104-485: Alexis Andrew Nicholas Koerner (19 April 1928 – 1 January 1984), known professionally as Alexis Korner , was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues ". A major influence on the sound of the British music scene in the 1960s, he was instrumental in the formation of several notable British bands including The Rolling Stones and Free . Korner
208-556: A horn section drawn from a pool that included, among others, saxophone players Art Themen , Mel Collins , Dick Heckstall-Smith , and Lol Coxhill . While touring Scandinavia he formed the band New Church with guitarist and singer Peter Thorup . They subsequently were one of the support bands at the Rolling Stones Free Concert in Hyde Park , London, on 5 July 1969. Jimmy Page reportedly found out about
312-629: A "gorgeous knockabout" of a song. Record World said it was "their best since ' Alright Now '." The band performed the song on BBC's Top of the Pops on 13 May 1971. The band disbanded in 1971 because of differences between Fraser and Rodgers, who felt he was not being listened to. This led to the release of the live album called Free Live! In early 1972 the band set aside their differences and reformed in an effort to save Kossoff from his growing drug addiction, and released Free at Last in June of
416-502: A British usage of the 1600s referring to the "intense visual hallucinations that can accompany severe alcohol withdrawal". As time went on, the phrase lost the reference to devils and came to mean a state of agitation or depression. By the 1800s in the United States, the term "blues" was associated with drinking alcohol, a meaning which survives in the phrase ' blue law ', which prohibits the sale of alcohol on Sunday. In 1827, it
520-484: A banjo or guitar. Regional styles of country blues varied widely in the early 20th century. The (Mississippi) Delta blues was a rootsy sparse style with passionate vocals accompanied by slide guitar. The little-recorded Robert Johnson combined elements of urban and rural blues. In addition to Robert Johnson, influential performers of this style included his predecessors Charley Patton and Son House . Singers such as Blind Willie McTell and Blind Boy Fuller performed in
624-415: A break; the harmony of this two-bar break, the turnaround, can be extremely complex, sometimes consisting of single notes that defy analysis in terms of chords. Much of the time, some or all of these chords are played in the harmonic seventh (7th) form. The use of the harmonic seventh interval is characteristic of blues and is popularly called the "blues seven". Blues seven chords add to the harmonic chord
728-586: A center for electric blues from 1948 on, when Muddy Waters recorded his first success, "I Can't Be Satisfied". Chicago blues is influenced to a large extent by Delta blues , because many performers had migrated from the Mississippi region. Howlin' Wolf , Muddy Waters, Willie Dixon and Jimmy Reed were all born in Mississippi and moved to Chicago during the Great Migration. Their style
832-399: A component of R&B. After World War II, new styles of electric blues became popular in cities such as Chicago , Memphis , Detroit and St. Louis . Electric blues used electric guitars , double bass (gradually replaced by bass guitar ), drums , and harmonica (or "blues harp") played through a microphone and a PA system or an overdriven guitar amplifier . Chicago became
936-569: A duo, started the influential London Blues and Barrelhouse Club in 1955 and made their first record together in 1957. Korner made his first official record on Decca Records DFE 6286 in the company of Ken Colyer 's Skiffle Group. His talent extended to playing mandolin on one of the tracks of this British EP , recorded in London on 28 July 1955. Korner encouraged many American blues artists, previously virtually unknown in Britain, to perform at
1040-635: A movement known as the Great Migration . The long boom following World War II induced another massive migration of the African-American population, the Second Great Migration , which was accompanied by a significant increase of the real income of the urban blacks. The new migrants constituted a new market for the music industry. The term race record , initially used by the music industry for African-American music,
1144-469: A new singer, Robert Plant , who had been jamming with Korner, who wondered why Plant had not yet been discovered. Plant and Korner were recording an album with Plant on vocals until Page had asked him to join "the New Yardbirds ", a.k.a. Led Zeppelin . Only two songs are in circulation from these recordings: "Steal Away" and "Operator". Korner gave one of his last radio interviews to BBC Midlands on
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#17327808227881248-456: A note with a frequency in a 7:4 ratio to the fundamental note. At a 7:4 ratio, it is not close to any interval on the conventional Western diatonic scale . For convenience or by necessity it is often approximated by a minor seventh interval or a dominant seventh chord . In melody , blues is distinguished by the use of the flattened third , fifth and seventh of the associated major scale . Blues shuffles or walking bass reinforce
1352-599: A part in early blues, citing Robert Johnson 's " Cross Road Blues " as a "thinly veiled reference to Eleggua , the orisha in charge of the crossroads". However, the Christian influence was far more obvious. The repertoires of many seminal blues artists, such as Charley Patton and Skip James , included religious songs or spirituals. Reverend Gary Davis and Blind Willie Johnson are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals. The blues form
