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Top R&B/Hip-Hop Albums

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Top R&B/Hip-Hop Albums is a music chart published weekly by Billboard magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Luminate . The chart debuted as Hot R&B LPs in the issue dated January 30, 1965, in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade.

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130-503: From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account for overall album sales. The core panel of stores continued to be monitored with

260-412: A call and response between the lead and backing vocalists , an especially tense vocal sound, and occasional improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul music dominated the U.S. R&B charts in the 1960s, and many recordings crossed over into the pop charts in

390-580: A coronary thrombosis at the age of 32. Holland–Dozier–Holland left Motown in early 1968 after a dispute with the label over royalties and profit sharing. From "Reflections" in 1967 to "The Weight" in 1969, only six out of the eleven released singles reached the Top 20; 1968's " Love Child " made it to number one. Due to the tension within the group and stringent touring schedules, neither Mary Wilson nor Cindy Birdsong appear on many of these singles; they were replaced on these recordings by session singers such as

520-409: A " Third British Invasion " or "British Soul Invasion" in the 2000s and 2010s. Neo soul is a blend of 1970s soul-style vocals and instrumentation with contemporary R&B sounds, hip-hop beats, and poetic interludes. The style was developed in the early to mid-1990s, and the term was coined in the early 1990s by producer and record label executive Kedar Massenburg . A key element in neo-soul

650-534: A Detroit singing group known as the Primes . Ballard sang, as did Paul Williams' girlfriend Betty McGlown , so Milton Jenkins, the Primes's manager, decided to create a sister group to be called the Primettes. Ballard recruited her best friend Mary Wilson , and then Paul Williams recruited Diana Ross . Mentored and funded by Jenkins, the Primettes began by performing hit songs of artists such as Ray Charles and

780-575: A Diana Ross & the Supremes single, despite the fact that neither Wilson nor Birdsong sang on the record. "Someday We'll Be Together" hit number one on the American pop charts, becoming not only the Supremes' 12th and final number-one hit, but also the final number-one hit of the 1960s. This single also would mark the Supremes' final television appearance together with Ross, performing on The Ed Sullivan Show on December 21, 1969. Diana Ross &

910-634: A Thousand Dances ") and Thee Midniters played brown-eyed R&B music with a rebellious rock and roll edge. Many of these artists drew from the frat rock and garage rock scenes. However, the large Hispanic population on the West Coast began gradually moving away from energetic R&B to romantic soul, and the results were "some of the sweetest soul music heard during the late 1960s and 1970s." The Supremes The Supremes were an American girl group formed in Detroit , Michigan in 1959 as

1040-401: A Woman ". Singer Bobby Womack said, "Ray was the genius. He turned the world onto soul music." Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style. Little Richard , who inspired Otis Redding , and James Brown both were equally influential. Brown was nicknamed the "Godfather of Soul Music", and Richard proclaimed himself as

1170-404: A better opportunity with another company comes along we'll seriously consider it.' Between the 1973 departures of Laurence and Terrell and the first Supremes single with Scherrie Payne, "He's My Man", a disco single on which Payne and Wilson shared lead vocal, Motown was slow in producing contracts for Payne and the returning Birdsong. Before the release of the album in 1975, the Supremes remained

1300-466: A close friendship. Wilson, while outwardly demure and neutral in hopes of keeping the group stable, privately advised Ballard that Ross and Gordy were eager to oust Ballard. By 1967, Ballard would not show up for recording dates, or would arrive at shows too inebriated to perform. For some early 1967 shows, she was replaced by Marlene Barrow (a member of the Motown backup group The Andantes ). Looking for

1430-501: A diplomat until 1944 when his father died, founded Atlantic Records in 1947 with his friend Herb Abramson . Ertegun wrote many songs for Ray Charles and the Clovers . He even sang backup vocals for his artist Big Joe Turner on the song, "Shake Rattle and Roll". Dominated by Berry Gordy 's Motown Records empire, Detroit's soul is strongly rhythmic and influenced by gospel music. The Motown sound often includes hand clapping ,

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1560-494: A distinctive New Orleans soul sound that generated a passel of national hits. Other notable New Orleans hits came from Robert Parker, Betty Harris , and Aaron Neville . While record labels in New Orleans largely disappeared by the mid-1960s, producers in the city continued to record New Orleans soul artists for other mainly New York City and Los Angeles–based record labels—notably Lee Dorsey for New York-based Amy Records and

1690-548: A distinctive sound, which included putting vocals further back in the mix than most contemporary R&B records, using vibrant horn parts in place of background vocals, and a focus on the low end of the frequency spectrum. The vast majority of Stax releases were backed by house bands Booker T & the MGs (with Booker T. Jones , Steve Cropper , Duck Dunn , and Al Jackson ) and the Memphis Horns (the splinter horn section of

1820-555: A family; her replacement was Lynda Laurence , a former member of Stevie Wonder 's backup group, Third Generation (a predecessor to Wonderlove). Jimmy Webb was hired to produce the group's next LP, The Supremes Produced and Arranged by Jimmy Webb , but the album and its only single "I Guess I'll Miss the Man" failed to make an impact on the Billboard pop chart, with the single peaking at number 85 on November 24, 1972. In early 1973,

1950-655: A few months, guitarist Marvin Tarplin was added to the Primettes' lineup—a move that helped distinguish the group from Detroit's many other aspiring acts by allowing them to sing live instead of lip-synching . After winning the Windsor–Detroit International Freedom Festival on July 4, 1960, the Primettes' sights were set on making a record. In hopes of getting the group signed to the local upstart Motown label, in 1960 Ross asked an old neighbor, Miracles lead singer Smokey Robinson , to help

2080-648: A franchise that saw the creation of a record label ( Soul Train Records ) that distributed music by the Whispers , Carrie Lucas , and an up-and-coming group known as Shalamar . Numerous disputes led to Cornelius spinning off the record label to his talent booker, Dick Griffey , who transformed the label into Solar Records , itself a prominent soul music label throughout the 1980s. The TV series continued to air until 2006, although other predominantly African-American music genres such as hip-hop began overshadowing soul on

2210-494: A group known as The Sounds of the Supremes. Ragland asserts her affiliation with the Supremes based on her performances alongside Mary Wilson. However, she was never signed by Motown, her performances with Wilson occurred after the Supremes' disbandment in 1977, and she is not recognized as an official member of the Supremes. In 1996, Mary Wilson sued former group mates Kaaren Ragland, Hollis Paysuer, Scherrie Payne , Lynda Laurence , and their managers for trademark infringement of

