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The Delfonics

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125-503: The Delfonics were an American R&B / soul vocal group from Philadelphia . The Delfonics were most popular in the late 1960s and early 1970s. Their most notable hits include " La-La (Means I Love You) ", " Didn't I (Blow Your Mind This Time) ", "Break Your Promise", " I'm Sorry ", and " Ready or Not Here I Come (Can't Hide from Love) ". Their hit songs were primarily written by lead vocalist and founding member William "Poogie" Hart , and arranger and producer Thom Bell . Wilbert Hart

250-412: A call and response between the lead and backing vocalists , an especially tense vocal sound, and occasional improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul music dominated the U.S. R&B charts in the 1960s, and many recordings crossed over into the pop charts in

375-409: A " Third British Invasion " or "British Soul Invasion" in the 2000s and 2010s. Neo soul is a blend of 1970s soul-style vocals and instrumentation with contemporary R&B sounds, hip-hop beats, and poetic interludes. The style was developed in the early to mid-1990s, and the term was coined in the early 1990s by producer and record label executive Kedar Massenburg . A key element in neo-soul

500-405: A CD entitled, The Three Tenors of Soul , which was produced by songwriter and producer, Bobby Eli and released in 2007. Randy Cain died on April 9, 2009, at age 63. Major Harris died on November 9, 2012, at age 65. In 2020, William Hart and Wilbert Hart celebrated their 55th anniversary in the music industry. Lead singer William "Poogie" Hart died on July 14, 2022, at age 77. Wilbert Hart

625-476: A Hot 100 Top 40 hit in each of the four decades from the 1980s through the 2010s: Michael Jackson , Madonna , "Weird Al" Yankovic , U2 , and Kenny G . Mariah Carey is the first artist to have a number-one single in four different decades. SiriusXM Pop2K uses the Hot 100 charts for the 2000s for the "Pop2Kountdown", where radio personal Rich Davis plays the top 30 songs on the Hot 100 from that specific week in

750-521: A Thousand Dances ") and Thee Midniters played brown-eyed R&B music with a rebellious rock and roll edge. Many of these artists drew from the frat rock and garage rock scenes. However, the large Hispanic population on the West Coast began gradually moving away from energetic R&B to romantic soul, and the results were "some of the sweetest soul music heard during the late 1960s and 1970s." Billboard Hot 100 The Billboard Hot 100

875-401: A Woman ". Singer Bobby Womack said, "Ray was the genius. He turned the world onto soul music." Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style. Little Richard , who inspired Otis Redding , and James Brown both were equally influential. Brown was nicknamed the "Godfather of Soul Music", and Richard proclaimed himself as

1000-423: A basic budget on the first creation as Thom explained "When I took them into the studio we didn't have any money to pay for string players and an orchestra so I played most of the instruments myself!"—a far cry from the full classical productions from 1968 to the beginning of the 1970s. "Didn't I (Blow Your Mind This Time)" also sold a million copies and by March 1970 received a gold disc from the R.I.A.A. By 1972,

1125-501: A diplomat until 1944 when his father died, founded Atlantic Records in 1947 with his friend Herb Abramson . Ertegun wrote many songs for Ray Charles and the Clovers . He even sang backup vocals for his artist Big Joe Turner on the song, "Shake Rattle and Roll". Dominated by Berry Gordy 's Motown Records empire, Detroit's soul is strongly rhythmic and influenced by gospel music. The Motown sound often includes hand clapping ,

1250-494: A distinctive New Orleans soul sound that generated a passel of national hits. Other notable New Orleans hits came from Robert Parker, Betty Harris , and Aaron Neville . While record labels in New Orleans largely disappeared by the mid-1960s, producers in the city continued to record New Orleans soul artists for other mainly New York City and Los Angeles–based record labels—notably Lee Dorsey for New York-based Amy Records and

1375-548: A distinctive sound, which included putting vocals further back in the mix than most contemporary R&B records, using vibrant horn parts in place of background vocals, and a focus on the low end of the frequency spectrum. The vast majority of Stax releases were backed by house bands Booker T & the MGs (with Booker T. Jones , Steve Cropper , Duck Dunn , and Al Jackson ) and the Memphis Horns (the splinter horn section of

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1500-648: A franchise that saw the creation of a record label ( Soul Train Records ) that distributed music by the Whispers , Carrie Lucas , and an up-and-coming group known as Shalamar . Numerous disputes led to Cornelius spinning off the record label to his talent booker, Dick Griffey , who transformed the label into Solar Records , itself a prominent soul music label throughout the 1980s. The TV series continued to air until 2006, although other predominantly African-American music genres such as hip-hop began overshadowing soul on

1625-521: A huge impact on the pop and R&B charts and a huge direct influence on the birth of Funk music. The principal architect of Crescent City's soul was a songwriter, arranger, and producer Allen Toussaint . He worked with such artists as Irma Thomas ("the Soul Queen of New Orleans"), Jessie Hill, Chris Kenner , Benny Spellman, and Ernie K-Doe on the Minit/Instant label complex to produce

1750-464: A new single, featuring the former B-side as the A-side, along with a "new" B-side. The inclusion of album cuts on the Hot 100 put the double-sided hit issues to rest permanently. As many Hot 100 chart policies have been modified over the years, one rule always remained constant: songs were not eligible to enter the Hot 100 unless they were available to purchase as a single. However, on December 5, 1998,

1875-522: A newfound sophisticated musicality and ambitious lyricism in black pop. Among these musicians were Sly Stone , Stevie Wonder , Marvin Gaye , Curtis Mayfield , and George Clinton . In discussing the progressive soul of the 1970s, Martin cites this period's albums from Wonder ( Talking Book , Innervisions , Songs in the Key of Life ), War ( All Day Music , The World Is a Ghetto , War Live ), and

2000-592: A point system that typically gave sales (purchases) more weight than radio airplay. The first No. 1 in that chart was " Love Is a Many-Splendored Thing " by The Four Aces . The Best Sellers in Stores , Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart. On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as

