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110-625: The term comes from Middle English, via the Old French term "crualte", which is based on Latin "crudelitas", from "crudelis". The word has metaphorical uses, for example, " The cliffs remained cruel." (i.e., unclimbable when they desperately needed to be climbed) in The Lord of the Rings . The term cruelty is often used in law and criminology with regard to the treatment of animals, children, spouses, and prisoners. When cruelty to animals

220-436: A "conduit metaphor." According to this view, a speaker can put ideas or objects into containers and then send them along a conduit to a listener, who removes the object from the container to make meaning of it. Thus, communication is conceptualized as something that ideas flow into, with the container being separate from the ideas themselves. Lakoff and Johnson provide several examples of daily metaphors in use, including "argument

330-481: A characteristic of speech and writing, metaphors can serve the poetic imagination. This allows Sylvia Plath , in her poem "Cut", to compare the blood issuing from her cut thumb to the running of a million soldiers, " redcoats , every one"; and enabling Robert Frost , in "The Road Not Taken", to compare a life to a journey. Metaphors can be implied and extended throughout pieces of literature. Sonja K. Foss characterizes metaphors as "nonliteral comparisons in which

440-437: A common-type metaphor is generally considered more forceful than a simile . The metaphor category contains these specialized types: It is said that a metaphor is 'a condensed analogy' or 'analogical fusion' or that they 'operate in a similar fashion' or are 'based on the same mental process' or yet that 'the basic processes of analogy are at work in metaphor'. It is also pointed out that 'a border between metaphor and analogy

550-415: A comparison that shows how two things, which are not alike in most ways, are similar in another important way. In this context, metaphors contribute to the creation of multiple meanings within polysemic complexes across different languages. Furthermore, Lakoff and Johnson explain that a metaphor is essentially the understanding and experiencing of one kind of thing in terms of another, which they refer to as

660-433: A divorce." According to Barozzo, there are four distinct conceptions of cruelty in criminal law. “The differences between these conceptions of cruelty rest on the types of agency, victimization, causality, and values that they employ.” The first is the agent-objective conception, which is “exemplified by […] agency that goes above in degree and beyond in type the [suffering] allowed by applicable norms.” Under this conception,

770-459: A downy nest high up in a good old tree". Her stay is commemorated by a plaque on the building. While residing there, she read avidly and took long walks in the beautiful Swiss countryside, which was a great inspiration to her. François Durade painted her portrait there as well. On her return to England the following year (1850), she moved to London with the intent of becoming a writer, and she began referring to herself as Marian Evans. She stayed at

880-453: A few days after birth in March 1821. She also had a half-brother, Robert Evans (1802–1864), and half-sister, Frances "Fanny" Evans Houghton (1805–1882), from her father's previous marriage to Harriet Poynton (1780–1809). In early 1820, the family moved to a house named Griff House , between Nuneaton and Bedworth . The young Evans was a voracious reader and obviously intelligent. Because she

990-433: A foray into verse, but her poetry's initial popularity has not endured. Working as a translator, Eliot was exposed to German texts of religious, social, and moral philosophy such as David Friedrich Strauss's Life of Jesus and Feuerbach's The Essence of Christianity ; also important was her translation from Latin of Jewish-Dutch philosopher Spinoza's Ethics . Elements from these works show up in her fiction, much of which

1100-484: A likeness or an analogy. Analysts group metaphors with other types of figurative language, such as antithesis , hyperbole , metonymy , and simile . “Figurative language examples include “similes, metaphors, personification, hyperbole, allusions, and idioms.”” One of the most commonly cited examples of a metaphor in English literature comes from the " All the world's a stage " monologue from As You Like It : All

1210-640: A man much younger than her, and she changed her name to Mary Ann Cross. Mary Ann Evans was born in Nuneaton , Warwickshire , England , at South Farm on the Arbury Hall estate. She was the third child of Robert Evans (1773–1849), manager of the Arbury Hall estate, and Christiana Evans ( née Pearson, 1788–1836), daughter of a local mill-owner. Her full siblings were: Christiana, known as Chrissey (1814–1859), Isaac (1816–1890), and twin brothers who died

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1320-445: A metaphor as having two parts: the tenor and the vehicle. The tenor is the subject to which attributes are ascribed. The vehicle is the object whose attributes are borrowed. In the previous example, "the world" is compared to a stage, describing it with the attributes of "the stage"; "the world" is the tenor, and "a stage" is the vehicle; "men and women" is the secondary tenor, and "players" is the secondary vehicle. Other writers employ

1430-414: A metaphor for understanding. The audience does not need to visualize the action; dead metaphors normally go unnoticed. Some distinguish between a dead metaphor and a cliché . Others use "dead metaphor" to denote both. A mixed metaphor is a metaphor that leaps from one identification to a second inconsistent with the first, e.g.: I smell a rat [...] but I'll nip him in the bud" This form is often used as

1540-447: A metaphor is defined as a semantic change based on a similarity in form or function between the original concept and the target concept named by a word. For example, mouse : "small, gray rodent with a long tail" → "small, gray computer device with a long cord". Some recent linguistic theories hold that language evolved from the capability of the brain to create metaphors that link actions and sensations to sounds. Aristotle discusses

