Princess Maker ( プリンセスメーカー ) is a series of social simulation bishōjo games where the player must act as a parental figure and raise a young girl. The series was produced by the video game and anime production company Gainax . The first Princess Maker , while popular enough to be translated into Chinese, was never released in the United States. Princess Maker 2 was translated by SoftEgg for a North American release, but this release was cancelled because publisher Intracorp went bankrupt. Princess Maker 3 , Princess Maker 4 , and Princess Maker 5 have subsequently been released, as did several spin-off games. The series has been translated and released in Korea (Fujitsu) and Taiwan (Kingformation). An English release of Princess Maker 2 was attempted in mid-90s, but it resulted in failure, and no games in this series were released in English until Princess Maker 2 Refine in 2016. Petite Princess Yucie , an anime series loosely based on the third game but with characters from all previous games, ran for 26 episodes in 2002–2003.
131-518: Uru in Blue ( Japanese : 蒼きウル , Hepburn : Aoki Uru ) , also known as Blue Uru , is an unproduced Japanese animated science fiction film project by Gainax intended as a sequel to their 1987 film Royal Space Force: The Wings of Honnêamise . Aoki Uru was originally planned to be directed by Hideaki Anno and scripted by Hiroyuki Yamaga , with Yoshiyuki Sadamoto serving as its chief animation director and character designer. During 1992–93,
262-444: A PlayStation video game, second, as a serialized web novel to be written by Yamaga, and third, as a manga adaptation to be done by the project's longtime concept artist, Yoshiyuki Sadamoto . The anime film itself would follow after the three stages; Yamaga cited a budget of two billion yen would be needed for extensive computer graphics , "mostly for 3-D backgrounds...The animation itself, its movement and design, will come out of
393-463: A pilot film for Aoki Uru would be released in 2014; during his guest appearance in San Mateo, California at the 2013 Japan Expo USA , Sadamoto commented in an interview with Anime News Network , "I'd like it to become as great a movie as Honnêamise. The film's main staff may also work on a manga adaptation that will be different from the movie. We're currently looking for business partners for
524-408: A 2015 return visit to FanimeCon , Yamaga detailed the state of Uru in Blue , as well as its changes over time and his perspective on its protracted development: "You could almost say the longest part of this process was me finding myself in order to produce this movie...While many people have told me 'you've taken way too long on this project,' I feel like I've put in the perfect amount of time to make
655-502: A TV anime together, a proposal that would eventually be developed into the series Neon Genesis Evangelion . Takeda speculated, One of the key themes in Aoki Uru had been 'not running away.' In the story, the main character is faced with the daunting task of saving the heroine...He ran away from something in the past, so he decides that this time he will stand his ground. The same theme was carried over into Evangelion , but I think it
786-637: A benefit from the in-group to the out-group) means "[I/we] explained [it] to [him/her/them]". Such beneficiary auxiliary verbs thus serve a function comparable to that of pronouns and prepositions in Indo-European languages to indicate the actor and the recipient of an action. Japanese "pronouns" also function differently from most modern Indo-European pronouns (and more like nouns) in that they can take modifiers as any other noun may. For instance, one does not say in English: The amazed he ran down
917-540: A bit difficult to explain. The 1997 discussion with Yamaga appeared in Animerica over a year later in the May 1998 issue; the interview was accompanied by an additional sidebar featuring Yamaga's comments on the current status of Blue Uru , described by the magazine as one of Gainax's "new projects...nearing launch readiness." Yamaga further detailed Blue Uru as a multimedia project to be done in successive stages: first as
1048-594: A complex system of honorifics , with verb forms and vocabulary to indicate the relative status of the speaker, the listener, and persons mentioned. The Japanese writing system combines Chinese characters , known as kanji ( 漢字 , ' Han characters') , with two unique syllabaries (or moraic scripts) derived by the Japanese from the more complex Chinese characters: hiragana ( ひらがな or 平仮名 , 'simple characters') and katakana ( カタカナ or 片仮名 , 'partial characters'). Latin script ( rōmaji ローマ字 )
1179-414: A distinct language of its own that has absorbed various aspects from neighboring languages. Japanese has five vowels, and vowel length is phonemic, with each having both a short and a long version. Elongated vowels are usually denoted with a line over the vowel (a macron ) in rōmaji , a repeated vowel character in hiragana , or a chōonpu succeeding the vowel in katakana . /u/ ( listen )
1310-451: A former military pilot who had abandoned the armed forces and gone into hiding. Once the lover of a princess of Honnêamise's royal family, her abduction leads him to join a rescue team of four other elite pilots, each equipped with VTOL fighter jets and with their own individual reasons for taking on the mission. Sadamoto related that the anime would attempt to emphasize a visual experience of speed and intense aerial action scenes. Aoki Uru
1441-419: A glide /j/ and either the first part of a geminate consonant ( っ / ッ , represented as Q) or a moraic nasal in the coda ( ん / ン , represented as N). The nasal is sensitive to its phonetic environment and assimilates to the following phoneme, with pronunciations including [ɴ, m, n, ɲ, ŋ, ɰ̃] . Onset-glide clusters only occur at the start of syllables but clusters across syllables are allowed as long as
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#17327807875361572-529: A good fit with the Ultraman ethic, so to make Aoki Uru compatible for Anno, Yamaga turned instead to the physical mode of the film's events, deciding to make Aoki Uru an aeronautic action story so that Anno could express his particular sensibility as an animator of objects at high speed and in mid-air. In December 1998, Gainax released a compact disc EP featuring mixes of an instrumental Aoki Uru theme by Joujouka , an electronic group consisting at
1703-484: A listener depending on the listener's relative social position and the degree of familiarity between the speaker and the listener. When used in different social relationships, the same word may have positive (intimate or respectful) or negative (distant or disrespectful) connotations. Japanese often use titles of the person referred to where pronouns would be used in English. For example, when speaking to one's teacher, it
1834-524: A major source of income for the company. Takeda noted the leadership conflict during this period continued even after Okada's departure, but now between Sawamura and Akai; Akai himself would resign in September 1994, a little over a year before the debut of Evangelion , although he would return to Gainax's board of directors in 2001. Yoshiyuki Sadamoto , whose role on Aoki Uru was to be both character designer and chief animation director, commented that
1965-531: A manga project, but to help meet his living expenses decided to join Gainax, who paid him a special retainer to reserve his services part-time to work on Aoki Uru . Kon recalled in 1999 that he had been told by those around him that he would be most unsuited to working at Gainax, but remarked that to his surprise he enjoyed working there. The 1998 CD-ROM release of the designs from the 1992–93 Aoki Uru project affirmed Takeda's later statement that work began before
