141-606: Augustus Welby Northmore Pugin ( / ˈ p j uː dʒ ɪ n / PEW -jin ; 1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic with French and Swiss origins. He is principally remembered for his pioneering role in the Gothic Revival style of architecture . His work culminated in designing the interior of the Palace of Westminster in Westminster , London, and its renowned clock tower,
282-635: A 161-meter tower from 1890) and St. Vitus Cathedral in Prague (1844–1929). In Belgium, a 15th-century church in Ostend burned down in 1896. King Leopold II funded its replacement, the Saint Peter's and Saint Paul's Church , a cathedral-scale design which drew inspiration from the neo-Gothic Votive Church in Vienna and Cologne Cathedral. In Mechelen , the largely unfinished building drawn in 1526 as
423-409: A Gothic Revival-style house for his family, which he named St Marie's Grange. Of it, Charles Eastlake said "he had not yet learned the art of combining a picturesque exterior with the ordinary comforts of an English home". In 1834, Pugin converted to Catholicism and was received into it the following year. British society at the start of the 19th century often discriminated against dissenters from
564-578: A baronial palace and its adoption as a royal retreat from 1855 to 1858 confirmed the popularity of the style. In the United States, the first "Gothic stile" church (as opposed to churches with Gothic elements) was Trinity Church on the Green , New Haven, Connecticut. It was designed by Ithiel Town between 1812 and 1814, while he was building his Federalist-style Center Church, New Haven next to this radical new "Gothic-style" church. Its cornerstone
705-401: A building which are not necessary for convenience, construction or propriety; 2nd, that all ornament should consist of enrichment of the essential construction of the building". Urging modern craftsmen to seek to emulate the style of medieval workmanship as well as reproduce its methods, Pugin sought to reinstate Gothic as the true Christian architectural style. Pugin's most notable project was
846-584: A business supplying historically accurate carved wood and stone detailing for the increasing number of buildings being constructed in the Gothic Revival style, but the enterprise quickly failed. In 1831, at the age of 19, Pugin married the first of his three wives, Anne Garnet. She died a few months later in childbirth, leaving him a daughter. He had a further six children, including the future architect Edward Welby Pugin , with his second wife, Louisa Burton, who died in 1844. His third wife, Jane Knill, kept
987-542: A cinema (Vint's Palace) around 1913. A fire destroyed most of the building in 1921 and it was rebuilt as Woolworths, which opened in 1923 and closed in 2009. Regarded as Dublin's finest Victorian church, SS Augustine and John (John's Lane Church) in the Liberties area was designed by E. W. Pugin and executed by his partner George Ashlin for the Augustinian Fathers. It was built between 1862 and 1895. It has
1128-459: A classic body". John Ruskin supplemented Pugin's ideas in his two influential theoretical works, The Seven Lamps of Architecture (1849) and The Stones of Venice (1853). Finding his architectural ideal in Venice , Ruskin proposed that Gothic buildings excelled above all other architecture because of the "sacrifice" of the stone-carvers in intricately decorating every stone. In this, he drew
1269-617: A close friendship with the aristocrats amongst his patrons, who continued to commission him. At the end of Pugin's life, in February 1852, Barry visited him in Ramsgate and Pugin supplied a detailed design for the iconic Palace clock tower, in 2012 dubbed the Elizabeth Tower but popularly known as Big Ben . The design is very close to earlier designs by Pugin, including an unbuilt scheme for Scarisbrick Hall , Lancashire. The tower
1410-640: A competition was held to design a new façade suitable to Arnolfo di Cambio 's original structure and the fine campanile next to it. This competition was won by Emilio De Fabris , and so work on his polychrome design and panels of mosaic was begun in 1876 and completed by 1887, creating the Neo-Gothic western façade. Eastern Europe also saw much Revival construction; in addition to the Hungarian Parliament Building in Budapest,
1551-420: A consequence of the extent of the defamation of society architects therein, satirized John Nash as "Mr Wash, Plasterer, who jobs out Day Work on Moderate Terms", and Decimus Burton as "Talent of No Consequence, Premium Required", and included satirical sketches of Nash's Buckingham Palace and Burton's Wellington Arch . Consequently, the number of commissions received by Decimus declined, although Decimus retained
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#17327823488311692-460: A consequence of which any design submitted in his own name would certainly have been automatically rejected; the design he submitted for improvements to Balliol College, Oxford , in 1843 were rejected for this reason. The design for Parliament that Pugin submitted through Barry won the competition. Subsequent to the announcement of the design ascribed to Barry, William Richard Hamilton , who had been secretary to Thomas Bruce, 7th Earl of Elgin during
1833-534: A considerable financial loss, and moved temporarily to Cheyne Walk in Chelsea, London . He had, however, already purchased a parcel of land at West Cliff, Ramsgate , Thanet in Kent, where he proceeded to build for himself a large house and, at his own expense, a church dedicated to St Augustine , after whom he thought himself named. He worked on this church whenever funds permitted it. His second wife died in 1844 and
1974-497: A contrast between the physical and spiritual satisfaction which a medieval craftsman derived from his work, and the lack of these satisfactions afforded to modern, industrialised labour. By declaring the Doge's Palace to be "the central building of the world", Ruskin argued the case for Gothic government buildings as Pugin had done for churches, though mostly only in theory. When his ideas were put into practice, Ruskin often disliked
2115-487: A famous attack; "We are told we should adopt [Gothic] because it is the Christian style, and this most impudent assertion has been accepted as sound doctrine even by earnest and intelligent Protestants; whereas it ought only to have force with those who believe that Christian truth attained its purest and most spiritual development at the period when this style of architecture constituted its corporeal form". Those rejecting
2256-461: A journal of their marital life, from their marriage in 1848 to Pugin's death, which was later published. Their son was the architect Peter Paul Pugin . Following his second marriage in 1833, Pugin moved to Salisbury , Wiltshire , with his wife, and in 1835 bought one-half of an acre (0.20 ha) of land in Alderbury , about one and a half miles (2.4 km) outside the town. On this, he built
2397-487: A little pointed door and pointed windows, to our very greatest cathedrals, you have buildings which are directly related to Pugin's ideas. After his death, Pugin's two sons, Edward Pugin and Peter Pugin , continued operating their father's architectural firm under the name Pugin & Pugin. Their work includes most of the "Pugin" buildings in Australia and New Zealand . Charles Eastlake , writing in 1872, noted that
2538-573: A more appreciative approach to selected medieval arts, beginning with church architecture, the tomb monuments of royal and noble personages, stained glass, and late Gothic illuminated manuscripts. Other Gothic arts, such as tapestries and metalwork, continued to be disregarded as barbaric and crude, however sentimental and nationalist associations with historical figures were as strong in this early revival as purely aesthetic concerns. German Romanticists (including philosopher and writer Goethe and architect Karl Friedrich Schinkel ), began to appreciate
