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Balachander

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Shri ( / ʃ r iː / ; Sanskrit : श्री , romanized :  Śrī , pronounced [ɕriː] ) is a Sanskrit term denoting resplendence, wealth and prosperity, primarily used as an honorific .

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80-706: [REDACTED] Look up sa:बालचन्द्र in Wiktionary, the free dictionary. Balachander (or Balachandar ) may refer to: Balachandra , a name of the Hindu god Ganesha Waxing moon in Sanskrit K. Balachander (1930–2014), Indian film director, screenwriter and producer S. Balachander (1927–1990), Indian veena player Sivaramakrishnan Balachandar , an Indian-American physicist See also [ edit ] Balachandran , an Indian name Topics referred to by

160-499: A mouse (shrew) in five of them, a lion in his incarnation as Vakratunda , a peacock in his incarnation as Vikata , and Shesha , the divine serpent, in his incarnation as Vighnaraja . Mohotkata uses a lion , Mayūreśvara uses a peacock, Dhumraketu uses a horse , and Gajanana uses a mouse, in the four incarnations of Ganesha listed in the Ganesha Purana . Jain depictions of Ganesha show his vahana variously as

240-466: A mouse , elephant , tortoise , ram, or peacock . Ganesha is often shown riding on or attended by a mouse . Martin-Dubost says that the rat began to appear as the principal vehicle in sculptures of Ganesha in central and western India during the 7th century; the rat was always placed close to his feet. The mouse as a mount first appears in written sources in the Matsya Purana and later in

320-573: A third eye or the sectarian mark (IAST: tilaka ), which consists of three horizontal lines. The Ganesha Purana prescribes a tilaka mark as well as a crescent moon on the forehead. A distinct form of Ganesha called Bhalachandra (IAST: bhālacandra ; "Moon on the Forehead") includes that iconographic element. Ganesha is often described as red in colour. Specific colours are associated with certain forms. Many examples of color associations with specific meditation forms are prescribed in

400-1261: A 100-kilometer radius of the city of Pune , each of the eight shrines celebrates a particular form of Ganapati, complete with its own lore. The eight shrines are: Morgaon , Siddhatek , Pali , Mahad , Theur , Lenyadri , Ozar and Ranjangaon . There are many other important Ganesha temples at the following locations: Siddhivinayak temple in Mumbai, Ganpatipule temple at Ganpatipule , Binkhambi Ganesh mandir in Kolhapur, Jai Vinayak temple in Jaigad, Ratnagiri, Wai in Maharashtra; Ujjain in Madhya Pradesh ; Jodhpur , Nagaur and Raipur ( Pali ) in Rajasthan ; Baidyanath in Bihar ; Baroda , Dholaka, and Valsad in Gujarat and Dhundiraj Temple in Varanasi , Uttar Pradesh . Prominent Ganesha temples in southern India include

480-460: A category, class, community, association, or corporation. Some commentators interpret the name "Lord of the Gaṇas " to mean "Lord of Hosts" or "Lord of created categories", such as the elements. Ganapati ( गणपति ; gaṇapati ), a synonym for Ganesha , is a compound composed of gaṇa , meaning "group", and pati , meaning "ruler" or "lord". Though the earliest mention of the word Ganapati

560-573: A clearly-recognizable deity with well-defined iconographic attributes in the early 4th to 5th centuries CE. Some of the earliest known Ganesha images include two images found in eastern Afghanistan. The first image was discovered in the ruins north of Kabul along with those of Surya and Shiva . It is dated to the 4th century. The second image found in Gardez , the Gardez Ganesha , has an inscription on Ganesha pedestal that has helped date it to

640-565: A deity related to the principal deity ( parivāra-devatã ); or as the principal deity of the temple ( pradhāna ). As the god of transitions, he is placed at the doorway of many Hindu temples to keep out the unworthy, which is analogous to his role as Parvati's doorkeeper. In addition, several shrines are dedicated to Ganesha himself, of which the Ashtavinayak (Sanskrit: अष्टविनायक; aṣṭavināyaka ; lit. "eight Ganesha (shrines)") in Maharashtra are particularly well known. Located within

