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123-560: Plays were produced at the Festival Theatre in Stratford from 1955 until the company ceased operations in the mid-1980s. The company focused on American interpretations of William Shakespeare 's plays , but occasionally produced plays by other playwrights. Other playwrights included: T.S. Eliot , Bernard Shaw , Sophocles , Giuseppe Verdi , Thornton Wilder , Tennessee Williams, and William Wycherley . When founded in 1955,

246-745: A funerary monument was erected in his memory on the north wall, with a half-effigy of him in the act of writing. Its plaque compares him to Nestor , Socrates , and Virgil . In 1623, in conjunction with the publication of the First Folio , the Droeshout engraving was published. Shakespeare has been commemorated in many statues and memorials around the world, including funeral monuments in Southwark Cathedral and Poets' Corner in Westminster Abbey . Most playwrights of

369-598: A gatehouse in the former Blackfriars priory; and from November 1614, he was in London for several weeks with his son-in-law, John Hall . After 1610, Shakespeare wrote fewer plays, and none are attributed to him after 1613. His last three plays were collaborations, probably with John Fletcher , who succeeded him as the house playwright of the King's Men. He retired in 1613, before the Globe Theatre burned down during

492-427: A Stratford legend that Shakespeare fled the town for London to escape prosecution for deer poaching in the estate of local squire Thomas Lucy . Shakespeare is also supposed to have taken his revenge on Lucy by writing a scurrilous ballad about him. Another 18th-century story has Shakespeare starting his theatrical career minding the horses of theatre patrons in London. John Aubrey reported that Shakespeare had been

615-565: A beer festival on the grounds of the American Shakespeare Theatre called the ShakesBeer Festival in order to raise funds towards the restoration and reopening of the famed theatre. The ShakesBeer Festival held on August 23, 2014, raised over $ 30,000 and donated $ 20,000 to the restoration efforts after final expenses. This event was designed to be an annual event in order to bring in a source of revenue to

738-402: A change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. By the time of Romeo and Juliet , Richard II , and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of

861-473: A comedic mode capable of dramatising more serious events than had his earlier comedies. During the reign of Queen Elizabeth, "drama became the ideal means to capture and convey the diverse interests of the time." Stories of various genres were enacted for audiences consisting of both the wealthy and educated and the poor and illiterate. Later on, he retired at the height of the Jacobean period, not long before

984-602: A country schoolmaster. Some 20th-century scholars suggested that Shakespeare may have been employed as a schoolmaster by Alexander Hoghton of Lancashire , a Catholic landowner who named a certain "William Shakeshafte" in his will. Little evidence substantiates such stories other than hearsay collected after his death, and Shakeshafte was a common name in the Lancashire area. It is not known definitively when Shakespeare began writing, but contemporary allusions and records of performances show that several of his plays were on

1107-539: A deep shift in popular tastes, both in subject matter and approach. At the turn of the decade, he responded to the vogue for dramatic satire initiated by the boy players at Blackfriars and St. Paul's . At the end of the decade, he seems to have attempted to capitalise on the new fashion for tragicomedy , even collaborating with John Fletcher , the writer who had popularised the genre in England. The influence of younger dramatists such as John Marston and Ben Jonson

1230-684: A few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon , Warwickshire. At the age of 18, he married Anne Hathaway , with whom he had three children: Susanna , and twins Hamnet and Judith . Sometime between 1585 and 1592, he began

1353-517: A long term basis in 1599. The Blackfriars was small in comparison to the earlier theatres, and roofed rather than open to the sky; it resembled a modern theatre in ways that its predecessors did not. For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as

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1476-431: A merry meeting and, it seems, drank too hard, for Shakespeare died of a fever there contracted", not an impossible scenario since Shakespeare knew Jonson and Drayton . Of the tributes from fellow authors, one refers to his relatively sudden death: "We wondered, Shakespeare, that thou went'st so soon / From the world's stage to the grave's tiring room." He was survived by his wife and two daughters. Susanna had married

1599-448: A more serene view of life on Shakespeare's part, but it may merely reflect the theatrical fashion of the day. Shakespeare collaborated on two further surviving plays, Henry VIII and The Two Noble Kinsmen , probably with John Fletcher . Shakespeare's works include the 36 plays printed in the First Folio of 1623, listed according to their folio classification as comedies , histories , and tragedies . Two plays not included in

1722-450: A naked new-born babe, Striding the blast, or heaven's cherubim, hors'd Upon the sightless couriers of the air." However, Shakespeare soon began to adapt the traditional styles to his own purposes. The opening soliloquy of Richard III has its roots in the self-declaration of Vice in medieval drama. At the same time, Richard's vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. No single play marks

1845-595: A new and distinctively Elizabethan synthesis. Previously, the most common forms of popular English theatre were the Tudor morality plays . These plays, generally celebrating piety , use personified moral attributes to urge or instruct the protagonist to choose the virtuous life over Evil. The characters and plot situations are largely symbolic rather than realistic. As a child, Shakespeare would likely have seen this type of play (along with, perhaps, mystery plays and miracle plays ). The other strand of dramatic tradition

1968-435: A number of his plays were collaborative, although the exact number is open to debate. Some of the following attributions, such as for The Two Noble Kinsmen , have well-attested contemporary documentation; others, such as for Titus Andronicus , remain more controversial and are dependent on linguistic analysis by modern scholars. Note: For a comprehensive account of plays possibly by Shakespeare or in part by Shakespeare, see

