127-506: Kajirō Yamamoto ( 山本 嘉次郎 , Yamamoto Kajirō , 15 March 1902 – 21 September 1974) was a Japanese film director, screenwriter, and actor who was known for his war films and comedies and as the mentor of Akira Kurosawa . The combined list of his efforts as a director for documentaries, silent, and sound films includes over 90 film titles during his lifetime. Born in Tokyo , Yamamoto attended Keio University , where he helped form
254-781: A bombing of the city of Darwin on 19 February, which killed at least 243 people. At the Battle of the Java Sea in late February and early March, the IJN defeated the main ABDA naval force, under Admiral Karel Doorman . The Dutch East Indies campaign ended with the surrender of Allied forces on Java and Sumatra. In March and April, an IJN carrier force launched a raid into the Indian Ocean . British Royal Navy bases in Ceylon were hit and
381-425: A "new faces" contest to find new talent. Mifune's friends submitted an application and photo, without his knowledge. He was accepted, along with 48 others (out of roughly 4000 applicants), and allowed to take a screen test for Kajiro Yamamoto. Instructed to mime anger, he drew from his wartime experiences. Yamamoto took a liking to Mifune, recommending him to director Senkichi Taniguchi . War films War film
508-540: A "war propaganda film ". A 1978 Mondadori poll placed Alexander Nevsky among the world's 100 best motion pictures. Pacific War Allied occupation of Japan Second Sino-Japanese War Taishō period Shōwa period Asia-Pacific Mediterranean and Middle East Other campaigns Coups The Pacific War , sometimes called the Asia–Pacific War or the Pacific Theater ,
635-531: A British family on the home front; Edge of Darkness (1943) showed Norwegian resistance fighters, and The North Star (1943) showed the Soviet Union and its Communist Party . Towards the end of the war popular books provided higher quality and more serious stories for films such as Guadalcanal Diary (1943), Mervyn LeRoy 's Thirty Seconds Over Tokyo (1944), and John Ford 's They Were Expendable (1945). The Soviet Union, too, appreciated
762-644: A Japanese perspective. These "generally fail to explain the cause of the war". In the decades immediately after the Second World War, Japanese films often focused on human tragedy rather than combat, such as The Burmese Harp (1956) and Fires on the Plain (1959). From the late 1990s, films started to take a positive view of the war and of Japanese actions. These nationalistic films, including Pride (1998), Merdeka 17805 (2001), and The Truth about Nanjing (2007), have emphasized positive traits of
889-424: A Japanese soldier beheads an American: the victim shows pain and his lips freeze in a scream, yet no blood spurts and his head does not fall off. Basinger points out that while this is physically unrealistic, psychologically it may not have been. The wartime audience was, she points out, well aware of friends and relatives who had been killed or who had come home wounded. The Axis powers similarly made films during
1016-783: A cabinet decision on 10 December 1941, to refer to both the war with the Western Allies and the ongoing war in China. This name was released to the public on 12 December, with an explanation that it involved Asian nations achieving their independence from the Western powers through armed forces of the Greater East Asia Co-Prosperity Sphere . Japanese officials integrated what they called the Japan–China Incident ( 日支事変 , Nisshi Jihen ) into
1143-482: A close second. The costliest war in U.S. history in terms of American life, this war has been the subject of, or the backdrop to, numerous films, documentaries and mini-series. One of the earliest films using the Civil War as its subject was D.W. Griffith 's 1910 silent picture, The Fugitive . Films that have the war as its main subject, or about a certain aspect of the war, include the 1989 film Glory , about
1270-464: A conflict between "good" and "evil" as represented by the Allied forces and Nazi Germany whereas the Western portrays the conflict between civilized settlers and the savage indigenous peoples. James Clarke notes the similarity between a Western like Sam Peckinpah 's The Wild Bunch and "war-movie escapades" like The Dirty Dozen . The film historian Jeanine Basinger states that she began with
1397-500: A defensive perimeter to absorb and defeat Allied counterattacks; Japanese decisonmakers believed such a military situation would lead to a negotiated peace that would preserve Japanese territorial gains. Japanese planning divided the early war into two operational phases. The First Operational Phase was further divided into three separate parts in which the major objectives of the Philippines, British Malaya, Borneo, Burma, Rabaul and
SECTION 10
#17327975908551524-429: A film appreciation society. He first appeared in film in 1921 as an actor opposite Yoshiko Okada , but that only earned the wrath of his family, who disowned him. He worked as an actor on the stage, joined Nikkatsu as an assistant director, and finally made his directorial debut in 1924 at Tōa Kinema . After working at Nikkatsu again, he was lured to Photo Chemical Laboratories (P. C. L.) in 1934, where he first made
1651-746: A four-month campaign. The Japanese achieved major military victories, but world opinion—in particular in the US—was hostile to Japan's invasion, especially after the Panay incident . In addition, the Japanese had failed to destroy the Chinese army, which continued to resist from the new Nationalist capital in Chongqing , or in the case of the Communists, Yan'an . In 1939, Japanese forces tried to push into
1778-504: A halt. The Japanese media, influenced by military propagandists, began to refer to the embargoes as the " ABCD line " ("American-British-Chinese-Dutch"). The Japanese Imperial General Headquarters (GHQ) began planning for a war with the Western powers in April or May 1941. Japan increased its naval budget and placed large formations of the Army, along with their attached air components, under
1905-475: A major armed clash in January 1941 , effectively ending their co-operation. Japanese strategic bombing efforts mostly targeted large Chinese cities such as Shanghai, Wuhan , and Chongqing , with around 5,000 raids from February 1938 to August 1943. Japan's strategic bombing campaigns killed between 260,000 and 350,934 non-combatants . As early as 1935, Japanese military strategists had concluded that
2032-699: A military alliance with Germany and Italy, becoming one of the three main Axis Powers . The war entered a new phase with Japanese defeats at the Battle of Suixian–Zaoyang , the 1st Battle of Changsha , the Battle of Kunlun Pass and the Battle of Zaoyi . After these victories, Chinese nationalist forces launched a large-scale counter-offensive in early 1940; however, due to a lack of military-industrial capacity, they were repulsed in late March 1940. In August 1940, Chinese communists launched an offensive in Central China ; in retaliation, Japan instituted
2159-514: A name filming the comedies of Kenichi Enomoto . When P. C. L. became the Toho company, Yamamoto helmed realist dramas such as Tsuzurikata kyōshitsu and Uma (starring Hideko Takamine ), and war films such as Hawai Mare oki kaisen . After World War II , he continued directing films, but increasingly worked in television and radio. He is now mostly known as the mentor of Akira Kurosawa , who served as his assistant director on 17 films. He