2340-521: A huge impact on the pop and R&B charts and a huge direct influence on the birth of Funk music. The principal architect of Crescent City's soul was a songwriter, arranger, and producer Allen Toussaint . He worked with such artists as Irma Thomas ("the Soul Queen of New Orleans"), Jessie Hill, Chris Kenner , Benny Spellman, and Ernie K-Doe on the Minit/Instant label complex to produce

2470-693: A mid-April meeting, and Birdsong was brought in to begin rehearsals. Gordy did not fire Ballard outright at that time, asking Ballard instead to quit on her own. Birdsong first appeared with the Supremes in Ballard's place at a benefit concert at the Hollywood Bowl on April 29, 1967. Following the performance, Gordy quickly learned that Birdsong was still contractually committed to the Blue Belles when that group's lawyers filed an injunction against him. In May, Ballard returned for what she believed

2600-491: A more permanent replacement, Gordy once again thought of Barbara Randolph, possibly believing that Randolph could be groomed as lead singer for the group once it was decided to take Ross solo. However, Ross did not receive Randolph well. In April 1967, Gordy then contacted Cindy Birdsong , a member of Patti LaBelle & the Blue Belles who superficially resembled Ballard, with plans to bring her in as Ballard's replacement. He made his plans clear to Ballard and her group mates at

2730-470: A mostly black fanbase. By 1969, the label began plans for a Diana Ross solo career. A number of candidates—most notably Syreeta Wright —were considered to replace Ross. After seeing 24-year-old Jean Terrell perform with her brother Ernie in Florida, Berry Gordy decided on Ross' replacement. Terrell was signed to Motown and began recording the first post-Ross Supremes songs with Wilson and Birdsong during

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2860-522: A newfound sophisticated musicality and ambitious lyricism in black pop. Among these musicians were Sly Stone , Stevie Wonder , Marvin Gaye , Curtis Mayfield , and George Clinton . In discussing the progressive soul of the 1970s, Martin cites this period's albums from Wonder ( Talking Book , Innervisions , Songs in the Key of Life ), War ( All Day Music , The World Is a Ghetto , War Live ), and

2990-483: A popular live act, and continued touring overseas, particularly in the UK and Japan. The group's new recordings were not as successful as their earlier releases, although "He's My Man" from the album The Supremes was a popular disco hit in 1975. In 1976, Birdsong left again and was replaced by Susaye Greene , another former member of Wonderlove. This final version of the Supremes released two albums, both of which reunited

3120-548: A powerful bassline , strings , brass and vibraphone . Motown Records' house band was the Funk Brothers . AllMusic cites Motown as the pioneering label of pop-soul, a style of soul music with raw vocals, but polished production and toned-down subject matter intended for pop radio and crossover success. Artists of this style included Diana Ross , the Jackson 5 , Stevie Wonder , and Billy Preston . Popular during

3250-482: A result, the Supremes became one of the first black musical acts to achieve complete and sustained crossover success. Black rock and roll musicians of the 1950s had seen many of their original hit tunes covered by white musicians, with these covers usually achieving more fame and sales success than the originals. The Supremes' success, however, counteracted this trend. Featuring three group members who were marketed for their individual personalities (a move unprecedented at

3380-547: A resurgence in the mid-to late 1990s with the subgenre neo soul , which incorporated modern production elements and hip hop influences. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to new styles of music that boasted pride in being black. Soul music primarily combines elements of gospel, R&B and jazz . Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are

3510-405: A series of soul ballads characterized by unabashedly sentimental lyrics usually begging forgiveness or asking a girlfriend to come home... He soon became known as "Mr. Pitiful" and earned a reputation as the leading performer of soul ballads. The most important female soul singer to emerge was Aretha Franklin , originally a gospel singer who began to make secular recordings in 1960 but whose career

3640-569: A solo career and was replaced by Jean Terrell , and the group's name was reverted to the Supremes. During the mid-1970s, the lineup continued to change with Lynda Laurence , Scherrie Payne and Susaye Greene joining until the group, 18 years after its formation, disbanded in 1977. In Detroit in 1958, Florence Ballard , a junior high school student living in the Brewster-Douglass Housing Projects , met Paul Williams and Eddie Kendricks , who were two members of

3770-408: A solo career, with Payne and Greene selecting Joyce Vincent to round out the trio as a new third member. Instead, Motown decided that without any original members, the Supremes would be disbanded. Several fictional works have been published and produced that are based in part on the career of the group. The 1976 film Sparkle features the story of a Supremes-like singing trio called "Sister &

3900-520: A solo career. Wilson hired Kaaren Ragland, Karen Jackson, and Debbie Sharpe, to perform as background singers during concert tours in the United Kingdom , Europe , South East Asia , and Australia . They performed with Wilson from 1978 through the mid-1980s, aiding her in fulfilling contractual obligations related to The Supremes and avoiding potential legal action from Motown, as Wilson detailed in her 1990 book. In 1989, Kaaren Ragland founded

4030-569: A sound, it’s also a look. It comes with fashion that breaks barriers and shows creativity. The whole aesthetic is art, from the sound to the look. Neo-soul is a blend of music and culture and its impact in the music industry is timeless. Its impact can still be seen and felt across many genres and artists. Northern soul is a music and dance movement that emerged in the late 1960s out of the British mod subculture in Northern England and

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4160-491: A successful pop music career. Furthermore, his 1962 recording of " Bring It On Home To Me " has been described as "perhaps the first record to define the soul experience". Jackie Wilson, a contemporary of both Cooke and James Brown, also achieved crossover success, especially with his 1957 hit " Reet Petite ". He even was particularly influential for his dramatic delivery and performances. Husband-wife duo Ike & Tina Turner emerged as "leading exponents" of soul music in

4290-454: Is R&B or soul music performed by white artists. The meaning of blue-eyed soul has evolved over the decades. Originally the term was associated with mid-1960s white artists who performed soul and R&B that was similar to the music released by Motown Records and Stax Records . The Righteous Brothers, the Rascals , Spencer Davis Group, Steve Winwood , Van Morrison & Them, and