2091-814: A persuasive suitor, was printed in the first edition of the Sonnets in 1609. Most scholars now accept that Shakespeare wrote A Lover's Complaint . Critics consider that its fine qualities are marred by leaden effects. The Phoenix and the Turtle , printed in Robert Chester's 1601 Love's Martyr , mourns the deaths of the legendary phoenix and his lover, the faithful turtle dove . In 1599, two early drafts of sonnets 138 and 144 appeared in The Passionate Pilgrim , published under Shakespeare's name but without his permission. Published in 1609,

2214-475: A physician, John Hall, in 1607, and Judith had married Thomas Quiney , a vintner , two months before Shakespeare's death. Shakespeare signed his last will and testament on 25 March 1616; the following day, Thomas Quiney, his new son-in-law, was found guilty of fathering an illegitimate son by Margaret Wheeler, both of whom had died during childbirth. Thomas was ordered by the church court to do public penance, which would have caused much shame and embarrassment for

2337-661: A position for a character to harangue a crowd, as in Julius Caesar . Usually built of timber, lath and plaster and with thatched roofs, the early theatres were vulnerable to fire, and gradually were replaced (when necessary) with stronger structures. When the Globe burned down in June 1613, it was rebuilt with a tile roof. A different model was developed with the Blackfriars Theatre , which came into regular use on

2460-588: A practical sense of the theatre. Like all playwrights of the time, he dramatised stories from sources such as Plutarch and Holinshed . He reshaped each plot to create several centres of interest and to show as many sides of a narrative to the audience as possible. This strength of design ensures that a Shakespeare play can survive translation, cutting, and wide interpretation without loss to its core drama. As Shakespeare's mastery grew, he gave his characters clearer and more varied motivations and distinctive patterns of speech. He preserved aspects of his earlier style in

2583-486: A selling point and began to appear on the title pages . Shakespeare continued to act in his own and other plays after his success as a playwright. The 1616 edition of Ben Jonson 's Works names him on the cast lists for Every Man in His Humour (1598) and Sejanus His Fall (1603). The absence of his name from the 1605 cast list for Jonson's Volpone is taken by some scholars as a sign that his acting career

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2706-695: A successful career in London as an actor, writer, and part-owner ("sharer") of a playing company called the Lord Chamberlain's Men , later known as the King's Men after the ascension of King James VI of Scotland to the English throne. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance , his sexuality , his religious beliefs and even certain fringe theories as to whether

2829-461: A woman's hide" from Shakespeare's Henry VI, Part 3 , along with the pun "Shake-scene", clearly identify Shakespeare as Greene's target. As used here, Johannes Factotum ("Jack of all trades") refers to a second-rate tinkerer with the work of others, rather than the more common "universal genius". Greene's attack is the earliest surviving mention of Shakespeare's work in the theatre. Biographers suggest that his career may have begun any time from

2952-496: Is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language . Many of his plays appeared in print as a series of quartos , but approximately half of them remained unpublished until 1623, when the posthumous First Folio was published. The traditional division of his plays into tragedies, comedies, and histories follows

3075-592: Is definitively classed as a tragedy. It is not clear for which companies Shakespeare wrote his early plays. The title page of the 1594 edition of Titus Andronicus reveals that the play had been acted by three different troupes. After the plagues of 1592–93, Shakespeare's plays were performed by his own company at The Theatre and the Curtain in Shoreditch , north of the Thames. Londoners flocked there to see

3198-417: Is in his own conceit the only Shake-scene in a country. Scholars differ on the exact meaning of Greene's words, but most agree that Greene was accusing Shakespeare of reaching above his rank in trying to match such university-educated writers as Christopher Marlowe , Thomas Nashe , and Greene himself (the so-called " University Wits "). The italicised phrase parodying the line "Oh, tiger's heart wrapped in

3321-541: Is introduced specifically to ridicule the practice as antiquated and amateurish.'" As was common in the period, Shakespeare based many of his plays on the work of other playwrights and recycled older stories and historical material. His dependence on earlier sources was a natural consequence of the speed at which playwrights of his era wrote; in addition, plays based on already popular stories appear to have been seen as more likely to draw large crowds. There were also aesthetic reasons: Renaissance aesthetic theory took seriously

3444-558: Is markedly influenced by the techniques of the new, satiric dramatists. One play, Troilus and Cressida , may even have been inspired by the War of the Theatres . Shakespeare's final plays hark back to his Elizabethan comedies in their use of romantic situation and incident. In these plays, however, the sombre elements that are largely glossed over in the earlier plays are brought to the fore and often rendered dramatically vivid. This change

3567-543: Is more nuanced, and sometimes more sceptical, than Marlowe's. By the turn of the century, the bombast of Titus Andronicus had vanished, replaced by the subtlety of Hamlet . In comedy, Shakespeare strayed even further from classical models. The Comedy of Errors , an adaptation of Menaechmi , follows the model of new comedy closely. Shakespeare's other Elizabethan comedies are more romantic. Like Lyly, he often makes romantic intrigue (a secondary feature in Latin new comedy)

3690-447: Is much dispute about the exact chronology of Shakespeare's plays , there is a general consensus that stylistic groupings largely reflect a chronology of three-phases: Except where noted, the plays below are listed, for the thirty-six plays included in the First Folio of 1623, according to the order in which they appear there, with two plays that were not included ( Pericles, Prince of Tyre and The Two Noble Kinsmen ) being added at

3813-525: Is often used. In 1896, Frederick S. Boas coined the term " problem plays " to describe four plays: All's Well That Ends Well , Measure for Measure , Troilus and Cressida , and Hamlet . "Dramas as singular in theme and temper cannot be strictly called comedies or tragedies", he wrote. "We may, therefore, borrow a convenient phrase from the theatre of today and class them together as Shakespeare's problem plays." The term, much debated and sometimes applied to other plays, remains in use, though Hamlet

