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134-784: The first mention of Gunsbach is in 1285, when the land was given Lord Conrad Werner of Hattstatt. In 1434, Gunsbach was sold to the Ribeaupierre family, remaining in their possession until the French Revolution in 1789. Albert Schweitzer grew up here in the late 19th century, when the region had been incorporated to the German Empire . The village is home to the International Albert Schweitzer Association ( French : Association Internationale Albert Schweitzer , "AISL") with

268-472: A Lutheran minister , Schweitzer challenged both the secular view of the historical Jesus as depicted by the historical-critical method current at this time, as well as the traditional Christian view . His contributions to the interpretation of Pauline Christianity concern the role of Paul 's mysticism of "being in Christ" as primary and the doctrine of justification by faith as secondary. He received

402-668: A Berlin court on 18 July 1870. Richard and Cosima's wedding took place on 25 August 1870. On Christmas Day of that year, Wagner arranged a surprise performance (its premiere) of the Siegfried Idyll for Cosima's birthday. The marriage to Cosima lasted to the end of Wagner's life. Wagner, settled into his new-found domesticity, turned his energies towards completing the Ring cycle. He had not abandoned polemics: he republished his 1850 pamphlet "Judaism in Music", originally issued under

536-517: A daughter, named Isolde , a child not of Bülow but of Wagner. Cosima was 24 years younger than Wagner and was herself illegitimate, the daughter of the Countess Marie d'Agoult , who had left her husband for Franz Liszt . Liszt initially disapproved of his daughter's involvement with Wagner, though nevertheless the two men were friends. The indiscreet affair scandalised Munich, and Wagner also fell into disfavour with many leading members of

670-566: A distance, [was] a menace to his peace of mind." Wagner continued his correspondence with Mathilde and his friendship with her husband Otto, who maintained his financial support of the composer. In an 1859 letter to Mathilde, Wagner wrote, half-satirically, of Tristan : "Child! This Tristan is turning into something terrible . This final act!!!—I fear the opera will be banned ... only mediocre performances can save me! Perfectly good ones will be bound to drive people mad." In November 1859, Wagner once again moved to Paris to oversee production of

804-523: A head in 1849, when the unsuccessful May Uprising in Dresden broke out, in which Wagner played a minor supporting role . Warrants were issued for the revolutionaries' arrest. Wagner had to flee, first visiting Paris and then settling in Zürich where he at first took refuge with a friend, Alexander Müller . Wagner was to spend the next twelve years in exile from Germany. He had completed Lohengrin ,

938-425: A lengthy Prelude (Vorspiel).... At a specially-appointed Festival, I propose, some future time, to produce those three Dramas with their Prelude, in the course of three days and a fore-evening [emphasis in original]. Wagner began composing the music for Das Rheingold between November 1853 and September 1854, following it immediately with Die Walküre (written between June 1854 and March 1856). He began work on

1072-481: A letter to Mathilde from him. After the resulting confrontation with Minna, Wagner left Zürich alone, bound for Venice , where he rented an apartment in the Palazzo Giustinian , while Minna returned to Germany. Wagner's attitude to Minna had changed; the editor of his correspondence with her, John Burk, has said that she was to him "an invalid, to be treated with kindness and consideration, but, except at

1206-591: A mockery before those poor people. The name of Jesus has become a curse, and our Christianity—yours and mine—has become a falsehood and a disgrace, if the crimes are not atoned for in the very place where they were instigated. For every person who committed an atrocity in Jesus' name, someone must step in to help in Jesus' name; for every person who robbed, someone must bring a replacement; for everyone who cursed, someone must bless. And now, when you speak about missions, let this be your message: We must make atonement for all

1340-748: A new revision of Tannhäuser , staged thanks to the efforts of Princess Pauline von Metternich , whose husband was the Austrian ambassador in Paris. The performances of the Paris Tannhäuser in 1861 were a notable fiasco . This was partly a consequence of the conservative tastes of the Jockey Club , which organised demonstrations in the theatre to protest at the presentation of the ballet feature in Act ;1 (instead of its traditional location in

1474-432: A pastoral opera based on Goethe 's Die Laune des Verliebten ( The Infatuated Lover's Caprice ), written at the age of 17, Die Hochzeit ( The Wedding ), on which Wagner worked in 1832, and the singspiel Männerlist größer als Frauenlist ( Men are More Cunning than Women , 1837–1838). Die Feen ( The Fairies , 1833) was not performed in the composer's lifetime, and Das Liebesverbot ( The Ban on Love , 1836)

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1608-965: A path leading to the boat landing. The Schweitzers had their own bungalow and employed as their assistant Joseph, a French-speaking Mpongwe , who first came to Lambaréné as a patient. After World War I broke out in July 1914, Schweitzer and his wife, German citizens in a French colony when the countries were at war, were put under supervision by the French military at Lambaréné, where Schweitzer continued his work. In 1917, exhausted by over four years' work and by tropical anaemia , they were taken to Bordeaux and interned first in Garaison and then from March 1918 in Saint-Rémy-de-Provence . In July 1918, after being transferred to his home in Alsace, he

1742-542: A piano transcription of the 9th Symphony. He was also greatly impressed by a performance of Mozart 's Requiem . Wagner's early piano sonatas and his first attempts at orchestral overtures date from this period. In 1829 he saw a performance by dramatic soprano Wilhelmine Schröder-Devrient , who became his ideal of the fusion of drama and music in opera. In Mein Leben Wagner wrote, "When I look back across my entire life I find no event to place beside this in

1876-453: A pseudonym, under his own name in 1869, extending the introduction and adding a lengthy final section. The publication led to several public protests at early performances of Die Meistersinger in Vienna and Mannheim. In 1871, Wagner decided to move to Bayreuth , which was to be the location of his new opera house. The town council donated a large plot of land—the "Green Hill"—as a site for

2010-739: A questionnaire among players and organ-builders in several European countries, he produced a very considered report. This provided the basis for the International Regulations for Organ Building . He envisaged instruments in which the French late-romantic full-organ sound should work integrally with the English and German romantic reed pipes , and with the classical Alsace Silbermann organ resources and baroque flue pipes , all in registers regulated (by stops ) to access distinct voices in fugue or counterpoint capable of combination without loss of distinctness: different voices singing

2144-655: A reconciliation with Minna during this Paris visit, and although she joined him there, the reunion was not successful and they again parted from each other when Wagner left. The political ban that had been placed on Wagner in the North German Confederation after he had fled Dresden was fully lifted in 1862. The composer settled in Biebrich , on the Rhine near Wiesbaden in Hesse . Here Minna visited him for

