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86-399: In the past, when many physical phenomena were not well understood or when histories were not recorded, myths often arose to provide etiologies. Thus, an etiological myth, or origin myth , is a myth that has arisen, been told over time or written to explain the origins of various social or natural phenomena. For example, Virgil 's Aeneid is a national myth written to explain and glorify

172-683: A dolphin ( delphis ), propelled Cretans over the seas to make them his priests. While Delphi is actually related to the word delphus ("womb"), many etiological myths are similarly based on folk etymology (the term " Amazon ", for example). In the Aeneid (published c.  17 BC ), Virgil claims the descent of Augustus Caesar 's Julian clan from the hero Aeneas through his son Ascanius , also called Iulus. The story of Prometheus ' sacrifice trick at Mecone in Hesiod 's Theogony relates how Prometheus tricked Zeus into choosing

258-622: A moral , fable , allegory or a parable , or collection of traditional stories, understood to be false. It came eventually to be applied to similar bodies of traditional stories among other polytheistic cultures around the world. Thus "mythology" entered the English language before "myth". Johnson 's Dictionary , for example, has an entry for mythology, but not for myth. Indeed, the Greek loanword mythos ( pl. mythoi ) and Latinate mythus (pl. mythi ) both appeared in English before

344-401: A plot and characters who are either deities , human-like figures, or animals, who often speak and transform easily. They are often set in a dim and nonspecific past that historian of religion Mircea Eliade termed in illo tempore ('at that time'). Creation myths address questions deeply meaningful to the society that shares them, revealing their central worldview and the framework for

430-449: A "disease of language". He speculated that myths arose due to the lack of abstract nouns and neuter gender in ancient languages. Anthropomorphic figures of speech , necessary in such languages, were eventually taken literally, leading to the idea that natural phenomena were in actuality conscious or divine. Not all scholars, not even all 19th-century scholars, accepted this view. Lucien Lévy-Bruhl claimed that "the primitive mentality

516-449: A book on the comparative study of mythology and religion—argued that humans started out with a belief in magical rituals; later, they began to lose faith in magic and invented myths about gods, reinterpreting their rituals as religious rituals intended to appease the gods. Historically, important approaches to the study of mythology have included those of Vico , Schelling , Schiller , Jung , Freud , Lévy-Bruhl , Lévi-Strauss , Frye ,

602-539: A classification based on some common motifs that reappear in stories the world over. The classification identifies five basic types: Marta Weigle further developed and refined this typology to highlight nine themes, adding elements such as deus faber , a creation crafted by a deity, creation from the work of two creators working together or against each other, creation from sacrifice and creation from division/conjugation, accretion/conjunction, or secretion. An alternative system based on six recurring narrative themes

688-613: A common origin in the eastern Asiatic coastal region, spreading as peoples migrated west into Siberia and east to the North American continent. However, there are examples of this mytheme found well outside of this boreal distribution pattern, for example the West African Yoruba creation myth of Ọbatala and Oduduwa . Characteristic of many Native American myths, earth-diver creation stories begin as beings and potential forms linger asleep or suspended in

774-477: A failed or obsolete mode of thought, often by interpreting myth as the primitive counterpart of modern science within a unilineal framework that imagined that human cultures are travelling, at different speeds, along a linear path of cultural development. One of the dominant mythological theories of the latter 19th century was nature mythology , the foremost exponents of which included Max Müller and Edward Burnett Tylor . This theory posited that "primitive man"

860-503: A female sky deity falls from the heavens, and certain animals, the beaver , the otter , the duck , and the muskrat dive in the waters to fetch mud to construct an island. In a similar story from the Seneca , people lived in a sky realm. One day, the chief's daughter was afflicted with a mysterious illness, and the only cure recommended for her (revealed in a dream) was to lie beside a tree and to have it be dug up. The people do so, but