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3936-481: Is related to the success of tragicomedies such as Philaster , although the uncertainty of dates makes the nature and direction of the influence unclear. From the evidence of the title-page to The Two Noble Kinsmen and from textual analysis it is believed by some editors that Shakespeare ended his career in collaboration with Fletcher, who succeeded him as house playwright for the King's Men. These last plays resemble Fletcher's tragicomedies in their attempt to find

4059-510: Is seen not only in the problem plays, which dramatise intractable human problems of greed and lust, but also in the darker tone of the Jacobean tragedies. The Marlovian, heroic mode of the Elizabethan tragedies is gone, replaced by a darker vision of heroic natures caught in environments of pervasive corruption. As a sharer in both the Globe and in the King's Men, Shakespeare never wrote for the boys' companies; however, his early Jacobean work

4182-425: Is the question ". Unlike the introverted Hamlet, whose fatal flaw is hesitation, Othello and Lear are undone by hasty errors of judgement. The plots of Shakespeare's tragedies often hinge on such fatal errors or flaws, which overturn order and destroy the hero and those he loves. In Othello , Iago stokes Othello's sexual jealousy to the point where he murders the innocent wife who loves him. In King Lear ,

4305-590: The Sonnets were the last of Shakespeare's non-dramatic works to be printed. Scholars are not certain when each of the 154 sonnets was composed, but evidence suggests that Shakespeare wrote sonnets throughout his career for a private readership. Even before the two unauthorised sonnets appeared in The Passionate Pilgrim in 1599, Francis Meres had referred in 1598 to Shakespeare's "sugred Sonnets among his private friends". Few analysts believe that

4428-496: The Blackfriars indoor theatre . Extant records of Shakespeare's property purchases and investments indicate that his association with the company made him a wealthy man, and in 1597, he bought the second-largest house in Stratford, New Place , and in 1605, invested in a share of the parish tithes in Stratford. Some of Shakespeare's plays were published in quarto editions, beginning in 1594, and by 1598, his name had become

4551-683: The English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre. Their plays blended the old morality drama with classical theory to produce a new secular form. The new drama combined the rhetorical complexity of the academic play with the bawdy energy of the moralities. However, it was more ambiguous and complex in its meanings, and less concerned with simple allegory. Inspired by this new style, Shakespeare continued these artistic strategies, creating plays that not only resonated on an emotional level with audiences but also explored and debated

4674-510: The First Folio , a posthumous collected edition of Shakespeare's dramatic works that includes 36 of his plays. Its Preface was a prescient poem by Ben Jonson , a former rival of Shakespeare, who hailed Shakespeare with the now famous epithet: "not of an age, but for all time". Shakespeare was the son of John Shakespeare , an alderman and a successful glover (glove-maker) originally from Snitterfield in Warwickshire , and Mary Arden ,

4797-536: The King's Men . All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts ... — As You Like It , Act II, Scene 7, 139–142 In 1599, a partnership of members of the company built their own theatre on the south bank of the River Thames , which they named the Globe . In 1608, the partnership also took over

4920-523: The Shrew ' s story of the taming of a woman's independent spirit by a man sometimes troubles modern critics, directors, and audiences. Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his most acclaimed comedies. A Midsummer Night's Dream is a witty mixture of romance, fairy magic, and comic lowlife scenes. Shakespeare's next comedy,

5043-494: The end of lines , with the risk of monotony. Once Shakespeare mastered traditional blank verse, he began to interrupt and vary its flow. This technique releases the new power and flexibility of the poetry in plays such as Julius Caesar and Hamlet . Shakespeare uses it, for example, to convey the turmoil in Hamlet's mind: Sir, in my heart there was a kind of fighting That would not let me sleep. Methought I lay Worse than

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5166-539: The American Shakespeare Theatre included: One of seven crests donated by the Timex corporation was stolen in March 2012. Each of the crests represented a different Shakespearean play. Timex has had a long affiliation with the theatre, starting with a donation of "the world's only properly calibrated sundial" in 1956. In 2013, Beer Manager Steven Bilodeau of Wines Unlimited and Pete Rodrigues of Captain's Keg organized

5289-596: The Chorus in Henry V , though scholars doubt the sources of that information. Throughout his career, Shakespeare divided his time between London and Stratford. In 1596, the year before he bought New Place as his family home in Stratford, Shakespeare was living in the parish of St Helen's , Bishopsgate , north of the River Thames. He moved across the river to Southwark by 1599, the same year his company constructed

5412-506: The First Folio, The Two Noble Kinsmen and Pericles, Prince of Tyre , are now accepted as part of the canon, with today's scholars agreeing that Shakespeare made major contributions to the writing of both. No Shakespearean poems were included in the First Folio. In the late 19th century, Edward Dowden classified four of the late comedies as romances , and though many scholars prefer to call them tragicomedies , Dowden's term

5535-496: The Globe Theatre there. By 1604, he had moved north of the river again, to an area north of St Paul's Cathedral with many fine houses. There, he rented rooms from a French Huguenot named Christopher Mountjoy, a maker of women's wigs and other headgear. Nicholas Rowe was the first biographer to record the tradition, repeated by Samuel Johnson , that Shakespeare retired to Stratford "some years before his death". He

5658-499: The History of Soliloquies , James Hirsh defines the convention of a Shakespearean soliloquy in early modern drama. He argues that when a person on the stage speaks to himself or herself, they are characters in a fiction speaking in character; this is an occasion of self-address. Furthermore, Hirsh points out that Shakespearean soliloquies and " asides " are audible in the fiction of the play, bound to be overheard by any other character in

5781-448: The King's Men, published the First Folio , a collected edition of Shakespeare's plays. It contained 36 texts, including 18 printed for the first time. The others had already appeared in quarto versions—flimsy books made from sheets of paper folded twice to make four leaves. No evidence suggests that Shakespeare approved these editions, which the First Folio describes as "stol'n and surreptitious copies". Alfred Pollard termed some of

