American Laundromat Records is an independent record label founded in 2004 by Joe Spadaro.
109-579: ALR specializes in almost annual indie rock compilation albums, which have included tracks by OK Go , The Dresden Dolls , and The Watson Twins . Compilation tributes have been dedicated to the Pixies , The Cure , Kim Deal , Neil Young , The Smiths , and the 1984 film Repo Man . The release of a double-CD tribute album to Wes Anderson , I Saved Latin! , was released in May 2014 and includes covers of David Bowie and The Kinks . American Laundromat Records
218-736: A reverb heavy, pop –influenced sound. Marked by the Clean's 1981 debut single "Tally-Ho!" and 1982's Dunedin Double EP featuring the Chills , Sneaky Feelings , the Verlaines and the Stones , its guitars were often jangly and droning and vocals indistinct. The following years, the Dunedin sound spread to other New Zealand cities such as Christchurch or Auckland . The decade then saw
327-612: A 2009 article for the Guardian , journalist Peter Robinson cited the landfill indie movement as dead, blaming the Wombats , Scouting For Girls , and Joe Lean & the Jing Jang Jong by stating "If landfill indie had been a game of Buckaroo , those three sent the whole donkey's arse of radio-friendly mainstream guitar band monotony flying high into the air, legs flailing." There continued to be commercial successes in
436-582: A Life (2017) winning the Mercury Prize in 2018 and third album Blue Weekend (2021) being nominated. Writer Martin Young stated in a 2021 article for Dork that "It's impossible to truly state just how important Wolf Alice are. They are the catalyst for almost all the amazing bands you've read about in Dork over the last 5 years." Spin (magazine) Spin (stylized in all caps as SPIN )
545-516: A cultural level, the magazine devoted significant coverage to punk , alternative country , electronica , reggae and world music , experimental rock , jazz of the most adventurous sort, burgeoning underground music scenes, and a variety of fringe styles. Artists such as the Ramones , Patti Smith , Blondie , X , Black Flag , and the former members of the Sex Pistols , The Clash , and
654-549: A descriptor in its own right, describing not only the bands on the tape but also bands who it influenced, often used alongside terms like "anorak pop" and "shambling". Some C86 bands found significant commercial success: the Soup Dragons went on to sell out Madison Square Garden ; Primal Scream were critically acclaimed, receiving the first ever Mercury Prize in 1992; the Wedding Present charted eighteen times in
763-478: A double-CD tribute compilation to film director Wes Anderson . In November 2013 ALR had opened up their website for pre-orders, selling a "deluxe" edition that includes a vinyl single and various clothing and objects themed to Anderson's films and characters. Among the covered artists are The Kinks , the Rolling Stones , David Bowie and The Zombies . Juliana Hatfield covers Elliott Smith 's " Needle in
872-471: A key element of indie is the dichotomy between a "puritan ethos" and a "romantic one", with the former using austere ethics, and the latter being eccentric. This is best seen in the contrast between the indie music of United States and the United Kingdom in the 1990s, with British acts being flamboyant performers, while American acts used their lack of virtuosity as a mark of authenticity. Indie rock
981-585: A positive reception, and acknowledgement from Robert Smith . In 2010 ALR released Sing Me To Sleep - Indie Lullabies, a collection of lullabies and popular songs re-imagined as lullabies by indie artists. All proceeds from the project are donated to The Valerie Fund, a non-profit for children with cancer and blood disorders. Among the artists who contributed are Dean & Britta , Say Hi , and Sigur Rós . Release shows with live performances by The Leisure Society , The Real Tuesday Weld , Tanya Donelly , Jenny Owen Youngs , and Julie Peel were held in tandem with
1090-399: A post-grunge and hardcore on their breakthrough albums Word Gets Around (1997) and Performance and Cocktails (1999), before moving into more melodic territory with Just Enough Education to Perform (2001) and subsequent albums. Feeder , who were initially more influenced by American post-grunge, producing a hard rock sound that led to their breakthrough single " Buck Rogers " and
1199-560: A result, the term "alternative" lost its original counter-cultural meaning and began to refer to the new, commercially lighter form of music that was now achieving mainstream success. New York magazine writer Carl Swanson argued that even the term "sellout" lost its meaning as grunge made it possible for a niche movement, no matter how radical, to be co-opted by the mainstream, cementing the formation of an individualist, fragmented culture. In his book Popular Music: The Key Concepts , media academic Roy Shuker states that "Grunge represented
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#17328007159071308-507: A senior writer who joined the magazine in the 1990s, on a trip to visit the death sites of famous artists in rock music, which became the basis of his 2005 book, Killing Yourself to Live: 85% of a True Story . Klosterman wrote for Spin until 2006. In February 2006, Miller Publishing sold the magazine to a San Francisco-based company called the McEvoy Group LLC, which was also the owner of Chronicle Books . The purchase price
1417-429: A shared autumnal aesthetic, which closely adheres to Anderson’s whimsical vision." This list is organized by catalog number, a roughly chronological number system established by the label and typically printed on or assigned to each official release. Indie rock Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although
1526-523: A style and more a categorization, it describes an early 1990s trend of acts who followed in the traditions of early electronic music (composers of the BBC Radiophonic Workshop ), krautrock and synth-pop . Progenitors of the genre were English bands Disco Inferno , Stereolab , and Space . Most musicians in the genre can be found on independent labels like Warp , Morr Music , Sub Pop or Ghostly International . Space rock took