946-564: A hole opening to the underworld to stories about their subsequent migrations and eventual settlement in their current homelands. The earth-diver is a common character in various traditional creation myths. In these stories a supreme being usually sends an animal (most often a type of bird, but also crustaceans, insects, and fish in some narratives) into the primal waters to find bits of sand or mud with which to build habitable land. Some scholars interpret these myths psychologically while others interpret them cosmogonically . In both cases emphasis

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1032-408: A man complains that the tree was their livelihood, and kicks the girl through the hole. She ends up falling from the sky to a world of only water, but is rescued by waterfowl . A turtle offers to bear her on its shell, but asked where would be a definitive dwelling place for her. They decide to create land, and the toad dives into the depths of the primal sea to get pieces of soil. The toad puts it on

1118-446: A methodology that allows us to understand the complexity of the myth and its manifestations in contemporary times, is justified. Because "myth" is sometimes used in a pejorative sense, some scholars have opted for "mythos" instead. "Mythos" now more commonly refers to its Aristotelian sense as a "plot point" or to a body of interconnected myths or stories, especially those belonging to a particular religious or cultural tradition. It

1204-535: A myth can be highly controversial. Many religious adherents believe that the narratives told in their respective religious traditions are historical without question, and so object to their identification as myths while labelling traditional narratives from other religions as such. Hence, some scholars may label all religious narratives as "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars may abstain from using

1290-486: A pattern of behavior to be imitated, testifies to the efficacy of ritual with its practical ends and establishes the sanctity of cult . Another definition of myth comes from myth criticism theorist and professor José Manuel Losada . According to Cultural Myth Criticism, the studies of myth must explain and understand "myth from inside", that is, only "as a myth". Losada defines myth as "a functional, symbolic and thematic narrative of one or several extraordinary events with

1376-536: A poetic description of the sea as "raging" was eventually taken literally and the sea was then thought of as a raging god. Some thinkers claimed that myths result from the personification of objects and forces. According to these thinkers, the ancients worshiped natural phenomena, such as fire and air, gradually deifying them. For example, according to this theory, ancients tended to view things as gods, not as mere objects. Thus, they described natural events as acts of personal gods, giving rise to myths. According to

1462-409: A population more or less likely to have an illness, condition, or disease, thus helping determine its etiology. Sometimes determining etiology is an imprecise process. In the past, the etiology of a common sailor's disease, scurvy , was long unknown. When large, ocean-going ships were built, sailors began to put to sea for long periods of time, and often lacked fresh fruit and vegetables. Without knowing

1548-600: A primordial age when the world had not achieved its later form. Origin myths explain how a society's customs , institutions , and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals . The word "myth" comes from Ancient Greek μῦθος ( mȳthos ), meaning 'speech, narrative, fiction, myth, plot'. In turn, Ancient Greek μυθολογία ( mythología , 'story', 'lore', 'legends', or 'the telling of stories') combines

1634-439: A rational explanation of deity." While creation myths are not literal explications , they do serve to define an orientation of humanity in the world in terms of a birth story. They provide the basis of a worldview that reaffirms and guides how people relate to the natural world , to any assumed spiritual world , and to each other . A creation myth acts as a cornerstone for distinguishing primary reality from relative reality,

1720-621: A scholarly term for "[a] traditional story, especially one concerning the early history of a people or explaining a natural or social phenomenon, and typically involving supernatural beings or events." The Greek term mythología was then borrowed into Late Latin , occurring in the title of Latin author Fulgentius ' 5th-century Mythologiæ to denote what is now referred to as classical mythology —i.e., Greco-Roman etiological stories involving their gods. Fulgentius' Mythologiæ explicitly treated its subject matter as allegories requiring interpretation and not as true events. The Latin term

1806-463: A sense of their place in the world and the regard that they must have for humans and nature. Historian David Christian has summarised issues common to multiple creation myths: How did everything begin? This is the first question faced by any creation myth and ... answering it remains tricky. ... Each beginning seems to presuppose an earlier beginning. ... Instead of meeting a single starting point, we encounter an infinity of them, each of which poses