5904-421: The London stage by 1592. By then, he was sufficiently known in London to be attacked in print by the playwright Robert Greene in his Groats-Worth of Wit from that year: ... there is an upstart Crow, beautified with our feathers, that with his Tiger's heart wrapped in a Player's hide , supposes he is as well able to bombast out a blank verse as the best of you: and being an absolute Johannes factotum ,

6027-501: The Shakespeare family. Shakespeare bequeathed the bulk of his large estate to his elder daughter Susanna under stipulations that she pass it down intact to "the first son of her body". The Quineys had three children, all of whom died without marrying. The Halls had one child, Elizabeth, who married twice but died without children in 1670, ending Shakespeare's direct line. Shakespeare's will scarcely mentions his wife, Anne, who

6150-467: The Shrew , and The Two Gentlemen of Verona may also belong to Shakespeare's earliest period. His first histories , which draw heavily on the 1587 edition of Raphael Holinshed's Chronicles of England, Scotland, and Ireland , dramatise the destructive results of weak or corrupt rule and have been interpreted as a justification for the origins of the Tudor dynasty . The early plays were influenced by

6273-499: The act of writing, began to infuse each other". In the early 17th century, Shakespeare wrote the so-called " problem plays " Measure for Measure , Troilus and Cressida , and All's Well That Ends Well and a number of his best known tragedies . Many critics believe that Shakespeare's tragedies represent the peak of his art. Hamlet has probably been analysed more than any other Shakespearean character, especially for his famous soliloquy which begins " To be or not to be; that

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6396-646: The age of 11 and was buried 11 August 1596. After the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theatre scene in 1592. The exception is the appearance of his name in the "complaints bill" of a law case before the Queen's Bench court at Westminster dated Michaelmas Term 1588 and 9 October 1589. Scholars refer to the years between 1585 and 1592 as Shakespeare's "lost years". Biographers attempting to account for this period have reported many apocryphal stories. Nicholas Rowe , Shakespeare's first biographer, recounted

6519-480: The audience was outmoded by the time Shakespeare was alive, he "acknowledges few occasions when a Shakespearean speech might involve the audience in recognising the simultaneous reality of the stage and the world the stage is representing". Other than 29 speeches delivered by choruses or characters who revert to that condition as epilogues "Hirsh recognizes only three instances of audience address in Shakespeare's plays, 'all in very early comedies, in which audience address

6642-523: The basic elements of what it means to be human. What Marlowe and Kyd did for tragedy, John Lyly and George Peele , among others, did for comedy: they offered models of witty dialogue, romantic action, and exotic, often pastoral location that formed the basis of Shakespeare's comedic mode throughout his career. Shakespeare's Elizabethan tragedies (including the history plays with tragic designs, such as Richard II ) demonstrate his relative independence from classical models. He takes from Aristotle and Horace

6765-476: The blast, or heaven's cherubim, hors'd/ Upon the sightless couriers of the air ..." (1.7.21–25). The listener is challenged to complete the sense. The late romances, with their shifts in time and surprising turns of plot, inspired a last poetic style in which long and short sentences are set against one another, clauses are piled up, subject and object are reversed, and words are omitted, creating an effect of spontaneity. Shakespeare combined poetic genius with

6888-468: The case of Macbeth for example, scholars believe that someone (probably Thomas Middleton ) adapted and shortened the original to produce the extant text published in the First Folio, but that remains the only known text of the play. In others the text may have become manifestly corrupt or unreliable ( Pericles or Timon of Athens ) but no competing version exists. The modern editor can only regularise and correct erroneous readings that have survived into

7011-500: The categories used in the First Folio. However, modern criticism has labelled some of these plays " problem plays " that elude easy categorisation, or perhaps purposely break generic conventions, and has introduced the term romances for what scholars believe to be his later comedies. When Shakespeare first arrived in London in the late 1580s or early 1590s, dramatists writing for London's new commercial playhouses (such as The Curtain ) were combining two strands of dramatic tradition into

7134-484: The center. Usually polygonal in plan to give an overall rounded effect, three levels of inward-facing galleries overlooked the open center into which jutted the stage—essentially a platform surrounded on three sides by the audience, only the rear being restricted for the entrances and exits of the actors and seating for the musicians. The upper level behind the stage could be used as a balcony , as in Romeo and Juliet , or as

7257-451: The curriculum and were taught in editions with lengthy theoretical introductions. Archaeological excavations on the foundations of the Rose and the Globe in the late twentieth century suggested that all London English Renaissance theatres were built around similar general plans. Despite individual differences, the public theatres were three stories high and built around an open space at

7380-426: The daughter of an affluent landowning family . He was born in Stratford-upon-Avon , where he was baptised on 26 April 1564. His date of birth is unknown but is traditionally observed on 23 April, Saint George's Day . This date, which can be traced to William Oldys and George Steevens , has proved appealing to biographers because Shakespeare died on the same date in 1616. He was the third of eight children, and

7503-574: The dictum that tragic plots should be grounded in history. For example, King Lear is probably an adaptation of an older play, King Leir , and the Henriad probably derived from The Famous Victories of Henry V . There is speculation that Hamlet (c. 1601) may be a reworking of an older, lost play (the so-called Ur-Hamlet ), but the number of lost plays from this time period makes it impossible to determine that relationship with certainty. (The Ur-Hamlet may in fact have been Shakespeare's, and

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7626-415: The drama itself. Shakespeare's standard poetic form was blank verse , composed in iambic pentameter . In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones. It is often beautiful, but its sentences tend to start, pause, and finish at