1635-714: A style indebted to '60s-70s bands like the Velvet Underground and the Ramones , the band's intention musically was to sound like "a band from the past that took a time trip into the future to make their record." The album peaked at number thirty-three in the United States, staying in the charts for two additional years and debuted at number two on the UK albums chart . When the Strokes made their commercial debut,
1744-474: A tribute to Kim Deal . The projects included contributions by bands such as They Might Be Giants , OK Go , Mogwai , and The Rosebuds . In 2008 ALR began production on Just Like Heaven - a tribute to The Cure which was officially released on January 27, 2009. The latter was co-produced by Joe Spadaro, who produced a number of the other compilations as well. It featured covers by artists such as Tanya Donelly , The Brunettes , and Grand Duchy . The album had
1853-491: Is an American music magazine founded in 1985 by publisher Bob Guccione Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. It returned as a quarterly publication in September 2024. Spin was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing Spin , but Guccione Jr. retained control of
1962-643: Is an album by The Juliana Hatfield Three , consisting of Hatfield, drummer Todd Philips, and bassist Dean Fisher. This is the band's first album in twenty two years. The lead single, "If I Could," was released in December 2014 and was premiered in Rolling Stone . In 2013 American Laundromat Records added a movie section to their website, and began taking orders for the Criterion Collection release of Repo Man on Blu-ray and DVD. After
2071-482: Is noted for having a relatively high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of the feminist-informed riot grrrl music of acts like Bikini Kill , Bratmobile , 7 Year Bitch , Team Dresch and Huggy Bear . However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels. The BBC documentary Music for Misfits: The Story of Indie pinpoints
2180-558: The Billboard 200 chart, becoming the band's highest-charting album in the United States. In August 2017, AM was certified platinum by the RIAA for combined sales and album-equivalent units over of a million units in the United States. As of the 14th of April 2023 every track from the album was certified silver or higher by the BPI with "Mad Sounds" being the last to be certified. When
2289-461: The alternative music movement, with each artist's entry featuring their discography and albums reviewed and rated a score between one and ten. According to Pitchfork Media 's Matthew Perpetua, the book featured "the best and brightest writers of the 80s and 90s, many of whom started off in zines but have since become major figures in music criticism," including Rob Sheffield , Byron Coley , Ann Powers , Simon Reynolds , and Alex Ross . Although
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#17328007159072398-500: The psychedelic rock , ambient music influence of Pink Floyd and Hawkwind and incorporated them into an indie rock context. The style began with Spacemen 3 in the 1980s, with later groups including Spiritualized , Flying Saucer Attack , Godspeed You! Black Emperor and Quickspace . As Britpop waned towards the end of the decade, post-Britpop took hold within the UK's indie rock scene. From about 1997, as dissatisfaction grew with
2507-473: The " slacker " stereotype, and as a defining anthem of 90s indie rock. With the rise of Britpop , many of Britain's earlier indie rock bands fell into obscurity. Fronted by Blur , Oasis , Pulp and Suede , the bands in the movement were advertised as being underground artists, as a means to compete commercially with the United States' grunge scene. While Britpop was stylistically indebted to indie rock and began as an offshoot of it, Britpop bands abandoned
2616-585: The ' South by Southwest ' conference was sponsored by the 'United States Army', one of the factors that led to over 100 bands dropping off the festival in protest. In May 2024, the magazine announced it will relaunch its print edition and publish quarterly starting in August. In 1995, Spin produced its first book, entitled Spin Alternative Record Guide . It compiled writings by 64 music critics on recording artists and bands relevant to
2725-412: The 1975 's merger of indie rock and mainstream pop began gaining commercial attraction in the early 2010s, it was controversial; they received the award for "Worst Band" at the 2014 NME Awards , but by 2017 received "Best Live Band" at the same award show. Alternative Press writer Yasmine Summan stated that "If you could summarize 2013 and 2014 in one album for indie and alternative fans, it would be
2834-519: The 1975's self-titled release ". In an article for the Guardian accrediting the 1975 as the band to "usher indie into the mainstream", writer Mark Beaumont compared vocalist Matty Healy's influence on the genre to that of Libertines vocalist Pete Doherty , and Pitchfork listed them as one of the most influential artists in music since 1995. In the 1975's wake, a number of other indie pop artist gained popularity. Some critics termed this phenomenon "Healywave", which notably included: Pale Waves ,
2943-600: The 1980s closed, both Sonic Youth and the Pixies signed to major labels. In the late 1980s, the indie rock subgenre shoegaze emerged, as a continuation of the wall of sound production being used by groups like the Jesus and Mary Chain. The genre merged this with influences from Dinosaur Jr. and the Cocteau Twins , to create a dark and droning style so cacophonous that instruments were often indistinguishable. The genre
3052-570: The 2010s Arcade Fire 's The Suburbs (2010), the Black Keys's Turn Blue (2014), Kings of Leon's Walls (2016), the Killers's Wonderful Wonderful (2017), which reached number one on the Billboard charts in the United States and the official chart in the United Kingdom, with Arcade Fire's album winning a Grammy for Album of The Year in 2011. Other indie rock acts like Florence and