720-497: A folk grāma-devatā (village deity) who later rose to greater prominence. Martin-Dubost notes a view that the rat is a symbol suggesting that Ganesha, like the rat, penetrates even the most secret places. Ganesha is Vighneshvara ( Vighnaraja, Marathi – Vighnaharta) , the Lord of Obstacles, both of a material and spiritual order. He is popularly worshipped as a remover of obstacles, though traditionally he also places obstacles in

800-404: A marital context it can mean "lover" or "husband", so the name may mean either "Fond of Intelligence" or "Buddhi's Husband". Ganesha is identified with the Hindu mantra Om . The term oṃkārasvarūpa (Om is his form), when identified with Ganesha, refers to the notion that he personifies the primal sound. The Ganapati Atharvashirsa attests to this association. Chinmayananda translates

880-898: A pot belly, or, literally, one who has a hanging belly), and Gajanana ( gajānana ), having the face of an elephant . Vinayaka ( विनायक ; vināyaka ) or Binayaka is a common name for Ganesha that appears in the Purāṇa s and in Buddhist Tantras. This name is reflected in the naming of the eight famous Ganesha temples in Maharashtra known as the Ashtavinayak ( Marathi : अष्टविनायक , aṣṭavināyaka ). The names Vighnesha ( विघ्नेश ; vighneśa ) and Vighneshvara ( विघ्नेश्वर ; vighneśvara ) (Lord of Obstacles) refers to his primary function in Hinduism as

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960-584: A single consort or a nameless servant (Sanskrit: daşi ). Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati or Śarda (particularly in Maharashtra ). He is also associated with the goddess of luck and prosperity, Lakshmi . Another pattern, mainly prevalent in the Bengal region, links Ganesha with the banana tree, Kala Bo . The Shiva Purana says that Ganesha had begotten two sons: Kşema (safety) and Lābha (profit). In northern Indian variants of this story,

1040-437: A temple to house it in. At entrances of villages and forts, below pīpaḹa ( Sacred fig ) trees ... in a niche ... in temples of Viṣṇu (Vishnu) as well as Śiva (Shiva) and also in separate shrines specially constructed in Śiva temples ... the figure of Vighneśvara is invariably seen." Ganesha temples have also been built outside of India, including Southeast Asia , Nepal (including

1120-454: A tradition prior to what we can already see in place in the Purāṇic literature and the iconography of Gaṇeśa . Thapan's book on the development of Ganesha devotes a chapter to speculations about the role elephants had in early India but concludes that "although by the second century CE the elephant-headed yakṣa form exists it cannot be presumed to represent Gaṇapati-Vināyaka . There

1200-573: Is a non-Vedic god. His origin is to be traced to the four Vināyakas, evil spirits, of the Mānavagŗhyasūtra (7th–4th century BCE) who cause various types of evil and suffering". Depictions of elephant-headed human figures, which some identify with Ganesha, appear in Indian art and coinage as early as the 2nd century. According to Ellawala, the elephant-headed Ganesha as lord of the Ganas was known to

1280-799: Is a pan-Hindu god found in its various traditions. In the Ganapatya tradition of Hinduism, Ganesha is the Supreme Being. The principal texts on Ganesha include the Ganesha Purana , the Mudgala Purana and the Ganapati Atharvasirsha . Ganesha has been ascribed many other titles and epithets, including Ganapati ( Ganpati ), Vighneshvara , and Pillaiyar . The Hindu title of respect Shri ( Sanskrit : श्री ; IAST : śrī ; also spelled Sri or Shree )

1360-417: Is a popular figure in Indian art . Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time. He may be portrayed standing, dancing, heroically taking action against demons, playing with his family as a boy, sitting down on an elevated seat, or engaging in a range of contemporary situations. Ganesha images were prevalent in many parts of India by

1440-470: Is also an epithet for Hindu goddess - Lakshmi while a yantra or a mystical diagram is popularly used to worship her is called Shri Yantra . Monier-Williams Dictionary gives the meaning of the root verb śrī as "to cook, boil, to burn, diffuse light", but as a feminine abstract noun, it has received a general meaning of "grace, splendour, beauty; wealth, affluence, prosperity". The word śrī may also be used as an adjective in Sanskrit, which

