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93-516: The family company was founded by Eugène Yvert in 1831 as a printing works for a legitimist newspaper. The switch to philately was decided 1895 by Eugène's grandson Louis Yvert and his chief printer Théodule Tellier . Nowadays the company is still run by the Yvert family. Yvert et Tellier's major product is a stamp catalog which is a reference for stamps and countries that are most collected by French philatelists: France, Andorra , Monaco , and

186-435: A blank area around the image, the non-printing areas must be trimmed after printing. Crop marks can be used to show the printer where the printing area ends, and the non-printing area begins. The part of the image which is trimmed off is called bleed . Letterpress printing is a technique of relief printing . A worker composes and locks movable type into the bed of a press, inks it, and presses paper against it to transfer

279-519: A brush. Then a sheet of paper , perhaps slightly damp, is placed over the block. The block is then rubbed with a baren or spoon , or is run through a printing press . If the print is in color, separate blocks can be used for each color , or a technique called reduction printing can be used. Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting

372-527: A design directly on a plank of wood , or transfers a drawing done on paper to a plank of wood. Traditionally, the artist then handed the work to a technician, who then uses sharp carving tools to carve away the parts of the block that will not receive ink. In the Western tradition, the surface of the block is then inked with the use of a brayer ; however in the Japanese tradition, woodblocks were inked with

465-416: A different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by hand. A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition . Since

558-515: A doctor blade. Then a rubber-covered roller presses paper onto the surface of the plate and into contact with the ink in the cells. The printing cylinders are usually made from copper plated steel, which is subsequently chromed, and may be produced by diamond engraving; etching, or laser ablation. Gravure printing is known for its ability to produce high-quality, high-resolution images with accurate color reproduction and using viscosity control equipment during production. Ink evaporation control affects

651-515: A fabric stencil technique; ink is simply pushed through the stencil against the surface of the paper, most often with the aid of a squeegee. Generally, the technique uses a natural or synthetic 'mesh' fabric stretched tightly across a rectangular 'frame,' much like a stretched canvas. The fabric can be silk, nylon monofilament, multifilament polyester, or even stainless steel. While commercial screen printing often requires high-tech, mechanical apparatuses and calibrated materials, printmakers value it for

744-487: A gradient-like quality. Mokulito is a form of lithography on wood instead of limestone. It was invented by Seishi Ozaku in the 1970s in Japan and was originally called Mokurito. Josef Albers , Ralston Crawford , Gene Davis . Robert Indiana , Roy Lichtenstein , Julian Opie , Bridget Riley , Edward Ruscha , Andy Warhol . Screen printing (occasionally known as "silkscreen", or "serigraphy") creates prints by using

837-682: A hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer ); however, there is some cross-over between traditional and digital printmaking, including risograph . Prints are created by transferring ink from a matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving , etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography ; blocks of wood for woodcuts and wood engravings ; and linoleum for linocuts . Screens made of silk or synthetic fabrics are used for

930-412: A metal plate. Where the etching technique uses a needle to make lines that retain ink, traditional aquatint relies on powdered rosin which is acid resistant in the ground to create a tonal effect. The rosin is applied in a light dusting by a fan booth, the rosin is then cooked until set on the plate. At this time the rosin can be burnished or scratched out to affect its tonal qualities. The tonal variation

1023-678: A method of printing on textiles and later on paper. The earliest examples of ink-squeeze rubbings and potential stone printing blocks appear in the mid-sixth century in China. A type of printing called mechanical woodblock printing on paper started during the 7th century in the Tang dynasty , and subsequently spread throughout East Asia. Nara Japan printed the Hyakumantō Darani en masse around 770, and distributed them to temples throughout Japan. In Korea , an example of woodblock printing from

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1116-426: A mezzotint, the surface of a copper printing plate is roughened evenly all over with the aid of a tool known as a rocker; the image is then formed by smoothing the surface with a tool known as a burnisher. When inked, the roughened areas of the plate will hold more ink and print more darkly, while smoother areas of the plate hold less or no ink, and will print more lightly or not at all. It is, however, possible to create