3161-457: The Aces , Joan , Fickle Friends and No Rome . Of this group, Pale Waves were particularly commercially prominent, with their debut album My Mind Makes Noises peaking at number eight on the UK albums chart, Who Am I? (2021) at number three and Unwanted (2022) at number four. At around the same time Wolf Alice became a prominent force in the scene, with their second album Visions of
3270-859: The Apples in Stereo , Beulah , Circulatory System , Elf Power , the Minders , Neutral Milk Hotel , of Montreal and the Olivia Tremor Control – merged indie rock with psychedelic pop . Gimme Indie Rock author Andrew Earles stated that the collective, namely Neutral Milk Hotel on On Avery Island (1996), "helped keep the genre artistically relevant while other bands defected and other underground styles rose to prominence". Indie electronic or indietronica covers rock-based artists who share an affinity for electronic music, using samplers, synthesizers, drum machines, and computer programs. Less
3379-711: The Clash , the Kinks , the Smiths and the Jam , the band's style of tinny, high register, sometimes acoustic, guitar parts topped by lyrics of British parochial pleasures in the vocalists' authentic English accents became widely imitated. The Fratellis , the Kooks , and the View were three such acts to gain significant commercial success, although the most prominent post-Libertines band
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3488-632: The Cribs , Bloc Party , Kaiser Chiefs and the Others . However, the Libertines , who formed in 1997, stood as the UK's counterpoint to the Strokes, being described by AllMusic as "one of the U.K.'s most influential 21st century acts" and the Independent stating that "the Libertines wanted to be an important band, but they could not have predicted the impact they would have". Influenced by
3597-574: The DoubleHappys and Straitjacket Fits . Knox later formed another short-lived punk band called Toy Love , and after it broke up, he went on to start the influential band Tall Dwarfs , who were an integral influence on the emergence of home-recorded lo-fi indie . The punk-inspired aspects of the scene were often inspired by opposition to Robert Muldoon and his government, which prompted satire or outright criticism. The scene saw bands take influence from punk rock, but strip away its aggression for
3706-632: The Fall , Buzzcocks , Wire , Television and Joy Division would be influential to the genre. Allmusic identifies indie rock as including a number of "varying musical approaches [not] compatible with mainstream tastes". Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands, through do-it-yourself experimental bands like Pavement , to punk-folk singers such as Ani DiFranco . In his book DIY Style: Fashion, Music and Global Digital Cultures , Brent Luvaas described
3815-686: The Hay ," which was used in The Royal Tennenbaums , while Someone Still Loves You Boris Yeltsin covers "Margaret Yang's Theme" from Rushmore , which was originally made for the film by Mark Mothersbaugh . Other covers include Matt Pond 's version of Nico 's "These Days," and John Lennon 's " Oh Yoko! " by The Ghost in You . The album was received positively by critics, with NME calling it "cohesive and pleasingly idiosyncratic," and Delusions of Adequacy stating that "most of [the songs] embrace
3924-485: The Head (2002) went multi-platinum , establishing them as one of the most popular acts in the world by the time of their third album X&Y (2005). Snow Patrol's " Chasing Cars " (from their 2006 album Eyes Open ) is the most widely played song of the 21st century on UK radio. The mainstream attention which indie rock garnered in the 2000s began with the Strokes and their 2001 debut album Is This It . Playing
4033-596: The Hunters Club and Scum Pups . In the early 1990s, the Seattle grunge scene, and its most visible acts, Nirvana , Pearl Jam , Soundgarden and Alice in Chains , broke into the mainstream. The monumental success of these bands, particularly Nirvana, brought increased attention to the indie rock scene, which initiated a shift in which the indie rock descriptor became displaced by the term alternative rock . As
4142-769: The Machine , the Decemberists and LCD Soundsystem gained number one singles in the United States during the decade, with Vampire Weekend , Florence and the Machine, Arctic Monkeys, Bon Iver , the Killers and the Postal Service gaining platinum selling records. Vampire Weekend's third studio album Modern Vampires of the City (2013) received the Grammy Award for Best Alternative Music Album in 2014, with Consequence writer Tyler Clark stating that in 2019 it
4251-555: The March 2012 issue, Spin relaunched the magazine in a larger, bi-monthly format and, at the same time, expanded its online presence under digital general manager Jeff Rogers. In July 2012, Spin was sold to Buzzmedia, which eventually renamed itself SpinMedia, which was founded in 1999 by Anthony Batt and Marc Brown. The September/October 2012 issue was the magazine's last print edition. It continued to publish entirely online with Caryn Ganz as its editor-in-chief. In June 2013, Ganz
4360-644: The Movies. In late 2013 the label signed a new band: Tele Novella, an indie group based in Austin, Texas . The pop foursome has members from a number of previous bands: guitarist/vocalist Natalie Ribbons, bassist Jason Chronis, drummer Matt Simon, and Sarah La Puerta. Ribbons was previously with Agent Ribbons, while Chronis and Simon were previously with indie band Voxtrot . They have a 7" single, "Trouble in Paradise," that came out on April 22, 2014. Whatever, My Love
4469-554: The Promise Ring and Cap'n Jazz distanced emo from its hardcore roots and allowed the genre to develop a much more realised scene than its first wave. This style of emo broke into mainstream culture in the early 2000s, with the platinum-selling success of Jimmy Eat World 's Bleed American (2001) and Dashboard Confessional 's The Places You Have Come to Fear the Most (2001). One particularly notable scene during this wave