2125-548: A powerful bassline , strings , brass and vibraphone . Motown Records' house band was the Funk Brothers . AllMusic cites Motown as the pioneering label of pop-soul, a style of soul music with raw vocals, but polished production and toned-down subject matter intended for pop radio and crossover success. Artists of this style included Diana Ross , the Jackson 5 , Stevie Wonder , and Billy Preston . Popular during

2250-547: A resurgence in the mid-to late 1990s with the subgenre neo soul , which incorporated modern production elements and hip hop influences. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to new styles of music that boasted pride in being black. Soul music primarily combines elements of gospel, R&B and jazz . Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are

2375-405: A series of soul ballads characterized by unabashedly sentimental lyrics usually begging forgiveness or asking a girlfriend to come home... He soon became known as "Mr. Pitiful" and earned a reputation as the leading performer of soul ballads. The most important female soul singer to emerge was Aretha Franklin , originally a gospel singer who began to make secular recordings in 1960 but whose career

2500-434: A single until airplay was at its absolute peak, thus prompting a top ten or, in some cases, a number-one debut. In many cases, a label would delete a single from its catalog after only one week, thus allowing the song to enter the Hot 100, make a high debut and then slowly decline in position as the one-time production of the retail single sold out. It was during this period that several popular mainstream hits never charted on

2625-569: A sound, it’s also a look. It comes with fashion that breaks barriers and shows creativity. The whole aesthetic is art, from the sound to the look. Neo-soul is a blend of music and culture and its impact in the music industry is timeless. Its impact can still be seen and felt across many genres and artists. Northern soul is a music and dance movement that emerged in the late 1960s out of the British mod subculture in Northern England and

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2750-650: A specific year from the 2000s. '90s on 9 also does a similar countdown show called the "Back in the Day Replay Countdown" hosted by Downtown Julie Brown ; however, this focuses on the Hot 100 charts from the 1990s. A new chart, the Pop 100 , was created by Billboard in February 2005 to answer criticism that the Hot 100 at the time was too dominated by hip hop and R&B. It was discontinued in June 2009 due to

2875-491: A successful pop music career. Furthermore, his 1962 recording of " Bring It On Home To Me " has been described as "perhaps the first record to define the soul experience". Jackie Wilson, a contemporary of both Cooke and James Brown, also achieved crossover success, especially with his 1957 hit " Reet Petite ". He even was particularly influential for his dramatic delivery and performances. Husband-wife duo Ike & Tina Turner emerged as "leading exponents" of soul music in

3000-435: A trend they had started in the 1960s by putting the same song on both sides of the singles provided to radio. More complex issues began to arise as the typical A-and-B-side format of singles gave way to 12 inch singles and maxi-singles, many of which contained more than one B-side. Further problems arose when, in several cases, a B-side would eventually overtake the A-side in popularity, thus prompting record labels to release

3125-543: A very long time to gain mainstream success. These rare cases are handled on a case-by-case basis and ultimately determined by Billboard ' s chart managers and staff. Older songs are allowed to re-enter to the Hot 100 provided they chart higher than number 50. Christmas songs have been a regular presence on the Hot 100 each December since the relaxation of recurrent rules, culminating in Mariah Carey 's 1994 recording " All I Want for Christmas Is You " reaching No. 1 on

3250-684: A very short stay with Wilbert Hart's group, Fields left and joined the Stylistics in 2000 and Hill left in 2005 and was replaced by Dr. Salaam Love. William Hart's group with Johnson and Fleming were featured in concert on the DVDs The Big Show and ' 70s Soul Jam , whereas Wilbert Hart's group is featured on the DVD Old School Soul Party Live! , which was part of the PBS My Music series. Harris

3375-617: A very straightforward cumulative total of yearlong sales, streaming, and airplay points. This gives a more accurate picture of any given year's most popular tracks, as the points accrued by one song during its week at number one in March might be less than those accrued by another song reaching number three in January. Songs at the peak of their popularity at the time of the November/December chart-year cutoff many times end up ranked on

3500-403: A week spent at position 100, two points for a week spent at position 99 and so forth, up to 100 points for each week spent at number one). Other factors including the total weeks a song spent on the chart and at its peak position were calculated into its year-end total. After Billboard began obtaining sales and airplay information from Nielsen SoundScan, the year-end charts are now calculated by

3625-407: Is Jennifer Lopez 's " I'm Real ". Originally entering the Hot 100 in its album version, a "remix" was issued in the midst of its chart run that featured rapper Ja Rule . This new version proved to be more popular than the album version and the track was propelled to number one. To address this issue, Billboard now separates airplay points from a song's original version and its remix, if the remix

3750-454: Is R&B or soul music performed by white artists. The meaning of blue-eyed soul has evolved over the decades. Originally the term was associated with mid-1960s white artists who performed soul and R&B that was similar to the music released by Motown Records and Stax Records . The Righteous Brothers, the Rascals , Spencer Davis Group, Steve Winwood , Van Morrison & Them, and

3875-525: Is brown-eyed soul , or soul music or R&B created and performed mainly by Latinos in Southern California during the 1960s, continuing through to the early 1980s. The genre of soul music occasionally draws from Latin , and often contains rock music influences. This contrasts with blue-eyed soul, soul music performed by non-Hispanic white artists. Ritchie Valens , one of the original pioneers of brown-eyed soul music, also became one of

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4000-408: Is a heavy dose of Fender Rhodes or Wurlitzer electric piano "pads" over a mellow, grooving interplay between the drums (usually with a rim shot snare sound) and a muted, deep funky bass. The Fender Rhodes piano sound gives the music a warm, organic character. Notable artists include Jill Scott, Lauryn Hill, and Erykah Badu. Also newer artists like H.E.R and Sza are influenced by Neo Soul. Neo Soul

4125-662: Is a list of some of them. " La-La (Means I Love You) " " Didn't I (Blow Your Mind This Time) " " Ready or Not Here I Come (Can't Hide from Love) " " Hey Love " Formed in Philadelphia in 1965 and originally known as the Four Gents, the Delfonics classic lineup featured: Soul music See also: Soul music is a popular music genre that originated in African-American communities throughout