4420-525: Is brown-eyed soul , or soul music or R&B created and performed mainly by Latinos in Southern California during the 1960s, continuing through to the early 1980s. The genre of soul music occasionally draws from Latin , and often contains rock music influences. This contrasts with blue-eyed soul, soul music performed by non-Hispanic white artists. Ritchie Valens , one of the original pioneers of brown-eyed soul music, also became one of

4550-408: Is a heavy dose of Fender Rhodes or Wurlitzer electric piano "pads" over a mellow, grooving interplay between the drums (usually with a rim shot snare sound) and a muted, deep funky bass. The Fender Rhodes piano sound gives the music a warm, organic character. Notable artists include Jill Scott, Lauryn Hill, and Erykah Badu. Also newer artists like H.E.R and Sza are influenced by Neo Soul. Neo Soul

4680-399: Is full of deep lyrics and soulful sounds that resonate with listeners. Neo Soul has had a lasting impact on the music industry, Along with a deep soulful sound, it also includes very soulful lyrics that touch on topics of love and even loss. This genre comes from African American culture and is connected to genres like gospel and blues. Fashion is also very important to this genre. It’s not just

4810-563: The English Midlands , based on a particular style of soul music with a heavy beat and fast tempo. The phrase northern soul was coined by a journalist Dave Godin and popularised through his column in Blues and Soul magazine. The rare soul records were played by DJs at nightclubs , and included obscure 1960s and early 1970s American recordings with an uptempo beat, such as those on Motown and smaller labels, not necessarily from

4940-566: The Former Ladies of the Supremes , or FLOS. When Terrell quit in 1992, Sundray Tucker , Laurence's sister, stepped in for a short time, but was replaced by Freddi Poole in 1996. More recently in September 2009, Poole was replaced by Joyce Vincent , formerly of Tony Orlando and Dawn . In 2017, Laurence left and was replaced by Greene. In 1977, last original and founding member Mary Wilson decided to disband The Supremes and forge

5070-531: The Hot R&;B LP's . On August 23, 1969, Billboard renamed both singles and albums contingents of the R&;B charts as Soul charts; the albums chart was first called Best Selling Soul LP's and then from July 14, 1973, simply Soul LP's . On June 26, 1982, the singles and album charts were renamed again as Black Singles and Black LPs respectively. With Billboard's overhaul of its charts on October 20, 1984,

5200-680: The Northern United States . Many artists in various genres of electronic music (such as house , drum n bass , UK garage , and downtempo ) are heavily influenced by soul, and have produced many soul-inspired compositions. The impact of soul music was manifold; internationally, white and other non-black musicians were influenced by soul music. British soul and Northern soul , rare soul music played by DJs at nightclubs in Northern England, are examples. Several terms were introduced, such as " blue-eyed soul ", which

5330-588: The Tony Award -winning musical Dreamgirls opened at the Imperial Theatre on Broadway and ran for 1,522 performances. The musical, loosely based on the history of the Supremes, follows the story of the Dreams, an all-female singing trio from Chicago who become music superstars. Several of the characters in the play are analogues of real-life Supremes/Motown counterparts, with the story focusing upon

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5460-562: The " Motown sound ", a more rhythmic and pop -friendly style that originated from the eponymous label; Southern soul , a driving, energetic variety combining R&B with southern gospel music influences; Memphis soul , a shimmering, sultry style; New Orleans soul , which emerged from the rhythm and blues style; Chicago soul , a lighter gospel-influenced sound; and Philadelphia soul , a lush orchestral variety with doo-wop -inspired vocals. Soul music has its roots in traditional African-American gospel music and rhythm and blues and as

5590-440: The "100 Greatest Artists of All Time". The Supremes are notable for the influences they have had on black girl groups who have succeeded them in popular music, such as The Three Degrees , The Emotions , The Pointer Sisters , En Vogue , TLC , Destiny's Child and Cleopatra . " The Beatles were there," said Madonna of her childhood, "but I was more eager about The Supremes. I was really into girl groups." Fan interest made

5720-493: The "King of Rockin' and Rollin', Rhythm and Blues Soulin ' ", because his music embodied elements of all three, and since he inspired artists in all three genres. Sam Cooke and Jackie Wilson also are often acknowledged as soul forefathers. Cooke became popular as the lead singer of the gospel group the Soul Stirrers , before controversially moving into secular music. His recording of " You Send Me " in 1957 launched

5850-524: The "first clear evidence of soul music shows up with the "5" Royales , an ex-gospel group that turned to R&B and in Faye Adams , whose "Shake A Hand" becomes an R&B standard". Important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter , Hank Ballard , and Etta James . Ray Charles is often cited as popularizing the soul music genre with his series of hits, starting with 1954's " I Got

5980-505: The 1940s and '50s occasionally used the term as part of their names. The jazz style that originated from gospel became known as soul jazz . As singers and arrangers began using techniques from both gospel and soul jazz in African-American popular music during the 1960s, soul music gradually functioned as an umbrella term for African-American popular music at the time. According to the Acoustic Music Organization,

6110-603: The 1960s which were unable to connect with the mainstream market. Nevertheless, soul has been a major influence on British popular music since the 1960s including bands of the British Invasion , most significantly the Beatles . There were a handful of significant British blue-eyed soul acts, including Dusty Springfield and Tom Jones . In the 1970s Carl Douglas , the Real Thing and Delegation had hits in

6240-615: The 1960s, the style became glossier during the 1970s and led to disco . In the late 2000s, the style was revisited by contemporary soul singers such as Amy Winehouse , Raphael Saadiq (specifically his 2008 album The Way I See It ) and Solange Knowles (her 2008 album Sol-Angel and the Hadley St. Dreams ). The terms "deep soul" and "Southern soul" generally refer to a driving, energetic soul style combining R&B 's energy with pulsating southern United States gospel music sounds. Memphis, Tennessee , label Stax Records nurtured

6370-711: The 1960s. Their debut single " A Fool in Love " crossed over to the pop charts in 1960. They earned a Grammy nomination for their song " It's Gonna Work Out Fine " in 1962. Along with the Kings of Rhythm and the Ikettes , they toured the Chitlin’ Circuit as the Ike & Tina Turner Revue. Writer Peter Guralnick is among those to identify Solomon Burke as a key figure in the emergence of soul music, and Atlantic Records as

6500-549: The Andantes . The changes within the group and their decreasing sales were signs of changes within the music industry. The gospel -based soul of female performers such as Aretha Franklin had eclipsed the Supremes' pop-based sound, which had by now evolved to include more middle-of-the-road material. In a cultural climate now influenced more than ever by countercultural movements such as the Black Panther Party ,

