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69-422: Trumbauer is a surname. Notable people with the surname include: Frankie Trumbauer (1901–1956), American jazz saxophonist Horace Trumbauer (1868–1938), American architect Lisa Trutkoff Trumbauer (1963–2008), American author [REDACTED] Surname list This page lists people with the surname Trumbauer . If an internal link intending to refer to

138-734: A Bible publisher. Trombonist Eddie Edwards was discovered operating a newsstand in New York City; newspaper publicity resulted in Edwards fronting a local nightclub band. Drummer Tony Sbarbaro was now a mechanic. Pianist J. Russel Robinson was in radio, a musical director for the NBC network. Although Variety reported in November 1932 that Victor planned to use the band in new remakes of their old hits, only Eddie Edwards and Tony Sbarbaro were mentioned, with nightclub emcee Kendall Capps set to front

207-495: A New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by trombonist Tom Brown , was enjoying success. They then assembled trombonist Eddie Edwards , pianist Henry Ragas , and cornetist Frank Christian . Shortly before they were to leave, Christian backed out, and Nick LaRocca was hired as a last-minute replacement. On March 3, 1916 the musicians began their job at Schiller's Cafe in Chicago under

276-634: A contract with OKeh and released a 78 recording of "Singin' the Blues", featuring Beiderbecke on cornet and Eddie Lang on guitar. "Singin' the Blues" was a jazz classic originally recorded and released by the Original Dixieland Jazz Band in 1920. The Okeh recording became a hit. Fletcher Henderson and His Orchestra recorded it in 1931 in the Trumbauer-Beiderbecke version. Trumbauer played with Whiteman for eight of

345-780: A fan of bygone acts, hired the band in late 1936 for a tour of personal appearances. Bass violinist Harry Barth was added to the band in January 1937 for these stage shows. A Variety reviewer caught the Baltimore engagement and disapproved of Murray's handling: "Unfortunately boys aren't getting the spotlight they deserve. They're part of Murray's act and, with two brief exceptions, there's something in front of band [at] all times. To many, that old act has been mythical, especially in last year-and-half. Murray didn't even adequately explain band's background when intro'ing it. Comic should certainly take advantage of what he has in his own act." After

414-589: A hundred times. "Margie" has been recorded by Louis Armstrong , who also covered the band's "Tiger Rag", Ray Charles , Al Jolson , Duke Ellington and His Orchestra in 1935, the Billy Kyle Swing Club Band, Claude Hopkins , Red Nichols , Django Reinhardt , George Paxton , the Dutch Swing College Band , Fats Domino , Sidney Bechet , Don Redman , Cab Calloway, Jim Reeves , Gene Krupa , and Benny Goodman . "Margie"

483-468: A member of Paul Whiteman's Orchestra, he also made a series of recordings for Brunswick and Victor, often including Jack Teagarden . In 1936 he led The Three T's, featuring the Teagarden brothers; in 1938, he and Mannie Klein started a band which they co-led; he billed himself as "Frank Trombar." In 1939, Trumbauer, a skilled pilot, left music (after recording a series of records for Varsity) to join

552-591: A new version of "Tiger Rag" was released as V-Disc 214, featuring Edwards and Sbarbaro under the ODJB name; "Sensation Rag" also was released as V-Disc 214B2. V-Discs were non-commercial recordings issued only to the U.S. armed forces. In 1946 Tony Sbarbaro (now using the name Tony Spargo) led a new eight-man group, "The Emperors of Jazz", with ODJB alumnus Frank Signorelli on piano. J. Russel Robinson moved to California and continued to write songs, forming his own publishing company Southern California Music in 1952. In 1960

621-430: A no. 7 hit in 1921. Claude Hopkins and His Orchestra reached no. 5 in 1934 with Orlando Peterson on vocals. Don Redman and His Orchestra got to no. 15 in 1939 with a cover of the ODJB song. Dave Brubeck , Bix Beiderbecke , Bing Crosby , Jo Stafford , Erroll Garner , Oscar Peterson , Charlie Shavers , Jimmy Smith , Joe Venuti , Ray Barretto , and Shelly Manne also have recorded the song. Jimmie Lunceford recorded