2679-404: A particular view of humanity: Christianity versus Utilitarianism ." Pugin's biographer, Rosemary Hill, wrote: "The drawings were all calculatedly unfair. King's College London was shown from an unflatteringly skewed angle, while Christ Church, Oxford , was edited to avoid showing its famous Tom Tower because that was by Christopher Wren and so not medieval. But the cumulative rhetorical force
2820-609: A period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham . Despite his conversion to Catholicism in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout England. Other works include St. Chad's Cathedral, Erdington Abbey , and Oscott College , all in Birmingham , England. He also designed the collegiate buildings of St Patrick and St Mary in St Patrick's College, Maynooth , Ireland ; though not
2961-675: A post which was filled in 1833 by Prosper Mérimée , who became the secretary of a new Commission des Monuments Historiques in 1837. This was the Commission that instructed Eugène Viollet-le-Duc to report on the condition of the Abbey of Vézelay in 1840. Following this, Viollet le Duc set out to restore most of the symbolic buildings in France including Notre Dame de Paris, Vézelay, Carcassonne , Roquetaillade castle , Mont-Saint-Michel Abbey on its peaked coastal island, Pierrefonds , and
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#17327823488313102-480: A reaction against machine production and the appearance of factories also grew. Proponents of the picturesque such as Thomas Carlyle and Augustus Pugin took a critical view of industrial society and portrayed pre-industrial medieval society as a golden age. To Pugin, Gothic architecture was infused with the Christian values that had been supplanted by classicism and were being destroyed by industrialisation . Gothic Revival also took on political connotations; with
3243-594: A repudiator of the gothic revival style. Consequently, Peel appointed a committee chaired by Edward Cust , a detester of the style of John Nash and William Wilkins , which resolved that the new Houses of Parliament would have to be in either the 'gothic' or the 'Elizabethan' style. Augustus W.N. Pugin, the foremost expert on the Gothic, had to submit each of his designs through, and thus in the name of, other architects, Gillespie-Graham and Charles Barry , because he had recently openly and fervently converted to Catholicism, as
3384-647: A result of the French Revolution and had married Catherine Welby of the Welby family of Denton, Lincolnshire , England. Pugin was born on 1 March 1812 at his parents' house in Bloomsbury , London, England. Between 1821 and 1838, Pugin's father published a series of volumes of architectural drawings , the first two entitled Specimens of Gothic Architecture and the following three Examples of Gothic Architecture , that not only remained in print but were
3525-533: A result of the Church Building Act of 1818. It is often said to be the first Gothic Revival church in London, and, as Charles Locke Eastlake put it: "probably the only church of its time in which the main roof was groined throughout in stone". Nonetheless, the parish was firmly low church , and the original arrangement, modified in the 1860s, was as a "preaching church" dominated by the pulpit, with
3666-542: A series of churches for him. Although a number of churches do not survive, St. Francis Xavier's in Berrima, New South Wales , is regarded as a fine example of a Pugin church. Polding blessed the foundation stone in February 1849, and the church was completed in 1851. St. Stephen's Chapel, now in the cathedral grounds in Elizabeth Street, Brisbane , was built to a design by Pugin. Construction began in 1848, and
3807-453: A small altar and wooden galleries over the nave aisle. The development of the private major metropolitan cemeteries was occurring at the same time as the movement; Sir William Tite pioneered the first cemetery in the Gothic style at West Norwood in 1837, with chapels, gates, and decorative features in the Gothic manner, attracting the interest of contemporary architects such as George Edmund Street , Barry, and William Burges . The style
3948-520: A small merchant schooner trading between Great Britain and Holland , which allowed him to import examples of furniture and carving from Flanders , with which he later furnished his house at Ramsgate in Kent. During one voyage in 1830, he was wrecked on the Scottish coast near Leith , as a result of which he came into contact with Edinburgh architect James Gillespie Graham , who advised him to abandon seafaring for architecture. He then established
4089-604: A time of greater religious tolerance, when Catholic churches were permitted to be built. Most of his work in Ireland consisted of religious buildings. Pugin demanded the highest quality of workmanship from his craftsmen, particularly the stonemasons. His subsequent visits to the country were brief and infrequent. He was the main architect of St Aidan's Cathedral for the Diocese of Ferns in Enniscorthy , County Wexford . Pugin
4230-415: A type of urban building and contrasted the 1830 example with its 15th-century equivalent. In one example, Pugin contrasted a medieval monastic foundation, where monks fed and clothed the needy, grew food in the gardens – and gave the dead a decent burial – with "a panopticon workhouse where the poor were beaten, half-starved and sent off after death for dissection. Each structure was the built expression of
4371-612: A universal, ethical stance. When the German critic Hermann Muthesius published his admiring and influential study of English domestic architecture, Pugin was all but invisible, yet "it was he ... who invented the English House that Muthesius so admired". An armoire that he designed (crafted by frequent collaborator John Gregory Crace ) is held at the Victoria and Albert Museum . It was shown at The Great Exhibition of 1851 but
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4512-576: Is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century , mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture , intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials , lancet windows , and hood moulds . By
4653-543: Is buried in his church next to The Grange, St. Augustine's. On Pugin's death certificate, the cause listed was "convulsions followed by coma". Pugin's biographer, Rosemary Hill , suggests that, in the last year of his life, he had had hyperthyroidism which would account for his symptoms of exaggerated appetite, perspiration, and restlessness. Hill writes that Pugin's medical history, including eye problems and recurrent illness from his early twenties, suggests that he contracted syphilis in his late teens, and this may have been
4794-473: Is most clearly seen at Culzean Castle , Ayrshire, remodelled by Adam from 1777. The eccentric landscape designer Batty Langley even attempted to "improve" Gothic forms by giving them classical proportions. A younger generation, taking Gothic architecture more seriously, provided the readership for John Britton's series Architectural Antiquities of Great Britain , which began appearing in 1807. In 1817, Thomas Rickman wrote an Attempt... to name and define
4935-437: Is particularly of the idea of what a church should look like: Pugin's notion was that Gothic was Christian and Christian was Gothic ... It became the way people built churches and perceived churches should be. Even today if you ask someone what a church should look like, they'll describe a Gothic building with pointed windows and arches. Right across Australia, from outback towns with tiny churches made out of corrugated iron with
