A rerun or repeat is a rebroadcast of an episode of a radio or television program . The two types of reruns are those that occur during a hiatus and those that occur when a program is syndicated .
128-433: American Journal (alternately titled American Journal: Coast to Coast for its final season; also known as AJ ) is a syndicated television newsmagazine program that ran from 1993 to 1998. The series was distributed by King World Productions . It was hosted by Nancy Glass from its fall 1993 launch until 1997, when siblings Michele Dabney Perez and former newscaster-turned-talk show host Charles Perez took over for
256-445: A "soft" news daily strip, with a number of imitations following (among which have included such entertainment news shows as TMZ on TV , Extra and ET ' s own spin-off The Insider ); and "tabloid" television, in the wake of ABC 's 20/20 and, more immediately, 20th Television 's A Current Affair , would become a syndication staple with such series as Hard Copy and Real TV . Another area where network dominance
384-498: A Gun (1957–1959), and This is Alice (1958). The venture lasted five years and closed down in 1961. By the late 1960s, a de facto two-tiered system had developed in the United States, with the major network affiliates (usually on longer-range VHF stations) consistently drawing more viewers than their UHF, independent counterparts; syndicators thus hoped to get their programs onto the major network stations, where spots in
512-481: A continuing life as syndicated programming tailor-made for the early fringe. In 1971, the U.S. FCC passed the Prime Time Access Rule and Financial Interest and Syndication Rules , which prevented networks from programming one particular hour of prime time programming on its television stations each night and required the networks to spin off their syndication arms as independent companies. Although
640-404: A disadvantage in that their costs can be higher than some other formats due to the high volume of episodes needed. In many markets, a stripped show will be seen twice daily, usually with different episodes (one being a more recent episode and the other being an episode from a previous season). Sometimes, station groups with more than one station in a market, or a " duopoly ", will run one episode of
768-450: A distributor that does not hold syndication rights to the program (such as Shout! Factory ) secures the rights for future DVD releases. TV Guide originally used the term "rerun" to designate rebroadcast programs, but abruptly changed to "repeat" between April and May in 1971. Other TV listings services and publications, including local newspapers, often indicated reruns as "(R)"; since the early 2000s, many listing services only provide
896-601: A greater artistic freedom, and looser standards (not mandated by a network). The older Bugs Bunny and Popeye cartoons made way for first-run syndicated cartoons such as He-Man and the Masters of the Universe , Inspector Gadget , Heathcliff , ThunderCats , My Little Pony , The Transformers , G.I. Joe , Voltron , Teenage Mutant Ninja Turtles , and reruns of Scooby-Doo , Garfield and Friends , and The Pink Panther , among many others. Syndication
1024-636: A group level, with multiple stations owned and/or operated by the same broadcasting group carrying the program in different markets (except in areas where another station holds the market rights to the program) – making it increasingly more efficient for syndicators to gain widespread national clearances for their programs. Many syndicated programs are traditionally sold first to one of six "key" station groups ( ABC Owned Television Stations , NBC Owned Television Stations , CBS Television Stations , Fox Television Stations , Telemundo Station Group , and Televisa Univision ), allowing their programs to gain clearances in
1152-401: A home, for two seasons, on NBC, as SCTV Network 90 (and on premium cable channel Cinemax by 1983). The Universal / Paramount -produced package of original programming, Operation Prime Time , began appearing on ad hoc quasi-networks of (almost by necessity) non-network stations in the U.S. in 1978, with a mini-series adaptation of John Jakes ' The Bastard . From the later 1960s into
1280-656: A long period of time without losing its cultural relevance. Game shows , variety shows , Saturday morning cartoons , and to a lesser extent, newsmagazines , tabloid talk shows , and late-night talk shows (often in edited form) have been seen less commonly in reruns; game shows can quickly become dated because of inflation , while talk shows often draw humor from contemporary events. Tabloid talk shows, with episode archives of thousands of episodes, tend to do well in reruns compared to talk shows without an element of conflict. Newsmagazines, especially those that focus on evergreen stories such as true crime , are easily repackaged for
1408-484: A national roll-out is feasible based on the ratings accrued in the selected markets where the program is being aired. While market penetration can vary widely and revenues can be unreliable, the producers often enjoy more content freedom in the absence of network's standards and practices departments; frequently, some innovative ideas are explored by first-run syndicated programming which the networks are leery of giving airtime to. Meanwhile, top-rated syndicated shows in
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#17327662475461536-492: A notation if an episode is new -"(N)", with reruns getting no notation. Reruns are often carried by Canadian broadcasters in much the same way as they are in the United States, especially on specialty television channels that rely largely on off-network or library rights to programs (and in many cases, may originate little to no first run programming of their own). Reruns of a broadcaster's own library programs are often used to comply with Canadian content regulations enforced by
1664-428: A popular new stripped series hosted by Winfrey-associate Dr. Phil McGraw, in primetime, with impressive ratings results. With a general decline in first-run production in the 2020s, syndicators and stations have turned to reruns of stripped talk shows to fill time slots, with observers noting that conflict-driven tabloid shows tend to draw higher ratings in reruns than non-tabloid shows. First-run syndicated shows in
1792-461: A profitable run in reruns. Other sitcoms, such as Small Wonder , Out of This World , The Munsters Today , and Harry and the Hendersons (as well as more action-adventure oriented series like Superboy and My Secret Identity ) enjoyed success in syndication throughout their entire run. The broadcast networks aired many action-adventure programs from the 1950s to the 1980s. By
1920-924: A program more than once. Seasonal programming such as How the Grinch Stole Christmas , The Ten Commandments , It's A Wonderful Life , or the Charlie Brown television specials are normally reshown each year, for the appropriate holiday season . A television program goes into syndication when many episodes of the program are sold as a package. Generally, the buyer is either a cable channel or an owner of local television stations. Often, programs are not particularly profitable until they are sold for syndication. Since local television stations often need to sell more commercial airtime than network affiliates , syndicated shows are usually edited to make room for extra commercials. Often, about 100 episodes (four to five seasons' worth) are required for
