104-761: Tiruvekkaa Temple or Yathothkari Perumal Temple (locally called Sonnavannam Seitha Perumall ) is a Hindu temple located in Kanchipuram in the South Indian state of Tamil Nadu and dedicated to the Hindu god Vishnu . Constructed in the Dravidian style of architecture , the temple is glorified in the Naalayira Divya Prabandham , the early medieval Tamil canon of the Alvar saints from
208-444: A Vishnu temple, Krishna temple, Rama temple, Narayana temple, Shiva temple, Lakshmi temple, Ganesha temple, Durga temple, Hanuman temple, Surya temple, etc. It is this garbha-griya which devotees seek for darsana (literally, a sight of knowledge, or vision ). Above the vastu-purusha-mandala is a superstructure with a dome called Shikhara in north India, and Vimana in south India, that stretches towards
312-422: A Hindu temple project would start with a Yajamana (patron), and include a Sthapaka (guru, spiritual guide and architect-priest), a Sthapati (architect) who would design the building, a Sutragrahin (surveyor), and many Vardhakins (workers, masons, painters, plasterers, overseers) and Taksakas (sculptors). While the temple is under construction, all those working on the temple were revered and considered sacerdotal by
416-619: A Hindu yogin, states Gopinath Rao, one who has realised the Self and the Universal Principle within himself, there is no need for any temple or divine image for worship. However, for those who have yet to reach this height of realization, various symbolic manifestations through images, murtis and icons as well as mental modes of worship are offered as one of the spiritual paths in the Hindu way of life. Some ancient Hindu scriptures like
520-500: A UNESCO World Heritage site. The Indian rock-cut architecture evolved in Maharashtran temple style in the 1st millennium CE. The temples are carved from a single piece of rock as a complete temple or carved in a cave to look like the interior of a temple. Ellora Temple is an example of the former, while The Elephanta Caves are representative of the latter style. The Elephanta Caves consist of two groups of caves—the first
624-492: A bamboo bush and proceeded with their spiritual journey. Vishnu appeared with Lakshmi and blessed the "flesh" with their kataksham and it turned into an lively human being. He was later picked up with both the arms affectionately by a tribal named Thiruvalan. A really blessed couple Thiruvalan and pankajavalli, was overwhelmed by the grace of god for this gift of a baby. The boy grew on to become Tirumalisai Alvar. He also has an eye on his right leg. He lived up to 10 years of age in
728-511: A bed and meal to pilgrims. They relied on any voluntary donation the visitor may leave and to land grants from local rulers. Some temples have operated their kitchens on a daily basis to serve the visitor and the needy, while others during major community gatherings or festivals. Examples include the major kitchens run by Hindu temples in Udupi (Karnataka), Puri (Odisha) and Tirupati (Andhra Pradesh). The tradition of sharing food in smaller temple
832-488: A brief introduction to 12 types of Hindu temples. Other texts, such as Pancaratra Prasada Prasadhana compiled by Daniel Smith and Silpa Ratnakara compiled by Narmada Sankara provide a more extensive list of Hindu temple types. Ancient Sanskrit manuals for temple construction discovered in Rajasthan, in northwestern region of India, include Sutradhara Mandana's Prasadamandana (literally, manual for planning and building
936-857: A detailed account of the Alvars and their works. According to these texts, the saints were considered incarnations of some form of Vishnu. Poigai is considered an incarnation of Panchajanya (Krishna's conch), Bhoothath of Kaumodakee (Vishnu's Mace/Club), Pey of Nandaka (Vishnu's sword), Thirumalisai of Sudarshanam (Vishnu's discus), Namm of Vishvaksena (Vishnu's commander), Madhurakavi of Vainatheya (Vishnu's eagle, Garuda), Kulasekhara of Kaustubha (Vishnu's necklace), Periy of Garuda (Vishnu's eagle), Andal of Bhoodevi (Vishnu's wife, Lakshmi, in her form as Bhudevi), Thondaradippodi of Vanamaalai (Vishnu's garland), Thiruppaan of Srivatsa (An auspicious mark on Vishnu's chest) and Thirumangai of Saranga (Rama's bow). The songs of Prabandam are regularly sung in all
1040-411: A hamlet near Tirumalisai village named as Pirayampathu. This Alvar was an incarnation of Sudarsana Chakra ( the divine discus of Lord Vishnu). Tirumalisai Alvar decided to learn about all other religions. He also got initiated into Vaishnavism by Pey Alvar. After visiting several temples, he reached Tiruvekka, the birthplace of Poigai Alvar. Legend also says that when Kanikannan, his disciple displeased
1144-502: A house or a palace. A house-themed temple is a simple shelter that serves as a deity's home. The temple is a place where the devotee visits, just like he or she would visit a friend or relative. The use of moveable and immoveable images is mentioned by Pāṇini . In the Bhakti school of Hinduism, temples are venues for puja , which is a hospitality ritual, where the deity is honored, and where devotee calls upon, attends to and connects with
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#17327721165831248-446: A main temple surrounded by smaller temples and shrines, but these are still arranged by principles of symmetry, grids and mathematical precision. An important principle found in the layout of Hindu temples is mirroring and repeating fractal-like design structure, each unique yet also repeating the central common principle, one which Susan Lewandowski refers to as "an organism of repeating cells". The ancient texts on Hindu temple design,
1352-601: A natural source of water is not present. Here too, they recommend that a pond be built preferably in front or to the left of the temple with water gardens. If water is neither present naturally nor by design, water is symbolically present at the consecration of the temple or the deity. Temples may also be built, suggests Visnudharmottara in Part III of Chapter 93, inside caves and carved stones, on hill tops affording peaceful views, on mountain slopes overlooking beautiful valleys, inside forests and hermitages, next to gardens, or at
