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45-581: Atlas Comics may refer to: Atlas Comics (1950s) , one of the two comic publishing companies that would be the forerunner of Marvel Comics Atlas/Seaboard Comics , founded by Timely/Atlas (1950s)/Marvel founder, a short-lived comic publisher that published under the Atlas Comics name and referred to as Atlas/Seaboard Comics See also [ edit ] Atlas (disambiguation)#Arts, entertainment, and media [REDACTED] Index of articles associated with

90-460: A Justice Department lawsuit and discontinued its business. As comic-book historian Gerard Jones explains, the company in 1956 ...had been found guilty of restraint of trade and ordered to divest itself of the newsstands it owned. Its biggest client, George Delacorte , announced he would seek a new distributor for his Dell Comics and paperbacks. The owners of American News estimated the effect that would have on their income. Then they looked at

135-483: A 1960 trade article. Stan Lee, in a 1988 interview, recalled that Goodman: ...had gone with the American News Company. I remember saying to him, 'Gee, why did you do that? I thought that we had a good distribution company.' His answer was like, 'Oh, Stan, you wouldn't understand. It has to do with finance.' I didn't really give a damn, and I went back to doing the comics. [Later,] we were left without

180-431: A distributor and we couldn't go back to distributing our own books because the fact that Martin quit doing it and went with American News had gotten the wholesalers very angry ... and it would have been impossible for Martin to just say, 'Okay, we'll go back to where we were and distribute our books.' [We had been] turning out 40, 50, 60 books a month, maybe more, and [now] the only company we could get to distribute our books

225-542: A few extra pages to fill", as "odd fantasy tales that I'd dream up with O. Henry -type endings." Giving an early example of what would later be known as the " Marvel Method " of writer-artist collaboration, Lee said, "All I had to do was give Steve a one-line description of the plot and he'd be off and running. He'd take those skeleton outlines I had given him and turn them into classic little works of art that ended up being far cooler than I had any right to expect." Don Heck , who worked as an Atlas staff artist from 1954 until

270-616: A few years earlier, and separately lost a lawsuit to a DC Comics editor — was having difficulty finding work. He recalled that in late 1958, I came in [to the Marvel offices] and they were moving out the furniture, they were taking desks out — and I needed the work! ... Stan Lee is sitting on a chair crying. He didn't know what to do, he's sitting on a chair crying — he was still just out of his adolescence [Note: Lee, born Dec. 28, 1922, would actually have been about 36.] I told him to stop crying. I says, 'Go in to Martin and tell him to stop moving

315-794: Is different from Wikidata All set index articles Atlas Comics (1950s) Atlas Comics was the successor of Timely Comics , the company that magazine and paperback novel publisher Martin Goodman founded in 1939, and which had reached the peak of its popularity during the war years with its star characters the Human Torch , the Sub-Mariner and Captain America . The early to mid-1950s found comic books falling out of fashion due to competition from television and other media. Timely largely stopped producing superhero comics with

360-477: The supernatural superheroine Hellcat . Atlas' talking animal books featured cartoonist Ed Winiarski 's trouble-prone Buck Duck , Maneely's mentally suspect Dippy Duck , and Howie Post 's The Monkey and the Bear . Buck and the other animal characters briefly returned in the early 1970s when Marvel published the five-issue reprint title Li'l Pals ("Fun-Filled Animal Antics!"). Miscellaneous titles included

405-409: The "MC" box. Cover-date The cover date of a periodical publication is the date displayed on the cover, which is not necessarily the true date of publication (the on-sale date or release date ); later cover dates are common in magazine and comic book publishing. More unusually, Le Monde is a daily newspaper published the afternoon before its cover date. For some publications,

450-482: The 1970s, were Ringo Kid , with art by Maneely, Fred Kida and John Severin ; artist Doug Wildey 's The Outlaw Kid ; artist Jack Keller 's Kid Colt, Outlaw ; the anthology Gunsmoke Western , starring Kid Colt; and Black Rider , drawn by Maneely, Syd Shores and others. Atlas also published various children's and teen humor titles, including Dan DeCarlo 's Homer, the Happy Ghost (a la Casper

495-704: The Friendly Ghost ), Homer Hooper (a la Archie Andrews ) and the Joe Maneely -drawn Melvin the Monster (a la Dennis the Menace ). Sergeant Barney Barker , drawn by John Severin , was Atlas' answer to Sgt. Bilko . One of the most long-running titles was Millie the Model , which began as a Timely Comics humor series in 1945 and ran into the 1970s, lasting for 207 issues and launching spinoffs along