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1892-435: A separation or splitting of a primeval entity, the world parent or parents. One form describes the primeval state as an eternal union of two parents, and the creation takes place when the two are pulled apart. The two parents are commonly identified as Sky (usually male) and Earth (usually female), who were so tightly bound to each other in the primeval state that no offspring could emerge. These myths often depict creation as

1978-483: A staged ascent or metamorphosis from nascent forms through a series of subterranean worlds to arrive at their current place and form. Often the passage from one world or stage to the next is impelled by inner forces, a process of germination or gestation from earlier, embryonic forms. The genre is most commonly found in Native American cultures where the myths frequently link the final emergence of people from

2064-565: A step further, incorporating the study of the transcendent dimension (its function, its disappearance) to evaluate the role of myth as a mirror of contemporary culture. Cultural myth criticism Cultural myth criticism, without abandoning the analysis of the symbolic , invades all cultural manifestations and delves into the difficulties in understanding myth today. This cultural myth criticism studies mythical manifestations in fields as wide as literature , film and television , theater , sculpture , painting , video games , music , dancing ,

2150-436: A transcendent, sacred and supernatural referent; that lacks, in principle, historical testimony; and that refers to an individual or collective, but always absolute, cosmogony or eschatology". According to the hylistic myth research by assyriologist Annette Zgoll and classic philologist Christian Zgoll , "A myth can be defined as an Erzählstoff [narrative material] which is polymorphic through its variants and – depending on

2236-576: A world of the remote past, very different from that of the present. Definitions of "myth" vary to some extent among scholars, though Finnish folklorist Lauri Honko offers a widely-cited definition: Myth, a story of the gods, a religious account of the beginning of the world , the creation , fundamental events, the exemplary deeds of the gods as a result of which the world, nature and culture were created together with all parts thereof and given their order, which still obtains. A myth expresses and confirms society's religious values and norms, it provides

2322-601: Is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality . Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in

2408-421: Is a condition of the human mind and not a stage in its historical development." Recent scholarship, noting the fundamental lack of evidence for "nature mythology" interpretations among people who actually circulated myths, has likewise abandoned the key ideas of "nature mythology". Frazer saw myths as a misinterpretation of magical rituals, which were themselves based on a mistaken idea of natural law. This idea

2494-465: Is a form of understanding and telling stories that are connected to power, political structures, and political and economic interests. These approaches contrast with approaches, such as those of Joseph Campbell and Eliade , which hold that myth has some type of essential connection to ultimate sacred meanings that transcend cultural specifics. In particular, myth was studied in relation to history from diverse social sciences. Most of these studies share

2580-496: Is likened to the act of giving birth. The role of midwife is usually played by a female deity, like the spider woman of several mythologies of Indigenous peoples in the Americas. Male characters rarely figure into these stories, and scholars often consider them in counterpoint to male-oriented creation myths, like those of the ex nihilo variety. Emergence myths commonly describe the creation of people and/or supernatural beings as

2666-423: Is nobody's truth. Myths are somebody's truth." One theory claims that myths are distorted accounts of historical events. According to this theory, storytellers repeatedly elaborate upon historical accounts until the figures in those accounts gain the status of gods. For example, the myth of the wind-god Aeolus may have evolved from a historical account of a king who taught his people to use sails and interpret

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2752-472: Is often thought to differ from genres such as legend and folktale in that neither are considered to be sacred narratives. Some kinds of folktales, such as fairy stories , are not considered true by anyone, and may be seen as distinct from myths for this reason. Main characters in myths are usually gods , demigods or supernatural humans, while legends generally feature humans as their main characters. Many exceptions and combinations exist, as in

2838-483: Is placed on beginnings emanating from the depths. According to Gudmund Hatt and Tristram P. Coffin , Earth-diver myths are common in Native American folklore , among the following populations: Shoshone , Meskwaki , Blackfoot , Chipewyan , Newettee , Yokuts of California, Mandan , Hidatsa , Cheyenne , Arapaho , Ojibwe , Yuchi , and Cherokee . American anthropologist Gladys Reichard located