1456-455: A number of ways. For example, one method of classification is the dimensionality of completion: Another way of classification is by the expressive state of the image: A Hindu temple may or may not include a murti or images, but larger temples usually do. Personal Hindu temples at home or a hermitage may have a pada for yoga or meditation, but be devoid of anthropomorphic representations of god. Nature or others arts may surround him or her. To
1560-452: A sacred space. It represents the triple-knowledge (trayi- vidya ) of the Vedic vision by mapping the relationships between the cosmos ( brahmaṇḍa ) and the cell (pinda) by a unique plan based on astronomical numbers. Subhash Kak sees the temple form and its iconography to be a natural expansion of Vedic ideology related to recursion, change and equivalence. In ancient Indian texts, a temple
1664-437: A social meaning. Some temples have served as a venue to mark festivals, to celebrate arts through dance and music, to get married or commemorate marriages, the birth of a child, other significant life events or the death of a loved one. In political and economic life, Hindu temples have served as a venue for succession within dynasties and landmarks around which economic activity thrived. Almost all Hindu temples take two forms:
1768-400: A symbolic product of knowledge and human thought, while the circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 (or in some cases 81) sub-squares called padas. Each pada is conceptually assigned to a symbolic element, sometimes in the form of a deity. The central square(s) of
1872-500: A temple). Manasara , a text of South Indian origin, estimated to be in circulation by the 7th century CE, is a guidebook on South Indian temple design and construction. Isanasivagurudeva paddhati is another Sanskrit text from the 9th century describing the art of temple building in India in south and central India. In north India, Brihat-samhita by Varāhamihira is the widely cited ancient Sanskrit manual from 6th century describing
1976-416: Is a yantra , a design laying out a Hindu temple in a symmetrical, self-repeating structure derived from central beliefs, myths, cardinality and mathematical principles. The four cardinal directions help create the axis of a Hindu temple, around which is formed a perfect square in the space available. The circle of the mandala circumscribes the square. The square is considered divine for its perfection and as
2080-560: Is a large group of five Hindu caves and the second is a smaller group of two Buddhist caves. The Hindu caves contain rock-cut stone sculptures, representing the Shaiva Hindu sect, dedicated to the god Shiva. A typical, ancient Hindu temple has a profusion of arts—from paintings to sculpture, from symbolic icons to engravings, from thoughtful layout of space to fusion of mathematical principles with Hindu sense of time and cardinality. Ancient Sanskrit texts classify murtis and images in
2184-457: Is a place of pilgrimage, known in India as a Tirtha . It is a sacred site whose ambience and design attempts to symbolically condense the ideal tenets of the Hindu way of life. In a Hindu temple, all the cosmic components that produce and maintain life are there, from fire to water, from depictions of the natural world to gods, from genders that are feminine or masculine to those that are everlasting and universal. Susan Lewandowski states that
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#17327721165832288-525: Is called Yathothkari Perumal. Yathothka means as requested and kari denotes the person who accomplishes the task. One of the Alvars , poet saints of 7-10th century, Poigai Alvar was born at this temple. The temple is considered one of three oldest Vishnu temples in Kanchipuram, the other two being Ulagalantha Perumal Temple and Pandava Thoothar Perumal Temple . The temple has 12 inscriptions from
2392-475: Is dated between 300 BCE and 100 CE. The temple is believed to have been built by the Pallavas of the late 8th century CE, with later contributions from Medieval Cholas and Vijayanagara kings . The temple has three inscriptions on its walls, two dating from the period of Parantaka I (907–955 CE), Kulothunga Chola I (1070–1120 CE) and one to that of Rajadhiraja Chola (1018–1054 CE). A granite wall surrounds
2496-503: Is everywhere in a Hindu temple. Life principles such as the pursuit of joy, connection and emotional pleasure (kama) are fused into mystical, erotic and architectural forms in Hindu temples. These motifs and principles of human life are part of the sacred texts of the Hindus, such as its Upanishads; the temples express these same principles in a different form, through art and spaces. For example, Brihadaranyaka Upanisad (4.3.21) recites: In
2600-553: Is going out of kAnchi Oh! Manivanna!, You don't have to lie here anymore. Since, as the fluent poet that I am also leaving with him, you also roll your serpent bed and follow me"And, accordingly all of them left KAnchipuram Vishnu is said to have rolled up the snake Sesha like a mattress and left with him. There are 216 of his paasurams in the 4000 Divya Prabhandham . His first Prabandham named Tiruchanda Viruttam contains 120 hymns and starts from 752 paasuram and ends at 871 paasuram . The second Prabandham of Tirumalisai Alvar
2704-432: Is grand. In Hindu tradition, this is discarded in favor of an open and diffusive architecture, where the secular world was not separated from the sacred, but transitioned and flowed into the sacred. The Hindu temple has structural walls, which were patterned usually within the 64-grid, or other geometric layouts. Yet the layout was open on all sides, except for the core space with a single opening for darsana. The temple space
2808-405: Is laid out in a series of courts ( mandapas ). The outermost regions may incorporate the negative and suffering side of life with the symbolism of evil, asuras and rakshashas ; but in small temples this layer is dispensed with. When present, this outer region diffuse into the next inner layer that bridges as human space, followed by another inner Devika padas space and symbolic arts incorporating