2286-477: A powerful emotional impact. It was watched by some 20 million people in Britain in its six weeks of exhibition, making it what the critic Francine Stock called "one of the most successful films of all time". The 1925 American film The Big Parade depicted unglamorous elements of war: the protagonist loses his leg, and his friends are killed. William A. Wellman 's Wings (1927) showed aerial combat during
2413-411: A preconception of what the war film genre would be, namely that: What I knew in advance was what presumably every member of our culture would know about World War II combat films—that they contained a hero , a group of mixed types [of people], and a military objective of some sort. They take place in the actual combat zones of World War II, against the established enemies, on the ground, the sea, or in
2540-528: A quiet Russian and an extrovert southerner from Odessa, singing in his dugout. The many Soviet films about the Second World War include both large-scale epics such as Yury Ozerov 's Battle of Moscow (1985) and Mikhail Kalatozov 's more psychological The Cranes are Flying (1957) on the cruel effects of war; it won the 1958 Palme d'Or at Cannes. Japanese directors have made popular films such as Submarine I-57 Will Not Surrender (1959), Battle of Okinawa (1971) and Japan's Longest Day (1967) from
2667-505: A traditional war film should have a hero, a group, and an objective, and that the group should contain "an Italian, a Jew, a cynical complainer from Brooklyn, a sharpshooter from the mountains, a midwesterner (nicknamed by his state, 'Iowa' or 'Dakota'), and a character who must be initiated in some way". Films based on real commando missions, like The Gift Horse (1952) based on the St. Nazaire Raid , and Ill Met by Moonlight (1956) based on
SECTION 20
#17327975908552794-407: Is a film genre concerned with warfare , typically about naval , air , or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat , survival and escape, camaraderie between soldiers , sacrifice, the futility and inhumanity of battle,
2921-478: Is also responsible for the career of Toshiro Mifune . In 1947, one of Mifune's friends who worked for the Photography Department of Toho Productions suggested Mifune try out for the Photography Department. He was accepted for a position as an assistant cameraman. At this time, a large number of Toho actors, after a prolonged strike , had formed a separate company, Shintoho . Toho then organized
3048-664: The Algerian War (1954–1956). It was shot on location as an Italo-Algerian co-production. It had the black and white newsreel style of Italian neorealism , and even-handedly depicts violence on both sides. It won various awards including Golden Lion at the Venice Film Festival . It was attacked by French critics and was for five years banned in France as well as Jamila, the Algerian (1958). Few films before
3175-656: The Allies pitted against Japan, the latter aided by Thailand and to a lesser extent by the Axis powers , Germany and Italy . The Japanese achieved great success in the initial phase of the campaign, but were gradually driven back using an island hopping strategy. The Allies adopted a Europe first stance, giving first priority to defeating Nazi Germany. The Japanese had great difficulty replacing their losses in ships and aircraft, while American factories and shipyards produced ever increasing numbers of both. Fighting included some of
3302-411: The Battle of Stalingrad . Feature films made in the west during the war were subject to censorship and were not always realistic in nature. One of the first to attempt to represent violence, and which was praised at the time for "gritty realism", was Tay Garnett 's Bataan (1943). The depiction actually remained stylised. Jeanine Basinger gives as an example the "worst image for stark violence" when
3429-807: The Declaration by United Nations on 1 January 1942, the Allied governments appointed the British General Archibald Wavell to the American-British-Dutch-Australian Command (ABDACOM), a supreme command for Allied forces in Southeast Asia. This gave Wavell nominal control of a huge force, albeit one that was thinly spread across a vast area, from Burma to the Philippines to northern Australia. Other regions, including India, Hawaii, and
3556-658: The Indonesian war of independence (1945–1949). Two other films about the same period portray the Indonesian equivalent of the Chinese Long March : Usmar Ismail 's Darah dan Doa ( The Long March , literally "Blood and Prayer", 1950) and Mereka Kembali ( They Return , 1975). Each of these films interprets the past from the perspective of its own time. The more recent Merdeka (Freedom) trilogy (2009–2011), starting with Merah Putih ("Red and White",
3683-808: The Khmer Issarak , and the Hukbalahap . The Soviet Union fought two short, undeclared border conflicts with Japan in 1938 and again in 1939 , then remained neutral through the Soviet–Japanese Neutrality Pact of April 1941, until August 1945 when it (and Mongolia ) joined the rest of the Allies and invaded the territory of Manchukuo , China, Inner Mongolia , the Japanese protectorate of Korea and Japanese-claimed territory such as South Sakhalin . Mexico provided air support in
3810-952: The Kwantung Army to oversee its occupation of Manchukuo and the China Expeditionary Army during the Second Sino-Japanese War, created the Southern Expeditionary Army Group at the outset of its conquests of South East Asia. This headquarters controlled the bulk of the Japanese Army formations which opposed the Western Allies in the Pacific and South East Asia. In 1931, without declaring war, Japan invaded Manchuria , seeking raw materials to fuel its growing industrial economy. By 1937, Japan controlled Manchuria and
3937-705: The Mekong Delta during the Vietnam War. The film cuts to an (American) "helicopter-eye view", contrasting painfully with the human tenderness seen earlier. Dino Mustafić's Remake (2003), written by Zlatko Topčić , tells the parallel coming-of-age stories of a father living in Sarajevo during World War II and his son living through the Siege of Sarajevo during the Bosnian War . According to Topčić,
Kajirō Yamamoto - Misplaced Pages Continue
4064-722: The Republic of China had been in progress since 7 July 1937, with hostilities dating back to 1931 with the Japanese invasion of Manchuria . However, it is more widely accepted that the Pacific War itself began on 7 December (8 December Japanese time) 1941, when the Japanese simultaneously attacked American military bases in Hawaii , Wake Island , Guam , and the Philippines , the British colonies of Malaya , Singapore , and Hong Kong , and invaded Thailand . The Pacific War saw
4191-638: The Second World War came from Britain and combined the functions of documentary and propaganda. Films such as The Lion Has Wings and Target for Tonight were made under the control of the Films Division of the Ministry of Information. The British film industry began to combine documentary techniques with fictional stories in films like Noël Coward and David Lean 's In Which We Serve (1942)—"the most successful British film of