1456-569: A part of ragtime; Handy's signature work was the " Saint Louis Blues ". In the 1920s, the blues became a major element of African American and American popular music, also reaching white audiences via Handy's arrangements and the classic female blues performers. These female performers became perhaps the first African American "superstars", and their recording sales demonstrated "a huge appetite for records made by and for black people." The blues evolved from informal performances in bars to entertainment in theaters. Blues performances were organized by
1560-419: A recording career that began in 1926 and spanned forty years. These recordings were typically labeled " race records " to distinguish them from records sold to white audiences. Nonetheless, the recordings of some of the classic female blues singers were purchased by white buyers as well. These blueswomen's contributions to the genre included "increased improvisation on melodic lines, unusual phrasing which altered
1664-406: A separate genre arose during the black migration from the countryside to urban areas in the 1920s and the simultaneous development of the recording industry. Blues became a code word for a record designed to sell to black listeners. The origins of the blues are closely related to the religious music of Afro-American community, the spirituals . The origins of spirituals go back much further than
1768-494: A single line repeated four times. However, the most common structure of blues lyrics today was established in the first few decades of the 20th century, known as the "AAB" pattern. This structure consists of a line sung over the first four bars, its repetition over the next four, and a longer concluding line over the last bars. This pattern can be heard in some of the first published blues songs, such as " Dallas Blues " (1912) and " Saint Louis Blues " (1914). According to W.C. Handy ,
1872-456: A six-part documentary on BBC Radio 1 , The Rolling Stones Story , and in 1977 he established a Sunday-night show on Radio 1, Alexis Korner's Blues and Soul Show , which ran until 1981. He also used his gravelly voice to great effect as an advertising voice-over artist. In 1970, Korner and Thorup formed a big-band ensemble, CCS – short for "The Collective Consciousness Society" – which had several hit singles produced by Mickie Most , including
1976-424: A staple of R&B and rock , and has entered ASCAP 's "One Million" airplay singles club. Andy Fraser left the band in 1972 and formed Sharks . Free recorded one more album, Heartbreaker , before disbanding in 1973; Paul Rodgers and Simon Kirke went on to co-form the more successful rock supergroup Bad Company . Paul Kossoff formed Back Street Crawler in 1973, but died from a pulmonary embolism at
2080-541: A version of Led Zeppelin 's " Whole Lotta Love ", which was used as the theme for BBC's Top of the Pops between 1970 and 1981. Another instrumental called "Brother" was used as the theme to the BBC Radio 1 Top 20/40 when Tom Browne / Simon Bates presented the programme in the 1970s. It was also used in the 1990s on Radio Luxembourg for the Top 20 Singles chart. This was the period of Korner's greatest commercial success in
2184-470: A wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music . The term 'Blues' may have originated from "blue devils", meaning melancholy and sadness. An early use of the term in this sense is in George Colman 's one-act farce Blue Devils (1798). The phrase 'blue devils' may also have been derived from
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#17327808227882288-492: A wider crowd of mostly younger fans, some of whom occasionally performed with the group, including Mick Jagger , Keith Richards , Brian Jones , Geoff Bradford , Rod Stewart , John Mayall , and Jimmy Page . Although Cyril Davies left the group in late 1962, Blues Incorporated continued to record, with Korner at the helm, until 1966. However, by that time its originally stellar line-up (and crowd of followers) had mostly left to start their own bands. While his one-time acolytes,
2392-454: Is a cyclic musical form in which a repeating progression of chords mirrors the call and response scheme commonly found in African and African-American music. During the first decades of the 20th century blues music was not clearly defined in terms of a particular chord progression. With the popularity of early performers, such as Bessie Smith , use of the twelve-bar blues spread across
2496-775: Is characterized by the use of electric guitar, sometimes slide guitar, harmonica, and a rhythm section of bass and drums. The saxophonist J. T. Brown played in bands led by Elmore James and by J. B. Lenoir , but the saxophone was used as a backing instrument for rhythmic support more than as a lead instrument. Free (band) Free were an English rock band formed in London in 1968 by Paul Rodgers (vocals), Paul Kossoff (guitar), Andy Fraser (bass, piano) and Simon Kirke (drums, percussion). They are best known for their hit songs " All Right Now " and " Wishing Well ". Although renowned for their live performances and non-stop touring, their music did not sell well until their third studio album, Fire and Water (1970), which featured
2600-728: Is often associated with solo piano, boogie-woogie was also used to accompany singers and, as a solo part, in bands and small combos. Boogie-woogie style was characterized by a regular bass figure, an ostinato or riff and shifts of level in the left hand, elaborating each chord and trills and decorations in the right hand. Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio ( Albert Ammons , Pete Johnson and Meade Lux Lewis ). Chicago boogie-woogie performers included Clarence "Pine Top" Smith and Earl Hines , who "linked