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4578-488: The Replacements releasing albums on majors in the middle of the decade. While these albums did not see the same success as R.E.M., and major labels soon lost interest in the scene, they did have a large impact on younger bands. In the following years, Sonic Youth , Dinosaur Jr. and Unrest began to release music on independent labels indebted to these bands, and soon too picked up the categorisation of indie rock. As
4687-498: The Smiths and R.E.M. . The genre solidified itself during the mid–1980s with NME ' s C86 cassette in the United Kingdom and the underground success of Sonic Youth , Dinosaur Jr. and Unrest in the United States. During the decade, indie rock bands like Sonic Youth, the Pixies and Radiohead all released albums on major labels and subgenres like slowcore , Midwest emo , slacker rock and space rock began. By this time, "indie" had evolved to refer to bands whose music
4796-721: The Smiths. The Madchester movement burgeoned by 1989, with the success of the Happy Mondays second album Bummed and the Stone Roses ' self-titled debut , which became the most influential work in the scene. In the following years, addition high profile acts included the Charlatans , 808 State and the Inspiral Carpets . The Madchester scene's distinct combination of indie rock and dance music became termed indie dance by critics, or more specifically
4905-568: The Top 40; however many bands in its twenty-two track runtime also fell into obscurity. In the United States, the popularity of R.E.M. allowed those disliking of hardcore punk 's aggression to become a part of the underground music scene. This empowered an array of musicians, particularly those in what would become the post-hardcore scene as led by the Minutemen . Furthermore, major labels began to pursue underground bands, with both Hüsker Dü and
5014-610: The UK with their first five albums. As of June 2019, AM has spent 300 weeks in the top 100 of the UK Albums Chart . The album also peaked at number one in Australia, Belgium (Flanders), Croatia, Slovenia, Denmark, Ireland, the Netherlands, New Zealand, and Portugal, and reached top ten positions in several other countries. In the United States, the album sold 42,000 copies in its first week, and debuted at number six on
5123-463: The US top 40 and was nominated for a Grammy Award), Bright Eyes (who in 2004 had two singles at the top of the Billboard magazine Hot 100 Single Sales ) and Death Cab for Cutie (whose 2005 album Plans debuted at number four in the US, remaining on the Billboard charts for nearly one year and achieving platinum status and a Grammy nomination). This new commercial breakthrough and the widespread use of
5232-528: The US, and the Smiths , from the UK, who Matthew Bannister states were the earliest indie rock groups. These bands' influence was showcased quickly seen in the formation of Let's Active , the Housemartins and the La's . By this time, the term "indie rock" had begun to be used to describe the bands who produced music on independent record labels, rather than simply the record labels themselves. This made it
5341-538: The United Kingdom, NME released the C86 compilation cassette, which consisted of tracks by groups including Primal Scream , the Pastels and the Wedding Present . Intended to showcase the UK's current independent music scene, the album was made up of groups combining elements of jangle pop, post-punk and Phil Spector indebted Walls of Sound . In 2006, Bob Stanley called it "the beginning of indie music". C86 became
5450-694: The White Stripes , the Vines , and the Hives . These groups were christened by parts of the media as the "The" bands, and dubbed "the saviours of rock 'n' roll", prompting Rolling Stone magazine to declare on its September 2002 cover, "Rock is Back!" The success of the Strokes revitalised the then-dying underground post-Britpop scene in the United Kingdom with groups who took the band's influence and experimented with their sound. This first wave of UK acts included Franz Ferdinand , Kasabian , Maxïmo Park ,
5559-577: The Wonder Stuff and Ned's Atomic Dustbin , "grebo" was broadly defined, and was used more as a name for the Stourbridge scene than as a genre label. However, the bands quickly gained attention: Pop Will Eat Itself's 1989 singles " Wise Up! Sucker " and " Can U Dig It? " both entered the UK Top 40 and Stourbridge briefly became a tourist attraction for young indie rock fans. The seminal albums from
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#17328007159075668-452: The Word magazine. A 2020 Vice article cited Johnny Borrell , vocalist of Razorlight , as the "one man who defined, embodied and lived Landfill Indie" due his forming of a "spectacularly middle-of-the-road" band despite his close proximity to the Libertines' "desperate kinetic energy, mythologised love-hate dynamic and vision of a dilapidated Britain animated by romance and narcotics". In
5777-404: The album Echo Park (2001). After the death of their drummer Jon Lee , they moved to a more reflective and introspective mode on Comfort in Sound (2002), their most commercially successful album to that point, which spawned a series of hit singles. The most commercially successful band in the millennium were Coldplay , whose first two albums Parachutes (2000) and A Rush of Blood to
5886-435: The bands they host have attempted to retain their autonomy, leaving them free to explore sounds, emotions and subjects of limited appeal to large, mainstream audiences. The influences and styles of the artists have been extremely diverse, including punk , psychedelia , post-punk and country . The lo-fi , experimental and art rock sound of the Velvet Underground as well as late '70s punk and post-punk bands such as
5995-451: The book was not a sales success, "it inspired a disproportionate number of young readers to pursue music criticism." After the book was published, its entry on 1960s folk artist John Fahey , written by Byron Coley , helped renew interest in Fahey's music, leading to interest from record labels and the alternative music scene. For Spin ' s 20th anniversary in 2005, it published a book, Spin: 20 Years of Alternative Music , chronicling