690-469: A photograph of him in the 2001 documentary Jazz , on PBS , on the topic of pioneering jazz soloists and as an image to represent jazz music. Trumbauer's compositions include: Original Dixieland Jazz Band The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their " Livery Stable Blues " became the first jazz record ever issued. The group composed and recorded many jazz standards ,

759-548: A saxophone to the arrangements in the manner of other popular orchestras. Jazz pianist and composer Frank Signorelli , who collaborated on the jazz standards "A Blues Serenade" recorded by Glenn Miller and Duke Ellington, "Gypsy", and " Stairway to the Stars ", joined the ODJB for a brief time in 1921. In November 1925 Nick LaRocca announced that he was retiring from the music business. He was replaced by 19-year-old trumpeter Henry Levine, who in 1940 brought this kind of repertoire to

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828-436: A specific person led you to this page, you may wish to change that link by adding the person's given name (s) to the link. Retrieved from " https://en.wikipedia.org/w/index.php?title=Trumbauer&oldid=1248374125 " Category : Surnames Hidden categories: Articles with short description Short description with empty Wikidata description All set index articles Frankie Trumbauer He

897-502: A tiger as a mascot. In the biography John Coltrane: His Life and Music , published in 1999, Lewis Porter noted that ODJB's classic, "Margie", was a "specialty" of John Coltrane , a song he performed regularly in his early career. "Tiger Rag", "Margie", "Clarinet Marmalade", "At The Jazz Band Ball", "Sensation Rag", and "Fidgety Feet" remain much played classics in the repertory of contemporary Dixieland and traditional jazz bands. Their tunes were published as collaborations by some or all of

966-412: Is because they were imitated widely by musicians who followed in the band's footsteps. Their concept of arrangement was somewhat limited, and their recordings can seem rather repetitive. The lack of a bass player is scarcely compensated for by the piano on their earlier, acoustically recorded sessions. Nonetheless, ODJB arrangements were wild, impolite, and definitely had a jazz feel, and that style still

1035-400: Is no different basically than the old Dixieland style. The sole difference is that today it is closer harmony, because it's arranged. The arranger scores the supposed improvisations because otherwise it would sound like bedlam. When a small combo of four or five jams it out, no arrangement is necessary because each instrumentalist merely takes the chorus lead in sequence." Ken Murray , always

1104-437: Is referred to as the style of music known as Dixieland. ODJB's songs were recorded by other musicians, such as Fletcher Henderson and His Orchestra, one of the most popular and influential jazz bands of the 1920s. Bix Beiderbecke recorded nine compositions associated with the ODJB from 1924 to 1930: "Fidgety Feet", his first recording in 1924, "Tiger Rag", "Sensation", "Lazy Daddy", "Ostrich Walk", "Clarinet Marmalade", "Singin'

1173-792: The Civil Aeronautics Authority . During World War II he was a test pilot with North American Aviation , and trained military crews in the operation of the B-25 Mitchell bomber. He continued to work for the CAA after the war, and also played in the NBC Orchestra . After 1947, although he continued to play and record, he earned most of his income in aviation. Trumbauer died of a heart attack in Kansas City, Missouri , where he had made his home for some years. He

1242-686: The Edgar Benson and Ray Miller bands, shortly followed by the Mound City Blue Blowers , a local group that became nationally famous through their recordings on Brunswick . Trumbauer recruited Bix Beiderbecke for Jean Goldkette 's Victor Recording Orchestra , of which he became musical director. After leaving Goldkette, he and Beiderbecke worked briefly in Adrian Rollini 's short lived New Yorkers band, then joined Paul Whiteman in 1927. The same year, Trumbauer signed

1311-560: The "One Step" incorporated portions of his 1909 ragtime composition "That Teasin' Rag". The record labels subsequently were changed to "Introducing 'That Teasin' Rag' by Joe Jordan". A court case dispute over the authorship of "Livery Stable Blues" resulted in the judge declaring the tune in the "public domain". In the wake of the group's success of the Victor record, the ODJB returned to Columbia in May, recording two selections of popular tunes of