1650-465: A metaphorically related area. Cognitive linguists emphasize that metaphors serve to facilitate the understanding of one conceptual domain—typically an abstraction such as "life", "theories" or "ideas"—through expressions that relate to another, more familiar conceptual domain—typically more concrete, such as "journey", "buildings" or "food". For example: one devours a book of raw facts, tries to digest them, stews over them, lets them simmer on

1760-487: A metonymy relies on pre-existent links within such domains. For example, in the phrase "lands belonging to the crown", the word crown is a metonymy because some monarchs do indeed wear a crown, physically. In other words, there is a pre-existent link between crown and monarchy . On the other hand, when Ghil'ad Zuckermann argues that the Israeli language is a "phoenicuckoo cross with some magpie characteristics", he

1870-726: A number of inhabitants of a small English town on the eve of the Reform Bill of 1832 ; the novel is notable for its deep psychological insight and sophisticated character portraits. The roots of her realist philosophy can be found in her review of John Ruskin 's Modern Painters in Westminster Review in 1856. Eliot also express proto- Zionist ideas in Daniel Deronda . Readers in the Victorian era praised her novels for their depictions of rural society. Much of

1980-404: A parody of metaphor itself: If we can hit that bull's-eye then the rest of the dominoes will fall like a house of cards... Checkmate . An extended metaphor, or conceit, sets up a principal subject with several subsidiary subjects or comparisons. In the above quote from As You Like It , the world is first described as a stage and then the subsidiary subjects men and women are further described in

2090-410: A positive view of the growing movement in support of Irish home rule . She was influenced by the writings of John Stuart Mill and read all of his major works as they were published. In Mill's The Subjection of Women (1869) she judged the second chapter excoriating the laws which oppress married women "excellent." She was supportive of Mill's parliamentary run, but believed that the electorate

2200-472: A product of their friendship, Bray published some of Evans's own earliest writing, such as reviews, in his newspaper the Coventry Herald and Observer . As Evans began to question her own religious faith, her father threatened to throw her out of the house, but his threat was not carried out. Instead, she respectfully attended church and continued to keep house for him until his death in 1849, when she

2310-465: A ribbon manufacturer and had used his wealth in the building of schools and in other philanthropic causes. Evans, who had been struggling with religious doubts for some time, became intimate friends with the radical, free-thinking Brays, who had a casual view of marital obligations and the Brays' "Rosehill" home was a haven for people who held and debated radical views. The people whom the young woman met at

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2420-454: A sense of social order and morality. The religious elements in her fiction also owe much to her upbringing, with the experiences of Maggie Tulliver from The Mill on the Floss sharing many similarities with the young Mary Ann Evans. Eliot also faced a quandary similar to that of Silas Marner, whose alienation from the church simultaneously meant his alienation from society. Because Eliot retained

2530-460: A sociological, cultural, or philosophical perspective, one asks to what extent ideologies maintain and impose conceptual patterns of thought by introducing, supporting, and adapting fundamental patterns of thinking metaphorically. The question is to what extent the ideology fashion and refashion the idea of the nation as a container with borders, and how enemies and outsiders are represented. Some cognitive scholars have attempted to take on board

2640-472: A tornado. Based on his analysis, Jaynes claims that metaphors not only enhance description, but "increase enormously our powers of perception...and our understanding of [the world], and literally create new objects". Metaphors are most frequently compared with similes . A metaphor asserts the objects in the comparison are identical on the point of comparison, while a simile merely asserts a similarity through use of words such as like or as . For this reason

2750-579: A vestigial respect for religion, German philosopher Friedrich Nietzsche excoriated her system of morality for figuring sin as a debt that can be expiated through suffering, which he demeaned as characteristic of "little moralistic females à la Eliot." She was at her most autobiographical in Looking Backwards , part of her final published work Impressions of Theophrastus Such . By the time of Daniel Deronda , Eliot's sales were falling off, and she had faded from public view to some degree. This

2860-653: A word or phrase from one domain of experience is applied to another domain". She argues that since reality is mediated by the language we use to describe it, the metaphors we use shape the world and our interactions to it. The term metaphor is used to describe more basic or general aspects of experience and cognition: Some theorists have suggested that metaphors are not merely stylistic, but are also cognitively important.In Metaphors We Live By , George Lakoff and Mark Johnson argue that metaphors are pervasive in everyday life, not only in language but also in thought and action. A common definition of metaphor can be described as

2970-421: Is a metaphor, coming from a Greek term meaning 'transference (of ownership)'. The user of a metaphor alters the reference of the word, "carrying" it from one semantic "realm" to another. The new meaning of the word might derive from an analogy between the two semantic realms, but also from other reasons such as the distortion of the semantic realm - for example in sarcasm. The English word metaphor derives from

3080-415: Is an open question whether synesthesia experiences are a sensory version of metaphor, the "source" domain being the presented stimulus, such as a musical tone, and the target domain, being the experience in another modality, such as color. Art theorist Robert Vischer argued that when we look at a painting, we "feel ourselves into it" by imagining our body in the posture of a nonhuman or inanimate object in