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540-530: The Sub-Mariner (drawn and most stories written by Bill Everett ) and Captain America (writer Stan Lee , artist John Romita Sr. ). The short-lived revival also included restarts of Sub-Mariner Comics (issues #33-42, April 1954 - Oct. 1955) and Captain America (#76-78, May-Sept. 1954). All three superheroes also appeared in the final two issues of Men's Adventures (#27-28, May–July 1954). Goodman's publishing strategy for Atlas involved what he saw as

585-643: The Thing That Could Not Die!'" A Kirby science fiction/monster story, usually inked by Christopher Rule initially, then by Dick Ayers following Rule's retirement, would generally open each book. This was followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck , Paul Reinman , or Joe Sinnott , all capped by an often-surreal, sometimes self-reflexive short by Lee and artist Steve Ditko . Lee in 2009 described these "short, five-page filler strips that Steve and I did together", originally "placed in any of our comics that had

630-612: The cancellation of Captain America Comics at issue #75 ( cover-dated Feb. 1950), by which time the series had already been titled Captain America's Weird Tales for two issues, with the finale featuring only anthological suspense stories and no superheroes. The company's flagship title, Marvel Mystery Comics , starring the Human Torch, had already ended its run with #92 in June 1949, as had Sub-Mariner Comics with #32

675-425: The closet! And Martin found them and I think he wasn't too happy. If I wasn't satisfied with the work, I wasn't supposed to have paid, but I was never sure it was really the artist's or the writer's fault. But when the job was finished I didn't think that it was anything that I wanted to use. I felt that we could use it in inventory — put it out in other books. Martin, probably rightly so, was a little annoyed because it

720-488: The colorists and correction guys, the letterers and artists. ... We had a great time". From 1952 to late 1956, Goodman distributed Atlas' comics to newsstands through his self-owned distributor, the Atlas News Company. He shut down Atlas News Company in 1956 and began newsstand distribution through American News Company , the nation's largest distributor and a virtual monopoly , which shortly afterward lost

765-587: The company rejoined the Association of Comics Magazine Publishers and begin using the "star" logo of ACMP on comics cover-dated between April 1952 and January 1955 on its titles, prior to the establishment of the Comics Code Authority . Atlas attempted to revive superheroes in Young Men #24-28 (Dec. 1953 - June 1954) with the Human Torch (art by Syd Shores and Dick Ayers , variously),

810-424: The company's retrenchment in 1957 before returning the following year, recalled that the 1958 page rate "was around $ 20 per page to pencil and ink, I think [rival comic-book publisher] DC 's average was $ 38. It didn't pick up until 1964-65, and even then it didn't go up all that much — a couple of bucks a page." Although for several months in 1949 and 1950 Timely's titles bore a circular logo labeled "Marvel Comic",

855-563: The cover and the seven-page story "I Discovered the Secret of the Flying Saucers" for Strange Worlds #1 (Dec. 1958), Kirby returned for a 12-year run that would soon help revolutionize comics. While career necessity led Kirby back to publisher Goodman, whom he had left acrimoniously in 1941, Kirby nonetheless helped elevate simple science fiction and giant-monster stories with what comics historian Charles Hatfield called "a vital jab in

900-722: The cover date may not be found on the cover , but rather on an inside jacket or on an interior page. In the United States, Canada, and the United Kingdom, the standard practice is to display on magazine covers a date which is some weeks or months in the future from the publishing or release date. There are two reasons for this discrepancy: first, to allow magazines to continue appearing "current" to consumers even after they have been on sale for some time (since not all magazines will be sold immediately), and second, to inform newsstands when an unsold magazine can be removed from

945-438: The date of publication, and may indeed be identical where weekly magazines are concerned. In all markets, it is rare for monthly magazines to indicate a particular day of the month: thus issues are dated May 2016 , and so on, whereas weekly magazines may be dated 17 May 2016 . The general practice of most mainstream comic book companies since the creation of the comic book in the 1930s was to date individual issues by putting

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990-540: The early 1960s, when Lee, Jack Kirby and Steve Ditko would help revolutionize comic books with the advent of the Fantastic Four and Spider-Man , Atlas was content to flood newsstands with profitable, cheaply produced product — often, despite itself, beautifully rendered by talented if low-paid artists. The Atlas "bullpen" had at least five staff writers (officially called editors) besides Lee: Hank Chapman , Paul S. Newman , Don Rico , Carl Wessler , and, in