1209-433: A need for a university library based on the idea that professor were the library. Libraries also began receiving so many books from gifts and purchases that they began to run out of room. However, the issue was solved in 1589 by a man named Merton who decided books should be stored on horizontal shelves rather than lecterns . The printed press changed university libraries in many ways. Professors were finally able to compare

1302-607: A press was faster and more durable. Also, the metal type pieces were sturdier and the lettering more uniform, leading to typography and fonts . The high quality and relatively low price of the Gutenberg Bible (1455) established the superiority of movable type for Western languages. The printing press rapidly spread across Europe, leading up to the Renaissance , and later all around the world . Time Life magazine called Gutenberg's innovations in movable type printing

1395-511: A result, Hebrew printing flourished in Italy , beginning in 1470 in Rome, then spreading to other cities including Bari, Pisa, Livorno, and Mantua. Local rulers had the authority to grant or revoke licenses to publish Hebrew books, and many of those printed during this period carry the words 'con licenza de superiori' (indicating their printing having been officially licensed) on their title pages. It

1488-430: A small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting more away and printing the next color on top. This allows the previous color to show through. This process can be repeated many times over. The advantages of this process is that only one block is needed, and that different components of an intricate design will line up perfectly. The disadvantage

1581-566: A span of less than four centuries. Samuel Hartlib , who was exiled in Britain and enthusiastic about social and cultural reforms, wrote in 1641 that "the art of printing will so spread knowledge that the common people, knowing their own rights and liberties, will not be governed by way of oppression". In the Muslim world, printing, especially in Arabic scripts, was strongly opposed throughout

1674-484: A table, paper is placed on the ink, and the back of the paper is drawn on, transferring the ink to the paper. Monoprints can also be made by altering the type, color, and viscosity of the ink used to create different prints. Traditional printmaking techniques, such as lithography, woodcut, and intaglio, can be used to make monoprints. Mixed-media prints may use multiple traditional printmaking processes such as etching, woodcut, letterpress, silkscreen, or even monoprinting in

1767-399: A traditional printing press. Images can be printed to a variety of substrates including paper, cloth, or plastic canvas. Dye-based inks are organic (not mineral ) dissolved and mixed into a liquid. Although most are synthetic, derived from petroleum , they can be made from vegetable or animal sources. Dyes are well suited for textiles where the liquid dye penetrates and chemically bonds to

1860-513: A type of relief print , is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, and by the 5th century was used in China for printing text and images on paper. Woodcuts of images on paper developed around 1400 in Europe, and slightly later in Japan. These are the two areas where woodcut has been most extensively used purely as a process for making images without text. The artist either draws

1953-426: A unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges. Other tools such as mezzotint rockers, roulettes (a tool with a fine-toothed wheel) and burnishers (a tool used for making an object smooth or shiny by rubbing) are used for texturing effects. To make a print, the engraved plate is inked all over, then the ink is wiped off the surface, leaving ink only in

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2046-634: Is viscosity printing . Contemporary printmaking may include digital printing , photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family. For example, Rembrandt's prints are usually referred to as "etchings" for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Albrecht Dürer , Hans Burgkmair , Ugo da Carpi , Hiroshige , Hokusai , Frans Masereel , Gustave Baumann , Ernst Ludwig Kirchner , Eric Slater Antonio Frasconi Woodcut,

2139-400: Is a form of printmaking that uses a matrix such as a woodblock, litho stone, or copper plate, but produces impressions that are unique. Multiple unique impressions printed from a single matrix are sometimes known as a variable edition. There are many techniques used in monoprinting, including collagraph , collage , hand-painted additions, and a form of tracing by which thick ink is laid down on

2232-407: Is a technique invented in 1798 by Alois Senefelder and based on the chemical repulsion of oil and water . A porous surface, normally limestone , is used; the image is drawn on the limestone with a greasy medium. Acid is applied, transferring the grease-protected design to the limestone, leaving the image 'burned' into the surface. Gum arabic , a water-soluble substance, is then applied, sealing