2912-544: Is recumbent on his right. It is believed that Perumal was lying left to right as in other temples, but on hearing Thirumalisai Alvar sing, he turned his lying posture from right to left. As per historian Nagaswamy, the image made of stucco, is one of the rarest representation of the deity. The image of Saraswati praying at his feet is also present in the sanctum. The roof of the sanctum is called Vedasara Vimana and it has five kalasams and stucco images of various legend. The temple has separate shrines for Poigai Alvar located to
3016-417: Is the name of six methods or alternate viewpoints of understanding truth. These are Nyaya, Vaisesika, Sankhya, Yoga, Mimamsa and Vedanta —which flowered into individual schools of Hinduism, each of which is considered a valid, alternate path to understanding truth and achieving self-realization in the Hindu way of life. From names to forms, from images to stories carved into the walls of a temple, symbolism
3120-415: Is typically called prasada . Hindu temples are found in diverse locations each incorporating different methods of construction and styles: In arid western parts of India, such as Rajasthan and Gujarat, Hindu communities built large walk-in wells that served as the only source of water in dry months but also served as social meeting places and carried religious significance. These monuments went down into
3224-530: The Alvars , was born at this temple's lotus tank. Panguni Brahmotsavam celebrated during April - May and Poigai Alvar birthday during Aipassi Thiruvonam star are the two major festivals celebrated in the temple. As per Hindu legend, once there was an argument between Saraswati , the consort of Brahma and Lakshmi on superiority. They went to Indra , the king of celestial deities. Indra judged Lakshmi as superior and not satisfied with his argument, Saraswati went to her husband, Brahma. He also chose Lakshmi to be
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3328-656: The pooja (rituals) during festivals and on a daily basis. As at other Vishnu temples of Tamil Nadu, the priests belong to the Vaishnavaite community, a Brahmin sub-caste. The temple rituals are performed six times a day: Ushathkalam at 7 a.m., Kalasanthi at 8:00 a.m., Uchikalam at 12:00 p.m., Sayarakshai at 6:00 p.m., Irandamkalam at 7:00 p.m. and Ardha Jamam at 10:00 p.m. Each ritual has three steps: alangaram (decoration), neivethanam (food offering) and deepa aradanai (waving of lamps) for both Yathothkari Perumal and Komalavalli. During
3432-455: The Chola king, Parantaka I (907–950 CE) indicating gift of 367 kalanju of gold to the temple by an individual . The south wall of the central shrine of the temple has inscriptions from the period Rajendra Chola I (1012–44) indicating gifts of land measuring to one tuni of land and 127 kalanju of gold to the temple. The inscriptions on the base of the eastern wall of the central shrine from
3536-609: The Netherlands , South Africa , Suriname , Tanzania , Trinidad and Tobago , Uganda , the United Kingdom , the United States , Australia , New Zealand , and other countries with a significant Hindu population. The current state and outer appearance of Hindu temples reflect arts, materials and designs as they evolved over two millennia; they also reflect the effect of conflicts between Hinduism and Islam since
3640-565: The Tamil month of Panguni (April - May) is the major festival of the temple. To indicate the legend of Kanikannan, the festive image of Yathothkari, Tirumalisai Alvar and Kanikkannan are taken in procession to Orikkai village to have a short stay during the Thai Magam festival celebrated during the Tamil month of Thai (January - February). Alvar Utsavam is a festival celebrated annually during
3744-564: The Telika Mandir in Gwalior , built in the 8th century CE, is not a square but a rectangle in 2:3 proportion. Further, the temple explores a number of structures and shrines in 1:1, 1:2, 1:3, 2:5, 3:5 and 4:5 ratios. These ratios are exact, suggesting that the architect intended to use these harmonic ratios, and the rectangle pattern was not a mistake, nor an arbitrary approximation. Other examples of non-square harmonic ratios are found at
3848-523: The Vāstu-puruṣa-mandala and Vastu Śāstras , do not limit themselves to the design of a Hindu temple. They describe the temple as a holistic part of its community, and lay out various principles and a diversity of alternate designs for home, village and city layout along with the temple, gardens, water bodies and nature. A predominant number of Hindu temples exhibit the perfect-square grid principle. However, there are some exceptions. For example,
3952-419: The garbha-griya (literally, "womb house")—a small, perfect square, windowless, enclosed space without ornamentation that represents universal essence. In or near this space is typically a cult image—which, though many Indians may refer to casually as an idol, is more formally known as a murti, or the main worshippable deity, who varies with each temple. Often this murti gives the temple a local name, such as
4056-802: The pallava king for not agreeing to restore the king's youth. Earlier on he granted youth to an old unmarried maid of the temple. The king married that woman but he himself was an old man and thus wanted to enjoy life as a youth with his new wife. Tirumalisai refused him and the king decided to banish him. Tirumalisai Alvar asked the God from the temple, Yathotkari , to leave with him. Tamil கணிகண்ணன் போகின்றான் காமரு பூங் கச்சி மணிவண்ணா! நீ கிடக்க வேண்டா செந்நாப் புலவனும் போகின்றேன் நீயும் உன்றன் பை நாகப்பாயை சுருட்டிக் கொள் Transliteration KanikaNNan Poginraan Kaamaru poong Kachi ManivaNNaa! Nee Kidakka Vendaa Sennaap Pulavanum Poginren Neeyum Unran Pai Naagappaayai Suruttik KoLL KanikaNNan
4160-455: The 108 temples revered in their songs are classified as Divya desam . The saints had different origins and belonged to different castes. As per tradition, the first three Alvars , Poigai, Bhutha and Pey were born miraculously. Tirumalisai was the son of a sage, Thondaradi, Mathurakavi, Periyalvar and Andal were from the Brahmin community, Kulasekhara from Kshatriya community, Nammalvar