2096-533: A mother and her grade school child "who'd barely finished his summer homework on the very last day of vacation." Takeda characterized a fundamental problem in that Aoki Uru was intended as a feature film on which Gainax had begun work without having yet secured the financing to actually finish it; even as they attempted to raise capital, Takeda was himself obliged to "take out a few poor man's loans " in order to cover staff salaries: "I went to I don't know how many loan sharks, and ended up securing some 8 million yen. As
2227-404: A point of argument between them in successive interviews with Animerica . The magazine's four-part discussion with Okada, conducted in 1995 at Otakon , concluded with an assertion that while still at Gainax, Okada had discussed and rejected the idea of making Yamaga's concept for Aoki Uru , on the grounds that "the story was almost exactly the same as [the 1984 film] Streets of Fire ...Yamaga
2358-428: A project that we fund, then we have more say over what's done with it, and then if the project generates new funds, we can use those to create a larger project, and again, have more say in it. In July 1998, Gainax released a CD-ROM entitled Aoki Uru Frozen Designs Collection containing the visual and script content created during the 1992–93 project, with a new commentary added as a QuickTime file. The commentary, in
2489-512: A result of borrowing money, however, my day-to-day existence would end up becoming rather pathetic..." Aoki Uru was put on an indefinite production hold in July 1993. "We couldn't raise any more capital, and the staff just wasn't making any progress. Even Anno had lost his motivation. Anno, myself, and all the rest of the staff had worked so hard on this project, but we had nothing to show for it," recalled Takeda, who himself considered resigning over
2620-408: A sentence need not be stated and pronouns may be omitted if they can be inferred from context. In the example above, hana ga nagai would mean "[their] noses are long", while nagai by itself would mean "[they] are long." A single verb can be a complete sentence: Yatta! ( やった! ) "[I / we / they / etc] did [it]!". In addition, since adjectives can form the predicate in a Japanese sentence (below),
2751-457: A sequel to their 1988–89 anime Gunbuster , "Hiroyuki Yamaga's follow-up to The Wings of Honnêamise, Blue Uru, which has been in a state of limbo for 8 years now, seems set to be produced. Do not misunderstand, Gainax has not confirmed either of these sequels, but it would seem that they are seriously intent on producing them both." The Gunbuster sequel, Diebuster , would be released by Gainax three years later, in 2004. On March 20, 2013,
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#17327807875362882-401: A simple plotline, a guy rescuing a girl—from that baseline, you're allowed a lot of freedom. So the concept will probably remain in what I do, but it's not like it was based on any movie in particular." Affirming Sadamoto's 1993 description of a film with an emphasis on speed, Yamaga contrasted Aoki Uru with his earlier movie project: When I created [ Royal Space Force ], my goal was to make
3013-428: A single adjective can be a complete sentence: Urayamashii! ( 羨ましい! ) "[I'm] jealous [about it]!". While the language has some words that are typically translated as pronouns, these are not used as frequently as pronouns in some Indo-European languages, and function differently. In some cases, Japanese relies on special verb forms and auxiliary verbs to indicate the direction of benefit of an action: "down" to indicate
3144-423: A small company bunkroom . "For Anno," Takeda later wrote, "I think Aoki Uru being put on hiatus was a weight off his shoulders. I'm sure he'd been just as anxious about it as I was, tormented by the thought that as the director he needed to be doing something to fix things, even though he didn't know what to do." During this time, Anno agreed to a sudden offer from Toshimichi Otsuki of King Records to produce
3275-425: A war orphan, Maria, after defeating an evil demon. This game is similar to Princess Maker 2 , but one cannot give pocket money to the daughter, and in this version, the player can send the daughter to town to view the people's opinions of her. The wardrobe is also much larger than the sequel. There are four sets of clothing for each season. These clothes change after aging. Therefore, there are about 28 sets of clothing
3406-451: A world: You're there. You're walking through it. See all the details...20 people spent two years of work creating details of a world that could exist. This time around, I want to concentrate on speed . I mean, to the point you're going to be dizzy from how fast things are moving...A rocket slowly climbed to the heavens, and there were all the details that were involved with that. This time, by contrast, things are going to be so fast...Speed
3537-680: A worldwide release for the anime in 2022." An essay on the topic of civilization by Yamaga appearing in the December 22, 2022 issue of Niigata Keizai Shimbun described him as "currently working" on the project. Japanese language Japanese ( 日本語 , Nihongo , [ɲihoŋɡo] ) is the principal language of the Japonic language family spoken by the Japanese people . It has around 123 million speakers, primarily in Japan ,
3668-624: Is compressed rather than protruded , or simply unrounded. Some Japanese consonants have several allophones , which may give the impression of a larger inventory of sounds. However, some of these allophones have since become phonemic. For example, in the Japanese language up to and including the first half of the 20th century, the phonemic sequence /ti/ was palatalized and realized phonetically as [tɕi] , approximately chi ( listen ) ; however, now [ti] and [tɕi] are distinct, as evidenced by words like tī [tiː] "Western-style tea" and chii [tɕii] "social status". The "r" of
3799-520: Is a slow process and lack of money is a real problem. Anyway, although I can not say anything about it right now, even if the current director leaves the project, I will stay involved in it." In June 2017, following the loss by Gainax of a lawsuit for delayed royalties brought by Khara , a studio established by former Gainax director Hideaki Anno, Yamaga stated both that Gainax was undergoing restructuring, and that production work had begun on Uru in Blue . In July and August 2018, Gainax's Fukushima branch
3930-414: Is a very clever and talented man. But even he couldn't come up with an idea he was really interested in, so instead he proposes this parody film." Okada maintained that this was the reason he had advocated that Gainax not make another anime film "for at least two years," until they had "the right emotion" behind it. Okada suggested during the interview that Animerica "some day" ask Yamaga himself about
4061-448: Is also seen in o-medetō "congratulations", from medetaku ). Late Middle Japanese has the first loanwords from European languages – now-common words borrowed into Japanese in this period include pan ("bread") and tabako ("tobacco", now "cigarette"), both from Portuguese . Modern Japanese is considered to begin with the Edo period (which spanned from 1603 to 1867). Since Old Japanese,