1380-485: The "Original Dixieland Jazz Band" in live performances. Nothing came of this and no recordings resulted. In October 1935 Tony Sbarbaro recorded four sides for Vocalion with his own quintet, billed as "Original Dixieland Jazz Band." In early 1936 Nick LaRocca and Larry Shields reunited in New Orleans for a hotel date. Encouraged by the response, they continued to play local clubs and private functions. LaRocca, gauging

1449-561: The Frisco Jass Band) in an attempts to join the jazz craze. Established bands of different types and bandleaders such as Wilbur Sweatman began billing their groups as "jass" or "jazz" bands. Earl Fuller , bandleader at a competing New York venue, was ordered by management to form a "jass" band. W. C. Handy recorded one of the earliest cover versions of an ODJB tune when he released a recording of "Livery Stable Blues" by Handy's Orchestra of Memphis for Columbia in 1917. In 1918,

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1518-701: The NBC radio show The Chamber Music Society of Lower Basin Street . With LaRocca's departure Tony Sbarbaro, now the only original member of the ODJB, became the bandleader. The personnel for this final incarnation of the "original" ODJB was Tony Sbarbaro (drums), Henry Levine (trumpet), Artie Seaberg (clarinet), Al Caplan (trombone), and Wilder Chase (piano). The band finished out its contract with New York's Cinderella Ballroom in February 1926, and then disbanded. The band broke up in 1926 because its brand of free-wheeling jazz

1587-482: The ODJB name for many years. Nick LaRocca's son, Jimmy LaRocca, continues to lead bands under the name The Original Dixieland Jazz Band, which LaRocca the younger has trademarked. The ODJB was the first band to record jazz successfully, establishing and creating jazz as a new musical idiom and genre of music. Bix Beiderbecke was influenced by the ODJB to become a jazz musician and was heavily influenced by Nick LaRocca's cornet and trumpet style. Louis Armstrong acknowledged

1656-536: The Original Dixieland Five's recording of "Clarinet Marmalade" on the same 78-rpm disc. The ODJB reunion received widespread publicity, including a March of Time newsreel re-creating the group's first recording session and showing their successful performance in Boston on December 31, 1936. J. Russel Robinson compared the band's style to modern swing, which reporter Abel Green encapsulated: "Swing

1725-546: The Original Dixieland Jass Band. The band attracted the attention of theatrical agent Max Hart, who booked the band in New York City. At the start of 1917 the band began an engagement playing for dancing at Reisenweber's Cafe , on Columbus Circle , in Manhattan. While a couple of other New Orleans bands had passed through New York City slightly earlier, they were part of vaudeville acts. ODJB, on

1794-487: The Original Dixieland Jazz Band. Edwards, Shields, and Sbarbaro had one more recording date with Victor on February 18, 1938; they were augmented by New York-area sidemen and vocalist Lola Bard. They recorded six songs for Victor's Bluebird label, and the records were credited to the "Original Dixieland Jazz Band with Shields, Edwards and Sbarbaro; vocal refrain by Lola Bard." The Edwards band toured

1863-605: The Originators of Jazz because they were the first band to record the new genre of music dubbed jass or jazz. The band's April 7, 1919 appearance in the revue Joy Bells at the London Hippodrome was the first official live jazz performance by any band in the United Kingdom and was followed by a command performance for King George V at Buckingham Palace . The concert did not start auspiciously, with

1932-539: The Victor Company, the ODJB recorded for Columbia Records (after the first Victor session, not before as has sometimes been reported) and Aeolian-Vocalion in 1917, then returned to Victor the following year, while enjoying continued popularity in New York. Trombonist Edwards was drafted for World War I in 1918 and replaced by Emile Christian , and pianist Henry Ragas died of influenza in the 1918 flu pandemic

2001-484: The assembled aristocracy, which included French Marshal Philippe Pétain , peering through opera glasses at the band "as though there were bugs on us", according to LaRocca. The audience loosened up, however, after the king laughed and loudly applauded their rendition of "The Tiger Rag". The British tour ended with the band being chased to the Southampton docks by Lord Harrington , who was infuriated that his daughter

2070-535: The audiences for dance-band music, listened to the latest swing records and decided that the ODJB could appeal to those listeners as well. He assembled a 14-piece swing band featuring four members of the ODJB: himself, Larry Shields, J. Russel Robinson, and Tony Sbarbaro. "Nick LaRocca and The Original Dixieland Band" recorded nine sides for Victor in September 1936. Trade columnists welcomed these new big-band versions of