3190-459: Is any coherent organization of experience. For example, we have coherently organized knowledge about journeys that we rely on in understanding life. Lakoff and Johnson greatly contributed to establishing the importance of conceptual metaphor as a framework for thinking in language, leading scholars to investigate the original ways in which writers used novel metaphors and question the fundamental frameworks of thinking in conceptual metaphors. From

3300-494: Is cruel; the peace and harmony is not balanced with excessive punishment or violence—the scale of wrongdoing merely tips to the other side. For example, the Eighth Amendment of the U.S. Constitution prohibits cruel and unusual punishment, which means that we must “inquire into a prison official’s state of mind […]” when determining that the agent is not taking pleasure in inflicting pain and that punishment does not exceed

3410-415: Is discussed, it often refers to unnecessary suffering. In criminal law , it refers to punishment , torture , victimization , draconian measures , and cruel and unusual punishment . In divorce cases, many jurisdictions permit a cause of action for cruel and inhumane treatment . In law, cruelty is "the infliction of physical or mental distress, especially when considered a determinant in granting

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3520-500: Is fuzzy' and 'the difference between them might be described (metaphorically) as the distance between things being compared'. Metaphor is distinct from metonymy , as the two concepts embody different fundamental modes of thought . Metaphor works by bringing together concepts from different conceptual domains, whereas metonymy uses one element from a given domain to refer to another closely related element. A metaphor creates new links between otherwise distinct conceptual domains, whereas

3630-407: Is its own egg. Furthermore, the metaphor magpie is employed because, according to Zuckermann, hybridic Israeli displays the characteristics of a magpie, "stealing" from languages such as Arabic and English . A dead metaphor is a metaphor in which the sense of a transferred image has become absent. The phrases "to grasp a concept" and "to gather what you've understood" use physical action as

3740-416: Is known for embracing a realist aesthetic inspired by Dutch visual art. The revelations about Eliot's private life surprised and shocked many of her admiring readers, but this did not affect her popularity as a novelist. Her relationship with Lewes afforded her the encouragement and stability she needed to write fiction, but it would be some time before the couple were accepted into polite society. Acceptance

3850-465: Is magnificently ugly — deliciously hideous. She has a low forehead, a dull grey eye, a vast pendulous nose, a huge mouth, full of uneven teeth & a chin & jawbone qui n'en finissent pas ["which never end"] ... Now in this vast ugliness resides a most powerful beauty which, in a very few minutes steals forth & charms the mind, so that you end as I ended, in falling in love with her. She spelled her name differently at different times. Mary Anne

3960-404: Is powerfully destructive' through the paraphrand of physical and emotional destruction; another person might understand the metaphor as 'Pat can spin out of control'. In the latter case, the paraphier of 'spinning motion' has become the paraphrand 'psychological spin', suggesting an entirely new metaphor for emotional unpredictability, a possibly apt description for a human being hardly applicable to

4070-431: Is something to love; the second something to reverence". George Eliot was considered by contemporaries to be physically unattractive; she herself knew this and made jokes about her appearance in letters to friends. Despite this, numerous acquaintances found that the force of her personality overcame their impression of her appearance. Of his first meeting with her on 9 May 1869, Henry James wrote: ... To begin with she

4180-416: Is the accumulation of all the prior conceptions: the victim-objective and agent-independent. This conception “refers to severe violations of the respect, recognition, and care that the unconditional and inherent dignity of each and every individual command”. Under this view, “cruelty occurs when a grave violation of human dignity that in normal circumstances would amount to cruelty is caused by individuals or by

4290-548: Is unnecessary...the infliction of cruelty with a good conscience is a delight to moralists. That is why they invented hell." Gilbert K. Chesterton stated that "cruelty is, perhaps, the worst kind of sin. Intellectual cruelty is certainly the worst kind of cruelty." Metaphor A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create

4400-405: Is using metaphor . There is no physical link between a language and a bird. The reason the metaphors phoenix and cuckoo are used is that on the one hand hybridic Israeli is based on Hebrew , which, like a phoenix, rises from the ashes; and on the other hand, hybridic Israeli is based on Yiddish , which like a cuckoo, lays its egg in the nest of another bird, tricking it to believe that it

4510-426: Is war" and "time is money." These metaphors are widely used in various contexts to describe personal meaning. In addition, the authors suggest that communication can be viewed as a machine: "Communication is not what one does with the machine, but is the machine itself." Moreover, experimental evidence shows that "priming" people with material from one area can influence how they perform tasks and interpret language in

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4620-435: Is written with her trademark sense of agnostic humanism . According to Clare Carlisle , who published a new biography on George Eliot in 2023, the overdue publication of Spinoza's Ethics was a real shame, because it could have provided some illuminating cues for understanding the more mature works of the writer. She had taken particular notice of Feuerbach's conception of Christianity, positing that our understanding of

