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89-502: The term is also applied to vehicles that comply with United States regulations, most notably the lights and bumpers, which different from European standards. The incompatibility requires manufacturers to develop USDM and EDM versions of their models if they want to sell them in both regions. Sometimes the conversion in the factory lane is done after the model was launched in the European market. The conversion to United States federal laws

178-429: A binaural record out of it. This consisted of two separate channels cut into two separate groups of grooves running next to each other, one running from the edge of the disc to halfway through and the other starting at the halfway point and ending up towards the label. He used two lateral grooves with a 500 Hz crossover in the inner track to try and compensate for the lower fidelity and high-frequency distortion on

267-432: A 50 mg tablet of calcium is of equal value to a consumer no matter what company produces and markets it, and as such, multivitamins are now sold in bulk and are available at any supermarket with little brand differentiation. Following this trend, nanomaterials are emerging from carrying premium profit margins for market participants to a status of commodification. There is a spectrum of commoditization, rather than

356-408: A binary distinction of "commodity versus differentiable product". Few products have complete undifferentiability and hence fungibility; even electricity can be differentiated in the market based on its method of generation (e.g., fossil fuel, wind, solar), in markets where energy choice lets a buyer opt (and pay more) for renewable methods if desired. Many products' degree of commoditization depends on

445-649: A commodity is an object or a good or service ("product" or "activity" ) produced by human labour . Objects are external to man. However, some objects attain " use value " to persons in this world, when they are found to be "necessary, useful or pleasant in life". "Use value" makes an object "an object of human wants", or "a means of subsistence in the widest sense". As society developed, people found that they could trade goods and services for other goods and services. At this stage, these goods and services became "commodities". According to Marx, commodities are defined as objects which are offered for sale or are "exchanged in

534-401: A decade, and broadcasters were looking for better materials from which to make phonograph records as well as a better format in which to record them to play over the narrow and thus inherently noisy radio channel. As radio had been playing the same shellac discs available to the public, it was found that, even though the playback system was now electric rather than acoustic, the surface noise on

623-476: A decade, where commodities as a whole trade at a price that is greater than their long term moving average . A Super Cycle will usually occur when there is large industrial and commercial change in a country or world that requires more resources to support the change. As prices rise, goods and services that rely on commodities rise with them. There have been four super cycles over the last 120 years worldwide. The first commodity super cycle started in late 1890 and

712-465: A hill-and-dale (vertically modulated) format on his cylinders and discs since 1877, and Berliner had been recording in a side-to-side (lateral) format since shortly thereafter. Each format developed on its own trajectory until the late 1920s when electric recording on disc, utilizing a microphone, surpassed acoustic recording which required a loud performance into what amounted to a megaphone in reverse. At that time, AM radio had been around for roughly

801-580: A lots of new jobs and opportunities. In 2008 when the Great Recession hit it put a halt onto the supercycle as GDP's across the world tanked leaving many economies in recessions. The next or the fifth supercycle could arrive as the world enters the final phases of the COVID-19 pandemic and starts to build massive clean energy infrastructure in view of the commodity price increase. Stereo Stereophonic sound , or more commonly stereo ,

890-438: A market". In the marketplace, where commodities are sold, "use value" is not helpful in facilitating the sale of commodities. Accordingly, in addition to having use value, commodities must have an "exchange value"—a value that could be expressed in the market. Prior to Marx, many economists debated as to what elements made up exchange value. Adam Smith maintained that exchange value was made up of rent , profit , labour and

979-439: A monophonic system since a stereo system contains two preamplifiers, two amplifiers, and two speaker systems. In addition, the user would need an FM stereo tuner, to upgrade any tape recorder to a stereo model, and to have their phonograph fitted with a stereo cartridge. In the early days, it was not clear whether consumers would think the sound was so much better as to be worth twice the price. Thomas Edison had been recording in

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1068-447: A more modern 24 fps system with brand-new 65 mm self-blimped production cameras ( Mitchell BFC ... "Blimped Fox Camera") and brand-new 65 mm MOS cameras (Mitchell FC ... "Fox Camera") and brand-new Super Baltar lenses in a wide variety of focal lengths, first employed on South Pacific . Essentially, although Todd-AO was also available to others, the format became Fox's premier origination and presentation apparatus, replacing

