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84-559: The society also sponsors the GLBT Historical Society Museum , a stand-alone museum that has attracted international attention. The Swedish Exhibition Agency has cited the institution as one of just "three established museums dedicated to LGBTQ history in the world" as of 2016. It is also the first full-scale, stand-alone museum of lesbian, gay, bisexual and transgender history in the United States (and only

168-580: A building which also housed the gay and lesbian theater company Theater Rhinoceros . The collections grew constantly, and by 1995 the Historical Society moved into a 3,700-square-foot (340 m) space on the fourth floor of 973 Market St. The society moved again in 2003 to a location on the third floor of a building at 657 Mission St. that also housed other cultural institutions: the Cartoon Art Museum , San Francisco Camerawork and

252-486: A century." The Redstone building played a significant role in the 1917 United Railroads Streetcar Strike as well as the San Francisco maritime strike that led to the 1934 San Francisco General Strike . The Redstone Building has been designated San Francisco's 238th landmark. The Redstone is located at 2940 16th Street between South Van Ness, formerly Howard Street, and Capp. The San Francisco Labor Temple

336-576: A curatorial committee of academics and independent scholars. Among the objects displayed were a preliminary study for the MaestraPeace mural on the façade of the San Francisco Women's Building , the sewing machine used by designer Gilbert Baker to create the first rainbow flag , and the suit worn by openly gay San Francisco Supervisor Harvey Milk when he was assassinated on Nov. 27, 1978. Approximately 25,000 people from throughout

420-441: A feeling of control and simplicity to a time of chaos, when an unnamed disease targeted half of the city's gay men and government agencies seemed incapable of listening. Yet in the darkest times come the brightest inspirations, as thousands of San Franciscans rose to the challenge and fought for their voices to be heard. The striking images capture protestors, students and policemen, chanting, fighting, and just living their lives. In

504-421: A guided tour by making an appointment at least two weeks in advance. The tours have been especially popular with professors and teachers who bring their classes and with student organizations including gay–straight alliance groups from junior high schools and high schools. In its first 18 months of operation, the museum reported that it had given guided tours for more than 50 classes and student groups, including

588-802: A proclamation declaring the date "GLBT History Museum Day" in San Francisco. It was Lee's first appearance as mayor at a public event. Also in attendance was Scott Wiener , newly elected as the member of the San Francisco Board of Supervisors for the district including the Castro neighborhood—the seat once held by Harvey Milk —as well as openly gay Supervisor David Campos , who represents the neighboring Mission District . Other guests included pioneering lesbian activist Phyllis Lyon , novelist Armistead Maupin , photographer Daniel Nicoletta , former supervisor and then mayoral candidate Bevan Dufty , and noted drag personality Donna Sachet . The launch of

672-519: A reception area. The institution is believed to be the second full-scale, stand-alone GLBT history museum in the world, following the Schwules Museum in Berlin, which opened in 1985. The society signed an initial five-year lease for the space in late 2010; the extensive build-out of the museum, along with a significant discount on the monthly rent, was donated by Walgreen Company , which holds

756-473: A single display case devoted to a timely topic or significant anniversary in San Francisco LGBT history. Eight such temporary exhibits took place during 2011. As part of its educational mission, The GLBT Historical Society Museum offers group tours led by trained volunteer docents and occasionally by the exhibition curators. According to the museum home page, any group of 10 or more people may book

840-585: A sponsorship by the Bob Ross Foundation. In June 2016, the GLBT Historical Society announced a long-term initiative to build a "new museum of LGBTQ history and culture"—a world-class center for LGBT public history projected for completion in the coming decade; the center would include expanded galleries and archives, new spaces for hosting public programs and researchers, and other enhanced facilities. The organization launched

924-534: A way it is hard to believe these photos were taken so recently, from 1985-1990. And yet the photographs are good reminders of the fights we are still facing today, from marriage equality to the Occupy movement. These activists showed that civil disobedience can impact political outcomes." In addition to the larger shows in its main and front galleries, The GLBT Historical Society Museum mounts temporary exhibits displayed for approximately one month each, most consisting of

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1008-409: Is a museum and research centre with collections focusing on LGBTQ+ history and culture. It opened in 1985 and it was the first museum in the world dedicated to gay history. The museum archive holds periodicals dating from 1896 and a collection of photographs, videos, films, sound recordings, autographs, art works, and ephemera. Its library holds approximately 20,000 books on homosexuality. The museum