4250-438: Is also featured on the re-released DVD Blue Magic/Margie Joseph/Major Harris Live! , which was recorded in 1975. Wilbert Hart released a CD in 2005 entitled Fonic Zone , which he wrote and produced. Rick Ross was featured on the single entitled "Here For U". William "Poogie" Hart continued touring with his group, Johnson and Fleming while Wilbert Hart continued touring with his group, Branch and Salaam. Randy Cain reunited with

4375-475: Is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio

4500-452: Is determined to be a "new song". Since administering this new chart rule, several songs have charted twice, normally credited as "Part 1" and "Part 2". The remix rule is still in place. Billboard , in an effort to allow the chart to remain as current as possible and to give representation to new and developing artists and tracks, has (since 1991) removed titles that have reached certain criteria regarding its current rank and number of weeks on

4625-399: Is full of deep lyrics and soulful sounds that resonate with listeners. Neo Soul has had a lasting impact on the music industry, Along with a deep soulful sound, it also includes very soulful lyrics that touch on topics of love and even loss. This genre comes from African American culture and is connected to genres like gospel and blues. Fashion is also very important to this genre. It’s not just

4750-433: Is post-dated with the "week-ending" issue date four days after the charts are refreshed online (i.e., the following Saturday). For example: The methods and policies by which this data is obtained and compiled have changed many times throughout the chart's history. Although the advent of a singles music chart spawned chart historians and chart-watchers and greatly affected pop culture and produced countless bits of trivia,

4875-529: Is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales (physical and digital ), online streaming , and radio airplay in the U.S. A new chart is compiled and released online to the public by Billboard' s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales

5000-482: Is the last surviving founding member. Their songs have been used in film soundtracks, including Quentin Tarantino 's 1997 movie Jackie Brown , in which "La-La (Means I Love You)" and "Didn't I (Blow Your Mind This Time)" underscore the pivotal relationship between the characters played by Pam Grier and Robert Forster . Their songs "Ready or Not Here I Come (Can't Hide from Love)" and "Funny Feeling" were used in

5125-475: Is the only surviving original member of the Delfonics still performing as of 2022. Upon the death of William "Poogie" Hart, Johnnie Johnson and Garfield Fleming returned to the group (now named "William Hart's Delfonics") joined by Michael Muse, who took Eban Brown's place as lead singer for the Stylistics. The Delfonics songs are covered and sampled by multiple artists and they are used in TV shows and in films. Below

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5250-538: The Billboard Hot 100 tracks paid digital downloads from such internet services as iTunes , Musicmatch , and Rhapsody . Billboard initially started tracking downloads in 2003 with the Hot Digital Tracks chart. However, these downloads did not count towards the Hot 100 and that chart (as opposed to Hot Digital Songs ) counted each version of a song separately. This was the first major overhaul of

5375-563: The English Midlands , based on a particular style of soul music with a heavy beat and fast tempo. The phrase northern soul was coined by a journalist Dave Godin and popularised through his column in Blues and Soul magazine. The rare soul records were played by DJs at nightclubs , and included obscure 1960s and early 1970s American recordings with an uptempo beat, such as those on Motown and smaller labels, not necessarily from

5500-639: The Hal David / Burt Bacharach compositions " Alfie " and " The Look of Love ". Four more Bell-produced albums appeared in the next few years: The Sound of Sexy Soul , The Delfonics Super Hits , The Delfonics and Tell Me This Is a Dream . Among the Delfonics' popular hits were the Grammy Award –winning "Didn't I (Blow Your Mind This Time)", "(For The Love) I Gave To You", "Ready or Not Here I Come (Can't Hide from Love)", and "Hey! Love", written by Wilbert Hart. The Delfonics and Bell had to work with

5625-680: The Northern United States . Many artists in various genres of electronic music (such as house , drum n bass , UK garage , and downtempo ) are heavily influenced by soul, and have produced many soul-inspired compositions. The impact of soul music was manifold; internationally, white and other non-black musicians were influenced by soul music. British soul and Northern soul , rare soul music played by DJs at nightclubs in Northern England, are examples. Several terms were introduced, such as " blue-eyed soul ", which

5750-562: The " Motown sound ", a more rhythmic and pop -friendly style that originated from the eponymous label; Southern soul , a driving, energetic variety combining R&B with southern gospel music influences; Memphis soul , a shimmering, sultry style; New Orleans soul , which emerged from the rhythm and blues style; Chicago soul , a lighter gospel-influenced sound; and Philadelphia soul , a lush orchestral variety with doo-wop -inspired vocals. Soul music has its roots in traditional African-American gospel music and rhythm and blues and as

5875-493: The "King of Rockin' and Rollin', Rhythm and Blues Soulin ' ", because his music embodied elements of all three, and since he inspired artists in all three genres. Sam Cooke and Jackie Wilson also are often acknowledged as soul forefathers. Cooke became popular as the lead singer of the gospel group the Soul Stirrers , before controversially moving into secular music. His recording of " You Send Me " in 1957 launched

6000-524: The "first clear evidence of soul music shows up with the "5" Royales , an ex-gospel group that turned to R&B and in Faye Adams , whose "Shake A Hand" becomes an R&B standard". Important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter , Hank Ballard , and Etta James . Ray Charles is often cited as popularizing the soul music genre with his series of hits, starting with 1954's " I Got

6125-399: The 10 top selling records of three leading record companies, as reported by the companies themselves. In October 1938, a review list, "The Week's Best Records", was retitled "The Billboard Record Buying Guide" by incorporating airplay and sheet music sales, which would eventually become the first trade survey of record popularity. This led to the full-page "Billboard Music Popularity Chart" for

6250-572: The 1940s and '50s occasionally used the term as part of their names. The jazz style that originated from gospel became known as soul jazz . As singers and arrangers began using techniques from both gospel and soul jazz in African-American popular music during the 1960s, soul music gradually functioned as an umbrella term for African-American popular music at the time. According to the Acoustic Music Organization,