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4192-527: Is also used in a limited fashion (such as for imported acronyms) in Japanese writing. The numeral system uses mostly Arabic numerals , but also traditional Chinese numerals . Proto-Japonic , the common ancestor of the Japanese and Ryukyuan languages , is thought to have been brought to Japan by settlers coming from the Korean peninsula sometime in the early- to mid-4th century BC (the Yayoi period ), replacing
4323-643: Is an agglutinative , mora -timed language with relatively simple phonotactics , a pure vowel system, phonemic vowel and consonant length, and a lexically significant pitch-accent . Word order is normally subject–object–verb with particles marking the grammatical function of words, and sentence structure is topic–comment . Sentence-final particles are used to add emotional or emphatic impact, or form questions. Nouns have no grammatical number or gender , and there are no articles . Verbs are conjugated , primarily for tense and voice , but not person . Japanese adjectives are also conjugated. Japanese has
4454-440: Is appropriate to use sensei ( 先生 , "teacher"), but inappropriate to use anata . This is because anata is used to refer to people of equal or lower status, and one's teacher has higher status. Japanese nouns have no grammatical number, gender or article aspect. The noun hon ( 本 ) may refer to a single book or several books; hito ( 人 ) can mean "person" or "people", and ki ( 木 ) can be "tree" or "trees". Where number
4585-647: Is associated with comedy (see Kansai dialect ). Dialects of Tōhoku and North Kantō are associated with typical farmers. The Ryūkyūan languages, spoken in Okinawa and the Amami Islands (administratively part of Kagoshima ), are distinct enough to be considered a separate branch of the Japonic family; not only is each language unintelligible to Japanese speakers, but most are unintelligible to those who speak other Ryūkyūan languages. However, in contrast to linguists, many ordinary Japanese people tend to consider
4716-466: Is better documentation of Late Middle Japanese phonology than for previous forms (for instance, the Arte da Lingoa de Iapam ). Among other sound changes, the sequence /au/ merges to /ɔː/ , in contrast with /oː/ ; /p/ is reintroduced from Chinese; and /we/ merges with /je/ . Some forms rather more familiar to Modern Japanese speakers begin to appear – the continuative ending - te begins to reduce onto
4847-509: Is correlated with the sex of the speaker and the social situation in which they are spoken: men and women alike in a formal situation generally refer to themselves as watashi ( 私 , literally "private") or watakushi (also 私 , hyper-polite form), while men in rougher or intimate conversation are much more likely to use the word ore ( 俺 "oneself", "myself") or boku . Similarly, different words such as anata , kimi , and omae ( お前 , more formally 御前 "the one before me") may refer to
4978-417: Is important, it can be indicated by providing a quantity (often with a counter word ) or (rarely) by adding a suffix, or sometimes by duplication (e.g. 人人 , hitobito , usually written with an iteration mark as 人々 ). Words for people are usually understood as singular. Thus Tanaka-san usually means Mx Tanaka . Words that refer to people and animals can be made to indicate a group of individuals through
5109-556: Is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), extensive waves of Sino-Japanese vocabulary entered the language, affecting the phonology of Early Middle Japanese . Late Middle Japanese (1185–1600) saw extensive grammatical changes and
5240-755: Is less common. In terms of mutual intelligibility , a survey in 1967 found that the four most unintelligible dialects (excluding Ryūkyūan languages and Tōhoku dialects ) to students from Greater Tokyo were the Kiso dialect (in the deep mountains of Nagano Prefecture ), the Himi dialect (in Toyama Prefecture ), the Kagoshima dialect and the Maniwa dialect (in Okayama Prefecture ). The survey
5371-420: Is often called a topic-prominent language , which means it has a strong tendency to indicate the topic separately from the subject, and that the two do not always coincide. The sentence Zō wa hana ga nagai ( 象は鼻が長い ) literally means, "As for elephant(s), (the) nose(s) (is/are) long". The topic is zō "elephant", and the subject is hana "nose". Japanese grammar tends toward brevity; the subject or object of
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5502-498: Is preserved in words such as matsuge ("eyelash", lit. "hair of the eye"); modern mieru ("to be visible") and kikoeru ("to be audible") retain a mediopassive suffix - yu(ru) ( kikoyu → kikoyuru (the attributive form, which slowly replaced the plain form starting in the late Heian period) → kikoeru (all verbs with the shimo-nidan conjugation pattern underwent this same shift in Early Modern Japanese )); and
5633-471: Is pretty serious as a matter of character, certainly—so he doesn't really think of compromising with the audiences. Therefore [ Royal Space Force ] wasn't a radical film from Yamaga's perspective. There's something like a sequel planned, but it's been stopped for now. Yamaga wants to make it 'the final anime of this century.' He wants to make it happen." Although Okada and Yamaga had worked closely together to make Royal Space Force , its unproduced sequel became
5764-534: Is the focus of Blue Uru. I want to express everything in language that's skirting the boundaries of logic, yet gets the story across. What I want to do in Blue Uru is to take made-up words, slang, and line them up in an almost haiku way. I want to test the boundaries, the possibilities, of the Japanese language. It's kind of like the stuff Quentin Tarantino would spew out...it's profound in its own way. It's
5895-402: Is the version of Japanese discussed in this article. Formerly, standard Japanese in writing ( 文語 , bungo , "literary language") was different from colloquial language ( 口語 , kōgo ) . The two systems have different rules of grammar and some variance in vocabulary. Bungo was the main method of writing Japanese until about 1900; since then kōgo gradually extended its influence and
6026-471: Is used for the present and the future. For verbs that represent an ongoing process, the -te iru form indicates a continuous (or progressive) aspect , similar to the suffix ing in English. For others that represent a change of state, the -te iru form indicates a perfect aspect. For example, kite iru means "They have come (and are still here)", but tabete iru means "They are eating". Questions (both with an interrogative pronoun and yes/no questions) have
6157-405: Is why some linguists do not classify Japanese "pronouns" as pronouns, but rather as referential nouns, much like Spanish usted (contracted from vuestra merced , "your ( majestic plural ) grace") or Portuguese você (from vossa mercê ). Japanese personal pronouns are generally used only in situations requiring special emphasis as to who is doing what to whom. The choice of words used as pronouns
6288-502: The Aoki Uru concept did not commence until March 1992, the same month Okada, under continuing internal pressure, departed Gainax. Yamaga replaced Okada in his previous role within Gainax's co-presidency, now to be exercised between Yamaga and Takeshi Sawamura; in his memoir, Takeda characterized Yamaga's position as being the public face of the studio, while actual day-to-day operations were run by Sawamura, with final approval of projects controlled by Akai, whose Princess Maker had proved