2704-497: Is often associated with the California blues style, performed a successful transition from the early urban blues à la Lonnie Johnson and Leroy Carr to the jump blues style and dominated the blues-jazz scene at Los Angeles during the 1940s. The transition from country blues to urban blues that began in the 1920s was driven by the successive waves of economic crisis and booms that led many rural blacks to move to urban areas, in
2808-519: The African-American culture . The blues form is ubiquitous in jazz , rhythm and blues , and rock and roll , and is characterized by the call-and-response pattern, the blues scale , and specific chord progressions , of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch , are also an essential part of the sound. Blues shuffles or walking bass reinforce
2912-482: The American South sometimes referred to as a jitterbug or a one-string in the early twentieth century) and the banjo are African-derived instruments that may have helped in the transfer of African performance techniques into the early blues instrumental vocabulary. The banjo seems to be directly imported from West African music. It is similar to the musical instrument that griots and other Africans such as
3016-647: The British Music Industry when "All Right Now" passed 2 million radio plays in the UK. Despite its name, Free was the only advertised band who would not perform for free for the ailing Phun City festival in July 1970. Promoter Mick Farren said that when they learned there would be no payment, they left "without even getting out of the car." Kirke's replacement in Black Cat's Bones, Phil Lenoir, played
3120-608: The Count Basie Orchestra were also concentrating on the blues, with 12-bar blues instrumentals such as Basie's " One O'Clock Jump " and " Jumpin' at the Woodside " and boisterous " blues shouting " by Jimmy Rushing on songs such as "Going to Chicago" and " Sent for You Yesterday ". A well-known big band blues tune is Glenn Miller 's " In the Mood ". In the 1940s, the jump blues style developed. Jump blues grew up from
3224-558: The Great Mississippi Flood of 1927 : Backwater rising, Southern peoples can't make no time I said, backwater rising, Southern peoples can't make no time And I can't get no hearing from that Memphis girl of mine Although the blues gained an association with misery and oppression, the lyrics could also be humorous and raunchy: Rebecca, Rebecca, get your big legs off of me, Rebecca, Rebecca, get your big legs off of me, It may be sending you baby, but it's worrying
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3328-587: The Igbo played (called halam or akonting by African peoples such as the Wolof , Fula and Mandinka ). However, in the 1920s, when country blues began to be recorded, the use of the banjo in blues music was quite marginal and limited to individuals such as Papa Charlie Jackson and later Gus Cannon . Blues music also adopted elements from the "Ethiopian airs", minstrel shows and Negro spirituals , including instrumental and harmonic accompaniment. The style also
3432-530: The R&;B band Black Cat Bones , but they wanted to move on. When Kossoff saw Paul Rodgers singing with his band Brown Sugar at the Fickle Pickle, an R&B club in London's Finsbury Park , he was immediately impressed and asked to jam onstage with Rodgers. Along with Kirke, they began the search for a fourth member. Alexis Korner recommended Andy Fraser , who had been playing with John Mayall &
3536-555: The Record Collectors Show with Mike Adams and Chris Savory. In the 1960s Korner began a media career, working initially as a showbusiness interviewer and then on ITV 's Five O'Clock Club , a children's TV show. Korner also wrote about blues for the music papers, and continued to maintain his own career as a blues artist, especially in Europe. Korner's main career in the 1970s was in broadcasting. In 1973, he presented
3640-777: The Theater Owners Booking Association in nightclubs such as the Cotton Club and juke joints such as the bars along Beale Street in Memphis. Several record companies, such as the American Record Corporation , Okeh Records , and Paramount Records , began to record African-American music. As the recording industry grew, country blues performers like Bo Carter , Jimmie Rodgers , Blind Lemon Jefferson , Lonnie Johnson , Tampa Red and Blind Blake became more popular in
3744-570: The UK singles chart and No. 4 on the US Billboard Hot 100 . The album reached No. 2 in the UK charts and No. 17 on the U.S charts, making it the most successful Free album. "All Right Now" became a No. 1 hit in over 20 territories and was recognised by ASCAP in 1990 for garnering 1 million plus radio plays in the US by late 1989. In 2000 an award was given to Paul Rodgers by
3848-409: The degrees of the progression. For instance, for a blues in the key of C, C is the tonic chord (I) and F is the subdominant (IV). The last chord is the dominant (V) turnaround , marking the transition to the beginning of the next progression. The lyrics generally end on the last beat of the tenth bar or the first beat of the 11th bar, and the final two bars are given to the instrumentalist as
3952-468: The "AAB" pattern was adopted to avoid the monotony of lines repeated three times. The lyrics are often sung in a rhythmic talk style rather than a melody, resembling a form of talking blues . Early blues frequently took the form of a loose narrative. African-American singers voiced their "personal woes in a world of harsh reality: a lost love, the cruelty of police officers, oppression at the hands of white folk, [and] hard times". This melancholy has led to