6375-603: The 1960s which were unable to connect with the mainstream market. Nevertheless, soul has been a major influence on British popular music since the 1960s including bands of the British Invasion , most significantly the Beatles . There were a handful of significant British blue-eyed soul acts, including Dusty Springfield and Tom Jones . In the 1970s Carl Douglas , the Real Thing and Delegation had hits in

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6500-615: The 1960s, the style became glossier during the 1970s and led to disco . In the late 2000s, the style was revisited by contemporary soul singers such as Amy Winehouse , Raphael Saadiq (specifically his 2008 album The Way I See It ) and Solange Knowles (her 2008 album Sol-Angel and the Hadley St. Dreams ). The terms "deep soul" and "Southern soul" generally refer to a driving, energetic soul style combining R&B 's energy with pulsating southern United States gospel music sounds. Memphis, Tennessee , label Stax Records nurtured

6625-406: The 1960s. Circa 1964, William "Poogie" Hart and his brother, Wilbert Hart, formed a group called The Orphonics, consisting of themselves plus Randy Cain and Richie Daniels. After Daniels joined the armed services, they used Ricky Johnson. Randy Cain later rejoined, and the original trio of William Hart , Wilbert Hart , and Randy Cain became The Orphonics. The name came from a stereophonic machine

6750-711: The 1960s. Their debut single " A Fool in Love " crossed over to the pop charts in 1960. They earned a Grammy nomination for their song " It's Gonna Work Out Fine " in 1962. Along with the Kings of Rhythm and the Ikettes , they toured the Chitlin’ Circuit as the Ike & Tina Turner Revue. Writer Peter Guralnick is among those to identify Solomon Burke as a key figure in the emergence of soul music, and Atlantic Records as

6875-473: The 1990s many record companies stopped releasing singles altogether (see Album Cuts , below). Eventually, a song's airplay points were weighted more so than its sales. Billboard has adjusted the sales/airplay ratio many times to more accurately reflect the true popularity of songs. Billboard has also changed its Hot 100 policy regarding "two-sided singles" several times. The pre-Hot 100 chart "Best Sellers in Stores" listed popular A- and-B-sides together, with

7000-454: The 1990s, the Delfonics groups continued to perform. The William Hart's with Major Harris and Frank Washington made several recordings, including backing vocals on the track "After the Smoke is Clear", on the 1996 hip hop album, Ironman by Ghostface Killah . The groups reorganized again in the 1990s. William Hart began touring with Johnnie Johnson and Garfield Fleming; this group recorded as

7125-461: The Delfonics racked up twelve top-20 hits on Billboard ' s R&B/Soul Single Chart. Randy Cain left the group in 1971 after completing their fourth album, and in 1973 had a hand in forming Blue Magic . Cain was replaced by Major Harris ; by then, however, Thom Bell had moved on to produce The Stylistics and later, The Spinners . The Delfonics swiftly produced another album, Alive & Kicking (1974), produced by Stan Watson. However, in

7250-631: The Delfonics. Major Harris toured with Frank Washington and Pat Palmer. Wilbert Hart's group included Salaam Love (formerly in William's group) and Eban Brown who formerly performed with Ray, Goodman & Brown and a short stay with the Manhattans as lead tenor. Brown was lead tenor with Wilbert Hart's group for five years, from 1993 until his departure to take a two-year break from the industry in 1998. Brown and Love were replaced by first tenor Van Fields and New York native Greg Hill around 1999. After

7375-814: The Dells and Billy Stewart . Curtis Mayfield not only scored many hits with his group, the Impressions , but wrote many hit songs for Chicago artists and produced hits on his own labels for the Fascinations , Major Lance , and the Five Stairsteps . Based primarily in the Philadelphia International record label, Philadelphia soul (or Philly Soul) had lush string and horn arrangements and doo-wop -inspired vocals. Thom Bell , and Kenneth Gamble & Leon Huff are considered

7500-694: The Grass Roots were famous blue-eyed soul musicians in the 1960s. The term continued to be used in the 1970s and 1980s, particularly by the British media to refer to a new generation of singers who adopted elements of the Stax and Motown sounds. To a lesser extent, the term has been applied to singers in other music genres that are influenced by soul music. Artists like Hall & Oates , David Bowie , Teena Marie , Hamilton, Joe Frank & Reynolds , Frankie Valli , Christina Aguilera , Amy Winehouse and Adele are known as blue-eyed soul singers. Another term

7625-569: The Harts had in their basement. In 1965, William Hart was working in a barbershop in Philadelphia. A man named Stan Watson came into the barbershop one day, where William Hart, who had written quite a few songs by this point, would sing while playing his guitar. Watson told William Hart that he knew a young arranger/producer for Cameo-Parkway Records named Thom Bell , who was at the time working with Chubby Checker . Watson thereafter introduced

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7750-471: The Hot 100 (then called Top 40 Radio Monitor ). The ongoing splintering of Top 40 radio in the early 1990s led stations to lean into specific formats, meaning that practically no station would play the wide array of genres that typically composed each weekly Hot 100 chart. An artist or band's ability to have hits in the Hot 100 across multiple decades is recognized as a sign of longevity and being able to adapt to changing musical styles. Only five artists had

7875-416: The Hot 100 changed from being a "singles" chart to a "songs" chart. During the 1990s, a growing trend in the music industry was to promote songs to radio without ever releasing them as singles. It was claimed by major record labels that singles were cannibalizing album sales, so they were slowly phased out. During this period, accusations began to fly of chart manipulation as labels would hold off on releasing

8000-401: The Hot 100's chart formula since December 1998. The change in methodology has shaken up the chart considerably, with some songs debuting on the chart strictly with robust online sales and others making drastic leaps. In recent years, several songs have been able to achieve 80-to-90 position jumps in a single week as their digital components were made available at online music stores. Since 2006,

8125-420: The Hot 100's early history, singles were the leading way by which people bought music. At times, when singles sales were robust, more weight was given to a song's retail points than to its radio airplay. As the decades passed, the recording industry concentrated more on album sales than singles sales. Musicians eventually expressed their creative output in the form of full-length albums rather than singles, and by