6630-814: The Dells and Billy Stewart . Curtis Mayfield not only scored many hits with his group, the Impressions , but wrote many hit songs for Chicago artists and produced hits on his own labels for the Fascinations , Major Lance , and the Five Stairsteps . Based primarily in the Philadelphia International record label, Philadelphia soul (or Philly Soul) had lush string and horn arrangements and doo-wop -inspired vocals. Thom Bell , and Kenneth Gamble & Leon Huff are considered

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6760-833: The Distants and would soon sign to Motown as the Temptations . Gordy gave Ballard a list of names to choose from that included suggestions such as "the Darleens", "the Sweet Ps", "the Melodees", "the Royaltones" and "the Jewelettes". Ballard chose another suggestion, "the Supremes". In the spring of 1962, Martin left the group to start a family. Thus, the newly named Supremes continued as a trio. Between 1961 and 1963,

6890-626: The Drifters at sock hops , social clubs and talent shows around the Detroit area. Receiving additional guidance from group friend and established songwriter Jesse Greer , the quartet quickly earned a local fan following. The group crafted an age-appropriate style that was inspired by the collegiate dress of popular doo-wop group Frankie Lymon & the Teenagers . For the most part, Ballard, Ross and Wilson performed equal leads on songs. Within

7020-536: The Florence Ballard doppelgänger Effie White. While influenced by the Supremes' and Motown's music, the songs in the play are a broader mix of R&B/soul and Broadway music. Mary Wilson loved the musical, but Diana Ross was reportedly angered by it and refused to see it. The Supremes were twice nominated for a Grammy Award —for Best Rhythm & Blues Recording ("Baby Love", 1965) and Best Contemporary Rock & Roll Group Vocal Performance ("Stop! In

7150-694: The Grass Roots were famous blue-eyed soul musicians in the 1960s. The term continued to be used in the 1970s and 1980s, particularly by the British media to refer to a new generation of singers who adopted elements of the Stax and Motown sounds. To a lesser extent, the term has been applied to singers in other music genres that are influenced by soul music. Artists like Hall & Oates , David Bowie , Teena Marie , Hamilton, Joe Frank & Reynolds , Frankie Valli , Christina Aguilera , Amy Winehouse and Adele are known as blue-eyed soul singers. Another term

7280-534: The Isley Brothers ( 3 + 3 ). Isaac Hayes 's 1969 recording of " Walk on By " is considered a "classic" of prog-soul, according to City Pages journalist Jay Boller. Later prog-soul music includes recordings by Prince , Peter Gabriel , Meshell Ndegeocello , Joi , Bilal , Dwele , Anthony David , Janelle Monáe , and the Soulquarians , an experimental black-music collective active during

7410-579: The Ladder to the Roof " (US number 10, UK number 6), " Stoned Love " (US number 7, UK number 3) and " Nathan Jones " (US number 16, UK number 5), all of which were produced by Frank Wilson . These three singles were also R&B Top Ten hits, with "Stoned Love" becoming their last No.1 R&B hit in December 1970. Songwriting/production team Nickolas Ashford & Valerie Simpson produced another Top 20 hit for

7540-538: The Mar-Keys , trumpeter Wayne Jackson and saxophonist Andrew Love ). "Memphis soul" is a shimmering, sultry style of soul music produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee . It featured melancholic and melodic horns, Hammond organ , bass, and drums, as heard in recordings by Hi's Al Green and Stax's Booker T. & the M.G.'s . The latter group also sometimes played in

7670-829: The Meters . More versatile groups such as War , the Commodores , and Earth, Wind and Fire became popular around this time. During the 1970s, some slick and commercial blue-eyed soul acts like Philadelphia's Hall & Oates and Oakland's Tower of Power achieved mainstream success, as did a new generation of street-corner harmony or "city-soul" groups such as the Delfonics and the historically black Howard University 's Unifics . The syndicated music/dance variety television series Soul Train , hosted by Chicago native Don Cornelius , debuted in 1971. The show provided an outlet for soul music for several decades, also spawning

7800-476: The Meters for New York–based Josie and then LA-based Reprise. Chicago soul generally had a light gospel-influenced sound, but the large number of record labels based in the city tended to produce a more diverse sound than other cities. Vee Jay Records , which lasted until 1966, produced recordings by Jerry Butler , Betty Everett , Dee Clark , and Gene Chandler . Chess Records , mainly a blues and rock and roll label, produced several major soul artists, including

7930-685: The Name of Love" and "You Can't Hurry Love" are among the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. The Ross-Wilson-Ballard lineup was inducted into the Rock and Roll Hall of Fame in 1988, received a star on the Hollywood Walk of Fame in 1994, and entered into the Vocal Group Hall of Fame in 1998. In 2004, Rolling Stone placed the group at number 97 on their list of

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8060-471: The Name of Love", 1966)—but never won an award in competition. Three of their songs were added to the Grammy Hall of Fame : "Where Did Our Love Go" and "You Keep Me Hangin' On" (both 1999) and "Stop! In the Name of Love" (2001). The group (Ross, Wilson and Ballard) was named as one of eight recipients to receive a Grammy Lifetime Achievement Award at the 65th Annual Grammy Awards in 2023. "Stop! In

8190-587: The Primettes . A premier act of Motown Records during the 1960s, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band , with 12 number-one singles on the Billboard Hot 100 . Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland . Their breakthrough is considered to have made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked

8320-450: The Primettes frequented his Hitsville U.S.A. recording studio. Eventually, they convinced Gordy to allow them to contribute hand claps and background vocals for the songs of other Motown artists including Marvin Gaye and Mary Wells . In January 1961, Gordy finally relented and agreed to sign them to his label – but under the condition that they change the name of their group. The Primes had by this time combined with Otis Williams &

8450-407: The Primettes recorded a single for Lu Pine Records , a label created just for them, titled " Tears of Sorrow ", which was backed with " Pretty Baby ". The single failed to find an audience, however. Shortly thereafter, McGlown became engaged and left the group. Barbara Martin was McGlown's prompt replacement. Determined to leave an impression on Gordy and join the stable of rising Motown stars,

