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71-415: A related term caraṇa , ("conduct of life" or "behavior") is also used to refer to such a Vedic school: "although the words caraṇa and śākhā are sometimes used synonymously, yet caraṇa properly applies to the sect or collection of persons united in one school, and śākhā to the traditional text followed, as in the phrase śākhām adhite , ( "he recites a particular version of

142-538: A Mimamsa scholar, "thinks of the Veda as something to be trained and mastered to be put into practical ritual use", noticing that "it is not the meaning of the mantras that is most essential [...] but rather the perfect mastering of their sound form." According to Galewicz, Sayana saw the purpose ( artha ) of the Veda as the " artha of carrying out sacrifice", giving precedence to the Yajurveda . For Sayana, whether

213-464: A common noun means "knowledge". The term in some contexts, such as hymn 10.93.11 of the Rigveda , means "obtaining or finding wealth, property", while in some others it means "a bunch of grass together" as in a broom or for ritual fire . The term "Vedic texts" is used in two distinct meanings: The corpus of Vedic Sanskrit texts includes: While production of Brahmanas and Aranyakas ceased with

284-622: A number of older Veda manuscripts in Nepal that are dated from the 11th century onwards. The Vedas, Vedic rituals and its ancillary sciences called the Vedangas , were part of the curriculum at ancient universities such as at Taxila , Nalanda and Vikramashila . According to Deshpande, "the tradition of the Sanskrit grammarians also contributed significantly to the preservation and interpretation of Vedic texts." Yāska (4th c. BCE ) wrote

355-511: A particular area, or kingdom. Each school followed its own canon. Multiple recensions (revisions) are known for each of the Vedas. Thus, states Witzel as well as Renou, in the 2nd millennium BCE, there was likely no canon of one broadly accepted Vedic texts, no Vedic “Scripture”, but only a canon of various texts accepted by each school. Some of these texts have survived, most lost or yet to be found. Rigveda that survives in modern times, for example,

426-875: A region spanning the Indian subcontinent, Persia and the European area, and some greater details are found in the Vedic era texts such as the Grhya Sūtras. Only one version of the Rigveda is known to have survived into the modern era. Several different versions of the Sama Veda and the Atharva Veda are known, and many different versions of the Yajur Veda have been found in different parts of South Asia. The texts of

497-441: A single god , agnosticism , and monistic beliefs where "there is an absolute reality that goes beyond the gods and that includes or transcends everything that exists." Indra , Agni , and Yama were popular subjects of worship by polytheist organizations. Each of the four Vedas were shared by the numerous schools, but revised, interpolated and adapted locally, in and after the Vedic period, giving rise to various recensions of

568-530: Is also called an ovee. Ovee is one of the "oldest Marathi song genres still performed today". It has been in use since the 13th century in written poetry; however, oral traditions of women's ovee pre-date the literary ovee. While literary ovee is used by the Varkari saints in bhakti (devotional) literature, women's ovee is passed via the oral tradition through generations of women, who sing them while working or for pleasure. Two forms of ovee are popular today:

639-468: Is attested to by the preservation of the most ancient Indian religious text, the Rigveda , as redacted into a single text during the Brahmana period, without any variant readings within that school. The Vedas were orally transmitted by memorization, and were written down only after 500 BCE, All printed editions of the Vedas that survive in the modern times are likely the version existing in about

710-495: Is believed to be existed in folk song tradition even before Dnyaneshwar, which the saint adopted for his literary works. Though the ovee tradition pre-dates the Varkari bhakti tradition, there is little record of contents of early ovees . Women's ovees have been passed from generation to generation only through oral means. ovee is thought to be in the rhythm of songs sung by women on the grinding stone ( jata ). The ovee

781-637: Is derived from the root vid- "to know". This is reconstructed as being derived from the Proto-Indo-European root *weyd- , meaning "see" or "know". The noun is from Proto-Indo-European *weydos , cognate to Greek (ϝ)εἶδος "aspect", "form" . This is not to be confused with the homonymous 1st and 3rd person singular perfect tense véda , cognate to Greek (ϝ)οἶδα ( (w)oida ) "I know". Root cognates are Greek ἰδέα , English wit , Latin videō "I see", Russian ве́дать ( védat' ) "to know", etc. The Sanskrit term veda as