1092-564: Is also a mural on the second-floor produced by the former Women's Luna Sea Theater Company. The project was coordinated by the interdisciplinary artists group known as The LAB which produces art shows and events year round in the former labor temple's auditorium. The tenants of the Redstone started organizing and formed the Redstone Tenants Association (RTA) in 1999 to coordinate organizing around possibly buying

1176-585: Is located at 4127 18th St. in the city's Castro neighborhood . The roots of the Gay, Lesbian, Bisexual, Transgender Historical Society extend to the early 1980s, when Willie Walker and Greg Pennington met and discovered that they shared an interest in gay and lesbian history. They joined forces to pool their personal collections of gay and lesbian periodicals, dubbing the ad hoc initiative the San Francisco Gay Periodical Archive. At

1260-403: Is open Tuesday through Sunday, 11 a.m. to 5 p.m. General admission is $ 10.00. Discounted admission of $ 6.00 is offered to youth (ages 13–17); seniors (age 65 and over); students and teachers (with ID); active-duty military service members (with ID); and people with disabilities. Admission is free for members of the GLBT Historical Society. On Saturdays, admission is free for all visitors courtesy of

1344-573: Is recognized by the Internal Revenue Service as a tax-exempt 501(c)(3) educational association and is registered with the State of California as a nonprofit corporation. The archives, reading room and administrative offices of the GLBT Historical Society are located at 989 Market St., Lower Level, in San Francisco's Mid-Market district. The GLBT Historical Society Museum, which serves as a separate center for exhibitions and programs,

1428-494: The South China Morning Post , The Times of India and Večernji list (Croatia). Links to a sampling of stories on the museum along with the full media report are available on the museum website. The GLBT History Museum debuted with two multimedia exhibitions. In the larger main gallery, "Our Vast Queer Past: Celebrating San Francisco's GLBT History" traced more than 20 key themes in the past 100 years of

1512-544: The Catharine Clark Gallery . The 6,600-square-foot (610 m) space included two dedicated exhibition galleries, a reading room, a large reserve for the archival collections, and several offices for staff and volunteers. The society regularly used one of the galleries for presentation of history talks and panel discussions, many of which were videotaped for posting on the Web. In November 2010, in anticipation of

1596-603: The Mattachine Society , the first enduring homosexual rights organization in the United States. The records form part of the papers of Donald S. Lucas, who served as secretary of the Mattachine Society during much of its history. In addition, the society's archives house the records of José Sarria , who as a candidate in the race for the San Francisco Board of Supervisors in 1961 was the first openly gay person known to have run for elected office anywhere in

1680-578: The 1975 master's thesis in psychology by Maggi Rubenstein, cofounder of San Francisco Sex Information and the San Francisco Bisexual Center. The GLBT Historical Society's artifacts collection includes the personal effects of Harvey Milk , the first openly gay elected official in California. Milk's executors preserved a significant selection of his belongings after he was assassinated in 1978; they ultimately were inherited by

1764-578: The Baroness Eugenia von Dieckoff (1920–1988); and photographs, flyers and T-shirts from the lesbian sex wars of the 1980s-1990s. In the smaller front gallery, "Great Collections From the GLBT Historical Society Archives," curated by Historical Society Executive Director Paul Boneberg, offered an introduction to the kinds of materials collected by the society. Among the items on display were a distinctive example of

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1848-736: The Closet, Into the Archives: Researching Sexual Histories (2015), edited by Amy L. Stone and Jaime Cantrell; and Educational Programs: Innovative Practices for Archives and Special Collections (2015), edited by Kate Theimer. A number of graduate research projects also have addressed the history and activities of the Historical Society. Doctoral dissertations include Diana Wakimoto's "Queer Community Archives in California Since 1950" (2012) and Kelly Jacob Rawson's "Archiving Transgender: Affects, Logics and

1932-612: The GLBT Historical Society opened its GLBT History Museum in the Castro District for previews. The society slightly modified the name of the space in November 2018, redubbing it the GLBT Historical Society Museum. Located in a storefront at 4127 18th St. near Castro Street, the 1,600-square-foot (150 m) space houses two historical galleries with room for public programs, a small museum shop and

2016-429: The GLBT Historical Society published 50 issues of a print newsletter. Produced at various points in its run as a bimonthly, a quarterly and an irregularly issued periodical, the publication appeared under several titles: San Francisco Bay Area Gay and Lesbian Historical Society Newsletter , Newsletter of the Gay and Lesbian Historical Society of Northern California , Our Stories and It's About Time. In February 2008,