7749-410: The eldest surviving son. Although no attendance records for the period survive, most biographers agree that Shakespeare was probably educated at the King's New School in Stratford, a free school chartered in 1553, about a quarter-mile (400 m) from his home. Grammar schools varied in quality during the Elizabethan era, but grammar school curricula were largely similar: the basic Latin text

7872-408: The end of the 19th century, William Poel led a reaction against this heavy style. In a series of "Elizabethan" productions on a thrust stage , he paid fresh attention to the structure of the drama. In the early twentieth century, Harley Granville-Barker directed quarto and folio texts with few cuts, while Edward Gordon Craig and others called for abstract staging. Both approaches have influenced

7995-418: The end of the list of comedies and another ( Edward III ) at the end of the list of histories. Note : Plays marked with are now commonly referred to as the " late romances ". Plays marked with are sometimes referred to as the " problem plays ". The three plays marked with were not included in the First Folio. Like most playwrights of his period, Shakespeare did not always write alone, and

8118-469: The end of these iambic pentameter lines to make the rhythm even stronger. He and many dramatists of this period used the form of blank verse extensively in character dialogue, thus heightening poetic effects. To end many scenes in his plays he used a rhyming couplet to give a sense of conclusion, or completion. A typical example is provided in Macbeth : as Macbeth leaves the stage to murder Duncan (to

8241-415: The equally romantic The Merchant of Venice , contains a portrayal of the vengeful Jewish moneylender Shylock , which reflects dominant Elizabethan views but may appear derogatory to modern audiences. The wit and wordplay of Much Ado About Nothing , the charming rural setting of As You Like It , and the lively merrymaking of Twelfth Night complete Shakespeare's sequence of great comedies. After

8364-686: The famous Richard Burbage , William Kempe , Henry Condell and John Heminges . Burbage played the leading role in the first performances of many of Shakespeare's plays, including Richard III , Hamlet , Othello , and King Lear . The popular comic actor Will Kempe played the servant Peter in Romeo and Juliet and Dogberry in Much Ado About Nothing , among other characters. He was replaced around 1600 by Robert Armin , who played roles such as Touchstone in As You Like It and

8487-473: The famous romantic tragedy of sexually charged adolescence, love, and death; and Julius Caesar —based on Sir Thomas North 's 1579 translation of Plutarch 's Parallel Lives —which introduced a new kind of drama. According to Shakespearean scholar James Shapiro , in Julius Caesar , "the various strands of politics, character, inwardness, contemporary events, even Shakespeare's own reflections on

8610-516: The first artistic director was Denis Carey, who had managed The Old Vic . Under Carey's reign, the results were neither impressive financially nor artistically. John Houseman took over as artistic director in 1956, and his associate director was Jack Landau (director) . Houseman resigned his position in August 1959 and Landau was promoted one month later. The Hartford Courant has posted a poorly-organized but nearly complete history of productions at

8733-456: The first part of Henry IV , Leonard Digges recording, "Let but Falstaff come, Hal, Poins, the rest ... and you scarce shall have a room". When the company found themselves in dispute with their landlord, they pulled The Theatre down and used the timbers to construct the Globe Theatre , the first playhouse built by actors for actors, on the south bank of the Thames at Southwark . The Globe opened in autumn 1599, with Julius Caesar one of

8856-594: The first plays staged. Most of Shakespeare's greatest post-1599 plays were written for the Globe, including Hamlet , Othello, and King Lear . After the Lord Chamberlain's Men were renamed the King's Men in 1603, they entered a special relationship with the new King James . Although the performance records are patchy, the King's Men performed seven of Shakespeare's plays at court between 1 November 1604, and 31 October 1605, including two performances of The Merchant of Venice . After 1608, they performed at

8979-477: The fool in King Lear . In 1613, Sir Henry Wotton recorded that Henry VIII "was set forth with many extraordinary circumstances of pomp and ceremony". On 29 June, however, a cannon set fire to the thatch of the Globe and burned the theatre to the ground, an event which pinpoints the date of a Shakespeare play with rare precision. In 1623, John Heminges and Henry Condell , two of Shakespeare's friends from

9102-433: The foot of the dedication page; nor is it known who Mr. W.H. was, despite numerous theories, or whether Shakespeare even authorised the publication. Critics praise the Sonnets as a profound meditation on the nature of love, sexual passion, procreation, death, and time. Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from

9225-495: The indoor Blackfriars Theatre during the winter and the Globe during the summer. The indoor setting, combined with the Jacobean fashion for lavishly staged masques , allowed Shakespeare to introduce more elaborate stage devices. In Cymbeline , for example, Jupiter descends "in thunder and lightning, sitting upon an eagle: he throws a thunderbolt. The ghosts fall on their knees." The actors in Shakespeare's company included

9348-424: The last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included run-on lines , irregular pauses and stops, and extreme variations in sentence structure and length. In Macbeth , for example, the language darts from one unrelated metaphor or simile to another: "was the hope drunk/ Wherein you dressed yourself?" (1.7.35–38); "... pity, like a naked new-born babe/ Striding

9471-426: The last phase of his life, he wrote tragicomedies (also known as romances ) such as The Winter's Tale and The Tempest , and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy during his lifetime. However, in 1623, John Heminges and Henry Condell , two fellow actors and friends of Shakespeare's, published a more definitive text known as

9594-442: The later plays, however. In Shakespeare's late romances , he deliberately returned to a more artificial style, which emphasised the illusion of theatre. Shakespeare%27s plays Shakespeare's plays are a canon of approximately 39 dramatic works written by the English poet, playwright, and actor William Shakespeare . The exact number of plays as well as their classifications as tragedy , history , comedy , or otherwise