2048-438: A program that was first-run syndicated, to other stations; and public broadcasting syndication. In first-run syndication, a program is broadcast for the first time as a syndicated show. Often these programs are made specifically to sell directly into syndication and not made for any particular network. In off-network syndication, a program whose first airing was on network television (or, in some cases, first-run syndication)
2176-546: A rights fee. Free ad-supported streaming television (FAST) relies on the barter model for its revenue. With the growing availability of cable and satellite television channels, as well as over-the-air digital subchannels , combined with a growing body of available postsyndication programming, a handful of specialty channels have been built solely or primarily to run former network programming, which otherwise would no longer be in syndication. Branded as "classic television", these often carry reruns of programming dating back to
2304-721: A season similar to the American format. As in the U.S., fewer new episodes are made during the summer. Until recently, the BBC , ITV and Channel 4 commonly repeated classic shows from their archives, but this has more or less dried up in favor of newer (and cheaper) formats such as reality shows, except on the BBC, where older BBC shows, especially sitcoms , including Dad's Army and Fawlty Towers , are frequently repeated. Syndication did not exist as such in United Kingdom until
2432-485: A simulcast of programming from its sister network Headline News (now HLN ) to broadcast stations later, as did its rival All News Channel , although both were used mainly to fill overnight time periods and were effectively discontinued in syndication when All News Channel folded in 2002 and HLN launched a "Headline Prime" talk show block in 2006. In 2019, NewsNet began offering a similar service to its affiliates. Entertainment Tonight began its long and continuing run as
2560-417: A strip on one of their stations in the morning, and the other available episode on another of their stations that night. Meanwhile, the popularity of some of the audience-participation talk shows continues to encourage new participants, some of whom, such as Morton Downey Jr. and Rosie O'Donnell , have brief periods of impressive ratings and influence; others, such as Oprah Winfrey and Maury Povich , have
2688-595: A sustained run. A notable scheduling decision was made by KRON-TV in San Francisco: a 2000 dispute with NBC led to that station's disaffiliation from that network after 52 years, and since all the other larger networks were already represented in San Francisco, KRON decided to become one of the largest commercial independent stations by market size on the VHF band in the U.S., and soon tried running Dr. Phil ,
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#17327662475462816-475: A time slot for a year without rerunning any episode more than once) in the 1970s. Specials typically pad out the remainder of the schedule. Often, if a television special such as Peter Pan or a network television broadcast of a classic film such as The Wizard of Oz is especially well received, it will be rerun from time to time. Before the VCR era, this would be the only opportunity audiences had of seeing
2944-573: A total run of 20 seasons dating back to the show's premiere in August 1999). Because game shows are very inexpensive to produce, with many episodes completed each day of production, successful ones are very profitable; for example, in 1988 Jeopardy! cost an estimated $ 5 million to produce but earned almost $ 50 million in revenue. New game show concepts (that is, not based on an existing or pre-existing format) are rarely tried and usually unsuccessful in syndication; somewhat of an exception to this
3072-414: A weekly basis and are usually aired on weekends only. Big discussion occurred in the 1990s and 2000s about whether previously aired episodes of a show could become syndicated while new episodes of it continued to air on its original network. There had been much opposition to this idea and it was generally viewed to lead to the death of the show. However, licensing a program for syndication actually resulted in
3200-412: A weekly series to be rerun in daily syndication (at least four times a week). Very popular series running more than four seasons may start daily reruns of the first seasons, while production and airings continue of the current season's episodes; until around the early 1980s, shows that aired in syndication while still in production had the reruns aired under an alternate name (or multiple alternate names, as
3328-433: Is less common. Three common types of syndication are: first-run syndication, which is programming that is broadcast for the first time as a syndicated show and is made specifically for the purpose of selling it into syndication; Off-network syndication (colloquially called a " rerun "), which is the licensing of a program whose first airing was on stations inside the television network that produced it, or in some cases
3456-575: Is licensed for local broadcast on individual stations. Reruns are usually found on stations affiliated with smaller networks like The CW or MyNetworkTV, especially since these networks broadcast one less hour of prime time network programming than the Big Four television networks and far less network-provided daytime television (none at all for these networks). A show usually enters off-network syndication when it has built up about four seasons' worth or between 80 and 100 episodes , though for some genres
3584-594: Is syndicated in packages containing some or all episodes, and sold to as many television stations and markets as possible to be used in local programming timeslots. In this manner, sitcoms are preferred and more successful because they are less serialized, and can be run non-sequentially, which is more beneficial and less costly for the station. In the United States, local stations now rarely broadcast reruns of primetime dramas (or simply air them primarily on weekends); instead, they usually air on basic cable channels, which may air each episode 30 to 60 times. Rerun In
3712-530: Is the practice of content owners leasing the right to broadcast their content to other television stations or radio stations, without having an official broadcast network to air it on. It is common in the United States where broadcast programming is scheduled by television networks with local independent affiliates . Syndication is less widespread in the rest of the world, as most countries have centralized networks or television stations without local affiliates. Shows can be syndicated internationally, although this
3840-583: The "stripping" (or "strip") talk show, such as Donahue , Oprah , The Tyra Banks Show , and Jerry Springer . Strip programming is a technique used for scheduling television and radio programming to ensure consistency and coherency. Strip programming is used to deliver consistent content to targeted audiences. Broadcasters know or predict the times at which certain demographics will be listening to or watching their programs and play them at that time. As with game shows, talk shows are inexpensive to produce and very profitable if successful. They have
3968-473: The CRTC , requiring that a minimum of the broadcaster's programming be dedicated to programming that is produced by Canadians. In the United Kingdom, most drama and comedy series run for shorter seasons – typically six, seven, or thirteen episodes – and are then replaced by others. An exception is soap operas , which are either on all year-round (for example, EastEnders and Coronation Street ), or are on for
