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Official Charts Company

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34-750: The Official Charts Company ( OCC or Official Charts ; previously known as the Chart Information Network , CIN , and the Official UK Charts Company ; legally known as the Official UK Charts Company Limited ) is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles , albums and films, with

68-424: A climber, as if releases ahead of it decline in sales sufficiently, they may slip below it. By the same metric, not all week-to-week sales increases result in a climber, if other releases improve by a sufficient amount to keep it from climbing. The term highest climber is used to denote the release making the biggest leap upwards in the chart that week. There is generally not an equivalent phrase for tracks going down

102-471: A music/entertainment chart or the performance of a release thereon. A new entry is a title which is making its début in that chart. It is applied to all charts, for instance a track which is outside the Top 40 but which later climbs into that level of the chart is considered to be a 'new entry' to the Top 40 that week. In most official charts, tracks have to have been on sale for a period of time in order to enter

136-455: A particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programs

170-486: A row. In July 2015, Official Charts changed its chart methodology from traditional Sunday slot to the new Friday slot, effective on 10 July 2015 to coincide with the 'New Music Friday - Global Release Day' campaign set by IFPI which effective on 10 July 2015 as well. Beginning in 2017, the Official Charts Company changed its methodology for calculating the Top 40, intending to more accurately reflect

204-454: A runaway seller. Most charts that are used to determine extant mainstream popularity rely on measurable data. Record chart performance is inherently relative, as they rank songs, albums, and records in comparison to each other at the same time, as opposed to music recording sales certification methods, which are measured in absolute numbers. Comparing the chart positions of songs at different times thus does not provide an accurate comparison of

238-402: A song's overall impact. The nature of most charts, particularly weekly charts, also favors songs that sell very well for a brief period; thus, a song that is only briefly popular may chart higher than a song that sells more copies in the long range, but more slowly. As a result, a band's biggest hit single may not be its best-selling single. There are several commonly used terms when referring to

272-426: A year. Record chart A record chart , in the music industry , also called a music chart , is a ranking of recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales , the amount of radio airplay , the number of downloads , and the amount of streaming activity. Some charts are specific to

306-424: Is a materially different recording or is significantly repackaged (such as Michael Jackson's "Thriller 25"), where the release would normally be considered separate and thus a "new" entry. A climber is a release which is going higher in the chart week-on-week. Because chart positions are generally relative to each other on a week-to-week basis, a release does not necessarily have to increase sales week-to-week to be

340-463: Is to run down a music chart. The first record chart was founded in 1952 by Percy Dickins, who was working at New Musical Express at the time. Dickins would telephone roughly twenty UK record stores and ask what their best-selling records were that week. Several similar charts followed after the success of the NME chart, including Melody Maker and Record Retailer . According to Joel Whitburn ,

374-788: The British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. It was formed in 1990 as the Chart Information Network by the BBC , BARD, and the publishers of Music Week . CIN took over as compilers of the official UK charts in 1990, and

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408-656: The American trade publication Billboard introduced the Hot 100 on August 4, 1958. It was the first chart in the US to "fully integrate the hottest-selling and most-played pop singles." From 1958 until 1991, Billboard compiled the chart from playlists reported by radio stations, and surveys of retail sales outlets. Before 1958, several charts were published, including "Best Sellers in Stores", "Most Played by Jockeys" (later revived under

442-605: The Asian Music Chart Top 40. It also produces charts such as the Official Independent Singles Chart Top 50 , which tracks the progress of records (singles and albums) released on independent record labels or distributed by independent companies (not WMG/Sony/UMG) regardless of the genre/music released. The Official Scottish Albums Chart Top 100 appears in listings on the Official Charts Company's site alongside its charts for

476-449: The Hot 100). A "Top 40" is used by radio to shorten playlists. A re-entry is a track which has previously entered a chart and fallen off of that chart, and then later re-appears in it; it may come about if a release is reissued or if there is a re-surge of interest in the track. Generally, any repeat entry of a track into a chart is considered a re-entry, unless the later version of the track

510-552: The OCC changed its chart rules, and brought in criteria like the three-track rule (a maximum of three singles within the Top 100 by the same artist will be chart eligible), a Top 200 Singles chart was also published for people within the music industry. The OCC also charts sales of DVDs and Blu-rays within the United Kingdom. While its music charts are now Friday to Thursday, its video charts remain Sunday to Saturday. On 5 September 2008,

544-486: The OCC taking over on 1 January 2021. All of the OCC's charts are published weekly on Friday nights, and cover sales for the preceding week, Friday to Thursday. From 3 August 1969 until 5 July 2015, the chart week ran from Sunday to Saturday. In the United Kingdom, genre-specific charts include Official Dance Singles Chart Top 40 , Official Hip Hop and R&B Singles Chart Top 40 , Official Rock & Metal Singles Chart Top 40 , Official Progressive Albums Chart Top 30 and

578-522: The OCC tracks purchases (DVDs/blu-rays) and downloads of television programmes, films and sports/fitness videos from a range of retailers and online sites. As the OCC is jointly operated by the BPI and the ERA, a Chart Supervisory Committee is in place with panel of representatives from both the record industry and from retailers. Five representatives from each sector are selected, with record companies represented by

612-597: The Official Streaming Chart Top 100 is now published weekly on the Official Charts website, and in music industry trade magazine Music Week . In April 2015, the UK's first vinyl record chart of the modern era was launched by the Official Charts Company due to 'the huge surge of interest' in the sector. The chart was launched following the growth of the sector in the UK for the seventh year in