2278-573: A scant living by writing articles and short novelettes such as A pilgrimage to Beethoven , which sketched his growing concept of "music drama", and An end in Paris , where he depicts his own miseries as a German musician in the French metropolis. He also provided arrangements of operas by other composers, largely on behalf of the Schlesinger publishing house. During this stay he completed his third and fourth operas Rienzi and Der fliegende Holländer . Wagner had completed Rienzi in 1840. With

2412-450: A small museum and an archive. This Haut-Rhin geographical article is a stub . You can help Misplaced Pages by expanding it . Albert Schweitzer Ludwig Philipp Albert Schweitzer OM ( German: [ˈalbɛʁt ˈʃvaɪtsɐ] ; 14 January 1875 – 4 September 1965) was a German-born French polymath from Alsace . He was a theologian, organist, musicologist, writer, humanitarian, philosopher, and physician. As

2546-415: A small pension which she maintained until 1859. With help from her friend Jessie Laussot, this was to have been augmented to an annual sum of 3,000 thalers per year, but the plan was abandoned when Wagner began an affair with Mme. Laussot. Wagner even plotted an elopement with her in 1850, which her husband prevented. Meanwhile, Wagner's wife Minna, who had disliked the operas he had written after Rienzi ,

2680-546: A visit to the Bayreuth Festival to see Wagner's Der Ring des Nibelungen and Parsifal , both of which impressed him. In 1898, he returned to Paris to write a PhD dissertation on The Religious Philosophy of Kant at the Sorbonne , and to study in earnest with Widor. Here he often met with the elderly Aristide Cavaillé-Coll . He also studied piano at that time with Marie Jaëll . In 1899, Schweitzer spent

2814-409: A ward for white patients, so that the site became like a village. The onset of famine and a dysentery epidemic created fresh problems. Much of the building work was carried out with the help of local people and patients. Drug advances for sleeping sickness included Germanin and tryparsamide  [ de ; fi ; it ] . Trensz conducted experiments showing that the non-amoebic strain of dysentery

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2948-486: Is German?" (1878, but based on a draft written in the 1860s), repeated Wagner's antisemitic preoccupations. Wagner completed Parsifal in January 1882, and a second Bayreuth Festival was held for the new opera, which premiered on 26 May. Wagner was by this time extremely ill, having suffered a series of increasingly severe angina attacks. During the sixteenth and final performance of Parsifal on 29 August, he entered

3082-873: Is more intellectual and can be found "among the Brahmans and in the Buddha , in Platonism , in Stoicism , in Spinoza , Schopenhauer , and Hegel ". Next, Schweitzer poses the question: "Of what precise kind then is the mysticism of Paul?" He locates Paul between the two extremes of primitive mysticism and developed mysticism. Paul stands high above primitive mysticism, due to his intellectual writings, but never speaks of being one with God or being in God. Instead, he conceives of sonship to God as "mediated and effected by means of

3216-510: Is the only theologian who does not claim that Christians can have an experience of "being-in-God". Rather, Paul uses the phrase "being-in-Christ" to illustrate how Jesus is a mediator between the Christian community and God. Additionally, Schweitzer explains how the experience of "being-in-Christ" is not a "static partaking in the spiritual being of Christ, but as the real co-experiencing of His dying and rising again". The "realistic" partaking in

3350-482: The Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like arias and recitatives . He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in

3484-536: The Centennial March for America, for which he received $ 5,000. Following the first Bayreuth Festival, Wagner began work on Parsifal , his final opera. The composition took four years, much of which Wagner spent in Italy for health reasons. From 1876 to 1878 Wagner also embarked on the last of his documented emotional liaisons, this time with Judith Gautier , whom he had met at the 1876 Festival. Wagner

3618-687: The Kaiser Wilhelm University in Strasbourg . There he also received instruction in piano and counterpoint from professor Gustav Jacobsthal, and associated closely with Ernest Munch, the brother of his former teacher, organist of St William church, who was also a passionate admirer of J. S. Bach's music. Schweitzer served his one-year compulsory military service in 1894. Schweitzer saw many operas of Richard Wagner in Strasbourg (under Otto Lohse ) and in 1896 he managed to afford

3752-464: The Mbahouin . Schweitzer's wife, Helene Schweitzer , served as an anaesthetist for surgical operations. After briefly occupying a shed formerly used as a chicken hut, in late 1913 they built their first hospital of corrugated iron , with a consulting room and operating theatre and with a dispensary and sterilising room. The waiting room and dormitory were built, like native huts, of unhewn logs along

3886-599: The National Theatre Munich on 10 June 1865, the first Wagner opera premiere in almost 15 years. (The premiere had been scheduled for 15 May, but was delayed by bailiffs acting for Wagner's creditors, and also because the Isolde, Malvina Schnorr von Carolsfeld , was hoarse and needed time to recover.) The conductor of this premiere was Hans von Bülow , whose wife, Cosima , had given birth in April that year to

4020-734: The Organ Reform Movement ( Orgelbewegung ). Schweitzer was born on 14 January 1875 in Kaysersberg in Alsace, in what had less than four years previously become the Imperial Territory of Alsace-Lorraine in the German Empire ; he later became a citizen of France after World War I, when Alsace became French territory again. He was the son of Adèle (née Schillinger) and Louis Théophile Schweitzer. He spent his childhood in Gunsbach , also in Alsace, where his father,

4154-471: The Philharmonic Society of London , including one before Queen Victoria . The Queen enjoyed his Tannhäuser overture and spoke with Wagner after the concert, writing in her diary that Wagner was "short, very quiet, wears spectacles & has a very finely-developed forehead, a hooked nose & projecting chin." Wagner's uneasy affair with Mathilde collapsed in 1858, when Minna intercepted

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4288-514: The Ring cycle (which was not resumed for the next twelve years) and begin work on Tristan . While planning the opera, Wagner composed the Wesendonck Lieder , five songs for voice and piano, setting poems by Mathilde. Two of these settings are explicitly subtitled by Wagner as "studies for Tristan und Isolde ". Among the conducting engagements that Wagner undertook for revenue during this period, he gave several concerts in 1855 with

4422-568: The Ring , and the other operas Wagner planned. Wagner also began to dictate his autobiography, Mein Leben , at the King's request. Wagner noted that his rescue by Ludwig coincided with news of the death of his earlier mentor (but later supposed enemy) Giacomo Meyerbeer , and regretted that "this operatic master, who had done me so much harm, should not have lived to see this day." After grave difficulties in rehearsal, Tristan und Isolde premiered at

