped change the mentalities in the music industry: "by that fall, radio and MTV and music had changed. I really think that if it weren't for Perry [Farrell], if it weren't for Lollapalooza , you and I wouldn't be having this conversation right now". The release of Nirvana's single " Smells Like Teen Spirit " in September 1991 "marked
3367-625: The Replacements upended a number of underground scene conventions; Azerrad noted that "along with R.E.M., they were one of the few underground bands that mainstream people liked." By the late 1980s, the American alternative scene was dominated by styles ranging from quirky alternative pop ( They Might Be Giants and Camper Van Beethoven ), to noise rock ( Sonic Youth , Big Black , the Jesus Lizard ) and industrial rock ( Ministry , Nine Inch Nails). These sounds were in turn followed by
3458-522: The Story) Morning Glory? (1995), went on to become the third best-selling album in the UK's history. Long synonymous with alternative rock as a whole in the U.S., indie rock became a distinct form following the popular breakthrough of Nirvana. Indie rock was formulated as a rejection of alternative rock's absorption into the mainstream by artists who could not or refused to cross over, and
3549-591: The Top 40 and spawned a number of jangle pop followers. One of the many jangle pop scenes of the early 1980s, Los Angeles' Paisley Underground revived the sounds of the 1960s, incorporating psychedelia, rich vocal harmonies and the guitar interplay of folk rock as well as punk and underground influences such as the Velvet Underground . American indie record labels SST Records , Twin/Tone Records , Touch and Go Records , and Dischord Records presided over
3640-463: The UK during the 1980s. the Jesus and Mary Chain 's sound combined the Velvet Underground's "melancholy noise" with Beach Boys pop melodies and Phil Spector 's " Wall of Sound " production, while New Order emerged from the demise of post-punk band Joy Division and experimented with disco and dance music . The Mary Chain, along with Dinosaur Jr. , C86 and the dream pop of Cocteau Twins , were
3731-577: The US by a more pop-oriented focus (marked by an equal emphasis on albums and singles, as well as greater openness to incorporating elements of dance and club culture) and a lyrical emphasis on specifically British concerns. As a result, few British alternative bands have achieved commercial success in the US. Since the 1980s, alternative rock has been played extensively on the radio in the UK, particularly by disc jockeys such as John Peel (who championed alternative music on BBC Radio 1 ), Richard Skinner , and Annie Nightingale . Artists with cult followings in
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3822-626: The US received greater exposure through British national radio and the weekly music press, and many alternative bands had chart success there. Early American alternative bands such as the Dream Syndicate , the Bongos , 10,000 Maniacs , R.E.M. , the Feelies and Violent Femmes combined punk influences with folk music and mainstream music influences. R.E.M. was the most immediately successful; their debut album, Murmur (1983), entered
3913-490: The United Kingdom and Ireland. During this period, many record labels were looking for "alternatives", as many corporate rock , hard rock , and glam metal acts from the 1980s were beginning to grow stale throughout the music industry . The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock. "Alternative" refers to the genre's distinction from mainstream or commercial rock or pop. The term's original meaning
4004-481: The Velvet Underground , which influenced many alternative rock bands that would come after it. Eccentric and quirky figures of the 1960s, such as Syd Barrett have influence on alternative rock in general. The Dead Kennedys formed the independent record label Alternative Tentacles in 1979, releasing influential underground music such as the 1983 self-titled EP from the Butthole Surfers . By 1984,
4095-558: The advent of Boston 's Pixies and Los Angeles' Jane's Addiction. Around the same time, the grunge subgenre emerged in Seattle , Washington, initially referred to as "The Seattle Sound" until its rise to popularity in the early 1990s. Grunge featured a sludgy, murky guitar sound that syncretized heavy metal and punk rock. Promoted largely by Seattle indie label Sub Pop , grunge bands were noted for their thrift store fashion which favored flannel shirts and combat boots suited to
4186-475: The aesthetic to mainstream audiences. The period also saw alternative confessional female singer-songwriters. Besides the aforementioned Liz Phair, PJ Harvey fit into this sub group. In the mid-1990s, Sunny Day Real Estate defined the emo genre. Weezer 's album Pinkerton (1996) was also influential. Post-rock was established by Talk Talk 's Laughing Stock and Slint 's Spiderland albums, both released in 1991. Post-rock draws influence from