5076-529: Is the Basilica of Our Lady Immaculate in Guelph, Ontario . Gothic Revival architecture remained one of the most popular and long-lived of the many revival styles of architecture . Although it began to lose force and popularity after the third quarter of the 19th century in commercial, residential and industrial fields, some buildings such as churches, schools, colleges and universities were still constructed in
5217-559: The Basilica of Our Lady of Hungary in Márianosztra , Hungary, whose choir (adjacent to a Baroque nave) was long considered authentically Gothic, because the 18th-century architect used medieval shapes to emphasize the continuity of the monastic community with its 14th-century founders. During the mid-18th century rise of Romanticism , an increased interest and awareness of the Middle Ages among influential connoisseurs created
5358-660: The Bulgarian National Revival saw the introduction of Gothic Revival elements into its vernacular ecclesiastical and residential architecture. The largest project of the Slavine School is the Lopushna Monastery cathedral (1850–1853), though later churches such as Saint George's Church, Gavril Genovo display more prominent vernacular Gothic Revival features. In Scotland, while a similar Gothic style to that used further south in England
5499-513: The Church of England , although things began to change during Pugin's lifetime, helping to make Pugin's eventual conversion to Catholicism more socially acceptable. For example, dissenters could not take degrees at the established universities of Oxford and Cambridge until 1871, but the University of London (later renamed University College London) was founded near Pugin's birthplace in 1826 with
5640-612: The Connaught Building , (1913–1916), all by David Ewart . In the late 1820s, A. W. N. Pugin , still a teenager, was working for two highly visible employers, providing Gothic detailing for luxury goods. For the Royal furniture makers Morel and Seddon he provided designs for redecorations for the elderly George IV at Windsor Castle in a Gothic taste suited to the setting. For the royal silversmiths Rundell Bridge and Co. , Pugin provided designs for silver from 1828, using
5781-484: The Houses of Parliament in London, after its predecessor was largely destroyed in a fire in 1834. His part in the design consisted of two campaigns, 1836–1837 and again in 1844 and 1852, with the classicist Charles Barry as his nominal superior. Pugin provided the external decoration and the interiors, while Barry designed the symmetrical layout of the building, causing Pugin to remark, "All Grecian, Sir; Tudor details on
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5922-508: The Palais des Papes in Avignon . When France's first prominent neo-Gothic church was built, the Basilica of Saint-Clotilde , Paris, begun in 1846 and consecrated in 1857, the architect chosen was of German extraction, Franz Christian Gau , (1790–1853); the design was significantly modified by Gau's assistant, Théodore Ballu , in the later stages, to produce the pair of flèches that crown
6063-551: The Scottish Borders , rebuilt from 1816 by Sir Walter Scott and paid for by the profits from his hugely successful, historical novels, exemplifies the "Regency Gothic" style. Gothic Revival also includes the reintroduction of medieval clothes and dances in historical re-enactments staged especially in the second part of the 19th century, although one of the first, the Eglinton Tournament of 1839, remains
6204-602: The picturesque character of ruins—"picturesque" becoming a new aesthetic quality—and those mellowing effects of time that the Japanese call wabi-sabi and that Horace Walpole independently admired, mildly tongue-in-cheek, as "the true rust of the Barons' wars". The "Gothick" details of Walpole's Twickenham villa, Strawberry Hill House begun in 1749, appealed to the rococo tastes of the time, and were fairly quickly followed by James Talbot at Lacock Abbey , Wiltshire. By
6345-659: The scroll saw and mass-produced wood moldings allowed a few of these structures to mimic the florid fenestration of the High Gothic. But, in most cases, Carpenter Gothic buildings were relatively unadorned, retaining only the basic elements of pointed-arch windows and steep gables. A well-known example of Carpenter Gothic is a house in Eldon, Iowa , that Grant Wood used for the background of his painting American Gothic . Australia, in particular in Melbourne and Sydney, saw
6486-574: The "rational" and "radical" Neoclassical style being seen as associated with republicanism and liberalism (as evidenced by its use in the United States and to a lesser extent in Republican France), the more spiritual and traditional Gothic Revival became associated with monarchism and conservatism , which was reflected by the choice of styles for the rebuilt government centres of the British parliament's Palace of Westminster in London,
6627-476: The 'Gothic florin ' was minted for circulation from 1851 to 1887. French neo-Gothic had its roots in the French medieval Gothic architecture , where it was created in the 12th century. Gothic architecture was sometimes known during the medieval period as the "Opus Francigenum", (the "French Art"). French scholar Alexandre de Laborde wrote in 1816 that "Gothic architecture has beauties of its own", which marked
6768-453: The 14th-century Anglo-French Gothic vocabulary that he would continue to favour later in designs for the new Palace of Westminster. Between 1821 and 1838 Pugin and his father published a series of volumes of architectural drawings , the first two entitled, Specimens of Gothic Architecture , and the following three, Examples of Gothic Architecture , that were to remain both in print and the standard references for Gothic Revivalists for at least
6909-663: The 16th century but instead lingered in on-going cathedral-building projects; at Oxford and Cambridge Universities, and in the construction of churches in increasingly isolated rural districts of England, France, Germany, the Polish–Lithuanian Commonwealth and in Spain. St Columb's Cathedral , in Derry , may be considered 'Gothic Survival', as it was completed in 1633 in a Perpendicular Gothic style. Similarly, Gothic architecture survived in some urban settings during
7050-630: The 1770s, thoroughly neoclassical architects such as Robert Adam and James Wyatt were prepared to provide Gothic details in drawing-rooms, libraries and chapels and, for William Beckford at Fonthill in Wiltshire, a complete romantic vision of a Gothic abbey. Some of the earliest architectural examples of the revived are found in Scotland. Inveraray Castle , constructed from 1746 for the Duke of Argyll , with design input from William Adam , displays
7191-674: The 1870s. New architectural movements, sometimes related, as in the Arts and Crafts movement , and sometimes in outright opposition, such as Modernism , gained ground, and by the 1930s the architecture of the Victorian era was generally condemned or ignored. The later 20th century saw a revival of interest, manifested in the United Kingdom by the establishment of the Victorian Society in 1958. The rise of evangelicalism in
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#17327823488317332-537: The 1990s. In Sydney , there are several altered examples of his work, namely St. Benedict's, Chippendale ; St Charles Borromeo, Ryde ; the former church of St Augustine of Hippo (next to the existing church), Balmain ; and St Patrick's Cathedral, Parramatta , which was gutted by a fire in 1996. According to Steve Meacham writing in The Sydney Morning Herald , Pugin's legacy in Australia
7473-528: The 20th century. Back in Oxford, the redecoration of the dining hall at University College between 1766 and 1768 has been described as "the first major example of the Gothic Revival style in Oxford". Throughout France in the 16th and 17th centuries, churches such as St-Eustache (1532–1640, façade 1754) in Paris and Orléans Cathedral (1601–1829) continued to be built following Gothic principles (structure of