1035-598: The espionage series Yellow Claw , with Maneely, Severin, and Jack Kirby art; the Native American hero Red Warrior , with art by Tom Gill ; the space opera Space Squadron , written and drawn by future Marvel production executive Sol Brodsky ; and Sports Action , initially featuring true-life stories about the likes of George Gipp and Jackie Robinson , and later fictional features of, as one cover headline put it, "Rugged Tales of Danger and Red-Hot Action!". Staff artist Stan Goldberg recalled in 2005, "I

1080-399: The few able to give a firsthand account, told a seemingly self-contradictory version of the downsizing: It would never have happened just because he opened a closet door. But I think that I may have been in a little trouble when that happened. We had bought a lot of strips that I didn't think were really all that good, but I paid the artists and writers for them anyway, and I kinda hid them in

1125-494: The first modern comic books so labeled were the science fiction anthology Journey into Mystery #69 and the teen humor title Patsy Walker #95 (both June 1961), which each showed an "MC" box on its cover. However, collectors routinely refer to the company's comics from the April 1959 cover-dates onward (when they began featuring Jack Kirby artwork on his return to Goodman's company), as pre-superhero Marvel . Goodman would reuse

1170-414: The furniture out, and I'll see that the books make money'. The interviewer, The Comics Journal publisher Gary Groth , later wrote of this interview in general, "Some of Kirby's more extreme statements ... should be taken with a grain of salt...." Lee, specifically asked about the office-closing anecdote, said, I never remember being there when people were moving out the furniture. If they ever moved

1215-528: The furniture, they did it during the weekend when everybody was home. Jack tended toward hyperbole, just like the time he was quoted as saying that he came in and I was crying and I said, 'Please save the company!' I'm not a crier and I would never have said that. I was very happy that Jack was there and I loved working with him, but I never cried to him. (laughs) Kirby had previously returned, in late 1956, to freelance on five issues cover-dated December 1956 and February 1957, but did not stay. Now, beginning with

1260-497: The future DC Comics , which agreed to distribute him on constrained terms that allowed only eight titles per month. The last comic to bear the Atlas globe on the cover was the comic Dippy Duck #1, and the first to bear the new "Ind." distributors' mark was Patsy Walker #73, both cover-dated October 1957. The company was accordingly renamed to Goodman Comics after signing a distribution pact with Independent News , according to

1305-561: The logo of the Atlas News Company, the newsstand-distribution company he owned, on comics cover-dated November 1951, even though another company, Kable News, continued to distribute his comics through the August 1952 issues, with its "K" logo and the logo of the independent distributors' union appearing alongside the Atlas globe. The Atlas logo united a line put out by the same publisher, staff and freelancers through 59 shell companies, from Animirth Comics to Zenith Publications. Soon afterwards,

1350-424: The long view and kept their stables of heroes solid, Goodman let his slide." While Atlas had some horror titles, such as Marvel Tales , as far back as 1949, the company increased its output dramatically in the wake of EC's success. Lee recalled, "[I]t was usually based on how the competition was doing. When we found that EC's horror books were doing well, for instance, we published a lot of horror books." Until

1395-550: The name Atlas for the next comics company he founded , in the 1970s. Sources: Some titles may be arguably Timely at the earlier end, or Marvel at the later end. Many series took over the numbering from previous series, which are listed. In titles numbered from or into the various All Winners Comics , additional clarifying information is supplied. Note: The romance title Linda Carter, Student Nurse #1–9 (Sept. 1961 – Jan. 1963), sometimes grouped together with Atlas Comics, chronologically falls within Marvel, and all covers have

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1440-415: The name of a month (and much later the year as well) on the cover which was generally two months after the release date. For example, a 1951 issue of Superman which had the cover date of July would have been published two months earlier from that date in the month of May, generally speaking. In 1973 the discrepancy between the cover date and the publishing date went from two months to three months. In 1989

1485-404: The other artists later, but that's what happened with me." Goodman's men's magazines and paperback books were still successful — the comics, except in the early Golden Age, were a relatively small part of the business — and Goodman considered shutting the division down. The details of his decision not to do so are murky. Artist Jack Kirby — who had amicably split with creative partner Joe Simon

1530-435: The prolific and much-admired Joe Maneely , who before his death just prior to Marvel's 1960s breakthrough was the company's leading artist, providing many covers and doing work in all genres, most notably on Westerns and on the medieval adventure Black Knight . Others included Russ Heath , Gene Colan , and the fledgling, highly individualistic Steve Ditko . Some of Atlas' prominent Western titles, many reprinted in