1157-567: A separate listening room. Several stereophonic test recordings, using two microphones connected to two styli cutting two separate grooves on the same wax disc, were made with Leopold Stokowski and the Philadelphia Orchestra at Philadelphia's Academy of Music in March 1932. The first (made on March 12, 1932), of Scriabin's Prometheus: Poem of Fire , is the earliest known surviving intentional stereo recording. The performance

1246-602: A series of telephone transmitters connected from the stage of the Paris Opera to a suite of rooms at the Paris Electrical Exhibition, where listeners could hear a live transmission of performances through receivers for each ear. Scientific American reported: Every one who has been fortunate enough to hear the telephones at the Palais de l'Industrie has remarked that, in listening with both ears at

1335-520: A somewhat artificial six-track panning method. A process known somewhat derogatorily as the Columbia Spread was often used to synthesize Left Center and Right Center from a combination of Left and Center and Right and Center, respectively, or, for effects, the effect could be "panned" anywhere across the five stage speakers using a one-in/five-out pan pot. Dolby, who did not approve of this practice, which results in loss of separation, instead used

1424-443: A time before intentional stereophonic recording technology existed. Modern stereophonic technology was invented in the 1930s by British engineer Alan Blumlein at EMI , who patented stereo records, stereo films, and also surround sound. In early 1931, Blumlein and his wife were at a local cinema. The sound reproduction systems of the early talkies invariably only had a single set of speakers – which could lead to

1513-572: A vast array of sounds, ranging from railroad sounds to thunderstorms. By 1953, Cook had a catalog of about 25 stereo records for sale to audiophiles . The first stereo recordings using magnetic tape were made in Germany in the early 1940s using Magnetophon recorders. Around 300 recordings were made of various symphonies, most of which were seized by the Red Army at the end of World War II. The recordings were of relatively high fidelity , thanks to

1602-563: A vertical fashion to minimize rumble. The overhead in this scheme limited the playing time to slightly longer than a single even at 33 + 1 ⁄ 3 RPM on a 12-inch disc. Another failed experiment in the late 1920s and early '30s involved recording the left channel on one side of the disc and recording the right channel on the other side of the disc. These were manufactured on twin film-company recording lathes which ran in perfect sync with one another, and were capable of counter-clockwise as well as conventional clockwise recording. Each master

1691-476: Is Cinerama was still playing only in New York City, most moviegoing audiences heard stereophonic sound for the first time with House of Wax , an early 3-D film starring Vincent Price and produced by Warner Bros. Unlike the 4-track mag release-print stereo films of the period which featured four thin strips of magnetic material running down the length of the film, inside and outside the sprocket holes,

1780-423: Is a list of companies trading globally in commodities, descending by size as of October 28, 2011. In the original and simplified sense, commodities were things of value, of uniform quality, that were produced in large quantities by many different producers; the items from each different producer were considered equivalent. On a commodity exchange, it is the underlying standard stated in the contract that defines

1869-412: Is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones ) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect,

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1958-416: Is an instrument of labour"), even though they may not be produced specifically for the market, or be non-reproducible goods. Marx's analysis of the commodity is intended to help solve the problem of what establishes the economic value of goods, using the labour theory of value . This problem was extensively debated by Adam Smith , David Ricardo and Karl Rodbertus-Jagetzow among others. All three of

2047-446: Is often called "federalization". The term is sometimes used in the context of commodities . This United States -related article is a stub . You can help Misplaced Pages by expanding it . This economics -related article is a stub . You can help Misplaced Pages by expanding it . Commodities In economics , a commodity is an economic good , usually a resource , that specifically has full or substantial fungibility : that is,

2136-424: Is then reproduced over multiple loudspeakers to recreate, as closely as possible, the live sound. Secondly artificial or pan stereo, in which a single-channel ( mono ) sound is reproduced over multiple loudspeakers. By varying the relative amplitude of the signal sent to each speaker, an artificial direction (relative to the listener) can be suggested. The control which is used to vary this relative amplitude of