4056-438: The 1920s, among them "the big three"— Gertrude "Ma" Rainey , Bessie Smith , and Lucille Bogan . Mamie Smith , more a vaudeville performer than a blues artist, was the first African American to record a blues song, in 1920; her second record, "Crazy Blues", sold 75,000 copies in its first month. Ma Rainey, the "Mother of Blues", and Bessie Smith each "[sang] around center tones, perhaps in order to project her voice more easily to
4160-428: The 1920s, when the record industry created the marketing categories " race music " and " hillbilly music " to sell music by blacks for blacks and by whites for whites, respectively. At the time, there was no clear musical division between "blues" and "country", except for the ethnicity of the performer, and even that was sometimes documented incorrectly by record companies. Though musicologists can now attempt to define
4264-455: The 9-bar progression in " Sitting on Top of the World ", by Walter Vinson . The basic 12-bar lyric framework of many blues compositions is reflected by a standard harmonic progression of 12 bars in a 4/4 time signature . The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme. They are labeled by Roman numbers referring to
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4368-613: The African American community. Kentucky-born Sylvester Weaver was in 1923 the first to record the slide guitar style, in which a guitar is fretted with a knife blade or the sawed-off neck of a bottle. The slide guitar became an important part of the Delta blues . The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Country blues performers often improvised, either without accompaniment or with only
4472-533: The African call-and-response tradition that transformed into an interplay of voice and guitar, the blues form itself bears no resemblance to the melodic styles of the West African griots . Additionally, there are theories that the four-beats-per-measure structure of the blues might have its origins in the Native American tradition of pow wow drumming. Some scholars identify strong influences on
4576-478: The Blues Society of Italian bluesman Guido Toffoletti. In 1950, Korner married Roberta Melville (died 2021), daughter of art critic Robert Melville . He had a daughter, singer Sappho Gillett Korner (died 2006), and two sons, guitarist Nicholas 'Nico' Korner (died 1989) and sound engineer Damian Korner (died 2008). Alexis Korner died in London from lung cancer on 1 January 1984, at the age of 55. Korner
4680-833: The Bluesbreakers . Korner also provided the name "Free" to the new band. The group played their first gig on 19 April 1968 at the Nag's Head pub, at the junction of York Road and Plough Road in Battersea , London. They were all teenagers – bass player Fraser was 15 years old, lead guitarist Kossoff was 17, and lead singer Rodgers and drummer Kirke were 18. By November they had recorded their first album, Tons of Sobs , for Island Records , it being released in March 1969. The album documented their first six months together and contains studio renditions of much of their early live set. To promote
4784-619: The London Blues and Barrelhouse Club, which he established with Davies at the Round House pub in Soho . In 1961, Korner and Davies formed Blues Incorporated , initially a loose-knit group of musicians with a shared love of electric blues and R&B music. The group included, at various times, Charlie Watts , Jack Bruce , Ginger Baker , Long John Baldry , Graham Bond , Danny Thompson and Dick Heckstall-Smith . It also attracted
4888-520: The Rolling Stones and Cream , made the front pages of music magazines all over the world, Korner was relegated to the role of 'elder statesman'. In 1966, Korner formed the trio Free At Last with Hughie Flint and Binky McKenzie . Flint later recalled "I played with Alexis, right after leaving The Bluesbreakers , in a trio, which Alexis named Free At Last , a sort of mini and slightly restricted version of Blues Incorporated. Playing with Alexis
4992-626: The UK. In 1973, he provided a voice part for the Hot Chocolate single release Brother Louie . In 1973, he and Peter Thorup formed another group, Snape, with Boz Burrell , Mel Collins , and Ian Wallace , who were previously together in King Crimson . Korner also played on B.B. King 's In London album, and cut his own, similar "supersession" album; Get Off My Cloud , with Keith Richards , Steve Marriott , Peter Frampton , Nicky Hopkins and members of Joe Cocker 's Grease Band . In
5096-532: The age of 25 in 1976. Andy Fraser died on 16 March 2015 at 62. Rolling Stone has referred to the band as "British hard rock pioneers". The magazine ranked Rodgers No. 55 on its list of the "100 Greatest Singers of All Time", and Kossoff at No. 51 on its list of the "100 Greatest Guitarists of All Time". Free were signed to Island Records in the UK and A&M Records in North America . Paul Kossoff and Simon Kirke became friends while in
5200-420: The back of a room". Smith would "sing a song in an unusual key, and her artistry in bending and stretching notes with her beautiful, powerful contralto to accommodate her own interpretation was unsurpassed". In 1920, the vaudeville singer Lucille Hegamin became the second black woman to record blues when she recorded "The Jazz Me Blues", and Victoria Spivey , sometimes called Queen Victoria or Za Zu Girl, had
5304-554: The beginning of the 20th century. They are now lost. Other recordings that are still available were made in 1924 by Lawrence Gellert . Later, several recordings were made by Robert W. Gordon , who became head of the Archive of American Folk Songs of the Library of Congress . Gordon's successor at the library was John Lomax . In the 1930s, Lomax and his son Alan made a large number of non-commercial blues recordings that testify to