4318-722: The South West Pacific . US sources refer to two theaters within the Pacific War: the Pacific theater and the China Burma India Theater (CBI). However, these were not operational commands. In the Pacific, the Allies divided operational control of their forces between two supreme commands, known as Pacific Ocean Areas and Southwest Pacific Area . The Imperial Japanese Navy (IJN) did not integrate its units into permanent theater commands. The Imperial Japanese Army (IJA), which had already created
4445-675: The Soviet Far East . They were defeated in the Battle of Khalkhin Gol by a mixed Soviet and Mongolian force led by Georgy Zhukov . This caused the Japanese to abandon attempts to expand to the north , while Soviet aid to China ceased as a result of the Soviet–Japanese Neutrality Pact. In September 1940, Japan decided to invade French Indochina , which was controlled at the time by Vichy France . On 27 September Japan signed
4572-836: The Thai government signed an armistice and entered an alliance with Japan. Although Japan declared war on the United States and the British Empire , the declaration was not delivered until after Japanese forces had already struck British and American targets. In the early hours of 7 December (Hawaiian time), carrier-based Japanese aircraft launched a surprise, large-scale air strike on the U.S. Pacific Fleet's anchorage at Pearl Harbor in Honolulu, which knocked eight American battleships out of action, destroyed 188 American aircraft, and killed 2,403 Americans. The Japanese believed that
4699-497: The battle of the Atlantic . Others, like The Dam Busters (1954), with its exciting tale of the inventor Barnes Wallis 's unorthodox bouncing bomb and its distinctive theme music , were true stories. The Dam Busters became the most popular film in Britain in 1955, and remained a favourite as of 2015 with a 100% score on Rotten Tomatoes , though, partly because it celebrated an "exclusively British [victory]", it failed in
4826-489: The largest naval battles in history and massive Allied air raids over Japan , as well as the atomic bombings of Hiroshima and Nagasaki . Japan surrendered unconditionally on 15 August 1945 and was occupied by the Allies. Japan lost its former possessions in Asia and the Pacific and had its sovereignty limited to the four main home islands and other minor islands as determined by the Allies. In Allied countries during
4953-586: The " Three Alls Policy " ("Kill all, Burn all, Loot all") in occupied areas, killing at least 2.7 million civilians. By 1941 the conflict had become a stalemate. Although Japan had occupied much of northern, central, and coastal China, the Nationalist Government had retreated to the interior and set up a provisional capital at Chongqing , while the Chinese communists remained in control of base areas in Shaanxi . Japanese offensive action against
5080-473: The 1950s and 1960s. War film production in the United Kingdom and United States reached its zenith in the mid-1950s. Its popularity in the United Kingdom was brought on by the critical and commercial success of Charles Frend 's The Cruel Sea (1953). Like others of the period, The Cruel Sea was based on a bestselling novel, in this case the former naval commander Nicholas Monsarrat 's story of
5207-544: The Allied embargo. This was known as the Southern Plan . It was decided—because of the close relationship between the U.K. and the U.S., and the belief that the U.S. would inevitably become involved in the ongoing war in Europe—that Japan would also seize the Philippines, Wake Island and Guam . Japan had initially planned for a limited war, where Japanese forces would seize key objectives and then establish
Kajirō Yamamoto - Misplaced Pages Continue
5334-475: The Allies staging areas from which to mount a counteroffensive. By November 1941 these plans were mostly complete, and were modified only slightly over the next month. Japanese military planners' expectation of success rested on the United Kingdom and the Soviet Union being unable to effectively respond to a Japanese attack because of the threat posed to each by Nazi Germany; in particular, the Soviet Union
5461-733: The American market. A large number of war films were made in the 1955–1958 period in particular. In 1957 alone, Bitter Victory , Count Five and Die , The Enemy Below , Ill Met by Moonlight , Men in War , The One That Got Away , and Seven Thunders , and the highly successful, critically acclaimed pictures The Bridge on the River Kwai (which won the Academy Award for Best Picture that year ) and Paths of Glory were released. Some, such as Bitter Victory , focused more on
5588-474: The Americans, faced with such a sudden and massive blow to their naval power in the Pacific, would agree to a negotiated settlement. However, American losses were less serious than initially thought: the three American aircraft carriers were at sea during the attack, and vital naval infrastructure, Honolulu's submarine base, and signals intelligence units were unscathed. The fact that the bombing happened while
5715-643: The Americans. Similarly, the country's films about the Korean War show victory without help from the Chinese. The film scholar Johannes Schönherr concludes that the purpose of these films is "to portray North Korea as a country under siege", and that since the U.S. and its "puppet" South Korea invaded the North once, they would do so again. Gillo Pontecorvo 's dramatic The Battle of Algiers (( Italian : La battaglia di Algeri ; Arabic : معركة الجزائر ; French : La Bataille d'Alger ), 1966) portrayed events in
5842-777: The Central Powers and the Allies produced war documentaries. The films were also used as propaganda in neutral countries like the United States. Among these was a film shot on the Eastern Front by official war photographer to the Central Powers, Albert K. Dawson : The Battle and Fall of Przemysl (1915), depicting the Siege of Przemyśl , disastrous for the Austrians, with incidents reenacted using soldiers as extras. The 1915 Australian film Within Our Gates (also known as Deeds that Won Gallipoli ) by Frank Harvey
5969-449: The Chinese 38th Division, led by Sun Li-jen . Meanwhile, in the Battle of Yunnan-Burma Road , the Japanese captured Toungoo after hard fighting and sent motorized units to capture Lashio . This cut the Burma Road , which was the western Allies' supply line to Chinese Nationalist troops. Many of Chinese troops were forced either to retreat to India, or withdraw in small parties to Yunnan . Accompanied by large numbers of civilian refugees,
6096-429: The Dutch East Indies were, due to their abundant oil reserves, crucially important for further expansion by the Japanese Empire. By 1940 the Japanese also included Indochina, Malaya, and the Philippines within their concept of the Greater East Asia Co-Prosperity Sphere. Japanese troop build-ups in Hainan, Taiwan, and Haiphong were noted in foreign media, Japanese military officers were increasingly and openly talking about