6419-459: The Aoki Uru creative team produced a complete storyboard , a partial script, and a large collection of designs and pre-production art for the film; however, the project had been initiated without a secured budget, and its development occurred within a period of personal, financial, and managerial crises at Gainax that contributed to the indefinite suspension of work on Aoki Uru in July 1993. Aoki Uru co-producer Yasuhiro Takeda has argued that
6550-523: The Blue Uru plan as "to a certain extent" a financing tactic: In Japan—and I think this is true in a great many other countries as well, such as the United States—a great percentage of the rights to a project accrue to the people who are putting up the funds for it. So by funding the project at any level by ourselves, that helps us secure the general rights to the material. We think it's important for us to keep as many rights as we can. If we begin with
6681-517: The Japonic language family, which also includes the Ryukyuan languages spoken in the Ryukyu Islands . As these closely related languages are commonly treated as dialects of the same language, Japanese is sometimes called a language isolate . According to Martine Irma Robbeets , Japanese has been subject to more attempts to show its relation to other languages than any other language in
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#17327807875366812-514: The Philippines , and various Pacific islands, locals in those countries learned Japanese as the language of the empire. As a result, many elderly people in these countries can still speak Japanese. Japanese emigrant communities (the largest of which are to be found in Brazil , with 1.4 million to 1.5 million Japanese immigrants and descendants, according to Brazilian IBGE data, more than
6943-654: The Princess Maker game was a popular MicroCabin game at the time of its release in 1991. It was re-released in a 'Refine Edition' with enhanced graphics and voices. There is a fan-made English and Spanish translation for the normal MSX version. The original version is for the NEC PC-9801 system, and the Refine Edition is out for the PlayStation 2 as well as Windows . The player is in charge of
7074-738: The United States (notably in Hawaii , where 16.7% of the population has Japanese ancestry, and California ), and the Philippines (particularly in Davao Region and the Province of Laguna ). Japanese has no official status in Japan, but is the de facto national language of the country. There is a form of the language considered standard : hyōjungo ( 標準語 ) , meaning "standard Japanese", or kyōtsūgo ( 共通語 ) , "common language", or even "Tokyo dialect" at times. The meanings of
7205-806: The de facto standard Japanese had been the Kansai dialect , especially that of Kyoto . However, during the Edo period, Edo (now Tokyo) developed into the largest city in Japan, and the Edo-area dialect became standard Japanese. Since the end of Japan's self-imposed isolation in 1853, the flow of loanwords from European languages has increased significantly. The period since 1945 has seen many words borrowed from other languages—such as German, Portuguese and English. Many English loan words especially relate to technology—for example, pasokon (short for "personal computer"), intānetto ("internet"), and kamera ("camera"). Due to
7336-527: The 1.2 million of the United States ) sometimes employ Japanese as their primary language. Approximately 12% of Hawaii residents speak Japanese, with an estimated 12.6% of the population of Japanese ancestry in 2008. Japanese emigrants can also be found in Peru , Argentina , Australia (especially in the eastern states), Canada (especially in Vancouver , where 1.4% of the population has Japanese ancestry),
7467-555: The 1987 Star Quest event in Los Angeles; the idea involved a starship from the world of Royal Space Force —indicated by Okada to be in the Alpha Centauri system—that makes a journey to present-day Earth 100 years after the events of the first film. Gainax's next main anime projects, however, were Gunbuster (1988–89), Nadia: The Secret of Blue Water (1990–91), and Otaku no Video (1991); storyboarding work on
7598-426: The 1992 origins of the sequel project followed the collapse of plans for Olympia , an anime Takeda describes as a "phantom project" for which Akai was the main creator, with Hideaki Anno slated as director. Yamaga felt that the difficulties the staff had found in drawing together around Olympia necessitated a return to the world of the original project for which the studio had been founded, in order to rediscover in it
7729-453: The 370 color board total included two choices for each scene, one from each of Aoki Uru 's two art directors, Kikuchi and Sasaki, who approached the task as a competition between themselves. Takeda and Yamaga were listed as co-producers for Aoki Uru ; however, Yamaga would later state that it was his intention to begin the project, then "hand it over to Anno to direct and Yasuhiro Takeda to produce." "I didn't know how to act, and to tell
7860-486: The Japanese language is of particular interest, ranging between an apical central tap and a lateral approximant . The "g" is also notable; unless it starts a sentence, it may be pronounced [ ŋ ] , in the Kanto prestige dialect and in other eastern dialects. The phonotactics of Japanese are relatively simple. The syllable structure is (C)(G)V(C), that is, a core vowel surrounded by an optional onset consonant,
7991-736: The Old Japanese sections are written in Man'yōgana , which uses kanji for their phonetic as well as semantic values. Based on the Man'yōgana system, Old Japanese can be reconstructed as having 88 distinct morae . Texts written with Man'yōgana use two different sets of kanji for each of the morae now pronounced き (ki), ひ (hi), み (mi), け (ke), へ (he), め (me), こ (ko), そ (so), と (to), の (no), も (mo), よ (yo) and ろ (ro). (The Kojiki has 88, but all later texts have 87. The distinction between mo 1 and mo 2 apparently
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#17327807875368122-488: The Ryūkyūan languages as dialects of Japanese. The imperial court also seems to have spoken an unusual variant of the Japanese of the time, most likely the spoken form of Classical Japanese , a writing style that was prevalent during the Heian period , but began to decline during the late Meiji period . The Ryūkyūan languages are classified by UNESCO as 'endangered', as young people mostly use Japanese and cannot understand
8253-545: The Super NES by Takara . Unlike the other games, the daughter does not have a default name, but is named Melody Blue in Go! Go! Princess . The anime Petite Princess Yucie is loosely based on all the Princess Maker games, has the character of Cube from Princess Maker 2 appearing as Yucie's steward in the anime, looking nearly identical in style and design to how he appears in the game. Yucie herself looks almost identical to
8384-450: The TV anime series Mahoromatic and Abenobashi , stating, "Hiroyuki Yamaga, as our director, has lurked for 14 years since his last great work, The Wings of Honnêamise ." Two months later, however, a report on Gainax from the 40th annual national Japan Science Fiction Convention by Anime News Network indicated that in addition to Gainax having "all but confirmed" rumors at the event of
8515-543: The addition of a collective suffix (a noun suffix that indicates a group), such as -tachi , but this is not a true plural: the meaning is closer to the English phrase "and company". A group described as Tanaka-san-tachi may include people not named Tanaka. Some Japanese nouns are effectively plural, such as hitobito "people" and wareware "we/us", while the word tomodachi "friend" is considered singular, although plural in form. Verbs are conjugated to show tenses, of which there are two: past and present (or non-past) which