9717-501: The lyrical Richard II , written almost entirely in verse, Shakespeare introduced prose comedy into the histories of the late 1590s, Henry IV, Part 1 and 2 , and Henry V . Henry IV features Falstaff , rogue, wit and friend of Prince Hal. His characters become more complex and tender as he switches deftly between comic and serious scenes, prose and poetry, and achieves the narrative variety of his mature work. This period begins and ends with two tragedies: Romeo and Juliet ,

9840-415: The main plot element; even this romantic plot is sometimes given less attention than witty dialogue, deceit, and jests. The "reform of manners", which Horace considered the main function of comedy, survives in such episodes as the gulling of Malvolio . Shakespeare reached maturity as a dramatist at the end of Elizabeth's reign, and in the first years of the reign of James . In these years, he responded to

9963-478: The marriage. The ceremony may have been arranged in some haste since the Worcester chancellor allowed the marriage banns to be read once instead of the usual three times, and six months after the marriage Anne gave birth to a daughter, Susanna , baptised 26 May 1583. Twins, son Hamnet and daughter Judith , followed almost two years later and were baptised 2 February 1585. Hamnet died of unknown causes at

10086-426: The mid-1580s to just before Greene's remarks. After 1594, Shakespeare's plays were performed at The Theatre , in Shoreditch , only by the Lord Chamberlain's Men , a company owned by a group of players, including Shakespeare, that soon became the leading playing company in London. After the death of Queen Elizabeth in 1603, the company was awarded a royal patent by the new King James I , and changed its name to

10209-461: The most entertaining scenes and characters are found in tragedies such as Hamlet and histories such as Henry IV, Part 1 . Shakespeare's humour was largely influenced by Plautus . Shakespeare's plays are also notable for their use of soliloquies , in which a character, apparently alone within the context of the play, makes a speech so that the audience may understand the character's inner motivations and conflict. In his book Shakespeare and

10332-433: The mutines in the bilboes. Rashly— And prais'd be rashness for it—let us know Our indiscretion sometimes serves us well ... After Hamlet , Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies. The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". In

10455-547: The needs of the characters or the drama. The poetry depends on extended, sometimes elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. The grand speeches in Titus Andronicus , in the view of some critics, often hold up the action, for example; and the verse in The Two Gentlemen of Verona has been described as stilted. "And pity, like

10578-615: The notion of decorum; with few exceptions, he focuses on high-born characters and national affairs as the subject of tragedy. In most other respects, though, the early tragedies are far closer to the spirit and style of moralities. They are episodic, packed with character and incident; they are loosely unified by a theme or character. In this respect, they reflect clearly the influence of Marlowe, particularly of Tamburlaine . Even in his early work, however, Shakespeare generally shows more restraint than Marlowe; he resorts to grandiloquent rhetoric less frequently, and his attitude towards his heroes

10701-552: The old king commits the tragic error of giving up his powers, initiating the events which lead to the torture and blinding of the Earl of Gloucester and the murder of Lear's youngest daughter, Cordelia . According to the critic Frank Kermode , "the play...offers neither its good characters nor its audience any relief from its cruelty". In Macbeth , the shortest and most compressed of Shakespeare's tragedies, uncontrollable ambition incites Macbeth and his wife, Lady Macbeth , to murder

10824-408: The performance of Henry VIII on 29 June. Shakespeare died on 23 April 1616, at the age of 52. He died within a month of signing his will, a document which he begins by describing himself as being in "perfect health". No extant contemporary source explains how or why he died. Half a century later, John Ward , the vicar of Stratford, wrote in his notebook: "Shakespeare, Drayton, and Ben Jonson had

10947-463: The period typically collaborated with others at some point, as critics agree Shakespeare did, mostly early and late in his career. The first recorded works of Shakespeare are Richard III and the three parts of Henry VI , written in the early 1590s during a vogue for historical drama . Shakespeare's plays are difficult to date precisely, however, and studies of the texts suggest that Titus Andronicus , The Comedy of Errors , The Taming of

11070-468: The plague (a total of over 60 months closure between May 1603 and February 1610), which meant there was often no acting work. Retirement from all work was uncommon at that time. Shakespeare continued to visit London during the years 1611–1614. In 1612, he was called as a witness in Bellott v Mountjoy , a court case concerning the marriage settlement of Mountjoy's daughter, Mary. In March 1613, he bought

11193-448: The play, each with respectable authority. The problem exists with at least four other Shakespearean plays ( Henry IV, Part 1 ; Hamlet ; Troilus and Cressida ; and Othello ). During Shakespeare's lifetime, many of his greatest plays were staged at the Globe Theatre and the Blackfriars Theatre . Shakespeare's fellow members of the Lord Chamberlain's Men acted in his plays. Among these actors were Richard Burbage (who played

11316-607: The plays of Shakespeare's First Folio (1623). Shakespeare's plays continued to be staged after his death until the Interregnum (1649–1660), when all public stage performances were banned by the Puritan rulers. After the English Restoration , Shakespeare's plays were performed in playhouses with elaborate scenery and staged with music, dancing, thunder, lightning, wave machines, and fireworks . During this time

11439-478: The pre-1623 versions as " bad quartos " because of their adapted, paraphrased or garbled texts, which may in places have been reconstructed from memory. Where several versions of a play survive, each differs from the others . The differences may stem from copying or printing errors, from notes by actors or audience members, or from Shakespeare's own papers . In some cases, for example, Hamlet , Troilus and Cressida, and Othello , Shakespeare could have revised

11562-452: The printed versions. The textual problem can, however, become rather complicated. Modern scholarship now believes Shakespeare to have modified his plays through the years, sometimes leading to two existing versions of one play. To provide a modern text in such cases, editors must face the choice between the original first version and the later, revised, usually more theatrical version. In the past editors have resolved this problem by conflating