4556-714: The Thirty Years' War . Schweitzer, the pastor's son, grew up in this exceptional environment of religious tolerance, and developed the belief that true Christianity should always work towards a unity of faith and purpose. Schweitzer's first language was the Alsatian dialect of German. At the Mulhouse gymnasium he received his " Abitur " (the certificate at the end of secondary education) in 1893. He studied organ in Mulhouse from 1885 to 1893 with Eugène Munch, organist at

4690-554: The 1952 Nobel Peace Prize for his philosophy of " Reverence for Life ", becoming the eighth Frenchman to be awarded that prize. His philosophy was expressed in many ways, but most famously in founding and sustaining the Hôpital Albert Schweitzer in Lambaréné , French Equatorial Africa (now Gabon ). As a music scholar and organist, he studied the music of German composer Johann Sebastian Bach and influenced

4824-505: The Apostle ); a second edition was published in 1953. In The Quest , Schweitzer criticised the liberal view put forward by liberal and romantic scholars during the first quest for the historical Jesus . Schweitzer maintained that the life of Jesus must be interpreted in the light of Jesus' own convictions, which reflected late Jewish eschatology and apocalypticism . Schweitzer writes: The Jesus of Nazareth who came forward publicly as

4958-434: The Apostle , Schweitzer first distinguishes between two categories of mysticism : primitive and developed. Primitive mysticism "has not yet risen to a conception of the universal, and is still confined to naive views of earthly and super-earthly, temporal and eternal". Additionally, he argues that this view of a "union with the divinity, brought about by efficacious ceremonies, is found even in quite primitive religions". On

5092-679: The Dale Memorial Lectures in the University of Oxford , and from these in the following year appeared Volumes I and II of his great work, The Decay and Restoration of Civilization and Civilization and Ethics . The two remaining volumes, on The World-View of Reverence for Life and a fourth on the Civilized State, were never completed. In 1924, Schweitzer returned to Africa without his wife, but with an Oxford undergraduate, Noel Gillespie, as his assistant. Everything

5226-602: The Emperor Pedro II of Brazil , Anton Bruckner , Camille Saint-Saëns and Pyotr Ilyich Tchaikovsky . Wagner was far from satisfied with the Festival; Cosima recorded that months later his attitude towards the productions was "Never again, never again!" Moreover, the festival finished with a deficit of about 150,000 marks. The expenses of Bayreuth and of Wahnfried meant that Wagner still sought further sources of income by conducting or taking on commissions such as

5360-639: The French newspaper Le Figaro , which called the music "the dream of a lunatic". The disillusioned included Wagner's (then) friend Friedrich Nietzsche , who, having published his eulogistic essay "Richard Wagner in Bayreuth" before the festival as part of his Untimely Meditations , was bitterly disappointed by what he saw as Wagner's pandering to increasingly exclusivist German nationalism; his breach with Wagner began at this time. The festival firmly established Wagner as an artist of European, and indeed world, importance: attendees included Kaiser Wilhelm I ,

5494-659: The Jewish pan-Germanist historian Harry Bresslau . In 1912, now armed with a medical degree, Schweitzer made a definite proposal to go as a physician to work at his own expense in the Paris Missionary Society's mission at Lambaréné on the Ogooué river, in what is now Gabon, in Africa (then a French colony). He refused to attend a committee to inquire into his doctrine, but met each committee member personally and

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5628-608: The Leipzig church registers. She and her family moved to Geyer's residence in Dresden . Until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father. Geyer's love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben Wagner recalled once playing the part of an angel. In late 1820, Wagner

5762-525: The Messiah, who preached the ethic of the kingdom of God, who founded the kingdom of heaven upon earth and died to give his work its final consecration never existed. He is a figure designed by rationalism, endowed with life by liberalism, and clothed by modern theology in a historical garb. This image has not been destroyed from outside; it has fallen to pieces... Instead of these liberal and romantic views, Schweitzer wrote that Jesus and his followers expected

5896-519: The Orféo Català at Barcelona , Spain, and often travelled there for that purpose. He and Widor collaborated on a new edition of Bach's organ works , with detailed analysis of each work in three languages (English, French, German). Schweitzer, who insisted that the score should show Bach's notation with no additional markings, wrote the commentaries for the Preludes and Fugues, and Widor those for

6030-535: The Protestant cathedral, who inspired Schweitzer with his enthusiasm for the music of German composer Richard Wagner . In 1893, he played for the French organist Charles-Marie Widor (at Saint-Sulpice, Paris ), for whom Johann Sebastian Bach 's organ music contained a mystic sense of the eternal. Widor, deeply impressed, agreed to teach Schweitzer without fee, and a great and influential friendship thus began. From 1893 Schweitzer studied Protestant theology at

6164-634: The Sonatas and Concertos: six volumes were published in 1912–14. Three more, to contain the Chorale Preludes with Schweitzer's analyses, were to be worked on in Africa , but these were never completed, perhaps because for him they were inseparable from his evolving theological thought. On departure for Lambaréné in 1913, he was presented with a pedal piano , a piano with pedal attachments to operate like an organ pedal-keyboard. Built especially for

6298-490: The architect Gottfried Semper . Wagner's involvement in left-wing politics abruptly ended his welcome in Dresden. Wagner was active among socialist German nationalists there, regularly receiving such guests as the conductor and radical editor August Röckel and the Russian anarchist Mikhail Bakunin . He was also influenced by the ideas of Pierre-Joseph Proudhon and Ludwig Feuerbach . Widespread discontent came to

6432-648: The arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. Richard Wagner was born on 22 May 1813 to an ethnic German family in Leipzig , then part of the Confederation of the Rhine . His family lived at No 3, the Brühl ( The House of the Red and White Lions ) in Leipzig's Jewish quarter . He was baptised at St. Thomas Church . He

6566-548: The call of The Society of the Evangelist Missions of Paris, which was looking for a physician. The committee of this missionary society was not ready to accept his offer, considering his Lutheran theology to be "incorrect". He could easily have obtained a place in a German evangelical mission, but wished to follow the original call despite the doctrinal difficulties. Amid a hail of protests from his friends, family and colleagues, he resigned from his post and re-entered

6700-492: The couple had amassed such large debts that they fled Riga on the run from creditors. Debts plagued Wagner for most of his life. Initially the pair took a stormy sea passage to London, from which Wagner drew the inspiration for his opera Der fliegende Holländer ( The Flying Dutchman ), with a plot based on a sketch by Heinrich Heine . The Wagners settled in Paris in September 1839 and stayed there until 1842. Wagner made

6834-489: The course of centuries they [the coloured peoples] have suffered at the hands of Europeans?... If a record could be compiled of all that has happened between the white and the coloured races, it would make a book containing numbers of pages which the reader would have to turn over unread because their contents would be too horrible. Schweitzer was one of colonialism's harshest critics. In a sermon that he preached on 6 January 1905, before he had told anyone of his plans to dedicate