8250-482: The Hot 100, or charted well after their airplay had declined. During the period that they were not released as singles, the songs were not eligible to chart. Many of these songs dominated the Hot 100 Airplay chart for extended periods of time: As debate and conflicts occurred more and more often, Billboard finally answered the requests of music industry artists and insiders to include airplay-only songs (or "album cuts") in

8375-481: The Hot 100, while the retail component was reduced from 40% to 25%. Extended play (EP) releases were listed by Billboard on the Hot 100 and in pre-Hot 100 charts (Top 100) until the mid-to-late 1960s. With the growing popularity of albums, it was decided to move EPs (which typically contain four to six tracks) from the Hot 100 to the Billboard 200 , where they are included to this day. Since February 12, 2005,

8500-534: The Isley Brothers ( 3 + 3 ). Isaac Hayes 's 1969 recording of " Walk on By " is considered a "classic" of prog-soul, according to City Pages journalist Jay Boller. Later prog-soul music includes recordings by Prince , Peter Gabriel , Meshell Ndegeocello , Joi , Bilal , Dwele , Anthony David , Janelle Monáe , and the Soulquarians , an experimental black-music collective active during

8625-538: The Mar-Keys , trumpeter Wayne Jackson and saxophonist Andrew Love ). "Memphis soul" is a shimmering, sultry style of soul music produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee . It featured melancholic and melodic horns, Hammond organ , bass, and drums, as heard in recordings by Hi's Al Green and Stax's Booker T. & the M.G.'s . The latter group also sometimes played in

8750-772: The Meters . More versatile groups such as War , the Commodores , and Earth, Wind and Fire became popular around this time. During the 1970s, some slick and commercial blue-eyed soul acts like Philadelphia's Hall & Oates and Oakland's Tower of Power achieved mainstream success, as did a new generation of street-corner harmony or "city-soul" groups such as the Delfonics and the historically black Howard University 's Unifics . The syndicated music/dance variety television series Soul Train , hosted by Chicago native Don Cornelius , debuted in 1971. The show provided an outlet for soul music for several decades, also spawning

8875-476: The Meters for New York–based Josie and then LA-based Reprise. Chicago soul generally had a light gospel-influenced sound, but the large number of record labels based in the city tended to produce a more diverse sound than other cities. Vee Jay Records , which lasted until 1966, produced recordings by Jerry Butler , Betty Everett , Dee Clark , and Gene Chandler . Chess Records , mainly a blues and rock and roll label, produced several major soul artists, including

9000-625: The U.S., United Kingdom, and elsewhere. Many prominent soul artists, including Ray Charles , Sam Cooke , Otis Redding , James Brown , Aretha Franklin , and various acts under the Motown label, such as The Supremes and The Temptations , were highly influential in the genre's development and all gained widespread popularity during this time. By 1968, the soul music genre had begun to splinter. Some soul artists moved to funk music, while other singers and groups developed slicker, more sophisticated, and in some cases more socially conscious varieties. By

9125-684: The U.S., including New York City, Detroit, Chicago, Memphis , New Orleans , Philadelphia , and Muscle Shoals, Alabama (the home of FAME Studios and Muscle Shoals Sound Studios ) became noted for different subgenres of the music and recording styles. By 1968, while at its peak of popularity, soul began to fragment into different subgenres. Artists such as James Brown and Sly and the Family Stone evolved into funk music, while other singers such as Marvin Gaye, Stevie Wonder, Curtis Mayfield and Al Green developed slicker, more sophisticated and in some cases more politically conscious varieties of

9250-540: The UK. American soul was extremely popular among some youth sub-cultures like the mod , Northern soul and modern soul movements, but a clear genre of British soul did not emerge until the 1980s when several artists including George Michael , Sade , Simply Red , Lisa Stansfield and Soul II Soul enjoyed commercial success. The popularity of British soul artists in the U.S., most notably Amy Winehouse , Adele , Estelle , Duffy , Joss Stone and Leona Lewis , led to talk of

9375-595: The US Billboard Hot 100 chart and was awarded a gold disc by the R.I.A.A. on June 25, 1975. The group split around 1975; one group featured Major Harris and Wilbert Hart, with new member Frank Washington, formerly of the Futures. The other group featured William Hart with new members. Line-ups would become confusing as members shifted between groups and multiple groups toured. Major Harris moved to William's group around 1980, with their third member being

9500-489: The United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues . Soul music became popular for dancing and listening, and U.S. record labels such as Motown , Atlantic and Stax were influential in its proliferation during the civil rights movement . Soul also became popular worldwide, directly influencing rock music and the music of Africa . It had

9625-684: The Vandellas , and the Jackson Five . Hits were made using a quasi-industrial " production-line " approach. The producers and songwriters brought artistic sensitivity to the three-minute tunes. Brian Holland , Lamont Dozier and Eddie Holland were rarely out of the charts for their work as songwriters and record producers for the Supremes , the Four Tops and Martha and the Vandellas . They allowed important elements to shine through

9750-654: The absence of Bell, the Delfonics' career declined sharply, and with the exception of the aforementioned "Hey Love" and the minor hits "When You Get Right Down to It", "I Don't Want to Make You Wait" and "I Told You So", success eluded them after 1975. ("(For the Love) I Gave to You", although popular, was never released as a single .) Most of their songs at this point were written by lead singer William Hart. Late 1974, Major Harris started his solo career by signing with Atlantic Records , and releasing his 1975 No. 1 R&B hit single, " Love Won't Let Me Wait ", which peaked at No. 5 on

9875-535: The all-time record for the biggest single-week upward movement was broken nine times. In the issue dated August 11, 2007, Billboard began incorporating weekly data from streaming media and on-demand services into the Hot 100. The first two major companies to provide their statistics to Nielsen BDS on a weekly basis were AOL Music and Yahoo! Music . On March 24, 2012, Billboard premiered its On-Demand Songs chart, which ranks web radio streams from services such as Spotify , as well as on-demand audio titles. Its data