4730-741: The George Eliot Academy , Middlemarch Junior School, George Eliot Hospital (formerly Nuneaton Emergency Hospital), and George Eliot Road, in Foleshill , Coventry. Also, The Mary Anne Evans Hospice in Nuneaton. A statue of Eliot is in Newdegate Street, Nuneaton, and Nuneaton Museum & Art Gallery has a display of artefacts related to her. A tunnel boring machine constructing the Bromford Tunnel on High Speed 2

4840-493: The realism of novels that were being written in Europe at the time, an emphasis on realistic storytelling confirmed in her own subsequent fiction. She also adopted a nom-de-plume, George Eliot; as she explained to her biographer J. W. Cross, George was Lewes's forename, and Eliot was "a good mouth-filling, easily pronounced word". Although female authors were published under their own names during her lifetime, she wanted to escape

4950-724: The "Rosehill Circle". The Strauss book had caused a sensation in Germany by arguing that the miracles in the New Testament were mythical additions with little basis in fact. Evans's translation had a similar effect in England, with the Earl of Shaftesbury calling her translation "the most pestilential book ever vomited out of the jaws of hell." Later she translated Feuerbach's The Essence of Christianity (1854). The ideas in these books would have an effect on her own fiction. As

5060-563: The 16th-century Old French word métaphore , which comes from the Latin metaphora , 'carrying over', and in turn from the Greek μεταφορά ( metaphorá ), 'transference (of ownership)', from μεταφέρω ( metapherō ), 'to carry over, to transfer' and that from μετά ( meta ), 'behind, along with, across' + φέρω ( pherō ), 'to bear, to carry'. The Philosophy of Rhetoric (1936) by rhetorician I. A. Richards describes

5170-566: The Brain", takes on board the dual problem of conceptual metaphor as a framework implicit in the language as a system and the way individuals and ideologies negotiate conceptual metaphors. Neural biological research suggests some metaphors are innate, as demonstrated by reduced metaphorical understanding in psychopathy. James W. Underhill, in Creating Worldviews: Ideology, Metaphor & Language (Edinburgh UP), considers

5280-577: The Brays' house included Robert Owen , Herbert Spencer , Harriet Martineau , and Ralph Waldo Emerson . Through this society Evans was introduced to more liberal and agnostic theologies and to writers such as David Strauss and Ludwig Feuerbach , who cast doubt on the literal truth of Biblical texts. In fact, her first major literary work was an English translation of Strauss's Das Leben Jesu kritisch bearbeitet as The Life of Jesus, Critically Examined (1846), which she completed after it had been left incomplete by Elizabeth "Rufa" Brabant, another member of

5390-665: The Italians would chase the "odious Austrians" out of Lombardy and that "decayed monarchs" would be pensioned off, although she believed a gradual reformist approach to social problems was best for England. In 1850–51, Evans attended classes in mathematics at the Ladies College in Bedford Square, later known as Bedford College, London . The philosopher and critic George Henry Lewes (1817–1878) met Evans in 1851, and by 1854 they had decided to live together. Lewes

5500-711: The Non-Moral Sense . Some sociologists have found his essay useful for thinking about metaphors used in society and for reflecting on their own use of metaphor. Sociologists of religion note the importance of metaphor in religious worldviews, and that it is impossible to think sociologically about religion without metaphor. Archived 19 August 2014 at the Wayback Machine George Eliot Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian ), known by her pen name George Eliot ,

5610-403: The agent's deviant behavior is accompanied by the fault of character consisting in deriving personal delight from causing and witnessing suffering”. This conception is best understood under the presumption that punishment or other violence is a means to restore the offset in the cosmic order of the universe caused by wrongdoing. Anything that goes beyond what is necessary for this restoration, then,

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5720-474: The area reserved for political and religious dissenters and agnostics, beside the love of her life, George Henry Lewes . The graves of Karl Marx and her friend Herbert Spencer are nearby. In 1980, on the centenary of her death, a memorial stone was established for her in the Poets' Corner between W. H. Auden and Dylan Thomas , with a quote from Scenes of Clerical Life : "The first condition of human goodness

5830-433: The back-burner , regurgitates them in discussions, and cooks up explanations, hoping they do not seem half-baked . A convenient short-hand way of capturing this view of metaphor is the following: Conceptual Domain (A) is Conceptual Domain (B), which is what is called a conceptual metaphor . A conceptual metaphor consists of two conceptual domains, in which one domain is understood in terms of another. A conceptual domain

5940-610: The business side of the Review with attempts to change its layout and design. Although Chapman was officially the editor, it was Evans who did most of the work of producing the journal, contributing many essays and reviews beginning with the January 1852 issue and continuing until the end of her employment at the Review in the first half of 1854. Eliot sympathized with the 1848 Revolutions throughout continental Europe, and even hoped that

6050-414: The concept of cruelty suggests that it conflates disregard for others with hurting others for its own sake, arguing that the two are mutually exclusive: total disregard for what another being feels (be it a human or non-human) would be incompatible with deriving pleasure from hurting that being for its own sake, since caring about inflicting suffering would be incompatible with not caring. George Eliot , in