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6968-560: The court, who were suspicious of his influence on the King. In December 1865, Ludwig was finally forced to ask the composer to leave Munich. He apparently also toyed with the idea of abdicating to follow his hero into exile, but Wagner quickly dissuaded him. Ludwig installed Wagner at the Villa Tribschen , beside Switzerland's Lake Lucerne . Die Meistersinger was completed at Tribschen in 1867, and premiered in Munich on 21 June

7102-564: The days before the germ theory of disease came into being." Schweitzer's biographer Edgar Berman, who was a volunteer surgeon at Lambarene for several months and had extended conversations with Schweitzer, has a different perspective. Schweitzer felt that patients were better off, and the hospital functioned better given the severe lack of funding, if patients' families lived on the hospital grounds during treatment. Surgical survival rates were, Berman asserts, as high as in many fully-equipped western hospitals. The volume of patients needing care,

7236-433: The development of classical music; his Tristan und Isolde is sometimes described as marking the start of modern music . As he matured, he softened his ideological stance against traditional operatic forms (ie. arias, ensembles and choruses ), reintroducing them into his last few stage works, including Die Meistersinger von Nürnberg ( The Mastersingers of Nuremberg ) and Parsifal . To properly present his vision of

7370-434: The difficulty of obtaining materials and supplies, and the scarcity of trained medical staff willing to work long hours in the remote setting for almost no pay all argued for a spartan setting with an emphasis on high medical standards nevertheless. Schweitzer considered his work as a medical missionary in Africa to be his response to Jesus' call to become "fishers of men". Who can describe the injustice and cruelties that in

7504-550: The dying and rising with Christ (most notably through the Sacraments ). On the other hand, the Hellenist "lives on the store of experience which he acquired in the initiation" and is not continually affected by a shared communal experience. Another major difference between Paul's "realism" and Hellenistic "symbolism" is the exclusive nature of the former and the inclusive nature of the latter. Schweitzer unabashedly emphasizes

7638-412: The fact that "Paul's thought follows predestinarian lines". He explains, "only the man who is elected thereto can enter into relation with God". Although every human being is invited to become a Christian, only those who have undergone the initiation into the Christian community through baptism can share in the "realistic" dying and rising with Christ. At the age of 30, in 1905, Schweitzer answered

7772-485: The family home, " Wahnfried ", into which Wagner, with Cosima and the children, moved from their temporary accommodation on 18 April 1874. The theatre was completed in 1875, and the festival was scheduled for the following year. Commenting on the struggle to finish the building, Wagner remarked to Cosima: "Each stone is red with my blood and yours." For the design of the Festspielhaus, Wagner appropriated some of

7906-435: The festival was deferred. To raise funds for the construction, " Wagner societies " were formed in several cities, and Wagner began touring Germany conducting concerts. By the spring of 1873, only a third of the required funds had been raised; further pleas to Ludwig were initially ignored, but early in 1874, with the project on the verge of collapse, the King relented and provided a loan. The full building programme included

8040-479: The first evening of the complete Ring cycle; the 1876 Bayreuth Festival therefore saw the premiere of the complete cycle, performed as a sequence as the composer had intended. The 1876 Festival consisted of three full Ring cycles (under the baton of Hans Richter ). At the end, critical reactions ranged between that of the Norwegian composer Edvard Grieg , who thought the work "divinely composed", and that of

8174-533: The first half of the 16-hour, four-opera cycle Der Ring des Nibelungen ( The Ring of the Nibelung , also known simply as The Ring ). Wagner's compositions, particularly those of his later period, are notable for their complex textures , rich harmonies and orchestration , and the elaborate use of leitmotifs —musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres , greatly influenced

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8308-575: The first nine months, he and his wife had about 2,000 patients to examine, some travelling many days and hundreds of kilometres to reach him. In addition to injuries, he was often treating severe sandflea and crawcraw infections, yaws , tropical eating sores , heart disease, tropical dysentery , tropical malaria , sleeping sickness , leprosy , fevers, strangulated hernias , necrosis , abdominal tumours and chronic constipation and nicotine poisoning , while also attempting to deal with deliberate poisonings, fetishism and fear of cannibalism among

8442-444: The following year. At Ludwig's insistence, "special previews" of the first two works of the Ring , Das Rheingold and Die Walküre , were performed at Munich in 1869 and 1870, but Wagner retained his dream, first expressed in "A Communication to My Friends", to present the first complete cycle at a special festival with a new, dedicated, opera house . Minna died of a heart attack on 25 January 1866 in Dresden. Wagner did not attend

8576-416: The funeral. Following Minna's death Cosima wrote to Hans von Bülow several times asking him to grant her a divorce, but Bülow refused to concede this. He consented only after she had two more children with Wagner: another daughter, named Eva, after the heroine of Meistersinger , and a son Siegfried , named after the hero of the Ring . The divorce was finally sanctioned, after delays in the legal process, by

8710-431: The hospital in Lambaréné were also famously criticized by Nigerian professor and novelist Chinua Achebe in his essay on Joseph Conrad 's novel Heart of Darkness : "In a comment which has often been quoted Schweitzer says: 'The African is indeed my brother but my junior brother.' And so he proceeded to build a hospital appropriate to the needs of junior brothers with standards of hygiene reminiscent of medical practice in

8844-567: The ideal of the philosopher-scientist. By extreme application and hard work, he completed his studies successfully at the end of 1911. His medical degree dissertation was another work on the historical Jesus, Die psychiatrische Beurteilung Jesu. Darstellung und Kritik [The psychiatric evaluation of Jesus. Description and criticism] (published in English in 1948 as The Psychiatric Study of Jesus. Exposition and Criticism ). He defended Jesus' mental health in it. In June 1912, he married Helene Bresslau , municipal inspector for orphans and daughter of

8978-428: The ideas of his former colleague, Gottfried Semper, which he had previously solicited for a proposed new opera house in Munich. Wagner was responsible for several theatrical innovations at Bayreuth; these include darkening the auditorium during performances, and placing the orchestra in a pit out of view of the audience. The Festspielhaus finally opened on 13 August 1876 with Das Rheingold , at last taking its place as

9112-588: The imminent end of the world. Schweitzer cross-referenced the many New Testament verses declaring imminent fulfilment of the promise of the World's ending within the lifetime of Jesus's original followers. He wrote that in his view, in the Gospel of Mark, Jesus speaks of a "tribulation", with his "coming in the clouds with great power and glory" (St. Mark), and states that it will happen but it has not: "This generation shall not pass, till all these things be fulfilled" (St. Matthew, 24:34) or, "have taken place" (Luke 21:32). Similarly, in 1st Peter 1:20, "Christ, who verily