7614-621: The Canadian Parliament Buildings in Ottawa and the Hungarian Parliament Building in Budapest. In English literature, the architectural Gothic Revival and classical Romanticism gave rise to the Gothic novel genre, beginning with The Castle of Otranto (1764) by Horace Walpole , and inspired a 19th-century genre of medieval poetry that stems from the pseudo- bardic poetry of " Ossian ". Poems such as " Idylls of
7755-471: The Elizabeth Tower (formerly St. Stephen's Tower), which houses the bell known as Big Ben . Pugin designed many churches in England, and some in Ireland and Australia. He was the son of Auguste Pugin , and the father of Edward Welby Pugin , Cuthbert Welby Pugin , and Peter Paul Pugin , who continued his architectural and interior design firm as Pugin & Pugin . Pugin was the son of the French draughtsman Auguste Pugin , who had immigrated to England as
7896-838: The English crown. At the same time, the Great Hall of Lambeth Palace , that had been despoiled by the Puritans , was rebuilt in a mixture of Baroque and older Gothic forms, demonstrating the restitution of the Anglican Church. These two buildings can be said to herald the onset of Gothic Revival architecture, several decades before it became mainstream. Sir Christopher Wren 's Tom Tower for Christ Church , University of Oxford , consciously set out to imitate Cardinal Wolsey's architectural style. Writing to Dean Fell in 1681, he noted; "I resolved it ought to be Gothic to agree with
8037-592: The Founder's work", adding that to do otherwise would lead to "an unhandsome medley". Pevsner suggests that he succeeded "to the extent that innocent visitors never notice the difference". It was followed in 1697–1704 by the rebuilding of Collegiate Church of St Mary in Warwick as a stone-vaulted hall church , whereas the burnt church had been a basilica with timbered roofs. Also in Warwickshire , in 1729/30,
8178-638: The Gothic context of the structure overrode considerations of the current architectural mode. Similarly, in St. Salvator's Cathedral of Bruges , the timbered medieval vaults of nave and choir were replaced by "Gothic" stone vaults in 1635 resp. 1738/39. Guarino Guarini , a 17th-century Theatine monk active primarily in Turin , recognized the "Gothic order" as one of the primary systems of architecture and made use of it in his practice. Even in Central Europe of
8319-468: The Gothic style, often known as "Collegiate Gothic", which remained popular in England, Canada and in the United States until well into the early to mid-20th century. Only when new materials, like steel and glass along with concern for function in everyday working life and saving space in the cities, meaning the need to build up instead of out, began to take hold did the Gothic Revival start to disappear from popular building requests. The revived Gothic style
8460-561: The Holy Cross in Tralee . He revised the plans for St Michael's Church, Ballinasloe , County Galway , Ireland. Bishop William Wareing also invited Pugin to design what eventually became Northampton Cathedral , a project that was completed in 1864 by one of Pugin's sons, Edward Welby Pugin. Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture , but he found much to admire in
8601-601: The King " by Alfred, Lord Tennyson recast specifically modern themes in medieval settings of Arthurian romance. In German literature , the Gothic Revival also had a grounding in literary fashions. Gothic architecture began at the Basilica of Saint Denis near Paris, and the Cathedral of Sens in 1140 and ended with a last flourish in the early 16th century with buildings like Henry VII's Chapel at Westminster. However, Gothic architecture did not die out completely in
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#17327823488318742-458: The United States, Collegiate Gothic was a late and literal resurgence of the English Gothic Revival, adapted for American college and university campuses. The term "Collegiate Gothic" originated from American architect Alexander Jackson Davis 's handwritten description of his own "English Collegiate Gothic Mansion" of 1853 for the Harrals of Bridgeport. By the 1890s, the movement was known as "Collegiate Gothic". The firm of Cope & Stewardson
8883-473: The above are the railway cottages at Windermere station in Cumbria which have been loosely attributed to Pugin or a follower. Believed to date from 1849, and probably some of the first houses to be built in Windermere , the terrace of cottages was built for railway executives. One of the fireplaces is a copy of one of his in the Palace of Westminster. Gothic Revival architecture Gothic Revival (also referred to as Victorian Gothic or neo-Gothic )
9024-408: The acquaintance of John Talbot, 16th Earl of Shrewsbury , a Catholic sympathetic to his aesthetic theory and who employed him in alterations and additions to his residence of Alton Towers , which subsequently led to many more commissions. Shrewsbury commissioned him to build St Giles Catholic Church , Cheadle , Staffordshire , which was completed in 1846, and Pugin was also responsible for designing
9165-430: The acquisition of the Elgin Marbles , published a pamphlet in which he censured the fact that 'gothic barbarism' had been preferred to the masterful designs of Ancient Greece and Rome: but the judgement was not altered, and was ratified by the Commons and the Lords . The commissioners subsequently appointed Pugin to assist in the construction of the interior of the new Palace, to the design of which Pugin himself had been
9306-441: The appropriation amount by Parliament for the construction of new Anglican churches in Britain. The new churches constructed from these funds, many of them in a Gothic Revival style due to the assertion that it was the "cheapest" style to use, were often criticised by Pugin and many others for their shoddy design and workmanship and poor liturgical standards relative to an authentic Gothic structure. Each plate in Contrasts selected
9447-412: The beginning of the Gothic Revival in France. Starting in 1828, Alexandre Brogniart, the director of the Sèvres porcelain manufactory , produced fired enamel paintings on large panes of plate glass, for King Louis-Philippe 's Chapelle royale de Dreux , an important early French commission in Gothic taste, preceded mainly by some Gothic features in a few jardins paysagers . The French Gothic Revival
9588-435: The best example anywhere of Victorian Gothic collegiate architecture". The movement continued into the 20th century, with Cope & Stewardson's campus for Washington University in St. Louis (1900–1909), Charles Donagh Maginnis 's buildings at Boston College (1910s) (including Gasson Hall ), Ralph Adams Cram 's design for the Princeton University Graduate College (1913), and James Gamble Rogers ' reconstruction of
9729-420: The buildings, application of tracery) with some little changes like the use of round arches instead of pointed arches and the application of some Classical details, until the arrival of Baroque architecture. In Bologna , in 1646, the Baroque architect Carlo Rainaldi constructed Gothic vaults (completed 1658) for the Basilica of San Petronio in Bologna, which had been under construction since 1390; there,
9870-559: The campus of Yale University (1920s). Charles Klauder 's Gothic Revival skyscraper on the University of Pittsburgh 's campus, the Cathedral of Learning (1926) exhibited Gothic stylings both inside and out, while using modern technologies to make the building taller. Carpenter Gothic houses and small churches became common in North America and other places in the late 19th century. These structures adapted Gothic elements such as pointed arches, steep gables, and towers to traditional American light-frame construction . The invention of