646-628: The Official UK Charts Company rebranded itself as the Official Charts Company and introduced a new company logo. It later dropped the word 'Company' and became just "Official Charts". From May 2012, a new chart was launched – the Official Streaming Chart . This counts audio streams from streaming services Spotify , Deezer , Blinkbox Music , Napster , amongst others. The chart is the first of its kind to rank streams from ad-funded and subscription services and

680-588: The Official UK Top 100 Welsh Singles and Albums Charts, which serves the same purpose in Wales as the ones in Scotland, and the full UK Top 200 Albums chart. The Official UK Top 200 Albums is just one of a number of 'industry only' charts not published for the general public, with others including UK Budget Album Chart (with any album including a low dealer price is excluded from the main album chart). Until

714-683: The Republic of Ireland and Billboard' s Top 20 singles and albums (with a link to the full Hot 100/albums 200 via billboard.com). The Scottish chart is a listing reflecting how sales towards the UK Albums Chart are faring in Scotland . Until December 2020, the OCC published a Scottish singles chart on its website as well, though this chart may only be available via the UKChartsPlus newsletter. This subscription newsletter also includes

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748-503: The chart ever. If an act appears in some other form (for example, a solo act that appears with a band or with other act), then they are taken separately. UK DVD Chart The UK Video Charts is a group of charts compiled by the Official Charts Company on behalf of The British Association for Screen Entertainment. The charts are based on weekly DVD , Blu-ray and, formerly, VHS sales in 6,500 retailers across

782-413: The chart for years. This meant that Bush's song, which had been a Top 3 hit 37 years before, would have to obtain twice the streamings of Harry Styles ' song " As It Was " to earn the same 'sales', despite easily being the most streamed and most downloaded song. The OCC granted a 'manual reset' in order to reflect the success of the revival of Bush's hit. As well as genre -specific and music video charts,

816-545: The chart had to be physically available as a single . A chart hit is a recording, identified by its inclusion in a chart that uses sales or other criteria to rank popular releases, that ranks highly in popularity compared to other songs in the same timeframe. Chart-topper and related terms (like number one , No. 1 hit , top of the charts , chart hit , and so forth) are widely used in common conversation and in marketing, and are loosely defined. Because of its value in promoting recording artists and releases, both directly to

850-561: The chart. In mid-2019, the company also compiled the Asian Music Chart Top 40, alongside BritAsia TV. The chart highlights UK's biggest Asian songs of the week, based on sales and streams across a seven-day period. In 2022, the success of Kate Bush 's " Running Up That Hill " after its use in the fourth season of the Netflix series Stranger Things brought a challenge against the rules introduced in 2017. The rules were intended to prevent streaming of older songs potentially keeping them on

884-467: The chart; however, in some retailers' charts, new releases are included in charts as 'new entries' without a sales history in order to make them more visible to purchasers. In the UK, the official published chart is a Top 100, although a new entry can take place between positions 101–200 (also true of the Billboard Hot 100, which has a " Bubbling Under " addendum for new songs that have not yet made

918-605: The chart; the term "faller" is occasionally used, but not as widely as 'climber'. A one-hit wonder is an act that appears on the chart just once, or has one song that peaks exceptionally higher, or charts for exceptionally longer than other chart entries by the act. The term true one-hit wonder was the term given by the Guinness Book of British Hit Singles & Albums (and also the Billboard book Top Pop Singles ) for an act that has one top 40 hit and nothing else on

952-607: The company has continued in that role, as the OCC, since 1994. Before then, the charts were produced by a succession of market research companies, beginning with the British Market Research Bureau (BMRB) in 1969 and Gallup in 1983. Before the production of the "official" charts, various less comprehensive charts were produced, most notably by newspaper/magazine New Musical Express ( NME ) which began its chart in 1952. Some of these older charts (including NME ' s earliest singles charts) are now part of

986-413: The consumer, and by encouraging exposure on radio, TV, and other media, chart positioning has long been a subject of scrutiny and controversy. Chart compilation methodology and data sources vary, ranging from "buzz charts" (based on opinions of various experts and tastemakers ), to charts that reflect empirical data such as retail sales. Therefore, a chart-topper may be anything from an "insiders' pick" to

1020-408: The data compiled from a mixture of downloads , purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar , and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by

1054-434: The major label corporations WMG , Sony Music and UMG alongside a couple of large independents, BMG Rights Management and PIAS Group . The Chart Supervisory Committee is the body which discusses and decides on any chart rule changes, whether it be changes to physical/digital formats or with the chart ratios ACR and SCR (Accelerated Chart Ratio and Standard Chart Ratio), with representatives meeting approximately four times

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1088-583: The name Hot 100 Airplay ), and "Most Played in Juke Boxes", and, in later collations of chart hits, the record's highest placing in any of those charts was usually reported. On November 30, 1991, Billboard introduced a new method of determining the Hot 100: "by a combination of actual radio airplay monitored electronically by Nielsen Broadcast Data Systems (BDS), additional playlists from small-market stations, and actual point-of-sale information provided by Nielsen SoundScan ." Until 1998, any songs placed on

1122-672: The official OCC canon. In 2017, the OCC made a five-year deal with the Irish Recorded Music Association (IRMA) to compile the Irish Singles Chart , Irish Albums Chart and other Irish charts on behalf of IRMA. In December 2020, the OCC announced it was taking over the contract from German company GfK , in compiling the French music charts for Syndicat National de l'Édition Phonographique (SNEP)/National Union of Phonographic Producers (SCPP) with

1156-468: The rise in music streaming. Prior to January 2017, 100 streams counted as one 'sale' of a song. From January onward, the ratio became 150:1. Additionally, in June 2017, it was decided that after a record has spent at least 10 weeks on the chart, any track which has declined for three consecutive weeks will see its streams:sales ratio change from 150:1 to 300:1, in an attempt to accelerate their disappearance from

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