8646-538: The best possible project," although the director also cited the success of Neon Genesis Evangelion as an explanation: "I would have liked to have started this project earlier, but the insane popularity of Evangelion spanning across two decades has kept delaying [it]." The director exhibited images from the "rebooted" version of the project; whereas the storyboards of the 1992–93 Aoki Uru proposal had been drawn by Sadamoto and Hideaki Anno, Yamaga displayed new storyboards drawn by himself, in addition to revised designs of
8777-523: The character designs for Yamaga's 2002 Gainax TV series Magical Shopping Arcade Abenobashi . The task of drawing settei (design models) to guide the animators was to be assigned to Satoshi Kon , whose first work in the anime industry had been two years before as a background designer on 1991's Roujin-Z , directed by Royal Space Force veteran Hiroyuki Kitakubo ; Kon had also served as background and layout artist on Mamoru Oshii 's 1993 Patlabor 2 . Following Patlabor 2 , Kon had been sketching out
8908-514: The character is modeled upon contemporary professionals in the anime industry itself, who "sacrifice a lot in their youth and 20s. They break their bodies trying to make anime, and once they start hitting their 30s, they reconsider if it's really worth being paid such a pittance and committing their life's blood, if it's worth doing this for the rest of their life." At the 2015 Fanime panel, Yamaga had characterized traditional methods of anime funding as unprofessional and lacking in standards, and that
9039-407: The creator of Sister Princess . It was released in 2005 on the PlayStation 2 . Structurally, Princess Maker 4 draws much inspiration from Princess Maker 2 , although an adventure mode does not exist anymore. As with PM3 , full voiceovers have been recorded, including contributions from famous voice actors like Sakurai Takahiro (Prince Sharul/Charles). PM4 is highly drama-oriented. Throughout
9170-412: The daughter can wear over the years. The Harvest Festival has a Combat Tournament and a Miss Kingdom Contest. If the daughter succeeds, her popularity will rise. There are 74 possible endings, ranging from humble jobs such as a soldier or a mason, to prestigious jobs such as Archbishop or Prime Minister, to "dark side" jobs such as prostitute or crime lord. In addition, numerous factors decide whether or not
9301-516: The daughter is successful at her job, whom she marries, and whether she has children of her own. Famitsu magazine's Reader Cross Review gave the PC Engine version of the game an 8 out of 10. The second game in the series, Princess Maker 2 , was released in 1993. Released in 1997, this game was originally revealed in 1994 for a summer 1995 release on PlayStation . It was then unnumbered and called Princess Maker: Faery Tales Come True . It
9432-473: The daughter with a test/exam based on her status and how long she has dedicated herself to the course. The result of the test/exam will be directly proportional to the daughter's status. Once the result is announced, her reaction will depend on her overall status. The daughter's reactions vary, and it may or may not have effect on status for better or for worse. For all courses with test/exam, the daughter will have an opportunity to encounter her "rival" depending on
9563-408: The daughter's attitude, social status , and outlook on life. Unlike the previous game, the player has a chance to choose between six occupations. The occupation determines the player's social status in the kingdom, cash at hand, and the amount of yearly wage. The occupation will also affect various factors in the main character, starting with the attitude with which she begins. Along these lines, unlike
9694-578: The effect of changing Japanese into a mora-timed language. Late Middle Japanese covers the years from 1185 to 1600, and is normally divided into two sections, roughly equivalent to the Kamakura period and the Muromachi period , respectively. The later forms of Late Middle Japanese are the first to be described by non-native sources, in this case the Jesuit and Franciscan missionaries; and thus there
9825-764: The film." In May 2014, during the Cannes Film Festival , Gainax promoted the film under the English-language title Uru in Blue , as an exhibitor at the Japan External Trade Organization booth. The following December at the Anime Festival Asia event in Singapore, Yamaga indicated that the pilot film, to be called "Overture," would be released in 2015 rather than 2014 as previously announced, and that
9956-423: The first appearance of European loanwords . The basis of the standard dialect moved from the Kansai region to the Edo region (modern Tokyo ) in the Early Modern Japanese period (early 17th century–mid 19th century). Following the end of Japan's self-imposed isolation in 1853, the flow of loanwords from European languages increased significantly, and words from English roots have proliferated. Japanese
10087-406: The first movie's Kingdom of Honnêamise. Yamaga described a "core concept" of Uru in Blue being that its main characters "are not noble knights, they're ruffians and thugs that come from pretty poor backgrounds" who conduct duels on behalf of gambling syndicates using fighter jets acquired as military surplus . The protagonist of the film is a 32 year-old professional duelist; Yamaga related that
10218-541: The form of a conversation between Yamaga and one of the intended technical directors of the earlier version of Aoki Uru , Kenji Tsuruta , expanded on Yamaga's reasoning behind the original film concept; as he had created a hero that suited Takeda as producer, he wished to have the film also suit Anno as director. Yamaga believed that Anno's personal template for a hero was Ultraman ; in 1983 the two had made an amateur Ultraman movie together while at Daicon Film . However, Yamaga also viewed Takeda's "cool hero" approach as not
10349-458: The game, there are various event scenes that offer clues about the player's daughter's past, not to mention the war between humans and non-humans and her demonic roots. This is probably what differentiates it the most from previous PM games. Another change is that most of the vice-related jobs are less "adult-oriented" as it is impossible for the daughter to receive less reputable jobs such as Cabaret Dancing or as an assassin. The story begins when
10480-609: The genitive particle ga remains in intentionally archaic speech. Early Middle Japanese is the Japanese of the Heian period , from 794 to 1185. It formed the basis for the literary standard of Classical Japanese , which remained in common use until the early 20th century. During this time, Japanese underwent numerous phonological developments, in many cases instigated by an influx of Chinese loanwords . These included phonemic length distinction for both consonants and vowels , palatal consonants (e.g. kya ) and labial consonant clusters (e.g. kwa ), and closed syllables . This had
10611-459: The inability of Uru in Blue to find financing in Japan had prompted him to seek it in Singapore, as announced there in 2014. During a 2016 appearance at FicZone in Spain, Sadamoto acknowledged that the 2015 release date for Uru 's "Overture" pilot film had already passed: "As I said before, it's something that depends on money. In this case, I'm really committed to the movie, I just love it. It