2924-536: Is pre-existing within the unformed void. In creation from chaos myths, there is nothing initially but a formless, shapeless expanse. In these stories the word "chaos" means "disorder", and this formless expanse, which is also sometimes called a void or an abyss, contains the material with which the created world will be made. Chaos may be described as having the consistency of vapor or water, dimensionless, and sometimes salty or muddy. These myths associate chaos with evil and oblivion, in contrast to "order" ( cosmos ) which

3010-636: Is sometimes known as "mythography", a term also used for a scholarly anthology of myths or of the study of myths generally. Key mythographers in the Classical tradition include: Other prominent mythographies include the thirteenth-century Prose Edda attributed to the Icelander Snorri Sturluson , which is the main surviving survey of Norse Mythology from the Middle Ages. Jeffrey G. Snodgrass (professor of anthropology at

3096-510: Is sometimes used specifically for modern, fictional mythologies, such as the world building of H. P. Lovecraft . Mythopoeia ( mytho- + -poeia , 'I make myth') was termed by J. R. R. Tolkien , amongst others, to refer to the "conscious generation" of mythology. It was notoriously also suggested, separately, by Nazi ideologist Alfred Rosenberg . Comparative mythology is a systematic comparison of myths from different cultures. It seeks to discover underlying themes that are common to

3182-506: Is the good. The act of creation is the bringing of order from disorder, and in many of these cultures it is believed that at some point the forces preserving order and form will weaken and the world will once again be engulfed into the abyss. One example is the Genesis creation narrative from the first chapter of the Book of Genesis . There are two types of world parent myths, both describing

3268-579: The Iliad , Odyssey and Aeneid . Moreover, as stories spread between cultures or as faiths change, myths can come to be considered folktales, their divine characters recast as either as humans or demihumans such as giants , elves and faeries . Conversely, historical and literary material may acquire mythological qualities over time. For example, the Matter of Britain (the legendary history of Great Britain, especially those focused on King Arthur and

3354-457: The Republic . His critique was primarily on the grounds that the uneducated might take the stories of gods and heroes literally. Nevertheless, he constantly referred to myths throughout his writings. As Platonism developed in the phases commonly called Middle Platonism and neoplatonism , writers such as Plutarch , Porphyry , Proclus , Olympiodorus , and Damascius wrote explicitly about

3440-860: The Theologia Mythologica (1532). The first modern, Western scholarly theories of myth appeared during the second half of the 19th century —at the same time as "myth" was adopted as a scholarly term in European languages. They were driven partly by a new interest in Europe's ancient past and vernacular culture, associated with Romantic Nationalism and epitomised by the research of Jacob Grimm (1785–1863). This movement drew European scholars' attention not only to Classical myths, but also material now associated with Norse mythology , Finnish mythology , and so forth. Western theories were also partly driven by Europeans' efforts to comprehend and control

3526-622: The Chukchi and Yukaghir , the Tatars , and many Finno-Ugric traditions, as well as among the Buryat and the Samoyed. In addition, the earth-diver motif also exists in narratives from Eastern Europe, namely Romani , Romanian, Slavic (namely, Bulgarian, Polish, Ukrainian, and Belarusian), and Lithuanian mythological traditions. The pattern of distribution of these stories suggest they have

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3612-622: The Colorado State University ) has termed India's Bhats as mythographers. Myth criticism is a system of anthropological interpretation of culture created by French philosopher Gilbert Durand . Scholars have used myth criticism to explain the mythical roots of contemporary fiction, which means that modern myth criticism needs to be interdisciplinary . Professor Losada offers his own methodologic, hermeneutic and epistemological approach to myth. While assuming mythopoetical perspectives, Losada's Cultural Myth Criticism takes

3698-523: The Rig Veda , and many animistic cultures in Africa, Asia, Oceania, and North America. In most of these stories, the world is brought into being by the speech, dream, breath, or pure thought of a creator but creation ex nihilo may also take place through a creator's bodily secretions. The literal translation of the phrase ex nihilo is "from nothing" but in many creation myths the line is blurred whether