10011-440: The cause of his death at the age of 40. In October 1834, the Palace of Westminster burned down . Subsequently, the Prime Minister, Sir Robert Peel , wanted, now that he was premier, to disassociate himself from the controversial John Wilson Croker , who was a founding member of the Athenaeum Club ; a close associate of the pre-eminent neoclassical architects James Burton and Decimus Burton ; an advocate of neoclassicism; and
10152-510: The cold and sterile forms of the Scottish church; and the moment he broke free from the trammels imposed on him by his mother, he rushed into the arms of a church which, pompous by its ceremonies, was attractive to his imaginative mind". Pugin learned drawing from his father, and for a while attended Christ's Hospital . After leaving school, he worked in his father's office, and in 1825 and 1827 accompanied him on visits to France . His first commissions independent of his father were for designs for
10293-536: The collegiate chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect James Joseph McCarthy . Also in Ireland, Pugin designed St Mary's Cathedral, Killarney , St Aidan's Cathedral in Enniscorthy (renovated in 1996), and the Dominican Church of
10434-784: The command of his clients; Government House, Melbourne is Italianate . His banking house for the English, Scottish and Australian Bank in Melbourne has been described as "the Australian masterpiece of neo-Gothic". This claim has also been made for Edmund Blacket 's MacLaurin Hall at the University of Sydney , which sits in the quadrangle complex described as "arguably the most important group of Gothic and Tudor Revival style architecture in Australia". Edward Welby Pugin Edward Welby Pugin (11 March 1834 – 5 June 1875)
10575-723: The construction of a new Foreign Office in Whitehall saw the decision to award first place to a Gothic design by George Gilbert Scott overturned by the Prime Minister, Lord Palmerston , who successfully demanded a building in the Italianate style. In England, the Church of England was undergoing a revival of Anglo-Catholic and ritualist ideology in the form of the Oxford Movement , and it became desirable to build large numbers of new churches to cater for
10716-474: The construction of large numbers of Gothic Revival buildings. William Wardell (1823–1899) was among the country's most prolific architects; born and trained in England, after emigrating his most notable Australian designs include St Patrick's Cathedral, Melbourne and St John's College and St Mary's Cathedral in Sydney. In common with many other 19th century architects, Wardell could deploy different styles at
10857-667: The design of the new Houses of Parliament. In 1867, after the deaths of both Pugin and Barry, Pugin's son Edward published a pamphlet, Who Was the Art Architect of the Houses of Parliament, a statement of facts , in which he asserted that his father was the "true" architect of the building and not Barry. Pugin was invited to Ireland by the Redmond family, initially to work in County Wexford . He arrived in Ireland in 1838 at
10998-514: The domestic Gothic style architecture which preceded it seem primitive and old-fashioned". There are many examples of Gothic Revival architecture in Canada . The first major structure was Notre-Dame Basilica in Montreal, Quebec , which was designed in 1824. The capital, Ottawa, Ontario , was predominantly a 19th-century creation in the Gothic Revival style. The Parliament Hill buildings were
11139-475: The earliest days of the revival. In some cases, cast iron enabled something like a perfection of medieval design. It was only with Ruskin and the archaeological Gothic's demand for historical truth that iron, whether it was visible or not, was deemed improper for a Gothic building. Ultimately, the utility of iron won out: "substituting a cast iron shaft for a granite, marble or stone column is not bad, but one must agree that it cannot be considered as an innovation, as
11280-515: The eighteenth and early nineteenth centuries saw in England a reaction in the high church movement which sought to emphasise the continuity between the established church and the pre- Reformation Catholic church. Architecture, in the form of the Gothic Revival, became one of the main weapons in the high church's armoury. The Gothic Revival was also paralleled and supported by " medievalism ", which had its roots in antiquarian concerns with survivals and curiosities. As " industrialisation " progressed,
11421-490: The estimated cost, at just under one million dollars, together with the sheer scale of the plans, thoroughly alarmed the College Trustees and only one-sixth of the plan was executed, the present Long Walk , with Francis H. Kimball acting as local, supervising, architect, and Frederick Law Olmsted laying out the grounds. Hitchcock considers the result, "perhaps the most satisfactory of all of [Burges's] works and
11562-609: The express purpose of educating dissenters to degree standard (although it would not be able to confer degrees until 1836). Dissenters were also unable to serve on parish or city councils, be a member of Parliament, serve in the armed forces or be on a jury. A number of reforms across the 19th century relieved these restrictions, one of which was the Roman Catholic Relief Act of 1829, which allowed Catholics to become members of parliament. Pugin's conversion acquainted him with new patrons and employers. In 1832 he made
11703-484: The fabric of the church. St. Paul's Episcopal Church in Troy, New York, was constructed in 1827–1828 as an exact copy of Town's design for Trinity Church, New Haven, but using local stone; due to changes in the original, St. Paul's is closer to Town's original design than Trinity itself. In the 1830s, architects began to copy specific English Gothic and Gothic Revival Churches, and these "'mature Gothic Revival' buildings made
11844-408: The first Mass in the church was celebrated on 12 May 1850. In 1859 James Quinn was appointed Bishop of Brisbane , Brisbane became a diocese, and Pugin's small church became a cathedral. When the new Cathedral of St Stephen was opened in 1874 the small Pugin church became a schoolroom, and later church offices and storage room. It was threatened with demolition several times before its restoration in
11985-454: The foremost determiner. Pugin's biographer, Rosemary Hill, shows that Barry designed the Palace as a whole, and only he could co-ordinate such a large project and deal with its difficult paymasters, but he relied entirely on Pugin for its Gothic interiors, wallpapers and furnishings. The first stone of the new Pugin-Barry design was laid on 27 April 1840. During the competition for the design of
12126-511: The goldsmiths Rundell and Bridge , and for designs for furniture of Windsor Castle from the upholsterers Morel and Seddon. Through a contact made while working at Windsor, he became interested in the design of theatrical scenery, and in 1831 obtained a commission to design the sets for the production of the new opera Kenilworth at the Royal Opera House, Covent Garden . He also developed an interest in sailing, and briefly commanded
12267-402: The growing population, and cemeteries for their hygienic burials. This found ready exponents in the universities, where the ecclesiological movement was forming. Its proponents believed that Gothic was the only style appropriate for a parish church, and favoured a particular era of Gothic architecture – the " decorated ". The Cambridge Camden Society , through its journal The Ecclesiologist ,
12408-484: The implication of ideas he had sketched in his writings. In Street's office, Philip Webb met William Morris and they went on to become leading members of the English Arts and Crafts Movement . Morris regarded Pugin as a prominent figure in the "first act" of the Gothic revival, in which it "triumphed as an exotic ecclesiastical style", whereas in the second act, Ruskin replaced specific religious connotations with