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4096-526: The GSN dating game show Baggage first aired in syndication as a test run in early 2011 on stations owned by the Sinclair Broadcast Group , which preceded its full launch into other markets in fall 2012; although it was removed from syndication after one season. The 2014–15 season saw the introduction of Celebrity Name Game , hosted by former The Late Late Show host Craig Ferguson ;
4224-1386: The Hallmark Channel . Equity Media Holdings had been using low-power television stations to carry its own Retro Television Network in various markets; those stations were, as a result of Equity going bankrupt, sold to religious broadcaster Daystar Television Network . Since the early 2010s, the growth of digital subchannel networks has allowed for increasing specialization of these classic networks: in addition to general-interest program networks such as MeTV , MeTV+ , getTV , Antenna TV and Rewind TV , there exist networks solely for comedies ( Catchy Comedy and Laff ), game shows ( Buzzr ), ethnic-oriented programs ( Bounce TV and TheGrio ), lifestyle and reality programming ( Story Television , TBD , TrueReal , Defy TV , Twist , and Quest ), westerns ( Grit , and Heroes & Icons ), music programming ( Circle ), sports programming ( Stadium and SportsGrid ), sci-fi and action programming ( Comet and Charge! ), true crime and court programming ( True Crime Network , Court TV , Ion Mystery , and Start TV ), news programming ( Newsy ), and feature films ( Movies! , and This TV ). Traditionally, shows most likely to be rerun in this manner are scripted comedies and dramas. Such shows are more likely to be considered evergreen content that can be rerun for
4352-572: The Prime Time Entertainment Network (PTEN), moved into syndicated distribution when its network was displaced by WB/UPN-affiliated stations, and eventually ended its final season on TNT (1998). In 1997 Earth: Final Conflict , based on ideas from Gene Roddenberry , premiered in syndication. Three years later, a second Gene Roddenberry series, Andromeda also premiered in syndication. As emerging networks WB and UPN signed contracts with formerly-independent stations, and
4480-506: The United Kingdom , the word "repeat" refers only to a single episode; "rerun" or "rerunning" is the preferred term for an entire series/season. A "repeat" is a single episode of a series that is broadcast outside its original timeslot on the same channel/network. The episode is usually the "repeat" of the scheduled episode that was broadcast in the original timeslot earlier the previous week. It allows viewers who were not able to watch
4608-469: The West Coast . These kinescopes, along with previously filmed shows, and later, videotape , paved the way for extensive reruns of syndicated television series. In the United States, currently running shows rerun older episodes from the same season to fill the time slot with the same program during the "off-season" period when no new episodes are being made. Shows tend to start rerunning episodes after
4736-654: The black-and-white television era and are promoted as nostalgia. The corresponding radio format would be that of an oldies , classic rock , classic hits , or adult standards station. Depending on the programs chosen for a classic network, running the format can be very inexpensive, due to many shows beginning to fall into the public domain . On cable and satellite, channels that devote at least some of their program schedule to postsyndication reruns include Nick at Nite , TV Land , TBS , USA Network , WGN America , Logo TV , Pop , Discovery Family , Game Show Network , Boomerang , Nicktoons , INSP , fetv , RFD-TV , and
4864-489: The 1950s were MCA 's The Abbott and Costello Show (vaudeville-style comedy) and Guild Films ' Liberace (musical variety) and Life With Elizabeth , a domestic situation comedy that introduced Betty White to a national audience. In addition to the Adventures of Superman , many other series were based on comic strips and aimed at the juvenile audience, including Flash Gordon , Dick Tracy , Sheena, Queen of
4992-452: The 1950s, however, much of the theatrical product available consisted of low-budget secondary features (mainly Westerns) with relatively few notable stars. One syndication company, National Telefilm Associates , attempted to create a " NTA Film Network " of stations showing its lineup of first-run series, which included syndicated programs such as Police Call (1955), How to Marry a Millionaire (1957–1959), The Passerby , Man Without
5120-442: The 1980s and beyond, it is still expensive to repeat archive television series on British terrestrial television , as new contracts have to be drawn up and payments made to the artists concerned. Repeats on multichannel television are cheaper, as are reshowings of newer programs covered by less strict repeat clauses. However, programs are no longer destroyed, as the historical and cultural reasons for keeping them have now been seen and
5248-800: The 1980s caused the number of independent stations to grow from fewer than 100 in 1980 to 328 as of 1986 , as they did not need cash for programming. With the loosening of FCC regulations and the creation of new additional broadcast networks (such as The CW and MyNetworkTV ), most of these independents have joined one or another of these or smaller (religious or low-budget) networks. In other cases, like those of KCAL-TV in Los Angeles, KMCI-TV in Lawrence - Kansas City and WMLW-TV in Racine - Milwaukee , those independent stations are used to complement their network-affiliated sister station (respectively in
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5376-510: The 1990s made preservation far more economical) and the Copyright Act of 1976 extended copyright terms to much longer lengths, eliminating the need for renewal. Once a series is no longer performing well enough to be sold in syndication, it may still remain in barter syndication, in which television stations are offered the program for free in exchange for a requirement to air additional advertisements (without compensation) bundled with
5504-401: The 2000s onward, reality competition shows in one form or another, such as Star Search and American Gladiators , enjoyed popularity in syndication as early as the mid-1980s. Since the now-defunct networks UPN and The WB began offering their affiliates additional nights of prime time programming in the late 1990s, there have been fewer first-run scripted series in syndication, at least, in
5632-453: The 2008–09 season before those reruns moved exclusively to cable. More new shows were added for the 2008–09 fall season, including a daytime run of Deal or No Deal (which featured certain elements that differed from the show's franchised format, most notably with prospective players instead of models holding briefcases that held the monetary amounts) and an adaptation of the popular board game Trivial Pursuit . While Deal caught on and
5760-431: The 5 p.m. hour) reducing the number of available evening time slots for the show, and the show's typical airing in a time slot opposite perennial ratings powerhouses Wheel of Fortune and Jeopardy! (also distributed by King World). While King World already had commitments from stations serving 62 percent of the country to carry AJ in the fall of 1998, one year earlier, 11 of the stations owned by Belo picked up
5888-477: The Best Sitcoms ever. In 2019, the series was ranked 6th on The Guardian ' s list of the 100 best TV shows of the 21st century. Early on in the history of British television, agreements with the actors' union Equity and other trade bodies limited the number of times a single program could be broadcast, usually only twice, and these showings were limited to within a set time period such as five years. This