9246-524: The importance of the orchestra is equal to that of the singers. The orchestra's dramatic role in the later operas includes the use of leitmotifs , musical phrases that can be interpreted as announcing specific characters, locales, and plot elements; their complex interweaving and evolution illuminate the progression of the drama. These operas are still, despite Wagner's reservations, referred to by many writers as "music dramas". Wagner's earliest attempts at opera were often uncompleted. Abandoned works include

9380-523: The impression it produced on me," and claimed that the "profoundly human and ecstatic performance of this incomparable artist" kindled in him an "almost demonic fire". In 1831, Wagner enrolled at the Leipzig University , where he became a member of the Saxon student fraternity . He took composition lessons with the Thomaskantor Theodor Weinlig . Weinlig was so impressed with Wagner's musical ability that he refused any payment for his lessons. He arranged for his pupil's Piano Sonata in B-flat major (which

9514-479: The journal Bayreuther Blätter , published by his supporter Hans von Wolzogen . Wagner's sudden interest in Christianity at this period, which infuses Parsifal , was contemporary with his increasing alignment with German nationalism , and required on his part, and the part of his associates, "the rewriting of some recent Wagnerian history", so as to represent, for example, the Ring as a work reflecting Christian ideals. Many of these later articles, including "What

9648-514: The lake-side, He came to those men who knew him not. He speaks to us the same word: 'Follow thou me' and sets us to the task which He has to fulfill for our time. He commands. And to those who obey Him, whether they be wise or simple, He will reveal Himself in the toils, the conflicts, the sufferings which they shall pass through in His fellowship, and as an ineffable mystery, they shall learn in their own experience Who He is." In The Mysticism of Paul

9782-563: The last of his middle-period operas, before the Dresden uprising, and now wrote desperately to his friend Franz Liszt to have it staged in his absence. Liszt conducted the premiere in Weimar in August 1850. Nevertheless, Wagner was in grim personal straits, isolated from the German musical world and without any regular income. In 1850, Julie, the wife of his friend Karl Ritter, began to pay him

9916-477: The last time: they parted irrevocably, though Wagner continued to give financial support to her while she lived in Dresden until her death in 1866. In Biebrich, Wagner, at last, began work on Die Meistersinger von Nürnberg , his only mature comedy. Wagner wrote a first draft of the libretto in 1845, and he had resolved to develop it during a visit he had made to Venice with the Wesendoncks in 1860, where he

10050-646: The local Lutheran-Evangelical pastor of the EPCAAL , taught him how to play music. The tiny village would become home to the Association Internationale Albert Schweitzer (AIAS). The medieval parish church of Gunsbach was shared by the Protestant and Catholic congregations, which held their prayers in different areas at different times on Sundays. This compromise arose after the Protestant Reformation and

10184-587: The major Chorale Preludes for her at the Temple Neuf . Schweitzer's interpretative approach greatly influenced the modern understanding of Bach's music. He became a welcome guest at the Wagners' home, Wahnfried . He also corresponded with composer Clara Faisst , who became a good friend. His pamphlet "The Art of Organ Building and Organ Playing in Germany and France" (1906, republished with an appendix on

10318-531: The masses in order to achieve fame and financial success, rather than creating genuine works of art. In " Opera and Drama " (1851), Wagner described the aesthetics of music drama that he was using to create the Ring cycle. Before leaving Dresden, Wagner had drafted a scenario that eventually became Der Ring des Nibelungen . He initially wrote the libretto for a single opera, Siegfried's Tod ( Siegfried's Death ), in 1848. After arriving in Zürich, he expanded

10452-516: The most important event of his life. His personal circumstances certainly made him an easy convert to what he understood to be Schopenhauer's philosophy, sometimes categorised as " philosophical pessimism ". He remained an adherent of Schopenhauer for the rest of his life. One of Schopenhauer's doctrines was that music held a supreme role in the arts as a direct expression of the world's essence, namely, blind, impulsive will. This doctrine contradicted Wagner's view, expressed in "Opera and Drama", that

10586-418: The music in opera had to be subservient to the drama. Wagner scholars have argued that Schopenhauer's influence caused Wagner to assign a more commanding role to music in his later operas, including the latter half of the Ring cycle, which he had yet to compose. Aspects of Schopenhauerian doctrine found their way into Wagner's subsequent libretti. A second source of inspiration was Wagner's infatuation with

10720-457: The musical design corresponded to literary ideas, conceived visually. Widor had not grown up with knowledge of the old Lutheran hymns. The exposition of these ideas, encouraged by Widor and Munch, became Schweitzer's last task, and appeared in the masterly study J. S. Bach: Le Musicien-Poète , written in French and published in 1905. There was great demand for a German edition, but, instead of translating it, he decided to rewrite it. The result

10854-590: The mystery of Jesus is only possible within the solidarity of the Christian community. One of Schweitzer's major arguments in The Mysticism of Paul the Apostle is that Paul's mysticism, marked by his phrase "being in Christ", gives the clue to the whole of Pauline theology. Rather than reading justification by faith as the main topic of Pauline thought, which has been the most popular argument set forward by Martin Luther , Schweitzer argues that Paul's emphasis

10988-505: The mystical union with Christ". He summarizes Pauline mysticism as "being in Christ" rather than "being in God". Paul's imminent eschatology (from his background in Jewish eschatology ) causes him to believe that the kingdom of God has not yet come and that Christians are now living in the time of Christ. Christ-mysticism holds the field until God-mysticism becomes possible, which is in the near future. Therefore, Schweitzer argues that Paul

11122-478: The operas he had previously written through Lohengrin. Partly in an attempt to explain his change of views, Wagner published in 1851 the autobiographical " A Communication to My Friends ". This included his first public announcement of what was to become the Ring cycle: I shall never write an Opera more. As I have no wish to invent an arbitrary title for my works, I will call them Dramas ... I propose to produce my myth in three complete dramas, preceded by

11256-477: The other hand, a more developed form of mysticism can be found in the Greek mystery-cults that were popular in first-century A.D. society. These included the cults of Attis , Osiris , and Mithras . A developed form of mysticism is attained when the "conception of the universal is reached and a man reflects upon his relation to the totality of being and to Being in itself". Schweitzer claims that this form of mysticism

11390-568: The particular refraction which he requires. Schweitzer contrasts Paul's "realistic" dying and rising with Christ to the "symbolism" of Hellenism . Although Paul is widely influenced by Hellenistic thought, he is not controlled by it. Schweitzer explains that Paul focused on the idea of fellowship with the divine being through the "realistic" dying and rising with Christ rather than the "symbolic" Hellenistic act of becoming like Christ through deification . After baptism, Christians are continually renewed throughout their lifetimes due to participation in