3784-584: The Internet and other artistic fields . Myth criticism, a discipline that studies myths (mythology contains them, like a pantheon its statues), is by nature interdisciplinary: it combines the contributions of literary theory, the history of literature, the fine arts and the new ways of dissemination in the age of communication. Likewise, it undertakes its object of study from its interrelation with other human and social sciences, in particular sociology , anthropology and economics . The need for an approach, for

3870-567: The Soviet school, and the Myth and Ritual School . The critical interpretation of myth began with the Presocratics . Euhemerus was one of the most important pre-modern mythologists. He interpreted myths as accounts of actual historical events, though distorted over many retellings. Sallustius divided myths into five categories: Plato condemned poetic myth when discussing education in

3956-503: The assumption that history and myth are not distinct in the sense that history is factual, real, accurate, and truth, while myth is the opposite. Creation myth A creation myth or cosmogonic myth is a type of cosmogony , a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In

4042-463: The bones and fat of the first sacrificial animal rather than the meat to justify why, after a sacrifice, the Greeks offered the bones wrapped in fat to the gods while keeping the meat for themselves. In Ovid 's Pyramus and Thisbe , the origin of the color of mulberries is explained, as the white berries become stained red from the blood gushing forth from their double suicide. Myth Myth

4128-470: The concept of the Oedipus complex in his 1899 The Interpretation of Dreams . Jung likewise tried to understand the psychology behind world myths. Jung asserted that all humans share certain innate unconscious psychological forces, which he called archetypes . He believed similarities between the myths of different cultures reveals the existence of these universal archetypes. The mid-20th century saw

4214-399: The creative act would be better classified as a creation ex nihilo or creation from chaos. In ex nihilo creation myths, the potential and the substance of creation springs from within the creator. Such a creator may or may not be existing in physical surroundings such as darkness or water, but does not create the world from them, whereas in creation from chaos the substance used for creation

4300-541: The cultures, stories and religions they were encountering through colonialism . These encounters included both extremely old texts such as the Sanskrit Rigveda and the Sumerian Epic of Gilgamesh , and current oral narratives such as mythologies of the indigenous peoples of the Americas or stories told in traditional African religions . The intellectual context for nineteenth-century scholars

4386-477: The distribution of the motif across "all parts of North America", save for "the extreme north, northeast, and southwest". In a 1977 study, anthropologist Victor Barnouw surmised that the earth-diver motif appeared in " hunting-gathering societies ", mainly among northerly groups such as the Hare , Dogrib , Kaska , Beaver , Carrier , Chipewyan , Sarsi , Cree , and Montagnais . Similar tales are also found among

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4472-586: The fabled time of the "beginnings." In other words, myth tells how, through the deeds of Supernatural Beings, a reality came into existence, be it the whole of reality, the Cosmos, or only a fragment of reality – an island, a species of plant, a particular kind of human behavior, an institution. Creation myths have been around since ancient history and have served important societal roles. Over 100 "distinct" ones have been discovered. All creation myths are in one sense etiological because they attempt to explain how

4558-493: The first example of "myth" in 1830. The main characters in myths are usually non-humans, such as gods , demigods , and other supernatural figures. Others include humans, animals, or combinations in their classification of myth. Stories of everyday humans, although often of leaders of some type, are usually contained in legends , as opposed to myths. Myths are sometimes distinguished from legends in that myths deal with gods, usually have no historical basis, and are set in

4644-402: The foremost functions of myth is to establish models for behavior and that myths may provide a religious experience. By telling or reenacting myths, members of traditional societies detach themselves from the present, returning to the mythical age, thereby coming closer to the divine. Honko asserted that, in some cases, a society reenacts a myth in an attempt to reproduce the conditions of

4730-424: The habitable cosmos), but with assigning roles so that the cosmos should function. In the early 2nd century CE, early Christian scholars were beginning to see a tension between the idea of world-formation and the omnipotence of God, and by the beginning of the 3rd century creation ex nihilo had become a fundamental tenet of Christian theology. Ex nihilo creation is found in creation stories from ancient Egypt ,

