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82-660: Shōfuku-ji is the name of more than one Buddhist temple in Japan . Other Japanese temples named "Shōfuku-ji" include: Buddhist temple (Japan) The Japanese word for a Buddhist temple, tera ( 寺 ) , was anciently also written phonetically 天良, tera , and is cognate with the Modern Korean Chǒl from Middle Korean Tiel , the Jurchen Taira and the reconstructed Old Chinese dɘiaʁ , all meaning "Buddhist monastery". These words are apparently derived from

164-413: A Shinto shrine follow a purification ritual before presenting themselves to the kami . This ritual begins with hand washing and swallowing and later spitting a small amount of water in front of the shrine to purify the body, heart, and mind. Once this is complete they turn their focus to gaining the kami's attention. The traditional method of doing this is to bow twice, clap twice and bow again, alerting

246-443: A cloister in a monastery. It is in this sense which it is applied to temples or, more often, subtemples. It can be also found in the name of formerly minor temples risen by chance to great prominence. For example, Kawagoe's Kita-in used to be one of three subtemples of a temple which no longer exist. Less frequent in an ingō are - an ( 庵 , hermitage ) and - bō ( 坊 , monk's living quarters ) . - dō ( 堂 , hall )

328-439: A hattō (lecture hall), a kuin (kitchen/office), a sō-dō (building dedicated to Zazen ), a sanmon (main gate), a tōsu (toilet) and a yokushitsu (bath). In present-day Japanese, sotoba usually has the latter meaning. A temple's name ( jigō ( 寺号 ) or jimyō ( 寺名 ) ) is usually made of three parts. The first is the sangō ( 山号 , mountain name ) , the second is the ingō ( 院号 , cloister name ) and

410-412: A kō-dō (lecture hall), a shōrō (belfry), a jiki-dō (refectory), a sōbō (monks' living quarters), and a kyōzō (scriptures deposit, library)." These are the seven listed as shichidō elements of a Nanto Rokushū ( 南都六宗 , Nara six sects ) temple. A 15th-century text describes how Zen school temples ( Sōtō ( 曹洞 ), Rinzai ( 臨済 )) included a butsuden or butsu-dō (main hall),

492-461: A pagoda . Similarities between temples and shrines are also functional. Like a shrine, a Buddhist temple is not primarily a place of worship: its most important buildings are used for the safekeeping of sacred objects (the honzon , equivalent to a shrine's shintai ) and are not accessible to worshipers. Unlike a Christian church, a temple is also a monastery . There are specialized buildings for certain rites, but these are usually open only to

574-416: A principle , and anything that is worshipped. Although deity is the common interpretation of kami , some Shinto scholars argue that such a translation can cause a misunderstanding of the term. Some etymological suggestions are: Because Japanese does not normally distinguish grammatical number in nouns (most do not have singular and plural forms), it is sometimes unclear whether kami refers to

656-517: A complementary existence that mirrors our own: shinkai ( 神界 , "the world of the kami") . To be in harmony with the awe-inspiring aspects of nature is to be conscious of kannagara no michi ( 随神の道 or 惟神の道 , "the way of the kami") . Kami is the Japanese word for a deity, divinity, or spirit. It has been used to describe mind , God, Supreme Being, one of the Shinto deities, an effigy ,

738-443: A distinctive quality or virtue. These kami are celebrated regionally, and several miniature shrines ( hokora ) have been built in their honor. In many cases, people who once lived are thus revered; an example of this is Tenjin , who was Sugawara no Michizane (845–903 CE) in life. Within Shinto it is believed that the nature of life is sacred because the kami began human life. Yet people cannot perceive this divine nature, which

820-498: A divine superior spirit within: the kami . Amatsukami and Kunitsukami are categories of kami in Japanese mythology . Amatsugami is a generic term for the gods in Takamagahara or those who descended from Tenson kōrin , while Kunitsugami is a generic term for the gods who appeared on the earth ( Ashihara no Nakatsukuni ). In Japanese mythology, the acceptance of the transfer of the land ( Ashihara no Nakatsukuni ) by