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852-439: Is followed by artha - bodha , perception of their meaning." Mukherjee explains that the Vedic knowledge was first perceived by the rishis and munis . Only the perfect language of the Vedas, as in contrast to ordinary speech, can reveal these truths, which were preserved by committing them to memory. According to Mukherjee, while these truths are imparted to the student by the memorized texts, "the realization of Truth " and

923-477: Is generally divided into four charan (parts/lines). The first three charans are rhymed and have same number of matras (instants) composed of six or eight letters (vary from eight to ten syllables), while the fourth is "open" (unrhymed with the rest), shorter with fewer matras and generally has four letters (vary from four to six syllables). For example, the Dnyaneshwari has eight matras in

994-465: Is in only one extremely well preserved school of Śåkalya, from a region called Videha , in modern north Bihar , south of Nepal . The Vedic canon in its entirety consists of texts from all the various Vedic schools taken together. There were Vedic schools that believed in polytheism in which numerous gods had different natural functions, henotheistic beliefs where only one god was worshipped but others were thought to exist, monotheistic beliefs in

1065-514: Is remembered"). This indigenous system of categorization was adopted by Max Müller and, while it is subject to some debate, it is still widely used. As Axel Michaels explains: These classifications are often not tenable for linguistic and formal reasons: There is not only one collection at any one time, but rather several handed down in separate Vedic schools; Upanişads [...] are sometimes not to be distinguished from Āraṇyakas [...]; Brāhmaṇas contain older strata of language attributed to

1136-500: Is sung while women use the mortar and pestle or the rahat (a manual water wheel ) to pull water from the well. The women's ovees are "protest songs more than work songs" — complaints about the hard work, unhappy marriages and "despotic husbands". They contain sarcasm of the patriarchal society. They also contain elements of bhakti (devotion), where the singer implores God to save her from these bondages. An ovee poem has couplets (called kadva or ovee itself). Each couplet

1207-808: Is the Caraṇa-vyūha , of which two, mostly similar, versions exist: the 49th pariśiṣṭa of the Atharvaveda, ascribed to Shaunaka , and the 5th pariśiṣṭa of the Śukla (White) Yajurveda, ascribed to Kātyāyana . These have lists of the numbers of recensions that were believed to have once existed as well as those still extant at the time the works were compiled. Only a small number of recensions have survived. Saraswati Gangadhar 's devotional poetry written in Marathi called Shri Gurucharitra describes different shakhas of 4 Vedas in 27th chapter. The schools are enumerated below, categorised according to

1278-533: Is the Vedic period itself, where incipient lists divide the Vedic texts into three (trayī) or four branches: Rig, Yajur, Sama and Atharva. Each Veda has been subclassified into four major text types – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies such as newborn baby's rites of passage, coming of age, marriages, retirement and cremation, sacrifices and symbolic sacrifices),

1349-502: Is the oldest extant Indic text. It is a collection of 1,028 Vedic Sanskrit hymns and 10,600 verses in all, organized into ten books (Sanskrit: mandalas ). The hymns are dedicated to Rigvedic deities . Ovi (poetry) Ovee ( ovee , literally "strung together" ), also spelled owi or owee , is a poetic metre used in Marathi poems for "rhythmic prose", generally used in narrative poems. A poem using this metre

1420-545: Is the only shakha of the Atharvaveda for which both printed texts and an active oral tradition are known to still exist. For the Atharvaveda, both the Shaunakiya and the Paippalada traditions contain textual corruptions, and the original text of the Atharvaveda may only be approximated from comparison between the two. The Paippalada tradition was discontinued, and its text is known only from manuscripts collected since

1491-663: The Aśvalāyana shakha, both a shrauta sutra and a grhya sutra, both surviving with a commentary ( vrtti ) by Gargya Naranaya. Gargya Naranaya's commentary was based on the longer commentary or bhashya by Devasvamin , written in the 11th century. The Śaṅkhāyana shakha has been recently rediscovered in Banswada in Rajasthan where two septuagenarians are the last surviving practitioners. Śaunaka 's Caraṇa-vyuha lists forty-two or forty-four out of eighty-six shakhas for