6223-428: The Dutch East Indies would be occupied. The Second Operational Phase called for further expansion into the South Pacific by seizing eastern New Guinea, New Britain, Fiji, Samoa, and strategic points in around Australia. In the Central Pacific, Midway Island was targeted, as were the Aleutian Islands in the North Pacific. Japanese strategists believed that the seizure of these key areas would provide defensive depth and deny
6350-487: The Golden Mulberry at the Udine Far East Film Festival, but was criticised for its nationalistic sympathy with kamikaze pilots. The wartime authorities in both Britain and America produced a wide variety of documentary films. Their purposes included military training, advice to civilians, and encouragement to maintain security. Since these films often carried messages, they grade into propaganda. Similarly, commercially produced films often combined information, support for
6477-403: The Great War" without attempting to classify these. However, some directors and critics have offered at least tentative definitions. The director Sam Fuller defined the genre by saying that "a war film's objective, no matter how personal or emotional, is to make a viewer feel war." John Belton identified four narrative elements of the war film within the context of Hollywood production: a)
SECTION 50
#17327975908556604-438: The Greater East Asia War. During the Occupation of Japan (1945–52), these terms were prohibited in official documents (although their informal usage continued). The war became officially known as the Pacific War ( 太平洋戦争 , Taiheiyō Sensō ) . The Fifteen Years' War ( 十五年戦争 , Jūgonen Sensō ) is also used, referring to the period from the Mukden Incident of 1931 through 1945. The major Allied participants were China ,
6731-500: The IJN and IJA launched simultaneous surprise attacks on the United States and the British Empire on 7 December (8 December in Asia/West Pacific time zones). The locations of this first wave of Japanese attacks included the American territories of Hawaii, the Philippines , Guam , and Wake Island and the British territories of Malaya , Singapore , and Hong Kong . Concurrently, Japanese forces invaded southern and eastern Thailand and were resisted for several hours, before
6858-459: The Japanese puppet states of Manchukuo (consisting of most of Manchuria ), and the collaborationist Wang Jingwei regime (which controlled the coastal regions of China), respectively. Japan conscripted many soldiers from its colonies of Korea and Taiwan . Collaborationist security units were also formed in Hong Kong , Singapore , the Philippines , the Dutch East Indies , British Malaya , British Borneo , former French Indochina (after
6985-407: The Japanese military and contended that the Japanese were victims of post-war vindictiveness and viciousness. Such films have, however, been subject to protest for revisionism . The Eternal Zero (2013) narrates the tale of a Zero fighter pilot who is considered a coward by his comrades, as he returns alive from his missions. It broke the record takings for a Japanese live action film, and won
7112-563: The Japanese on 15 February 1942. About 130,000 Indian, British, Australian and Dutch personnel became Japanese prisoners of war. Bali and Timor fell in February. The rapid collapse of Allied resistance left the "ABDA area" split in two. Wavell resigned from ABDACOM on 25 February, handing control of the ABDA Area to local commanders and returning to the post of Commander-in-Chief, India . Meanwhile, Japanese aircraft had all but eliminated Allied air power in Southeast Asia and were carrying out air attacks on northern Australia , beginning with
7239-431: The Japanese state as one great family and the Japanese people as an "innocent, suffering, self-sacrificing people". Dower comments that the perversity of this image "is obvious: it is devoid of any recognition that, at every level, the Japanese also victimized others." According to Andrew Pulver of The Guardian , the public fascination with war films became an "obsession", with over 200 war films produced in each decade of
7366-422: The Maine Victims , Blanket-Tossing of a New Recruit , and Soldiers Washing Dishes . These non-combat films were accompanied by "reenactments" of fighting, such as of Theodore Roosevelt 's "Rough Riders" in action against the Spanish, staged in the United States. During the First World War, many films were made about life in the war. Topics included prisoners of war, covert operations, and military training. Both
7493-434: The Russian people to battle, actual fighting, Germans surrendering and dead, and atrocities including murdered children and hanged civilians. It won an Academy Award in 1943 for best documentary. Newsreel cameras were similarly rushed to Stalingrad early in 1943 to record "the spectacle which greeted the Russian soldiers"—the starvation of Russian prisoners of war in the Voropovono camp by the German Sixth Army , defeated in
7620-510: The Second Sino–Japanese War from 1937 onwards did war film become a serious genre in China, with nationalistic films such as Shi Dongshan 's Protect Our Land (1938). The Chinese Civil War, too, attracted films such as Cheng Yin 's From Victory to Victory (1952). A more humanistic film set in the same period is Xie Jin 's The Cradle (1979), while more recent large-scale commercial films include Lu Chuan 's City of Life and Death (2009). Chinese directors have repeatedly attempted to cover
7747-407: The Second World War, for propaganda and other purposes. In Germany, the army high command brought out Sieg im Westen ("Victory in the West", 1941). Other Nazi propaganda films had varied subjects, as with Kolberg (1945), which depicts stubborn Prussian resistance in the Siege of Kolberg (1807) to the invading French troops under Napoleon . The propaganda minister Joseph Goebbels chose
SECTION 60
#17327975908557874-422: The US was not officially at war caused a wave of outrage across the country. Japan's fallback strategy, relying on a war of attrition against the United States, was beyond the Imperial Japanese Navy's capabilities. Opposition to war in the United States vanished after the attack. On 8 December, the United Kingdom, the United States, Canada, and the Netherlands declared war on Japan, followed by Australia
8001-502: The United States and the British Empire . China had already been engaged in a war against Japan since 1937 . The US and its territories, including the Philippine Commonwealth , entered the war after being attacked by Japan . The British Empire was also a major belligerent consisting of British troops along with colonial troops from India as well as from Burma , Malaya , Fiji , Tonga ; in addition to troops from Australia , New Zealand and Canada . The Dutch government-in-exile (as
8128-443: The air. They contain many repeated events, such as mail call, all presented visually with appropriate uniforms , equipment, and iconography of battle. Further, Basinger considers Bataan to provide a definition-by-example of "the World War II combat film", in which a diverse and apparently unsuited group of "hastily assembled volunteers" hold off a much larger group of the enemy through their "bravery and tenacity". She argues that