10000-550: The brothers at the Rhythm and Blues Foundation Awards in Philadelphia to perform for the first time together in years, and were honored with the Pioneer Award. Soon after, Cain joined William Hart on his tour and stayed with that unit until his death in 2009. William Hart, along with Russell Thompkins Jr. , the original lead singer of the Stylistics and Ted Mills the original lead singer of Blue Magic came together to record

10125-472: The chart in December 2019. Billboard altered its tracking-week for sales, streaming and radio airplay in order to conform to a new Global Release Date, which now falls on Fridays in all major-market territories (United States product was formerly released on Tuesdays before June 2015). This modified tracking schedule took effect in the issue dated July 25, 2015. Billboard ' s "chart year" runs from

10250-417: The chart. Recurrent criteria have been modified several times and currently (as of 2015 ), a song is permanently moved to "recurrent status" if it has spent 20 weeks on the Hot 100 and fallen below position number 50. Additionally, descending songs are removed from the chart if ranking below number 25 after 52 weeks. Exceptions are made to re-releases and sudden resurgence in popularity of tracks that have taken

10375-507: The charts becoming increasingly similar. The Canadian Hot 100 was launched June 16, 2007. Like the Hot 100 chart, it uses sales and airplay tracking compiled by Nielsen SoundScan and BDS . The Billboard Japan Hot 100 was launched in the issue dated May 31, 2008, using the same methodologies as the Hot 100 charts for the U.S. and Canada, using sales and airplay data from SoundScan Japan and radio tracking service Plantech. The Vietnamese edition of Hot 100, Billboard Vietnam Hot 100 ,

10500-495: The day. They tended to have smaller ensembles marked by expressive gospel-tinged vocals. Brass and saxophones were also used extensively. Stax Records , founded by siblings Estelle and James Stewart, was the second most successful record label behind Motown Records . They were responsible for releasing hits by Otis Redding , Wilson Pickett , the Staple Singers , and many more. Ahmet Ertegun, who had anticipated being

10625-466: The dense musical texture. The rhythm was emphasized by handclaps or tambourine . Smokey Robinson was another writer and record producer who added lyrics to " The Tracks of My Tears " by his group the Miracles , which was one of the most important songs of the decade. Stax Records and Atlantic Records were independent labels that produced high-quality dance records featuring many well-known singers of

10750-695: The development of neo-soul around 1994. Berry Gordy 's successful Tamla/Motown group of labels was notable for being African-American owned, unlike most of the earlier independent R&B labels. Notable artists under this label were Gladys Knight & the Pips , the Supremes , the Temptations , the Miracles , the Four Tops , the Marvelettes , Mary Wells , Jr. Walker & the All-Stars , Stevie Wonder , Marvin Gaye , Tammi Terrell , Martha and

10875-439: The early 1970s, soul music had begun to absorb influences from psychedelic rock and progressive rock , among other genres, leading to the creation of psychedelic soul and progressive soul . Prominent soul artists of this era include Marvin Gaye , Stevie Wonder , Curtis Mayfield , Isaac Hayes , Al Green , and Bill Withers . Neo soul , which adopted hip hop influences, emerged around 1994. Other subgenres of soul include

11000-499: The evolution of soul music, although their recordings were considered more in a pop music vein than those of Redding, Franklin and Carr. Although stylistically different from classic soul music, recordings by Chicago -based artists are often considered part of the genre. By the early 1970s, soul music had been influenced by psychedelic rock and other genres. Artists like James Brown led soul towards funk music, which became typified by 1970s bands like Parliament-Funkadelic and

11125-523: The first brown-eyed soul artists to bring traditional Latin music and rock and roll influences into the genre. Latino groups on the East and West Coast also drew from the funk -influenced Philadelphia soul, or "Philly" soul . The West Coast Latin rock scene continued to influence brown-eyed soul artists as well. Inspired by Valens, 1960s and 1970s bands such as Cannibal & the Headhunters (" Land of

11250-467: The first week of December to the final week in November. This altered calendar allows for Billboard to calculate year-end charts and release them in time for its final print issue in the last week of December. Before Nielsen SoundScan, year-end singles charts were calculated by an inverse-point system based solely on a song's performance on the Hot 100 (for example, a song would be given one point for

11375-413: The following year's chart as well, as their cumulative points are split between the two chart-years, but often are ranked lower than they would have been had the peak occurred in a single year. The Hot 100 served for many years as the data source for the weekly radio countdown show American Top 40 . This relationship ended on November 30, 1991, as American Top 40 started using the airplay-only side of

11500-658: The founders of Philadelphia soul, which produced hits for Patti LaBelle , the O'Jays , the Intruders , the Three Degrees , the Delfonics , the Stylistics , Harold Melvin & the Blue Notes , and the Spinners . By the 1970s, African-American popular musicians had drawn from the conceptual album-oriented approach of the then-burgeoning progressive rock development. This progressive-soul development inspired

11625-476: The genre. However, soul music continued to evolve, informing most subsequent forms of R&B from the 1970s-onward, with pockets of musicians continuing to perform in traditional soul style. Mitchell's Hi Records continued in the Stax tradition of the previous decade, releasing a string of hits by Green, Ann Peebles , Otis Clay , O.V. Wright and Syl Johnson . Bobby Womack , who recorded with Chips Moman in

11750-464: The group to Bell. William Hart recalls that the first song he presented to Bell was an original composition of his entitled "He Don't Really Love You". Bell immediately produced the music arrangement to that song and it was released on Moon Shot, which later became Cameo-Parkway Records. The Orphonics were soon renamed "The Delfonics," and their first recording, "He Don't Really Love You" b/w "Without You", which had been arranged and produced by Thom Bell,

11875-423: The harder-edged Southern soul style. The Hi Records house band ( Hi Rhythm Section ) and producer Willie Mitchell developed a surging soul style heard in the label's 1970s hit recordings. Some Stax recordings fit into this style but had their own unique sound. The New Orleans soul scene directly came out of the rhythm and blues era, when such artists as Little Richard , Fats Domino , and Huey Piano Smith made