2100-750: The GSA from Aragon High School in San Mateo, California; classes from San Francisco State University ; students from the San Francisco Police Academy; and Japanese medical students. Funding for the museum has come from presenting sponsor Levi's ( Levi Strauss & Co. ); the City and County of San Francisco ; Starbucks ; the Bob Ross Foundation; neighborhood merchants such as Badlands, Harvey's restaurant and bar, and Toad Hall; and numerous individual donors. The GLBT Historical Society Museum

2184-637: The Historical Society appointed Roberto Ordeñana as the new executive director in October 2022. Ordeñana came to the society from his previous position as deputy executive director of the San Francisco LGBT Community Center and as president of the San Francisco Arts Commission . From November 2008 through October 2009, the GLBT Historical Society sponsored a pop-up museum in the Castro District at

2268-642: The Lesbian and Gay History Project was asked to develop a major project for presentation to the group; as his contribution, Walker produced a proposal for a historical society to preserve the records of Bay Area gay and lesbian history and to make this history available to the community. Walker presented the concept at the History Project meeting on Sept. 5, 1984, and with encouragement from the project, Walker, Pennington, project member Eric Garber and several others held five working meetings before deciding that

2352-727: The Power of Queer History" (2010). Master's theses include Renaud Chantraine's "La Patrimonialisation des traces des minorités sexuelles: étude de cas" (2014), Amanda Kreklau's "Collections Conundrums: Considering the First Major GLBT Museum" (2009) and Sue Weller's "Homeworks Art Museum" (2003). In addition, numerous articles about the society have been published in peer-reviewed scholarly journals; these include Martin Meeker's "Archives Review: The Gay and Lesbian Historical Society of Northern California"; Don Romesburg's "Presenting

2436-671: The Queer Past: A Case for the GLBT History Museum"; and Gerard Koskovich's "Displaying the Queer Past: Purposes, Publics and Possibilities at the GLBT History Museum." To expand public access to its archival holdings and historical programs, the GLBT Historical Society has sponsored a number of associated projects: Schwules Museum The Schwules Museum (English: Gay Museum ) in Berlin , Germany ,

2520-525: The RTA obtained was for $ 2,000 from the National Trust for Historic Preservation , which was used to start the process of obtaining historic landmark status for the building. The landmarking took from 2001 to 2004 to complete. The city formalized the building's historic status on July 14, 2004, assigning it number 238. It is the second labor-related historic landmark in San Francisco. Exactly three years to

2604-678: The Redstone Building manager and Betty Traynor, RTA organizer. The event included musicians, poetry and historic information about the building, along with union members whose organizations once inhabited the former union hall. The Redstone Building was the location of the first public archives and office of the Gay and Lesbian Historical Society (now known as the GLBT Historical Society ), an internationally recognized museum, archives and research center for gay, lesbian, bisexual and transgender history. Founded in 1985,

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2688-736: The Redstone Building tenants, followed by several meetings, including the first one with tenants on June 19, 1996. Working color sketches were supposed to be presented to tenants on September 3, 1996, but delayed until October 25, 1996. The sketches were then taken to the Building owner who gave permission to begin painting the murals. The initial phase of the CAMP project was made up of nine artists: Carolyn Castano , John Fadeff, Susan Greene (a Redstone tenant), Barry McGee , Ruby Neri , Sebastiani Pastor, Rigo '96 , Lilly Rodriguez, Chuck Sperry and Project Director Aaron Noble. The project outreach coordinator

2772-495: The Redstone's north entrance. After 5 years of major rent increases Rhino left the building on June 30, 2009. The Clarion Alley Mural Project (CAMP), named after their first mural project on Clarion Alley (between 17th and 18th Streets near Mission Street) and The LAB announced the mural project to the tenants on April 19, 1996, after getting tentative support from the Redstone Building Manager. The LAB

2856-559: The Redstone's walls are covered by the CAMP murals, covering the building's labor, Filipino , Latino and gay history that "reflect the building’s history and many uses" and are "commemorating key labor actions like the (1934) strike and picket by the Chinese Garment Workers Union and the formation of the Bindery Women's Union." Six of the completed Red Stone Building murals depict the activities of

2940-591: The Reform of Sexual Law"). A continuing series of homages to LGBT people in public life has included Oscar Wilde , Marlene Dietrich , Rainer Werner Fassbinder , Michel Foucault and Thomas Mann . 52°29′27″N 13°23′16″E  /  52.49083°N 13.38778°E  / 52.49083; 13.38778 Redstone Building The Redstone Building , also known as the Redstone Labor Temple (and formerly called "The San Francisco Labor Temple"),