6104-402: The coining of the term "indie" to the 1977 self-publication of the Spiral Scratch EP by Manchester punk rock band the Buzzcocks , on their Ind ependent record label New Hormones . This inspired a DIY punk movement where bands like Swell Maps , 'O' Level , Television Personalities and Desperate Bicycles followed suit in pressing and distributing their own records. Distribution
6213-700: The concept of Cool Britannia and Britpop as a movement began to dissolve, emerging bands began to avoid the Britpop label while still producing music derived from it. After the decline of Britpop they began to gain more critical and popular attention. The Verve 's album Urban Hymns (1997) was a worldwide hit and their commercial peak before they broke up in 1999, while Radiohead – although having achieved moderate recognition with The Bends in 1995 – achieved near-universal critical acclaim with their experimental third album OK Computer (1997), and its follow-ups Kid A (2000) and Amnesiac (2001). Stereophonics , used elements of
6322-426: The covers of magazines like NME and Melody Maker . Grebo bands were distinct from prior indie rock groups not only because of their broad influences, but their subversion of the twee or unhappy moods of most other bands in the genre, and their pursuit of a heavier sound and aesthetic. The scene came to include the stylistically similar bands of nearby Leicester: the Bomb Party , Gaye Bykers on Acid , Crazyhead ,
6431-419: The development of indie rock's sound. According to Audioculture , one of the earliest Dunedin Sound band was Chris Knox 's band the Enemy , which emerged as a post-punk group, whose members also included Alec Bathgate . Although the group was only around for a short time, their shows impressed the teenage musicians that came to see them, including a young Shayne Carter , who went on to form Bored Games ,
6540-445: The distinctive 'protest' element of British-based independent music" Music journalist John Harris has suggested that Britpop began when Blur's fourth single " Popscene " and Suede's debut " The Drowners " were released around the same time in the spring of 1992. He stated, "[I]f Britpop started anywhere, it was the deluge of acclaim that greeted Suede's first records: all of them audacious, successful and very, very British." Suede were
6649-569: The dominant sound was a style of indie rock that was heavily indebted to punk and Nirvana's album Bleach album, while also occasionally making use of drum machines . Gigwise writer Steven Kline described the style as "filthy guitars, filthier hair and t-shirts only a mother would wash". Prominent fraggle acts included Senseless Things , Mega City Four and Carter the Unstoppable Sex Machine . Spin writer Charles Aaron described Pavement and Guided by Voices as "the two bands that came to exemplify indie rock in this period, and still define
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#17328007159076758-494: The early punk and New Wave movements were heavily featured in Spin ' s editorial mix. Spin ' s extensive coverage of hip-hop music and culture , especially that of contributing editor John Leland , was notable at the time. Editorial contributions by musical and cultural figures included Lydia Lunch , Henry Rollins , David Lee Roth and Dwight Yoakam . The magazine also reported on cities such as Austin, Texas , and Glasgow , Scotland, as cultural incubators in
6867-515: The entire collection of Spin magazine back issues became freely readable on Google Books . Brod remained editor until June 2011 when he was replaced by Steve Kandell who previously served as deputy editor. In July 2011, for the 20th anniversary of Nirvana's 1991 album, Nevermind , the magazine released a tribute album including all 13 songs with each covered by a different artist. The album released for free on Facebook included covers by Butch Walker , Amanda Palmer and Titus Andronicus . With
6976-429: The first UK punk single " New Rose " by the Damned In Australia , the Saints had their first punk release outside the US, " (I'm) Stranded ," on their own "Fatal Records" label. This was followed by the Go-Betweens releasing ' Lee Remick ' a few months later. Dunedin produced the independent record label Flying Nun Records , whose artists defined the Dunedin sound , which would be particularly influential on
7085-446: The first of the new crop of guitar-orientated bands to be embraced by the UK music media as Britain's answer to Seattle's grunge sound. Their debut album Suede for the fastest-selling debut album in the UK. Sunny Day Real Estate 's debut album, Diary (1994), began a new wave of the emo genre, by incorporating elements of it into their indie rock sound. Sunny Day Real Estate and other second wave emo bands, including Piebald ,
7194-418: The following years the Jesus and Mary Chain and Flying Nun Records bands like the Jean-Paul Sartre Experience morphed the genre into a slower, darker and more hypnotic style. The number of college radio stations in the US decreased significantly following NPR 's lobbying against noncommercial station during the 1980s. In turn, the name "college rock" fell into disfavour, soon being replaced by "indie". In
7303-431: The funds raised at the Live Aid concert might have been inappropriately used. Beginning in January 1988, Spin published a monthly series of articles about the AIDS epidemic titled "Words from the Front". In 1990, Spin hired John Skipper in the new position of publishing director and president while Guccione, Jr. continued to serve as editor and publisher. In the early 1990s, Spin played an influential role on
7412-420: The genre and saw record labels use their independent status as a marketing tactic. This led to a split within indie rock: one side conforming to mainstream radio; the other becoming increasingly experimental. By this point, "indie rock" referred to the musical style rather than ties to the independent music scene. In the 2000s, indie rock reentered the mainstream through the garage rock and post-punk revival and