12000-468: The hybridization of their respective religious and secular styles – in both lyrical content and instrumentation – that began in the 1950s. The term "soul" had been used among African-American musicians to emphasize the feeling of being an African-American in the United States. According to musicologist Barry Hansen , Though this hybrid produced a clutch of hits in the R&;B market in the early 1950s, only

12125-700: The industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958. The Hot 100 was created by journalists Tom Noonan, Paul Ackerman , and Seymour Stein ; Stein did not recall who chose the name. The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan (both at retail and digitally) and streaming activity provided by online music sources. There are several component charts that contribute to

12250-419: The influence of psychedelic soul continued on and remained prevalent through the 1970s. In the early 1960s, small soul scenes began popping up around the UK. Liverpool in particular had an established black community from which artists such as Chants and Steve Aldo emerged and go on to record within the British music industry. As a result, many recordings were commercially released by British soul acts during

12375-544: The key record label . Burke's early 1960s songs, including " Cry to Me ", " Just Out of Reach " and "Down in the Valley" are considered classics of the genre. Guralnick wrote: Soul started, in a sense, with the 1961 success of Solomon Burke's "Just Out Of Reach". Ray Charles, of course, had already enjoyed enormous success (also on Atlantic), as had James Brown and Sam Cooke — primarily in a pop vein. Each of these singers, though, could be looked upon as an isolated phenomenon; it

12500-562: The late 1960s, continued to produce soul recordings in the 1970s and 1980s. In Detroit , producer Don Davis worked with Stax artists such as Johnnie Taylor and the Dramatics . Early 1970s recordings by the Detroit Emeralds , such as Do Me Right , are a link between soul and the later disco style. Motown Records artists such as Marvin Gaye , Michael Jackson , Stevie Wonder and Smokey Robinson contributed to

12625-418: The late 1990s and early 2000s. Psychedelic soul, sometimes known as "black rock", was a blend of psychedelic rock and soul music in the late 1960s, which paved the way for the mainstream emergence of funk music a few years later. Early pioneers of this subgenre of soul music include Jimi Hendrix , Sly and the Family Stone , Norman Whitfield , and Isaac Hayes . While psychedelic rock began its decline,

12750-413: The main purpose of the Hot 100 is to aid those within the music industry: to reflect the popularity of the "product" (the singles, the albums, etc.) and to track the trends of the buying public. Billboard has (many times) changed its methodology and policies to give the most precise and accurate reflection of what is popular. A very basic example of this would be the ratio given to sales and airplay. During

12875-540: The most adventurous white fans felt its impact at the time; the rest had to wait for the coming of soul music in the 1960s to feel the rush of rock and roll sung gospel-style. According to AllMusic, "Soul music was the result of the urbanization and commercialization of rhythm and blues in the '60s." The phrase "soul music" itself, referring to gospel-style music with secular lyrics, was first attested in 1961. The term "soul" in African-American parlance has connotations of African-American pride and culture. Gospel groups in

13000-433: The most successful acts in this era include Smokey Robinson, Jeffry Osbourne, Peabo Bryson , Chaka Khan , and Larry Graham . After the decline of disco and funk in the early 1980s, soul music became influenced by electro music . It became less raw and more slickly produced, resulting in a style is known as contemporary R&B , which sounded very different from the original rhythm and blues style. The United States saw

13125-433: The overall calculation of the Hot 100. The most significant ones are: The tracking week for sales, streaming and airplay begins on Friday and ends on Thursday (airplay used to have a tracking week from Monday to Sunday, but effective with the chart dated July 17, 2021, the week was adjusted to align with the other two metrics ). A new chart is compiled and officially released to the public by Billboard on Tuesday. Each chart

13250-661: The pop charts in the U.S. Otis Redding was a huge success at the Monterey Pop Festival in 1967. The genre also became highly popular in the UK, where many leading acts toured in the late 1960s. "Soul" became an umbrella term for an increasingly wide variety of R&B-based music styles – from the dance and pop-oriented acts at Motown Records in Detroit , such as the Temptations , Marvin Gaye and Stevie Wonder , to " deep soul " performers such as Percy Sledge and James Carr . Different regions and cities within

13375-485: The popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week of July 28, 1958, had the final Most Played by Jockeys and Top 100 charts, both of which had Perez Prado 's instrumental version of " Patricia " ascending to the top. On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100 , with " Poor Little Fool " by Ricky Nelson its first No. 1. The Hot 100 quickly became

13500-754: The returning Randy Cain. Frank Washington also switched from Wilbert Hart's group, joining in 1985. While the main recording line-up of the group was William Hart, Major Harris, and Frank Washington, they would tour as two separate trios with additional members added. One group featured William Hart, Randy Cain, and Garfield Fleming, and the other consisted of Frank Washington, Major Harris, and Freddy Ingleton. William Hart also toured with another line-up consisting of himself, Johnny ("JJ") Johnson and Pat Palmer, and toured in Japan at least one time with Ingleton and Dr. Salaam Love. In 1989, Wilbert Hart, Major Harris and Frank Washington appeared on The Arsenio Hall Show . Through

13625-399: The show beginning in the 1980s. As disco and funk musicians had hits in the late 1970s and early 1980s, soul went in the direction of quiet storm . With its relaxed tempos and soft melodies, quiet storm soul took influences from fusion and adult contemporary . Some funk bands, such as EW&F, the Commodores and Con Funk Shun would have a few quiet storm tracks on their albums. Among

13750-517: The side that was played most often (based on its other charts) listed first. One of the most notable of these, but far from the only one, was Elvis Presley 's "Don't Be Cruel" / "Hound Dog". During the Presley single's chart run, top billing was switched back and forth between the two sides several times. But on the concurrent "Most Played in Juke Boxes", "Most Played by Jockeys" and the "Top 100",