902-499: A feeling of boldness and weight. Most Buddhist temples in Japan belong to one of four main styles: Buddhist temple complexes consist of a number of structures arranged according to certain concepts or guidelines. The arrangement of the major buildings ( garan haichi ( 伽藍配置 ) ) changed over time. An early pattern had a gate, tower, kondō and kodō in a straight line from south to north. Corridors extended east and west from

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984-437: A limited number of participants. Religious mass gatherings do not take place with regularity as with Christian religions and are in any event not held inside the temple. If many people are involved in a ceremony, it will assume a festive character and will be held outdoors. The architectural elements of a Buddhist temple are meant to embody themes and teachings of Buddhism. The reason for the great structural resemblances between

1066-462: A noblewoman's mansion was transformed into a religious building. Buddhist architecture of the Heian period consisted of the re-emergence of national tastes. The temple Hojoji represents paradise and the pure land, which embodies elements of Pure Land Buddhism. The last formal temple was Motsuji. Muroji is a temple complex found below the mountain of Mount Muro. The area behind the temple is sacred and

1148-593: A pagoda and then residential spaces for monks. It was in an asymmetrical arrangement that was new and very innovative for this time. Sources lack in the history of its construction and who commissioned it. In the early eighth century this temple was constructed in Nara and has been reproduced into the original layout today. The monumental Yakushi triad exists here. The structure is in bright colors as it also would have originally been. The architecture of Buddhist temples, as that of any structure, has changed and developed over

1230-517: A single or multiple entities. When a singular concept is needed, -kami ( 神 ) is used as a suffix . The reduplicated term generally used to refer to multiple kami is kamigami . While Shinto has no founder, no overarching doctrine, and no religious texts, the Kojiki (Records of Ancient Matters), written in 712 CE, and the Nihon Shoki (Chronicles of Japan), written in 720 CE, contain

1312-457: A system justifying Japanese Imperialism where Japanese people in the colonies were seen as Amatsukami and natives were seen as Kunitsukami , however he was later censored as his position was considered too supportive of the rights of colonized peoples. One of the first recorded rituals we know of is Niiname-sai ( 新嘗祭 ) , the ceremony in which the Emperor offers newly harvested rice to

1394-531: A temple is called kaisan ( 開山 , lit. opening of the mountain ) for this reason. No fixed rules for its formation exist, but the sangō is basically topographical in origin, as in Hieizan Enryaku-ji: these two names together mean " Mount Hiei 's Enryaku-ji ". For this reason it is sometimes used as a personal name, particularly in Zen . There may be however some other semantic relationship between

1476-474: Is a rite of passage for five-year-old boys and three- or seven-year-old girls. It is a time for these young children to personally offer thanks for the kami's protection and to pray for continued health. Many other rites of passage are practiced by Shinto believers, and there are also many other festivals. The main reason for these ceremonies is so that Shinto followers can appease the kami in order to reach magokoro . Magokoro can only be received through

1558-401: Is a significant distance, perhaps a graveled courtyard, between the two. Another structure or space of great importance accommodates the physical day-to-day needs of the clergy. Spaces for eating, sleeping and studying are essential, particularly in those temples that serve as monasteries. According to a 13th-century text, "a garan is a temple with a kon-dō (main hall), a tō ( pagoda ),

1640-429: Is itself in some measure not absolute as entire walls can be removed, opening the temple to visitors. Verandas appear to be part of the building to an outsider, but part of the external world to those in the temple. Structures are therefore made to a certain extent part of their environment. The use of construction modules keeps proportions between different parts of the edifice constant, preserving its overall harmony. (On

1722-538: Is normally used in the name of particular buildings of a temple's compound, e.g. Kannon-dō, but can be employed as a name of minor or small temples. The only name in common use is however the jigō , (ending in -ji, -tera, -dera ( 〜寺 , ... temple) ) which can then be considered the main one. The sangō and ingō are not, and never were, in common use. The character - ji it contains is sometimes pronounced tera or dera as in Kiyomizu-dera , normally when