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#17327808227885408-441: The blues are also closely related to the religious music of the African-American community, the spirituals . The first appearance of the blues is often dated to after the ending of slavery , with the development of juke joints occurring later. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music
5512-662: The blues from the melodic structures of certain West African musical styles of the savanna and sahel. Lucy Durran finds similarities with the melodies of the Bambara people , and to a lesser degree, the Soninke people and Wolof people , but not as much of the Mandinka people . Gerard Kubik finds similarities to the melodic styles of both the west African savanna and central Africa, both of which were sources of enslaved people. No specific African musical form can be identified as
5616-578: The blues in the same year in Missouri ; and W.C. Handy , who first heard the blues in Tutwiler, Mississippi , in 1903. The first extensive research in the field was performed by Howard W. Odum , who published an anthology of folk songs from Lafayette County, Mississippi , and Newton County, Georgia , between 1905 and 1908. The first non-commercial recordings of blues music, termed proto-blues by Paul Oliver , were made by Odum for research purposes at
5720-468: The blues is usually dated after the Emancipation Act of 1863 , between 1860s and 1890s, a period that coincides with post- emancipation and later, the establishment of juke joints as places where African-Americans went to listen to music, dance, or gamble after a hard day's work. This period corresponds to the transition from slavery to sharecropping, small-scale agricultural production, and
5824-530: The blues narrowly in terms of certain chord structures and lyric forms thought to have originated in West Africa, audiences originally heard the music in a far more general way: it was simply the music of the rural south, notably the Mississippi Delta . Black and white musicians shared the same repertoire and thought of themselves as " songsters " rather than blues musicians. The notion of blues as
5928-411: The blues, usually dating back to the middle of the 18th century, when the slaves were Christianized and began to sing and play Christian hymns , in particular those of Isaac Watts , which were very popular. Before the blues gained its formal definition in terms of chord progressions, it was defined as the secular counterpart of spirituals. It was the low-down music played by rural blacks. Depending on
6032-485: The boogie-woogie wave and was strongly influenced by big band music. It uses saxophone or other brass instruments and the guitar in the rhythm section to create a jazzy, up-tempo sound with declamatory vocals. Jump blues tunes by Louis Jordan and Big Joe Turner , based in Kansas City, Missouri , influenced the development of later styles such as rock and roll and rhythm and blues. Dallas-born T-Bone Walker , who
6136-479: The emphasis and impact of the lyrics, and vocal dramatics using shouts, groans, moans, and wails. The blues women thus effected changes in other types of popular singing that had spin-offs in jazz, Broadway musicals , torch songs of the 1930s and 1940s, gospel , rhythm and blues , and eventually rock and roll ." Urban male performers included popular black musicians of the era, such as Tampa Red , Big Bill Broonzy and Leroy Carr . An important label of this era
6240-429: The expansion of railroads in the southern United States. Several scholars characterize the development of blues music in the early 1900s as a move from group performance to individualized performance. They argue that the development of the blues is associated with the newly acquired freedom of the enslaved people. According to Lawrence Levine, "there was a direct relationship between the national ideological emphasis upon
6344-555: The festival as drummer for Shagrat . Highway was their fourth studio album, recorded extremely quickly in September 1970. It performed poorly in the charts, reaching No. 41 in the UK and No. 190 in the US. In April 1971 they released the single " My Brother Jake ", which reached number four in the UK Singles Chart and remained in the chart for 11 weeks. It was described by Dave Thompson of AllMusic as
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#17327808227886448-490: The forthcoming album they opened some shows at the end of 1968 for the Who , who played a short theatre tour with Arthur Brown . The group's second studio album, Free , was recorded and released in 1969 on Island Records. While their first two albums were not greatly successful, their third album Fire and Water , released in 1970, was a huge success, largely due to its hit single " All Right Now ", which reached No. 2 on
6552-410: The four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans. Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa . The origins of
6656-417: The genre took its shape from the idiosyncrasies of individual performers. However, there are some characteristics that were present long before the creation of the modern blues. Call-and-response shouts were an early form of blues-like music; they were a "functional expression ... style without accompaniment or harmony and unbounded by the formality of any particular musical structure". A form of this pre-blues
6760-442: The heavy blues stylings of Free again in his solo career during the 1980s and 1990s, and in the bands The Firm and The Law . Subsequently, he teamed up as vocalist with two of the three remaining members of Queen ( Brian May and Roger Taylor ). In September 2008, Queen + Paul Rodgers released their first studio album The Cosmos Rocks . Rodgers also performed Free and Bad Company songs while on tour with Queen, in addition to