7521-517: The genre as rooted in nostalgia, citing the influence of garage rock and psychedelic rock of the 1960s in progenitors the Stone Roses and the Smiths , in addition to a lyrical preoccupation with literature. In this same vein, Matthew Bannister defined indie rock as "small groups of white men playing guitars, influenced by punks and 1960s white pop/rock, within a broader discourse and practice of (degrees of) independence from mainstream musical values." According to anthropologist Wendy Fonarow ,
7630-449: The genre's earlier anti-establishment politics and instead brought it into the mainstream, with bands like Blur and Pulp even signing to major labels. In her essay Labouring the Point? The Politics of Britain in "New Britain" , politician and academic Rupa Huq states that Britpop "began as an offshoot of the independent British music scene but arguably ended up killing it, as a convergence took place between indie and mainstream, removing
7739-472: The genre, with Bandcamp Daily writer Robert Rubsam, calling them the "fountainhead for all that would come". The first wave of bands in the genre included Red House Painters , Codeine , Bedhead , Ida and Low . The genre originated from around the United States, with no geographic focus, and very little interaction between its artists. A younger subset of grebo bands emerged around 1991, who were in turn labelled "fraggle" bands. During this movement,
7848-420: The growing popularity of college radio stations, primarily in the United States, who would play independent artists of various genres, including alternative rock , new wave , post-hardcore and post-punk . The bands broadcast on these station became dubbed " college rock " by fans, another term which lacked any stylistic implication. The most prominent college rock bands were jangle pop groups R.E.M. , from
7957-967: The grunge era, featuring alternative rock artists such as " Nirvana and PJ Harvey on its covers when more mainstream magazines often failed to acknowledge them". In 1994, two journalists working for the magazine were killed by a landmine while reporting on the Bosnian War in Bosnia and Herzegovina . A third, William T. Vollmann , was injured. In 1997, Guccione Jr. left the magazine after selling Spin to Miller Publishing for $ 43.3 million. The new owner appointed Michael Hirschorn as editor-in-chief. A partnership made up of Robert Miller, David Salzman , and Quincy Jones , Miller Publishing also owned Vibe , which together made up Vibe/Spin Ventures. In 1999, Alan Light , who previously served as editor of Vibe succeeded Hirschorn at Spin . Sia Michel
8066-522: The independent music scene. A 1990 article on the contemporary country blues scene brought R. L. Burnside to national attention for the first time. Coverage of American cartoonists, manga , monster trucks , the AIDS crisis , outsider artists, Twin Peaks , and other non-mainstream cultural phenomena distinguished the magazine's early years. In July 1986, Spin published an exposé by Robert Keating on how
8175-587: The influence of the Strokes and the Libertines . This success was exacerbated in the middle of the decade by Bloc Party , the Arctic Monkeys and the Killers and indie rock proliferated into the landfill indie movement. The term indie rock, which comes from "independent", describes the small and relatively low-budget labels on which it is released and the do-it-yourself attitude of the bands and artists involved. Although distribution deals are often struck with major corporate companies, these labels and
8284-560: The last 13 years, including a 35-week run peaking at number 49 in 2016–2017. Furthermore, it was the UK's most streamed pre-2010 song, until it was surpassed in late 2018, and continued to be purchased for download hundreds of times a week by 2017. In March 2018, the song reached the milestone of staying in the Top 100 of the UK Singles Chart for 200 weeks. The impact of the Strokes, the Libertines and Bloc Party led to significant major label interest in indie rock artists, which
8393-637: The late 1980s. Defined by its merger of C86 indie rock, dance music and Hedonist rave culture, particularly its emphasis on the use of psychedelic drugs, the scene was centred in Manchester . The scene was based around the Haçienda nightclub, which opened in May 1982 as an initiative of Factory Records . For the first few years of its life, the club played predominantly club-oriented pop music and hosted performances by artists including New Order , Cabaret Voltaire , Culture Club , Thompson Twins and
8502-399: The magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, Spin was known for its narrow music coverage, with an emphasis on college rock , grunge , indie rock , and
8611-437: The magazine as creative advisor. In late 2023, the publication received backlash for Guccione Jr.'s article defending former Rolling Stone editor Jann Wenner after the latter made racist and sexist comments that got him ousted from The Rock And Roll Hall Of Fame board of directors as well as for "Stand Together Music," an initiative used "to launder the reputation of Koch Industries." . In 2024 its week-long activation at
8720-502: The mainstreaming of the North American indie rock ethic and style of the 1980s", going on to explain that a band's status as independent became "As much a marketing device as [indie rock and alternative rock were an] identifiable 'sound'". In the wake of this increased attention, indie rock experienced a split: accessible bands who catered to the now-popular alternative rock radio; and bands who continued to experiment, advancing in
8829-513: The ongoing emergence of hip-hop , while virtually ignoring other genres, such as country and metal . It also pointedly provided a national alternative to Rolling Stone 's more establishment-oriented style. Spin prominently placed rising acts such as R.E.M. , Prince , Run-D.M.C. , Beastie Boys , and Talking Heads on its covers and did lengthy features on established figures such as Duran Duran , Keith Richards , Miles Davis , Aerosmith , Tom Waits , and John Lee Hooker . On