10742-462: The issue; the magazine did so two years later during a talk conducted with Yamaga at FanimeCon in 1997. Yamaga characterized Okada's view of Aoki Uru (translated in the interview as Blue Uru ) as a misinterpretation: "As an otaku, he's the type of person who tries to get as much information as he can. He tries to find the minute details of a thing, and based on those details, he makes assumptions. That's where his mistakes come out." Streets of Fire
10873-458: The languages of the original Jōmon inhabitants, including the ancestor of the modern Ainu language . Because writing had yet to be introduced from China, there is no direct evidence, and anything that can be discerned about this period must be based on internal reconstruction from Old Japanese , or comparison with the Ryukyuan languages and Japanese dialects . The Chinese writing system
11004-449: The languages. Okinawan Japanese is a variant of Standard Japanese influenced by the Ryūkyūan languages, and is the primary dialect spoken among young people in the Ryukyu Islands . Modern Japanese has become prevalent nationwide (including the Ryūkyū islands) due to education , mass media , and an increase in mobility within Japan, as well as economic integration. Japanese is a member of
11135-427: The large quantity of English loanwords, modern Japanese has developed a distinction between [tɕi] and [ti] , and [dʑi] and [di] , with the latter in each pair only found in loanwords. Although Japanese is spoken almost exclusively in Japan, it has also been spoken outside of the country. Before and during World War II , through Japanese annexation of Taiwan and Korea , as well as partial occupation of China ,
11266-466: The main character drawn by Sadamoto; Yamaga remarked that this protagonist had "changed dramatically since the original conception back in 1992." The original Aoki Uru concept was intended to have no characters from Royal Space Force; Yamaga however suggested the possibility of their making cameos in Uru in Blue 's future setting, although the film would be set in an "entirely different nation" from
11397-411: The medieval world featured in the final game. This project was eventually abandoned due to Akai's health issues. However, the concept went on to be the basis of Princess Maker 5 , including the modern Japan setting and the fact that Cube can transform himself into a dog. Princess Maker 5 released for Windows in 2007. This 1995 game shares many similarities with Princess Maker 2 and was released for
11528-554: The only country where it is the national language , and within the Japanese diaspora worldwide. The Japonic family also includes the Ryukyuan languages and the variously classified Hachijō language . There have been many attempts to group the Japonic languages with other families such as the Ainu , Austronesian , Koreanic , and the now-discredited Altaic , but none of these proposals have gained any widespread acceptance. Little
11659-425: The only strict rule of word order is that the verb must be placed at the end of a sentence (possibly followed by sentence-end particles). This is because Japanese sentence elements are marked with particles that identify their grammatical functions. The basic sentence structure is topic–comment . For example, Kochira wa Tanaka-san desu ( こちらは田中さんです ). kochira ("this") is the topic of the sentence, indicated by
11790-465: The opening day of that year's Tokyo International Anime Fair , Gainax displayed a teaser poster for the Aoki Uru film listing Hiroyuki Yamaga as director and screenwriter and Yoshiyuki Sadamoto as character designer. Joined by artist Range Murata , Yamaga and Sadamoto discussed the project during a talk that evening hosted by Osamu Kobayashi at the event space Asagaya Loft A. The following September, Gainax announced on their Facebook page that
11921-470: The out-group gives a benefit to the in-group, and "up" to indicate the in-group gives a benefit to the out-group. Here, the in-group includes the speaker and the out-group does not, and their boundary depends on context. For example, oshiete moratta ( 教えてもらった ) (literally, "explaining got" with a benefit from the out-group to the in-group) means "[he/she/they] explained [it] to [me/us]". Similarly, oshiete ageta ( 教えてあげた ) (literally, "explaining gave" with
12052-415: The particle wa . The verb desu is a copula , commonly translated as "to be" or "it is" (though there are other verbs that can be translated as "to be"), though technically it holds no meaning and is used to give a sentence 'politeness'. As a phrase, Tanaka-san desu is the comment. This sentence literally translates to "As for this person, (it) is Mx Tanaka." Thus Japanese, like many other Asian languages,
12183-426: The player's daughter and hang out, which reduces her stress level and boosts certain personality status. School course is rather unusual as she may get a scholarship offer depending on her academic status. Unlike past installments, Princess Maker 4 was developed by GeneX, although Takami Akai (original series creator) remained on hand as a supervisor. This time, character illustrations were handled by Tenhiro Naoto,
12314-435: The player's status related to the course. All courses, save for church and fasting sessions, will offer a unique rival female character. If the status related to the course is high enough, the rival may offer her friendship. Once the friendship is forged, the rival character will bring present on the character's birthday that would boost up some of her status depending on what kind of gift it is. They also would occasionally visit
12445-452: The player, a soldier, falls in love with a mysterious woman. However, she disappears, only to be found by him a few years later. She hands him the child, whose default name is Patricia, along with Cube the butler, and so his quest to fatherhood begins. A Japanese PC version of Princess Maker 4 was released on July 28, 2006. It contains many more endings and events compared to the original. A PlayStation Portable version of Princess Maker 4
12576-404: The previous games where she was either happy, sick, or rebellious, the daughter's attitude can range from happy, to average, to worried, to spoiled. Her attitude will be determined based on both the player's job starting off (Merchant, Performer, Fallen Nobleman, Priest, Retired Knight, and Bard) and how well is she treated by the player during the game. There are 60 endings in this game ranging from
12707-593: The project was seeking to partner with possible production companies in Taiwan, South Korea, Singapore and the Middle East as well as Japan. Yamaga further related that Uru in Blue would not use the production committee system common to anime, but would instead pursue investors through a limited liability partnership based in Singapore; a budget of US$ 40 million was projected for the film, on which Yasuhiro Takeda would return to his original role as producer. During
12838-519: The project, including a multimedia proposal in the late 1990s, and the formal announcement of an English name for the film, Uru in Blue , at the 2013 Tokyo Anime Fair . In 2018, the Uru in Blue project was transferred from Gainax to Gaina , a different corporate entity and subsidiary of the Kinoshita Group, with the aim of a worldwide release of the film in 2022; an essay published at the end of 2022 described Yamaga as currently working on
12969-411: The project. Aoki Uru , a film proposal envisioned as a sequel to Royal Space Force , was first developed during a difficult period of transition for Gainax between 1991's Otaku no Video and the debut of Neon Genesis Evangelion in 1995; Hideaki Anno described this time in his life as being that of "a broken man who could do nothing for four years; a man who ran away for four years, one who