1575-582: The proven route of following popular trends in TV and movies — Westerns and war dramas prevailing for a time, drive-in movie monsters another time — and even other comic books, particularly the EC horror line. As Marvel/Atlas editor-in-chief Stan Lee told comic-book historian Les Daniels , Goodman "would notice what was selling, and we'd put out a lot of books of that type." Commented Daniels, "The short-term results were lucrative; but while other publishers took

1620-546: The ribs by [his] outlandish artistry. Soon his dynamic work began gracing countless covers and lead stories in the extant Strange Tales and the newly launched Amazing Adventures , Strange Worlds , Tales of Suspense , Tales to Astonish and World of Fantasy . "Offsetting the formulaic nature of the stories was a dash of invigorating absurdity," wrote Hatfield. "The tales had Kirby's energy and, courtesy of Lee, confessional, first-person titles typical of sensation-mongering tabloids and comics, such as, 'I Created Sporr,

1665-793: The same month, and The Human Torch with #35 in March 1949. Timely made one more attempt at superheroes with the publication of Marvel Boy #1-2 (Dec. 1950 - Feb. 1951), which was retitled Astonishing with issue #3 (April 1951) and continued the Marvel Boy feature through #6 (Oct. 1951). In the absence of superheroes, Goodman's comic book line expanded into a wide variety of genres, producing horror , Westerns , humor , talking animal , drama , crime , war , jungle , romance , espionage , medieval adventure, Bible stories and sports comics. As did other publishers, Atlas also offered comics about models and career women. Goodman began using

1710-499: The same name This set index article includes a list of related items that share the same name (or similar names). If an internal link incorrectly led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Atlas_Comics&oldid=1185167693 " Categories : Set index articles on comics Atlas Comics Hidden categories: Articles with short description Short description

1755-419: The stands and returned to the publishing company or be destroyed (in this case, the cover date is also the pull date ). Weeklies (such as Time and Newsweek ) are generally dated a week ahead. Monthlies (such as National Geographic ) are generally dated a half month ahead, and quarterlies are generally dated two or three months ahead. In other countries, the cover date usually matches more closely

1800-408: The teen humor division, future Mad magazine cartoonist Al Jaffee . Daniel Keyes , future author of Flowers for Algernon , was an editor beginning 1952. Other writers, generally freelance, included Robert Bernstein . The artists — some freelance, some on staff — included such veterans as Human Torch creator Carl Burgos and Sub-Mariner creator Bill Everett . The next generation included

1845-492: The value of the New Jersey real estate where their headquarters sat. They liquidated the company and sold the land. The company ... vanished without a trace in the suburban growth of the 1950s. The Atlas globe remained on the covers, however, until American News went out of business in June 1957. With no other options, Goodman turned to the distributor Independent News , owned by rival National Periodical Publications ,

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1890-764: The way. Created by writer-artist Ruth Atkinson , it later became the training ground for cartoonist DeCarlo — the future creator of Josie and the Pussycats , Sabrina, the Teenage Witch and other Archie Comics characters, and the artist who established Archie Comics’ modern look. DeCarlo wrote and drew Millie for 10 years. The high-school series Patsy Walker , co-created by Atkinson and writer Otto Binder in 1944, featured art by Al Hartley , Al Jaffee , Morris Weiss and others, and ran until 1967 It spun off three titles. Patsy herself would be integrated into Marvel Universe continuity years later as

1935-430: Was his money I was spending. In a 2003 interview, Joe Sinnott , one of the company's top artists for more than 50 years, recalled Lee citing the inventory issue as a primary cause. "Stan called me and said, 'Joe, Martin Goodman told me to suspend operations because I have all this artwork in house and have to use it up before I can hire you again.' It turned out to be six months, in my case. He may have called back some of

1980-457: Was in the Bullpen with a lot of well-known artists who worked up there at that time. ... The guys ... who actually worked nine-to-five and put in a regular day, and not the freelance guys who'd come in a drop off their work ... were almost a hall of fame group of people. There was John Severin . Bill Everett . Carl Burgos . There was the all-time great Joe Maneely.... We all worked together, all

2025-424: Was our closest rival, National [DC] Comics. Suddenly we went ... to either eight or 12 books a month, which was all Independent News Distributors would accept from us. During this retrenchment, according to a fabled industry story, Goodman discovered a closet-full of unused, but paid-for, art, leading him to have virtually the entire staff fired while he used up the inventory. In the interview noted above, Lee, one of

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