2325-501: Is called a "ghost print" or "cognate". Stencils, watercolor, solvents, brushes, and other tools are often used to embellish a monotype print. Monotypes are often spontaneously executed and with no preliminary sketch. Monotypes are the most painterly method among the printmaking techniques, a unique print that is essentially a printed painting. The principal characteristic of this medium is found in its spontaneity and its combination of printmaking, painting, and drawing media. Monoprinting

2418-408: Is controlled by the level of acid exposure over large areas, and thus the image is shaped by large sections at a time. Contemporary printmakers also sometimes using airbrushed asphaltum or spray paint , as well as other non toxic techniques, to achieve aquatint due to rosin boxes posing a fire hazard. Goya used aquatint for most of his prints. Mary Cassatt , Francis Seymour Haden , Master of

2511-419: Is now firmly established, and that Chinese-Korean technique, or a report of it traveled westward is almost certain." Around 1450, Johannes Gutenberg introduced the first movable type printing system in Europe. He advanced innovations in casting type based on a matrix and hand mould , adaptations to the screw-press, the use of an oil-based ink, and the creation of a softer and more absorbent paper. Gutenberg

2604-526: Is one of the international references as well, with Michel , Scott and Stanley Gibbons . The Yvert catalogs list stamps issued by all countries in the world, but for non-European countries, the volumes are organized in alphabetic order whereas the German company Michel uses a geographical classification. During the 1890s in Amiens, the Yvert family's printing works is the property of Louis Yvert , grandson of

2697-404: Is part of the intaglio family. In pure etching, a metal plate (usually copper, zinc, or steel) is covered with a waxy or acrylic ground . The artist then draws through the ground with a pointed etching needle, exposing the metal. The plate is then etched by dipping it in a bath of etchant (e.g. nitric acid or ferric chloride ). The etchant "bites" into the exposed metal, leaving behind lines in

2790-422: Is placed on the surface, and the image is transferred to the paper by the pressure of the printing press. Lithography is known for its ability to capture fine gradations in shading and very small detail. Photo-lithography captures an image by photographic processes on metal plates; printing is more or less carried out in the same way as stone lithography. Halftone lithography produces an image that illustrates

2883-478: Is still some controversy among scholars as to whether their introduction preceded or, in the majority view, followed the introduction of movable type, with the estimated range of dates being between about 1440 and 1460. Movable type is the system of printing and typography using movable pieces of metal type, made by casting from matrices struck by letterpunches . Movable type allowed for much more flexible processes than hand copying or block printing. Around 1040,

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2976-645: Is that once the artist moves on to the next layer, no more prints can be made. Another variation of woodcut printmaking is the cukil technique, made famous by the Taring Padi underground community in Java, Indonesia. Taring Padi Posters usually resemble intricately printed cartoon posters embedded with political messages. Images—usually resembling a visually complex scenario—are carved unto a wooden surface called cukilan, then smothered with printer's ink before pressing it unto media such as paper or canvas. The process

3069-425: Is then transferred onto a sheet of paper by pressing the two together, usually using a printing-press. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque color. The inks used may be oil based or water based. With oil based inks, the paper may be dry, in which case the image has more contrast, or

3162-575: Is used for flexible packaging, corrugated board, labels, newspapers and more. In this market it competes with gravure printing by holding 80% of the market in US, 50% in Europe but only 20% in Asia. The other significant printing techniques include: It is estimated that following the innovation of Gutenberg's printing press, the European book output rose from a few million to around one billion copies within

3255-601: Is used. In the 20th century, true engraving was revived as a serious art form by artists including Stanley William Hayter whose Atelier 17 in Paris and New York City became the magnet for such artists as Pablo Picasso , Alberto Giacometti , Mauricio Lasansky and Joan Miró . Albrecht Dürer , Rembrandt , Francisco Goya , Wenceslaus Hollar , Whistler , Otto Dix , James Ensor , Edward Hopper , Käthe Kollwitz , Pablo Picasso , Cy Twombly , Lucas van Leyden Etching