1520-534: Is also attested to in the Ganapati Atharvashirsa . Courtright translates this passage as follows: "You continually dwell in the sacral plexus at the base of the spine [ mūlādhāra cakra ]." Thus, Ganesha has a permanent abode in every being at the Muladhara. Ganesha holds, supports and guides all other chakras, thereby "governing the forces that propel the wheel of life ". Though Ganesha

1600-482: Is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. Ganesha is mentioned in Hindu texts between the 1st century BCE and 2nd century CE, and a few Ganesh images from the 4th and 5th centuries CE have been documented by scholars. Hindu texts identify him as the son of Parvati and Shiva of the Shaivism tradition, but he

1680-592: Is also transliterated to English in two different ways as ri and ree , although the latter is non-standard in Hindi. Hence this word श्री may be rendered in English as Shri (the standard spelling), Shree, Sri or Sree; Some other transliterations used are Shri, Shiri, Shrii. Whatever the transliteration may be, its pronunciation remains the same. Sanskrit is written in many other Indian scripts as well, each of which has its own equivalents of these Devanāgari letters;

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1760-407: Is an epithet of Lakshmi . The Vedas speak of Shri as a goddess, who personified ten qualities coveted by other divine beings: food, royalty, holiness, kingdom, fortune, sovereignty, nobility, power, righteousness, and beauty. The Vedic Shri is believed to have identified with later conceptions of Lakshmi, as the embodiment of royalty and dignity. There is a common practice of writing Shri as

1840-622: Is closely associated with the personality of Ganesha, especially in the Puranic period, when many stories stress his cleverness and love of intelligence. One of Ganesha's names in the Ganesha Purana and the Ganesha Sahasranama is Buddhipriya . This name also appears in a list of 21 names at the end of the Ganesha Sahasranama that Ganesha says are especially important. The word priya can mean "fond of", and in

1920-655: Is different from Wikidata All article disambiguation pages All disambiguation pages Balachandra Traditional Ganesha ( Sanskrit : गणेश , IAST : Gaṇeśa ), also spelled Ganesh , and also known as Ganapati , Vinayaka , Lambodara and Pillaiyar , is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India . Hindu denominations worship him regardless of affiliations. Devotion to Ganesha

2000-509: Is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda , it is uncertain that the Vedic term referred specifically to Ganesha. The Amarakosha , an early Sanskrit lexicon, lists eight synonyms of Ganesha : Vinayaka , Vighnarāja (equivalent to Vighnesha ), Dvaimātura (one who has two mothers), Gaṇādhipa (equivalent to Ganapati and Ganesha ), Ekadanta (one who has one tusk), Heramba , Lambodara (one who has

2080-418: Is no evidence of a deity by this name having an elephant or elephant-headed form at this early stage. Gaṇapati-Vināyaka had yet to make his debut." The Pashupati seal (c. 2300 BCE - 2000 BCE) depicts 4 animals including an elephant around a deity who is claimed by some to be Shiva . Brown notes that this seal indicates the sacredness of elephants before Vedic period. One theory of the origin of Ganesha

2160-423: Is often added before his name. The name Ganesha is a Sanskrit compound, joining the words gana ( gaṇa ), meaning a 'group, multitude, or categorical system' and isha ( īśa ), meaning 'lord or master'. The word gaṇa when associated with Ganesha is often taken to refer to the gaṇas, a troop of semi-divine beings that form part of the retinue of Shiva , Ganesha's father. The term more generally means

2240-498: Is popularly held to be the son of Shiva and Parvati , the Puranic texts give different versions about his birth. In some he was created by Parvati, or by Shiva or created by Shiva and Parvati, in another he appeared mysteriously and was discovered by Shiva and Parvati or he was born from the elephant headed goddess Malini after she drank Parvati's bath water that had been thrown in the river. The family includes his brother,

2320-504: Is propitiated, he grants success, prosperity and protection against adversity. Ganesha is a non-sectarian deity. Hindus of all denominations invoke him at the beginning of prayers, important undertakings, and religious ceremonies. Dancers and musicians, particularly in southern India, begin art performances such as the Bharatanatyam dance with a prayer to Ganesha. Mantras such as Om Shri Gaṇeshāya Namah (Om, salutation to