8255-403: The aircraft carrier HMS Hermes was sunk, along with other Allied ships. The attack forced the Royal Navy to withdraw to the western part of the Indian Ocean, paving the way for a Japanese assault on Burma and India. In Burma, the Japanese captured Moulmein on 31 January 1942, and then drove outnumbered British and Indian troops towards the Sittang River . On 23 February, a bridge over
8382-411: The atrocities committed by the Japanese during the Nanjing Massacre (1937–1938), with films such as the political melodrama Massacre in Nanjing , Mou Tun Fei 's docudrama Black Sun: The Nanking Massacre , and the "contrived Sino–Japanese romance" Don't Cry, Nanking . Zhang Yimou 's epic Chinese film Flowers of War (2011), based on Geling Yan 's novel, portrays the violent events through
8509-475: The attempted invasion of the Russian city of Novgorod by the Teutonic Knights . By April 1939 the film had been seen by 23,000,000 people. In 1941 the director and three others were awarded the Stalin Prize for their contributions. The film features a musical score by the classical composer Sergei Prokofiev , considered by artists such as the composer André Previn the best ever written for cinema. Russell Merritt, writing in Film Quarterly , describes it as
8636-436: The best of popular Indonesian cinema". It was the first Indonesian film to become well known internationally. War has been the Soviet Union's cinema's major genre, becoming known indeed as the "cinema front", and its war films ranged from grim portrayals of atrocities to sentimental and even quietly subversive accounts. Leonid Lukov 's popular and "beautiful" Two Warriors (1943) depicted two stereotypical Soviet soldiers,
8763-419: The capture of the German commander of Crete, inspired fictional adventure films such as The Guns of Navarone (1961), The Train (1964), and Where Eagles Dare (1968). These used the war as a backdrop for spectacular action. Darryl F. Zanuck produced the 178 minute documentary drama The Longest Day (1962), based on the first day of the D-Day landings , achieving commercial success and Oscars. It
8890-496: The city, which fell to Japan after three months of fighting. The Japanese continued to push deeper into China, capturing the capital Nanjing in mid-December 1937 and committing atrocities in the Nanjing Massacre , including rape, murder and torture. In March 1938, Nationalist forces won their first victory at Taierzhuang , but the city of Xuzhou was taken by the Japanese in May. In June 1938, Japan deployed about 350,000 troops to invade Wuhan and captured it in October after
9017-704: The climactic ends of war films. Not all critics agree, either, that war films must be about 20th-century wars. James Clarke includes Edward Zwick 's Oscar-winning Glory (1990) among the war films he discusses in detail; it is set in the American Civil War , and he lists six other films about that war which he considers "notable". The screenwriter and scholar Eric R. Williams identifies war films as one of eleven super-genres in his screenwriters' taxonomy , claiming that all feature-length narrative films can be classified as belonging to one of them. The British military historian Antony Beevor "despair[s]" at how film-makers from America and Britain "play fast and loose with
9144-562: The colours of the flag of the new Indonesia), revisits the campaign for independence through the lives of a diverse group of cadets who become guerillas. Karya's November 1828 (1979) looks at Indonesia's struggle for independence through historical drama about the Java or Diponegoro War (1825–1830), though the colonial enemy was the same, the Dutch . Deanne Schultz considered it "a valuable interpretation" of Indonesian history that "embodies
9271-424: The combat film is not a subgenre but the only genuine kind of war film. Since she notes that there were in fact only five true combat films made during the Second World War, in her view these few films, central to the genre, are outweighed by the many other films that are only just war films. However, other critics such as Russell Earl Shain propose a far broader definition of war film, to include films that deal "with
9398-599: The command of the Imperial Japanese Navy. Historically, the IJA consumed the majority of the state's military budget (with a 73% - 27% split in 1940), but from 1942 to 1945 the IJA would account for 60% of Japan's military spending, while the IJN would account for 40%. Japan's key initial objective was to seize economic resources in the Dutch East Indies and Malaya, in order to alleviate the effects of
9525-494: The comment that "for all its epic pretensions (as if epic were a matter of running time, tumescent music and earnest voice-over pronouncements), the movie works best as a bang-and-boom action picture". Steven Spielberg 's Saving Private Ryan (1998) uses hand-held camera, sound design, staging, and increased audio-visual detail to defamiliarise viewers accustomed to conventional combat films, so as to create what film historian Stuart Bender calls "reported realism", whether or not
9652-804: The common Japanese soldier as an individual and as a family man, and even enemy Chinese soldiers are presented as individuals, sometimes fighting bravely. Once war with the United States was declared, the Japanese conflict became known as the Pacific War . Japanese film critics worried that even with Western film techniques, their film output failed to represent native Japanese values. The historian John Dower found that Japanese wartime films had been largely forgotten, as "losers do not get reruns", yet they were so subtle and skilful that Frank Capra thought Chocolate and Soldiers unbeatable. Heroes were typically low-ranking officers, not samurai , calmly devoted to his men and his country. These films did not personalise
9779-670: The cost of authenticity. Although the 1918 Finnish Civil War between Whites and Reds remained a controversial topic a century later in Finland , many Finnish filmmakers have taken up the subject, often basing their work on a book. In 1957, Toivo Särkkä 's 1918 , based on Jarl Hemmer 's play and novel, was screened at the 7th Berlin International Film Festival . Recent films include Lauri Törhönen 's 2007 The Border , and Aku Louhimies 's 2008 Tears of April , based on Leena Lander 's novel. Perhaps
9906-492: The destructive impact of American military presence on village life. The violent action films Shiri (1999) and Joint Security Area (2000) presented North Korea in a favourable light. Films in North Korea were made by government film studios and had clear political messages. The first was My Home Village (1949), on the liberation of Korea from the Japanese, presented as the work of Kim Il Sung without help from
10033-906: The effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War ; the most popular subjects are the Second World War and the American Civil War . The stories told may be fiction , historical drama , or biographical . Critics have noted similarities between the Western and the war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance. Subgenres, not necessarily distinct, include anti-war , comedy , propaganda , and documentary . There are similarly subgenres of