2225-633: The Chicago World's Fair in 1933 using a dummy with microphones instead of ears . The two signals were sent out over separate AM station bands. Utilizing selections recorded by the Philadelphia Orchestra , under the direction of Leopold Stokowski , intended for but not used in Walt Disney's Fantasia , the Carnegie Hall demonstration by Bell Laboratories on April 9 and 10, 1940, used three huge speaker systems. Synchronization

2314-453: The Greek στερεός ( stereós , "firm, solid") + φωνή ( phōnḗ , "sound, tone, voice") and it was coined in 1927 by Western Electric , by analogy with the word stereoscopic . Stereo sound systems can be divided into two forms: the first is true or natural stereo in which a live sound is captured, with any natural reverberation present, by an array of microphones . The signal

2403-625: The Théâtrophone , and in England from 1895 to 1925 as the Electrophone . Both were services available by coin-operated receivers at hotels and cafés, or by subscription to private homes. There have been cases in which two recording lathes (for the sake of producing two simultaneous masters) were fed from two separate microphones; when both masters survive, modern engineers have been able to synchronize them to produce stereo recordings from

2492-577: The brand , the user interface and the perceived quality. The demand for one type of stereo may be much larger than demand for another. The price of a commodity good is typically determined as a function of its market as a whole. Well-established physical commodities have actively traded spot and derivative markets. Soft commodities are goods that are grown, such as wheat , or rice . Hard commodities are mined . Examples include gold , silver , helium , oil , and Bitcoin . Energy commodities include electricity, gas, coal and oil. Electricity has

2581-955: The market treats instances of the good as equivalent or nearly so with no regard to who produced them. The price of a commodity good is typically determined as a function of its market as a whole: well-established physical commodities have actively traded spot and derivative markets. The wide availability of commodities typically leads to smaller profit margins and diminishes the importance of factors (such as brand name ) other than price. Most commodities are raw materials , basic resources, agricultural , or mining products, such as iron ore , sugar , or grains like rice and wheat . Commodities can also be mass-produced unspecialized products such as chemicals and computer memory . Popular commodities include crude oil , corn , gold and Bitcoin . Other definitions of commodity include something useful or valued and an alternative term for an economic good or service available for purchase in

2670-520: The 3-D production of The Charge at Feather River , and Island in the Sky . Unfortunately, as of 2012, the stereo magnetic tracks to both these films are considered lost forever. In addition, a large percentage of 3-D films carried variations on three-track magnetic sound: It Came from Outer Space ; I, the Jury ; The Stranger Wore a Gun ; Inferno ; Kiss Me, Kate ; and many others. Inspired by Cinerama ,

2759-410: The 70 mm prints would be mixed for stereo, while the 35 mm reduction prints would be remixed for mono. Some films shot in 35 mm, such as Camelot , featured four-track stereophonic sound and were then blown up to 70 mm so that they could be shown on a giant screen with six-track stereophonic sound. Unfortunately however, many of these presentations were only pseudo stereo, utilizing

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2848-562: The CinemaScope 55 mm system. Current DVDs of the two CinemaScope feature titles were transferred from the original 55 mm negatives, often including the separate 35 mm films as extras for comparison. Beginning in 1957, films recorded in stereo (except for those shown in Cinerama or Todd-AO) carried an alternate mono track for theatres not ready or willing to re-equip for stereo. From then until about 1975, when Dolby Stereo

2937-660: The King of Siam , The Day the Earth Stood Still and Sun Valley Serenade which, along with Orchestra Wives , feature the only stereophonic recordings of the Glenn Miller Orchestra as it was during its heyday of the Swing Era . Walt Disney began experimenting with multichannel sound in the early 1930s as noted above. The first commercial motion picture to be exhibited with stereophonic sound

3026-471: The Latin commoditas , meaning "suitability, convenience, advantage". The Latin word commodus (from which English gets other words including commodious and accommodate ) meant variously "appropriate", "proper measure, time, or condition", and "advantage, benefit". In economics, the term commodity is used specifically for economic goods that have full or partial but substantial fungibility ; that is,