6160-425: The context of any language system which claims to embody richness and depth of understanding. In addition, he clarifies the limitations associated with a literal interpretation of the mechanistic Cartesian and Newtonian depictions of the universe as little more than a "machine" – a concept which continues to underlie much of the scientific materialism which prevails in the modern Western world. He argues further that

6270-696: The countryside. Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" and by Martin Amis and Julian Barnes as the greatest novel in the English language. Scandalously and unconventionally for the era, she lived with the married George Henry Lewes as his conjugal partner, from 1854 to 1878, and called him her husband. He remained married to his wife and supported their children, even after she left him to live with another man and have children with him. In May 1880, eighteen months after Lewes's death, George Eliot married her long-time friend, John Cross,

6380-587: The course of creating fictions through the use of metaphor we can also perceive and manipulate props into new improvised representations of something entirely different in a game of "make-believe". Suddenly the properties of the props themselves take on primary importance. In the process the participants in the game may be only partially conscious of the "prop oriented" nature of the game itself. Metaphors can map experience between two nonlinguistic realms. Musicologist Leonard B. Meyer demonstrated how purely rhythmic and harmonic events can express human emotions. It

6490-427: The creation of metaphors at the end of his Poetics : "But the greatest thing by far is to be a master of metaphor. It is the one thing that cannot be learnt from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars." Baroque literary theorist Emanuele Tesauro defines the metaphor "the most witty and acute, the most strange and marvelous,

6600-405: The crime. The third conception is victim-subjective, in which the “element of cruelty rests in the victim's intense experience of suffering”. Here, the pain or the sense of degradation and humiliation experienced particularly and uniquely by the victim is considered. Recognizing cruelty, then, requires reference to our compassion rather than some normative standard of reasonableness. Continuing with

6710-440: The development of various imaginative ends. In "content oriented" games, users derive value from such props as a result of the intrinsic fictional content which they help to create through their participation in the game. As familiar examples of such content oriented games, Walton points to putting on a play of Hamlet or "playing cops and robbers". Walton further argues, however, that not all games conform to this characteristic. In

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6820-428: The evolution of the self." These themes made their way into Evans's first complete novel, Adam Bede (1859). It was an instant success, and prompted yet more intense curiosity as to the author's identity: there was even a pretender to the authorship, one Joseph Liggins. This public interest subsequently led to Mary Anne Evans Lewes's acknowledgment that it was she who stood behind the pseudonym George Eliot. Adam Bede

6930-438: The example of punishment, the state’s intention is not relevant in determining whether a punishment is cruel. According to the law, “ill-treatment must attain a minimum level of severity”, and this minimum is determined by “all the circumstances of the case, such as the duration of the treatment, its physical or mental effects and, in some cases, the sex, age, and state of health of the victim, etc.” The fourth and final conception

7040-432: The formulation of metaphors at the center of a "Game of Make Believe," which is regulated by tacit norms and rules. These "principles of generation" serve to determine several aspects of the game which include: what is considered to be fictional or imaginary, as well as the fixed function which is assumed by both objects and people who interact in the game. Walton refers to such generators as "props" which can serve as means to

7150-403: The general terms ground and figure to denote the tenor and the vehicle. Cognitive linguistics uses the terms target and source , respectively. Psychologist Julian Jaynes coined the terms metaphrand and metaphier , plus two new concepts, paraphrand and paraphier . Metaphrand is equivalent to the metaphor-theory terms tenor , target , and ground . Metaphier is equivalent to

7260-436: The genus, since both old age and stubble are [species of the genus of] things that have lost their bloom." Metaphors, according to Aristotle, have "qualities of the exotic and the fascinating; but at the same time we recognize that strangers do not have the same rights as our fellow citizens". Educational psychologist Andrew Ortony gives more explicit detail: "Metaphors are necessary as a communicative device because they allow

7370-407: The horn of my salvation, my stronghold" and "The Lord is my shepherd, I shall not want". Some recent linguistic theories view all language in essence as metaphorical. The etymology of a word may uncover a metaphorical usage which has since become obscured with persistent use - such as for example the English word " window ", etymologically equivalent to "wind eye". The word  metaphor itself

7480-406: The house of John Chapman , the radical publisher whom she had met earlier at Rosehill and who had published her Strauss translation. She then joined Chapman's ménage-à-trois along with his wife and mistress. Chapman had recently purchased the campaigning, left-wing journal The Westminster Review . Evans became its assistant editor in 1851 after joining just a year earlier. Evans's writings for

7590-542: The idea that different languages have evolved radically different concepts and conceptual metaphors, while others hold to the Sapir-Whorf hypothesis . German philologist Wilhelm von Humboldt contributed significantly to this debate on the relationship between culture, language, and linguistic communities. Humboldt remains, however, relatively unknown in English-speaking nations. Andrew Goatly , in "Washing

7700-510: The marriage courted some controversy due to the 21 year age differences, it pleased her brother Isaac that she was married in this relationship. He had broken off relations with her when she had begun to live with Lewes, and now sent congratulations. While the couple were honeymooning in Venice , Cross, in a suicide attempt, jumped from the hotel balcony into the Grand Canal . He survived, and