4264-514: The 10th-century attached medical care along with their religious and educational roles. This is evidenced by various inscriptions found in Bengal, Andhra Pradesh and elsewhere. An inscription dated to about 930 CE states the provision of a physician to two matha to care for the sick and destitute. Another inscription dated to 1069 at a Vishnu temple in Tamil Nadu describes a hospital attached to
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4368-585: The 12th century. The Swaminarayanan Akshardham in Robbinsville, New Jersey , between the New York and Philadelphia metropolitan areas, was inaugurated in 2014 as one of the world's largest Hindu temples. A Hindu temple reflects a synthesis of arts, the ideals of dharma , beliefs, values and the way of life cherished under Hinduism. It is a link between man, deities, and the Universal Puruṣa in
4472-515: The 4th century CE suggest the existence of schools around Hindu temples, called Ghatikas or Mathas , where the Vedas were studied. In south India, 9th century Vedic schools attached to Hindu temples were called Calai or Salai , and these provided free boarding and lodging to students and scholars. The temples linked to Bhakti movement in the early 2nd millennium, were dominated by non-Brahmins. These assumed many educational functions, including
4576-638: The 64- or 81-grid is dedicated to Brahman (not to be confused with brahmin, the scholarly and priestly class in India), and are called Brahma padas . The 49-grid design is called Sthandila and is of great importance in creative expressions of Hindu temples in South India, particularly in Prakaras . The symmetric Vastu-purusa-mandala grids are sometimes combined to form a temple superstructure with two or more attached squares. The temples face sunrise, and
4680-408: The 6th century CE. Vastu-Sastra manuals included chapters on home construction, town planning, and how efficient villages, towns and kingdoms integrated temples, water bodies and gardens within them to achieve harmony with nature. While it is unclear, states Barnett, as to whether these temple and town planning texts were theoretical studies and if or when they were properly implemented in practice,
4784-460: The 6th–9th centuries CE. It is one of the 108 Divya Desams dedicated to Vishnu, who is worshipped as Yathothkari Perumal, and his consort Lakshmi as Komalavalli. The temple is considered one of three oldest Vishnu temples in Kanchipuram, the other two being Ulagalantha Perumal Temple and Pandava Thoothar Perumal Temple . The temple finds a mention in the Sangam text Perumpāṇāṟṟuppaṭai which
4888-538: The Chola and Vijayanagara period. The temple finds a mention in the Sangam text Perumpāṇāṟṟuppaṭai which is dated between 300 BCE and 100 CE. Perumpāṇāṟṟuppaṭai Mentions Lord Vishnu sleeping on a serpent bed in the town Thiruvekka where the Gloriosa superba blooms. The temple is originally believed to be built during the period of Pallavas . The temple has a set of inscriptions associated with Cholas . A record of
4992-652: The Eastern side of Kanchipuram , a South Indiann town in the state of Tamil Nadu . The central shrine of the temple has the image of presiding deity, "Sonnavannam Seitha Perumal" sported in Bhuganja Sayanam posture. The West facing sanctum is approached through the flagstaff, pillared halls, namely Mahamandapam and the Ardhamandapam. The stucco image of the presiding deity is a rare one of Ranganatha recumbent on his left hand unlike other temples where he
5096-610: The Jabaladarshana Upanishad appear to endorse this idea Thirumalisai Alvar Tirumalisai Alvar ( IAST : Tirumaḻisai; Born: Bhargavar 4203 BCE - 297 CE ) is a Tamil saint revered in the Sri Vaishnavism school of south India, in Tondai Nadu (now part of Kanchipuram and Tiruvallur districts). He was born in 4203 BCE. The legend of this saint devotees of Sri Vaishnavism believe that he
5200-623: The Naresar temple site of Madhya Pradesh and at the Nakti-Mata temple near Jaipur , Rajasthan. Michael Meister suggests that these exceptions mean that the ancient Sanskrit manuals for temple building were guidelines, and Hinduism permitted its artisans flexibility in expression and aesthetic independence. A Hindu temple is a symbolic reconstruction of the universe and the universal principles that enable everything in it to function. The temples reflect Hindu philosophy and its diverse views on
5304-452: The North of the flagstaff. There are other shrines of Rama along with Seetha and Hanuman and Garuda . The vimana of the central shrine is called Vedasara Vimana. The shrine of Komavalli, the consort of Yathothkari, is located facing the central shrine in the Eastern side of the temple. The temple lotus tank where Poigai Alvar was born is located outside the main entrance, parallel to
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#17327721165835408-535: The Vishnu temples of South India daily and also during festivals. The name of the Alvar comes from his birthplace, Tirumalisai , a suburb in modern-day Chennai . The Alvar was born to Bhargava maharishi and an apsara, Kanakangi, after an unusual 12 months stay in the womb. The foetus came out as just a lifeless lump of flesh with no arms and legs. The couple were terribly depressed and with unwillingness left it under
5512-479: The age of 25. Apart from specialist technical competence, the manuals suggest that best Silpins for building a Hindu temple are those who know the essence of Vedas and Agamas, consider themselves as students, keep well verse with principles of traditional sciences and mathematics, painting and geography. Further they are kind, free from jealousy, righteous, have their sense under control, of happy disposition, and ardent in everything they do. According to Silparatna,
5616-617: The artworks and sculptures within them, were considered by the ancient Sanskrit texts to deploy arts whose number are unlimited, Kala (techniques) that were 64 in number, and Vidya (science) that were of 32 types. The Hindu manuals of temple construction describe the education, characteristics of good artists and architects. The general education of a Hindu Shilpin in ancient India included Lekha or Lipi (alphabet, reading and writing), Rupa (drawing and geometry), Ganana (arithmetic). These were imparted from age 5 to 12. The advanced students would continue in higher stages of Shilpa Sastra studies till