3115-422: The above-mentioned economists rejected the theory that labour composed 100% of the exchange value of any commodity. In varying degrees, these economists turned to supply and demand to establish the price of commodities. Marx held that the "price" and the "value" of a commodity were not synonymous. Price of any commodity would vary according to the imbalance of supply to demand at any one period of time. The "value" of

3204-458: The artistic adjustment of overall volume and the relative volume of each track in relation to the others. Stokowski, who was always interested in sound reproduction technology personally participated in the enhancement of the sound at the demonstration. The speakers produced sound levels of up to 100 decibels, and the demonstration held the audience "spellbound, and at times not a little terrified", according to one report. Sergei Rachmaninoff , who

3293-639: The buyer's mentality and means. For example, milk, eggs, and notebook paper are not differentiated by many customers; for them, the product is fungible and lowest price is the main decisive factor in the purchasing choice. Other customers take into consideration other factors besides price, such as environmental sustainability and animal welfare. To these customers, distinctions such as " organic versus not" or " cage free versus not" count toward differentiating brands of milk or eggs, and percentage of recycled content or Forest Stewardship Council certification count toward differentiating brands of notebook paper. This

3382-443: The commodity markets through a commodity price index . In order to diversify their investments and mitigate the risks associated with inflationary debasement of currencies, pension funds and sovereign wealth funds allocate capital to non-listed assets such as a commodities and commodity-related infrastructure. The inventory of commodities, with low inventories typically leading to more volatile future prices and increasing

3471-404: The commodity, not any quality inherent in a specific producer's product. Commodities exchanges include: Markets for trading commodities can be very efficient , particularly if the division into pools matches demand segments . These markets will quickly respond to changes in supply and demand to find an equilibrium price and quantity. In addition, investors can gain passive exposure to

3560-399: The costs of wear and tear on the instruments of husbandry. David Ricardo , a follower of Adam Smith, modified Smith's approach on this point by alleging that labour alone is the content of the exchange value of any good or service. While maintaining that all exchange value in commodities was derived directly from the hands of the people that made the commodity, Ricardo noted that only part of

3649-457: The disc would mask the music after just a few plays. The development of acetate, bakelite, and vinyl, and the production of radio broadcast transcriptions helped to solve this. Once these considerably quieter compounds were developed, it was discovered that the rubber-idler-wheel-driven turntables of the period had a great deal of low-frequency rumble – but only in the lateral plane. So, even though with all other factors being equal,

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3738-503: The discovery of AC bias . A 1944 recording of Anton Bruckner 's Symphony No. 8 directed by Herbert von Karajan and the Orchester der Berliner Staatsoper and a 1944 or 1945 recording of Walter Gieseking playing Beethoven 's Piano Concerto No. 5 (with anti-aircraft fire audible in the background) are the only recordings still known to exist. In the US, stereo magnetic tape recording

3827-593: The early 70s. In the 1970s as world economies grew they needed more materials and energy to support expansion leading to increases in prices across the board. This boom came to an end as foreign investments fled as extractive industries became nationalized. The most recent of commodity super cycles began in 2000 as China joined the World Trade Organization . China was also in the beginning of their boom as industry and expansion took off. Workers moved into cities as emerging industries took off and offered

3916-451: The exchange value of the commodity was paid to the worker who made the commodity. The other part of the value of this particular commodity was labour that was not paid to the worker—unpaid labour. This unpaid labour was retained by the owner of the means of production. In capitalist society, the capitalist owns the means of production and therefore the unpaid labour is retained by the capitalist as rent or as profit. The means of production means

4005-498: The inner track. Each groove needed its own monophonic needle and cartridge on its own branch of the tonearm, and each needle was connected to a separate amplifier and speaker. This setup was intended to demonstrate Cook's cutter heads at a New York audio fair. It was not intended to promote the binaural process; but soon afterward, the demand for such recordings and the equipment to play them grew, and Cook's company, Cook Records, began to produce such records commercially. Cook recorded

4094-401: The introduction of digital cinema , Dolby Surround 7.1 and Dolby Atmos in 2010 and 2012 respectively. The progress of stereophonic sound was paced by the technical difficulties of recording and reproducing two or more channels in synchronization with one another and by the economic and marketing issues of introducing new audio media and equipment. A stereo system cost up to twice as much as