6864-751: The hell out of me. Hokum blues celebrated both comedic lyrical content and a boisterous, farcical performance style. Tampa Red and Georgia Tom 's " It's Tight Like That " (1928) is a sly wordplay with the double meaning of being " tight " with someone, coupled with a more salacious physical familiarity. Blues songs with sexually explicit lyrics were known as dirty blues . The lyrical content became slightly simpler in postwar blues, which tended to focus on relationship woes or sexual worries. Lyrical themes that frequently appeared in prewar blues, such as economic depression, farming, devils, gambling, magic, floods and drought, were less common in postwar blues. The writer Ed Morales claimed that Yoruba mythology played
6968-411: The hit "All Right Now". The song helped secure them a performance at the 1970 Isle of Wight Festival , where they played to an audience of 600,000 people. In the early 1970s they became one of the best-selling British blues rock groups; by the time they disbanded, they had sold more than 20 million records worldwide and had played in more than 700 arenas and festival concerts. "All Right Now" remains
7072-454: The huge variety of proto-blues styles, such as field hollers and ring shouts . A record of blues music as it existed before 1920 can also be found in the recordings of artists such as Lead Belly and Henry Thomas . All these sources show the existence of many different structures distinct from twelve- , eight- , or sixteen-bar . The social and economic reasons for the appearance of the blues are not fully known. The first appearance of
7176-434: The individual, the popularity of Booker T. Washington's teachings, and the rise of the blues." Levine stated that "psychologically, socially, and economically, African-Americans were being acculturated in a way that would have been impossible during slavery, and it is hardly surprising that their secular music reflected this as much as their religious music did." There are few characteristics common to all blues music, because
7280-650: The low rate of literacy among rural African Americans at the time. Reports of blues music in southern Texas and the Deep South were written at the dawn of the 20th century. Charles Peabody mentioned the appearance of blues music at Clarksdale, Mississippi , and Gate Thomas reported similar songs in southern Texas around 1901–1902. These observations coincide more or less with the recollections of Jelly Roll Morton , who said he first heard blues music in New Orleans in 1902; Ma Rainey , who remembered first hearing
7384-495: The mid-1970s, while touring Germany, Korner established an intensive working relationship with bassist Colin Hodgkinson who played for the support act Back Door . They would continue to collaborate right up until Korner's death. In 1978, for Korner's 50th birthday, an all-star concert was held featuring many of his above-mentioned friends, as well as Eric Clapton , Paul Jones , Chris Farlowe , Zoot Money and others, which
7488-525: The music industry during the 1920s and 1930s. Other chord progressions, such as 8-bar forms, are still considered blues; examples include " How Long Blues ", " Trouble in Mind ", and Big Bill Broonzy 's " Key to the Highway ". There are also 16-bar blues , such as Ray Charles 's instrumental "Sweet 16 Bars" and Herbie Hancock 's " Watermelon Man ". Idiosyncratic numbers of bars are occasionally used, such as
7592-495: The propulsive left-hand rhythms of the ragtime pianists with melodic figures similar to those of Armstrong's trumpet in the right hand". The smooth Louisiana style of Professor Longhair and, more recently, Dr. John blends classic rhythm and blues with blues styles. Another development in this period was big band blues. The " territory bands " operating out of Kansas City , the Bennie Moten orchestra, Jay McShann , and
7696-458: The religious community a musician belonged to, it was more or less considered a sin to play this low-down music: blues was the devil's music. Musicians were therefore segregated into two categories: gospel singers and blues singers, guitar preachers and songsters. However, when rural black music began to be recorded in the 1920s, both categories of musicians used similar techniques: call-and-response patterns, blue notes, and slide guitars. Gospel music
7800-446: The same year. Fraser left the band in mid-1972, frustrated by Kossoff's unreliability at being able to perform at shows or even at showing up. The remaining members recruited Japanese bass player Tetsu Yamauchi and keyboardist John "Rabbit" Bundrick , who had worked with Kossoff and Kirke during Free's initial split, recording Kossoff, Kirke, Tetsu and Rabbit and recorded what would be Free's final album, Heartbreaker . Kossoff
7904-456: The savannah, are conspicuously absent. According to the historian Paul Oliver , "the roots of the blues were not to be found in the coastal and forest regions of Africa. Rather... the blues was rooted in ... the savanna hinterland, from Senegambia through Mali, Burkina Faso, Northern Ghana, Niger, and northern Nigeria". Additionally, ethnomusicologist John Storm Roberts has argued that "The parallels between African savanna-belt string-playing and
8008-515: The single direct ancestor of the blues. However the call-and-response format can be traced back to the music of Africa . That blue notes predate their use in blues and have an African origin is attested to by "A Negro Love Song", by the English composer Samuel Coleridge-Taylor , from his African Suite for Piano , written in 1898, which contains blue third and seventh notes . The Diddley bow (a homemade one-stringed instrument found in parts of