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1562-481: The Saṃhitās ; there are various dialects and locally prominent traditions of the Vedic schools. Nevertheless, it is advisable to stick to the division adopted by Max Müller because it follows the Indian tradition, conveys the historical sequence fairly accurately, and underlies the current editions, translations, and monographs on Vedic literature." Among the widely known śrutis include the Vedas and their embedded texts –

1633-419: The granthik (literary) ovee and the women's ovee. The literary ovee is sung without tala (rhythm) by a kirtankar in a kirtan , a devotional call-and-response chanting form. This is generally used for ovees of saints like Dnyaneshwar , Eknath and Namdev . The women's ovee is sung with tala , when the women gather for work or pleasure. The ovee metre originated in literature with

1704-527: The Nirukta , which reflects the concerns about the loss of meaning of the mantras, while Pāṇinis (4th c. BCE) Aṣṭādhyāyī is the most important surviving text of the Vyākaraṇa traditions. Mimamsa scholar Sayanas (14th c. CE) major Vedartha Prakasha is a rare commentary on the Vedas, which is also referred to by contemporary scholars. Yaska and Sayana, reflecting an ancient understanding, state that

1775-640: The Aitareya-Brahmana , The Bashkala has the Kausitaki-Brahmana . Shri Gurucharitra mentions 12 shakhas for the Rig Veda namely śrāvakā, śravaṇiyā, jaṭā, śaphaṭa, pāṭhakrama(2), daṇḍa, aśvalāyanī, śāṃkhāyanī, śākalā, bāṣkalā and māṇḍūkā (श्रावका, श्रवणिया, जटा, शफट, पाठक्रम(2), दण्ड, अश्वलायनी, शांखायनी, शाकला, बाष्कला, माण्डूका) in Ovi 35 to 38. There is, however, Sutra literature from

1846-572: The Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation , philosophy and spiritual knowledge). Some scholars add a fifth category – the Upāsanās (worship). The texts of the Upanishads discuss ideas akin to the heterodox sramana traditions. The Samhitas and Brahmanas describe daily rituals and are generally meant for

1917-822: The Brahmacharya and Gr̥hastha stages of the Chaturashrama system, while the Aranyakas and Upanishads are meant for the Vānaprastha and Sannyasa stages, respectively. Vedas are śruti ("what is heard"), distinguishing them from other religious texts, which are called smr̥ti ("what is remembered"). Hindus consider the Vedas to be apauruṣeya , which means "not of a man, superhuman" and "impersonal, authorless", revelations of sacred sounds and texts heard by ancient sages after intense meditation. The Vedas have been orally transmitted since

1988-550: The Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (text discussing meditation, philosophy and spiritual knowledge). The Upasanas (short ritual worship-related sections) are considered by some scholars as the fifth part. Witzel notes that the rituals, rites and ceremonies described in these ancient texts reconstruct to a large degree the Indo-European marriage rituals observed in

2059-516: The Samhitas , the Upanishads , the Brahmanas and the Aranyakas . The well-known smṛtis include Bhagavad Gita , Bhagavata Purana and the epics Ramayana and Mahabharata , amongst others. Hindus consider the Vedas to be apauruṣeyā , which means "not of a man, superhuman" and "impersonal, authorless". The Vedas, for orthodox Indian theologians, are considered revelations seen by ancient sages after intense meditation, and texts that have been more carefully preserved since ancient times. In

2130-416: The Varkari saint, Dnyaneshwar (1275–1296). Both his magnum opuses Dnyaneshwari and Amrutanubhav are composed in ovee meter. It is one of the two popular poetry metres used by Varkari saints, the other being abhanga – attributed to the saint, Tukaram (1577–1650). While ovee is used for narrative poems, abhanga meter is used for lyrical poems and devotional poems. The ovee metre

2201-499: The Ŗik (words) without understanding their inner meaning or essence, the knowledge of dharma and Parabrahman . Mukherjee concludes that in the Rigvedic education of the mantras "the contemplation and comprehension of their meaning was considered as more important and vital to education than their mere mechanical repetition and correct pronunciation." Mookei refers to Sayana as stating that "the mastery of texts, akshara-praptī ,

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2272-536: The "correct tradition" ( sampradaya ) has as much authority as the written Shastra", explaining that the tradition "bears the authority to clarify and provide direction in the application of knowledge". The emphasis in this transmission is on the "proper articulation and pronunciation of the Vedic sounds", as prescribed in the Shiksha , the Vedanga (Vedic study) of sound as uttered in a Vedic recitation, mastering