12549-700: The incorporation of turrets. The architectural historian John Gifford writes that the castellations were the "symbolic assertion of the still quasi-feudal power [the duke] exercised over the inhabitants within his heritable jurisdictions". Most buildings were still largely in the established Palladian style, but some houses incorporated external features of the Scots baronial style. Robert Adam's houses in this style include Mellerstain and Wedderburn in Berwickshire and Seton Castle in East Lothian, but it
12690-447: The introduction of a new principle. Replacing a stone or wooden lintel by an iron breastsummer is very good". He strongly opposed illusion, however: reacting against the casing of a cast iron pillar in stone, he wrote; "il faut que la pierre paraisse bien être de la pierre; le fer, du fer; le bois, du bois" (stone must appear to be stone; iron, iron; wood, wood). The arguments against modern construction materials began to collapse in
12831-399: The late 17th and 18th centuries, where Baroque dominated, some architects used elements of the Gothic style. The most important example is Jan Santini Aichel , whose Pilgrimage Church of Saint John of Nepomuk in Žďár nad Sázavou , Czech Republic, represents a peculiar and creative synthesis of Baroque and Gothic. An example of another and less striking use of the Gothic style in the time is
12972-544: The later 17th century, as shown in Oxford and Cambridge , where some additions and repairs to Gothic buildings were considered to be more in keeping with the style of the original structures than contemporary Baroque . In contrast, Dromore Cathedral , built in 1660/1661, immediately after the end of the Protectorate , revived Early English forms, demonstrating the restitution of the monarchy and claiming Ireland for
13113-447: The later 20th century rehabilitation of Victorian architecture and the objects with which they decorated their buildings. In 1847, eight thousand British crown coins were minted in proof condition with the design using an ornate reverse in keeping with the revived style. Considered by collectors to be particularly beautiful, they are known as 'Gothic crowns'. The design was repeated in 1853, again in proof. A similar two shilling coin,
13254-402: The link between Gothic and Catholicism looked to adopt it solely for its aesthetic romantic qualities, to combine it with other styles, or look to northern European Brick Gothic for a more plain appearance; or in some instances all three of these, as at the non-denominational Abney Park Cemetery in east London, designed by William Hosking FSA in 1840. France had lagged slightly in entering
13395-424: The medieval art of northern Italy. Pugin was a prolific designer of stained glass. He worked with Thomas Willement , William Warrington and William Wailes before persuading his friend John Hardman to start stained glass production. In February 1852, while travelling with his son Edward by train, Pugin had a total breakdown and arrived in London unable to recognise anyone or speak coherently. For four months he
13536-693: The mid-19th and early 20th centuries. The importance of the Cologne completion project in German-speaking lands has been explored by Michael J. Lewis, "The Politics of the German Gothic Revival: August Reichensperger" . Reichensperger was himself in no doubt as to the cathedral's central position in Germanic culture; "Cologne Cathedral is German to the core, it is a national monument in the fullest sense of
13677-772: The mid-19th century as great prefabricated structures such as the glass and iron Crystal Palace and the glazed courtyard of the Oxford University Museum of Natural History were erected, which appeared to embody Gothic principles. Between 1863 and 1872 Viollet-le-Duc published his Entretiens sur l'architecture , a set of daring designs for buildings that combined iron and masonry. Though these projects were never realised, they influenced several generations of designers and architects, notably Antoni Gaudí in Spain and, in England, Benjamin Bucknall , Viollet's foremost English follower and translator, whose masterpiece
13818-568: The middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world , only to begin to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in
13959-627: The most famous. During the Bourbon Restoration in France (1814–1830) and the Louis-Philippe period (1830–1848), Gothic Revival motifs start to appear, together with revivals of the Renaissance and of Rococo . During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets , lancet arches, trefoils , Gothic tracery and rose windows . This style
14100-450: The nation, if it is possible, love for the national architecture", implying that "Gothic" is France's national heritage. In Germany, with the completion of Cologne Cathedral in the 1880s, at the time its summit was the world's tallest building, the cathedral was seen as the height of Gothic architecture. Other major completions of Gothic cathedrals were of Regensburger Dom (with twin spires completed from 1869 to 1872), Ulm Münster (with
14241-457: The nave and aisles of the church of St Nicholas at Alcester were rebuilt by Edward and Thomas Woodward, the exterior in Gothic forms but with a Neoclassical interior. At the same time, 1722–1746, Nicholas Hawksmoor added the west towers to Westminster Abbey , which made him a pioneer of Gothic Revival completions of medieval buildings, which from the late 19th century were increasingly disapproved of, although work in this style continued into
14382-626: The neo-Gothic scene, but produced a major figure in the revival in Eugène Viollet-le-Duc . As well as a powerful and influential theorist, Viollet-le-Duc was a leading architect whose genius lay in restoration. He believed in restoring buildings to a state of completion that they would not have known even when they were first built, theories he applied to his restorations of the walled city of Carcassonne , and to Notre-Dame and Sainte Chapelle in Paris. In this respect he differed from his English counterpart Ruskin, as he often replaced
14523-584: The neo-gothic, and repudiation of the neoclassical, by composing and illustrating books that contended the supremacy of the former and the degeneracy of the latter, which were published from 1835. In 1845, Pugin, in his Contrasts: or a Parallel Between the Noble Edifices of the Fourteenth and Fifteenth Centuries and Similar Buildings of the Present Day , which the author had to publish himself as
14664-448: The new Houses of Parliament, Decimus Burton, 'the land's leading classicist', was vituperated with continuous invective, which Guy Williams has described as an 'anti-Burton campaign', by the foremost advocate of the neo-gothic style, Augustus W.N. Pugin, who was made enviously reproachful that Decimus "had done much more than Pugin's father ( Augustus Charles Pugin ) to alter the appearance of London". Pugin attempted to popularize advocacy of
14805-527: The next century. In Contrasts: or, a Parallel between the Noble Edifices of the Middle Ages, and similar Buildings of the Present Day (1836), Pugin expressed his admiration not only for medieval art but for the whole medieval ethos, suggesting that Gothic architecture was the product of a purer society. In The True Principles of Pointed or Christian Architecture (1841), he set out his "two great rules of design: 1st, that there should be no features about
14946-625: The oldest Catholic Church in Shropshire , St Peter and Paul Church, Newport . In 1836, Pugin published Contrasts , a polemical book which argued for the revival of the medieval Gothic style , and also "a return to the faith and the social structures of the Middle Ages". The book was prompted by the passage of the Church Building Acts of 1818 and 1824, the former of which is often called the Million Pound Act due to