5720-760: The birth date of the Poigai Alvar based on Tamil calendar in the temple. The temple finds mention in Perumpaanatrupadai written by Patanjali . There is a mention about the temple in Silappatikaram (2nd-3rd century CE), Patanjali Mahabharatham and Tolkāppiyam (3rd century BCE). The temple is revered in Nalayira Divya Prabandham , the 7th–9th century Vaishnava canon, by Poigai Alvar , Peyalvar , Bhoothathalvar and Thirumalisai Avar . The Alvars have sung praise on
5824-419: The boy reached adulthood, he was sceptical about choosing between Shaivism and Vaishnavism . He was defeated in arguments by Pey Alvar . He became a devotee of Vaishnavism and the disciple of Pey Alvar. Sivavakkiyar was also called Bhakthisarar and later as Thirumalisai Alvar . Thirumalisai had a disciple by name Kanikkannan. He also had an old lady serving him - Thirumalisai prayed to the presiding deity of
5928-606: The central space typically is surrounded by an ambulatory for the devotee to walk around and ritually circumambulate the Purusa, the universal essence. Often this space is visually decorated with carvings, paintings or images meant to inspire the devotee. In some temples, these images may be stories from Hindu Epics; in others, they may be Vedic tales about right and wrong or virtues and vice; in yet others, they may be murtis of locally worshipped deities. The pillars, walls and ceilings typically also have highly ornate carvings or images of
6032-468: The centre of the temple, typically below and sometimes above or next to the deity , is mere hollow space with no decoration, symbolically representing Purusa , the Supreme Principle, the sacred Universal, one without form, which is omnipresent, connects everything, and is the essence of everyone. A Hindu temple is meant to encourage reflection, facilitate purification of one's mind, and trigger
6136-574: The cosmos and on truth. Hinduism has no traditional ecclesiastical order, no centralized religious authorities, no governing body, no prophet nor any binding holy book save the Vedas; Hindus can choose to be polytheistic , pantheistic , monistic , or atheistic . Within this diffuse and open structure, spirituality in Hindu philosophy is an individual experience, and referred to as kṣaitrajña ( Sanskrit : क्षैत्रज्ञ ) ). It defines spiritual practice as one's journey towards moksha , awareness of self,
6240-422: The country. Kanikannan explained this to his master Thirumalisai, who prayed to Bhujangasayana Perumal. When the king heard this, he ordered the three to be sent of the country, which they obliged. When the three left Kanchipuram, it was engulfed in darkness. Realising his sin, the king worshipped Bhujangasayana Perumal to return along with his two devotees. Since the presiding deity obliged to his devotees wishes, he
6344-521: The deity. In other schools of Hinduism, the person may simply perform japa , or meditation, or yoga , or introspection in his or her temple. Palace-themed temples often incorporate more elaborate and monumental architecture. The appropriate site for a temple, suggests ancient Sanskrit texts, is near water and gardens, where lotus and flowers bloom, where swans, ducks and other birds are heard, and where animals rest without fear of injury or harm. These harmonious places were recommended in these texts with
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#17327721165836448-404: The design and construction of Nagara style of Hindu temples. A Hindu temple design follows a geometrical design called vastu-purusha-mandala . The name is a composite Sanskrit word with three of the most important components of the plan. Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure. The Vastu-purusha-mandala
6552-400: The different forms of Yathothkari Peruamal. The temple is classified as a Divya Desam , one of the 108 Vishnu temples that are mentioned in the book. Many acharyas have also written songs on the various forms of God in this Temple. The temple is considered the birthplace of Poigai Alvar , one of the first three Alvar saints. He was found in a small pond (called Poigai in Tamil ) near
6656-432: The discovery of higher truths, true nature of reality, and a consciousness that is liberated and content. A Hindu temple reflects these core beliefs. The central core of almost all Hindu temples is not a large communal space; the temple is designed for the individual, a couple or a family—a small, private space to allow visitors to experience darsana . Darsana is itself a symbolic word. In ancient Hindu scripts, darsana
6760-936: The donations (melvarum) they collected from devotees. According to James Heitzman, these donations came from a wide spectrum of the Indian society, ranging from kings, queens, officials in the kingdom to merchants, priests and shepherds. Temples also managed lands endowed to it by its devotees upon their death. They would provide employment to the poorest. Some temples had large treasury, with gold and silver coins, and these temples served as banks. Hindu temples over time became wealthy from grants and donations from royal patrons as well as private individuals. Major temples became employers and patrons of economic activity. They sponsored land reclamation and infrastructure improvements, states Michell, including building facilities such as water tanks, irrigation canals and new roads. A very detailed early record from 1101 lists over 600 employees (excluding
6864-714: The earth towards subterranean water, up to seven storeys, and were part of a temple complex. These vav (literally, stepwells) had intricate art reliefs on the walls, with numerous murtis and images of Hindu deities, water spirits and erotic symbolism. The step wells were named after Hindu deities; for example, Mata Bhavani's Stepwell , Ankol Mata Vav, Sikotari Vav and others. The temple ranged from being small single pada (cell) structure to large nearby complexes. These stepwells and their temple compounds have been variously dated from late 1st millennium BCE through 11th century CE. Of these, Rani ki vav , with hundreds of art reliefs including many of Vishnu deity avatars , has been declared