2343-467: The 14th century BCE, the only epigraphic record of Indo-Aryan contemporary to the Rigvedic period. He gives 150 BCE ( Patañjali ) as a terminus ante quem for all Vedic Sanskrit literature, and 1200 BCE (the early Iron Age ) as terminus post quem for the Atharvaveda. The Vedas were orally transmitted since their composition in the Vedic period for several millennia. The authoritative transmission of

2414-419: The 16th century CE. The canonical division of the Vedas is fourfold ( turīya ) viz., Of these, the first three were the principal original division, also called " trayī vidyā "; that is, "the triple science" of reciting hymns (Rigveda), performing sacrifices (Yajurveda), and chanting songs (Samaveda). The Rig Veda most likely was composed between c. 1500 BCE and 1200 BCE. Witzel notes that it

2485-681: The 20th century. However some Orissa Brahmins still continue the tradition of Paippalada. No Brahmana is known for the Shaunaka shakha. The Paippalada is possibly associated with the Gopatha Brahmana . Vedas Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Vedas ( / ˈ v eɪ d ə z / or / ˈ v iː d ə z / ; Sanskrit : वेदः , romanized :  Vēdaḥ , lit.   'knowledge'), sometimes collectively called

2556-503: The 2nd millennium BCE with the help of elaborate mnemonic techniques . The mantras, the oldest part of the Vedas, are recited in the modern age for their phonology rather than the semantics , and are considered to be "primordial rhythms of creation", preceding the forms to which they refer. By reciting them the cosmos is regenerated, "by enlivening and nourishing the forms of creation at their base." The various Indian philosophies and Hindu sects have taken differing positions on

2627-621: The Brahmin communities considered study to be a "process of understanding". A literary tradition is traceable in post-Vedic times, after the rise of Buddhism in the Maurya period , perhaps earliest in the Kanva recension of the Yajurveda about the 1st century BCE; however oral tradition of transmission remained active. Jack Goody has argued for an earlier literary tradition, concluding that

2698-552: The Hindu Epic Mahabharata , the creation of Vedas is credited to Brahma . The Vedic hymns themselves assert that they were skillfully created by Rishis (sages), after inspired creativity, just as a carpenter builds a chariot. The oldest part of the Rig Veda Samhita was orally composed in north-western India ( Punjab ) between c. 1500 and 1200 BCE, while book 10 of the Rig Veda, and

2769-976: The Mantras. Śaunaka 's Caraṇa-vyuha lists twelve shakhas for the Sama Veda out of a thousand that are said to have once existed, but that of these only one or perhaps two are still extant. The two Samaveda recensions are the Jaiminiya and Kauthuma. In Ovi 203 to 210 of chapter 27, Shri Gurucharitra mentions 8 of the thousands of shakhas namely āsurāyaṇīyā, vāsurāyaṇīya़ā, vātāntareyā, prāṃjalī, ṛjñagvainavidhā, prācīna yogyaśākhā, jñānayoga and rāṇāyaṇīyā (आसुरायणीया, वासुरायणीय़ा, वातान्तरेया, प्रांजली, ऋज्ञग्वैनविधा, प्राचीन योग्यशाखा, ज्ञानयोग, राणायणीया). Of these rāṇāyaṇīyā (राणायणीया) has 10 shakhas namely rāṇāyaṇīyā, sāṃkhyāyanī, śāṭhyā, mugdala, khalvalā, mahākhalvalā, lāṅ‌galā, kaithumā, gautamā and jaiminī (राणायणीया, सांख्यायनी, शाठ्या, मुग्दल, खल्वला, महाखल्वला, लाङ्‌गला, कैथुमा, गौतमा, जैमिनी). The Kauthuma shakha has

2840-702: The PB, SadvB, the Jaiminiya shakha has the Jaiminiya Brahmana . Only one shakha of an original nine is now extant for the Atharvaveda. The nine sakhas were Paippalada, Tauda, Mauda, Shaunakiya, Jajala, Jalada, Brahmavada, Devadarsa and Chaarana-Vaidya. In Ovi 217 to 219 of chapter 27, Shri Gurucharitra mentions 9 shakhas namely paippalā, dāntā, pradāṃta, stotā, autā, brahmadā yaśadā, śaunakī, vedadarśā and caraṇavidyā (पैप्पला, दान्ता, प्रदांत, स्तोता, औता, ब्रह्मदा यशदा, शौनकी, वेददर्शा, चरणविद्या). The Shaunaka