2139-528: The book, The Story of the Original Dixieland Jazz Band , was published. Writer H. O. Brunn based it on Nick LaRocca's recollections, which sometimes differ from that of other sources. Of the veteran quintet, only Tony Sbarbaro lived to witness RCA Victor's commemoration of the 50th anniversary of the Original Dixieland Jazz Band. Larry Shields died in 1953, Nick LaRocca in 1961, Eddie Edwards and J. Russel Robinson in 1963, and Tony Sbarbaro in 1969. Back in New Orleans, LaRocca licensed bandleader Phil Zito to use

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2208-507: The compositions "Sweet Man O' Mine" and "A-Wearin' Away the Blues", and he wrote "Mama Whip! Mama Spank! (If Her Daddy Don't Come Home)" for blues and jazz singer Mamie Smith and her Jazz Band in 1921, which were released on the Okeh label. Robinson was a member of the band until 1923; he rejoined the band when it reformed in 1936. "Margie", composed by J. Russel Robinson with Con Conrad , with lyrics added by Benny Davis , has been covered over

2277-438: The day chosen for them by the label (possibly hoping to avoid the copyright problems which arose after Victor recorded two of the band's supposedly original compositions) " Darktown Strutters' Ball " and " (Back Home Again in) Indiana " as catalogue #A-2297. Numerous jazz bands were formed in the wake of the success of ODJB that copied and replicated its style and sound. Also bands were brought from Chicago and California (such as

2346-423: The entire ensemble, including band leader Nick La Rocca. The Original Dixieland Jazz Band recording of "Tiger Rag" was no. 1 for two weeks on the U.S. Hit Parade charts beginning on December 11, 1918. The Mills Brothers recorded "Tiger Rag" in 1931 with lyrics and spent four weeks at no. 1 on the charts in 1931–1932 with their version of the ODJB song. The Eddie Edwards composition "Sensation Rag" (aka "Sensation")

2415-417: The establishment of a direct shipping line between the two port cities which enabled a vast number of Sicilians to migrate to New Orleans, and other American cities, between the late 1800s and early 1900s. With this migration, Sicilian sound was brought to New Orleans and integrated with regional African-American music. The band would capitalize on this growing integration. After their initial recording for

2484-467: The first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. The original quintet disbanded in 1926. Ten years later, Nick LaRocca recruited most of the quintet to form a new swing band featuring the ODJB members. The full quintet reunited in 1936 to great acclaim, and finally disbanded in 1938. In early 1916, a promoter from Chicago approached clarinetist Alcide Nunez and drummer Johnny Stein about bringing

2553-481: The first hit recording of " Georgia On My Mind " in 1931. "Tram" was described as one of the most influential and important jazz saxophonists of the 1920s and 1930s, particularly influencing the sound of Lester Young . He is also remembered for his musical collaborations with Bix Beiderbecke , a relationship that produced some of the finest and most innovative jazz records of the late 1920s. Trumbauer and Beiderbecke also collaborated with jazz guitarist Eddie Lang. He

2622-485: The following nine years. He had a separate contract with OKeh from 1927 through 1930, he recorded some of the small group jazz recordings of the era, usually including Beiderbecke until the April 30, 1929, session. He recorded a handful of sides in 1931 for Brunswick. In 1932, he organized a band in Chicago and recorded for Columbia , but gave up the orchestra and returned to New York late in 1933. During 1934–1936, while again

2691-588: The following year and he was replaced by pianist and composer J. Russel Robinson . Robinson's compositions for the band recorded and released in 1920, include the classic "Margie" and "Palesteena (Lena from Palesteena)", were among the most popular and best-selling hits of 1920. "Aggravatin' Papa" was composed with lyricist Roy Turk and Addie Britt and was recorded by Alberta Hunter in 1923 with Fletcher Henderson's Dance Orchestra and also by Bessie Smith, Sophie Tucker , Florence Mills , Lucille Hegamin , and Pearl Bailey . Robinson also collaborated with Roy Turk on