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1804-471: Is not native, but imported from China and other Asian cultures over the centuries with such constancy that the building styles of all Six Dynasties are represented. Its history is, as a consequence, dominated by Chinese and other Asian techniques and styles (present even in Ise Shrine , held to be the quintessence of Japanese architecture) on one side, and by Japanese original variations on those themes on

1886-471: Is off limits to visitors and pilgrims. The caves of Mount Muro are especially sacred. The famous Dragon Cave is the thought to house the Dragon King who protects the country. This is an example of how natural elements are sacred aspects of Buddhist temples. There are four great temples of the seventh century: Asukadera, Kudara Odera, Kawaradera and Yakushiji. This great hall had three golden halls and

1968-426: Is potentially observed and passed onto future generations. The second affirmation is to have a love of nature. Nature objects are worshipped as sacred because the kami inhabit them. Therefore, to be in contact with nature means to be in contact with the gods. The third affirmation is to maintain physical cleanliness. Followers of Shinto take baths, wash their hands, and rinse out their mouths often. The last affirmation

2050-483: Is the mythological figure Amaterasu -ōmikami, the sun goddess of the Shinto pantheon. Although these kami can be considered deities, they are not necessarily considered omnipotent or omniscient , and like the Greek Gods , they had flawed personalities and were quite capable of ignoble acts. In the myths of Amaterasu, for example, she could see the events of the human world, but had to use divination rituals to see

2132-423: Is the sacred space where images of Buddhas and bodhisattvas are kept, and where important rituals are performed. These areas are always separated from those accessible to the lay worshipers, though the distance between the two and the manner of their separation is quite varied. In many temples, there is little more than a wooden railing dividing the sacred space with that of the laypeople, but in many others there

2214-497: Is to practice matsuri , which is the worship and honor given to the kami and ancestral spirits. Shinto followers also believe that the kami are the ones who can either grant blessings or curses to a person. Shinto believers desire to appease the evil kami to "stay on their good side", and also to please the good kami . In addition to practicing the four affirmations daily, Shinto believers also wear omamori to aid them in remaining pure and protected. Mamori are charms that keep

2296-587: The Engi-shiki ( 延喜式 , literally, Procedures of the Engi Era ) was promulgated in fifty volumes. This, the first formal codification of Shinto rites and norito (liturgies and prayers) to survive, became the basis for all subsequent Shinto liturgical practice and efforts. It listed all of the 2,861 Shinto shrines existing at the time, and the 3,131 official-recognized and enshrined kami . The number of kami has grown and far exceeded this figure through

2378-610: The honji suijaku theory brought to the almost complete fusion of kami worship and Buddhism. It became normal for shrines to be accompanied by temples in mixed complexes called jingū-ji ( 神宮寺 , lit. shrine temple) or miyadera ( 宮寺 , lit. shrine temple) . The opposite was also common: most temples had at least a small shrine dedicated to its tutelary kami and were therefore called jisha ( 寺社 , temple shrines) . The Meiji era eliminated most jingūji , but left jisha intact, such that even today most temples have at least one shrine, sometimes very large, on their premises, and

2460-527: The Aramaic word for "Monastery" dērā/ dairā/ dēr (from the root dwr "to live together"), rather than from the unrelated and later Indian word for monastery vihara , and may have been transmitted by the first Central Asian translators of Buddhist scriptures, such as An Shigao or Lokaksema . In Japan, Buddhist temples co-exist with Shinto shrines and both share the basic features of Japanese traditional architecture . Both torii and rōmon mark

2542-476: The deities , divinities , spirits, mythological, spiritual, or natural phenomena that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, beings and the qualities that these beings express, and/or the spirits of venerated dead people. Many kami are considered the ancient ancestors of entire clans (some ancestors became kami upon their death if they were able to embody