4183-412: The latter of which used up to four separate magnetic soundtracks. VistaVision took a simplified, low-cost approach to stereophonic sound; its Perspecta system featured only a monaural track, but through subaudible tones, it could change the direction of the sound to come from the left, right or both directions at once. Because of the standard 35 mm-size film, CinemaScope and its stereophonic sound

4272-485: The left center and right center channels for LFE (low-frequency enhancement) utilizing the bass units of the otherwise redundant intermediate front speakers, and later the unused HF capacity of these channels to provide for stereo surround in place of the mono surround. Dolby Stereo was succeeded by Dolby Digital 5.1 in the cinema, which retained the Dolby Stereo 70 mm 5.1 channel layout, and more recently with

4361-400: The left channel was recorded laterally and the right channel was recorded vertically, still utilizing a standard 3-mil 78-RPM groove, over three times larger than the modern LP stylus of the late 20th Century. In this system all the low-frequency rumble was in the left channel and all the high-frequency distortion was in the right channel. Over a quarter of a century later, it was decided to tilt

4450-503: The market treats their instances as equivalent or nearly so with no regard to who produced them. Karl Marx described this property as follows: "From the taste of wheat , it is not possible to tell who produced it, a Russian serf , a French peasant or an English capitalist ." Petroleum and copper are examples of commodity goods: their supply and demand are a part of one universal market. Non-commodity items such as stereo systems have many aspects of product differentiation , such as

4539-510: The market. In such standard works as Alfred Marshall 's Principles of Economics (1920) and Léon Walras 's Elements of Pure Economics ([1926] 1954) 'commodity' serves as general term for an economic good or service. The word commodity came into use in English in the 15th century, from the French commodité , "amenity, convenience". Going further back, the French word derives from

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4628-561: The movie industry moved quickly to create simpler and cheaper widescreen systems, the first of which, Todd-AO , was developed by Broadway promoter Michael Todd with financial backing from Rodgers and Hammerstein, to use a single 70 mm film running at 30 frames per second with 6 magnetic soundtracks, for their screen presentation of Oklahoma! . Major Hollywood studios immediately rushed to create their own unique formats, such as MGM 's Camera 65 , Paramount Pictures ' VistaVision and Twentieth Century-Fox Film Corporation 's CinemaScope ,

4717-480: The movies in 1927, the speed of radio program transcriptions was reduced to match, once again to inhibit playback of the discs on normal home consumer equipment. Even though the stylus size remained the same as consumer records at either 3 mils (76 μm) or 2.7 mils (69 μm), the disc size was increased from 12 inches (30 cm) to the same 16 inches (41 cm) as those used in early talking pictures in order to create further incompatibility. Now, not only could

4806-617: The orchestra's conductor, was present in Constitution Hall to control the sound mix. Five years later, the same system would be expanded onto multichannel film recording and used from the concert hall in Philadelphia to the recording labs at Bell Labs in New Jersey in order to record Walt Disney 's Fantasia (1940) in what Disney called Fantasound . Later that same year, Bell Labs also demonstrated binaural sound, at

4895-425: The other three. The film was not initially a financial success, however, after two months of road-show exhibition in selected cities, its soundtrack was remixed into mono sound for general release. It was not until its 1956 re-release that stereo sound was restored to the film. A Cinerama demonstration film by Lowell Thomas and Mike Todd titled This is Cinerama was released on September 30, 1952. The format

4984-664: The particular characteristic that it is usually uneconomical to store, and must therefore be consumed as soon as it is produced. Commoditization occurs as a goods or services market loses differentiation across its supply base, often by the diffusion of the intellectual capital necessary to acquire or produce it efficiently. As such, goods that formerly carried premium margins for market participants have become commodities, such as generic pharmaceuticals and DRAM chips . An article in The New York Times cites multivitamin supplements as an example of commoditization;