2400-714: Is reflected in the Mudgala Purana , which states that the name of Ganesha's second incarnation is Ekadanta. Ganesha's protruding belly appears as a distinctive attribute in his earliest statuary, which dates to the Gupta period (4th to 6th centuries). This feature is so important that according to the Mudgala Purana , two different incarnations of Ganesha use names based on it: Lambodara (Pot Belly, or, literally, Hanging Belly) and Mahodara (Great Belly). Both names are Sanskrit compounds describing his belly (IAST: udara ). The Brahmanda Purana says that Ganesha has

2480-522: Is still used today. In rejecting any claim that this passage is evidence of Ganesha in the Rig Veda , Ludo Rocher says that it "clearly refers to Bṛhaspati —who is the deity of the hymn—and Bṛhaspati only". Equally clearly, the second passage ( RV 10 .112.9) refers to Indra , who is given the epithet ' gaṇapati ', translated "Lord of the companies (of the Maruts )." However, Rocher notes that

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2560-586: Is that he gradually came to prominence in connection with the four Vinayakas ( Vināyakas ). In the Yajurveda , the Vināyakas were a group of four troublesome demons who created obstacles and difficulties but who were easily propitiated. The name Vināyaka is a common name for Ganesha both in the Purāṇas and in Buddhist Tantras. Krishan is one of the academics who accept this view, stating flatly of Ganesha, "He

2640-424: Is the origin of the modern use of shri as a title. From the noun, is derived the Sanskrit adjective "śrīmat" (śrimān in the masculine nominative singular, śrīmatī in the feminine), by adding the suffix indicating possession, literally "radiance-having" (person, god, etc.). This is used in modern vernacular as form of address Shrimati (abbreviated Smt) for married women, while Sushri , (with "su", "good", added to

2720-431: Is usually transliterated as Sri , Sree , Shri , Shiri , Shree , Si , or Seri based on the local convention for transliteration. In Tamil it evolved to Tiru . The term is used in Indian subcontinent and Southeast Asia as a polite form of address equivalent to the English "Mr." in written and spoken language. "Shri" is also used as a title of veneration for deities or as honorific title for individuals. Shri

2800-440: Is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences ; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha

2880-517: Is worshipped on many religious and secular occasions; especially at the beginning of ventures such as buying a vehicle or starting a business. K.N Soumyaji says, "there can hardly be a [Hindu] home [in India] which does not house an idol of Ganapati. ... Ganapati, being the most popular deity in India, is worshipped by almost all castes and in all parts of the country". Devotees believe that if Ganesha

2960-572: The śuklapakṣa (the fourth day of the waxing moon) in the month of Bhadrapada (August/September) and the Ganesh Jayanti (Ganesha's birthday) celebrated on the cathurthī of the śuklapakṣa (fourth day of the waxing moon) in the month of magha (January/February)." An annual festival honours Ganesha for ten days, starting on Ganesha Chaturthi, which typically falls in late August or early September. The festival begins with people bringing in clay idols of Ganesha, symbolising

3040-747: The Brahmananda Purana and Ganesha Purana , where Ganesha uses it as his vehicle in his last incarnation. The Ganapati Atharvashirsa includes a meditation verse on Ganesha that describes the mouse appearing on his flag. The names Mūṣakavāhana (mouse-mount) and Ākhuketana (rat-banner) appear in the Ganesha Sahasranama . The mouse is interpreted in several ways. According to Grimes, "Many, if not most of those who interpret Gaṇapati 's mouse, do so negatively; it symbolizes tamoguṇa as well as desire". Along these lines, Michael Wilcockson says it symbolises those who wish to overcome desires and be less selfish. Krishan notes that

3120-537: The Brahmins and the non-Brahmins and find an appropriate context in which to build a new grassroots unity between them" in his nationalistic strivings against the British in Maharashtra . Because of Ganesha's wide appeal as "the god for Everyman", Tilak chose him as a rallying point for Indian protest against British rule. Tilak was the first to install large public images of Ganesha in pavilions , and he established

3200-559: The Ellora Caves with this general form has been dated to the 7th century. Details of the other hands are difficult to make out on the statue shown. In the standard configuration, Ganesha typically holds an axe or a goad in one upper arm and a pasha ( noose ) in the other upper arm. In rare instances, he may be depicted with a human head. The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form,