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2624-483: The kami themselves, is forever changing in definition and scope. As the needs of the people have shifted, so too have the domains and roles of the various kami . Some examples of this are related to health, such as the kami of smallpox whose role was expanded to include all contagious diseases, or the kami of boils and growths who has also come to preside over cancers and cancer treatments . In ancient animistic Japanese belief, kami were understood as simply

2706-541: The kami to secure their blessing for a bountiful harvest. A yearly festival, Niiname-sai, is also performed when a new Emperor comes to power , in which case it is called Daijō-sai ( 大嘗祭 ) . In the ceremony, the Emperor offers crops from the new harvest to the kami , including rice, fish, fruits, soup, and stew. The Emperor first feasts with the deities, then the guests. The feast could go on for some time; for example, Emperor Shōwa 's feast spanned two days. Visitors to

2788-456: The kami to their presence and desire to commune with them. During the last bow, the supplicant offers words of gratitude and praise to the kami ; if they are offering a prayer for aid they will also state their name and address. After the prayer and/or worship they repeat the two bows, two claps and a final bow in conclusion. Shinto practitioners also worship at home. This is done at a kamidana (household shrine), on which an ofuda with

2870-431: The sangō and the san'in-jigō , as for example in the case of Rurikōzan Yakushi-ji . The sangō and the jigō are simply different names of the same god. Sometimes the sangō and the jigō are both posthumous names , for example of the founder's mother and father. The character in ( 院 ) , which gives the ingō its name, originally indicated an enclosure or section and therefore, by analogy, it later came to mean

2952-515: The sun , mountains , rivers , trees , and rocks ; some animals ; and ancestral spirits . Included within the designation of ancestral spirits are spirits of the ancestors of the Imperial House of Japan , but also ancestors of noble families as well as the spirits of the ancestors of all people, which when they died were believed to be the guardians of their descendants. There are other spirits designated as kami as well. For example,

3034-402: The "wilderness". Social and political strife have played a key role in the development of new sorts of kami , specifically the goryō-shin (the sacred spirit kami ). Goryō are the vengeful spirits of the dead whose lives were cut short, but they were calmed by the devotion of Shinto followers and are now believed to punish those who do not honor the kami . The pantheon of kami , like

3116-532: The Buddhist goddess Benzaiten is often worshiped at Shinto shrines. As a consequence, for centuries shrines and temples had a symbiotic relationship where each influenced the other. Shrines took from Buddhism its gates ( mon ), the use of a hall for lay worshipers, the use of vermilion -colored wood and more, while Chinese Buddhist architecture was adapted to Japanese tastes with more asymmetrical layouts, greater use of natural materials, and an adaptation of

3198-562: The Buddhist temples and Shinto shrines lies in their common history. When Shintoism first encountered Buddhism it became more interpretive as it did not try to explain the universe as Buddhism sometimes tried to. It is normal for a temple to have been also a shrine, and obvious architectural differences between the two are few, such that often only a specialist will notice them. Many visitors to Buddhist temples and Shinto shrines go for similar reasons, such as prayer and for luck. The two religions coexist due to increased popularity of religions and

3280-704: The Chronicles, and many of them have not survived. The Chronicles of Japan cites certain passages (e.g., "Ichi Sho Saying" and "Aru Hon Yun" in most volumes of the Nihon Shoki), but the original recorded documents have been lost in later generations. Tsu is a case particle in Old Japanese , meaning "god of heaven" or "god of the country" in modern Japanese. Sometimes written "Amatsugami" or "Kunitsugami. Amatsugami are also called Tenjin, and Kunitsukami are called Chigi ( 地祇 ) . Some people believe that

3362-695: The Kunitsugami to the Amatsu deities led by Ninigi is described as Kuni Yuzuri . It is thought that the deity worshipped by the people of the region ( Emishi , Hayato , etc.) who were pacified by the Yamato Kingship became the Kunitsugami, and the deity worshipped by the imperial family and powerful clans of the Yamato Kingship became the Amatsukami. Many of the original traditions of the Kunitsugami were altered when they were incorporated into