6968-565: The eastern states of India. Other ancient texts found expand these architectural principles, suggesting that different parts of India developed, invented and added their own interpretations. For example, in the Saurastra tradition of temple building found in western states of India, the feminine form, expressions and emotions are depicted in 32 types of Nataka-stri compared to 16 types described in Silpa Prakasa . Silpa Prakasa provides
7072-460: The elements of the Hindu sense of cyclic time and the essence of life—symbolically presenting dharma , artha , kama , moksha , and karma . The spiritual principles symbolically represented in Hindu temples are detailed in the ancient Sanskrit texts of India (for example, the Vedas and Upanishads ), while their structural rules are described in various ancient Sanskrit treatises on architecture ( Bṛhat Saṃhitā , Vāstu Śāstras ). The layout,
7176-410: The embrace of the beloved, one forgets the whole world, everything both within and without; in the same way, one who embraces the Self knows neither within nor without. The architecture of Hindu temples is also symbolic. The whole structure fuses the daily life and its surroundings with the divine concepts, through a structure that is open yet raised on a terrace, transitioning from the secular towards
7280-400: The entrance for the devotee is typically this east side. The mandala pada facing sunrise is dedicated to Surya , the sun-god. The Surya pada is flanked by the padas of Satya, the deity of Truth, on one side and Indra , the king of the demigods, on other. The east and north faces of most temples feature a mix of gods and demigods; while the west and south feature demons and demigods related to
7384-406: The explanation that such are the places where gods play, and thus the best site for Hindu temples. The gods always play where lakes are, where the sun's rays are warded off by umbrellas of lotus leaf clusters, and where clear waterpaths are made by swans whose breasts toss the white lotus hither and thither, where swans, ducks, curleys and paddy birds are heard, and animals rest nearby in
7488-558: The exposition, recitation and public discourses of Sanskrit and Vedic texts. Some temple schools offered wide range of studies, ranging from Hindu scriptures to Buddhist texts, grammar, philosophy, martial arts, music and painting. By the 8th century, Hindu temples also served as the social venue for tests, debates, team competition and Vedic recitals called Anyonyam . According to Kenneth G. Zysk—a professor specializing in Indology and ancient medicine, Hindu mathas and temples had by
7592-421: The form of river Vegavathi. As Vishnu interfered the path of the river, it was termed Vegavani , then as Vegannai and gradually corrupted to Vekka . The presiding deity thus got one of his names, Vegasetu. As per historian Nagaswamy, the temple was called Vehha meaning Vishnu leaning as a slanted slope, which gradually became vekka . Once sage Bhargava had a son through Kanakangi, a celestial dancer. The boy
7696-424: The four just and necessary pursuits of life—kama, artha, dharma and moksa. This walk around is called pradakshina . Large temples also have pillared halls, called mandapa —one of which, on the east side, serves as the waiting room for pilgrims and devotees. The mandapa may be a separate structure in older temples, but in newer temples this space is integrated into the temple superstructure. Mega-temple sites have
7800-661: The head of a town street. Ancient builders of Hindu temples created manuals of architecture, called Vastu-Sastra (literally "science" of dwelling; vas-tu is a composite Sanskrit word; vas means "reside", tu means "you"); these contain Vastu-Vidya (literally, knowledge of dwelling) and Sastra meaning system or knowledge in Sanskrit. There exist many Vastu-Sastras on the art of building temples, such as one by Thakkura Pheru , describing where and how temples should be built. Sanskrit manuals have been found in India since
7904-488: The last step of worship, nadaswaram (pipe instrument) and tavil (percussion instrument) are played, religious instructions in the Vedas (sacred text) are recited by priests, and worshippers prostrate themselves in front of the temple mast . There are weekly, monthly and fortnightly rituals performed in the temple. Aipassi Thiruvonam, the birth star of Poigai Alvar, is celebrated every year. Brahmotsavam celebrated during
8008-532: The manuals suggest that town planning and Hindu temples were conceived as ideals of art and integral part of Hindu social and spiritual life. The Silpa Prakasa of Odisha, authored by Ramacandra Bhattaraka Kaulacara in the 9th or 10th centuries CE, is another Sanskrit treatise on Temple Architecture. Silpa Prakasa describes the geometric principles in every aspect of the temple and symbolism such as 16 emotions of human beings carved as 16 types of female figures. These styles were perfected in Hindu temples prevalent in
8112-973: The motifs, the plan and the building process recite ancient rituals, geometric symbolisms, and reflect beliefs and values innate within various schools of Hinduism. A Hindu temple is a spiritual destination for many Hindus, as well as landmarks around which ancient arts, community celebrations and the economy have flourished. Hindu temple architecture are presented in many styles, are situated in diverse locations, deploy different construction methods, are adapted to different deities and regional beliefs, and share certain core ideas, symbolism and themes. They are found in South Asia, particularly India and Nepal , Bangladesh , Pakistan , Sri Lanka , in Southeast Asian countries such as Cambodia , Vietnam , Malaysia , and Indonesia , and countries such as Canada , Fiji , France , Guyana , Kenya , Mauritius ,
8216-452: The patron as well as others witnessing the construction. Further, it was a tradition that all tools and materials used in temple building and all creative work had the sanction of a sacrament. For example, if a carpenter or sculptor needed to fell a tree or cut a rock from a hill, he would propitiate the tree or rock with prayers, seeking forgiveness for cutting it from its surroundings, and explaining his intent and purpose. The axe used to cut