7810-509: The material for her prose was drawn from her own experience. She shared with Wordsworth the belief that there was much value and beauty to be found in the mundane details of ordinary country life. Eliot did not, however, confine herself to stories of the English countryside. Romola , an historical novel set in late fifteenth century Florence , was based on the life of the Italian priest Girolamo Savonarola . In The Spanish Gypsy , Eliot made

7920-407: The metaphor-theory terms vehicle , figure , and source . In a simple metaphor, an obvious attribute of the metaphier exactly characterizes the metaphrand (e.g. "the ship plowed the seas"). With an inexact metaphor, however, a metaphier might have associated attributes or nuances – its paraphiers – that enrich the metaphor because they "project back" to the metaphrand, potentially creating new ideas –

8030-484: The most pleasant and useful, the most eloquent and fecund part of the human intellect ". There is, he suggests, something divine in metaphor: the world itself is God's poem and metaphor is not just a literary or rhetorical figure but an analytic tool that can penetrate the mysteries of God and His creation. Friedrich Nietzsche makes metaphor the conceptual center of his early theory of society in On Truth and Lies in

8140-423: The nature of the divine was to be found ultimately in the nature of humanity projected onto a divine figure. An example of this philosophy appeared in her novel Romola , in which Eliot's protagonist displayed a "surprisingly modern readiness to interpret religious language in humanist or secular ethical terms." Though Eliot herself was not religious, she had respect for religious tradition and its ability to maintain

8250-712: The newlyweds returned to England. They moved to a new house in Chelsea, but Eliot fell ill with a throat infection. This, coupled with the kidney disease with which she had been afflicted for several years, led to her death on 22 December 1880 at the age of 61. Due to her denial of the Christian faith and her relationship with Lewes, Eliot was not buried in Westminster Abbey . She was instead interred in Highgate Cemetery (East), Highgate, London, in

8360-415: The operation of impersonal institutions, structures or social processes, even if the victim is unaware of his predicament”. Beyond serving as an analytical framework, these four conceptions—the distinctive features of each as well as their collective evolution—reflect the reality that “the phenomenon of cruelty […] is a human-made problem that calls for preventive and corrective responses”. One criticism of

8470-477: The painting. For example, the painting The Lonely Tree by Caspar David Friedrich shows a tree with contorted, barren limbs. Looking at the painting, some recipients may imagine their limbs in a similarly contorted and barren shape, evoking a feeling of strain and distress. Nonlinguistic metaphors may be the foundation of our experience of visual and musical art, as well as dance and other art forms. In historical onomasiology or in historical linguistics ,

8580-483: The paper were comments on her views of society and the Victorian way of thinking. She was sympathetic to the lower classes and criticised organised religion throughout her articles and reviews and commented on contemporary ideas of the time. Much of this was drawn from her own experiences and knowledge and she used this to critique other ideas and organisations. This led to her writing being viewed as authentic and wise but not too obviously opinionated. Evans also focused on

8690-412: The paraphrands – associated thereafter with the metaphrand or even leading to a new metaphor. For example, in the metaphor "Pat is a tornado", the metaphrand is Pat ; the metaphier is tornado . As metaphier, tornado carries paraphiers such as power, storm and wind, counterclockwise motion, and danger, threat, destruction, etc. The metaphoric meaning of tornado is inexact: one might understand that 'Pat

8800-547: The philosophical concept of "substance" or "substratum" has limited meaning at best and that physicalist theories of the universe depend upon mechanistic metaphors which are drawn from deductive logic in the development of their hypotheses. By interpreting such metaphors literally, Turbayne argues that modern man has unknowingly fallen victim to only one of several metaphorical models of the universe which may be more beneficial in nature. In his book In Other Shoes: Music, Metaphor, Empathy, Existence Kendall Walton also places

8910-528: The relationship was contrary to the social conventions of the time, and attracted considerable disapproval. While continuing to contribute pieces to the Westminster Review , Evans resolved to become a novelist, and set out a pertinent manifesto in one of her last essays for the Review , "Silly Novels by Lady Novelists" (1856). The essay criticised the trivial and ridiculous plots of contemporary fiction written by women. In other essays, she praised

9020-419: The same context. An implicit metaphor has no specified tenor, although the vehicle is present. M. H. Abrams offers the following as an example of an implicit metaphor: "That reed was too frail to survive the storm of its sorrows". The reed is the vehicle for the implicit tenor, someone's death, and the storm is the vehicle for the person's sorrows. Metaphor can serve as a device for persuading an audience of

9130-463: The short story "Janet's Repentance" from Scenes of Clerical Life , stated that "cruelty, like every other vice , requires no motive outside itself — it only requires opportunity." Philosopher Bertrand Russell argued that almost all marriage customs involve cruelty towards those who do not follow them, meaning there was no rational basis for condemning one custom or another as sinful; he concluded that "the cruelty habitually practised in punishing it