8580-646: The Sisters" from Harlem , New York. The film's score was composed by Curtis Mayfield , and the soundtrack album by Aretha Franklin was a commercial success. A remake of Sparkle was in development in the early 2000s with R&B singer Aaliyah as the lead, but the project was shelved when Aaliyah died in 2001. The Sparkle remake was eventually released in August 2012 and starred Jordin Sparks and Whitney Houston , in her final film role. On December 21, 1981,

8710-693: The Stevie Wonder-produced " Bad Weather " peaked at number 87 on the US pop charts and number 37 in the UK. Laurence left to start a family, so Cindy Birdsong returned to the group. Dismayed by this poor-performing record and the lack of promotional support from Motown, Jean Terrell left the group and was replaced by Scherrie Payne , the sister of Invictus Records recording artist Freda Payne . The group's strained relationship with Motown continued; Birdsong told journalist Peter McDonald in 1974 that 'we've had problems with Motown... at this point if

8840-428: The Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard , Mary Wilson , Diana Ross , and Betty McGlown , the original members, were all from the Brewster-Douglass public housing project in Detroit. Forming as the Primettes, they were the sister act to the Primes (with Paul Williams and Eddie Kendricks , who went on to form the Temptations ). Barbara Martin replaced McGlown in 1960, and

8970-420: The Supremes formed as the Primettes, "no one could have predicted they would become the most successful American singing group of all time." Problems within the group and within Motown Records' stable of performers led to tension among the members of the Supremes. Many of the other Motown performers felt that Berry Gordy was lavishing too much attention upon the group and upon Ross, in particular. In early 1967,

9100-399: The Supremes found themselves attacked for not being "black enough", and lost ground in the black music market. In mid-1968, Motown initiated a number of high-profile collaborations for the Supremes with their old colleagues, the Temptations. Besides the fact that both groups had come up together, the pairings made financial sense: the Supremes had a mostly white fanbase, while the Temptations

9230-462: The Supremes gave their final performance on January 14, 1970, at the Frontier Hotel in Las Vegas. A live recording of the performance was released later that year in a double-LP box set titled Farewell . At the final performance, the replacement for Diana Ross, Jean Terrell, was introduced. According to Mary Wilson, after this performance, Berry Gordy wanted to replace Terrell with Syreeta Wright . Wilson refused, leading to Gordy stating that he

9360-462: The Supremes released six singles, starting with " I Want a Guy " and " Buttered Popcorn " on Motown subsidiary label Tamla . However, none of those first six singles charted in the Top 40 positions of the Billboard Hot 100 . Jokingly referred to as the "no-hit Supremes" around Motown's Hitsville U.S.A. offices, the group attempted to compensate for their lack of hits by taking on any work available at

9490-588: The Supremes with Holland-Dozier-Holland: High Energy , which includes Birdsong on all of the tracks, and Mary, Scherrie & Susaye . In 1976, the Supremes released " I'm Gonna Let My Heart Do the Walking ", their final Top 40 hit on the Billboard  Hot 100. On June 12, 1977, the Supremes performed their farewell concert at the Drury Lane Theater in London as Wilson made her exit for

9620-447: The Supremes, like all of his performers, to be equally appealing to black and white audiences. Publications such as Time and The Detroit News commented on the Supremes' polished presentation. In a May 1965 profile of rock music, Time called the Supremes "the reigning female rock 'n' roll group" and said that Ross "is greatly envied for the torchy, come-hither purr in her voice." Arnold S. Hirsch of The Detroit News said about

9750-502: The Supremes: "they don't scream or wail incoherently. An adult can understand nine out of every 10 words they sing. And, most astounding, melody can be clearly detected in every song." Encyclopedia Britannica commented that the Supremes' hit singles "sounded modern, upwardly mobile, and stylishly sensual in a way that appealed equally to adults and teens of all persuasions." By 1965, the Supremes were international stars. They toured

9880-451: The Temptations renamed as "David Ruffin & the Temptations", although Gordy maintained that because they would be providing two acts, a lead singer and a group, Motown could demand more money for live bookings. The Supremes' name change fueled already present rumors of a solo career for Ross and contributed to the professional and personal dismantling of the group. In fact, Gordy intended to replace Ross with Barbara Randolph as early as

10010-682: The Top Rap Albums chart on the weekend of June 26, 2004, although its first publication on print commenced on the week of November 20, 2004. Pop Smoke 's posthumous debut, Shoot for the Stars, Aim for the Moon holds the record of most weeks at number one on the chart with twenty non-consecutive weeks. Soul music See also: Soul music is a popular music genre that originated in African-American communities throughout

10140-572: The U.S., United Kingdom, and elsewhere. Many prominent soul artists, including Ray Charles , Sam Cooke , Otis Redding , James Brown , Aretha Franklin , and various acts under the Motown label, such as The Supremes and The Temptations , were highly influential in the genre's development and all gained widespread popularity during this time. By 1968, the soul music genre had begun to splinter. Some soul artists moved to funk music, while other singers and groups developed slicker, more sophisticated, and in some cases more socially conscious varieties. By

10270-684: The U.S., including New York City, Detroit, Chicago, Memphis , New Orleans , Philadelphia , and Muscle Shoals, Alabama (the home of FAME Studios and Muscle Shoals Sound Studios ) became noted for different subgenres of the music and recording styles. By 1968, while at its peak of popularity, soul began to fragment into different subgenres. Artists such as James Brown and Sly and the Family Stone evolved into funk music, while other singers such as Marvin Gaye, Stevie Wonder, Curtis Mayfield and Al Green developed slicker, more sophisticated and in some cases more politically conscious varieties of

10400-492: The UK. American soul was extremely popular among some youth sub-cultures like the mod , Northern soul and modern soul movements, but a clear genre of British soul did not emerge until the 1980s when several artists including George Michael , Sade , Simply Red , Lisa Stansfield and Soul II Soul enjoyed commercial success. The popularity of British soul artists in the U.S., most notably Amy Winehouse , Adele , Estelle , Duffy , Joss Stone and Leona Lewis , led to talk of

10530-510: The US pop charts, much to the surprise and delight of the group. It was also their first song to appear on the UK singles chart, where it reached number three. "Where Did Our Love Go" was followed by four consecutive US number-one hits: " Baby Love " (which was also a number-one hit in the UK), " Come See About Me ", " Stop! In the Name of Love " and " Back in My Arms Again ". "Baby Love"