13100-481: The proposed larger Altaic family, or to various Southeast Asian languages , especially Austronesian . None of these proposals have gained wide acceptance (and the Altaic family itself is now considered controversial). As it stands, only the link to Ryukyuan has wide support. Other theories view the Japanese language as an early creole language formed through inputs from at least two distinct language groups, or as
13231-401: The qualities they wished to carry forward into a new generation of Gainax anime. Aoki Uru was to be set 50 years after Royal Space Force , on the reasoning that avoiding recurring characters or storylines from the original film would make the pitch easier for investors to understand. In a description by Sadamoto of the plot published in 1993, "Uru" was to be the name of the anime's protagonist,
13362-459: The same structure as affirmative sentences, but with intonation rising at the end. In the formal register, the question particle -ka is added. For example, ii desu ( いいです ) "It is OK" becomes ii desu-ka ( いいですか。 ) "Is it OK?". In a more informal tone sometimes the particle -no ( の ) is added instead to show a personal interest of the speaker: Dōshite konai-no? "Why aren't (you) coming?". Some simple queries are formed simply by mentioning
13493-597: The same team of art directors as Gunbuster , Masanori Kikuchi and Hiroshi Sasaki; the later Aoki Uru Frozen Designs Collection contained a listing of staff who had been confirmed to work on Aoki Uru as of the end of 1992, including Kazuya Tsurumaki and Takeshi Honda as animation directors working under Sadamoto, while Aoki Uru 's four technical directors included two of the three assistant directors of Royal Space Force (Shoichi Masuo and Shinji Higuchi ), Otaku no Video director Takeshi Mori , and manga artist and illustrator Kenji Tsuruta , who would later make
13624-456: The script was completed. The storyboard was created through a process that involved all the main staff going on a training retreat, where, in a series of meetings, they worked out a sequence of scenes for the entire film, from which Sadamoto then drew the complete storyboard. The exception to the process were the film's aerial action scenes, which were choreographed and then drawn for the storyboard by Anno. "Full-scale production work" on Aoki Uru
13755-487: The situation, but was dissuaded by Sawamura. The financial crisis associated with the halt on Aoki Uru led to what Takeda described as a "mass exodus" of staff from Gainax after Sawamura announced to employees that in the near-term future he could not guarantee meeting their payroll ; during this period Takeda's own salary was cut to the point where he could no longer afford an apartment, sending his wife, SF author Hiroe Suga , back to live with her parents while he slept in
13886-403: The staff of the 1992–93 anime project, as well as new ones contributed by artists including Neon Genesis Evangelion mecha designer Ikuto Yamashita , as well as Akira creator Katsuhiro Otomo and Maschinen Krieger creator Kow Yokoyama. The year following the release of the Aoki Uru add-ons for Microsoft Combat Flight Simulator , Gainax announced that Yamaga's next projects would be
14017-817: The state as at the time the constitution was written, many of the elders participating in the process had been educated in Japanese during the South Seas Mandate over the island shown by the 1958 census of the Trust Territory of the Pacific that found that 89% of Palauans born between 1914 and 1933 could speak and read Japanese, but as of the 2005 Palau census there were no residents of Angaur that spoke Japanese at home. Japanese dialects typically differ in terms of pitch accent , inflectional morphology , vocabulary , and particle usage. Some even differ in vowel and consonant inventories, although this
14148-481: The street. (grammatically incorrect insertion of a pronoun) But one can grammatically say essentially the same thing in Japanese: 驚いた彼は道を走っていった。 Transliteration: Odoroita kare wa michi o hashitte itta. (grammatically correct) This is partly because these words evolved from regular nouns, such as kimi "you" ( 君 "lord"), anata "you" ( あなた "that side, yonder"), and boku "I" ( 僕 "servant"). This
14279-405: The themes and circumstances surrounding the film project influenced the creation of Anno's TV anime series Neon Genesis Evangelion , the planning for which began in the same month that Aoki Uru was put on hold. In the years following 1993, Gainax has made occasional announcements regarding a revival of the Aoki Uru concept, this time to be directed by Yamaga, with Sadamoto remaining attached to
14410-604: The time of DJ Tsuyoshi (Tsuyoshi Suzuki), Takeshi Isogai, and Minoru Tsunoda. Yamaga, a fan of Tsuyoshi's Goa trance music style, felt that it had the ideal "sense of speed and rapturousness" for the planned Aoki Uru PlayStation game, and traveled to London to recruit the artist, who was then DJing at the club Return to the Source . In February and September 2000, Gainax released a first and second Aoki Uru Combat Flight Simulator Plane And Mission Module add-on for Microsoft Combat Flight Simulator utilizing plane designs from
14541-549: The topic with an interrogative intonation to call for the hearer's attention: Kore wa? "(What about) this?"; O-namae wa? ( お名前は? ) "(What's your) name?". Negatives are formed by inflecting the verb. For example, Pan o taberu ( パンを食べる。 ) "I will eat bread" or "I eat bread" becomes Pan o tabenai ( パンを食べない。 ) "I will not eat bread" or "I do not eat bread". Plain negative forms are i -adjectives (see below) and inflect as such, e.g. Pan o tabenakatta ( パンを食べなかった。 ) "I did not eat bread". Princess Maker The first of
14672-410: The traditional anime industry. I plan to preserve the traditional look of anime in the film." Yamaga maintained his goal was not to make an anime that looked 3-D , but rather to use the approach for "emphasizing a sense of depth in a two-dimensional format," mentioning that he was researching the programs PowerAnimator and LightWave 3D to develop Blue Uru . Yamaga characterized the staged nature of
14803-408: The truth, Aoki Uru had become something of a burden. I lacked motivation..." Takeda recalled. "I was just doing as I was told. Overall, I think I found producing Aoki Uru to be more of a chore than anything." The lack of progress on the project led Akai to threaten Takeda with severing "all ties with me, public and private," which led to a burst of effort toward satsfying Akai that Takeda compared to
14934-419: The two consonants are the moraic nasal followed by a homorganic consonant. Japanese also includes a pitch accent , which is not represented in moraic writing; for example [haꜜ.ɕi] ("chopsticks") and [ha.ɕiꜜ] ("bridge") are both spelled はし ( hashi ) , and are only differentiated by the tone contour. Japanese word order is classified as subject–object–verb . Unlike many Indo-European languages ,
15065-577: The two methods were both used in writing until the 1940s. Bungo still has some relevance for historians, literary scholars, and lawyers (many Japanese laws that survived World War II are still written in bungo , although there are ongoing efforts to modernize their language). Kōgo is the dominant method of both speaking and writing Japanese today, although bungo grammar and vocabulary are occasionally used in modern Japanese for effect. The 1982 state constitution of Angaur , Palau , names Japanese along with Palauan and English as an official language of