11524-618: The pit unseen during act 3, took the baton from conductor Hermann Levi , and led the performance to its conclusion. After the festival, the Wagner family journeyed to Venice for the winter. Wagner died of a heart attack at the age of 69 on 13 February 1883 at Ca' Vendramin Calergi , a 16th-century palazzo on the Grand Canal . The legend that the attack was prompted by an argument with Cosima over Wagner's supposedly amorous interest in

11658-565: The poet-writer Mathilde Wesendonck , the wife of the silk merchant Otto Wesendonck. Wagner met the Wesendoncks, who were both great admirers of his music, in Zürich in 1852. From May 1853 onwards Wesendonck made several loans to Wagner to finance his household expenses in Zürich, and in 1857 placed a cottage on his estate at Wagner's disposal, which became known as the Asyl ("asylum" or "place of rest"). During this period, Wagner's growing passion for his patron's wife inspired him to put aside work on

11792-499: The rescue, restoration and study of historic pipe organs . With theological insight, he interpreted the use of pictorial and symbolical representation in J. S. Bach's religious music. In 1899, he astonished Widor by explaining figures and motifs in Bach's Chorale Preludes as painter-like tonal and rhythmic imagery illustrating themes from the words of the hymns on which they were based. They were works of devotional contemplation in which

11926-731: The rest of his life to work as a physician in Africa, he said: Our culture divides people into two classes: civilized men, a title bestowed on the persons who do the classifying; and others, who have only the human form, who may perish or go to the dogs for all the 'civilized men' care. Oh, this 'noble' culture of ours! It speaks so piously of human dignity and human rights and then disregards this dignity and these rights of countless millions and treads them underfoot, only because they live overseas or because their skins are of different colour or because they cannot help themselves. This culture does not know how hollow and miserable and full of glib talk it is, how common it looks to those who follow it across

12060-618: The same music together. Schweitzer also studied piano under Isidor Philipp , head of the piano department at the Paris Conservatory . In 1905, Widor and Schweitzer were among the six musicians who founded the Paris Bach Society , a choir dedicated to performing J. S. Bach 's music, for whose concerts Schweitzer took the organ part regularly until 1913. He was also appointed organist for the Bach Concerts of

12194-538: The seas and see what it has done there, and this culture has no right to speak of personal dignity and human rights... I will not enumerate all the crimes that have been committed under the pretext of justice. People robbed native inhabitants of their land, made slaves of them, let loose the scum of mankind upon them. Think of the atrocities that were perpetrated upon people made subservient to us, how systematically we have ruined them with our alcoholic 'gifts', and everything else we have done... We decimate them, and then, by

12328-441: The second act); but the opportunity was also exploited by those who wanted to use the occasion as a veiled political protest against the pro-Austrian policies of Napoleon III . It was during this visit that Wagner met the French poet Charles Baudelaire , who wrote an appreciative brochure, " Richard Wagner et Tannhäuser à Paris ". The opera was withdrawn after the third performance and Wagner left Paris soon after. He had sought

12462-744: The singer Carrie Pringle , who had been a Flower-maiden in Parsifal at Bayreuth, is without credible evidence. After a funerary gondola bore Wagner's remains over the Grand Canal, his body was taken to Germany where it was buried in the garden of the Villa Wahnfried in Bayreuth. Wagner's musical output is listed by the Wagner-Werk-Verzeichnis (WWV) as comprising 113 works, including fragments and projects. The first complete scholarly edition of his musical works in print

12596-557: The state of the organ-building industry in 1927) effectively launched the 20th-century Orgelbewegung , which turned away from romantic extremes and rediscovered baroque principles—although this sweeping reform movement in organ building eventually went further than Schweitzer had intended. In 1909, he addressed the Third Congress of the International Society of Music at Vienna on the subject. Having circulated

12730-423: The story with Der junge Siegfried ( Young Siegfried ), which explored the hero's background. He completed the text of the cycle by writing the libretti for Die Walküre ( The Valkyrie ) and Das Rheingold ( The Rhine Gold ) and revising the other libretti to conform to his new concept, completing them in 1852. The concept of opera expressed in "Opera and Drama" and in other essays effectively renounced all

12864-660: The stroke of a pen, we take their land so they have nothing left at all... If all this oppression and all this sin and shame are perpetrated under the eye of the German God, or the American God, or the British God, and if our states do not feel obliged first to lay aside their claim to be 'Christian'—then the name of Jesus is blasphemed and made a mockery. And the Christianity of our states is blasphemed and made

12998-632: The strong support of Giacomo Meyerbeer , it was accepted for performance by the Dresden Court Theatre ( Hofoper ) in the Kingdom of Saxony , and in 1842 Wagner moved to Dresden. His relief at returning to Germany was recorded in his " Autobiographic Sketch " of 1842, where he wrote that, en route from Paris, "For the first time I saw the Rhine —with hot tears in my eyes, I, poor artist, swore eternal fidelity to my German fatherland." Rienzi

13132-481: The summer semester at the University of Berlin and eventually obtained his theology degree at the University of Strasbourg . He published his PhD thesis at the University of Tübingen in 1899. In 1905, Schweitzer began his study of medicine at the University of Strasbourg, culminating in the degree of M.D. in 1913. Schweitzer rapidly gained prominence as a musical scholar and organist, dedicated also to

13266-412: The task of writing the libretto (the text and lyrics) to others, Wagner wrote his own libretti, which he referred to as "poems". From 1849 onwards, he urged a new concept of opera often referred to as "music drama" (although he later rejected this term), in which all musical, poetic and dramatic elements were to be fused together—the Gesamtkunstwerk . Wagner developed a compositional style in which

13400-411: The terrible crimes we read of in the newspapers. We must make atonement for the still worse ones, which we do not read about in the papers, crimes that are shrouded in the silence of the jungle night   ... Richard Wagner Wilhelm Richard Wagner ( / ˈ v ɑː ɡ n ər / VAHG -nər ; German: [ˈʁɪçaʁt ˈvaːɡnɐ] ; 22 May 1813 – 13 February 1883)

13534-709: The theatre in Würzburg . In the same year, at the age of 20, Wagner composed his first complete opera, Die Feen ( The Fairies ). This work, which imitated the style of Weber, went unproduced until half a century later, when it was premiered in Munich shortly after the composer's death in 1883. Having returned to Leipzig in 1834, Wagner held a brief appointment as musical director at the opera house in Magdeburg during which he wrote Das Liebesverbot ( The Ban on Love ), based on Shakespeare's Measure for Measure . This