3024-564: The San Francisco Bay Area Gay and Lesbian Historical Society in 1985, the organization became the Gay and Lesbian Historical Society of Northern California in 1990, thus clarifying the geographical reach of its primary collections. In 1999, the organization changed its name for the second time, becoming the Gay, Lesbian, Bisexual, Transgender Historical Society in response to concerns raised by bisexual and transgender community members and their allies and to more clearly state

3108-689: The United States and around the world visited the exhibition during its 11-month run. The GLBT Historical Society is home to one of the largest LGBT historical archives in the United States, with more than 500 manuscript collections and nearly 200 non-manuscript collections; 70 linear feet of ephemera ; approximately 4,000 periodical titles; approximately 80,000 photographs; approximately 3,000 imprinted T-shirts; approximately 5,000 posters; nearly 500 oral histories; approximately 1,000 hours of recorded sound; and approximately 1,000 hours of film and video. The archives also has extensive holdings of historic textiles, works of fine and graphic arts, and artifacts. Among

3192-560: The board hired Terence Kissack, Ph.D., in 2004. Kissack served until the end of 2006. Paul Boneberg took over the post at the beginning of January 2007, serving until May 2015. An acting executive director, Daryl Carr, then headed the society on an interim basis. The institution's board of directors appointed Terry Beswick as the permanent executive director starting February 2, 2016; Beswick's experience included nonprofit leadership, fundraising, government affairs and activism. Beswick served for five-and-a-half years including successfully leading

3276-410: The building and making general improvements to the large property as part of a general concern about gentrification of the neighborhood resulting in evictions and rising rents. San Francisco was experiencing a hot rental market with the dot-com boom that created high-paying technical jobs and, in the process, displaced both commercial and residential renters with evictions and skyrocketing rents. With

3360-505: The building are Isis Rodriguez's illustration of the Bindery Women's Local 125, which occupied the building in the early 1920s; Sebastiana Pastor's depicting the organization of the Chinese Ladies Garment Workers Union Local 341 in 1938; Ruby Neri (with Alicia McCarthy )'s personal work (in ball-point pen) on the theme of sign painting—an oblique tribute to Sign Painters' Local 510, which sanctioned

3444-410: The building interior and gave details such as the $ 150,000 construction cost. The building included 22 office spaces, a number of large halls, and the 70-by-62-foot (21 by 19 m) main auditorium. The building would have its own medical and dental clinic. One of the first steel frame buildings erected in San Francisco, the building is steel reinforced with a brick facade on two sides and masonry on

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3528-549: The campaign, dubbed Vision 2020, with fundraising for capacity building. Early in 2017, the San Francisco Board of Supervisors passed a resolution "calling on municipal authorities, philanthropists and business leaders to support the GLBT Historical Society's efforts to develop a new LGBTQ museum and public history center in the city. Supervisor Jeff Sheehy introduced the resolution, which was cosponsored by Supervisor Jane Kim . The board voted unanimously in favor of

3612-647: The corner of 18th and Castro streets; the space featured an exhibition, "Passionate Struggle: Dynamics of San Francisco's GLBT History" Archived 2011-07-26 at the Wayback Machine , that traced more than a century of the city's LGBT history using documents and artifacts from the society's collections. The exhibition was curated by Don Romesburg, assistant professor of women's and gender studies at Sonoma State University , and Amy Sueyoshi , associate professor of race and resistance studies and sexuality studies at San Francisco State University , with assistance from

3696-523: The date of gaining historic landmark status, the annual "Labor Fest" did the first mural tour of the building and surrounding neighborhood. On July 31, 2004, the Redstone celebrated the landmark status that had been bestowed by the San Francisco Board of Supervisors. The event included a proclamation from the Board as well as Walter Johnson, head of the SF Labor Council, who presented the plaque to

3780-476: The end of June 2016 at the new location, which offers 6,500-square-foot (600 m) devoted to archival and office space. The Historical Society has had six executive directors during the course of its history. The organization was run directly by the Board of Directors from 1985 to 1998. In 1998, the board hired the first paid executive director, Susan Stryker , Ph.D. Stryker was succeeded in 2003 by an acting interim executive director, Daniel Bao, who served until

3864-463: The entrance of the LAB, invoking a technological urban landscape; Barry McGee's illustration of immigrants floating to a new land; Rigo '97's "3/4 Water," celebrating the environmental organizations in the building; and Matt Day's small piece dedicated to the building's many alternative media organizations. Later, a mural honoring long-time building tenant Theater Rhinoceros was added to the project. There