6016-695: The Clock and To Tell the Truth premiered in the late 1960s and found loyal audiences for many years. Several daytime network games began producing once-a-week nighttime versions for broadcast in the early evening hours, usually with bigger prizes and often featuring different hosts (emcees were limited to appearing on one network and one syndicated game simultaneously) and modified titles ( Match Game PM , The $ 100,000 Name That Tune or The $ 25,000 Pyramid , for example). A few independent game shows, such as Sports Challenge and Celebrity Bowling , also entered
6144-614: The Jungle , and Joe Palooka . Original juvenile adventure series included Captain Gallant of the Foreign Legion , Cowboy G-Men , and Ramar of the Jungle . Series based on literary properties included Sherlock Holmes , Long John Silver (based on Treasure Island ), and The Three Musketeers . Several of these were co-productions between U.S. and European (usually British) companies. Crusader Rabbit pioneered in
6272-531: The Nielsen-monitored audience. Forever Knight drew devoted "cult" audiences (3% rating). Psi Factor and Poltergeist: The Legacy attempted to draw on the audience for the Fox series The X-Files (as did the short-lived spinoff Baywatch Nights ). Among the other series were Relic Hunter , V.I.P. , High Tide , She Spies and Once a Thief . Babylon 5 began life in 1993 on
6400-545: The Night , Lauren Hutton 's innovatively shot Lauren Hutton and... , and talk shows hosted by Dennis Miller , Whoopi Goldberg , David Brenner and Keenen Ivory Wayans ; Magic Johnson 's The Magic Hour was seen as a massive flop, similar to Thicke of the Night . The popularity of syndicated talk shows fell dramatically in the mid-1990s as network and cable offerings expanded in the wake of Johnny Carson 's retirement. Long before their popularity on network television from
6528-476: The November sweeps period (the ratings that determine the cost of a commercial run during that time slot), and usually show only reruns from mid-December until mid-January or even February sweeps . This winter (or "mid-season") phase is also used to try out new shows that did not make it onto the fall schedule to see how they fare with the public. These series usually run six to 13 episodes. If they do well with
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#17327662475466656-474: The Seeker was canceled in 2009, until Trifecta Entertainment & Media (a company that mainly distributes programs for off-network syndication) began producing SAF3 (pronounced "safe") in 2013. During the late 1970s and 1980s, independent stations signed on in mid-sized and many small markets. The market for made-for-television cartoons grew as a result to include a branch for such stations. It usually had
6784-406: The U.S.; much as with the closing of windows that provided opportunity for Ziv in the 1950s and various producers in the early 1970s. The more expensive dramatic projects are less attractive to syndicators (particularly when they might be sold, with somewhat less risk, to cable channels); "reality" series such as Cheaters and Maximum Exposure and several dating series began to be more common in
6912-593: The UK (for example, Gold ) repackage and rebroadcast "classic" programming from both sides of the Atlantic. Some of these channels, like their U.S. counterparts, make commercial timing cuts; others get around this by running shows in longer time slots, and critics of timing cuts see no reason why all channels should not do the same. It has been common practice by networks, notably the BBC, to rerun some series after they have not fared particularly well on their original run. This
7040-607: The United States " (E/I) rule imposed in the late 1990s as part of an amendment to the Children's Television Act of 1990 that requires stations to air three hours of educational children's programs every week, regardless of the station's format. Syndication is generally a less expensive option for a local station than to attempt to produce its own locally originated E/I programming; not all networks provide their own E/I programs, so stations that are affiliated with networks that do not carry children's program blocks acquire E/I programs off
7168-575: The United States in the 1970s was probably The Muppet Show , also from Lew Grade's company. Animated series from the 1980s Dogtanian and the Three Muskehounds and Around the World with Willy Fog came from Spanish animation production company BRB Internacional and their Japanese co-producers Nippon Animation . Game shows thrived in syndication during the decade. Nightly versions of What's My Line? , Truth or Consequences , Beat
7296-679: The United States include talk shows (e.g., The Dr. Oz Show , Dr. Phil , The Real , The Doctors , The Ellen DeGeneres Show & The Kelly Clarkson Show ); tabloid/newsmagazine shows (e.g., TMZ Live ); crime/law enforcement shows (e.g., Crime Watch Daily ); game shows (e.g., Hollywood Squares , Funny You Should Ask , Family Feud , Jeopardy! and Wheel of Fortune ); court shows (e.g., Judge Judy , Judge Mathis , Judge Jerry , Judge Faith , Protection Court , Hot Bench , America's Court with Judge Ross , and The People's Court ); and sitcoms (e.g., The First Family ). The emergence of barter syndication in
7424-527: The United States usually have a domestic market reach as high as 98%. Very often, series that are aired in syndication have reduced running times. For example, a standard American sitcom runs 22 minutes, but in syndication it may be reduced to 20 minutes to make room for more commercials. Syndication can take the form of either weekly or daily syndication. Game shows, some "tabloid" and entertainment news shows, and talk shows are broadcast daily on weekdays, while most other first-run syndicated shows are broadcast on
7552-601: The United States. Family Feud , created by Mark Goodson and Bill Todman , ended its first syndication run in 1985. Three years later, a revival of the program featuring Ray Combs as host became a moderate hit and continued for seven seasons, its last year featuring the return of original host Richard Dawson in a failed attempt to save the series. A third revival hit the airwaves in 1999 and has gone through four hosts. The first three hosts ( Louie Anderson , Richard Karn and John O'Hurley ) struggled in their respective runs and only lasted three to four years. The current run of
7680-540: The area of first-run animated series; followed by Bucky and Pepito , Colonel Bleep , Spunky and Tadpole , Q. T. Hush , and others. (All of these were five-minute shorts designed to be placed within locally hosted kiddie shows.) Syndicated sports programming included Championship Bowling and All-Star Golf , both produced by Chicago-based Walter Schwimmer Inc. In addition to regular series, syndicators also offered packages of feature films, cartoons, and short subjects originally made for movie theaters. Until late in
7808-515: The arrival of satellite , cable, and later, from 1998 on, digital television, although many ITV programs up to the early 1990s, particularly imported programming, were syndicated in the sense that each ITV region bought some programs independently of the ITV Network, and in particular many programs out of primetime made by smaller ITV stations were "part-networked" where some regions would show them and others would not. Nowadays, many channels in
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#17327662475467936-545: The brief commercial-television run of William F. Buckley Jr. 's interview/debate series Firing Line . The more obvious result was an increase in Canadian-produced syndicated dramatic series, such as Dusty's Trail and the Colgate -sponsored Dr. Simon Locke . Game shows, often evening editions of network afternoon series, flourished, and a few odd items such as Wild Kingdom , canceled by NBC in 1971, had