5073-540: The process, Carousel and The King and I , were released in 35 mm CinemaScope reduction prints. To compensate, the premiere engagement of Carousel used a six-track magnetic full-coat in an interlock, and a 1961 re-release of The King and I , featured the film printed down to 70 mm with a six-channel soundtrack. Eventually, 50 complete sets of combination 55/35 mm projectors and penthouse reproducers were completed and delivered by Century and Ampex, respectively, and 55 mm release print sound equipment

5162-421: The recording head 45 degrees off to the right side so that both the low-frequency rumble and high-frequency distortion were shared equally by both channels, producing the 45/45 system we know today. In 1952, Emory Cook (1913–2002), who already had become famous by designing new feedback disk-cutter heads to improve sound from tape to vinyl, took the two-channel high-fidelity system described above and developed

5251-423: The records not be played on home equipment due to incompatible recording format and speed, they would not even fit on the player, which suited the copyright holders. An experimental format in the 1920s split the signal into two parts, bass and treble, and recording the treble on its own track near the edge of the disc in a lateral format minimizing high-frequency distortion, and recording the bass on its own track in

5340-589: The risk of a " stockout " (inventory exhaustion). According to economist theorists, companies receive a convenience yield by holding inventories of certain commodities. Data on inventories of commodities are not available from one common source, although data is available from various sources. Inventory data on 31 commodities was used in a 2006 study on the relationship between inventories and commodity futures risk premiums. In classical political economy and especially in Karl Marx 's critique of political economy ,

5429-455: The same commodity produced by the skilled worker. Marx pointed out, however, that in society at large, an average amount of time that was necessary to produce the commodity would arise. This average time necessary to produce the commodity Marx called the "socially necessary labour time". Socially necessary labour time was the proper basis on which to base the "exchange value" of a given commodity. Commodity Super Cycles are periods of time, around

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5518-467: The same commodity would be consistent and would reflect the amount of labour value used to produce that commodity. Prior to Marx, economists noted that the problem with using the "quantity of labour" to establish the value of commodities was that the time spent by an unskilled worker would be longer than the time spent on the same commodity by a skilled worker. Thus, under this analysis, the commodity produced by an unskilled worker would be more valuable than

5607-583: The same left, center, right and surround sound of the original CinemaScope system of 1953 by using a single standard-width optical track. This important development, marketed as Dolby Stereo , finally brought stereo sound to so-called flat (non- anamorphic ) widescreen films, most commonly projected at aspect ratios of 1.75:1 or 1.85:1. Producers often took advantage of the six magnetic soundtracks available for 70 mm film release prints, and productions shot in either 65 mm or to save money, in 35 mm and then blown up to 70 mm. In these instances,

5696-692: The same year, twenty-five years before that method became the standard for stereo phonograph discs. These discs used the two walls of the groove at right angles in order to carry the two channels. In 1934, Blumlein recorded Mozart 's Jupiter Symphony conducted by Sir Thomas Beecham at Abbey Road Studios in London using his vertical-lateral technique. Much of the development work on this system for cinematic use did not reach completion until 1935. In Blumlein's short test films (most notably, "Trains at Hayes Station", which lasts 5 minutes 11 seconds, and, "The Walking & Talking Film"), his original intent of having

5785-635: The screen, two surround channels in the rear of the theater, plus a sync track to interlock the four machines, which were specially outfitted with aircraft servo-motors made by Ampex . The advent of multitrack magnetic tape and film recording of this nature made high-fidelity synchronized multichannel recording more technically straightforward, though costly. By the early 1950s, all of the major studios were recording on 35 mm magnetic film for mixing purposes, and many of these so-called individual angles still survive, allowing for soundtracks to be remixed into stereo or even surround. In April 1953, while This

5874-486: The signal is known as a pan-pot (panoramic potentiometer). By combining multiple pan-potted mono signals together, a complete, yet entirely artificial, sound field can be created. In technical usage, true stereo means sound recording and sound reproduction that uses stereographic projection to encode the relative positions of objects and events recorded. During two-channel stereo recording, two microphones are placed in strategically chosen locations relative to

5963-415: The site where the commodity is made, the raw products that are used in the production and the instruments or machines that are used for the production of the commodity. However, not all commodities are reproducible nor were all commodities originally intended to be sold in the market. These priced goods are also treated as commodities, e.g. human labour-power, works of art and natural resources ("earth itself