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3444-553: The affairs of humans. The ancient animistic spirituality of Japan was the beginning of modern Shinto, which became a formal spiritual institution later, in an effort to preserve the traditional beliefs from the encroachment of imported religious ideas. As a result, the nature of what can be called kami is very general and encompasses many different concepts and phenomena. Some of the objects or phenomena designated as kami are qualities of growth, fertility, and production; natural phenomena like wind and thunder ; natural objects like

3526-573: The arts of maintaining the connection between the kami and the people. In addition to these festivals, ceremonies marking rites of passage are also performed within the shrines. Two such ceremonies are the birth of a child and the Shichi-Go-San. When a child is born they are brought to a shrine so that they can be initiated as a new believer and the kami can bless them and their future life. The Shichi-Go-San (the Seven-Five-Three)

3608-521: The birth of new religions. Shrines enshrining local kami existed long before the arrival of Buddhism, but they consisted either of demarcated land areas with no building, or of temporary shrines, erected when needed. With the arrival of Buddhism in Japan in the 6th century, shrines were subjected to its influence and adopted both the concept of permanent structures and the architecture of Buddhist temples. The successive development of shinbutsu-shūgō (syncretism of Buddhism and kami worship) and of

3690-435: The building normally consists of a single room at the center called moya , from which sometimes depart other less important spaces, for example corridors called hisashi . Inner space divisions are fluid, and room size can be modified through the use of screens or movable paper walls. The large, single space offered by the main hall can therefore be altered according to the need. The separation between inside and outside

3772-424: The center) limited. The roof is the most visually impressive component, often constituting half the size of the whole edifice. The slightly curved eaves extend far beyond the walls, covering verandas, and their weight must therefore be supported by complex bracket systems called tokyō . These oversize eaves give the interior a characteristic dimness, which contributes to the temple's atmosphere. The interior of

3854-417: The centuries. However, while the particular details may vary, the general themes and styles have strong similarities and common origins. The already mentioned Hōryū-ji was one of the first Buddhist temples built in Japan. Its primary structures represent the style current in 6th century CE Sui dynasty China. The Kondō (Golden Hall) is a double-roofed structure, supported by thick, strong pillars, and giving

3936-408: The divine forces of nature. Worshippers in ancient Japan revered kami of nature which exhibited a particular beauty and power such as ghosts , the ocean, the sun, waterfalls , mountains, boulders, animals, trees, grasses, rice paddies, thunder , echoes , foxes and fox spirits , and Asian dragons . They strongly believed the spirits or resident kami deserved respect. In 927 CE,

4018-502: The earliest record of Japanese creation myths. The Kojiki also includes descriptions of various kami . In the ancient traditions there were five defining characteristics of kami : Kami are an ever-changing concept, but their presence in Japanese life has remained constant. The kami's earliest roles were as earth-based spirits, assisting the early hunter-gatherer groups in their daily lives. They were worshipped as gods of

4100-412: The earth (mountains) and sea. As the cultivation of rice became increasingly important and predominant in Japan, the kami's identity shifted to more sustaining roles that were directly involved in the growth of crops; roles such as rain, earth, and rice. This relationship between early Japanese people and the kami was manifested in rituals and ceremonies meant to entreat the kami to grow and protect

4182-471: The entrance to a shrine, as well as to temples, although torii is associated with Shinto and rōmon with Buddhism. Some shrines, for example Iwashimizu Hachiman-gū , have a Buddhist-style main gate called sōmon . Many temples have a temizuya and komainu , like a shrine. Conversely, some shrines make use of incense or have a shōrō belltower . Others – for example, Tanzan Shrine in Nara – even have

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4264-420: The evil kami from striking a human with sickness or causing disaster to befall them. The kami are both worshipped and respected within the religion of Shinto. The goal of life to Shinto believers is to obtain magokoro , a pure sincere heart, which can only be granted by the kami . As a result, Shinto followers are taught that humankind should venerate both the living and the nonliving, because both possess