13668-586: The theatre. The two married in Tragheim Church on 24 November 1836. In May 1837, Minna left Wagner for another man, and this was only the first débâcle of a tempestuous marriage. In June 1837, Wagner moved to Riga (then in the Russian Empire ), where he became music director of the local opera; having in this capacity engaged Minna's sister Amalie (also a singer) for the theatre, he presently resumed relations with Minna during 1838. By 1839,

13802-475: The theatre. The Wagners moved to the town the following year, and the foundation stone for the Bayreuth Festspielhaus ("Festival Theatre") was laid. Wagner initially announced the first Bayreuth Festival, at which for the first time the Ring cycle was presented complete, for 1873, but since Ludwig had declined to finance the project, the start of building was delayed and the proposed date for

13936-613: The third Ring drama, which he now called simply Siegfried , probably in September 1856, but by June 1857 he had completed only the first two acts. He decided to put the work aside to concentrate on a new idea: Tristan und Isolde , based on the Arthurian love story Tristan and Iseult . One source of inspiration for Tristan und Isolde was the philosophy of Arthur Schopenhauer , notably his The World as Will and Representation , to which Wagner had been introduced in 1854 by his poet friend Georg Herwegh . Wagner later called this

14070-426: The throne of Bavaria at the age of 18. The young king, an ardent admirer of Wagner's operas, had the composer brought to Munich. The King, who was homosexual, expressed in his correspondence a passionate personal adoration for the composer, and Wagner in his responses had no scruples about feigning reciprocal feelings. Ludwig settled Wagner's considerable debts and proposed to stage Tristan , Die Meistersinger ,

14204-448: The tropics, it was delivered by river in a huge dug-out canoe to Lambaréné, packed in a zinc-lined case. At first, he regarded his new life as a renunciation of his art, and fell out of practice, but after some time he resolved to study and learn by heart the works of Bach, Mendelssohn , Widor, César Franck , and Max Reger systematically. It became his custom to play during the lunch hour and on Sunday afternoons. Schweitzer's pedal piano

14338-583: The university as a student in a three-year course towards the degree of Doctorate in Medicine, a subject in which he had little knowledge or previous aptitude. He planned to spread the Gospel by the example of his Christian labour of healing, rather than through the verbal process of preaching, and believed that this service should be acceptable within any branch of Christian teaching. Even in his study of medicine, and through his clinical course, Schweitzer pursued

14472-521: The works, Wagner had his own opera house built to his specifications: the Bayreuth Festspielhaus , which featured many innovative design elements intended to immerse the audience in the drama. The premieres of The Ring and Parsifal took place there, and his most important stage works are performed at the annual Bayreuth Festival . The early success of the festival was secured by the efforts of his wife, Cosima Wagner , and has since been maintained by their descendants , attracting audiences from around

14606-452: The world. Wagner's unorthodox operas, essays, and personal dealings engendered considerable controversy during his lifetime, and continue to do so. Declared a "genius" by some and a "disease" by others, his music is widely performed, but his views on religion, politics, and social life are debated—most notably on the extent to which his antisemitism finds expression in his stage and prose works. The effect of his ideas can be traced in many of

14740-476: Was 78) and found significant flaws in the practices and attitudes of Schweitzer and his staff. The hospital suffered from squalor and was without modern amenities, and Schweitzer had little contact with the local people. Cameron did not make public what he had seen at the time: according to a BBC dramatisation, he made the unusual journalistic decision to withhold the story, and resisted the expressed wish of his employers to publish an exposé. The poor conditions of

14874-461: Was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, " music dramas "). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer , Wagner revolutionised opera through his concept of

15008-514: Was a free man again. At this time Schweitzer, born a German citizen, had his parents' former (pre-1871) French citizenship reinstated and became a French citizen. Then, working as a medical assistant and assistant-pastor in Strasbourg , he advanced his project on the philosophy of civilization, which had occupied his mind since 1900. By 1920, his health recovering, he was giving organ recitals and doing other fund-raising work to repay borrowings and raise funds for returning to Gabon. In 1922, he delivered

15142-714: Was also much troubled by problems of financing Parsifal , and by the prospect of the work being performed by other theatres than Bayreuth. He was once again assisted by the liberality of King Ludwig, but was still forced by his personal financial situation in 1877 to sell the rights of several of his unpublished works (including the Siegfried Idyll ) to the publisher Schott . Wagner wrote several articles in his later years, often on political topics, and often reactionary in tone, repudiating some of his earlier, more liberal, views. These include "Religion and Art" (1880) and "Heroism and Christianity" (1881), which were printed in

15276-617: Was at last accepted. Through concerts and other fund-raising, he was ready to equip a small hospital. In early 1913, he and his wife set off to establish a hospital (the Hôpital Albert Schweitzer ) near an existing mission post. The site was nearly 200 miles (14 days by raft ) upstream from the mouth of the Ogooué at Port Gentil ( Cape Lopez ) (and so accessible to external communications), but downstream of most tributaries, so that internal communications within Gabon converged towards Lambaréné. In

15410-630: Was caused by a paracholera vibrion (facultative anaerobic bacteria). With the new hospital built and the medical team established, Schweitzer returned to Europe in 1927, this time leaving a functioning hospital at work. He was there again from 1929 to 1932. Gradually his opinions and concepts became acknowledged, not only in Europe, but worldwide. There was a further period of work in 1935. In January 1937, he returned again to Lambaréné and continued working there throughout World War II . The journalist James Cameron visited Lambaréné in 1953 (when Schweitzer

15544-627: Was commenced in 1970 under the aegis of the Bavarian Academy of Fine Arts and the Akademie der Wissenschaften und der Literatur of Mainz , and is presently under the editorship of Egon Voss . It will consist of 21 volumes (57 books) of music and 10 volumes (13 books) of relevant documents and texts. As at October 2017, three volumes remain to be published. The publisher is Schott Music . Wagner's operatic works are his primary artistic legacy. Unlike most opera composers, who generally left

15678-589: Was conductor and composer Hans Münch . In 1899, Schweitzer became a deacon at the church of Saint Nicholas in Strasbourg. In 1900, with the completion of his licentiate in theology, he was ordained as curate , and that year he witnessed the Oberammergau Passion Play . In the following year, he became provisional Principal of the Theological College of Saint Thomas , from which he had just graduated, and in 1903 his appointment

15812-525: Was consequently dedicated to him) to be published as Wagner's Op. 1. A year later, Wagner composed his Symphony in C major , a Beethovenesque work performed in Prague in 1832 and at the Leipzig Gewandhaus in 1833. He then began to work on an opera, Die Hochzeit ( The Wedding ), which he never completed. In 1833, Wagner's brother Albert managed to obtain for him a position as choirmaster at