3280-635: The Sikh religious text, the Shri Guru Granth Sahib . Similarly, when the Ramlila tradition of reenacting the Ramayana is referred to as an institution, the term Shri Ramlila is frequently used. A common Sikh greeting is “ Sat Shri Akaal (Gurmukhi: ਸਤਿ ਸ੍ਰੀ ਅਕਾਲ)”, meaning “Truth is divine and eternal”. Shri here is used to denote divinity or godliness. The use of the term is common in

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3360-593: The root word pille in the name Pillaiyar might have originally meant "the young of the elephant", because the Pali word pillaka means "a young elephant". In the Burmese language , Ganesha is known as Maha Peinne ( မဟာပိန္နဲ , pronounced [məhà pèiɰ̃né] ), derived from Pali Mahā Wināyaka ( မဟာဝိနာယက ). The widespread name of Ganesha in Thailand is Khanet (can be transliterated as Ganet), or

3440-459: The 4th or 5th century. An independent cult with Ganesha as the primary deity was well established by about the 10th century. Narain summarises the lack of evidence about Ganesha's history before the 5th century as follows: What is inscrutable is the somewhat dramatic appearance of Gaṇeśa on the historical scene. His antecedents are not clear. His wide acceptance and popularity, which transcend sectarian and territorial limits, are indeed amazing. On

3520-653: The 5th century. Another Ganesha sculpture is embedded in the walls of Cave 6 of the Udayagiri Caves in Madhya Pradesh . This is dated to the 5th century. An early iconic image of Ganesha with elephant head, a bowl of sweets and a goddess sitting in his lap has been found in the ruins of the Bhumara Temple in Madhya Pradesh, and this is dated to the 5th-century Gupta period . Other recent discoveries, such as one from Ramgarh Hill, are also dated to

3600-424: The 6th century. The 13th century statue pictured is typical of Ganesha statuary from 900 to 1200, after Ganesha had been well-established as an independent deity with his own sect. This example features some of Ganesha's common iconographic elements. A virtually identical statue has been dated between 973 and 1200 by Paul Martin-Dubost, and another similar statue is dated 12th century by Pratapaditya Pal. Ganesha has

3680-470: The 9th and the 10th centuries. The serpent is a common feature in Ganesha iconography and appears in many forms. According to the Ganesha Purana , Ganesha wrapped the serpent Vasuki around his neck. Other depictions of snakes include use as a sacred thread (IAST: yajñyopavīta ) wrapped around the stomach as a belt, held in a hand, coiled at the ankles, or as a throne. Upon Ganesha's forehead may be

3760-540: The Dravidian hypothesis, which argues that anything not attested to in the Vedic and Indo-European sources must have come into Brāhmaṇic religion from the Dravidian or aboriginal populations of India as part of the process that produced Hinduism out of the interactions of the Aryan and non-Aryan populations. There is no independent evidence for an elephant cult or a totem; nor is there any archaeological data pointing to

3840-727: The Illustrious Ganesha) are often used. One of the most famous mantras associated with Ganesha is Om Gaṃ Ganapataye Namah (Om, Gaṃ , Salutation to the Lord of Hosts). Devotees offer Ganesha sweets such as modaka and small sweet balls called laddus . He is often shown carrying a bowl of sweets, called a modakapātra . Because of his identification with the color red, he is often worshipped with red sandalwood paste ( raktachandana ) or red flowers. Dūrvā grass ( Cynodon dactylon ) and other materials are also used in his worship. Festivals associated with Ganesh are Ganesha Chaturthi or Vināyaka chaturthī in

3920-676: The Javanese rice goddess " Dewi Sri ". "Sri" is also used as names of companies, placements, institutions, etc (e.g — Sriwijaya Air , Sriwijaya University , etc). The oldest recorded word of "Sri" founded in Indonesia was written in the Mulawarman inscription founded in Kutai , East Kalimantan dating back to the 4th century AD which read: sri matah sri -narendrasya, kundungasya mahatmanah (meaning: "the maharaja Kudungga , who

4000-455: The Sanskrit pronunciation remains the same regardless of script. Shri is a polite form of address equivalent to the English "Mr." or "Ms.". Shri is also frequently used as an epithet of some Hindu gods , in which case it is often translated into English as Holy . Also, in language and general usage, Shri , if used by itself and not followed by any name, refers to the supreme consciousness, i.e. god. Shri , also rendered Sridevi ,