4277-539: The alternative rock community" including Henry Rollins , Butthole Surfers , Ice-T , Nine Inch Nails , Siouxsie and the Banshees (as second headliners) and Jane's Addiction (as the headlining act). Covering for MTV the opening date of Lollapalooza in Phoenix in July 1991, Dave Kendall introduced the report saying the festival presented the "most diverse lineups of alternative rock". That summer, Farrell had coined
4368-437: The alternative/independent scene and dryly tore it apart." David Lowery , then frontman of Camper Van Beethoven, later recalled: "I remember first seeing that word applied to us... The nearest I could figure is that we seemed like a punk band, but we were playing pop music, so they made up this word alternative for those of us who do that." DJs and promoters during the 1980s claim the term originates from American FM radio of
4459-409: The band as an influence. In 1990, the band's first album Ichabod and I was released on a small British indie label, Action Records. Although not a commercial success, this release brought the band to the attention of Rough Trade Records , to whom they signed. Around this time, Hewitt was replaced on drums by Rob Cieka. He then went on to drum for Placebo until 2007. Almost immediately after
4550-533: The band to end and only Martin could have done that. There was always the fear if I left, that they would just get another singer in and I didn't want that. Never mind not having the heart to tour – I barely had the heart to go down to the studio while we were making Kingsize." A compilation album , Find the Way Out , was released in 2005, and a further compilation The Best of the Boo Radleys appeared in 2007. The Boo Radleys disbanded in early 1999. Brown built
4641-467: The death of Layne Staley and the subsequent disbanding of Alice in Chains in 2002, and the disbanding of both the Cranberries and Stone Temple Pilots in 2003. Britpop also began fading after Oasis ' third album, Be Here Now (1997), was met with lackluster reviews. A signifier of alternative rock's changes was the hiatus of the Lollapalooza festival after an unsuccessful attempt to find
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#17327940947464732-459: The decisions were business people dealing with music as a product, and those bands who were not making the expected sales figures were then excluded from this system. Before the term alternative rock came into common usage around 1990, the sorts of music to which it refers were known by a variety of terms. In 1979, Terry Tolkin used the term Alternative Music to describe the groups he was writing about. In 1979 Dallas radio station KZEW had
4823-453: The early 2000s, when indie rock became the most common term in the US to describe modern pop and rock, the terms "indie rock" and "alternative rock" were often used interchangeably; while there are aspects which both genres have in common, "indie rock" was regarded as a British-based term, unlike the more American "alternative rock". The name "alternative rock" essentially serves as an umbrella term for underground music that has emerged in
4914-590: The flag-waving. I didn't like New Labour or idolise Paul Weller and I hated media-generated movements within music". The same year the band featured on Help with "Oh Brother", exclusive to that release. Help was a charity album aimed at raising funds for War Child , also featuring various other artists such as Radiohead and the Manic Street Preachers . In 1996, the Boo Radleys released their fifth album C'mon Kids . As explained by Rowbottom in an interview in 2005: "We didn't want to scare away
5005-429: The formative influences for the shoegazing movement of the late 1980s. Named for the band members' tendency to stare at their feet and guitar effects pedals onstage rather than interact with the audience, shoegazing acts like My Bloody Valentine and Slowdive created an overwhelmingly loud "wash of sound" that obscured vocals and melodies with long, droning riffs, distortion, and feedback. Shoegazing bands dominated
5096-483: The foundation for its large cult following. The key British alternative rock band to emerge during the 1980s was Manchester 's the Smiths . Music journalist Simon Reynolds singled out the Smiths and their American contemporaries R.E.M. as "the two most important alt-rock bands of the day", commenting that they "were eighties bands only in the sense of being against the eighties". The Smiths exerted an influence over
5187-403: The greatest band on the planet." Giant Steps placed second to Debut by Björk in the 1993 NME album of the year list, voted by the paper's contributors, although it came in first place in the subsequent NME readers' poll. The now-defunct Select magazine declared Giant Steps their album of the year for 1993. The Boo Radleys also appear on the original motion picture soundtrack to