3348-538: The Cyrus Cylinder and the Cylinders of Nabonidus . The earliest known form of printing evolved from ink rubbings made on paper or cloth from texts on stone tablets, used during the sixth century. Printing by pressing an inked image onto paper (using woodblock printing ) appeared later that century. Later developments in printing technology include the movable type invented by Bi Sheng around 1040 and

3441-624: The Dallay catalog has had a major effect on the French philatelist public by providing larger pictures of stamps and information not found in the Yvert et Tellier catalogs, such as the name of the artiste and/or engraver, first date of issue, use, etc. Yvert has been fighting on two fronts: it has successfully defended the rights to its numbering system, and it distributes a free CD-ROM with its French stamp catalog. Nevertheless, in March 2005, by urging of

3534-504: The Middle Ages would never recur, that not an idea would be lost". Print was instrumental in changing the social nature of reading. Elizabeth Eisenstein identifies two long-term effects of the invention of printing. She claims that print created a sustained and uniform reference for knowledge and allowed comparisons of incompatible views. Asa Briggs and Peter Burke identify five kinds of reading that developed in relation to

3627-537: The Shakyamuni Pagoda of Bulguk Temple , Kyongju Province in 751. The document is estimated to have been created no later than 704. By the ninth century, printing on paper had taken off, and the first completely surviving printed book is the Diamond Sutra ( British Library ) of 868, uncovered from Dunhuang . By the tenth century, 400,000 copies of some sutras and pictures were printed, and

3720-572: The early modern period , partially due to the high artistic renown of the art of traditional calligraphy. However, printing in Hebrew or Armenian script was often permitted. Thus, the first movable type printing in the Ottoman Empire was in Hebrew in 1493, after which both religious and non-religious texts were able to be printed in Hebrew. According to an imperial ambassador to Istanbul in

3813-531: The printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses. Woodblock printing is a technique for printing text, images or patterns that was used widely throughout East Asia. It originated in China in antiquity as

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3906-400: The screen printing process. Other types of matrix substrates and related processes are discussed below. Except in the case of monotyping , all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means

3999-448: The "Do It Yourself" approach, and the low technical requirements, high quality results. The essential tools required are a squeegee, a mesh fabric, a frame, and a stencil. Unlike many other printmaking processes, a printing press is not required, as screen printing is essentially stencil printing. Screen printing may be adapted to printing on a variety of materials, from paper, cloth, and canvas to rubber, glass, and metal. Artists have used

4092-760: The Confucian classics were in print. A skilled printer could print up to 2,000 double-page sheets per day. Printing spread early to Korea and Japan, which also used Chinese logograms , but the technique was also used in Turpan and Vietnam using a number of other scripts. This technique then spread to Persia and Russia. This technique was transmitted to Europe by around 1400 and was used on paper for old master prints and playing cards . Block printing, called tarsh in Arabic , developed in Arabic Egypt during

4185-541: The French Conseil de la concurrence , Yvert agreed to sell the use of the Yvert stamp numbers to other publishers. In June 2006 Yvert et Tellier published a new catalog of French stamps, a cheaper pocketbook version containing just pictures and prices, as did Cérès , the second main philatelic publishing company in France. The Yvert printing company and Yvert et Tellier editor have been ruling mostly by members of

4278-461: The Housebook , Richard Spare , William Lionel Wyllie A variant of engraving, done with a sharp point, rather than a v-shaped burin . While engraved lines are very smooth and hard-edged, drypoint scratching leaves a rough burr at the edges of each line. This burr gives drypoint prints a characteristically soft, and sometimes blurry, line quality. Because the pressure of printing quickly destroys

4371-485: The Yvert family. This family tree presents the people who managed these two companies since they were found in the 19th century. Eugène Yvert (circa 1794-1878), journalist, and founder of the printer company in Amiens where he moved to create a legimist paper. Printing works Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as