2911-509: The Upanishads discuss ideas akin to the heterodox sramana -traditions. Nasadiya Sukta (Hymn of non-Eternity): Who really knows? Who can here proclaim it? Whence, whence this creation sprang? Gods came later, after the creation of this universe. Who then knows whence it has arisen? Whether God's will created it, or whether He was mute; Only He who is its overseer in highest heaven knows, He only knows, or perhaps He does not know. — Rig Veda 10.129.6–7 The Rigveda Samhita

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2982-444: The Upanishads. This has inspired later Hindu scholars such as Adi Shankara to classify each Veda into karma-kanda (कर्म खण्ड, action/sacrificial ritual-related sections, the Samhitas and Brahmanas ); and jnana-kanda (ज्ञान खण्ड, knowledge/spirituality-related sections, mainly the Upanishads'). Vedas are śruti ("what is heard"), distinguishing them from other religious texts, which are called smṛti ("what

3053-727: The Veda , are a large body of religious texts originating in ancient India . Composed in Vedic Sanskrit , the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism . There are four Vedas: the Rigveda , the Yajurveda , the Samaveda and the Atharvaveda . Each Veda has four subdivisions – the Samhitas ( mantras and benedictions ), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas ),

3124-454: The Veda can be interpreted in three ways, giving "the truth about gods , dharma and parabrahman ." The pūrva-kāņda (or karma-kanda ), the part of the Veda dealing with ritual, gives knowledge of dharma , "which brings us satisfaction." The uttara-kanda (or jnana-kanda ), the part of the Veda dealing with the knowledge of the absolute, gives knowledge of Parabrahma , "which fulfills all of our desires." According to Holdrege, for

3195-564: The Veda each expounds. Śaunaka 's Caraṇa-vyuha lists five shakhas for the Rig Veda, the Śākala , Bāṣkala , Aśvalāyana , Śaṅkhāyana , and Māṇḍukāyana of which only the Śākala and Bāṣkala and very few of Asvalayana are now extant. The Bashkala recension of the Rigveda has the Khilani which are not present in the Shakala text but is preserved in one Kashmir manuscript (now at Pune). The Shakala has

3266-436: The Veda" )". The schools have different points of view, described as "difference of (Vedic) school" ( śākhābhedaḥ ). Each school would learn a specific Vedic Saṃhita (one of the "four Vedas " properly so-called), as well as its associated Brahmana , Aranyakas , Shrautasutras , Grhyasutras and Upanishads . In traditional Hindu society affiliation with a specific school is an important aspect of class identity. By

3337-429: The Vedas bear hallmarks of a literate culture along with oral transmission, but Goody's views have been strongly criticised by Falk, Lopez Jr,. and Staal, though they have also found some support. The Vedas were written down only after 500 BCE, but only the orally transmitted texts are regarded as authoritative, given the emphasis on the exact pronunciation of the sounds. Witzel suggests that attempts to write down

3408-450: The Vedas is by an oral tradition in a sampradaya from father to son or from teacher ( guru ) to student ( shishya ), believed to be initiated by the Vedic rishis who heard the primordial sounds . Only this tradition, embodied by a living teacher, can teach the correct pronunciation of the sounds and explain hidden meanings, in a way the "dead and entombed manuscript" cannot do. As Leela Prasad states, "According to Shankara ,

3479-480: The Vedas. Schools of Indian philosophy that acknowledge the importance or primal authority of the Vedas comprise Hindu philosophy specifically and are together classified as the six "orthodox" ( āstika ) schools. However, śramaṇa traditions, such as Charvaka , Ajivika , Buddhism , and Jainism , which did not regard the Vedas as authoritative, are referred to as "heterodox" or "non-orthodox" ( nāstika ) schools. The Sanskrit word véda "knowledge, wisdom"