9240-466: The sixth year of our life together, at Holly Lodge, South Field, Wandsworth, and finished 21 March 1860." Silas Marner (1861) and Romola (1863) soon followed, and later Felix Holt, the Radical (1866) and her most acclaimed novel, Middlemarch (1871–1872). Her last novel was Daniel Deronda , published in 1876, after which she and Lewes moved to Witley , Surrey. By this time Lewes's health

9350-472: The sole exception perhaps of Romola de' Bardi , who resolutely rejects the State and Church obligations of her time. After the success of Adam Bede , Eliot continued to write popular novels for the next fifteen years. Within a year of completing Adam Bede , she finished The Mill on the Floss , dedicating the manuscript: "To my beloved husband, George Henry Lewes, I give this MS. of my third book, written in

9460-472: The stereotype of women's writing being limited to lighthearted romances or other lighter fare not to be taken very seriously. She also wanted to have her fiction judged separately from her already extensive and widely known work as a translator, editor, and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with Lewes, who

9570-438: The transfer of coherent chunks of characteristics -- perceptual, cognitive, emotional and experiential – from a vehicle which is known to a topic which is less so. In so doing they circumvent the problem of specifying one by one each of the often unnameable and innumerable characteristics; they avoid discretizing the perceived continuity of experience and are thus closer to experience and consequently more vivid and memorable." As

9680-422: The two sexes, as to education and the possibilities of free development", and dismissed appeals to nature in explaining women's lower status. In 1870, she responded enthusiastically to Lady Amberley 's feminist lecture on the claims of women for education, occupations, equality in marriage, and child custody. It would be wrong to assume that the female protagonists of her works can be considered "feminist", with

9790-399: The use of a Greek typeface ), and her themes are often influenced by Greek tragedy". Her frequent visits to the estate also allowed her to contrast the wealth in which the local landowner lived with the lives of the often much poorer people on the estate, and different lives lived in parallel would reappear in many of her works. The other important early influence in her life was religion. She

9900-540: The user's argument or thesis, the so-called rhetorical metaphor. Aristotle writes in his work the Rhetoric that metaphors make learning pleasant: "To learn easily is naturally pleasant to all people, and words signify something, so whatever words create knowledge in us are the pleasantest." When discussing Aristotle's Rhetoric , Jan Garret stated "metaphor most brings about learning; for when [Homer] calls old age "stubble", he creates understanding and knowledge through

10010-443: The victim suffered cruelty in light of “the objective character of the act or treatment” she was subjected to. Cruelty, in this sense, is defined as an “inclination of the mind toward the side of harshness”. Any punishment or other treatment that surpasses the scope of sufficiency and ventures into possibility is classified as excessive, and therefore, cruel. The second conception is agent-subjective, in which “cruelty obtains only when

10120-532: The view that metaphors may also be described as examples of a linguistic "category mistake" which have the potential of leading unsuspecting users into considerable obfuscation of thought within the realm of epistemology. Included among them is the Australian philosopher Colin Murray Turbayne . In his book The Myth of Metaphor , Turbayne argues that the use of metaphor is an essential component within

10230-733: The way individual speech adopts and reinforces certain metaphoric paradigms. This involves a critique of both communist and fascist discourse. Underhill's studies are situated in Czech and German, which allows him to demonstrate the ways individuals are thinking both within and resisting the modes by which ideologies seek to appropriate key concepts such as "the people", "the state", "history", and "struggle". Though metaphors can be considered to be "in" language, Underhill's chapter on French, English and ethnolinguistics demonstrates that language or languages cannot be conceived of in anything other than metaphoric terms. Several other philosophers have embraced

10340-497: The wife of a parson. Eliot was profoundly influenced by the works of Thomas Carlyle . As early as 1841, she referred to him as "a grand favourite of mine", and references to him abound in her letters from the 1840s and 1850s. According to University of Victoria professor Lisa Surridge, Carlyle "stimulated Eliot's interest in German thought, encouraged her turn from Christian orthodoxy, and shaped her ideas on work, duty, sympathy, and

10450-409: The world is a stage, Shakespeare uses points of comparison between the world and a stage to convey an understanding about the mechanics of the world and the behavior of the people within it. In the ancient Hebrew psalms (around 1000 B.C.), one finds vivid and poetic examples of metaphor such as, "The Lord is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge, my shield and

10560-428: The world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... — William Shakespeare , As You Like It , 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that

10670-463: Was 30. Five days after her father's funeral, she travelled to Switzerland with the Brays. She decided to stay on in Geneva alone, living first on the lake at Plongeon (near the present-day United Nations buildings) and then on the second floor of a house owned by her friends François and Juliet d'Albert Durade on the rue de Chanoines (now the rue de la Pelisserie). She commented happily that "one feels in

10780-545: Was already married to Agnes Jervis, although in an open marriage . In addition to the three children they had together, Agnes also had four children by Thornton Leigh Hunt . In July 1854, Lewes and Evans travelled to Weimar and Berlin together for the purpose of research. Before going to Germany, Evans continued her theological work with a translation of Feuerbach's The Essence of Christianity , and while abroad she wrote essays and worked on her translation of Baruch Spinoza 's Ethics , which she completed in 1856, but which