5278-433: The hit-kids, we wanted to take them with us to somewhere that we'd not been before. All we wanted to do was make a different type of album than Wake Up... All we wanted to do was try something new – to keep ourselves fresh and interested. We were very surprised to find that it was seen as a deliberate attempt to scare away newly created fans. That would have been an extremely foolish thing to do." The Boo Radleys' final album
5369-457: The instigation of the grunge music phenomenon". Helped by constant airplay of the song's music video on MTV, their album Nevermind was selling 400,000 copies a week by Christmas 1991. Its success surprised the music industry. Nevermind not only popularized grunge, but also established "the cultural and commercial viability of alternative rock in general." Michael Azerrad asserted that Nevermind symbolized "a sea-change in rock music" in which
5460-420: The local weather. Early grunge bands Soundgarden and Mudhoney found critical acclaim in the U.S. and UK, respectively. By the end of the decade, a number of alternative bands began to sign to major labels. While early major label signings Hüsker Dü and the Replacements had little success, acts who signed with majors in their wake such as R.E.M. and Jane's Addiction achieved gold and platinum records, setting
5551-495: The mainstream rock, with record companies using the term "alternative" to market music to an audience that mainstream rock does not reach. Using a broad definition of the genre, Dave Thompson in his book Alternative Rock cites the formation of the Sex Pistols as well as the release of the albums Horses by Patti Smith and Metal Machine Music by Lou Reed as three key events that gave birth to alternative rock. Until
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#17327940947465642-559: The mainstream" and record companies, confused by the genre's success yet eager to capitalize on it, scrambled to sign bands. The New York Times declared in 1993, "Alternative rock doesn't seem so alternative anymore. Every major label has a handful of guitar-driven bands in shapeless shirts and threadbare jeans, bands with bad posture and good riffs who cultivate the oblique and the evasive, who conceal catchy tunes with noise and hide craftsmanship behind nonchalance." However, many alternative rock artists rejected success, for it conflicted with
5733-494: The mainstreaming of rock music, alternative rock lyrics tend to address topics of social concern, such as drug use, depression, suicide, and environmentalism . This approach to lyrics developed as a reflection of the social and economic strains in the United States and United Kingdom of the 1980s and early 1990s. Precursors to alternative rock existed in the 1960s with proto-punk . The origins of alternative rock can be traced back to The Velvet Underground & Nico (1967) by
5824-509: The mid-1980s, college station KCPR in San Luis Obispo, California , described in a DJ handbook the tension between popular and "cutting edge" songs as played on "alternative radio". Although American alternative artists of the 1980s never generated spectacular album sales, they exerted a considerable influence on later alternative musicians and laid the groundwork for their success. On September 10, 1988, an Alternative Songs chart
5915-460: The more melodic, diverse music of college rock that emerged. Azerrad wrote, "Hüsker Dü played a huge role in convincing the underground that melody and punk rock weren't antithetical." The band also set an example by being the first group from the American indie scene to sign to a major record label, which helped establish college rock as "a viable commercial enterprise". By focusing on heartfelt songwriting and wordplay instead of political concerns,
6006-448: The most popular, and therefore who could generate the most sales. These bands were able to record their songs in expensive studios, and their works were then offered for sale through record store chains that were owned by the entertainment corporations, along with eventually selling the merchandise into big box retailers . Record companies worked with radio and television companies to get the most exposure for their artists. The people making
6097-443: The music is still there. — Christgau's Consumer Guide: Albums of the '90s (2000) By the start of the 1990s, the music industry was enticed by alternative rock's commercial possibilities and major labels had already signed Jane's Addiction, Red Hot Chili Peppers and Dinosaur Jr. In early 1991, R.E.M. went mainstream worldwide with Out of Time while becoming a blueprint for many alternative bands. The first edition of
6188-646: The name Eggman, while still a member of the Boo Radleys, Rowbottom walked away from music for several years after the split. Then, following a guest vocal on Bravecaptain's, All Watched Over by Machines of Loving Grace , and also two songs with the Japanese musician Ryo Matsui's solo project, Meister, he formed Paperlung. The band featured Rowbottom on vocals, Simon Gardiner on bass, Ben Datlen on guitar and Guillaume Jambel of Transcargo on drums. They released two singles, "The Days That God Sold You" (2006) and "Do What Thou Will", and an album, Balance (2007). In 2020, it