8320-468: The period of Kulothunga Chola I (1070–1120 CE) indicating gift for lighting lamps of the temple. The southern side inscriptions of the temple from the period of Kulothunga Chola III (1178–1218 CE) indicates a gift of village to feed 32 Brahmins. The inscriptions also detail the float festival and the summer festival celebrated in the temple. The temple in Chinna Kanchipuram, a locality in
8424-554: The positive and joyful side of life about the good and the gods. This divine space then concentrically diffuses inwards and lifts the guest to the core of the temple, where resides the main murti , as well as the space for the Purusa, and ideas held to be most sacred principles in Hindu tradition. The symbolism in the arts and temples of Hinduism, suggests Edmund Leach, is similar to those in Christianity and other major religions of
8528-529: The priests) of the Brihadisvara Temple, Thanjavur , still one of the largest temples in Tamil Nadu . Most worked part-time and received the use of temple farmland as reward. For those thus employed by the temple, according to Michell, "some gratuitous services were usually considered obligatory, such as dragging the temple chariots on festival occasions and helping when a large building project
8632-503: The process of inner realization within the devotee. The specific process is left to the devotee's school of belief. The primary deity of different Hindu temples varies to reflect this spiritual spectrum. In Hindu tradition, there is no dividing line between the secular and the lonely sacred. In the same spirit, Hindu temples are not just sacred spaces; they are also secular spaces. Their meaning and purpose have extended beyond spiritual life to social rituals and daily life, offering thus
8736-452: The sacred, inviting the visitor inwards and upwards towards the Brahma pada, the temple's central core, a symbolic space marked by its spire ( shikhara, vimana ). The ancient temples had grand, intricately carved entrances but no doors, and they lacked a boundary wall. In most cultures, suggests Edmund Leach , a boundary and gateway separates the secular and the sacred, and this gateway door
8840-674: The shade of Nicula trees on the river banks. The gods always play where rivers have for their braclets the sound of curleys and the voice of swans for their speech, water as their garment, carps for their zone, the flowering trees on their banks as earrings, the confluence of rivers as their hips, raised sand banks as breasts and plumage of swans their mantle. The gods always play where groves are near, rivers, mountains and springs, and in towns with pleasure gardens. While major Hindu temples are recommended at sangams (confluence of rivers), river banks, lakes and seashore, Brhat Samhita and Puranas suggest temples may also be built where
8944-517: The shrine. The Mahamandapa has ornamental sculpted pillars built during the Vijayanagara period of 15-16th centuries. The temple has two precincts with the second precinct enclosed by granite walls pierced by a five tiered raja gopuram (gateway tower). The temple follows the traditions of the Vadakalai sect of Vaishnavite tradition and follows vaikanasa aagama . The temple priests perform
9048-696: The sick and needy in the 1st millennium, but with the destruction of Buddhist centers after the 12th century, the Hindu religious institutions assumed these social responsibilities. According to George Michell, Hindu temples in South India were active charity centers and they provided free meal for wayfarers, pilgrims and devotees, as well as boarding facilities for students and hospitals for the sick. The 15th and 16th century Hindu temples at Hampi featured storage spaces (temple granary, kottara ), water tanks and kitchens. Many major pilgrimage sites have featured dharmashalas since early times. These were attached to Hindu temples, particularly in South India, providing
9152-459: The sky. Sometimes, in makeshift temples, the dome may be replaced with symbolic bamboo with few leaves at the top. The vertical dimension's cupola or dome is designed as a pyramid, a cone or other mountain-like shape, once again using the principle of concentric circles and squares. Scholars suggest that this shape is inspired by the cosmic mountain of Meru or Himalayan Kailasa, the abode of the gods, according to Vedic mythology. In larger temples,
9256-449: The superior one. Saraswati was unhappy with the decision and decided to stay away from Brahma. Brahma did a severe penance praying to Vishnu and did an ashvamedha yagna . Saraswati was still angry that the yagna , which usually is done along with consorts was done alone by Brahma. She tried to disrupt the penance, but Vishnu interfered with his serpent Adishesha . Saraswati, on seeing Vishnu in her path, accepted her defeat and subsided in
9360-421: The temple and by the grace of Bhujangasayana Perumal, the old lady became a beautiful young lady. The Pallava king who was ruling the region at that time got attracted by the lady and married her. With time while the king was growing older, the lady remained young. He called up Kanikannan and ordered to sing praise of him so that he also turned young. When he refused, the king ordered Kanikannan to be banished out of
9464-441: The temple, enclosing all the shrines. There is a three-tiered rajagopuram , the temple's gateway tower, in the temple. Yathothkari Perumal is believed to have appeared for Saraswati and Thirumalisai Alvar . Six daily rituals and three yearly festivals are held at the temple. The temple houses a rare image of Ranganatha recumbent on his left hand unlike other temples where he is recumbent on his right. Poigai Alvar , one of
9568-566: The temple, listing the nurses, physicians, medicines and beds for patients. Similarly, a stone inscription in Andhra Pradesh dated to about 1262 mentions the provision of a prasutishala (maternity house), vaidya (physician), an arogyashala (health house) and a viprasattra (hospice, kitchen) with the religious center where people from all social backgrounds could be fed and cared for. According to Zysk, both Buddhist monasteries and Hindu religious centers provided facilities to care for