8064-445: The broadcast networks. In the 1980s, national broadcast networks only aired cartoons on Saturday mornings , not competing with the weekday and Sunday syndication blocks aired by local independent stations; however, by the 1990s, Fox and then The WB launched their own weekday afternoon children's program blocks. By the end of the 1990s, both syndication distributors and broadcast networks ended up losing most of their children's market to
8192-444: The copyright expired; many shows did not even have their copyrights renewed and others were systematically destroyed , such was the lack of awareness of the potential for revenue from them. This situation went unchanged until the mid-1970s, when contracts for new shows extended residual payments for the performers, regardless of the number of reruns, while tape recycling effectively came to an end (rapid advancements in digital video in
8320-532: The daily soap opera 7de Laan and others are called an omnibus. The omnibus is a weekly rerun that is broadcast on a Sunday afternoon on the original channel/network. It only broadcasts the past week's episodes back-to-back. When used to refer to the rebroadcast of a single episode, Lucille Ball and Desi Arnaz are generally credited as the inventors of the rerun. It was first used for the American television series I Love Lucy (1951–57) during Ball's pregnancy. Prior to I Love Lucy rerunning its episodes during
8448-595: The dance-music show Soul Train , and 20th Century Fox 's That's Hollywood , a television variation on the popular That's Entertainment! theatrically released collections of film clips from the Metro-Goldwyn-Mayer library. There were also many imported programs distributed this way. These include the documentary series Wild, Wild World of Animals (repackaged by Time Life with narration by William Conrad ) and Thames Television 's sober and necessarily grim The World at War . The Starlost (1973)
8576-569: The daytime and nighttime shows had diverged noticeably). The nighttime version of Family Feud (1977) quickly jumped from once-weekly to twice, and finally to five-day-a-week airings, and its massive popularity, along with that of new five-day-a-week entries like Jack Barry's The Joker's Wild (1977) and Tic-Tac-Dough (1978), the move of Match Game ' s daily run from CBS to syndication (1979), and Chuck Barris 's increasingly raunchy remakes of his 1960s hits The Newlywed Game and The Dating Game , brought an end (with rare exceptions) to
8704-532: The debut of a revival of You Bet Your Life that reunited host Jay Leno and sidekick Kevin Eubanks from their time on The Tonight Show ; it ran two seasons, before Leno left during the 2023 Hollywood labor disputes . 2023 saw the debut of two new games, Person, Place or Thing and Who the Bleep Is That . The dominant form of first-run syndication in the U.S. for the last three decades has been
8832-458: The early 2000s. Some of the more low-key programs in this category were designed to appeal to children, such as Beakman's World , Disney's Sing Me A Story with Belle , Animal Rescue and Jack Hanna's Animal Adventures . They were able to get significant clearance because of stricter Federal Communications Commission (FCC) enforcement of rules on children's television programming. Several game shows are currently syndicated; historically,
8960-605: The episodes) distributed to PBS stations by the Oklahoma Educational Television Authority . Also in 1971, CBS dropped Lassie and Hee Haw , the latter show's run ending as part of the network's cancellation of all of its rural-oriented shows (known then as " rural purge ", which also resulted in the cancellations of The Beverly Hillbillies and Green Acres ). Lassie entered first-run syndication for two years, while Hee Haw continued to produce new episodes until 1992. Throughout
9088-540: The era of once-a-week games. Also popular in first-run syndication and daytime was The Gong Show , hosted by Barris throughout most of its run ( Gary Owens hosted the first syndicated season). A number of half-hour musical-variety shows were also offered in the early 1970s, generally built around personable middle-of-the-road singers like Bobby Vinton , Bobby Goldsboro , Dolly Parton , and Andy Williams , or groups like Sha Na Na , The Johnny Mann Singers , and The Golddiggers . Wait Till Your Father Gets Home (1972)
9216-873: The failure of the DuMont Television Network —could serve. Some stations were not affiliated with any network, operating as independent stations . Both groups sought to supplement their locally produced programming with content that could be flexibly scheduled. The development of videotape and, much later, enhanced satellite down link access furthered these options. While most past first-run syndicated shows were shown only in syndication, some canceled network shows continued to be produced for first-run syndication or were revived for syndication several years after their original cancellation. Until about 1980, most syndicated series were distributed to stations either on 16mm film prints (off-network reruns, feature films, and cartoons) or videotape (topical series such as
9344-521: The final episodes airing in late May of that same year; it would later be revived by CNBC in 2018. 5th Grader and Don't Forget the Lyrics! were canceled the following year for the same reason (although 5th Grader would later be revived by Fox and Nickelodeon on two different occasions). Reruns of the popular Discovery Channel show Cash Cab began airing in syndication in January 2011. Reruns of
9472-553: The first run as people who had missed the first airing a month prior tuned in to catch the reairing. In the United States , most television shows from the late 1940s and early 1950s were performed live, and in many cases, they were never recorded. However, television networks in the United States began making kinescope recordings of shows broadcast live from the East Coast . This allowed the show to be broadcast later for
9600-515: The foresight to film The Cisco Kid in color, even though color TV was still in its infancy and most stations did not yet support the technology. Among the most widely seen Ziv offerings were Sea Hunt , I Led Three Lives , Highway Patrol and Ripcord . Some first-run syndicated series were picked up by networks in the 1950s and early 1960s, such as the Adventures of Superman and Mr. Ed . The networks began syndicating their reruns in
9728-401: The fourth season helmed by Karen Duffy and Steve Santagati. By 1996, it was cleared on 124 stations serving 86 percent of the United States. King World often packaged the series with an existing magazine distributed by the same syndicator, Inside Edition , which is still on the air today and has outlasted a number of in-house and outside competitors. The theme song throughout the show's run
9856-522: The free program during other shows (barter syndication is far more common, if not the norm, in radio, where only the most popular programs charge rights fees). The Program Exchange was once the most prominent barter syndicator in United States television, offering mostly older series from numerous network libraries. Barter syndicated series may be seen on smaller, independent stations with small budgets or as short-term filler on larger stations; they tend not to be as widely syndicated as programs syndicated with