10890-613: Was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era . She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–1863), Felix Holt, the Radical (1866), Middlemarch (1871–1872) and Daniel Deronda (1876). As with Charles Dickens and Thomas Hardy , she emerged from provincial England; most of her works are set there. Her works are known for their realism , psychological insight , sense of place and detailed depiction of

11000-623: Was brought up within a low church Anglican family, but at that time the Midlands was an area with a growing number of religious dissenters . In 1836, her mother died and Evans (then 16) returned home to act as housekeeper, though she continued to correspond with her tutor Maria Lewis. When she was 21, her brother Isaac married and took over the family home, so Evans and her father moved to Foleshill near Coventry . The closeness to Coventry society brought new influences, most notably those of Charles and Cara Bray. Charles Bray had become rich as

11110-497: Was failing, and he died two years later, on 30 November 1878. Eliot spent the next six months editing Lewes's final work, Life and Mind , for publication, and found solace and companionship with longtime friend and financial adviser John Walter Cross, a Scottish commission agent 20 years her junior, whose mother had recently died. On 16 May 1880, eighteen months after Lewes' death, Eliot married John Walter Cross (1840–1924) and again changed her name, this time to Mary Ann Cross. While

11220-771: Was finally confirmed in 1877 when they were introduced to Princess Louise , the daughter of Queen Victoria . The queen herself was an avid reader of all of Eliot's novels and was so impressed with Adam Bede that she commissioned the artist Edward Henry Corbould to paint scenes from the book. When the American Civil War broke out in 1861, Eliot expressed sympathy for the Union cause, something which historians have attributed to her abolitionist sympathies. In 1868, she supported philosopher Richard Congreve 's protests against governmental policies in Ireland and had

11330-586: Was married. In 1857, when she was 37 years of age, "The Sad Fortunes of the Reverend Amos Barton", the first of the three stories included in Scenes of Clerical Life , and the first work of "George Eliot", was published in Blackwood's Magazine . The Scenes (published as a 2-volume book in 1858), was well received, and was widely believed to have been written by a country parson , or perhaps

11440-412: Was named in honour of her. Throughout her career, Eliot wrote with a politically astute pen. From Adam Bede to The Mill on the Floss and Silas Marner , Eliot presented the cases of social outsiders and small-town persecution. Felix Holt, the Radical and The Legend of Jubal were overtly political, and political crisis is at the heart of Middlemarch , in which she presents the stories of

11550-602: Was not considered physically beautiful, Evans was not thought to have much chance of marriage, and this, coupled with her intelligence, led her father to invest in an education not often afforded to women. From ages five to nine, she boarded with her sister Chrissey at Miss Latham's school in Attleborough , from ages nine to thirteen at Mrs. Wallington's school in Nuneaton, and from ages thirteen to sixteen at Miss Franklin's school in Coventry . At Mrs. Wallington's school, she

11660-429: Was not helped by the posthumous biography written by her husband, which portrayed a wonderful, almost saintly, woman totally at odds with the scandalous life people knew she had led. In the 20th century she was championed by a new breed of critics, most notably by Virginia Woolf , who called Middlemarch "one of the few English novels written for grown-up people". In 1994, literary critic Harold Bloom placed Eliot among

11770-729: Was not published in her lifetime because the prospective publisher refused to pay the requested £75. In 1981, Eliot's translation of Spinoza's Ethics was finally published by Thomas Deegan, and was determined to be in the public domain in 2018 and published by the George Eliot Archive . It has been re-published in 2020 by Princeton University Press. The trip to Germany also served as a honeymoon for Evans and Lewes, who subsequently considered themselves married. Evans began to refer to Lewes as her husband and to sign her name as Mary Ann Evans Lewes, legally changing her name to Mary Ann Evans Lewes after his death. The refusal to conceal

11880-716: Was taught by the evangelical Maria Lewis—to whom her earliest surviving letters are addressed. In the religious atmosphere of the Misses Franklin 's school, Evans was exposed to a quiet, disciplined belief opposed to evangelicalism. After age sixteen, Evans had little formal education. Thanks to her father's important role on the estate, she was allowed access to the library of Arbury Hall, which greatly aided her self-education and breadth of learning. Her classical education left its mark; Christopher Stray has observed that "George Eliot's novels draw heavily on Greek literature (only one of her books can be printed correctly without

11990-443: Was the spelling used by her father for the baptismal record and she uses this spelling in her earliest letters. Within her family, however, it was spelled Mary Ann. By 1852, she had changed to Marian, but she reverted to Mary Ann in 1880 after she married John Cross. Her memorial stone reads Here lies the body of 'George Eliot' Mary Ann Cross Several landmarks in her birthplace of Nuneaton are named in her honour. These include

12100-460: Was unlikely to vote for a philosopher and was surprised when he won. While Mill served in parliament, she expressed her agreement with his efforts on behalf of female suffrage, being "inclined to hope for much good from the serious presentation of women's claims before Parliament." In a letter to John Morley , she declared her support for plans "which held out reasonable promise of tending to establish as far as possible an equivalence of advantage for

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