9672-588: The temple. The temple and the pond are thus considered holy as it is the birthplace of the saint. Hindu temple Traditional A Hindu temple , also known as Mandir , Devasthanam , Pura , or Kovil , is a sacred place where Hindus worship and show their devotion to deities through worship, sacrifice, and prayers. It is considered the house of the god to whom it is dedicated. Hindu temple architecture, which makes extensive use of squares and circles, has its roots in Vedic traditions, which also influence
9776-420: The temples' construction and symbolism. Through astronomical numbers and particular alignments connected to the temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the equivalency of the macrocosm and the microcosm . A temple incorporates all elements of the Hindu cosmos—presenting the good, the evil and the human, as well as
9880-770: The texts were copied when they wore out. In South India, temples and associated mathas served custodial functions, and a large number of manuscripts on Hindu philosophy , poetry, grammar and other subjects were written, multiplied and preserved inside the temples. Archaeological and epigraphical evidence indicates existence of libraries called Sarasvati-bhandara , dated possibly to early 12th-century and employing librarians, attached to Hindu temples. Palm-leaf manuscripts called lontar in dedicated stone libraries have been discovered by archaeologists at Hindu temples in Bali Indonesia and in 10th century Cambodian temples such as Angkor Wat and Banteay Srei . Inscriptions from
9984-594: The tree would be anointed with butter to minimize the hurt to the tree. Even in modern times, in some parts of India such as Odisha , Visvakarma Puja is a ritual festival every year where the craftsmen and artists worship their arts, tools and materials. Hindu temples served as nuclei of important social, economic, artistic and intellectual functions in ancient and medieval India. Burton Stein states that South Indian temples managed regional development function, such as irrigation projects, land reclamation, post-disaster relief and recovery. These activities were paid for by
10088-497: The underlying principle in a Hindu temple is the belief that all things are one, that everything is connected. The pilgrim is welcomed through 64-grid or 81-grid mathematically structured spaces, a network of art, pillars with carvings and statues that display and celebrate the four important and necessary principles of human life—the pursuit of artha (prosperity, wealth), of kama (pleasure, sex), of dharma (virtues, ethical life) and of moksha (release, self-knowledge). At
10192-401: The underworld. This vastu-purusha-mandala plan and symbolism is systematically seen in ancient Hindu temples on the Indian subcontinent as well as those in southeast Asia, with regional creativity and variations. Beneath the mandala's central square(s) is the space for the all-pervasive, all-connecting Universal Spirit, the highest reality , the purusha . This space is sometimes known as
10296-455: The word "Silpin". "Silpa", explains Stella Kramrisch, is a multicolored word and incorporates art, skill, craft, ingenuity, imagination, form, expression and inventiveness of any art or craft. Similarly, "Shilpin", notes Kramrisch, is a complex Sanskrit word, describing any person who embodies art, science, culture, skill, and rhythm and employs creative principles to produce any divine form of expression. Silpins who built Hindu temples, as well as
10400-514: The world. Indian texts call the craftsmen and builders of temples "Silpin" ( Sanskrit : शिल्पिन् ), derived from "Silpa". One of the earliest mentions of the Sanskrit word "Silpa" is in Atharvaveda , from about 1000 BCE; according to scholars, the word was used to denote any work of art. Some scholars suggest that the word "Silpa" has no direct or one-word translation in English, nor does
10504-441: Was from a cultivator family, Tirupana from the panar community and Tirumangai from kalvar community. Divya Suri Saritra by Garuda-Vahana Pandita (11th century CE), Guruparamparaprabavam by Pinbaragiya Perumal Jiyar, Periya tiru mudi adaivu by Anbillai Kandadiappan, Yatindra Pranava Prabavam by Pillai Lokacharya, commentaries on Divya Prabandam , Guru Parampara (lineage of Gurus) texts, temple records and inscriptions give
10608-469: Was stillborn and was not fully developed during his birth. Kanakangi left his son under bushes and left to celestial world. It is believed that the child was a divine incarnation of one of Vishnu's weapons, the Chakra . By the grace of Vishnu and Lakshmi, the baby became alright and began to cry. A childless farmer couple who were passing by took up the child, named him Sivavakkiyar and started rearing him. Once
10712-697: Was the incarnation of Vishnu 's disc, Sudarshana . He is believed to have been born at the Jagannatha Perumal temple, Tirumalisai , by "divine grace". Historically, Tirumalisai Alvar is regarded to have been the son of a sage. The word Alvar means the one who dives deep into the ocean of the countless attributes of god. Alvars are considered to have been the twelve supreme devotees of Vishnu , who were instrumental in popularising Vaishnavism in South India. The religious works of these saints in Tamil , songs of love and devotion, are compiled as Naalayira Divya Prabandham containing 4000 verses and
10816-634: Was undertaken". Temples also acted as refuge during times of political unrest and danger. Historically, the Scheduled Castes or Dalits were prohibited from the entry into temples. In contemporary times, the process of building a Hindu temple by emigrants and diasporas from South Asia has also served as a process of building a community, a social venue to network, reduce prejudice and seek civil rights together. John Guy and Jorrit Britschgi state Hindu temples served as centers where ancient manuscripts were routinely used for learning and where
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