11685-562: The property during the summer of 2019. William Shakespeare William Shakespeare ( c. 23 April 1564 – 23 April 1616) was an English playwright , poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon " (or simply "the Bard"). His extant works, including collaborations , consist of some 39 plays , 154 sonnets , three long narrative poems and

11808-452: The published collection follows Shakespeare's intended sequence. He seems to have planned two contrasting series: one about uncontrollable lust for a married woman of dark complexion (the "dark lady"), and one about conflicted love for a fair young man (the "fair youth"). It remains unclear if these figures represent real individuals, or if the authorial "I" who addresses them represents Shakespeare himself, though Wordsworth believed that with

11931-466: The rightful king and usurp the throne until their own guilt destroys them in turn. In this play, Shakespeare adds a supernatural element to the tragic structure. His last major tragedies, Antony and Cleopatra and Coriolanus , contain some of Shakespeare's finest poetry and were considered his most successful tragedies by the poet and critic T. S. Eliot . Eliot wrote, "Shakespeare acquired more essential history from Plutarch than most men could from

12054-431: The scene unless certain elements confirm that the speech is protected. Therefore, a Renaissance playgoer who was familiar with this dramatic convention would have been alert to Hamlet 's expectation that his soliloquy be overheard by the other characters in the scene. Moreover, Hirsh asserts that in soliloquies in other Shakespearean plays, the speaker is entirely in character within the play's fiction. Saying that addressing

12177-471: The separate entry on the Shakespeare apocrypha . Unlike his contemporary Ben Jonson , Shakespeare did not have direct involvement in publishing his plays and produced no overall authoritative version of his plays before he died. As a result, the problem of identifying what Shakespeare actually wrote is a major concern for most modern editions. One of the reasons there are textual problems is that there

12300-480: The sexual advances of Venus ; while in The Rape of Lucrece , the virtuous wife Lucrece is raped by the lustful Tarquin . Influenced by Ovid 's Metamorphoses , the poems show the guilt and moral confusion that result from uncontrolled lust. Both proved popular and were often reprinted during Shakespeare's lifetime. A third narrative poem, A Lover's Complaint , in which a young woman laments her seduction by

12423-417: The sonnets "Shakespeare unlocked his heart". Shall I compare thee to a summer's day? Thou art more lovely and more temperate ... —Opening lines from Shakespeare's Sonnet 18 . The 1609 edition was dedicated to a "Mr. W.H.", credited as "the only begetter" of the poems. It is not known whether this was written by Shakespeare himself or by the publisher, Thomas Thorpe , whose initials appear at

12546-415: The sound of a chiming clock), he says, Hear it not Duncan, for it is a knell That summons thee to heaven or to hell. Shakespeare's writing (especially his plays) also feature extensive wordplay in which double entendres and rhetorical flourishes are repeatedly used. Humour is a key element in all of Shakespeare's plays. Although a large amount of his comical talent is evident in his comedies, some of

12669-497: The source material litter the Quartos and the First Folio . Additionally, in an age before standardised spelling, Shakespeare often wrote a word several times in a different spelling, and this may have contributed to some of the transcribers' confusion. Modern editors have the task of reconstructing Shakespeare's original words and expurgating errors as far as possible. In some cases the textual solution presents few difficulties. In

12792-592: The start of the Thirty Years' War . His verse style, his choice of subjects, and his stagecraft all bear the marks of both periods. His style changed not only in accordance with his own tastes and developing mastery, but also in accord with the tastes of the audiences for whom he wrote. While many passages in Shakespeare's plays are written in prose , he almost always wrote a large proportion of his plays and poems in iambic pentameter . In some of his early works (like Romeo and Juliet ), he even added punctuation at

12915-489: The stone slab covering his grave includes a curse against moving his bones, which was carefully avoided during restoration of the church in 2008: Good frend for Iesvs sake forbeare, To digg the dvst encloased heare. Bleste be yͤ man yͭ spares thes stones, And cvrst be he yͭ moves my bones. Good friend, for Jesus' sake forbear, To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he that moves my bones. Some time before 1623,

13038-662: The texts between the quarto and folio editions. In the case of King Lear , however, while most modern editions do conflate them, the 1623 folio version is so different from the 1608 quarto that the Oxford Shakespeare prints them both, arguing that they cannot be conflated without confusion. In 1593 and 1594, when the theatres were closed because of plague , Shakespeare published two narrative poems on sexual themes, Venus and Adonis and The Rape of Lucrece . He dedicated them to Henry Wriothesley, Earl of Southampton . In Venus and Adonis , an innocent Adonis rejects

13161-596: The texts to provide what they believe to be a superior Ur-text , but critics now argue that to provide a conflated text would run contrary to Shakespeare's intentions. In King Lear for example, two independent versions, each with their own textual integrity, exist in the Quarto and the Folio versions. Shakespeare's changes here extend from the merely local to the structural. Hence the Oxford Shakespeare , published in 1986 (second edition 2005), provides two different versions of

13284-457: The texts were "reformed" and "improved" for the stage, an undertaking which has seemed shockingly disrespectful to posterity. Victorian productions of Shakespeare often sought pictorial effects in "authentic" historical costumes and sets. The staging of the reported sea fights and barge scene in Antony and Cleopatra was one spectacular example. Too often, the result was a loss of pace. Towards

13407-604: The theater. It was the home of the American Shakespeare Festival . The last full season of the festival as a producing organization was 1982. The last production on the theater stage was a one-person show of The Tempest in September 1989. Previous efforts had included plans to raise money to renovate the structure as well as alternate plans to demolish it and construct an amphitheater and black box theater in its place. Notable actors involved with