10660-489: The United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues . Soul music became popular for dancing and listening, and U.S. record labels such as Motown , Atlantic and Stax were influential in its proliferation during the civil rights movement . Soul also became popular worldwide, directly influencing rock music and the music of Africa . It had

10790-628: The Vandellas , and the Jackson Five . Hits were made using a quasi-industrial " production-line " approach. The producers and songwriters brought artistic sensitivity to the three-minute tunes. Brian Holland , Lamont Dozier and Eddie Holland were rarely out of the charts for their work as songwriters and record producers for the Supremes , the Four Tops and Martha and the Vandellas . They allowed important elements to shine through

10920-469: The advent of SoundScan technology in the early 1990s but was dissolved at the end of 2009 when the methodology of the chart changed to "recap overall album sales of current R&B/hip-hop titles." Billboard' s respective top R&B and rap albums charts, which respectively rank contemporary R&B and rap albums within their own charting positions, are consolidated into the overall Top R&B/Hip-Hop Albums chart. The chart debuted on January 30, 1965, as

11050-431: The chart became Top Black Albums . On October 27, 1990, the charts returned to the R&B designation ( Top R&B Albums , Hot R&B Singles). On December 11, 1999, Billboard renamed them again as Top R&B/Hip-Hop Albums and Hot R&B/Hip-Hop Singles & Tracks, in an effort to recognize the growing sales of hip hop music and the genre's influential relationship to contemporary R&B . Billboard began

11180-485: The day, while Wilson and Birdsong toured with Ross at night. At the same time, Ross began to make her first solo recordings. On November 2, 1969, Ross's solo career was first reported by the Detroit Free Press . " Someday We'll Be Together " was recorded with the intent of releasing it as the first solo single for Diana Ross. Desiring a final Supremes number-one record, Gordy instead had the song released as

11310-495: The day. They tended to have smaller ensembles marked by expressive gospel-tinged vocals. Brass and saxophones were also used extensively. Stax Records , founded by siblings Estelle and James Stewart, was the second most successful record label behind Motown Records . They were responsible for releasing hits by Otis Redding , Wilson Pickett , the Staple Singers , and many more. Ahmet Ertegun, who had anticipated being

11440-466: The dense musical texture. The rhythm was emphasized by handclaps or tambourine . Smokey Robinson was another writer and record producer who added lyrics to " The Tracks of My Tears " by his group the Miracles , which was one of the most important songs of the decade. Stax Records and Atlantic Records were independent labels that produced high-quality dance records featuring many well-known singers of

11570-635: The development of neo-soul around 1994. Berry Gordy 's successful Tamla/Motown group of labels was notable for being African-American owned, unlike most of the earlier independent R&B labels. Notable artists under this label were Gladys Knight & the Pips , the Supremes , the Temptations , the Miracles , the Four Tops , the Marvelettes , Mary Wells , Jr. Walker & the All-Stars , Stevie Wonder , Marvin Gaye , Tammi Terrell , Martha and

11700-439: The early 1970s, soul music had begun to absorb influences from psychedelic rock and progressive rock , among other genres, leading to the creation of psychedelic soul and progressive soul . Prominent soul artists of this era include Marvin Gaye , Stevie Wonder , Curtis Mayfield , Isaac Hayes , Al Green , and Bill Withers . Neo soul , which adopted hip hop influences, emerged around 1994. Other subgenres of soul include

11830-499: The evolution of soul music, although their recordings were considered more in a pop music vein than those of Redding, Franklin and Carr. Although stylistically different from classic soul music, recordings by Chicago -based artists are often considered part of the genre. By the early 1970s, soul music had been influenced by psychedelic rock and other genres. Artists like James Brown led soul towards funk music, which became typified by 1970s bands like Parliament-Funkadelic and

11960-423: The fall of 1966, but changed his mind and instead kept Ross in the group for several more years. As Ross became the focal point of the Supremes, Ballard suffered from depression and began to drink excessively, gaining weight until she could no longer comfortably wear many of her stage outfits. During this turbulent period, Ballard relied heavily upon the advice of group mate Mary Wilson, with whom she had maintained

12090-523: The first brown-eyed soul artists to bring traditional Latin music and rock and roll influences into the genre. Latino groups on the East and West Coast also drew from the funk -influenced Philadelphia soul, or "Philly" soul . The West Coast Latin rock scene continued to influence brown-eyed soul artists as well. Inspired by Valens, 1960s and 1970s bands such as Cannibal & the Headhunters (" Land of

12220-717: The founders of Philadelphia soul, which produced hits for Patti LaBelle , the O'Jays , the Intruders , the Three Degrees , the Delfonics , the Stylistics , Harold Melvin & the Blue Notes , and the Spinners . By the 1970s, African-American popular musicians had drawn from the conceptual album-oriented approach of the then-burgeoning progressive rock development. This progressive-soul development inspired

12350-476: The genre. However, soul music continued to evolve, informing most subsequent forms of R&B from the 1970s-onward, with pockets of musicians continuing to perform in traditional soul style. Mitchell's Hi Records continued in the Stax tradition of the previous decade, releasing a string of hits by Green, Ann Peebles , Otis Clay , O.V. Wright and Syl Johnson . Bobby Womack , who recorded with Chips Moman in

12480-676: The group also released The Supremes A' Go-Go , which on October 22 became the first album by an all-female group to reach number one on the US Billboard 200 , knocking the Beatles' Revolver out of the top spot. Because the Supremes were popular with white audiences as well as with black ones, Gordy had the group perform at renowned supper clubs such as the Copacabana in New York. Broadway and pop standards were incorporated into their repertoire alongside their own hit songs. As

12610-589: The group land an audition for Motown executive Berry Gordy , who had already proven himself a capable songwriter. Robinson liked "the girls" (as they were then known around Motown) and agreed to help, but he liked their guitarist even more; with the Primettes' permission he hired Tarplin, who became the guitarist for the Miracles. Robinson arranged for the Primettes to audition a cappella for Gordy—but Gordy, feeling they were too young and inexperienced to be recording artists, encouraged them to return when they had graduated from high school. Undaunted, later that year

12740-660: The group returned to the Flamingo Hotel in Las Vegas as "Diana Ross & the Supremes". The first two days of the Flamingo engagement went by smoothly. On July 1, when reporting for makeup and wardrobe before their first show of the evening, Ballard discovered an extra set of gowns and costumes that had been brought along for Cindy Birdsong. Angered, Ballard performed the first concert of the night inebriated, leading to an embarrassing on-stage incident in which her stomach