6052-430: The somewhat disconcerting effect of the actor being on one side of the screen whilst his voice appeared to come from the other. Blumlein declared to his wife that he had found a way to make the sound follow the actor across the screen. The genesis of these ideas is uncertain, but he explained them to Isaac Shoenberg in the late summer of 1931. His earliest notes on the subject are dated 25 September 1931, and his patent had

6141-517: The sound follow the actor was fully realized. In the United States, Harvey Fletcher of Bell Laboratories was also investigating techniques for stereophonic recording and reproduction. One of the techniques investigated was the wall of sound , which used an enormous array of microphones hung in a line across the front of an orchestra. Up to 80 microphones were used, and each fed a corresponding loudspeaker, placed in an identical position, in

6230-405: The sound source, with both recording simultaneously. The two recorded channels will be similar, but each will have distinct time-of-arrival and sound-pressure-level information. During playback, the listener's brain uses those subtle differences in timing and sound level to triangulate the positions of the recorded objects. Since each microphone records each wavefront at a slightly different time,

6319-469: The sound system developed for House of Wax , dubbed WarnerPhonic, was a combination of a 35 mm fully coated magnetic film that contained the audio tracks for left, center and right speakers, interlocked with the two dual-strip Polaroid system projectors, one of which carried a mono optical surround track and one that carried a mono backup track use in the event anything should go wrong. Only two other films featured this unique hybrid WarnerPhonic sound:

6408-406: The term stereophonic also applies to systems with more than two channels or speakers such as quadraphonic and surround sound . Binaural sound systems are also stereophonic . Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras , cinema, computer audio, and internet. The word stereophonic derives from

6497-425: The title "Improvements in and relating to Sound-transmission, Sound-recording and Sound-reproducing Systems". The application was dated 14 December 1931, and was accepted on 14 June 1933 as UK patent number 394,325 . The patent covered many ideas in stereo, some of which are used today and some not. Some 70 claims include: Blumlein began binaural experiments as early as 1933, and the first stereo discs were cut later

6586-500: The two telephones, the sound takes a special character of relief and localization which a single receiver cannot produce... This phenomenon is very curious, it approximates to the theory of binauricular audition, and has never been applied, we believe, before to produce this remarkable illusion to which may almost be given the name of auditive perspective. This two-channel telephonic process was commercialized in France from 1890 to 1932 as

6675-464: The vertical plane of recording on disc had the higher fidelity, it was decided to record vertically to produce higher-fidelity recordings on these new materials, for two reasons, the increase in fidelity by avoiding the lateral rumble and to create incompatibility with home phonographs which, with their lateral-only playback systems, would only produce silence from a vertically modulated disc. After 33 + 1 ⁄ 3 RPM recording had been perfected for

6764-462: The wavefronts are out of phase ; as a result, constructive and destructive interference can occur if both tracks are played back on the same speaker. This phenomenon is known as phase cancellation . Coincident-pair microphone arrangements produce stereo recordings with minimal phase difference between channels. Clément Ader demonstrated the first two-channel audio system in Paris in 1881, with

6853-535: Was Walt Disney's Fantasia , released in November 1940, for which a specialized sound process ( Fantasound ) was developed. As in the Carnegie Hall demonstrations six months earlier, Fantasound used a separate film containing four optical soundtracks. Three of the tracks were used to carry left, center and right audio, while the fourth track carried three tones which individually controlled the volume level of

6942-616: Was a widescreen process featuring three separate 35 mm motion picture films plus a separate sound film running in synchronization with one another at 26 fps, adding one picture panel each to the viewer's left and right at 45-degree angles, in addition to the usual front and center panel, creating a truly immersive panoramic visual experience, comparable in some ways to today's curved screen IMAX OMNI . The Cinerama audio soundtrack technology, developed by Hazard E. Reeves , utilized seven discrete sound tracks on full-coat magnetic 35 mm film. The system featured five main channels behind