4346-551: The flanks of the gate, then turned north, and finally joined north of the kōdo , forming a cloister around the pagoda and the major halls. This pattern, typified by Shitennō-ji in Osaka , came from China via Baekje ; the Chinese style of Buddhist temples, though altered somewhat by China via Korean peninsula , ultimately was based on that of Chinese palaces, and this is evident in many of the basic design features that remain today in

4428-480: The following generations as there are over 2,446,000 individual kami enshrined in Tokyo's Yasukuni Shrine alone. Kami are the central objects of worship for the Shinto belief. The best English translation of kami is 'spirits', but this is an over-simplification of a complex concept - kami can be elements of the landscape or forces of nature. Kami are believed to have influence over the forces of nature and over

4510-406: The future. There are considered to be three main variations of kami : Amatsukami ( 天津神 , the heavenly deities) , Kunitsukami ( 国津神 , the gods of the earthly realm) , and ya-o-yorozu no kami ( 八百万の神 , countless kami) . (" 八百万 " literally means eight million, but idiomatically it expresses "uncountably many" and "all-around"—like many East Asian cultures, the Japanese often use

4592-418: The gods of heaven and earth" and conveys a sense of reverence and commitment. The origins of the term can be traced back to ancient Chinese classical texts, where the expression " 天地 " (Tenchi) and " 神明 " (Shinmei) were often used together to refer to the gods of heaven and earth, or to the gods and the universe as a whole. However, there are also instances where the expression was used to refer specifically to

4674-407: The gods of heaven and earth. In Japan, the term 天地神明 has been in use for centuries and is often associated with the image of the numerous gods and deities that have been worshipped in Japanese folklore and mythology. Susanoo-no-Mikoto , who was cast out of Takamagahara, and his descendants, such as Ōkuninushi , are considered to be Kunitsugami. Ogasawara Shozo  [ ja ] proposed

4756-520: The guardian spirits of the land, occupations, and skills; spirits of Japanese heroes, men of outstanding deeds or virtues, and those who have contributed to civilization, culture, and human welfare; those who have died for the state or the community; and the pitiable dead. Not only spirits superior to man can be considered kami ; spirits that are considered pitiable or weak have also been considered kami in Shinto. The concept of kami has been changed and refined since ancient times, although anything that

4838-543: The harvest. These rituals also became a symbol of power and strength for the early Emperors. There is a strong tradition of myth-histories in the Shinto faith; one such myth details the appearance of the first emperor, grandson of the Sun Goddess Amaterasu . In this myth, when Amaterasu sent her grandson to earth to rule, she gave him five rice grains, which had been grown in the fields of heaven ( Takamagahara ). This rice made it possible for him to transform

4920-497: The kami created, on their own; therefore, magokoro ( 真心 ) , or purification, is necessary in order to see the divine nature. This purification can only be granted by the kami . In order to please the kami and earn magokoro , Shinto followers are taught to uphold the four affirmations of Shinto. The first affirmation is to hold fast to tradition and the family. Family is seen as the main mechanism by which traditions are preserved. For instance, in marriage or birth, tradition

5002-400: The main scene is the parking lot with tour buses. The foundation remains might be those of the remains found on the site of Kibi Pond (Kibi Ike). This grand temple had a nine-story pagoda that was constructed at the beginnings of Buddhism in Japan. The excavations and reconstruction of Kawaradera help to understand what it originally looked like. The plan originally had two golden halls with

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5084-440: The monastery to the pre-existing natural environment. The clear separation between Buddhist temples and Shinto shrines, which today is the norm, emerges only as a result of the shinbutsu bunri ("separation of kami and Buddhas") law of 1868. This separation was mandated by law, and many shrine-temples were forced to become just shrines, among them famous ones like Usa Hachiman-gū and Tsurugaoka Hachiman-gū . Because mixing