4464-528: The beginning of the 12th century. It was used in large-scale printing of paper money issued by the Northern Song dynasty. Movable type spread to Korea during the Goryeo dynasty. Around 1230, Koreans invented a metal type movable printing using bronze. The Jikji , published in 1377, is the earliest known metal printed book. Type-casting was used, adapted from the method of casting coins. The character

4557-492: The burr, drypoint is useful only for very small editions; as few as ten or twenty impressions. To counter this, and allow for longer print runs, electro-plating (here called steelfacing) has been used since the nineteenth century to harden the surface of a plate. The technique appears to have been invented by the Housebook Master , a south German fifteenth-century artist, all of whose prints are in drypoint only. Among

4650-404: The catalog would continue to be named Yvert et Tellier . During the 1920s and 1930s, Yvert prepared his two sons and his son-in-law to run the firm. Henri ran the printing works, his brother Pierre directed L'Écho de la timbrologie , and Jean Gervais took care of the publishing. Pierre Yvert's and Jean Gervais' two grandsons have run the company since the 1990s. Since 2001 the apparition of

4743-419: The change in the color of the printed image. Gravure printing is used for long, high-quality print runs such as magazines, mail-order catalogues, packaging and printing onto fabric and wallpaper. It is also used for printing postage stamps and decorative plastic laminates, such as kitchen worktops. Flexography is a type of relief printing. The relief plates are typically made from photopolymers . The process

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4836-489: The company. In 1895, Yvert and Tellier started getting involved in philatelic books. In November 1896 they published a worldwide catalog of stamps and a stamp album . The success was immediate because of their logical and permanent numbering, in contrast to most of their contemporaries, who changed the numbers in their catalogues upon discovering forgotten stamps. In 1900, Yvert et Tellier associated with Paris stamp dealer Théodore Champion, who sold unused stamps from all over

4929-421: The creation of the print. They may also incorporate elements of chine colle, collage, or painted areas, and may be unique, i.e. one-off, non-editioned, prints. Mixed-media prints are often experimental prints and may be printed on unusual, non-traditional surfaces. Istvan Horkay , Ralph Goings , Enrique Chagoya Digital prints refers to images printed using digital printers such as inkjet printers instead of

5022-515: The crevices hold ink. A non-toxic form of etching that does not involve an acid is Electroetching . John Martin , Ludwig von Siegen , John Smith , Wallerant Vaillant , Carol Wax An intaglio variant of engraving in which the image is formed from subtle gradations of light and shade. Mezzotint—from the Italian mezzo ("half") and tinta ("tone")—is a "dark manner" form of printmaking, which requires artists to work from dark to light. To create

5115-455: The demand. Block printing first came to Europe as a method for printing on cloth, where it was common by 1300. Images printed on cloth for religious purposes could be quite large and elaborate. When paper became relatively easily available, around 1400, the technique transferred very quickly to small woodcut religious images and playing cards printed on paper. These prints were produced in very large numbers from about 1425 onward. Around

5208-612: The eighth century was discovered in 1966. A copy of the Buddhist Dharani Sutra called the Pure Light Dharani Sutra ( Korean :  무구정광대다라니경 ; Hanja :  無垢淨光大陀羅尼經 ; RR :  Mugu jeonggwang dae darani-gyeong ), discovered in Gyeongju , in a Silla dynasty pagoda that was repaired in 751, was undated but must have been created sometime before the reconstruction of

5301-424: The engraved lines. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the engraved lines, making a print. The process can be repeated many times; typically several hundred impressions (copies) could be printed before the printing plate shows much sign of wear, except when drypoint , which gives much shallower lines,

5394-462: The explosion in the numbers of books. Gutenberg's printing press had profound impacts on universities as well. Universities were influenced in their "language of scholarship, libraries, curriculum, [and] pedagogy" Before the invention of the printing press, most written material was in Latin. However, after the invention of printing the number of books printed expanded as well as the vernacular. Latin