7031-564: Was accelerated on the back of widespread U.S. industrialization and World War 1. In 1917 commodity prices peaked and then entered a downtrend to the 1930s. As war erupted in Europe in the late 1930s and eventually including the U.S. the world saw a new cycle begin. Countries were not just preparing for war but also the Aftermath of World War II as lots of Europe and Asia faced heavy rebuilding. This cycle eventually peaked in 1951 and faded away in

7120-420: Was achieved by making the recordings in the form of three motion picture soundtracks recorded on a single piece of film with a fourth track being used to regulate volume expansion. This was necessary due to the limitations of dynamic range on optical motion picture film of the period, however, the volume compression and expansion were not fully automatic, but were designed to allow manual studio enhancement ; i.e.,

7209-456: Was also reserved for dramas with a strong reliance on sound effects or music, such as The Graduate . The Westrex Stereo Variable-Area system was developed in 1977 for Star Wars , and was no more expensive to manufacture in stereo than it was for mono. The format employs the same Western Electric/Westrex/Nuoptix RA-1231 recorder, and coupled with QS quadraphonic matrixing technology licensed to Dolby Labs from Sansui, this system can produce

7298-417: Was capable of being retrofitted into existing theaters. CinemaScope 55 was created by the same company in order to use a larger form of the system (55 mm instead of 35 mm) to allow for greater image clarity onscreen, and was supposed to have had 6-track stereo instead of four. However, because the film needed a new, specially designed projector, the system proved impractical, and the two films made in

7387-677: Was delivered by Western Electric. Several samples of 55 mm sound prints can be found in the Sponable Collection at the Film and Television Archives at Columbia University . The subsequently abandoned 55/35 mm Century projector eventually became the Century JJ 70/35MM projector. After this disappointing experience with their proprietary CinemaScope 55 mm system, Fox purchased the Todd-AO system and re-engineered it into

7476-532: Was on hand to try out the new technology, recording onto a special proprietary nine-track sound system at the Academy of Music in Philadelphia, during the making of the movie One Hundred Men and a Girl for Universal Pictures in 1937, after which the tracks were mixed down to one for the final soundtrack. A year later, MGM started using three tracks instead of one to record the musical selections of movie soundtracks, and very quickly upgraded to four. One track

7565-559: Was part of an all-Russian program including Mussorgsky 's Pictures at an Exhibition in the Ravel orchestration, excerpts of which were also recorded in stereo. Bell Laboratories gave a demonstration of three-channel stereophonic sound on April 27, 1933, with a live transmission of the Philadelphia Orchestra from Philadelphia to Constitution Hall in Washington, D.C. over multiple Class A telephone lines. Leopold Stokowski, normally

7654-493: Was present at the demonstration, commented that it was "marvellous" but "somehow unmusical because of the loudness." "Take that Pictures at an Exhibition ", he said. "I didn't know what it was until they got well into the piece. Too much 'enhancing', too much Stokowski." In 1937, Bell Laboratories in New York City gave a demonstration of two-channel stereophonic motion pictures, developed by Bell Labs and Electrical Research Products, Inc. Once again, conductor Leopold Stokowski

7743-431: Was run separately through the plating process, lined up to match, and subsequently mounted in a press. The dual-sided stereo disc was then played vertically, first in a system that featured two tonearms on the same post facing one another. The system had trouble keeping the two tonearms in their respective synchronous revolutions. Five years later, Bell Labs was experimenting with a two-channel lateral-vertical system, where

7832-597: Was used for dialogue, two for music, and one for sound effects. The very first two-track recording MGM made (although released in mono) was "It Never Rains But What It Pours" by Judy Garland , recorded on June 21, 1938, for the movie Love Finds Andy Hardy . In the early 1940s, composer-conductor Alfred Newman directed the construction of a sound stage equipped for multichannel recording for 20th Century Fox studios. Several soundtracks from this era still exist in their multichannel elements, some of which have been released on DVD, including How Green Was My Valley , Anna and

7921-428: Was used for the first time in films, most motion pictures – even some from which stereophonic soundtrack albums were made, such as Zeffirelli 's Romeo and Juliet  – were still released in monaural sound, stereo being reserved almost exclusively for expensive musicals such as West Side Story , My Fair Lady and Camelot , or epics such as Ben-Hur and Cleopatra . Stereo

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