6279-569: The past, particularly movements and genres such as the British Invasion , glam rock , and punk rock . In 1995, the Britpop phenomenon culminated in a rivalry between its two chief groups, Oasis and Blur, symbolized by their release of competing singles “ Roll With It ” and “ Country House ” on the same day on 14 August 1995. Blur won " The Battle of Britpop ", but they were soon eclipsed in popularity by Oasis whose second album, (What's
6370-418: The prominent grunge bands in Seattle, while a second influx of bands moved to the city in hopes of success. At the same time, critics asserted that advertising was co-opting elements of grunge and turning it into a fad. Entertainment Weekly commented in a 1993 article, "There hasn't been this kind of exploitation of a subculture since the media discovered hippies in the '60s." The New York Times compared
6461-427: The rebellious, DIY ethic the genre had espoused before mainstream exposure and their ideas of artistic authenticity. Other grunge bands subsequently replicated Nirvana's success. Pearl Jam had released its debut album Ten a month before Nevermind in 1991, but album sales only picked up a year later. By the second half of 1992 Ten became a breakthrough success, being certified gold and reaching number two on
6552-643: The release of the Every Heaven EP in 1991, Rough Trade collapsed and the Boo Radleys were signed by Alan McGee 's Creation Records . Their first for Creation was Everything's Alright Forever in 1992, and Giant Steps (1993) followed. Giant Steps was awarded 9/10 by the UK music magazine NME , which stated, "It's an intentional masterpiece, a throw-everything-at-the-wall bric-a-brac of sounds, colours and stolen ideas. That The Boo Radleys (of all people!) have decided to accept their own challenge and create
6643-536: The rise of the format across radio stations in the United States by stations like KROQ-FM in Los Angeles and WDRE-FM in New York, which were playing music from more underground , independent, and non-commercial rock artists. Initially, several alternative styles achieved minor mainstream notice and a few bands, such as R.E.M. and Jane's Addiction , were signed to major labels . Most alternative bands at
6734-407: The same term This disambiguation page lists articles about people with the same name. If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Timothy_Brown&oldid=1178999595 " Category : Human name disambiguation pages Hidden categories: Short description
6825-421: The shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging. Minneapolis bands Hüsker Dü and the Replacements were indicative of this shift. Both started out as punk rock bands, but soon diversified their sounds and became more melodic. Michael Azerrad asserted that Hüsker Dü was the key link between hardcore punk and
6916-479: The sound and style of grunge, "but not necessarily the individual idiosyncracies of its original artists." Post-grunge was a more commercially viable genre that tempered the distorted guitars of grunge with polished, radio-ready production. Originally, post-grunge was a label used almost pejoratively on bands that emerged when grunge was mainstream and emulated the grunge sound. The label suggested that bands labelled as post-grunge were simply musically derivative, or
7007-514: The stage for alternative's later breakthrough. Some bands such as Pixies had massive success overseas while they were ignored domestically. In the middle of the decade, Hüsker Dü's album Zen Arcade influenced other hardcore acts by tackling personal issues. Out of Washington, D.C.'s hardcore scene what was called "emocore" or, later, " emo " emerged and was noted for its lyrics which delved into emotional, very personal subject matter (vocalists sometimes cried) and added free association poetry and
7098-513: The subgenre's lyrics often address literary romanticism, morbidity, religious symbolism, and supernatural mysticism. Bands of this subgenre took inspiration from two British post-punk groups, Siouxsie and the Banshees , and Joy Division . Bauhaus ' debut single " Bela Lugosi's Dead ", released in 1979, is considered to be the proper beginning of the gothic rock subgenre. The Cure 's "oppressively dispirited" albums including Pornography (1982) cemented that group's stature in that style and laid
7189-644: The term Alternative Nation . In December 1991, Spin magazine noted: "this year, for the first time, it became resoundingly clear that what has formerly been considered alternative rock —a college-centered marketing group with fairly lucrative, if limited, potential—has in fact moved into the mainstream." In the late 1990s, the definition again became more specific. In 1997, Neil Strauss of The New York Times defined alternative rock as "hard-edged rock distinguished by brittle, '70s-inspired guitar riffing and singers agonizing over their problems until they take on epic proportions." Defining music as alternative