10160-401: The enemy and therefore lacked hatred, though Great Britain could figure as the "cultural enemy". For Japanese film-makers, war was not a cause but more like a natural disaster, and "what mattered was not whom one fought but how well". Asian enemies, especially the Chinese, were often portrayed as redeemable and even possible marriage partners. Japanese wartime films do not glorify war, but present
10287-503: The entire breadth of the war. Some films deal with the human aspects of the war, such as The Red Badge of Courage (1951), or Shenandoah (1965), on the tragedy that the war inflicted on the civilian population. Ken Burns 's The Civil War is the most-watched documentary in the history of PBS . The first war films come from the Spanish–American War of 1898. Short "actualities"—documentary film-clips—included Burial of
10414-513: The eyes of a 13-year-old girl. Many Indonesian films deal with the occupation of the archipelago by the Japanese during the Second World War. Teguh Karya 's Doea Tanda Mata ( Mementos , literally "Two Eye Marks", 1985) covers the limited nationalist resistance to Dutch colonial rule in the 1930s. A third group of films such as Enam Djam di Jogja ( Six Hours in Yogyakarta , 1951) and Serangan Fajar ( Attack at Dawn , 1983) covers
10541-463: The facts", yet imply that "their version is as good as the truth". For example, he calls the 2000 American film U-571 a "shameless deception" for pretending that a US warship had helped to win the Battle of the Atlantic—seven months before America entered the war. He is equally critical of Christopher Nolan 's 2017 film Dunkirk with its unhistorically empty beaches, low-level air combat over
10668-512: The fighting, the successful South Korean action film Piagol about leftist guerrilla atrocities encouraged other film-makers. The 1960s military government punished pro-communist film-makers and gave Grand Bell Awards to films with the strongest anti-communist message. The Taebaek Mountains (1994) dealt with leftists from the south who fought for the communists, while Silver Stallion (1991) and Spring in My Hometown (1998) showed
10795-813: The film Pearl Harbor 's US-biased portrayal of events is a compensation for technical assistance received from the US armed forces, noting that the premiere was held on board a U.S. Navy carrier. In another case, the U.S. Navy objected to elements of Crimson Tide , especially mutiny on board an American naval vessel, so the film was produced without their assistance. The film historian Jonathan Rayner observes that such films "have also clearly been intended to serve vital propagandist, recruitment and public relations functions". The first Chinese war films were newsreels like Battle of Wuhan (1911) and Battle of Shanghai (1913). Still in films such as Xu Xinfu 's Battle Exploits (1925), war featured mainly as background. Only with
10922-609: The first formal unit of the Union Army during the American Civil War to be made up entirely of Black volunteers. Some films such as Gettysburg focused on a single battle during the war, or even on a single incident, like the French short film La Rivière du Hibou ( An Occurrence at Owl Creek Bridge ) and Disney 's The Great Locomotive Chase (1956). Others like the 1993 miniseries North and South spanned
11049-628: The form of the 201st Fighter Squadron and Free France sent naval support in the form of Le Triomphant and later the Richelieu . The Axis -aligned states which assisted Japan included the authoritarian government of Thailand . Also involved were members of the Greater East Asia Co-Prosperity Sphere, which included the Manchukuo Imperial Army and Collaborationist Chinese Army of
11176-543: The genre is for the most part well defined and uncontentious, since war films are simply those about war being waged in the 20th century, with combat scenes central to the drama. However, Neale notes, films set in the American Civil War or the American Indian Wars of the 19th century were called war films in the time before the First World War. The critic Julian Smith argues, on the contrary, that
11303-508: The greatest screenplay ever written for the motion-picture medium"; Richard Attenborough 's satirical anti-war musical comedy based on Joan Littlewood 's play of the same name, Oh! What a Lovely War (1969); Spielberg's 2011 war drama War Horse was based on Michael Morpurgo 's children's novel of the same name . Many of the films promoted as "documentaries" added context to authentic battlefield scenes by staging critical events, and invented episodes and dialog to enhance excitement at
11430-407: The historical subject as suitable for the worsening situation facing Nazi Germany when it was filmed from October 1943 to August 1944. At over eight million marks, using thousands of soldiers as extras and 100 railway wagonloads of salt to simulate snow, it was the most costly German film made during the war. The actual siege ended with the surrender of the town; in the film, the French generals abandon
11557-413: The last of the traditional war films, while the controversy around the help given by the U.S. Army and Zanuck's "disregard for Pentagon relations" changed the way that Hollywood and the Army collaborated. Zanuck, by then an executive at 20th Century Fox , set up an American–Japanese co-production for Richard Fleischer 's Tora! Tora! Tora! (1970) to depict what "really happened on December 7, 1941" in
11684-460: The late 1970s about the Vietnam War actually depicted combat; exceptions include The Green Berets (1968). Critics such as Basinger explain that Hollywood avoided the subject because of opposition to United States involvement in the Vietnam War , making the subject divisive; in addition, the film industry was in crisis, and the army did not wish to assist in making anti-war films. From
11811-798: The late 1970s, independently financed and produced films showed Hollywood that Vietnam could be treated in film. Successful but very different portrayals of the war in which America had been defeated included Michael Cimino 's The Deer Hunter (1978), and Francis Ford Coppola 's Apocalypse Now (1979). With the shift in American politics to the right in the 1980s, military success could again be shown in films such as Oliver Stone 's Platoon (1986), Stanley Kubrick 's Full Metal Jacket (1987) and John Irvin 's Hamburger Hill (1987). The Vietnamese director Nguyễn Hồng Sến [ vi ] 's The Abandoned Field: Free Fire Zone ( Cánh đồng hoang , 1979) gives an "unnerving and compelling .. subjective-camera-eye-view" of life under helicopter fire in
11938-534: The metaphor of hunting to criticise the aggressiveness of Spanish fascism . It won the Silver Bear for Best Director at the 16th Berlin International Film Festival in 1966. Ken Loach 's Land and Freedom ( Tierra y Libertad , 1995), loosely based on George Orwell 's Homage to Catalonia , follows a British communist through the war to reveal the painful contradictions within the anti-fascist Republican side. Samuel Fuller 's The Steel Helmet (1951)
12065-665: The most famous film about the Finnish Civil War is Edvin Laine 's 1968 Here, Beneath the North Star , based on the first two books of Väinö Linna 's Under the North Star trilogy; it describing the civil war from the losing side, Finland's Red Guards . The Spanish Civil War has attracted directors from different countries. Sam Wood 's For Whom the Bell Tolls (1943), based on Ernest Hemingway 's book of