4816-423: The influential development of a structuralist theory of mythology , led by Lévi-Strauss . Strauss argued that myths reflect patterns in the mind and interpreted those patterns more as fixed mental structures, specifically pairs of opposites (good/evil, compassionate/callous), rather than unconscious feelings or urges. Meanwhile, Bronislaw Malinowski developed analyses of myths focusing on their social functions in

4902-711: The knights of the Round Table ) and the Matter of France , seem distantly to originate in historical events of the 5th and 8th centuries, respectively, and became mythologised over the following centuries. In colloquial use, "myth" can also be used of a collectively held belief that has no basis in fact, or any false story. This usage, which is often pejorative , arose from labelling the religious myths and beliefs of other cultures as incorrect, but it has spread to cover non-religious beliefs as well. As commonly used by folklorists and academics in other relevant fields, such as anthropology , "myth" has no implication whether

4988-462: The lack of vitamin C in a sailor's diet. The following are examples of intrinsic factors: An etiological myth, or origin myth, is a myth intended to explain the origins of cult practices, natural phenomena, proper names and the like. For example, the name Delphi and its associated deity, Apollon Delphinios , are explained in the Homeric Hymn which tells of how Apollo, in the shape of

5074-465: The myth-ritual theory, myth is tied to ritual. In its most extreme form, this theory claims myths arose to explain rituals. This claim was first put forward by Smith , who argued that people begin performing rituals for reasons not related to myth. Forgetting the original reason for a ritual, they account for it by inventing a myth and claiming the ritual commemorates the events described in that myth. James George Frazer —author of The Golden Bough ,

5160-583: The mythical age. For example, it might reenact the healing performed by a god at the beginning of time in order to heal someone in the present. Similarly, Barthes argued that modern culture explores religious experience. Since it is not the job of science to define human morality, a religious experience is an attempt to connect with a perceived moral past, which is in contrast with the technological present. Pattanaik defines mythology as "the subjective truth of people communicated through stories, symbols and rituals." He says, "Facts are everybody's truth. Fiction

5246-430: The myths of multiple cultures. In some cases, comparative mythologists use the similarities between separate mythologies to argue that those mythologies have a common source. This source may inspire myths or provide a common "protomythology" that diverged into the mythologies of each culture. A number of commentators have argued that myths function to form and shape society and social behaviour. Eliade argued that one of

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5332-565: The narrative may be understood as true or otherwise. Among biblical scholars of both the Old and New Testament, the word "myth" has a technical meaning, in that it usually refers to "describe the actions of the other‐worldly in terms of this world" such as the Creation and the Fall. Since "myth" is popularly used to describe stories that are not objectively true , the identification of a narrative as

5418-419: The origin and nature of being from non-being. In this sense cosmogonic myths serve as a philosophy of life – but one expressed and conveyed through symbol rather than through systematic reason. And in this sense they go beyond etiological myths (which explain specific features in religious rites, natural phenomena, or cultural life). Creation myths also help to orient human beings in the world, giving them

5504-547: The origins of the Roman Empire . In theology , many religions have creation myths explaining the origins of the world or its relationship to believers. In medicine, the etiology of an illness or condition refers to the frequent studies to determine one or more factors that come together to cause the illness. Relatedly, when disease is widespread, epidemiological studies investigate what associated factors, such as location, sex, exposure to chemicals, and many others, make

5590-504: The past, historians of religion and other students of myth thought of such stories as forms of primitive or early-stage science or religion and analyzed them in a literal or logical sense. Today, however, they are seen as symbolic narratives which must be understood in terms of their own cultural context. Charles Long writes: "The beings referred to in the myth – gods, animals, plants – are forms of power grasped existentially. The myths should not be understood as attempts to work out

5676-459: The precise cause, Captain James Cook suspected scurvy was caused by the lack of vegetables in the diet. Based on his suspicion, he forced his crew to eat sauerkraut , a cabbage preparation, every day, and based upon the positive outcomes, he inferred that it prevented scurvy, even though he did not know precisely why. It took about another two hundred years to discover the precise etiology;