9984-439: The increased popularity for shows that remained in production. A prime example is Law & Order . As with radio in the U.S., television networks, particularly in their early years, did not offer a full day's worth of programming for their affiliates, even in the evening or "prime time" hours. In the early days of television, this was less of an issue, as there were in most markets fewer TV stations than there were networks (at
10112-416: The independent stations due to breaking news or sports commitments without the traditional inconvenience of a late night or weekend airing of the pre-empted show. A duopoly of a network-affiliated and independent station also allows a network station to move a low-rated syndicated program to their sister independent station to stem revenue losses. Off-network syndication occurs when a network television series
10240-492: The intent of the rule was to encourage local stations to produce their own programs for this time slot, budgetary limits instead prompted stations to buy syndicated programs to fill the slot. This, coupled with an increase in UHF independent stations , caused a boom in the syndication market. In the 1970s, first-run syndication continued to be an odd mix: cheaply produced, but not always poor quality, "filler" programming. These included
10368-454: The largest U.S. TV markets (such as New York City, Los Angeles, San Francisco and Philadelphia , where all six aforementioned groups each own stations), before striking deals with other major and smaller station owners. Shows airing in first-run syndication that are carried primarily by an owned-and-operated station of a network may sometimes be incorrectly referenced as a network program, especially if said network's syndication wing distributes
10496-450: The late 1950s, and first-run syndication shrank sharply for a decade. Some stalwart series continued, including Death Valley Days ; other ambitious projects were also to flourish, however briefly, such as The Play of the Week (1959–1961), produced by David Susskind (of the syndicated talk show Open End and also producer of such network fare as NYPD ). Among other syndicated series of
10624-451: The late 1970s, Westinghouse also found considerable success with The Mike Douglas Show , a variety/talk show hosted by a singer with an easygoing interview style, which aired in the afternoons in most markets; similar programs soon followed featuring Merv Griffin , who had been the host of CBS ' most sustained late-night answer to The Tonight Show Starring Johnny Carson previously, and another network veteran, Dinah Shore . Also notable
10752-510: The late 1980s, however, increasing production costs made them less attractive to the networks. Studios found that reruns of one-hour dramas did not sell as well as sitcoms, so they were unable to fully recoup the shows' costs using the traditional deficit financing model. When NBC canceled the television series adaptation of Fame after only two seasons, the producers made special arrangements with LBS Communications , which resulted in MGM reviving
10880-406: The late 1990s primarily due to lack of demand, which had only a DVD set of the first and second seasons released due to the expensiveness of relicensing songs used in later seasons of the series that are performed by the show's two lead characters . In some cases, series whose later season releases have been held up for these reasons may have the remaining seasons made available on DVD, often after
11008-652: The lineup were far more scarce. Federal Communications Commission (FCC) rulings in 1971 curtailed the U.S. networks' ability to schedule programming in what has become known as the " fringe time ", notably the 7–8 p.m. ( Eastern and Pacific Time ) hour of "prime time", with the stated hope that this might encourage more local programming of social and cultural relevance to communities (off-network syndicated repeats were also banned); some projects of this sort came to fruition, though these were usually relatively commercial and slick efforts such as Group W 's Evening/PM Magazine franchise, and such pre-existing national projects as
11136-454: The mentioned cases, KCBS-TV , KSHB-TV and WDJT-TV ) by allowing a duopoly control of more syndicated programming than would be possible on one station (and to spread it throughout the schedule of the two stations, often several times a day), or to air news programming in times unavailable on the larger network station, along with fulfilling network and syndicated programming commitments, which allows popular or network programming to be moved to
11264-672: The mid-to-late 1980s into the early 1990s, sitcoms continued to enter first-run syndication after being canceled by the networks, the most successful of which were Mama's Family and Charles in Charge . Other sitcoms during this time to enter first-run syndication after network cancellation included Silver Spoons , Punky Brewster , Webster , It's a Living , Too Close for Comfort , 9 to 5 , What's Happening!! , and WKRP in Cincinnati . Many of these sitcoms produced new shows in syndication mainly to have enough episodes for
11392-516: The most popular have been Wheel of Fortune and the current version of Jeopardy! , both created by television personality Merv Griffin , respectively premiering in 1983 and 1984. The shows have been No. 1 and No. 2 or No. 1 to No. 3 in the syndication ratings consistently since at least the late 1980s. In fact, according to the Guinness Book of World Records , Wheel is the most popular syndicated television program both within and outside
11520-430: The network's affiliates on the same day of the week and at the same time (in a given time zone, in countries where this is a concern). Some production companies create their shows and license them to networks at a loss, at least at first, hoping that the series will succeed and that eventual off-network syndication will turn a profit for the show. A syndicated program is licensed to stations for "cash" (the stations purchase
11648-478: The news agency model, where nominally competing networks share resources and rebroadcast each other's programs. For example, National Public Radio ( NPR ) stations commonly air the Public Radio Exchange 's This American Life , which may contain stories produced by NPR journalists. When syndicating a show, the production company , or a distribution company called a syndicator, attempts to license
11776-496: The number could be as low as 65. Successful shows in syndication can cover production costs and make a profit, even if the first run of the show was not profitable. This type of syndication has arisen in the U.S. as a parallel service to member stations of the Public Broadcasting Service ( PBS ) and the handful of independent public broadcasting stations. This form of syndication more closely resembles
11904-442: The prior season between the end of that season and the beginning of the next. Some television programs that are released on DVD (particularly those that have been out of production for several years) may not have all of the seasons released, either due to poor overall sales or prohibitive costs for obtaining rights to music used in the program; one such incidence is Perfect Strangers , which has seldom been in wide syndication since
12032-604: The program, hosted by Steve Harvey , has been a major ratings success; on the week of June 12, 2015, for the first time ever, Family Feud was the highest-rated syndicated program in terms of average household ratings. While the current version of The Price Is Right (another Goodson-Todman game show) has enjoyed tremendous success on the CBS daytime schedule since its inception in 1972 under hosts Bob Barker and Drew Carey , it has also produced three spinoffs, two of which failed after one season. The most successful syndicated edition