2760-409: The fully loaded trap set , wood blocks , cowbells , gongs , and Chinese gourds . This musical innovation represented one of the first experimental exercises in jazz. At the time, their music was liberating; the barnyard sounds were experiments in altering the tonal qualities of the instruments, and clattering wood blocks broke up the rhythm. The music was very lively when compared to the pop music of

2829-547: The importance of ODJB: Only four years before I learned to play the trumpet in the Waif's Home, or in 1909, the first great jazz orchestra was formed in New Orleans by a cornet player named Dominick James LaRocca. They called him 'Nick' LaRocca. His orchestra had only five pieces but they were the hottest five pieces that had ever been known before. LaRocca named this band 'The Old Dixieland Jass Band'. He had an instrumentation different from anything before, an instrumentation that made

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2898-453: The lead role as Jack Burkshaw. Written by Alexander Thomas, it also featured Evelyn Greeley and Kate Lester and was produced by William Brady. Nick LaRocca, Larry Shields, Tony Sbarbaro, and Henry Ragas appeared in the film as a band, with LaRocca on cornet, Shields on clarinet, Ragas on piano, and Sbarbaro on drums. The film was released on December 10, 1917, produced by Peerless Productions, and distributed by World Pictures. Nick LaRocca and

2967-554: The most famous being " Tiger Rag ". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band. The band consisted of five musicians who had played in the Papa Jack Laine bands. ODJB billed itself as "the Creators of Jazz". It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist Nick LaRocca argued that ODJB deserved recognition as

3036-462: The name Stein's Dixie Jass Band. The band was a hit and received offers of higher pay elsewhere. Since Stein as leader was the only musician under contract by name, the rest of the band broke off, sent to New Orleans for drummer Tony Sbarbaro , and on June 5, started playing under the name, The Dixie Jass Band. LaRocca and Nunez had personality conflicts, and on October 30 Tom Brown's Band and ODJB agreed to swap clarinetists, bringing Larry Shields into

3105-652: The name of the New Orleans Jazz Band. They recorded the same two numbers a couple of months later for Gennett under the name of Original New Orleans Jazz Band , and in 1920 the same group recorded again for Gennett as Jimmy Durante's Jazz Band. They later billed themselves as "Durante's Jazz and Novelty Band". Both LaRocca and Sbarbaro were children of immigrants from the Italian region of Sicily . The Sicilian capital of Palermo had long held cotton and citrus fruit trade with New Orleans. This resulted in

3174-425: The old hits, with the technological advance of electrical recording (with microphones) yielding a tremendous improvement in fidelity over the old acoustic recordings. Clarinetist Larry Shields received particularly positive attention: "It is here that one of the all too few opportunities to hear and judge Shields by himself is found," wrote The Record Changer . "It is Larry Shields who packs the punch, much as he did in

3243-503: The old songs sound new. Besides himself at the cornet, LaRocca had Larry Shields, clarinet, Eddie Edwards, trombone, Ragas, piano, and Sbarbaro, drums. They all came to be famous players and the Dixieland Band has gone down now in musical history. In 1917, the band made the first appearance of a jazz band in a motion picture, a silent movie entitled, The Good for Nothing (1917), directed by Carlyle Blackwell , who also played

3312-717: The other hand, played for dancing and hence, were the first "jass" band to get a following of fans in New York and then record at a time when the American recording industry was essentially centered in the northeastern United States, primarily in New York City and Camden, New Jersey . Shortly after arriving in New York, a letter dated January 29, 1917, offered the band an audition for the Columbia Graphophone Company . The session took place on Wednesday, January 31, 1917 . Nothing from this test session

3381-575: The regular, smaller band." Eddie Edwards, the only ODJB member absent from the first big-band session on September 2, showed up at the studio toward the end of the second big-band session on September 25. The original quintet ran through "Skeleton Jangle" without the big band. The take went so well that Victor invited the quintet back into the studio to record five more songs on November 10, 1936. Victor credited these records to "The Original Dixieland Five" to avoid confusion with Victor's "Original Dixieland Band" records then in circulation. Benny Goodman (who