8938-472: The only genre at the time which was defined by the methods by which the music was distributed rather than the sound of said music. Journalist Steve Taylor also cited the bands involved in the Paisley Underground scene as early indie groups. However, this jangly style became increasingly mainstream as the decade progressed leading subsequent indie rock bands to abandon this style. Instead, in
9047-487: The prior two decades in music. The book has essays on grunge , Britpop , and emo , among other genres of music, as well as pieces on musical acts including Marilyn Manson , Tupac Shakur , R.E.M. , Nirvana, Weezer , Nine Inch Nails , Limp Bizkit , and the Smashing Pumpkins . SPIN began compiling year-end lists in 1990. Note: The 2000 album of the year was awarded to "your hard drive", acknowledging
9156-401: The project "One of the finest tribute records ever amassed," going on to say "let this serve as a blueprint for all future tribute sets." Pitchfork , Rolling Stone , VH1 , Billboard , Spin , NME , and other publications covered the project as well. Afterwards came Dig For Fire - a tribute to Pixies , Cinnamon Girl - Women Artists Cover Neil Young for Charity and Gigantic -
9265-535: The public perception of "rock music" was based in post-grunge , nu metal and rap rock , putting their throwback style of garage rock as a stark contrast to the mainstream. The band's immediate influence allowed fellow classic rock influenced New York bands like the Yeah Yeah Yeahs , Interpol and TV on the Radio to gain mainstream attention. The Strokes were accompanied in this commercial breakthrough by
9374-557: The release in London and New York City . Please Please Please: A Tribute To The Smiths was released in late 2011, with tracks by Elk City , Greg Laswell , Cinerama , Stars , and others, with Spadaro again producing. A Tribute To Repo Man was released in 2012, featuring artists such as The Tellers and Matthew Sweet . The 1984 film had a soundtrack featuring punk rock by artists like Iggy Pop and Black Flag . In May 2014 American Laundromat Records released I Saved Latin! ,
9483-590: The scene were released between 1989 and 1993: the Wonder Stuff's Hup and Never Loved Elvis ; Ned's Atomic Dustbin's God Fodder and Are You Normal? ; and Pop Will Eat Itself's This Is the Day...This Is the Hour...This Is This! and The Looks or the Lifestyle? . In this period, the scene's bands became fixtures, sometimes headliners, at Reading Festival , sold millions of albums and were frequently featured on
9592-466: The subgenre baggy . Madchester and baggy's most infamous moment was the 27 May 1990 Spike Island concert headlined by the Stone Roses. With an attendance of around 28,000 and lasting twelve hours, it was the first event of its size and kind to be hosted by an independent act. In Stourbridge , a scene of indie bands who took influence from electronic , punk, folk and hip-hop music emerged, dubbed grebo by critics. Fronted by Pop Will Eat Itself ,
9701-491: The success of the initial 2004 compilation, Transistor, the label began releasing indie rock -themed compilations and artist tributes on an almost yearly basis. In the fall of 2005 ALR produced its second record High School Reunion - a tribute to those great 80's films! , featuring indie-rockers such as Frank Black , Kristin Hersh , and The Dresden Dolls , and covering songs from 80's teen films . All Music Guide called
9810-516: The summer of 2006 the label relocated to Mystic, Connecticut . That year the label secured international distribution through Darla Records . Besides releasing debut EPs, LPs, and compilations, in 2007 ALR began a 7" vinyl series of split singles featuring tracks from the label's network of indie bands. In 2005, the label began distributing Brooklyn -based all-girl indie band the Caulfield Sisters ' debut EP Say It With Fire . The band
9919-539: The term in many people's minds". Both bands made use of a Lo-fi production style which romanticised their D.I.Y. ethos. Pavement's 1992 album Slanted and Enchanted , was one of the defining albums of the slacker rock subgenre. Rolling Stone called the album "the quintessential indie rock album", placing it on the magazine's list of the 500 greatest albums of all time . In the North Carolina Research Triangle , an indie rock scene
10028-681: The term indie to other forms of popular culture, led a number of commentators to suggest that indie rock had ceased to be a meaningful term. Additionally, a second wave of bands emerged in the United States that managed to gain international recognition as a result of the movement included the Black Keys , Kings of Leon , the Shins , the Bravery , Spoon , the Hold Steady , and the National . The most commercially successful band of this wave
10137-509: The term was originally used to describe rock music released through independent record labels , by the 1990s it became more widely associated with the music such bands produced. The sound of indie rock has its origins in the New Zealand Dunedin sound of the Chills , Sneaky Feelings , Tall Dwarfs , the Clean and the Verlaines , and early 1980s college rock radio stations who would frequently play jangle pop bands like
10246-559: The underground. According to AllMusic , it was during this split that "indie rock" solidified itself as a term for the style of music played by these underground artists, while the mainstream indie rock-influenced bands became termed alternative rock. Slowcore developed in the United States as a direct counterpoint to the rapid growth of grunge. Although loosely defined, slowcore generally includes slow tempos, minimalist instrumentals and sad lyrics. Galaxie 500 , particularly their second album On Fire (1989), were heavy influences on
10355-467: Was Las Vegas' the Killers . Formed in 2001, after hearing Is This It , the band scrapped the majority of their prior material to rewrite it under the Strokes' influence. The band's debut single " Mr. Brightside " spent 260 non-consecutive weeks, or five years, on the UK Singles Chart as of April 2021, the most out of any song, and As of 2017 , it had charted on the UK Singles Chart in 11 of