8112-446: The songs "can't be sung without a full heart and a troubled spirit", conditions that have inspired countless blues songs. Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, when Hart Wand 's " Dallas Blues " became the first copyrighted blues composition. In lyrics, the phrase is often used to describe a depressed mood. Early traditional blues verses often consisted of
8216-406: The southeastern "delicate and lyrical" Piedmont blues tradition, which used an elaborate ragtime-based fingerpicking guitar technique. Georgia also had an early slide tradition, with Curley Weaver , Tampa Red , "Barbecue Bob" Hicks and James "Kokomo" Arnold as representatives of this style. The lively Memphis blues style, which developed in the 1920s and 1930s near Memphis, Tennessee ,
8320-533: The suggestion of an Igbo origin for blues, because of the reputation the Igbo had throughout plantations in the Americas for their melancholic music and outlook on life when they were enslaved. Other historians have argued that there is little evidence of Sub-Sahelian influence in the blues as "elaborate polyrhythm, percussion on African drums (as opposed to European drums), [and] collective participation" which are characteristic of West-Central African music below
8424-507: The techniques of many blues guitarists are remarkable. The big kora of Senegal and Guinea are played in a rhythmic-melodic style that uses constantly changing rhythms, often providing a ground bass overlaid with complex treble patterns, while vocal supplies a third rhythmic layer. Similar techniques can be found in hundreds of blues records". The lyrics often relate troubles experienced within African American society. For instance Blind Lemon Jefferson 's "Rising High Water Blues" (1927) tells of
8528-399: The trance-like rhythm and call-and-response, and they form a repetitive effect called a groove . Characteristic of the blues since its Afro-American origins, the shuffles played a central role in swing music . The simplest shuffles, which were the clearest signature of the R&B wave that started in the mid-1940s, were a three-note riff on the bass strings of the guitar. When this riff
8632-447: The trance-like rhythm and form a repetitive effect known as the groove . Blues music is characterized by its lyrics , bass lines , and instrumentation . Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern , consisting of a line sung over
8736-540: Was a formally trained musician, composer and arranger who helped to popularize the blues by transcribing and orchestrating blues in an almost symphonic style, with bands and singers. He became a popular and prolific composer, and billed himself as the "Father of the Blues"; however, his compositions can be described as a fusion of blues with ragtime and jazz, a merger facilitated using the Cuban habanera rhythm that had long been
8840-511: Was a free-born black woman from Pennsylvania who was working as a schoolteacher in South Carolina, instructing both slaves and freedmen, and wrote that she "came home with the blues" because she felt lonesome and pitied herself. She overcame her depression and later noted a number of songs, such as "Poor Rosy", that were popular among the slaves. Although she admitted being unable to describe the manner of singing she heard, Forten wrote that
8944-399: Was closely related to ragtime , which developed at about the same time, though the blues better preserved "the original melodic patterns of African music". The musical forms and styles that are now considered the blues as well as modern country music arose in the same regions of the southern United States during the 19th century. Recorded blues and country music can be found as far back as
9048-457: Was heard in slave ring shouts and field hollers , expanded into "simple solo songs laden with emotional content". Blues has evolved from the unaccompanied vocal music and oral traditions of slaves imported from West Africa and rural blacks into a wide variety of styles and subgenres, with regional variations across the United States. Although blues (as it is now known) can be seen as a musical style based on both European harmonic structure and
9152-416: Was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues , Delta blues and Piedmont blues , as well as urban blues styles such as Chicago blues and West Coast blues . World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to
9256-440: Was in the sense of a sad state of mind that John James Audubon wrote to his wife that he "had the blues". In Henry David Thoreau 's book Walden , he mentions "the blues" in the chapter reflecting on his time in solitude. He wrote his account of his personal quest in 1845, although it was not published until 1854. The phrase "the blues" was written by Charlotte Forten , then aged 25, in her diary on December 14, 1862. She
9360-633: Was inducted into the Rock and Roll Hall of Fame in the musical influence category in 2024. Alexis Andrew Nicholas Koerner was born on 19 April 1928 in Paris, France, to an Austrian Jewish father and a mother of Greek, Turkish and Austrian descent. He spent his childhood in France, Switzerland and North Africa, and arrived in London in 1940 after the start of the Second World War. One memory of his youth
9464-581: Was influenced by jug bands such as the Memphis Jug Band or the Gus Cannon's Jug Stompers . Performers such as Frank Stokes , Sleepy John Estes , Robert Wilkins , Kansas Joe McCoy , Casey Bill Weldon and Memphis Minnie used a variety of unusual instruments such as washboard , fiddle , kazoo or mandolin . Memphis Minnie was famous for her virtuoso guitar style. Pianist Memphis Slim began his career in Memphis, but his distinct style