3450-570: The reunited Original Dixieland Jass Band performed "Tiger Rag" in The March of Time newsreel segment titled "Birth of Swing," released to U.S. theaters on February 19, 1937. The band's 1917 composition "Tiger Rag" became one of the most popular and ubiquitous of jazz standards. There were 136 cover versions of ODJB's copyright jazz standard and classic "Tiger Rag" by 1942. It has been standard ever since. Their first release, " Livery Stable Blues ", featured instruments doing barnyard imitations and

3519-598: The song "When You Hear That Dixieland Jazz Band Play" by Shelton Brooks , "the King of Ragtime Writers", was published by Will Rossiter in Chicago. It was a tribute to the Original Dixieland Jazz Band, who were featured on the cover. When the New Orleans Jazz style swept New York by storm in 1917 with the arrival of the Original Dixieland Jazz Band, Jimmy Durante was part of the audience at Reisenweber's Cafe on Columbus Circle when ODJB played that venue. Durante

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3588-429: The song in 1938 with a Sy Oliver arrangement that featured Trummy Young . Other New Orleans musicians, including Nunez, Tom Brown, and Frank Christian, followed ODJB's example and went to New York to play jazz as well, giving the band competition. LaRocca decided to take the band to London, where they would once again enjoy being the only authentic New Orleans jazz band in the metropolis, and again present themselves as

3657-619: The southern United States in the spring of 1938. Meanwhile the other two members, LaRocca and Robinson, had "their own combo in New York." Most of the ODJB veterans continued to work after Nick La Rocca retired completely from the musical scene. In November 1943 Tony Sbarbaro, claiming ownership of the ODJB name, brought back Eddie Edwards (and went after Larry Shields) to appear with the Original Dixieland Jazz Band in Sol Hurok 's stage production Tropical Review in Forrest, New York. In 1944,

3726-657: The stint with Murray, the band's radio and stage appearances were now being arranged by veteran band booker and manager Ed Kirkeby . The band opened Billy Rose 's opulent Frontier Fiesta club in Fort Worth, Texas in July 1937. They played throughout the summer at the Dallas-Fort Worth Exposition, and returned to New York on October 1 for a booking at the Old New York nightclub. Toward the end of

3795-433: The time. Many of the tunes first composed and recorded by the Original Dixieland Jass Band, such as "Tiger Rag" and "Margie", were recorded by many of the major jazz bands and orchestras of the twentieth century, black and white. "Tiger Rag" was recorded by many artists, from Louis Armstrong to Duke Ellington to Glenn Miller to Benny Goodman. "Tiger Rag", in particular, became popular with many colleges and universities having

3864-448: The tour, there were disagreements about LaRocca's leadership; Harry Barth had left angrily on August 7 when he asked LaRocca for a raise and was refused. LaRocca and Edwards also argued back and forth. On January 17, 1938, LaRocca served notice on both the band members and the musicians' union in New York that the ODJB would be disbanding. The band officially broke up on February 1, 1938. In the immediate aftermath, two factions competed as

3933-501: Was 55 years old. Lester Young acknowledged and cited Trumbauer as his main influence as a saxophonist. When an interviewer asked Young about his influences, he stated that Frankie Trumbauer was his major influence: "So, it's Trumbauer?" Young replied: "That was my man." His life and career were documented in the biography Tram: The Frank Trumbauer Story by Philip R. Evans and Larry F. Kiner with William Trumbauer (Institute of Jazz Studies, Rutgers and Scarecrow Press Inc., 1994). He

4002-547: Was a composer of sophisticated sax melodies, one of the major small group jazz bandleaders of the 1920s and 1930s. His landmark recording of " Singin' the Blues " with Bix Beiderbecke and Eddie Lang in 1927, was inducted into the Grammy Hall of Fame in 1977. His major recordings included "Krazy Kat", "Red Hot", "Plantation Moods", "Trumbology", " Tailspin ", "Singin' the Blues", "Wringin' an' Twistin'", and " For No Reason at All in C " with Bix Beiderbecke and Eddie Lang, and