12160-418: The program, regardless to its distribution to stations of varying network affiliations and despite the fact it is not part of an individual network's base schedule. Since the early 2000s, some programs being proposed for national distribution in first-run syndication have been test marketed on a selected number of or all stations owned by certain major station group, allowing the distributor to determine whether
12288-407: The public, they may get a renewal for a half (13 weeks) or full season in the new schedule. Shows that are already popular return from February sweeps until the end of the season (which sometimes ends before May sweeps) with only limited reruns used. The number of episodes per season, originally well over 30 episodes during the 1950s and 1960s, dropped below 26 (the number of episodes required to fill
12416-427: The rights to local insertion some or all of the advertisements at their level); given to stations for access to airtime (wherein the syndicators get the advertising revenue); or the combination of both. The trade of program for airtime is called " barter ." In the United States (as a result of continued relaxation of station ownership regulations since the 1970s), syndicated programs are usually licensed to stations on
12544-427: The rise of cable television channels aimed at that audience such as Nickelodeon and Cartoon Network , which provided appealing children's entertainment throughout the week at nearly all hours. Syndication remains a method of choice for distributing children's programming, although this has gradually shifted to only produce programs to satisfy the federally mandated " regulations on children's television programming in
12672-474: The same issues reality shows face, have found a niche on multichannel television and free ad-supported streaming television. With the rise of the DVD video format, box sets featuring season or series runs of television series have become an increasingly important retail item. Some view this development as a rising new idea in the industry of reruns as an increasingly major revenue source in themselves instead of
12800-420: The series for first-run syndication in the fall of 1983, where it continued for four more seasons, with the last first-run episode airing in the U.S. on May 18, 1987. Star Trek: The Next Generation debuted in 1987, and became the most-watched syndicated show throughout its seven-year run. Its great success caused many others to debut. Friday the 13th: The Series (a horror series which shared its title with
12928-426: The series was renewed for a second season in January 2015, while Ferguson would also win a Daytime Emmy Award for Daytime Emmy Award for Outstanding Game Show Host for his work on the program. In January 2016, Fox owned-and-operated stations began a test run of South of Wilshire —a game show produced by TMZ. The 2017 summer season includes the game show iWitness created by TV judge Judith Sheindlin. 2021 saw
13056-428: The show in its timeslot to catch up before the next episode is broadcast. The term "rerun" can also be used in some respects as a synonym for " reprint ", the equivalent term for print items; this is especially true for print items that are part of ongoing series such as comic strips . ( Peanuts , for instance, has been in reruns since the retirement and death of creator Charles M. Schulz ). In South Africa , reruns of
13184-413: The show to one station in each media market or area, or to a commonly owned station group, within the country and internationally. If successful, this can be lucrative, but the syndicator may only be able to license the show in a small percentage of the markets. Syndication differs from licensing the show to a television network. Once a network picks up a show, it is usually guaranteed to run on most or all
13312-456: The show's final season on air. The show's tagline was "Stories Worth Watching". American Journal was created by King World as a companion to its Inside Edition program and debuted on September 6, 1993. In early 1996, as an attempt to grow in the 18-34 demographic, the show tried then aborted plans to add an "Off the Hook" segment; King World would try again with "Team A.J." coverage strands in
13440-401: The standard business model as a draw for audiences for advertising. While there were videotape releases of television series before DVD, the format's limited content capacity, large size and reliance on mechanical winding made it impractical as a widespread retail item. Many series which continue to air first-run episodes (such as Modern Family and Grey's Anatomy ) may release DVD sets of
13568-689: The successful movie franchise) also debuted in 1987. The next syndicated shows that debuted in 1988 were War of the Worlds and Freddy's Nightmares . Baywatch , which debuted in 1989 on NBC and was canceled after one season also became one of the most watched syndicated shows throughout its ten-year-run, garnering a worldwide audience. By 1994, there were more than 20 one-hour syndicated shows. Star Trek: Deep Space Nine and Renegade were also syndicated. Hercules: The Legendary Journeys and its spin-off series Xena: Warrior Princess were also popular, often tying Deep Space Nine at 5% to 6% of
13696-442: The summer, shows typically went on a summer hiatus and were replaced with summer replacements, generally lower-priority programs; this strategy has seen increased use in the 21st century as fewer episodes have been produced each season and in-season reruns have increased. Rod Serling 's 1955 teleplay Patterns was credited with proving reruns' viability. Buoyed by strong word of mouth , the rerun of Patterns drew more viewers than
13824-453: The syndicated Hollywood Squares for the fall of 1998; which would have displaced American Journal to overnight graveyard slot . Faced with falling ratings and the potential loss of prime viewing slots, King World canceled the show after a five-year run. Les Trent, New York; Stacey Gualandi, Los Angeles; Rhonda Guess, Los Angeles; Kit Hoover , New York; Jonathan Karsh , Los Angeles. Broadcast syndication Broadcast syndication
13952-528: The syndicated versions of Price were 30 minutes long. A Hollywood Squares revival also thrived beginning in 1998 under host Tom Bergeron , running six seasons until its 2004 cancellation. By far the most successful entry into the market in the 2000s has been the daily version of Who Wants to Be a Millionaire , which premiered in September 2002 and was canceled in May 2019 after 17 seasons in syndication (and
14080-543: The syndication market around this time. Of these shows, Let's Make a Deal and Hollywood Squares were the first to jump to twice-a-week syndicated versions, in about 1973. Another popular daytime show to have a weekly syndicated version was The Price Is Right , which began concurrently in weekly syndication and on CBS ; the syndicated "nighttime" version was hosted by Dennis James for its first five years, after which daytime host Bob Barker took over for another three years of weekly episodes (even though, by this point,
14208-568: The syndication market shrunk, Andromeda season 5 moved to the Syfy Channel (2004). There was not another first-run syndicated drama (or a first-run scripted series in syndication) until 2008, when Disney-ABC Domestic Television and ABC Studios teamed up with Sam Raimi to launch a new first-run syndicated series, Legend of the Seeker , based on Terry Goodkind 's Sword of Truth novel series. Another gap in first-run scripted series in syndication followed for four years after Legend of