5487-399: The fiber. Because of the deep penetration, more layers of material must lose their color before the fading is apparent. Dyes, however, are not suitable for the relatively thin layers of ink laid out on the surface of a print. Pigment is a finely ground, particulate substance which, when mixed or ground into a liquid to make ink or paint, does not dissolve, but remains dispersed or suspended in

5580-600: The first known movable type system was created in China by Bi Sheng out of porcelain . Bi Sheng used clay type, which broke easily, but Wang Zhen by 1298 had carved a more durable type from wood. He also developed a complex system of revolving tables and number-association with written Chinese characters that made typesetting and printing more efficient. Still, the main method in use there remained woodblock printing (xylography), which "proved to be cheaper and more efficient for printing Chinese, with its thousands of characters". Copper movable type printing originated in China at

5673-597: The first press for printing in Arabic in the Ottoman Empire, against opposition from the calligraphers and parts of the Ulama . It operated until 1742, producing altogether seventeen works, all of which were concerned with non-religious, utilitarian matters. Printing did not become common in the Islamic world until the 19th century. Hebrew language printers were banned from printing guilds in some Germanic states; as

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5766-623: The former French colonies and their philatelic history as independent states. In France, it is one of the most important philatelic publishing companies, along with Cérès and Dallay . Continuing the old association between Louis Yvert and Théodore Champion , the Ancienne Maison Théodore Champion edits monthly and yearly a colour catalog of newly issued stamps from all over the world. Usually, Yvert catalogs for non-European countries were printed in black and white, but in 2008 they started with full color prints. It

5859-407: The founder, and his chief printer Théodule Tellier ; Tellier kept the company running after the premature death of Louis' father. Louis did not like being in charge of the legimist paper founded by his father, L'Écho de la Somme . He discovered stamp collecting thanks to Tellier, a philatelist, who had already added a small philatelic newspaper, L'Écho de la timbrologie , to the papers printed by

5952-427: The image by only roughening the plate selectively, so working from light to dark. Mezzotint is known for the luxurious quality of its tones: first, because an evenly, finely roughened surface holds a lot of ink, allowing deep solid colors to be printed; secondly because the process of smoothing the texture with burin, burnisher and scraper allows fine gradations in tone to be developed. The mezzotint printmaking method

6045-421: The image to a printing substrate (typically paper), making the image right-reading again. Offset printing uses a lithographic process which is based on the repulsion of oil and water. The offset process employs a flat (planographic) image carrier (plate) which is mounted on a press cylinder. The image to be printed obtains ink from ink rollers, while the non-printing area attracts an (acidic) film of water, keeping

6138-402: The ink from the type which creates an impression on the paper. There is different paper for different works the quality of paper shows different ink to use. Letterpress printing was the normal form of printing text from its invention by Johannes Gutenberg in the mid-15th century and remained in wide use for books and other uses until the second half of the 20th century, when offset printing

6231-400: The introduction of print: The invention of printing also changed the occupational structure of European cities. Printers emerged as a new group of artisans for whom literacy was essential, while the much more labour-intensive occupation of the scribe naturally declined. Proof-correcting arose as a new occupation, while a rise in the numbers of booksellers and librarians naturally followed

6324-438: The late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then destroyed so that no more prints can be produced. Prints may also be printed in book form, such as illustrated books or artist's books . Printmaking techniques are generally divided into the following basic categories: A type of printmaking outside of this group

6417-439: The liquid. Pigments are categorized as either inorganic (mineral) or organic (synthetic). Pigment-based inks have a much longer permanence than dye-based inks. Giclée (pron.: /ʒiːˈkleɪ/ zhee-KLAY or /dʒiːˈkleɪ/), is a neologism coined in 1991 by printmaker Jack Duganne for digital prints made on inkjet printers. Originally associated with early dye-based printers it is now more often refers to pigment-based prints. The word

6510-413: The maximum number of pages which various press designs could print per hour . All printing process are concerned with two kinds of areas on the final output: After the information has been prepared for production (the prepress step), each printing process has definitive means of separating the image from the non-image areas. Conventional printing has four types of process: To print an image without