15946-539: Was determined to set it to music and persuaded his family to allow him music lessons. By 1827, the family had returned to Leipzig. Wagner's first lessons in harmony were taken during 1828–1831 with Christian Gottlieb Müller. In January 1828 he first heard Beethoven 's 7th Symphony and then, in March, the same composer's 9th Symphony , both at the Gewandhaus . Beethoven became a major inspiration, and Wagner wrote

16080-543: Was enrolled at Pastor Wetzel's school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He struggled to play a proper scale at the keyboard and preferred playing theatre overtures by ear . Following Geyer's death in 1821, Richard was sent to the Kreuzschule , the boarding school of the Dresdner Kreuzchor , at the expense of Geyer's brother. At the age of nine he

16214-567: Was falling into a deepening depression . Wagner fell victim to ill health, according to Ernest Newman "largely a matter of overwrought nerves", which made it difficult for him to continue writing. Wagner's primary published output during his first years in Zürich was a set of essays. In " The Artwork of the Future " (1849), he described a vision of opera as Gesamtkunstwerk (total work of art), in which music, song, dance, poetry, visual arts and stagecraft were unified. " Judaism in Music " (1850)

16348-401: Was foreordained before the foundation of the world but was manifest in these last times for you", as well as "But the end of all things is at hand" (1 Peter 4:7) and "Surely, I come quickly." (Revelation 22:20). Schweitzer concluded his treatment of Jesus with what has been called the most famous words of twentieth-century theology: "He comes to us as One unknown, without a name, as of old, by

16482-507: Was heavily decayed, and building and doctoring progressed together for months. He now had salvarsan for treating syphilitic ulcers and framboesia . Additional medical staff, nurse (Miss) Kottmann and Dr. Victor Nessmann, joined him in 1924, and Dr. Mark Lauterberg in 1925; the growing hospital was staffed by native orderlies. Later Dr. Trensz replaced Nessmann, and Martha Lauterberg and Hans Muggenstorm joined them. Joseph also returned. In 1925–6, new hospital buildings were constructed, and also

16616-577: Was hugely impressed by the Gothic elements of Carl Maria von Weber 's opera Der Freischütz , which he saw Weber conduct. At this period Wagner entertained ambitions as a playwright. His first creative effort, listed in the Wagner-Werk-Verzeichnis (the standard listing of Wagner's works) as WWV 1, was a tragedy called Leubald . Begun when he was in school in 1826, the play was strongly influenced by Shakespeare and Goethe . Wagner

16750-466: Was inspired by Titian 's painting The Assumption of the Virgin . Throughout this period (1861–1864) Wagner sought to have Tristan und Isolde produced in Vienna. Despite many rehearsals, the opera remained unperformed, and gained a reputation as being "impossible" to sing, which added to Wagner's financial problems. Wagner's fortunes took a dramatic upturn in 1864, when King Ludwig II succeeded to

16884-694: Was made permanent. In 1906, he published Geschichte der Leben-Jesu-Forschung [History of Life-of-Jesus research]. This book, which established his reputation, was first published in English in 1910 as The Quest of the Historical Jesus . Under this title the book became famous in the English-speaking world. A second German edition was published in 1913, containing theologically significant revisions and expansions: this revised edition did not appear in English until 2001. In 1931, he published Mystik des Apostels Paulus ( The Mysticism of Paul

17018-429: Was on the mystical union with God by "being in Christ". Jaroslav Pelikan , in his foreword to The Mysticism of Paul the Apostle , points out that: the relation between the two doctrines was quite the other way around: 'The doctrine of the redemption, which is mentally appropriated through faith, is only a fragment from the more comprehensive mystical redemption-doctrine, which Paul has broken off and polished to give him

17152-426: Was staged at Magdeburg in 1836 but closed before the second performance; this, together with the financial collapse of the theatre company employing him, left the composer in bankruptcy. Wagner had fallen for one of the leading ladies at Magdeburg, the actress Christine Wilhelmine "Minna" Planer , and after the disaster of Das Liebesverbot he followed her to Königsberg , where she helped him to get an engagement at

17286-508: Was staged to considerable acclaim on 20 October. Wagner lived in Dresden for the next six years, eventually being appointed the Royal Saxon Court Conductor. During this period, he staged there Der fliegende Holländer (2 January 1843) and Tannhäuser (19 October 1845), the first two of his three middle-period operas. Wagner also mixed with artistic circles in Dresden, including the composer Ferdinand Hiller and

17420-513: Was still in use at Lambaréné in 1946. According to a visitor, Dr. Gaine Cannon, of Balsam Grove, N.C., the old, dilapidated piano-organ was still being played by Dr. Schweitzer in 1962, and stories told that "his fingers were still lively" on the old instrument at 88 years of age. Sir Donald Tovey dedicated his conjectural completion of Bach's The Art of Fugue to Schweitzer. Schweitzer's recordings of organ music, and his innovative recording technique, are described below . One of his pupils

17554-498: Was the first of Wagner's writings to feature antisemitic views. In this polemic Wagner asserted—often with vulgar, abusive language—that Jews lived as "outsiders" amid European societies and were disconnected from the national spirit ( Volksgeist ) of these countries, thus capable of producing only shallow and artificial imitations of European art music, despite having achieved technical proficiency in its study. According to Wagner, Jews such as Meyerbeer commercialised music catered to

17688-434: Was the ninth child of Carl Friedrich Wagner, a clerk in the Leipzig police service, and his wife, Johanna Rosine (née Pätz), the daughter of a baker. Wagner's father Carl died of typhoid fever six months after Richard's birth. Afterwards, his mother Johanna lived with Carl's friend, the actor and playwright Ludwig Geyer . In August 1814 Johanna and Geyer probably married, although no documentation of this has been found in

17822-447: Was two volumes ( J. S. Bach ), which were published in 1908 and translated into English by Ernest Newman in 1911. Ernst Cassirer , a contemporaneous German philosopher, called it "one of the best interpretations" of Bach. During its preparation Schweitzer became a friend of Cosima Wagner , then resident in Strasbourg, with whom he had many theological and musical conversations, exploring his view of Bach's descriptive music, and playing

17956-520: Was withdrawn after its first performance. Rienzi (1842) was Wagner's first opera to be successfully staged. The compositional style of these early works was conventional—the relatively more sophisticated Rienzi showing the clear influence of Grand Opera à la Spontini and Meyerbeer—and did not exhibit the innovations that would mark Wagner's place in musical history. Later in life, Wagner said that he did not consider these works to be part of his oeuvre , and they have been performed only rarely in

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