12870-475: The group signed with Motown the following year as the Supremes. Martin left the group in early 1962, and Ross, Ballard, and Wilson continued as a trio . During the mid-1960s, the Supremes achieved mainstream success with Ross as lead singer and Holland–Dozier–Holland as its songwriting and production team. In 1967, Motown president Berry Gordy renamed the group Diana Ross & the Supremes , and replaced Ballard with Cindy Birdsong . In 1970, Ross left to pursue

13000-510: The group's final top 10 single in the UK. On both "Floy Joy" and "Sunshine" Terrell shared lead with Mary Wilson. Motown, by then moving from Detroit to Los Angeles to break into motion pictures, put only limited effort into promoting the Supremes' new material, and their popularity and sales began to wane. Cindy Birdsong left the group in April 1972, after recording the Floy Joy album, to start

13130-526: The group, a Supremes/ Four Tops duet version of Ike & Tina Turner 's " River Deep – Mountain High ". In 1972, the Supremes had their last Top 20 hit single release, " Floy Joy ", written and produced by Smokey Robinson, followed by the final US Top 40 hit for the Jean Terrell-led version of the group, " Automatically Sunshine " (US number 37, UK number 10). "Automatically Sunshine" later became

13260-423: The harder-edged Southern soul style. The Hi Records house band ( Hi Rhythm Section ) and producer Willie Mitchell developed a surging soul style heard in the label's 1970s hit recordings. Some Stax recordings fit into this style but had their own unique sound. The New Orleans soul scene directly came out of the rhythm and blues era, when such artists as Little Richard , Fats Domino , and Huey Piano Smith made

13390-416: The hybridization of their respective religious and secular styles – in both lyrical content and instrumentation – that began in the 1950s. The term "soul" had been used among African-American musicians to emphasize the feeling of being an African-American in the United States. According to musicologist Barry Hansen , Though this hybrid produced a clutch of hits in the R&B market in the early 1950s, only

13520-410: The idea of a Supremes reunion tour a very profitable one during the 1980s. In 1982, around the time that Motown reunited all of the Temptations, it was rumored that Motown would reunite the Supremes. The 1974 line-up of the Supremes (Wilson, Birdsong and Payne) was considered for this reunion, which was to include new recordings and a tour. Under advisement from Berry Gordy, Wilson declined to reunite, and

13650-579: The idea was scrapped. Ross briefly reunited with Wilson and Birdsong to perform "Someday We'll Be Together" on the Motown 25: Yesterday, Today, Forever television special, taped on March 25, 1983, and broadcast on NBC on May 16, 1983. In 2000, plans were made for Ross to join Wilson and Birdsong for a planned "Diana Ross & the Supremes: Return to Love" reunion tour. However, Wilson passed on

13780-490: The idea, because while the promoters offered Ross $ 15 million to perform, Wilson was offered $ 4 million and Birdsong less than $ 1 million. Ross herself offered to double the amounts both Wilson and Birdsong had originally been offered, but while Birdsong accepted, Wilson remained adamant, and as a result the deal fell through with both former Supremes. Eventually, the "Return to Love" tour went on as scheduled, but with Payne and Laurence joining Ross, although none of

13910-419: The influence of psychedelic soul continued on and remained prevalent through the 1970s. In the early 1960s, small soul scenes began popping up around the UK. Liverpool in particular had an established black community from which artists such as Chants and Steve Aldo emerged and go on to record within the British music industry. As a result, many recordings were commercially released by British soul acts during

14040-544: The key record label . Burke's early 1960s songs, including " Cry to Me ", " Just Out of Reach " and "Down in the Valley" are considered classics of the genre. Guralnick wrote: Soul started, in a sense, with the 1961 success of Solomon Burke's "Just Out Of Reach". Ray Charles, of course, had already enjoyed enormous success (also on Atlantic), as had James Brown and Sam Cooke — primarily in a pop vein. Each of these singers, though, could be looked upon as an isolated phenomenon; it

14170-562: The late 1960s, continued to produce soul recordings in the 1970s and 1980s. In Detroit , producer Don Davis worked with Stax artists such as Johnnie Taylor and the Dramatics . Early 1970s recordings by the Detroit Emeralds , such as Do Me Right , are a link between soul and the later disco style. Motown Records artists such as Marvin Gaye , Michael Jackson , Stevie Wonder and Smokey Robinson contributed to

14300-418: The late 1990s and early 2000s. Psychedelic soul, sometimes known as "black rock", was a blend of psychedelic rock and soul music in the late 1960s, which paved the way for the mainstream emergence of funk music a few years later. Early pioneers of this subgenre of soul music include Jimi Hendrix , Sly and the Family Stone , Norman Whitfield , and Isaac Hayes . While psychedelic rock began its decline,

14430-540: The most adventurous white fans felt its impact at the time; the rest had to wait for the coming of soul music in the 1960s to feel the rush of rock and roll sung gospel-style. According to AllMusic, "Soul music was the result of the urbanization and commercialization of rhythm and blues in the '60s." The phrase "soul music" itself, referring to gospel-style music with secular lyrics, was first attested in 1961. The term "soul" in African-American parlance has connotations of African-American pride and culture. Gospel groups in

14560-433: The most successful acts in this era include Smokey Robinson, Jeffry Osbourne, Peabo Bryson , Chaka Khan , and Larry Graham . After the decline of disco and funk in the early 1980s, soul music became influenced by electro music . It became less raw and more slickly produced, resulting in a style is known as contemporary R&B , which sounded very different from the original rhythm and blues style. The United States saw

14690-428: The name of the act was officially changed briefly to "the Supremes with Diana Ross" before changing again to "Diana Ross & the Supremes" by mid-summer. The Miracles had become "Smokey Robinson & the Miracles" two years prior. The fall of 1967 saw Martha & the Vandellas become "Martha Reeves & the Vandellas". Having learned that Ross would receive top billing, David Ruffin lobbied, unsuccessfully, to have

14820-430: The next two years. In the spring of 1964, the Supremes recorded the single " Where Did Our Love Go ". The song was originally intended by Holland-Dozier-Holland for the Marvelettes , who rejected it. Although the Supremes disliked the song, the producers coerced them into recording it. In August 1964, while the Supremes toured as part of Dick Clark 's Caravan of Stars , "Where Did Our Love Go" reached number one on