15196-480: The two terms (''hyōjungo'' and ''kyōtsūgo'') are almost the same. Hyōjungo or kyōtsūgo is a conception that forms the counterpart of dialect. This normative language was born after the Meiji Restoration ( 明治維新 , meiji ishin , 1868) from the language spoken in the higher-class areas of Tokyo (see Yamanote ). Hyōjungo is taught in schools and used on television and in official communications. It
15327-493: The typical ones like General and Hero, to some more distinctive like Gambler and Freelancer. There are also many "magical" endings, with not only the princess ending, but princess of darkness, cats, etc. She can also marry a variety of people. The player's daughter has a number of courses and jobs available, just like in Princess Maker 2 . The courses to enhance her status include regular school, ballet class or church. All courses, save for church and fasting sessions, will challenge
15458-407: The verb (e.g. yonde for earlier yomite ), the -k- in the final mora of adjectives drops out ( shiroi for earlier shiroki ); and some forms exist where modern standard Japanese has retained the earlier form (e.g. hayaku > hayau > hayɔɔ , where modern Japanese just has hayaku , though the alternative form is preserved in the standard greeting o-hayō gozaimasu "good morning"; this ending
15589-548: The world. Since Japanese first gained the consideration of linguists in the late 19th century, attempts have been made to show its genealogical relation to languages or language families such as Ainu , Korean , Chinese , Tibeto-Burman , Uralic , Altaic (or Ural-Altaic ), Austroasiatic , Austronesian and Dravidian . At the fringe, some linguists have even suggested a link to Indo-European languages , including Greek , or to Sumerian . Main modern theories try to link Japanese either to northern Asian languages, like Korean or
15720-504: Was acquired by the Kinoshita Group, a conglomerate known largely for its housing and real estate business, but which currently manages the festival Tokyo Filmex , and whose distribution arm, Kino Films, releases around 15 movies yearly. Renamed Gaina , the anime division of the former Fukushima Gainax was relocated to Koganei in Tokyo. The following September, Gaina announced that it would take over production on Uru in Blue , "aiming for
15851-448: Was Gainax's involvement with anime that gave it its foothold in the gaming industry. Takeda related an occurrence where Hiroyuki Yamaga had stormed out of a planning session on the studio's future after Okada arrived at the meeting to announce he would not resign, saying, "I can't even talk with him in the same room." In a 1995 interview, Okada recalled having discussed with Yamaga a different sequel concept from Aoki Uru while attending
15982-539: Was based on 12- to 20-second-long recordings of 135 to 244 phonemes , which 42 students listened to and translated word-for-word. The listeners were all Keio University students who grew up in the Kanto region . There are some language islands in mountain villages or isolated islands such as Hachijō-jima island , whose dialects are descended from Eastern Old Japanese . Dialects of the Kansai region are spoken or known by many Japanese, and Osaka dialect in particular
16113-652: Was described as having begun in January 1993; by the end of the next six months Gainax had created over a thousand pieces of design art. In addition to the 338 images made for the film's storyboard, 50 pages of drawings were produced for the film's characters, 120 on its mecha, 30 on its "props" (small devices), 90 on its "art settings" (line drawings of an anime's "set designs" from which the actual background paintings are made), 21 "image boards" of concept art , and 370 "color boards," paintings representing concepts for how scenes should be colored. The CD-ROM introduction noted that
16244-500: Was described by Yamaga as a conceptual inspiration for Aoki Uru , based on Takeda's fondness for the American movie and Yamaga's desire to motivate him as a producer, but only in the basic terms, said Yamaga, of "a cool hero goes to rescue the girl he loves...that was something Anno and Takeda were going to do. But now things have changed, and I'm doing Blue Uru , and that idea has been sort of swept away. From all that, I realize that
16375-735: Was imported to Japan from Baekje around the start of the fifth century, alongside Buddhism. The earliest texts were written in Classical Chinese , although some of these were likely intended to be read as Japanese using the kanbun method, and show influences of Japanese grammar such as Japanese word order. The earliest text, the Kojiki , dates to the early eighth century, and was written entirely in Chinese characters, which are used to represent, at different times, Chinese, kanbun , and Old Japanese. As in other texts from this period,
16506-474: Was lost immediately following its composition.) This set of morae shrank to 67 in Early Middle Japanese , though some were added through Chinese influence. Man'yōgana also has a symbol for /je/ , which merges with /e/ before the end of the period. Several fossilizations of Old Japanese grammatical elements remain in the modern language – the genitive particle tsu (superseded by modern no )
16637-476: Was released for the PlayStation , Windows , Dreamcast (as a collection with Princess Maker 2) and Sega Saturn . In 2019, the HD remake of the game was released on Nintendo Switch and PC. In Princess Maker 3 , the daughter is a young faery who desires to become a human princess. The player's task is to help her reach adulthood. In this version, everything said to the player's daughter and done will help determine
16768-476: Was released in Japan on October 12, 2006. A Nintendo DS version of it was released with a few more endings and "extras" not released in the PC version. These extras are, like ending galleries, only accessible after finishing the first ending and credit sequence. Earlier, there was an entirely different Princess Maker 4 in the works. Under development at Ninelives, the game was to take place in modern Tokyo rather than
16899-572: Was simply not dead." Although original company president Toshio Okada 's involvement with his studio's creators stretched back more than a decade, as co-founder of both Gainax and its associated merchandising company General Products, as well as having personally provided the startup funding for Gainax predecessor Daicon Film , Yasuhiro Takeda described him as by 1991 having become a "hindrance" to Gainax creating "new and better anime." Okada had suggested that Gainax stop making anime in favor of its profitable PC games , whereas Takami Akai argued that it
17030-647: Was something more than just transposing one show's theme onto another. I really think Anno inherited something from Aoki Uru —the determination not to run away from problems—and what we saw in Evangelion was maybe just a reflection of those feelings. In the years since the initial attempt to make Aoki Uru , Gainax has made periodic efforts to relaunch the project. Visiting the United States for Anime Expo 1996 shortly after Evangelion first aired on Japanese television, Hideaki Anno remarked, "Hiroyuki Yamaga
17161-508: Was to be directed by Anno and written by Yamaga, who had completed the first of the planned four acts in the script; its primary mecha designs were drawn by Shirow Masamune , creator of Ghost in the Shell , and Kazutaka Miyatake of Studio Nue ; although well known for his work on Macross , Miyatake had also designed several of the space battleships in Gunbuster . Aoki Uru was to use
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