5166-408: The name of their protector or ancestral kami is positioned. Their protector kami is determined by their or their ancestors' relationship to the kami . Ascetic practices, shrine rituals and ceremonies, and Japanese festivals are the most public ways that Shinto devotees celebrate and offer adoration for the kami . Kami are celebrated during their distinct festivals that usually take place at

5248-476: The names "Tenjin Chigi ( 天神地祇 ) " and "Jingi ( 神祇 ) " are derived from the Chinese classics. The different theory that the concept is completely different and different from the Japanese one has been presented. Another similar concept is Tenchi Shinmei ( 天地神明 ) . 天地神明 (Tenchi-Shinmei) is a Japanese four-character idiom that refers to the gods of heaven and earth. It is used in expressions such as "I swear by

5330-459: The north-east of Kyoto , is said to defend the city from evil spirits by being placed in that direction. The arrangements of mountains and other geographic features in particular directions around the temple play important roles as well. This custom continued for a long time. Eight centuries after the founding of Enryaku-ji, the Tokugawa shogunate established Kan'ei-ji in a similar direction for

5412-426: The number 8, representing the cardinal and ordinal directions, to symbolize ubiquity.) These classifications of kami are not considered strictly divided, due to the fluid and shifting nature of kami , but are instead held as guidelines for grouping them. The ancestors of a particular family can also be worshipped as kami . In this sense, these kami are worshipped not because of their godly powers, but because of

5494-433: The other. Partly due also to the variety of climates in Japan and the millennium encompassed between the first cultural import and the last, the result is extremely heterogeneous, but several practically universal features can be found nonetheless. First of all is the choice of materials, always wood in various forms (planks, straw, tree bark, etc.) for almost all structures. Unlike both Western and some Chinese architecture,

5576-525: The priests to learn them. The priesthood was traditionally hereditary. Some shrines have drawn their priests from the same families for over a hundred generations. It is not uncommon for the clergy to be female priestesses. The priests ( kannushi ) may be assisted by miko , young unmarried women acting as shrine maidens. Neither priests nor priestesses live as ascetics; in fact, it is common for them to be married, and they are not traditionally expected to meditate. Rather, they are considered specialists in

5658-560: The protection of their Edo Castle . Its mountain-name, Mount Tōei (東 叡 山 Tōei-zan ), takes a character from Mount Hiei (比 叡 山 Hiei-zan ), and can be interpreted as meaning "the Mount Hiei of the East." Kamakura 's Tsurugaoka Hachiman-gū is now only a Shinto shrine but, before the Shinto and Buddhism Separation Order ( 神仏判然令 ) of 1868, its name was Tsurugaoka Hachiman-gū-ji ( 鶴岡八幡宮寺 , Tsurugaoka Hachiman Shrine Temple ) and it

5740-567: The rest of the name is an indigenous name ( kun'yomi ). Temples are sometimes known by an unofficial but popular name. This is usually topographical in origin, as for example in the case of Asakusa 's Sensō-ji , also known as Asakusa-dera. A temple can also be named after a special or famous characteristic, as for example in the case Kyoto 's Saihō-ji , commonly called Koke-dera, or "moss temple" because of its famous moss garden. Unofficial names can have various other origins. Kami Kami ( Japanese : 神 , [kaꜜmi] ) are

5822-517: The shrines dedicated to their worship. Many festivals involve believers, who are usually intoxicated, parading, sometimes running, toward the shrine while carrying mikoshi (portable shrines) as the community gathers for the festival ceremony. Yamamoto Guji, the high priest at the Tsubaki Grand Shrine , explains that this practice honors the kami because "it is in the festival, the matsuri, the greatest celebration of life can be seen in

5904-436: The subject of temple proportions, see also the article ken ). Even in cases as that of Nikkō Tōshō-gū , where every available space is heavily decorated, ornamentation tends to follow, and therefore emphasize rather than hide, basic structures. Being shared by both sacred and profane architecture, these architectonic features made it easy converting a lay building into a temple. This happened for example at Hōryū-ji, where