9568-488: Was instrumental in the formation of the band in April 1968, and continued to mentor them until they secured a deal with Island Records . Although he himself was a blues purist, Korner criticised better-known British blues musicians during the blues boom of the late 1960s for their blind adherence to Chicago blues , as if the music came in no other form. He liked to surround himself with jazz musicians and often performed with
9672-471: Was later released as The Party Album , and as a video. In 1981, Korner joined another "supergroup", Rocket 88 , a project led by Ian Stewart based on boogie-woogie keyboard players, which featured a rhythm section comprising Jack Bruce and Charlie Watts , among others, as well as a horn section . They toured Europe and released an album on Atlantic Records . He played in Italy with Paul Jones and
9776-436: Was listening to a record by black pianist Jimmy Yancey during a German air raid . Korner said, "From then on all I wanted to do was play the blues." After the war, Korner played piano and guitar (his first guitar was built by friend and author Sydney Hopkins, who wrote Mister God, This Is Anna ) and in 1949 joined Chris Barber 's Jazz Band where he met blues harmonica player Cyril Davies . They started playing together as
9880-670: Was nevertheless using musical forms that were compatible with Christian hymns and therefore less marked by the blues form than its secular counterpart. The American sheet music publishing industry produced a great deal of ragtime music. By 1912, the sheet music industry had published three popular blues-like compositions, precipitating the Tin Pan Alley adoption of blues elements: "Baby Seals' Blues", by Baby Franklin Seals (arranged by Artie Matthews ); "Dallas Blues", by Hart Wand ; and " The Memphis Blues ", by W.C. Handy . Handy
9984-420: Was played over the bass and the drums, the groove "feel" was created. Shuffle rhythm is often vocalized as " dow , da dow , da dow , da" or " dump , da dump , da dump , da": it consists of uneven, or "swung", eighth notes. On a guitar this may be played as a simple steady bass or it may add to that stepwise quarter note motion from the fifth to the sixth of the chord and back. Hart Wand 's " Dallas Blues "
10088-428: Was posthumously inducted, by Keith Richards , into the Rock and Roll Hall of Fame in 2024 in the musical influence category. Blues Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals , work songs , field hollers , shouts , chants , and rhymed simple narrative ballads from
10192-430: Was published in 1912; W.C. Handy 's " The Memphis Blues " followed in the same year. The first recording by an African American singer was Mamie Smith 's 1920 rendition of Perry Bradford 's " Crazy Blues ". But the origins of the blues were some decades earlier, probably around 1890. This music is poorly documented, partly because of racial discrimination in U.S. society, including academic circles, and partly because of
10296-513: Was replaced by ex- Osibisa guitarist Wendell Richardson for a US tour in 1973, but shortly thereafter Free disbanded for good. Rodgers and Kirke went on to form Bad Company , Fraser formed Sharks and later the Andy Fraser Band, and Kossoff formed Back Street Crawler . With Kossoff in better health again in late 1975, he was delighted that ex-colleagues Rodgers and Kirke asked him to join them on stage for two nights. A British tour
10400-507: Was replaced by the term rhythm and blues . This rapidly evolving market was mirrored by Billboard magazine's Rhythm & Blues chart . This marketing strategy reinforced trends in urban blues music such as the use of electric instruments and amplification and the generalization of the blues beat, the blues shuffle , which became ubiquitous in rhythm and blues (R&B). This commercial stream had important consequences for blues music, which, together with jazz and gospel music , became
10504-479: Was set to begin on 25 April 1976 with Back Street Crawler headlining with Bad Company in support of Back Street Crawler's second album, but again Kossoff's drug addictions contributed to a drastic decline in the guitarist's health. On a flight from Los Angeles to New York City on 19 March 1976, Kossoff died from a pulmonary embolism at the age of 25. After parting with Bad Company in 1982, Rodgers went on to explore
10608-444: Was smoother and had some swing elements. Many blues musicians based in Memphis moved to Chicago in the late 1930s or early 1940s and became part of the urban blues movement. City or urban blues styles were more codified and elaborate, as a performer was no longer within their local, immediate community, and had to adapt to a larger, more varied audience's aesthetic. Classic female urban and vaudeville blues singers were popular in
10712-555: Was the Chicago-based Bluebird Records . Before World War II, Tampa Red was sometimes referred to as "the Guitar Wizard". Carr accompanied himself on the piano with Scrapper Blackwell on guitar, a format that continued well into the 1950s with artists such as Charles Brown and even Nat "King" Cole . Boogie-woogie was another important style of 1930s and early 1940s urban blues. While the style
10816-500: Was very loose. We would play anything from Percy Mayfield 's ‘River's Invitation' to Charles Mingus ' ‘Better Get It In Your Soul' – with lots of freaky guitar and bass solos. Alexis, like John Mayall had the most eclectic taste in music, very knowledgeable, and generous, and I am indebted to both of them for my wide approach to music". Although Free At Last was short-lived, Korner ensured its name lived on in part by christening another young group of aspiring musicians, Free . Korner
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