15087-606: The preeminent example, of which the original library survives today (after the rest was destroyed by fire in 1916). Their example was followed elsewhere in the city and outlying areas, showing how popular the Gothic Revival movement had become. Other examples of Canadian Gothic Revival architecture in Ottawa are the Victoria Memorial Museum , (1905–1908), the Royal Canadian Mint , (1905–1908), and
15228-557: The principles of sound construction can be so well carried out". The illustrated catalogue for the Great Exhibition of 1851 is replete with Gothic detail, from lacemaking and carpet designs to heavy machinery. Nikolaus Pevsner's volume on the exhibits at the Great Exhibition, High Victorian Design published in 1951, was an important contribution to the academic study of Victorian taste and an early indicator of
15369-554: The quality of construction in Pugin's buildings was often poor, and believed he was lacking in technical knowledge, his strength lying more in his facility as a designer of architectural detail. Pugin's legacy began to fade immediately after his death. This was partly due to the hostility of John Ruskin . Ruskin wrote of Pugin, "he is not a great architect but one of the smallest possible or conceivable architects". Contemporaries and admirers of Pugin, including Sir Henry Cole , protested at
15510-485: The result, although he supported many architects, such as Thomas Newenham Deane and Benjamin Woodward , and was reputed to have designed some of the corbel decorations for that pair's Oxford University Museum of Natural History . A major clash between the Gothic and Classical styles in relation to governmental offices occurred less than a decade after the publication of The Stones of Venice . A public competition for
15651-664: The seat of the Great Council of The Netherlands , was not actually built until the early 20th century, although it closely followed Rombout II Keldermans 's Brabantine Gothic design, and became the 'new' north wing of the City Hall. In Florence , the Duomo 's temporary façade erected for the Medici-House of Lorraine nuptials in 1588–1589, was dismantled, and the west end of the cathedral stood bare again until 1864, when
15792-656: The sequence of Gothic styles in English ecclesiastical architecture, "a text-book for the architectural student". Its long antique title is descriptive: Attempt to discriminate the styles of English architecture from the Conquest to the Reformation; preceded by a sketch of the Grecian and Roman orders, with notices of nearly five hundred English buildings . The categories he used were Norman , Early English , Decorated , and Perpendicular . It went through numerous editions,
15933-676: The standard references for Gothic architecture for at least the next century. As a child, his mother took Pugin each Sunday to the services of the fashionable Scottish Presbyterian preacher Edward Irving (later the founder of the Holy Catholic Apostolic Church ), at his chapel in Cross Street, Hatton Garden , Camden , London. Pugin quickly rebelled against this version of Christianity: according to Benjamin Ferrey , Pugin "always expressed unmitigated disgust at
16074-567: The tallest spire in Dublin (231 ft), and occupies a prominent position on high ground overlooking the Liffey Valley. It has a striking polychromatic appearance, being built in granite with red sandstone dressings. The eminent Gothic revivalist Ruskin is said to have praised it, describing it as a "poem in stone". Statues of the apostles in the niches of the spire are by James Pearse, father of Padraig and Willie, who were executed after
16215-430: The third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved
16356-470: The use of iron and, after the 1880s, steel in ways never seen in medieval exemplars. In parallel with the ascendancy of neo-Gothic styles in 19th century England, interest spread to the rest of Europe, Australia, Africa and the Americas; the 19th and early 20th centuries saw the construction of very large numbers of Gothic Revival structures worldwide. The influence of Revivalism had nevertheless peaked by
16497-584: The viciousness of the attack and pointed out that Ruskin's idea on style had much in common with Pugin's. After Pugin's death, Ruskin "outlived and out-talked him by half a century". Sir Kenneth Clark wrote, "If Ruskin had never lived, Pugin would never have been forgotten." Nonetheless, Pugin's architectural ideas were carried forward by two young architects who admired him and had attended his funeral, W. E. Nesfield and Norman Shaw . George Gilbert Scott , William Butterfield , and George Edmund Street were influenced by Pugin's designs, and continued to work out
16638-463: The west end. In Germany, there was a renewal of interest in the completion of Cologne Cathedral . Begun in 1248, it was still unfinished at the time of the revival. The 1820s "Romantic" movement brought a new appreciation of the building, and construction work began once more in 1842, marking a German return for Gothic architecture. St. Vitus Cathedral in Prague , begun in 1344, was also completed in
16779-472: The whimsical Gothic detailing in English furniture is traceable as far back as Lady Pomfret 's house in Arlington Street, London (1740s), and Gothic fretwork in chairbacks and glazing patterns of bookcases is a familiar feature of Chippendale 's Director (1754, 1762), where, for example, the three-part bookcase employs Gothic details with Rococo profusion, on a symmetrical form. Abbotsford in
16920-565: The word, and probably the most splendid monument to be handed down to us from the past". Because of Romantic nationalism in the early 19th century, the Germans, French and English all claimed the original Gothic architecture of the 12th century era as originating in their own country. The English boldly coined the term "Early English" for "Gothic", a term that implied Gothic architecture was an English creation. In his 1832 edition of Notre Dame de Paris , author Victor Hugo said "Let us inspire in
17061-436: The work of mediaeval stonemasons. His rational approach to Gothic stood in stark contrast to the revival's romanticist origins. Throughout his career he remained in a quandary as to whether iron and masonry should be combined in a building. Iron, in the form of iron anchors, had been used in the most ambitious buildings of medieval Gothic, especially but not only for tracery. It had in fact been used in "Gothic" buildings since
17202-563: Was Woodchester Mansion . The flexibility and strength of cast-iron freed neo-Gothic designers to create new structural Gothic forms impossible in stone, as in Calvert Vaux 's cast-iron Gothic bridge in Central Park , New York dating from the 1860. Vaux enlisted openwork forms derived from Gothic blind-arcading and window tracery to express the spring and support of the arching bridge, in flexing forms that presage Art Nouveau . In
17343-423: Was Pugin's last design before descending into madness. In her biography, Hill quotes Pugin as writing of what is probably his best-known building: "I never worked so hard in my life [as] for Mr Barry for tomorrow I render all the designs for finishing his bell tower & it is beautiful & I am the whole machinery of the clock." Hill writes that Barry omitted to give any credit to Pugin for his huge contribution to
17484-532: Was adopted by figures including Frederick Thomas Pilkington (1832–1898) in secular architecture it was marked by the re-adoption of the Scots baronial style. Important for the adoption of the style in the early 19th century was Abbotsford, which became a model for the modern revival of the baronial style. Common features borrowed from 16th- and 17th-century houses included battlemented gateways, crow-stepped gables , pointed turrets and machicolations . The style