13530-495: The theatre and to raise awareness. The 9th Festival! Stratford presented A Midsummer Night's Dream , performed by the Connecticut Free Shakespeare, on the grounds July 31 through August 1, 2013. On Sunday, January 13, 2019, the theatre burned to the ground from a massive fire. The structure was unoccupied at the time and had been vacant for thirty years. No fatalities or injuries occurred, and nothing

13653-492: The title role in the first performances of many of Shakespeare's plays, including Hamlet , Othello , Richard III and King Lear ), Richard Cowley (who played Verges in Much Ado About Nothing ), William Kempe , (who played Peter in Romeo and Juliet and, possibly, Bottom in A Midsummer Night's Dream ) and Henry Condell and John Heminges , who are most famous now for collecting and editing

13776-545: The trio originally pled not guilty in court, they publicly confessed after the theatre arson on Snapchat. Sakowicz and Keller later changed their pleas to guilty, with Sakowicz being found primarily responsible and receiving a ten-year prison sentence as well as 15 years special parole and mandatory psychiatric treatment. Keller potentially faces up to 18 months in prison, while Caraballo's case remains pending and sealed as of December 2022. The Shakespeare Academy at Stratford said it plans to continue to stage outdoor performances at

13899-504: The whole British Museum ." In his final period, Shakespeare turned to romance or tragicomedy and completed three more major plays: Cymbeline , The Winter's Tale , and The Tempest , as well as the collaboration, Pericles, Prince of Tyre . Less bleak than the tragedies, these four plays are graver in tone than the comedies of the 1590s, but they end with reconciliation and the forgiveness of potentially tragic errors. Some commentators have seen this change in mood as evidence of

14022-429: The works attributed to him were written by others . Shakespeare produced most of his known works between 1589 and 1613. His early plays were primarily comedies and histories and are regarded as some of the best works produced in these genres. He then wrote mainly tragedies until 1608, among them Hamlet , Othello , King Lear and Macbeth , all considered to be among the finest works in English. In

14145-459: The works of other Elizabethan dramatists, especially Thomas Kyd and Christopher Marlowe , by the traditions of medieval drama, and by the plays of Seneca . The Comedy of Errors was also based on classical models, but no source for The Taming of the Shrew has been found, though it has an identical plot but different wording as another play with a similar name. Like The Two Gentlemen of Verona , in which two friends appear to approve of rape,

14268-705: Was classical aesthetic theory. This theory was derived ultimately from Aristotle ; in Renaissance England , however, the theory was better known through its Roman interpreters and practitioners. At the universities, plays were staged in a more academic form as Roman closet dramas. These plays, usually performed in Latin , adhered to classical ideas of unity and decorum , but they were also more static, valuing lengthy speeches over physical action. Shakespeare would have learned this theory at grammar school, where Plautus and especially Terence were key parts of

14391-690: Was just an earlier and subsequently discarded version.) For plays on historical subjects, Shakespeare relied heavily on two principal texts. Most of the Roman and Greek plays are based on Plutarch 's Parallel Lives (from the 1579 English translation by Sir Thomas North ), and the English history plays are indebted to Raphael Holinshed 's 1587 Chronicles . This structure did not apply to comedy, and those of Shakespeare's plays for which no clear source has been established, such as Love's Labour's Lost and The Tempest , are comedies. Even these plays, however, rely heavily on generic commonplaces. While there

14514-620: Was nearing its end. The First Folio of 1623, however, lists Shakespeare as one of "the Principal Actors in all these Plays", some of which were first staged after Volpone , although one cannot know for certain which roles he played. In 1610, John Davies of Hereford wrote that "good Will" played "kingly" roles. In 1709, Rowe passed down a tradition that Shakespeare played the ghost of Hamlet's father. Later traditions maintain that he also played Adam in As You Like It , and

14637-447: Was no copyright of writings at the time. As a result, Shakespeare and the playing companies he worked with did not distribute scripts of his plays, for fear that the plays would be stolen. This led to bootleg copies of his plays, which were often based on people trying to remember what Shakespeare had actually written. Textual corruptions also stemming from printers' errors, misreadings by compositors, or simply wrongly scanned lines from

14760-544: Was probably entitled to one-third of his estate automatically. He did make a point, however, of leaving her "my second best bed", a bequest that has led to much speculation. Some scholars see the bequest as an insult to Anne, whereas others believe that the second-best bed would have been the matrimonial bed and therefore rich in significance. Shakespeare was buried in the chancel of the Holy Trinity Church two days after his death. The epitaph carved into

14883-416: Was recovered from the building. The cause of the fire remained unknown for several months. In April 2019, three local teenagers – Logan Caraballo, Vincent Keller, and Christopher Sakowicz – were charged as adults with arson, burglary, and other felonies, in connection with the theatre fire. The three teenagers were charged with starting five additional fires in the months following the theatre fire. Although

15006-465: Was standardised by royal decree, and the school would have provided an intensive education in grammar based upon Latin classical authors. At the age of 18, Shakespeare married 26-year-old Anne Hathaway . The consistory court of the Diocese of Worcester issued a marriage licence on 27 November 1582. The next day, two of Hathaway's neighbours posted bonds guaranteeing that no lawful claims impeded

15129-483: Was still working as an actor in London in 1608; in an answer to the sharers' petition in 1635, Cuthbert Burbage stated that after purchasing the lease of the Blackfriars Theatre in 1608 from Henry Evans , the King's Men "placed men players" there, "which were Heminges , Condell , Shakespeare, etc.". However, it is perhaps relevant that the bubonic plague raged in London throughout 1609. The London public playhouses were repeatedly closed during extended outbreaks of

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