7280-514: The term would broaden to include new wave , pop, punk rock , post-punk , and occasionally " college "/" indie " rock, all found on the American "commercial alternative" radio stations of the time such as Los Angeles' KROQ-FM . Journalist Jim Gerr wrote that Alternative also encompassed variants such as "rap, trash, metal and industrial". The bill of the first Lollapalooza , an itinerant festival in North America conceived by Jane's Addiction frontman Perry Farrell , reunited "disparate elements of
7371-458: The time, like the Smiths , one of the key British alternative rock bands during the 1980s, remained signed to independent labels and received relatively little attention from mainstream radio, television, or newspapers. With the breakthrough of Nirvana and the popularity of the grunge and Britpop movements in the 1990s, alternative rock entered the musical mainstream, and many alternative bands became successful. Emo found mainstream success in
7462-528: The time, the common music industry terms for cutting-edge music were new music and postmodern , respectively indicating freshness and a tendency to recontextualize sounds of the past. A similar term, alternative pop , emerged around 1985. In 1987, Spin magazine categorized college rock band Camper Van Beethoven as "alternative/indie", saying that their 1985 song "Where the Hell Is Bill" (from Telephone Free Landslide Victory ) "called out
7553-488: The type of rock played on American 1970s Album Oriented Rock radio. In the early 21st century, many alternative rock bands that experienced mainstream success struggled following the suicide of Nirvana 's Kurt Cobain in April 1994, Pearl Jam 's failed lawsuit against concert venue promoter Ticketmaster , Soundgarden 's break-up in 1997, the Smashing Pumpkins losing its original members in 2000, L7 's hiatus in 2001,
7644-405: The wake of punk rock since the mid-1980s. Throughout much of its history, alternative rock has been largely defined by its rejection of the commercialism of mainstream culture, although this could be contested since some of the major alternative artists have eventually achieved mainstream success or co-opted with the major labels from the 1990s onward (especially into the 2000s, and beyond). In
7735-419: Was 1998's Kingsize . One single was released from the album, "Free Huey!". The title track was due to have been released as a second single, but the band decided to split up. Sice later told Time Out magazine: "It was such a relief when Martin phoned me and said he didn't want to make any more records. We'd been wanting it to stop for quite a long time, but I couldn't do it – I didn't want to leave. I wanted
7826-587: Was broader, referring to musicians influenced by the musical style or independent, DIY ethos of late-1970s punk rock . Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines , college radio airplay , and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop , indie rock , grunge , and shoegaze . In September 1988, Billboard introduced "alternative" into their charting system to reflect
7917-421: Was cancelled before release. Alternative rock Alternative rock (also known as alternative music , alt-rock or simply alternative ) is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge subgenre in the United States, and the Britpop and shoegaze subgenres in
8008-529: Was created by Billboard , listing the 40 most-played songs on alternative and modern rock radio stations in the US: the first number one was " Peek-a-Boo " by Siouxsie and the Banshees . By 1989, the genre had become popular enough that a package tour featuring New Order , Public Image Limited and the Sugarcubes toured the US arena circuit. Early on, British alternative rock was distinguished from that of
8099-407: Was released on 11 March 2022. Eight was announced in January 2023 to be released on the same year alongside the new single "Seeker". The discography of the Boo Radleys consists of seven studio albums, three compilation albums, six extended-plays, and eighteen singles one of which ("Lazarus") was released twice, along with remixes of the same song, and their final single ("Kingsize") which
8190-450: Was reported that some members of the Boo Radleys were coming together to record new music to mark 25 years since the band's heyday. In July 2021, the band released their first new single in 23 years, "A Full Syringe and Memories of You", part of an EP of the same name. Upon the single's release, it was confirmed that original guitarist Martin Carr had not taken part in the reunion. The band's seventh studio album, Keep on with Falling ,
8281-471: Was titled Distractions . Carr has since announced that he will be retiring the Bravecaptain name to work on new projects, but these will not include reforming the Boo Radleys. His first solo album Ye Gods (And Little Fishes) was released in mid 2009. Cieka is now a member of the band Domino Bones, alongside Mark "Bez" Berry , formerly of Happy Mondays . After an album in 1996 ( First Fruits ) under
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