10464-606: Was Sheffield's Arctic Monkeys . One of the earliest groups to owe their initial commercial success to the use of Internet social networking , the Arctic Monkeys had two No. 1 singles, and their album Whatever People Say I Am, That's What I'm Not (2006) became the fastest-selling debut album in British chart history. In this success, legacy indie bands soon entered the mainstream, including Modest Mouse (whose 2004 album Good News for People Who Love Bad News reached
10573-538: Was afterwards named one of "NYC’s 10 Bands to Watch" by Time Out New York . The band was invited to perform on KEXP 's Morning Show with John in NYC, and opened for Interpol . In 2009 ALR released Julie Peel's debut album Near The Sun . After the release Peel received an early invitation to showcase at SXSW in 2010, and tracks were placed in TV shows such as CW 's Life Unexpected . The label also releases music by Dylan in
10682-465: Was appointed editor-in-chief in early 2002 to succeed Light. With Michel as editor, according to Evan Sawdey of PopMatters , " Spin was one of the most funny, engaging music publications out there, capable of writing about everyone from the Used to Kanye West with an enthusiasm and deep-seated knowledge in genre archetypes that made for page-turning reading". In 2003, Spin sent Chuck Klosterman ,
10791-446: Was being spearheaded by groups enfranched Merge Records like Superchunk , Archers of Loaf and Polvo . describing a growing scene of indie-rock bands who were influenced by hardcore punk and post-punk. At the time, publications such as Entertainment Weekly took to calling the college town of Chapel Hill the "next Seattle". Superchunk's single " Slack Motherfucker " has also been credited by Columbia magazine with popularizing
10900-598: Was founded in April 2004 by Joe Spadaro in Huntington Village, New York on Long Island . According to Spadaro, he used a small tax-refund to produce the compilation album Transistor , which featured eight indie bands contributing two original songs each. The bands, including The Atomic Hep Cats and AM , were mostly on the East coast. Transistor had moderate success on college radio. After several more releases, in
11009-457: Was further improved with the establishment of 'The Cartel', an association of companies like Red Rhino and Rough Trade Records who would take the releases from these small labels and get them into record shops nationwide. Independent record labels would also be integral to the early years of punk rock musical distribution, as seen with Beserkley Records in the US, who put out The Modern Lovers debut album, and Stiff Records who released
11118-604: Was pioneered by My Bloody Valentine on their early EPs and debut album Isn't Anything . The band's style influenced a wave of bands in London and the Thames Valley area including Chapterhouse , Moose and Lush . This scene was collectively termed "the Scene That Celebrates Itself" by Melody Maker's Steve Sutherland in 1990. Madchester was another style and scene that originated in
11227-507: Was released on independent record labels, in addition to the record labels themselves. As the decade progressed many individual local scenes developed their own distinct takes on the genre: baggy in Manchester ; grebo in Stourbridge and Leicester ; and shoegaze in London and the Thames Valley . During the 1990s, the mainstream success of grunge and Britpop , two movements influenced by indie rock, brought increased attention to
11336-558: Was reported to be "less than $ 5 million". That company formed Spin Media LLC as a holding company . The new owners appointed Andy Pemberton, a former editor at Blender , to succeed Michel as editor-in-chief. The first and only issue to be published under Pemberton's editorship was the July 2006 issue which featured Beyoncé on the cover. Pemberton resigned from Spin in June 2006 and
11445-448: Was still "an indie rock standard bearer in the wider world of music". Arctic Monkeys' fifth album AM (2013) was one of the biggest indie rock albums of the decade, charting at number one on the UK Albums Chart , having sold 157,329 copies, thus becoming the second fastest-selling album of the year. With the debut of AM on the chart, Arctic Monkeys also broke a record, becoming the first independent-label band to debut at number one in
11554-410: Was succeeded by Doug Brod, who was executive editor during Michel's tenure. In 2008, the magazine began publishing a complete digital edition of each issue. For the 25th anniversary of Prince's Purple Rain , in 2009, Spin released "a comprehensive oral history of the film and album and a free downloadable tribute that features nine bands doing song-for-song covers of the record". In March 2010,
11663-606: Was succeeded by Jem Aswad, who was replaced by Craig Marks in June of the following year. In 2016, Puja Patel was appointed editor and Eldridge Industries acquired SpinMedia via the Hollywood Reporter-Billboard Media Group for an undisclosed amount. Matt Medved became editor in December 2018. Spin was acquired in 2020 by Next Management Partners. Jimmy Hutcheson serves chief executive officer with Daniel Kohn as editorial director and Spin ' s founder, Guccione Jr., who rejoined
11772-512: Was the Midwest emo bands of the latter half of the decade, who incorporated the jangly guitar tones of earlier indie rock and elements of math rock to create the distinctive style of groups like American Football . The popularity of emo, also allowed a number of "not-quite-indie-not-quite-emo" bands like Death Cab For Cutie , Modest Mouse and Karate to gain significant attention. The loosely defined Elephant 6 collective – which included
11881-556: Was then exacerbated by the success of the Arctic Monkeys. In the years following Whatever People Say I Am, That's What I'm Not there was a proliferation of bands such as the Rifles , the Pigeon Detectives and Milburn , who created a more formulaic derivative of the earlier acts. By the end of the decade, critics had taken to referring to this wave of acts as "landfill indie", a description coined by Andrew Harrison of
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