5986-480: The temples of all three countries. A Buddhist temple complex in Japan generally follows the pattern of a series of sacred spaces encircling a courtyard, and entered via a set of gates. These gates will typically have a pair of large guardian statues, called Niō . In addition, many of the more important or powerful temples are built in locations that are favorable according to the precepts of Chinese geomancy . For example, Enryaku-ji, which sits atop Mount Hiei to

6068-411: The third is the san'in-jigō ( 山院寺号 , temple name ) . Even though they may be located at the bottom of a valley, temples are metaphorically called mountains and even the numbers used to count them carry the ending - san or - zan ( 山 ) , hence the name sangō . This tradition goes back to the times when temples were primarily monasteries purposely built in remote mountainous areas. The founding of

6150-669: The two religions was now forbidden, jingūji had to give away some of their properties or dismantle some of their buildings, thus damaging the integrity of their cultural heritage and decreasing the historical and economic value of their properties. For example, Tsurugaoka Hachiman-gū's giant Niō (the two wooden wardens usually found at the sides of a temple's entrance), being objects of Buddhist worship and therefore illegal where they were, were sold to Jufuku-ji , where they still are. The shrine-temple also had to destroy Buddhism-related buildings, for example its tahōtō , its mi dō and its shichidō garan . Buddhist architecture in Japan

6232-744: The use of stone is avoided except for certain specific uses, for example temple podia and pagoda foundations. The general structure is almost always the same: post and lintel support a large and gently curved roof, while the walls are paper-thin, often movable and in any case non-carrying. The post and lintel structure embodies the Axis Mundi of an iconic form of the Buddha that is typically represented in pagodas and Indian stupas . Arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis (convexity at

6314-486: The values and virtues of kami in life). Traditionally, great leaders like the Emperor could be or became kami . In Shinto, kami are not separate from nature, but are of nature, possessing positive and negative, and good and evil characteristics. They are manifestations of musubi ( 結び ) , the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. Kami are believed to be "hidden" from this world, and inhabit

6396-540: The world of Shinto and it is the people of the community who attend festivals as groups, as a whole village who are seeking to unlock the human potential as children of kami". During the New Year Festival, families purify and clean their houses in preparation for the upcoming year. Offerings are also made to the ancestors so that they will bless the family in the future year. Shinto ceremonies are so long and complex that in some shrines it can take ten years for

6478-603: Was also a Buddhist temple, one of the oldest of the city. The temple and the city were built with Feng Shui in mind. The present location was carefully chosen as the most propitious after consulting a diviner because it had a mountain to the north (the Hokuzan ( 北山 ) ), a river to the east (the Namerikawa ) and a great road to the west (the Kotō Kaidō ( 古東街道 ) ), and was open to the south (on Sagami Bay ). Each direction

6560-564: Was considered to be kami by ancient people will still be considered kami in modern Shinto . Even within modern Shinto, there are no clearly defined criteria for what should or should not be worshipped as kami. The difference between modern Shinto and the ancient animistic religions is mainly a refinement of the kami -concept, rather than a difference in definitions. Although the ancient designations are still adhered to, in modern Shinto many priests also consider kami to be anthropomorphic spirits, with nobility and authority. One such example

6642-646: Was protected by a god: Genbu guarded the north, Seiryū the east, Byakko the west and Suzaku the south. The willows near the ponds and the catalpas next to the Museum of Modern Art represent respectively Seiryū and Byakko. Geomancy lost in importance during the Heian period as temple layout was adapted to the natural environment, disregarding feng shui. In addition to geomantic considerations, Buddhist temples, like any other religious structures, need to be organized in order to best serve their various purposes. The most important space in any Buddhist temple complex

6724-464: Was the first full-scale temple. It was the most significant temple in the Asuka period. The founder of Asukadera was Soga no Umako and he had built a smaller scaled residence similar to the great hall. Many royal palaces were built in this natural environment for centuries later. When visited today it barely holds its grandeur it once had as there are no clear marks of where the original halls were and now

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