12192-499: The next day. Thailand, with its territory already serving as a springboard for Japan's Malayan Campaign , surrendered within hours of the Japanese invasion. The government of Thailand formally allied with Japan on 21 December. To the south, the IJA seized the British colony of Penang on 19 December, encountering little resistance. Hong Kong was attacked on 8 December and fell to Japanese forces on 25 December 1941. American bases on Guam and Wake Island were seized by Japan at around
12319-732: The overthrow of the French regime in 1945 ), as well as Timorese militia . Germany and Italy both had limited involvement in the Pacific War. The German and the Italian navies operated submarines and raiding ships in the Indian and Pacific Oceans, notably the Monsun Gruppe . Between 1942 and 1945, there were four main areas of conflict in the Pacific War: China, the Central Pacific , South-East Asia and
12446-465: The popular Sands of Iwo Jima (1949) starring John Wayne . U.S. Marines considered Sands of Iwo Jima visually authentic, but found Lewis Milestone's Battle Cry (1955), with its attention to the lives of the men, the more realistic film. The formula for a successful war film consisted, according to Lawrence Suid, of a small group of ethnically diverse men; an unreasonable senior officer; cowards became heroic, or died. Jeanine Basinger suggests that
12573-575: The portrayal is genuinely more realistic. Jeanine Basinger notes that critics experienced it as "groundbreaking and anti-generic", with, in James Wolcott's words, a "desire to bury the cornball, recruiting poster legend of John Wayne: to get it right this time"; and that combat films have always been "grounded in the need to help an audience understand and accept war". Its success revived interest in World War II films. Others tried to portray
12700-854: The possessor of the Dutch East Indies ) was also involved. All of these were members of the Pacific War Council . From 1944 the French commando group Corps Léger d'Intervention also took part in resistance operations in Indochina. Some active pro-allied guerrillas in Asia included the Malayan Peoples' Anti-Japanese Army , the Korean Liberation Army , the Free Thai Movement , the Việt Minh ,
12827-533: The propaganda value of film, to publicise both victories and German atrocities. Ilya Kopalin's documentary Moscow Strikes Back ( Russian : Разгром немецких войск под Москвой , literally "The rout of the German troops near Moscow"), was made during the Battle of Moscow between October 1941 and January 1942. It depicted civilians helping to defend the city, the parade in Red Square and Stalin 's speech rousing
12954-554: The prospect of war, and Admiral Sankichi Takahashi was reported as stating that a showdown with the US was necessary. In an effort to discourage Japanese militarism, Western powers including Australia, the US, Britain, and the Dutch government in exile , which controlled the Dutch East Indies, stopped selling oil , iron ore, and steel to Japan. In Japan, the government and Japanese nationalists viewed these embargoes as acts of aggression; imported oil made up about 80% of domestic consumption, without which Japan's economy would grind to
13081-456: The psychological battle between officers and egotism rather than events during the war. The Bridge on the River Kwai brought a new complexity to the war picture, with a sense of moral uncertainty surrounding war. By the end of the decade the "sense of shared achievement" which had been common in war films "began to evaporate", according to Pulver. Hollywood films in the 1950s and 1960s could display spectacular heroics or self-sacrifice, as in
13208-783: The reality of the war, as in Joseph Vilsmaier 's Stalingrad (1993), which The New York Times said "goes about as far as a movie can go in depicting modern warfare as a stomach-turning form of mass slaughter". Many war films have been produced with the cooperation of a nation's military forces. Since the Second World War, the United States Navy has provided ships and technical guidance for films such as Top Gun . The U.S. Air Force assisted with The Big Lift , Strategic Air Command and A Gathering of Eagles , which were filmed on Air Force bases; Air Force personnel appeared in many roles. Critics have argued that
13335-565: The rest of Australia, remained under local commands. On 15 January, Wavell moved to Bandung in Java to assume control of ABDACOM. In January, Japan invaded British Burma, the Dutch East Indies, New Guinea, and the Solomon Islands, and captured Manila, Kuala Lumpur and Rabaul . After being driven out of Malaya, Allied forces in Singapore attempted to resist the Japanese during the Battle of Singapore, but were forced to surrender to
13462-470: The retreating and regrouping Chinese forces was largely stalled by the mountainous terrain in southwestern China, while the Communists organized widespread guerrilla and saboteur activities in northern and eastern China behind the Japanese front line. Japan sponsored several puppet governments , one of which was headed by Wang Jingwei . Conflicts between Chinese Communist and Nationalist forces vying for territorial control behind enemy lines culminated in
13589-646: The river was demolished prematurely, stranding most of an Indian division. On 8 March, the Japanese occupied Rangoon . The Allies attempted to defend Central Burma, with Indian and Burmese divisions holding the Irrawaddy River valley and the Chinese Expeditionary Force in Burma defending Toungoo . On 16 April, 7,000 British soldiers were encircled by the Japanese 33rd Division during the Battle of Yenangyaung , but subsequently rescued by
13716-430: The roles of civilians, espionage agents, and soldiers in any of the aspects of war (i.e. preparation, cause, prevention, conduct, daily life, and consequences or aftermath.)" Neale points out that genres overlap, with combat scenes for different purposes in other types of film, and suggests that war films are characterised by combat which "determines the fate of the principal characters". This in turn pushes combat scenes to
13843-599: The same name , portrays the fated romance between an American played by Gary Cooper and a partisan played by Ingrid Bergman against the backdrop of the civil war. The epic 168-minute film with its landscapes shot in Technicolor and a "beautiful" orchestral score was a success both with audiences and with critics. Alain Resnais 's Guernica (1950) uses Picasso 's 1937 painting of the same name to protest against war. Carlos Saura 's La Caza (The Hunt, 1966) uses
13970-515: The same time. British, Australian, and Dutch forces, already drained of personnel and matériel by two years of war with Germany, and heavily committed in the Middle East, North Africa, and elsewhere, were unable to provide more than token resistance. Two major British warships, the battlecruiser HMS Repulse and the battleship HMS Prince of Wales , were sunk by a Japanese air attack off Malaya on 10 December 1941. Following
14097-515: The sea, and rescues mainly by the "little ships". Beevor feels, however, that Continental European film-makers are often "far more scrupulous"; for example, in his view the 2004 German film Downfall accurately depicted the historical events of Hitler's final days in his Berlin bunker, and he considers the 1965 French film The 317th Platoon , set in Vietnam, "the greatest war movie ever made". The 1966 film The Battle of Algiers is, he argues,