13875-428: The two songs were listed separately, as was true of all songs. With the initiation of the Hot 100 in 1958, A- and-B-sides charted separately, as they had on the former Top 100. Starting with the Hot 100 chart for the week ending November 29, 1969, this rule was altered; if both sides received significant airplay, they were listed together. This started to become a moot point by 1972, as most major record labels solidified

14000-588: The video game Grand Theft Auto V on the fictional radio station The Lowdown 91.1. Prior to forming the Delfonics, William "Poogie" Hart sang in a variety of groups including Little Hart and The Everglows, the Veltones, the Four Guys, and the Four Gents. Members of some of these early groups included brothers William and Wilbert Hart , Ritchie Daniels, Randy Cain , and Jimmy Wroten, Stan Lathan , and Donald Cannon, friends who met at Overbrook High School in

14125-410: The week ending July 20, 1940, and published in the July 27 issue, with lists covering jukebox play, retail sales, sheet music sales, and radio play. Listed were 10 songs of the national "Best Selling Retail Records", which was the fore-runner of today's pop chart, with " I'll Never Smile Again " by Tommy Dorsey its first number one. Starting on March 24, 1945, Billboard ' s lead popularity chart

14250-476: Was "Last Week's Ten Best Sellers Among the Popular Songs", a list of best-selling sheet music, in July 1913. Other charts listed popular song performances in theatres and recitals. In 1928, "Popular Numbers Featured by Famous Singers and Leaders" appeared, which added radio performances to in-person performances. On January 4, 1936, Billboard magazine published "Ten Best Records for Week Ending", which listed

14375-405: Was a tactic generally used by certain artists to boost their chart positions. Instead, such physical releases are now only counted when they are shipped to the consumer, rendering the tactic "ineffectual". A growing trend early in the first decade of the 21st century was to issue a song as a "remix" that was so drastically different in structure and lyrical content from its original version that it

14500-447: Was essentially a whole new song. Under normal circumstances, airplay points from a song's album version, "radio" mix and/or dance music remix, etc. were all combined and factored into the song's performance on the Hot 100, as the structure, lyrics and melody remained intact. Criticisms began when songs were being completely re-recorded to the point that they no longer resembled the original recording. The first such example of this scenario

14625-584: Was first released to the local Philadelphia music market. After gaining national distribution/promotion with New York's Amy-Mala-Bell, the single became a hit in 1968, selling over one million copies. It reached No. 4 on the Billboard Hot 100 , and was awarded a gold disc . The group's debut album La La Means I Love You , released on Philly Groove Records in 1968, featured the hit original compositions "La-La (Means I Love You)", "Break Your Promise", "I'm Sorry", and "Can You Remember"; along with covers of

14750-447: Was later revitalized by her recordings for Atlantic. Her 1967 recordings, such as " I Never Loved a Man (The Way I Love You) ", " Respect " (written and originally recorded by Otis Redding), and " Do Right Woman, Do Right Man " (written by Chips Moman and Dan Penn ), were significant and commercially successful recordings. Soul music dominated the U.S. African-American music charts in the 1960s, and many recordings crossed over into

14875-557: Was only with the coming together of Burke and Atlantic Records that you could begin to see anything even resembling a movement. Ben E. King also achieved success in 1961 with " Stand By Me ", a song directly based on a gospel hymn. By the mid-1960s, the initial successes of Burke, King, and others had been surpassed by new soul singers, including Stax artists such as Otis Redding and Wilson Pickett , who mainly recorded in Memphis, Tennessee , and Muscle Shoals, Alabama . According to Jon Landau : Between 1962 and 1964 Redding recorded

15000-574: Was released in April 1967 on Cameo Records. By the end of 1967, Cameo-Parkway Records announced that it would soon no longer exist as a record company. In December of that year, Thom Bell took the Delfonics into Cameo-Parkway's recording studio to record a William Hart composition, entitled " La-La (Means I Love You) ", which featured Hart on falsetto lead. With Cameo-Parkway about to be defunct, Stan Watson started up his own label entitled Philly Groove Records and, in December 1967, "La-La (Means I Love You)"

15125-567: Was released on the small Moon Shot Records label in around August 1966. (The artist on first pressings of the 45 RPM record was actually listed as "The Del Fonics" and Thom Bell was credited as "Tommy Bell." Following the increased popularity of the group, the Moon Shot record was reissued in April 1968, and on this later release it was distributed by Calla Records.) The second Delfonics' recording, "You've Been Untrue" b/w "I Was There," once again arranged/produced by Bell (now credited as "Thom Bell")

15250-462: Was the Best Sellers in Stores chart, and the magazine refers to that when discussing a song's performance before the creation of the Hot 100. In its issue of November 12, 1955, Billboard published The Top 100 for the first time (for the survey weeks ending October 26 and November 2). The Top 100 combined all aspects of a single's performance (sales, airplay and jukebox activity), based on

15375-512: Was the Honor Roll of Hits . This chart ranked the most popular songs regardless of performer (it combined different versions of the same song by different artists) based on record and sheet sales, disk jockey, and jukebox performances as determined by Billboard ' s weekly nationwide survey. At the start of the rock era in 1955, there were three charts that measured songs by individual metrics: Billboard ' s primary chart among these

15500-602: Was then incorporated into the equation that compiles the Hot 100, and this was expanded to a broader Streaming Songs chart in January 2013. In February 2013, U.S. views for a song on YouTube were added to the Hot 100 formula. " Harlem Shake " was the first song to reach number one after the changes were made. In July 2020, Billboard announced that they would no longer allow sales of physical/digital bundles to be reported as digital sales. This refers to songs being bought along with merchandise , either from an artists website or through another vendor. The magazine stated that this

15625-440: Was tracked Monday–Sunday and, before July 2015, Wednesday–Tuesday. The first number-one song of the Billboard Hot 100 was " Poor Little Fool " by Ricky Nelson , on August 4, 1958. As of the issue for the week ending on November 30, 2024, the Billboard Hot 100 has had 1,175 different number-one entries. The current number-one song on the chart is " A Bar Song (Tipsy) " by Shaboozey . The first chart published by Billboard

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