4071-513: Was a no. 9 hit for ODJB in 1921 with J. Russel Robinson on piano. Eddie Cantor had the biggest hit version of the ODJB classic, spending five weeks at no. 1 in 1921. The song also was featured in the movie The Eddie Cantor Story and was the theme of the television series of the same name in 1961–1962. Cantor also recorded ODJB's "Palesteena (Lena from Palesteena)". Gene Rodemich and His Orchestra reached no. 7 with their version in 1920. Ted Lewis and His Band reached no. 4 in 1921. Frank Crumit had

4140-592: Was being romanced by the lead singer of the band. In London, they made twenty more recordings for the British branch of Columbia. While in London, they recorded the second, more commercially successful, version of their hit song "Soudan" (also known as "Oriental Jass"). The band returned to the United States in July 1920 and toured for four years. This version of the band played in a more commercial style, adding

4209-466: Was featured in Episode 3, "Our Language", in the 2001 documentary Jazz by Ken Burns on PBS on the topic of pioneering jazz soloists. A photograph of him holding his Holton C-melody saxophone was one of the images chosen by Burns to symbolize jazz. The photo is featured on all the intros and outros as well as in Episode 3, "Our Language". His 1927 solo in "Singin' the Blues" is analyzed as well. He

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4278-521: Was featured in the 2001 documentary Jazz by Ken Burns on PBS on the topic of the first jazz soloists and as an iconic image to symbolize jazz music. Born of part Cherokee ancestry in Carbondale, Illinois , United States, Trumbauer grew up in St Louis, Missouri , the son of a musical mother who directed saxophone and theater orchestras. His first important professional engagements were with

4347-531: Was issued. The band then recorded two sides for the Victor Talking Machine Company , "Livery Stable Blues" and " Dixieland Jass Band One-Step ", on February 26, 1917 at Victor's New York studios. These titles were released as Victor 18255 in May 1917, the first issued jazz record. The band's recordings, first marketed as a novelty, were a surprise hit, and gave many Americans their first taste of jazz. Musician Joe Jordan sued, since

4416-474: Was known for double tonguing . "Singin' the Blues", released by Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet and Eddie Lang on guitar in 1927 as Okeh 40772-B, was inducted into the Grammy Hall of Fame in 1977. Frankie Trumbauer played the C-melody saxophone solos on the landmark jazz recording. In 2005, his 1927 recording of "Singin' the Blues" with Bix Beiderbecke and Eddie Lang

4485-418: Was performed at the 1938 landmark Benny Goodman jazz concert at Carnegie Hall released on the album The Famous 1938 Carnegie Hall Jazz Concert . Compared to later jazz, the ODJB recordings have only modest improvisation in mostly ensemble tunes. Clarinetist Larry Shields is perhaps the most interesting player, showing a good fluid tone, and if his melodic variations and breaks now seem overly familiar, this

4554-569: Was placed on the U.S. Library of Congress National Recording Registry . In 2008, his recordings of "Ostrich Walk" and "There'll Come a Time" with Bix Beiderbecke were included on the soundtrack to the Brad Pitt movie The Curious Case of Benjamin Button , which was nominated for 13 Academy Awards , based on the F. Scott Fitzgerald short story from Tales of the Jazz Age . Ken Burns used

4623-461: Was present at the quintet's Victor recording session) named Shields as an important early influence, and invited the band to appear on his network radio show, where the ODJB was a sensation. The band was booked into New York's famous Paramount theater in April 1937, one month after Goodman's spectacular showing at the Paramount. Victor even coupled the new Goodman recording of "St. Louis Blues" with

4692-452: Was then considered old-fashioned. As Abel Green of Variety put it: "[Paul] Whiteman with his symphonic syncopation came along and made America and the world conscious of his arranged sweet foxtrotology. Then the Dixieland Band folded for good." The band members scattered. Leader/trumpeter Nick LaRocca returned to his construction business in New Orleans. Clarinetist Larry Shields moved to Chicago, then to New Orleans where he worked for

4761-627: Was very impressed with the band and invited them to play at a club called the Alamo in Harlem where Jimmy played piano. Durante had his friend, Johnny Stein (the previous drummer and leader of the group), assemble a group of like-minded New Orleans musicians to accompany his act at the Alamo. Stein did so, with a band consisting of fellow veterans of the Laine bands in New Orleans, other than pianist Durante. In late 1918 they recorded two sides for Okeh under

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