3550-414: The Vedic texts towards the end of 1st millennium BCE were unsuccessful, resulting in smriti rules explicitly forbidding the writing down of the Vedas. Due to the ephemeral nature of the manuscript material (birch bark or palm leaves), surviving manuscripts rarely surpass an age of a few hundred years. The Sampurnanand Sanskrit University has a Rigveda manuscript from the 14th century; however, there are

3621-559: The Yajur Veda, but that only five of these are now extant, with a sixth partially extant. For the Yajur Veda the five (partially in six) shakhas are the (Vajasaneyi Madhandina, Kanva; Taittiriya , Maitrayani, Caraka-Katha, Kapisthala-Katha). The Yajurvedin shakhas are divided in Shukla (White) and Krishna (Black) schools. The White recensions have separate Brahmanas, while the Black ones have their(much earlier) Brahmanas interspersed between

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3692-457: The advent of writing in the early first millennium CE. According to Staal , criticising the Goody -Watt hypothesis "according to which literacy is more reliable than orality", this tradition of oral transmission "is closely related to Indian forms of science" and "by far the more remarkable" than the relatively recent tradition of written transmission. While according to Mookerji, understanding

3763-488: The alphabet as a mnemotechnical device , "matching physical movements (such as nodding the head) with particular sounds and chanting in a group" and visualizing sounds by using mudras (hand signs). This provided an additional visual confirmation, and also an alternate means to check the reading integrity by the audience, in addition to the audible means. Houben and Rath note that a strong "memory culture" existed in ancient India when texts were transmitted orally, before

3834-410: The cosmos is regenerated, "by enlivening and nourishing the forms of creation at their base. As long as the purity of the sounds is preserved, the recitation of the mantras will be efficacious, irrespective of whether their discursive meaning is understood by human beings." Frazier further notes that "later Vedic texts sought deeper understanding of the reasons the rituals worked", which indicates that

3905-479: The end of the Rig Vedic period the term Brāhmaṇa had come to be applied to all members of the priestly class, but there were subdivisions within this order based both on varna (class) and on the shakha (branch) with which they were affiliated. A Brāhmaṇa who changed school would be called "a traitor to his śākhā " ( śākhāraṇḍaḥ ). The traditional source of information on the shakhas of each Veda

3976-600: The end of the Vedic period, additional Upanishads were composed after the end of the Vedic period. The Brahmanas , Aranyakas , and Upanishads , among other things, interpret and discuss the Samhitas in philosophical and metaphorical ways to explore abstract concepts such as the Absolute ( Brahman ), and the soul or the self ( Atman ), introducing Vedanta philosophy, one of the major trends of later Hinduism . In other parts, they show evolution of ideas, such as from actual sacrifice to symbolic sacrifice, and of spirituality in

4047-476: The exponents of karma-kandha the Veda is to be "inscribed in the minds and hearts of men" by memorization and recitation, while for the exponents of the jnana-kanda and meditation the Vedas express a transcendental reality which can be approached with mystical means. Holdrege notes that in Vedic learning "priority has been given to recitation over interpretation" of the Samhitas. Galewicz states that Sayana,

4118-447: The first three charans and four to six in the last charan . It is thus called a couplet of three and a half charans . In contrast, an abhanga has four charans with eight letters each. Example of an ovee from Dnyaneshwari : Devā Tūchi Gaṇeshū | Sakalārthamatiprakāshū | Mhaṇe Nivṛtti Dāsū | Avadhārijojē ||2|| देवा तूंचि गणेशु | सकलमति प्रकाशु | म्हणे निवृत्ति दासु | अवधारिजो जी ||2|| The ovee

4189-534: The four kinds of mantras into four Samhitas (Collections). The Vedas are among the oldest sacred texts . The bulk of the Rigveda Samhita was composed in the northwestern region (Punjab) of the Indian subcontinent , most likely between c. 1500 and 1200 BCE, although a wider approximation of c. 1700–1100 BCE has also been given. The other three Samhitas are considered to date from

4260-589: The knowledge of paramatman as revealed to the rishis is the real aim of Vedic learning, and not the mere recitation of texts. The supreme knowledge of the Absolute, para Brahman - jnana , the knowledge of rta and satya , can be obtained by taking vows of silence and obedience sense-restraint, dhyana , the practice of tapas (austerities), and discussing the Vedanta . The four Vedas were transmitted in various śākhā s (branches, schools). Each school likely represented an ancient community of