5762-464: The primordial realm. The earth-diver is among the first of them to awaken and lay the necessary groundwork by building suitable lands where the coming creation will be able to live. In many cases, these stories will describe a series of failed attempts to make land before the solution is found. Among the indigenous peoples of the Americas, the earth-diver cosmogony is attested in Iroquois mythology :

5848-484: The rationalization of myths, putting themes formerly imbued with mythological qualities into pragmatic contexts. An example of this would be following a cultural or religious paradigm shift (notably the re-interpretation of pagan mythology following Christianization ). Interest in polytheistic mythology revived during the Renaissance , with early works of mythography appearing in the sixteenth century, among them

5934-543: The real world. He is associated with the idea that myths such as origin stories might provide a "mythic charter"—a legitimisation—for cultural norms and social institutions . Thus, following the Structuralist Era ( c.  1960s –1980s), the predominant anthropological and sociological approaches to myth increasingly treated myth as a form of narrative that can be studied, interpreted, and analyzed like ideology, history, and culture. In other words, myth

6020-519: The result of a sexual union and serve as genealogical record of the deities born from it. In the second form of world parent myths, creation itself springs from dismembered parts of the body of the primeval being. Often, in these stories, the limbs, hair, blood, bones, or organs of the primeval being are somehow severed or sacrificed to transform into sky, earth, animal or plant life, and other worldly features. These myths tend to emphasize creative forces as animistic in nature rather than sexual, and depict

6106-576: The sacred as the elemental and integral component of the natural world. One example of this is the Norse creation myth described in " Völuspá ", the first poem in the Poetic Edda , and in Gylfaginning . In emergence myths, humanity emerges from another world into the one they currently inhabit. The previous world is often considered the womb of the earth mother , and the process of emergence

6192-586: The same problem. ... There are no entirely satisfactory solutions to this dilemma. What we have to find is not a solution but some way of dealing with the mystery .... And we have to do so using words. The words we reach for, from God to gravity , are inadequate to the task. So we have to use language poetically or symbolically; and such language, whether used by a scientist, a poet, or a shaman, can easily be misunderstood. Mythologists have applied various schemes to classify creation myths found throughout human cultures. Eliade and his colleague Charles Long developed

6278-467: The self-identity of the culture and individual in a universal context. Creation myths develop in oral traditions and therefore typically have multiple versions; found throughout human culture , they are the most common form of myth. Creation myth definitions from modern references: Religion professor Mircea Eliade defined the word myth in terms of creation: Myth narrates a sacred history; it relates an event that took place in primordial Time,

6364-545: The society in which it is told, a creation myth is usually regarded as conveying profound truths  – metaphorically , symbolically , historically , or literally . They are commonly, although not always, considered cosmogonical myths – that is, they describe the ordering of the cosmos from a state of chaos or amorphousness. Creation myths often share several features. They often are considered sacred accounts and can be found in nearly all known religious traditions . They are all stories with

6450-421: The symbolic interpretation of traditional and Orphic myths. Mythological themes were consciously employed in literature, beginning with Homer . The resulting work may expressly refer to a mythological background without itself becoming part of a body of myths ( Cupid and Psyche ). Medieval romance in particular plays with this process of turning myth into literature. Euhemerism , as stated earlier, refers to

6536-464: The term "myth" altogether for purposes of avoiding placing pejorative overtones on sacred narratives. In present use, "mythology" usually refers to the collection of myths of a group of people. For example, Greek mythology , Roman mythology , Celtic mythology and Hittite mythology all describe the body of myths retold among those cultures. "Mythology" can also refer to the study of myths and mythologies. The compilation or description of myths

6622-681: The turtle's back, which grows larger with every deposit of soil. In another version from the Wyandot , the Wyandot lived in heaven. The daughter of the Big Chief (or Mighty Ruler) was sick, so the medicine man recommends that they dig up the wild apple tree that stands next to the Lodge of the Mighty Ruler, because the remedy is to be found on its roots. However, as the tree has been dug out,