14950-516: The opening night in Philadelphia and a sellout at Madison Square Garden in New York, it under performed in smaller/medium markets. The tour was canceled after playing only half of the dates on itinerary. With the death of Florence Ballard in 1976 and the death of Mary Wilson on February 8, 2021, there is no longer any possible reunion of the original classic lineup. In 1986, Jean Terrell, Scherrie Payne and Lynda Laurence began to perform as

15080-607: The pop charts in the U.S. Otis Redding was a huge success at the Monterey Pop Festival in 1967. The genre also became highly popular in the UK, where many leading acts toured in the late 1960s. "Soul" became an umbrella term for an increasingly wide variety of R&B-based music styles – from the dance and pop-oriented acts at Motown Records in Detroit , such as the Temptations , Marvin Gaye and Stevie Wonder , to " deep soul " performers such as Percy Sledge and James Carr . Different regions and cities within

15210-399: The show beginning in the 1980s. As disco and funk musicians had hits in the late 1970s and early 1980s, soul went in the direction of quiet storm . With its relaxed tempos and soft melodies, quiet storm soul took influences from fusion and adult contemporary . Some funk bands, such as EW&F, the Commodores and Con Funk Shun would have a few quiet storm tracks on their albums. Among

15340-681: The single " When the Lovelight Starts Shining Through His Eyes " peaked at number 23 on the Billboard Hot 100. "Lovelight" was the first of many Supremes songs written by the Motown songwriting and production team known as Holland–Dozier–Holland . In late 1963, Berry Gordy chose Diane Ross — who began going by "Diana" in 1965—as the official lead singer of the group. Ballard and Wilson were periodically given solos on Supremes albums, and Ballard continued to sing her solo number, "People", in concert for

15470-412: The studio, including providing hand claps and singing backup for Motown artists such as Marvin Gaye and the Temptations . During these years, all three members took turns singing lead: Wilson favored soft ballads, Ballard favored soulful, hard-driving songs, and Ross favored mainstream pop songs. Most of their early material was written and produced by Berry Gordy or Smokey Robinson . In December 1963,

15600-424: The three had ever been in the group at the same time and neither Payne nor Laurence had sung on any of the original hit recordings that they were now singing live. Susaye Greene was also considered for this tour, but refused to audition for it. The music critics cried foul and many fans were disappointed by both this and the shows' high ticket prices. Though the tour did well in larger markets including near capacity at

15730-505: The time) and Diana Ross's pop-friendly voice, the Supremes broke down racial barriers with rock and roll songs underpinned by R&B stylings. The group became extremely popular both domestically and abroad, becoming one of the first black musical acts to appear regularly on television programs such as Hullabaloo , The Hollywood Palace , The Della Reese Show , and, most notably, The Ed Sullivan Show , on which they made 17 appearances. In 2003, Fred Bronson wrote that in 1959, when

15860-441: The world, becoming almost as popular abroad as they were in the US. Almost immediately after their initial number-one hits, they recorded songs for motion picture soundtracks, appeared in the 1965 film Beach Ball , and endorsed dozens of products, at one point having their own brand of bread. By the end of 1966, their number-one hits included " I Hear a Symphony ", " You Can't Hurry Love " and " You Keep Me Hangin' On ". That year

15990-417: Was a probationary period, although in reality it was a stopgap measure until Gordy was able to buy out Birdsong's contract. During May and June, knowing that she was one step away from being dismissed, Ballard made an attempt to toe the line, slimming down and showing up to commitments on time and sober. Despite this, Birdsong was secretly traveling with the Supremes, studying their routines. On June 29, 1967,

16120-446: Was forced to formally reject a solo contract offered by Motown as part of her settlement. Ballard's two 1968 singles failed to chart and her solo album was shelved. In 1971, Ballard sued Motown for $ 8.7 million, claiming that Gordy and Diana Ross had conspired to force her out of the group; the judge ruled in favor of Motown. Ballard eventually sank into poverty and died abruptly on February 22, 1976, from an cardiac arrest caused by

16250-447: Was later revitalized by her recordings for Atlantic. Her 1967 recordings, such as " I Never Loved a Man (The Way I Love You) ", " Respect " (written and originally recorded by Otis Redding), and " Do Right Woman, Do Right Man " (written by Chips Moman and Dan Penn ), were significant and commercially successful recordings. Soul music dominated the U.S. African-American music charts in the 1960s, and many recordings crossed over into

16380-426: Was matched by having all three women embellish their femininity instead of imitating the qualities of male groups. Eschewing plain appearances and basic dance routines, the Supremes appeared onstage in detailed make-up and high-fashion gowns and wigs, and performed graceful choreography created by Motown choreographer Cholly Atkins . Powell told the group to "be prepared to perform before kings and queens." Gordy wanted

16510-419: Was nominated for the 1965 Grammy Award for Best R&B Song . The Supremes deliberately embraced a more glamorous image than previous black performers. Much of this was accomplished at the behest of Motown chief Berry Gordy and Maxine Powell , who ran Motown's in-house finishing school and Artist Development department. Unlike many of her contemporaries, Ross sang in a thin, calm voice, and her vocal styling

16640-557: Was only with the coming together of Burke and Atlantic Records that you could begin to see anything even resembling a movement. Ben E. King also achieved success in 1961 with " Stand By Me ", a song directly based on a gospel hymn. By the mid-1960s, the initial successes of Burke, King, and others had been surpassed by new soul singers, including Stax artists such as Otis Redding and Wilson Pickett , who mainly recorded in Memphis, Tennessee , and Muscle Shoals, Alabama . According to Jon Landau : Between 1962 and 1964 Redding recorded

16770-435: Was revealed when she purposely thrust it forward during a dance routine. Enraged, Gordy ordered her back to Detroit and permanently dismissed her from the group. Birdsong officially assumed her place during the second July 1 show. Ballard's release from Motown was made final on February 22, 1968, when she received a one-time payment of US$ 139,804.94 in royalties and earnings. She attempted a solo career with ABC Records , and

16900-580: Was washing his hands of the group thereafter. After the Frontier Hotel performance, Ross officially began her career as a solo performer. Mary Wilson and Cindy Birdsong continued working with Jean Terrell on the first post-Ross Supremes album, Right On . The Terrell-led Supremes—now rebranded as "the Supremes;" known unofficially at first as "the New Supremes", and in later years informally called "The '70s Supremes"—scored hits including " Up

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