4080-498: The Sritattvanidhi, a treatise on Hindu iconography . For example, white is associated with his representations as Heramba-Ganapati and Rina-Mochana-Ganapati (Ganapati Who Releases from Bondage). Ekadanta-Ganapati is visualised as blue during meditation in that form. The earliest Ganesha images are without a vahana (mount/vehicle). Of the eight incarnations of Ganesha described in the Mudgala Purana , Ganesha uses

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4160-495: The battle and where the replacement head came from vary from source to source. Another story says that Ganesha was created directly by Shiva's laughter. Because Shiva considered Ganesha too alluring, he gave him the head of an elephant and a protruding belly. Ganesha's earliest name was Ekadanta (One Tusked), referring to his single whole tusk, the other being broken. Some of the earliest images of Ganesha show him holding his broken tusk. The importance of this distinctive feature

4240-692: The beginning), can be used for women in general ( regardless of marital status ). In Devanagari script for Sanskrit, Hindi, Marathi and other languages, the word ⟨ श्री ⟩ is combination of three sounds: श् ( ś ), र् ( r ) and ई ( ī , long i ). There are two conventions in India to transliterate the consonant श् ( ISO : ś ) to English: some use s (which in narrower transcription represents only स् ) as in Sri Lanka and Srinagar , while others use sh as in Shimla and Shimoga . Similarly, री ( rī ; र् + ई )

4320-566: The brothers and may reflect sectarian tensions. Ganesha's marital status, the subject of considerable scholarly review, varies widely in mythological stories. One pattern of myths identifies Ganesha as an unmarried brahmachari . This view is common in southern India and parts of northern India. Another popularly-accepted mainstream pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are personified as goddesses, said to be Ganesha's wives. He also may be shown with

4400-499: The common era. Courtright reviews various speculative theories about the early history of Ganesha, including supposed tribal traditions and animal cults, and dismisses all of them in this way: In this search for a historical origin for Gaṇeśa, some have suggested precise locations outside the Brāhmaṇic tradition.... These historical locations are intriguing to be sure, but the fact remains that they are all speculations, variations on

4480-476: The emergence of the Ganapatyas , to this shift in emphasis from vighnakartā (obstacle-creator) to vighnahartā (obstacle-averter). However, both functions continue to be vital to his character. Ganesha is considered to be the Lord of letters and learning. In Sanskrit, the word buddhi is an active noun that is variously translated as intelligence, wisdom, or intellect. The concept of buddhi

4560-519: The evidence from archaeological excavations in Mathura and outside India. First terracotta images of Ganesha are from 1st century CE found in Ter, Pal, Verrapuram, and Chandraketugarh . These figures are small, with an elephant head, two arms, and chubby physique. The earliest Ganesha icons in stone were carved in Mathura during Kushan times (2nd–3rd centuries CE). Ganesha appeared in his classic form as

4640-614: The existence of this divinity prior to the fifth century. The evidence for more ancient Ganesha, suggests Narain, may reside outside Brahmanic or Sanskritic traditions, or outside geocultural boundaries of India. Ganesha appears in China by the 6th century, states Brown, and his artistic images in temple setting as "remover of obstacles" in South Asia appear by about 400 CE. He is, states Bailey, recognised as goddess Parvati's son and integrated into Shaivism theology by early centuries of

4720-581: The first word centralised in line at the beginning of a document. Another usage is as an emphatic compound (which can be used several times: shri shri , or shri shri shri , etc.) in princely styles, notably in Darbar Shri, Desai Shri, and Thakur Shri or Shrii Shrii Anandamurti , the founder of the social and spiritual movement Ananda Marga (the Path of Bliss). The honorific can also be applied to objects and concepts that are widely respected, such as

4800-951: The following: Kanipakam in Andhra Pradesh ; the Rockfort Ucchi Pillayar Temple at Tiruchirapalli , Puliakulam Munthi Vinayagar Temple at Coimbatore and Karpaga Vinayagar Temple in Pillaiyarpatti which is a town named after Ganesha in Tamil Nadu ; Kottarakkara , Pazhavangadi , Kasargod in Kerala ; Hampi , and Idagunji in Karnataka ; and Bhadrachalam in Telangana . T. A. Gopinatha notes, "Every village however small has its own image of Vighneśvara (Vigneshvara) with or without