6708-483: The variant – polystratic; an Erzählstoff in which transcending interpretations of what can be experienced are combined into a hyleme sequence with an implicit claim to relevance for the interpretation and mastering of the human condition." Scholars in other fields use the term "myth" in varied ways. In a broad sense, the word can refer to any traditional story , popular misconception or imaginary entity. Though myth and other folklore genres may overlap, myth

6794-739: The winds. Herodotus (fifth-century BCE) and Prodicus made claims of this kind. This theory is named euhemerism after mythologist Euhemerus ( c.  320 BCE ), who suggested that Greek gods developed from legends about humans. Some theories propose that myths began as allegories for natural phenomena: Apollo represents the sun, Poseidon represents water, and so on. According to another theory, myths began as allegories for philosophical or spiritual concepts: Athena represents wise judgment, Aphrodite romantic desire, and so on. Müller supported an allegorical theory of myth. He believed myths began as allegorical descriptions of nature and gradually came to be interpreted literally. For example,

6880-405: The word mȳthos with the suffix - λογία ( -logia , 'study') in order to mean 'romance, fiction, story-telling.' Accordingly, Plato used mythología as a general term for 'fiction' or 'story-telling' of any kind. In Anglicised form, this Greek word began to be used in English (and was likewise adapted into other European languages) in the early 19th century, in a much narrower sense, as

6966-436: The world formed and where humanity came from. Myths attempt to explain the unknown and sometimes teach a lesson. Ethnologists and anthropologists who study origin myths say that in the modern context theologians try to discern humanity's meaning from revealed truths and scientists investigate cosmology with the tools of empiricism and rationality , but creation myths define human reality in very different terms. In

7052-1029: Was central to the " myth and ritual " school of thought. According to Frazer, humans begin with an unfounded belief in impersonal magical laws. When they realize applications of these laws do not work, they give up their belief in natural law in favor of a belief in personal gods controlling nature, thus giving rise to religious myths. Meanwhile, humans continue practicing formerly magical rituals through force of habit, reinterpreting them as reenactments of mythical events. Finally, humans come to realize nature follows natural laws, and they discover their true nature through science. Here again, science makes myth obsolete as humans progress "from magic through religion to science." Segal asserted that by pitting mythical thought against modern scientific thought, such theories imply modern humans must abandon myth. The earlier 20th century saw major work developing psychoanalytical approaches to interpreting myth, led by Sigmund Freud , who, drawing inspiration from Classical myth, began developing

7138-447: Was designed by Raymond Van Over: The myth that God created the world out of nothing – ex nihilo – is central today to Judaism, Christianity, and Islam, and the medieval Jewish philosopher Maimonides felt it was the only concept that the three religions shared. Nonetheless, the concept is not found in the entire Hebrew Bible. The authors of Genesis 1 were concerned not with the origins of matter (the material which God formed into

7224-618: Was primarily concerned with the natural world. It tended to interpret myths that seemed distasteful to European Victorians —such as tales about sex, incest, or cannibalism—as metaphors for natural phenomena like agricultural fertility . Unable to conceive impersonal natural laws, early humans tried to explain natural phenomena by attributing souls to inanimate objects, thus giving rise to animism . According to Tylor, human thought evolved through stages, starting with mythological ideas and gradually progressing to scientific ideas. Müller also saw myth as originating from language, even calling myth

7310-530: Was profoundly shaped by emerging ideas about evolution . These ideas included the recognition that many Eurasian languages—and therefore, conceivably, stories—were all descended from a lost common ancestor (the Indo-European language ) which could rationally be reconstructed through the comparison of its descendant languages. They also included the idea that cultures might evolve in ways comparable to species. In general, 19th-century theories framed myth as

7396-545: Was then adopted in Middle French as mythologie . Whether from French or Latin usage, English adopted the word "mythology" in the 15th century, initially meaning 'the exposition of a myth or myths', 'the interpretation of fables', or 'a book of such expositions'. The word is first attested in John Lydgate 's Troy Book ( c.  1425 ). From Lydgate until the 17th or 18th century, "mythology" meant

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