14336-469: The syndication market to fulfill the requirements. Also in the 1980s, news programming of various sorts began to be offered widely to stations. Independent Network News , which was produced by WPIX in New York City, was a half-hour nightly program that ran from 1980 to 1990 on independent stations (in some markets, INN was paired with a locally produced primetime newscast); CNN would offer
14464-574: The syndication market, which (along with much lower residuals compared to a scripted series with star talent) can also make them cheaper than a first-run program or scripted reruns. Most variants of reality television have proven to be a comparative failure in reruns, due to a number of factors (high cast turnover, loss of the element of surprise, overall hostility toward the format , and lack of media cross-promotion among them); some self-contained and personality-driven reality shows have been successfully rerun. Reruns of sports broadcasts, which face many of
14592-414: The talk shows of Mike Douglas and Merv Griffin , and variety and quiz shows). Ziv Television Programs, after establishing itself as a major radio syndicator, was the first major first-run television syndicator, creating several long-lived series in the 1950s and selling them directly to regional sponsors, who in turn sold the shows to local stations. Ziv's first major TV hit was The Cisco Kid . Ziv had
14720-495: The time four), which meant that the stations that did exist affiliated with multiple networks and, when not airing network or local programs, typically sign-on and sign-off . The loosening of licensing restrictions, and the subsequent passage of the All-Channel Receiver Act , meant that by the early 1960s, the situation had reversed. There were now more stations than the networks—now down to three in number after
14848-429: The way for a second series two years later, Chip 'n Dale: Rescue Rangers . The following year, the two shows aired together under the umbrella block The Disney Afternoon . In the fall of 1990, Disney added another hour to The Disney Afternoon ; the block continued in syndication, running additional first-run animated series until 1999. These cartoons initially competed with the ones that were nationally televised on
14976-520: Was Street Smarts , which lasted from 2001 to 2006 (despite the series airing in late night slots in many markets). Between 2003 and 2007, no new game shows debuted in syndication, marking four consecutive seasons where no new shows with that genre debuted, a syndication first. That streak ended with the fall 2007 debuts of Temptation and Merv Griffin's Crosswords , bringing the daytime tally to six game shows; both ended production after one year, though Crosswords aired in reruns in some cities during
15104-617: Was a Hanna-Barbera cartoon series attempting to ape the All in the Family -style sitcoms; Skippy the Bush Kangaroo (1969), an Australian children's series, or Gentle Ben (a decade later, the decidedly not-for-children Australian Prisoner: Cell Block H would have a brief U.S. syndicated run); and a Canadian sketch-comedy series began appearing on U.S. television stations in 1977— Second City Television , which would eventually find
15232-451: Was a Canadian series, apparently modified from the vision of science fiction writers Harlan Ellison and Ben Bova . Britain's ITC Entertainment , headed by Lew Grade , made UFO (1970) and Space: 1999 (1975). These two series were created by Gerry Anderson (and his associates), previously best known for Supermarionation (a combination of puppetry and animation) series such as Thunderbirds . The most successful syndicated show in
15360-631: Was also important for the nascent anime community in the United States, with imports like Speed Racer and Star Blazers (a localized edit of Space Battleship Yamato ) helping to grow interest in Japanese animation. This led to the establishment of companies dedicated to importing and translating anime such as Streamline Pictures and Viz Media towards the end of the 1980s. In 1987, The Walt Disney Company tried its luck at syndication; DuckTales premiered that September and would eventually last for 100 episodes. The success of DuckTales paved
15488-561: Was an arrangement by Rick Krizman of the Shaker tune " Simple Gifts ." In the show's final season, it had a 4.1 rating and 11 share (in February 1998). The low ratings were chalked up to a glut of similar programs, such as the since-cancelled A Current Affair , and Hard Copy (which would be canceled after the 1998–99 season due to being aired in mostly low-rated or overnight time slots by that point), expanding local news (especially in
15616-526: Was challenged by syndicated programming in the 1980s was with late-night talk shows ; The Arsenio Hall Show was the only very successful one (it would be canceled after five years in 1994 due to ratings declines spurred by many CBS affiliates pushing the show to later timeslots following the debut of the Late Show with David Letterman , and was later revived in 2013), but similar programs were attempted such as Alan Thicke 's earlier short-lived Thicke of
15744-403: Was due to the unions' fear that the channels filling their schedules with repeats could put actors and other production staff out of work as fewer new shows would be made. It also had the unintentional side effect of causing many programs to be junked after their repeat rights had expired, as they were considered to be of no further use by the broadcasters. Although these agreements changed during
15872-413: Was particularly common with sitcoms such as The Office , which had very low ratings in its first series, as well as a poor reception from both critics and focus groups and was almost cancelled. The series started to gain traction once the BBC decided to repeat it in a different timeslot and The Office went on to be an award-winning and critically acclaimed show which has regularly featured in lists of
16000-460: Was renewed for the 2009–2010 season, Trivial Pursuit: America Plays suffered low ratings throughout its run and was canceled. For the 2009–2010 season, the Fox game show Are You Smarter than a 5th Grader? moved to syndication with a new, less expensive format. Don't Forget the Lyrics! followed for the 2010–2011 season. Deal , suffering from falling ratings, was canceled in February 2010, with
16128-438: Was the 1972–80 weekly version that was initially hosted by Dennis James , but in 1977, daytime host Bob Barker also hosted the nighttime version for the final three seasons. For the 1985–86 season, Tom Kennedy hosted a daily syndicated version, and in 1994–95, Doug Davidson emceed his own daily syndicated version, titled The New Price Is Right . Unlike the daytime series, which expanded to its current one-hour length in 1975,
16256-399: Was the case with Death Valley Days ) to differentiate the reruns from the first-run episodes. Few people anticipated the long life that a popular television series would eventually have in syndication, so most performers signed contracts that limited residual payments to about six repeats. After that, the actors received nothing and the production company would keep 100% of any income until
16384-521: Was the growing success of audience-participation talk shows, particularly that of the innovator of the format, Phil Donahue . First-run syndication in the 1970s also made it possible for some shows that were no longer wanted by television networks to remain on the air. In 1971, ABC canceled The Lawrence Welk Show , which went on to produce new episodes in syndication for another 11 years, and currently continues to much success in weekend reruns (with new segments featuring Welk cast members inserted within
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