4880-474: The four Vinayaka shrines in the Kathmandu Valley ), and in several western countries. An elephant–headed anthropomorphic figure on Indo-Greek coins from the 1st century BCE has been proposed by some scholars to be "incipient Ganesha", but this has been strongly contested. Others have suggested Ganesha may have been an emerging deity in India and southeast Asia around the 2nd century CE based on

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4960-467: The god of war, Kartikeya , who is also called Skanda and Murugan. Regional differences dictate the order of their births. In northern India, Skanda is generally said to be the elder, while in the south, Ganesha is considered the firstborn. In northern India , Skanda was an important martial deity from about 500 BCE to about 600 CE, after which worship of him declined significantly. As Skanda fell, Ganesha rose. Several stories tell of sibling rivalry between

5040-400: The god's visit. The festival culminates on the day of Ananta Chaturdashi , when the idols ( murtis ) are immersed in the most convenient body of water. Some families have a tradition of immersion on the 2nd, 3rd, 5th, or 7th day. In 1893, Lokmanya Tilak transformed this annual Ganesha festival from private family celebrations into a grand public event. He did so "to bridge the gap between

5120-410: The head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet in his lower-left hand is a particularly archaic feature. A more primitive statue in one of

5200-581: The master and remover of obstacles ( vighna ). A prominent name for Ganesha in the Tamil language is Pillai ( Tamil : பிள்ளை ) or Pillaiyar ( பிள்ளையார் ). A. K. Narain differentiates these terms by saying that pillai means a "child" while pillaiyar means a "noble child". He adds that the words pallu , pella , and pell in the Dravidian family of languages signify "tooth or tusk", also " elephant tooth or tusk". Anita Raina Thapan notes that

5280-429: The more official title of Phra Phi Khanet . The earliest images and mention lists Ganesha as a major deity in present-day Indonesia, Thailand, Cambodia and Vietnam dating to the 7th and 8th centuries, and these mirror Indian examples of the 5th century or earlier. In Sri Lankan , among Sinhalese Buddhists, he is known as Gana deviyo , and revered along with Buddha , Vishnu , Skanda and other deities. Ganesha

5360-791: The more recent Ganapatya literature often quotes the Rigvedic verses to give Vedic respectability to Ganesha. The Sangam period Tamil poet Avvaiyar (3rd century BCE), invokes Ganesha while preparing the invitation to the three Tamil Kingdoms for giving away in marriage of Angavay and Sangavay of Ceylon in marriage to the King of Tirucovalur (pp. 57–59). Shri The word is widely used in South and Southeast Asian languages such as Assamese , Meitei ( Manipuri ), Marathi , Malay (including Indonesian and Malaysian ), Javanese , Balinese , Sundanese , Sinhala , Thai , Tamil , Telugu , Odia , Assamese , Punjabi , Hindi , Bengali , Nepali , Malayalam , Kannada , Sanskrit , Pali , Khmer , and also among Philippine languages . It

5440-480: The name Lambodara because all the universes (i.e., cosmic eggs ; IAST: brahmāṇḍas ) of the past, present, and future are present in him. The number of Ganesha's arms varies; his best-known forms have between two and sixteen arms. Many depictions of Ganesha feature four arms, which is mentioned in Puranic sources and codified as a standard form in some iconographic texts. His earliest images had two arms. Forms with 14 and 20 arms appeared in Central India during

5520-631: The names of ragas (musical motifs), either as a prefix or postfix. Some examples are Shree , Bhagyashree, Dhanashree, Jayashree, Subhashree, Itishree, Jiteshree, and Shree ranjani . Usage of "Sri" in Indonesia is used for honorary titles for a king or other great person, for example the King of Yogyakarta Sri Sultan Hamengkubuwono and Sri Baginda which means "Your Majesty", and is also used for people's names, mainly Javanese people such as Indonesian finance minister Sri Mulyani , Indonesian marine officer Lt. Col Sri Utomo , Indian-Indonesian businessman Sri Prakash Lohia , etc. It also refers to