4331-445: The mantras had meaning depended on the context of their practical usage. This conception of the Veda, as a repertoire to be mastered and performed, takes precedence over the internal meaning or "autonomous message of the hymns." Most Śrauta rituals are not performed in the modern era, and those that are, are rare. Mukherjee notes that the Rigveda, and Sayana's commentary, contain passages criticizing as fruitless mere recitation of

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4402-502: The meaning ( vedarthajnana or artha - bodha ) of the words of the Vedas was part of the Vedic learning , Holdrege and other Indologists have noted that in the transmission of the Samhitas , the emphasis is on the phonology of the sounds ( śabda ) and not on the meaning ( artha ) of the mantras. Already at the end of the Vedic period their original meaning had become obscure for "ordinary people", and niruktas , etymological compendia, were developed to preserve and clarify

4473-525: The meaning of the mantras, in contrast to the number of commentaries on the Brahmanas and Upanishads, but states that the lack of emphasis on the "discursive meaning does not necessarily imply that they are meaningless". In the Brahmanical perspective, the sounds have their own meaning, mantras are considered as "primordial rhythms of creation", preceding the forms to which they refer. By reciting them

4544-598: The original meaning of many Sanskrit words. According to Staal, as referenced by Holdrege, though the mantras may have a discursive meaning, when the mantras are recited in the Vedic rituals "they are disengaged from their original context and are employed in ways that have little or nothing to do with their meaning". The words of the mantras are "themselves sacred", and "do not constitute linguistic utterances ". Instead, as Klostermaier notes, in their application in Vedic rituals they become magical sounds, "means to an end". Holdrege notes that there are scarce commentaries on

4615-574: The other Samhitas were composed between 1200 and 900 BCE more eastward, between the Yamuna and the Ganges rivers, the heartland of Aryavarta and the Kuru Kingdom ( c.  1200  – c.  900 BCE ). The "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c.  1000 –500 BCE. According to tradition, Vyasa is the compiler of the Vedas, who arranged

4686-458: The sacred Vedas included up to eleven forms of recitation of the same text. The texts were subsequently "proof-read" by comparing the different recited versions. Forms of recitation included the jaṭā-pāṭha (literally "mesh recitation") in which every two adjacent words in the text were first recited in their original order, then repeated in the reverse order, and finally repeated in the original order. That these methods have been effective,

4757-484: The text. Some texts were revised into the modern era, raising significant debate on parts of the text which are believed to have been corrupted at a later date. The Vedas each have an Index or Anukramani , the principal work of this kind being the general Index or Sarvānukramaṇī . Prodigious energy was expended by ancient Indian culture in ensuring that these texts were transmitted from generation to generation with inordinate fidelity. For example, memorization of

4828-407: The texts "literally forward and backward in fully acoustic fashion". Houben and Rath note that the Vedic textual tradition cannot simply be characterized as oral, "since it also depends significantly on a memory culture". The Vedas were preserved with precision with the help of elaborate mnemonic techniques , such as memorizing the texts in eleven different modes of recitation ( pathas ), using

4899-526: The time of the Kuru Kingdom , approximately c. 1200–900 BCE. The "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c.  1000 –500 BCE, resulting in a Vedic period , spanning the mid 2nd to mid 1st millennium BCE, or the Late Bronze Age and the Iron Age . The Vedic period reaches its peak only after the composition of the mantra texts, with the establishment of

4970-569: The various shakhas all over Northern India which annotated the mantra samhitas with Brahmana discussions of their meaning, and reaches its end in the age of Buddha and Panini and the rise of the Mahajanapadas (archaeologically, Northern Black Polished Ware ). Michael Witzel gives a time span of c.  1500 to c.  500 –400 BCE. Witzel makes special reference to the Near Eastern Mitanni material of

5041-410: Was used by another saint, Eknath (1533–1599), too; however, while Dnyaneshwar's ovee has three and a half parts, Ekanath's ovee has four and a half parts. Dnyaneshwar's ovee is considered one of the foremost compositions in the ovee metre. The abhanga metre is said to have originated from Dnyaneshwar's ovee metre. The abhanga is often considered as a form of the ovee. Dilip Chitre considers

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