6603-503: The mid-fifteenth-century, block-books , woodcut books with both text and images, usually carved in the same block, emerged as a cheaper alternative to manuscripts and books printed with movable type . These were all short, heavily illustrated works, the bestsellers of the day, repeated in many different block-book versions: the Ars moriendi and the Biblia pauperum were the most common. There

6696-491: The middle of the sixteenth century, it was a sin for the Turks , particularly Turkish Muslims, to print religious books. In 1515, Sultan Selim I issued a decree under which the practice of printing would be punishable by death. At the end of the sixteenth century, Sultan Murad III permitted the sale of non-religious printed books in Arabic characters, yet the majority were imported from Italy . Ibrahim Muteferrika established

6789-514: The most famous artists of the old master print, Albrecht Dürer produced three drypoints before abandoning the technique; Rembrandt used it frequently, but usually in conjunction with etching and engraving. Honoré Daumier , Vincent van Gogh , George Bellows , Pierre Bonnard , Edvard Munch , Emil Nolde , Pablo Picasso , Odilon Redon , Henri de Toulouse-Lautrec , Salvador Dalí , M. C. Escher , Willem de Kooning , Joan Miró , Stow Wengenroth , Elaine de Kooning , Louise Nevelson Lithography

6882-558: The most important invention of the second millennium. The steam-powered rotary printing press, invented in 1843 in the United States by Richard M. Hoe , ultimately allowed millions of copies of a page in a single day. Mass production of printed works flourished after the transition to rolled paper, as continuous feed allowed the presses to run at a much faster pace. Hoe's original design operated at up to 2,000 revolutions per hour where each revolution deposited 4 page images, giving

6975-419: The most popular printmaking medium. Its great advantage was that, unlike engraving which requires special skill in metalworking, etching is relatively easy to learn for an artist trained in drawing. Etching prints are generally linear and often contain fine detail and contours. Lines can vary from smooth to sketchy. An etching is opposite of a woodcut in that the raised portions of an etching remain blank while

7068-550: The ninth and tenth centuries, mostly for prayers and amulets . There is some evidence to suggest that these print blocks were made from non-wood materials, possibly tin , lead, or clay. The techniques employed are uncertain. Block printing later went out of use during the Timurid Renaissance . The printing technique in Egypt was embraced by reproducing texts on paper strips and supplying them in different copies to meet

7161-407: The non-image areas ink-free. Most offset presses use three cylinders: Plate, blanket, impression. Currently, most books and newspapers are printed using offset lithography. Gravure printing is an intaglio printing technique, where the image being printed is made up of small depressions in the surface of the printing plate. The cells are filled with ink, and the excess is scraped off the surface with

7254-404: The opinions of different authors rather than being forced to look at only one or two specific authors. Textbooks themselves were also being printed in different levels of difficulty, rather than just one introductory text being made available. > 30,000 ( A3 trim size , web-fed) By 2005, digital printing accounted for approximately 9% of the 45 trillion pages printed annually around

7347-400: The paper may be damp, in which case the image has a 10 percent greater range of tones. Unlike monoprinting , monotyping produces a unique print, or monotype, because most of the ink is removed during the initial pressing. Although subsequent reprintings are sometimes possible, they differ greatly from the first print and are generally considered inferior. A second print from the original plate

7440-433: The plate. The remaining ground is then cleaned off the plate, and the printing process is then just the same as for engraving . Although the first dated etching is by Albrecht Dürer in 1515, the process is believed to have been invented by Daniel Hopfer ( c.  1470–1536 ) of Augsburg, Germany, who decorated armor in this way, and applied the method to printmaking. Etching soon came to challenge engraving as

7533-578: The press a throughput of 8,000 pages per hour. By 1891, The New York World and Philadelphia Item were operating presses producing either 90,000 4-page sheets per hour or 48,000 8-page sheets. The rotary printing press uses impressions curved around a cylinder to print on long continuous rolls of paper or other substrates. Rotary drum printing was later significantly improved by William Bullock . There are multiple types of rotary printing press technologies that are still used today: sheetfed offset , rotogravure , and flexographic printing. The table lists