14224-471: The siege. For Japan, the war began with the undeclared war and invasion of China in 1937 , which the Japanese authorities called "The China Incident". The government dispatched a "pen brigade" to write and film the action in China with "humanist values". Tomotaka Tasaka 's Mud and Soldiers (1939) for instance, shot on location in China, Kōzaburō Yoshimura 's Legend of Tank Commander Nishizumi , and Sato Takeshi 's Chocolate and Soldiers (1938) show
14351-461: The story is based on incidents from his own life. The Iraq War served as the background story of U.S. movies, like The Hurt Locker from 2008, Green Zone from 2010, and American Sniper from 2014. The War in Afghanistan since 2001 was depicted in various movies, among them Restrepo in 2010 and Lone Survivor from 2013. The first popular Allied war films made during
14478-541: The surprise attack on Pearl Harbor . The film, panned by Roger Ebert and The New York Times , was a major success in Japan. Its realistic-looking attack footage was reused in later films such as Midway (1976), The Final Countdown (1980), and Australia (2008). The story was revisited in Pearl Harbor (2001), described by The New York Times as a "noisy, expensive and very long new blockbuster", with
14605-402: The suspension of civilian morality during times of war, b) primacy of collective goals over individual motivations, c) rivalry between men in predominantly male groups as well as marginalization and objectification of women, and d) depiction of the reintegration of veterans. The fateful nature of battle scenes means that war films often end with them. The film critic Stephen Neale suggests that
14732-516: The war and was made in cooperation with the Army Air Corps. It proved a powerful recruiting tool. It became the first film (in any genre) to be awarded an Oscar for best picture. Later films of varied genres that deal with the First World War include David Lean 's "colossal epic", both war film and biopic Lawrence of Arabia (1962), shot in the then unfamiliar and exciting 70mm Technicolor , and described by Steven Spielberg as "maybe
14859-493: The war effort, and a degree of propaganda. Newsreels , ostensibly simply for information, were made in both Allied and Axis countries, and were often dramatised. More recently, in the Iran–Iraq War , Morteza Avini 's Ravayat-e Fath (Chronicles of Victory) television series combined front-line footage with commentary. Sergei Eisenstein 's 1938 historical drama Alexander Nevsky depicts Prince Alexander 's defeat of
14986-675: The war film in specific theatres such as the Western Desert of North Africa and the Pacific in the Second World War, Vietnam , or the Soviet–Afghan War ; and films set in specific domains of war, such as the infantry, the air, at sea, in submarines or at prisoner of war camps. The war film genre is not necessarily tightly defined: the American Film Institute , for example, speaks of "films to grapple with
15113-467: The war film lacks the formal boundaries of a genre like the Western , but that in practice, "successful and influential" war films are about modern wars, in particular World War II, with the combination of mobile forces and mass killing. The film scholar Kathryn Kane points out some similarities between the war film genre and the Western. Both genres use opposing concepts like war and peace, civilization and savagery. War films usually frame World War II as
15240-699: The war years" — Millions Like Us (1943), and The Way Ahead (1944). In America, documentaries were produced in various ways: General Marshall commissioned the Why We Fight propaganda series from Frank Capra; the War Department's Information-Education Division started out making training films for the U.S. Air Force and U.S. Navy; the Army made its own through the U.S. Signal Corps, including John Huston 's The Battle of San Pietro . Hollywood made films with propaganda messages about America's allies, such as Mrs. Miniver (1942), which portrayed
15367-600: The war, the "Pacific War" was not usually distinguished from World War II , or was known simply as the War against Japan . In the United States, the term Pacific theater was widely used. The US Armed Forces considered the China Burma India theater to be distinct from the Asiatic-Pacific theater during the conflict. Japan used the name Greater East Asia War ( 大東亜戦争 , Dai Tō-A Sensō ) , as chosen by
15494-594: Was described by the Motion Picture News as "a really good war story, which is exceptional". The 1916 British film The Battle of the Somme , by two official cinematographers, Geoffrey Malins and John McDowell, combined documentary and propaganda, seeking to give the public an impression of what trench warfare was like. Much of the film was shot on location at the Western Front in France; it had
15621-557: Was followed by large-scale but thoughtful films like Andrei Tarkovsky 's Ivan's Childhood (1962), and quasi- documentary all-star epics filmed in Europe such as Battle of the Bulge (1965), Battle of Britain (1969), The Battle of Neretva (1969), Midway (1976), and A Bridge Too Far (1977). In Lawrence Suid's view, The Longest Day "served as the model for all subsequent combat spectaculars". However, its cost also made it
15748-451: Was made during the Korean War (1950–1953). The critic Guy Westwell notes that it questioned the conduct of the war, as did later films like The Bridges at Toko-Ri (1954) and Pork Chop Hill (1959). Fuller agreed that all his films were anti-war. No Hollywood films about the Korean War did well at the box office; the historian Lary May suggested in 2001 that they reminded American viewers of "the only war we have lost". In 1955, after
15875-595: Was prepared to move deeper into China. The Marco Polo Bridge Incident on 7 July 1937 provoked full-scale war between China and Japan. The Nationalist Party and the Chinese Communists suspended their civil war in order to form a nominal alliance against Japan, and the Soviet Union quickly lent support by providing large amounts of materiel to Chinese troops. In August 1937, Generalissimo Chiang Kai-shek deployed some of his best troops to defend Shanghai against some 300,000 Japanese troops attempting to seize
16002-427: Was seen as unlikely to commence hostilities. The Japanese leadership was aware that a total military victory in the traditional sense against the United States was impossible, and instead envisaged that rapid, aggressive and expansive conquest would force the U.S. to agree to a negotiated peace that would recognize Japanese hegemony in Asia. Following prolonged tensions between Japan and the Western powers , units of
16129-724: Was the theater of World War II that was fought in eastern Asia, the Pacific Ocean , the Indian Ocean , and Oceania . It was geographically the largest theater of the war, including the Pacific Ocean theater , the South West Pacific theater , the Second Sino-Japanese War , and the Soviet–Japanese War in the last few months of the war. The Second Sino-Japanese War between the Empire of Japan and
#854145