5600-403: The number of heads are known. While some texts say that Ganesha was born with an elephant head, he acquires the head later in most stories. The most recurrent motif in these stories is that Ganesha was created by Parvati using clay to protect her and Shiva beheaded him when Ganesha came between Shiva and Parvati. Shiva then replaced Ganesha's original head with that of an elephant. Details of

5680-430: The one hand, there is the pious belief of the orthodox devotees in Gaṇeśa's Vedic origins and in the Purāṇic explanations contained in the confusing, but nonetheless interesting, mythology. On the other hand, there are doubts about the existence of the idea and the icon of this deity" before the fourth to fifth century A.D. ... [I]n my opinion, indeed there is no convincing evidence [in ancient Brahmanic literature] of

5760-669: The only variation from these old elements is that the lower-right hand does not hold the broken tusk but is turned towards the viewer in a gesture of protection or fearlessness (Abhaya mudra ). The same combination of four arms and attributes occurs in statues of Ganesha dancing, which is a very popular theme. Ganesha has been represented with the head of an elephant since the early stages of his appearance in Indian art. Puranic myths provide many explanations for how he got his elephant head. One of his popular forms, Heramba-Ganapati , has five elephant heads, and other less-common variations in

5840-409: The path of those who need to be checked. Hence, he is often worshipped by the people before they begin anything new. Paul Courtright says that Ganesha's dharma and his raison d'être is to create and remove obstacles. Krishan notes that some of Ganesha's names reflect shadings of multiple roles that have evolved over time. Dhavalikar ascribes the quick ascension of Ganesha in the Hindu pantheon, and

5920-503: The people of Sri Lanka in the early pre-Christian era. The title "Leader of the group" (Sanskrit: gaṇapati ) occurs twice in the Rig Veda , but in neither case does it refer to the modern Ganesha. The term appears in RV 2.23.1 as a title for Brahmanaspati , according to commentators. While this verse doubtless refers to Brahmanaspati, it was later adopted for worship of Ganesha and

6000-538: The practice of submerging all the public images on the tenth day. Today, Hindus across India celebrate the Ganapati festival with great fervour, though it is most popular in the state of Maharashtra. The festival also assumes huge proportions in Mumbai , Pune , and in the surrounding belt of Ashtavinayaka temples. In Hindu temples, Ganesha is depicted in various ways: as a subordinate deity ( pãrśva-devatã ); as

6080-429: The rat is destructive and a menace to crops. The Sanskrit word mūṣaka (mouse) is derived from the root mūṣ (stealing, robbing). It was essential to subdue the rat as a destructive pest, a type of vighna (impediment) that needed to be overcome. According to this theory, showing Ganesha as master of the rat demonstrates his function as Vigneshvara (Lord of Obstacles) and gives evidence of his possible role as

6160-502: The relevant passage as follows: (O Lord Ganapati!) You are (the Trimurti) Brahma , Vishnu , and Mahesa . You are Indra . You are fire [ Agni ] and air [ Vāyu ]. You are the sun [ Sūrya ] and the moon [ Chandrama ]. You are Brahman . You are (the three worlds) Bhuloka [earth], Antariksha-loka [space], and Swargaloka [heaven]. You are Om. (That is to say, You are all this). Some devotees see similarities between

6240-419: The same term [REDACTED] This disambiguation page lists articles associated with the title Balachander . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Balachander&oldid=1171559326 " Category : Disambiguation pages Hidden categories: Short description

6320-468: The shape of Ganesha's body in iconography and the shape of Om in the Devanāgarī and Tamil scripts. According to Kundalini yoga , Ganesha resides in the first chakra , called Muladhara ( mūlādhāra ). Mula means "original, main"; adhara means "base, foundation". The muladhara chakra is the principle on which the manifestation or outward expansion of primordial Divine Force rests. This association

6400-408: The sons are often said to be Śubha (auspiciousness) and Lābha . The 1975 Hindi film Jai Santoshi Maa shows Ganesha married to Riddhi and Siddhi and having a daughter named Santoshi Ma , the goddess of satisfaction. This story has no Puranic basis, but Anita Raina Thapan and Lawrence Cohen cite Santoshi Ma's cult as evidence of Ganesha's continuing evolution as a popular deity. Ganesha

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