7626-404: The surface of the stone not covered with the drawing medium. The stone is wetted, with water staying only on the surface not covered in grease-based residue of the drawing; the stone is then 'rolled up', meaning oil ink is applied with a roller covering the entire surface; since water repels the oil in the ink, the ink adheres only to the greasy parts, perfectly inking the image. A sheet of dry paper

7719-421: The technique to print on bottles, on slabs of granite, directly onto walls, and to reproduce images on textiles which would distort under pressure from printing presses. Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image

7812-399: The world. Printing at home, an office, or an engineering environment is subdivided into: Some of the more common printing technologies are: Printmaking Printmaking is the process of creating artworks by printing , normally on paper , but also on fabric , wood , metal , and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using

7905-400: The world. He fixed the prices of the stamps sold by the company. After Champion's death in 1955, Pierre Yvert and the brothers Ladislas and Alexandre Varga bought Champion's company and the new firm continued to fix Yvert et Tellier's prices. In April 1913, Tellier sold his share of the company to Louis Yvert because of the loss of his young grandson. Due to their friendship, Yvert decided that

7998-530: Was hanging . Print gave a broader range of readers access to knowledge and enabled later generations to build directly on the intellectual achievements of earlier ones without the changes arising within verbal traditions. Print, according to Acton in his 1895 lecture On the Study of History , gave "assurance that the work of the Renaissance would last, that what was written would be accessible to all, that such an occultation of knowledge and ideas as had depressed

8091-497: Was cut in beech wood, which was then pressed into a soft clay to form a mould, and bronze poured into the mould, and finally the type was polished. Eastern metal movable type was spread to Europe between the late 14th and early 15th centuries. The Korean form of metal movable type was described by the French scholar Henri-Jean Martin as "extremely similar to Gutenberg's". Authoritative historians Frances Gies and Joseph Gies claimed that "The Asian priority of invention movable type

8184-457: Was developed in Germany in the 1430s from the engraving used by goldsmiths to decorate metalwork. Engravers use a hardened steel tool called a burin to cut the design into the surface of a metal plate, traditionally made of copper. Engraving using a burin is generally a difficult skill to learn. Gravers come in a variety of shapes and sizes that yield different line types. The burin produces

8277-407: Was developed. More recently, letterpress printing has seen a revival in an artisanal form. Offset printing is a widely used modern printing process. This technology is best described as when a positive (right-reading) image on a printing plate is inked and transferred (or "offset") from the plate to a rubber blanket. The blanket image becomes a mirror image of the plate image. An offset transfer moves

8370-516: Was invented by Ludwig von Siegen (1609–1680). The process was used widely in England from the mid-eighteenth century, to reproduce oil paintings and in particular portraits. Norman Ackroyd , Jean-Baptiste Le Prince , William Daniell , Francisco Goya , Thomas Rowlandson A technique used in Intaglio etchings. Like etching, aquatint technique involves the application of acid to make marks in

8463-472: Was not replaced completely, but remained an international language until the eighteenth century. At this time, universities began establishing accompanying libraries. "Cambridge made the chaplain responsible for the library in the fifteenth century but this position was abolished in 1570 and in 1577 Cambridge established the new office of university librarian. Although, the University of Leuven did not see

8556-433: Was the first to create his type pieces from an alloy of lead, tin , antimony , copper and bismuth – the same components still used today. Johannes Gutenberg started work on his printing press around 1436, in partnership with Andreas Dritzehen – whom he had previously instructed in gem-cutting – and Andreas Heilmann, the owner of a paper mill. Compared to woodblock printing , movable type page setting and printing using

8649-507: Was thought that the introduction of printing 'would strengthen religion and enhance the power of monarchs.' The majority of books were of a religious nature, with the church and crown regulating the content. The consequences of printing 'wrong' material were extreme. Meyrowitz used the example of William Carter who in 1584 printed a pro-Catholic pamphlet in Protestant-dominated England. The consequence of his action

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