17625-499: Was also known as "Cathedral style" ("À la catédrale"). By the mid-19th century, Gothic traceries and niches could be inexpensively re-created in wallpaper , and Gothic blind arcading could decorate a ceramic pitcher. Writing in 1857, J. G. Crace , an influential decorator from a family of influential interior designers, expressed his preference for the Gothic style: "In my opinion there is no quality of lightness, elegance, richness or beauty possessed by any other style... [or] in which
17766-475: Was an English architect , the eldest son of architect Augustus Welby Northmore Pugin and Louisa Barton and part of the Pugin & Pugin family of church architects. His father was an architect and designer of Neo-Gothic architecture , and after his death in 1852 Edward took up his practice. At the time of his own early death in 1875, Pugin had designed and completed more than one hundred Catholic churches. He
17907-548: Was an early and important exponent, transforming the campuses of Bryn Mawr College , Princeton University and the University of Pennsylvania in the 1890s. In 1872, Abner Jackson , the President of Trinity College, Connecticut , visited Britain, seeking models and an architect for a planned new campus for the college. William Burges was chosen and he drew up a four-quadrangled masterplan, in his Early French style. Lavish illustrations were produced by Axel Haig . However,
18048-567: Was at once a setting and a protagonist in a hugely popular work of fiction. Hugo intended his book to awaken a concern for the surviving Gothic architecture left in Europe, however, rather than to initiate a craze for neo-Gothic in contemporary life. In the same year that Notre-Dame de Paris appeared, the new restored Bourbon monarchy established an office in the Royal French Government of Inspector-General of Ancient Monuments,
18189-502: Was buried at St Chad's Cathedral, Birmingham , which he had designed. Following the destruction by fire of the Palace of Westminster in Westminster, London, in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for the entry of James Gillespie Graham. This followed
18330-723: Was confined to a private asylum, Kensington House . In June, he was transferred to the Royal Bethlem Hospital , popularly known as Bedlam. At that time, Bethlem Hospital was opposite St George's Cathedral, Southwark , one of Pugin's major buildings, where he had married his third wife, Jane, in 1848. Jane and a doctor removed Pugin from Bedlam and took him to a private house in Hammersmith where they attempted therapy, and he recovered sufficiently to recognise his wife. In September, Jane took her husband back to The Grange in Ramsgate, where he died on 14 September 1852. He
18471-491: Was immediately hailed a success and universally replaced the previous preference for classical design. Not every architect or client was swept away by this tide. Although Gothic Revival succeeded in becoming an increasingly familiar style of architecture, the attempt to associate it with the notion of high church superiority, as advocated by Pugin and the ecclesiological movement, was anathema to those with ecumenical or nonconformist principles. Alexander "Greek" Thomson launched
18612-559: Was influenced by the neo-Gothic of Viollet-le-Duc , in which expansive spatial planning was combined with great detail. He designed churches and cathedrals primarily in the British Isles. However, commissions for his work were also received from countries throughout Western Europe, Scandinavia, and North America. The old Town Hall stood on the High Street. It was built in 1857, with an extension in 1919. The upper floor became
18753-796: Was laid in 1814, and it was consecrated in 1816. It predates St Luke's Church, Chelsea , often said to be the first Gothic-revival church in London. Though built of trap rock stone with arched windows and doors, parts of its tower and its battlements were wood. Gothic buildings were subsequently erected by Episcopal congregations in Connecticut at St John's in Salisbury (1823), St John's in Kent (1823–1826) and St Andrew's in Marble Dale (1821–1823). These were followed by Town's design for Christ Church Cathedral (Hartford, Connecticut) (1827), which incorporated Gothic elements such as buttresses into
18894-692: Was not eligible for a medal, as it was shown under Crace's name and he was a judge for the Furniture Class at the exhibition. On 23 February 2012 the Royal Mail released a first-class stamp featuring Pugin as part of its "Britons of Distinction" series. The stamp image depicts an interior view of the Palace of Westminster. Also in 2012, the BBC broadcast an arts documentary programme on Pugin's achievements. Source: Pugin Society Less grand than
19035-478: Was not limited to architecture. Classical Gothic buildings of the 12th to 16th Centuries were a source of inspiration to 19th-century designers in numerous fields of work. Architectural elements such as pointed arches, steep-sloping roofs and fancy carvings like lace and lattice work were applied to a wide range of Gothic Revival objects. Some examples of Gothic Revival influence can be found in heraldic motifs in coats of arms, furniture with elaborate painted scenes like
19176-615: Was popular across Scotland and was applied to many relatively modest dwellings by architects such as William Burn (1789–1870), David Bryce (1803–1876), Edward Blore (1787–1879), Edward Calvert ( c. 1847–1914 ) and Robert Stodart Lorimer (1864–1929) and in urban contexts, including the building of Cockburn Street in Edinburgh (from the 1850s) as well as the National Wallace Monument at Stirling (1859–1869). The reconstruction of Balmoral Castle as
19317-546: Was set on more sound intellectual footings by a pioneer, Arcisse de Caumont , who founded the Societé des Antiquaires de Normandie at a time when antiquaire still meant a connoisseur of antiquities, and who published his great work on architecture in French Normandy in 1830. The following year Victor Hugo 's historical romance novel The Hunchback of Notre-Dame appeared, in which the great Gothic cathedral of Paris
19458-531: Was so savagely critical of new church buildings that were below its exacting standards and its pronouncements were followed so avidly that it became the epicentre of the flood of Victorian restoration that affected most of the Anglican cathedrals and parish churches in England and Wales. St Luke's Church, Chelsea , was a new-built Commissioner's Church of 1820–1824, partly built using a grant of £8,333 towards its construction with money voted by Parliament as
19599-651: Was still being republished by 1881, and has been reissued in the 21st century. The most common use for Gothic Revival architecture was in the building of churches. Major examples of Gothic cathedrals in the U.S. include the cathedrals of St. John the Divine and St. Patrick in New York City and the Washington National Cathedral on Mount St. Alban in northwest Washington, D.C. One of the biggest churches in Gothic Revival style in Canada
19740-551: Was the architect of the Russell Library at St. Patrick's College, Maynoooth, although he did not live to see its completion. Pugin provided the initial design of St. Mary's Cathedral, Killarney. The first Catholic Bishop of New South Wales , Australia , John Bede Polding , met Pugin and was present when St Chad's Cathedral, Birmingham and St Giles' Catholic Church, Cheadle were officially opened. Although Pugin never visited Australia, Polding persuaded Pugin to design
19881-578: Was tremendous." In 1841 he published his illustrated The True Principles of Pointed or Christian Architecture , which was premised on his two fundamental principles of Christian architecture. He conceived of "Christian architecture" as synonymous with medieval, "Gothic", or "pointed", architecture. In the work, he also wrote that contemporary craftsmen seeking to emulate the style of medieval workmanship should reproduce its methods. In 1841 he left Salisbury , having found it an inconvenient base for his growing architectural practice. He sold St Marie's Grange at
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