3948-551: The exhibition were the 1919 honorable discharge of gay novelist Clarkson Crane, who served in World War I ; the only known photograph of gay men held in the camps that the United States created for the Japanese-American internment during World War II; documents reflecting the life of female-to-male transsexual organizer and author Lou Sullivan (1950–1991); an extravagant 1983 gown worn by San Francisco drag personality

4032-872: The gay nightclub SchwuZ , a gay-friendly café and the Allgemeine Homosexuelle Arbeitsgemeinschaft  [ de ] , a support group which campaigns for LGBTQ+ rights. In December 2009, the museum received its first allocation of public money, a two-year grant from the cultural funds of the Berlin Senate . This was used to broaden its focus to encompass other minority sexual identities besides male homosexuality , mainly to put more emphasis on lesbian and transgender people. The museum shows several temporary exhibitions every year. These include historical exhibitions illuminating particular periods or historical developments, such as: From December 2004 to May 2013, there

4116-596: The help of the Mission Economic Development Association (MEDA) the tenants obtained a grant to do their own economic analysis of the building with the intent to make a formal bid for purchase. A variety of entities were approached with the hope of finding a non-profit owner. The Redstone Tenants Association is now known as the Redstone Labor Temple Association and has 501(c)(3) status. The first grant

4200-464: The history of LGBT people and communities in San Francisco and the Bay Area. Curated by historians Gerard Koskovich, Don Romesburg and Amy Sueyoshi with help from seven associate curators, the show included more than 450 objects, photographs, documents, costumes, and film and video clips. All the materials were from the society's collections, and most had never before been displayed. Among the items in

4284-520: The inclusive mission the society had pursued since it was founded. In everyday usage, the institution generally employs a short form of its name: the GLBT Historical Society. The archival collections of the Historical Society initially were housed in the living room of Walker's apartment at 3823 17th St. in San Francisco. In 1990, the society moved into its own space, in the basement of the Redstone Building on 16th Street near South Van Ness —

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4368-872: The institution drew extraordinary media attention from across the United States and around the world. Thousands of newspapers, magazines, television and radio broadcasts, blogs and other outlets in at least 75 countries and 38 languages covered the opening. U.S. media that ran stories include the Huffington Post , the Washington Post , CNN en Español , MSNBC and CBS Radio . Outside the United States, coverage included national television in Italy and Spain; radio in Belgium, Columbia and Venezuela; and newspapers and magazines such as Emarat Al Youm (United Arab Emirates), Reforma (Mexico), Tempo (Indonesia),

4452-488: The institution through the coronavirus pandemic lockdown. He resigned effective September 15, 2021, to take the post of executive director at the Golden Gate Business Association. Beswick was replaced by two interim acting executive directors: Kelsi Evans, the society's director of archives and special collections, and Andrew Shaffer, the director of development and communications. The board of

4536-519: The labor unions in the building (from 1914 to 1966). Chuck Sperry recreated the scene of a Labor Council planning meeting for the landmark 1934 General Strike, while Aaron Noble's piece illustrates two important moments in the city's labor history—when the corrupt union official Ben Rasnick was thrown out of the Red Stone Building by Dow Wilson; and, later, when Wilson was murdered by shotgun fire on April 5, 1966. Other labor-themed murals in

4620-468: The meeting was a member,' Pennington remembers. 'And we chose the name, the San Francisco Bay Area Gay and Lesbian Historical Society. On May 18, we held a public membership meeting to adopt the bylaws and elect the first board of directors.'" Over the course of its history, the Historical Society has renamed itself twice to better reflect the scope of its holdings and the range of identities and practices represented in its collections and programs. Founded as

4704-412: The mother of Milk's former partner, Scott Smith , who donated them to the GLBT Historical Society. The collection includes everyday objects such the battered, gold-painted kitchen table from Milk's apartment and several antique cameras that had been displayed at Castro Camera , his shop in San Francisco's Castro District. The collection also includes the suit, shirt, belt and shoes Milk was wearing when he

4788-607: The murder of Wilson. Blasko later sold the property to the M.K Blake Estate which held the building until 1989. By this time the building had become a community center. The Mission District, which used to be predominantly Irish and working class , had been shifting towards a predominantly Latino community. By the early 1980s the building would be leased to mostly Latino organizations with a couple labor organizations, American Federation of Teachers Local 2121 (until 1996), which represented teachers at San Francisco City College and AFSCME Local 1650. Theatre Rhinoceros or The Rhino ,

4872-499: The noteworthy manuscript collections are more than 200 boxes of material donated by early lesbian activists Del Martin and Phyllis Lyon . Lyon and Martin were cofounders of the Daughters of Bilitis , the first lesbian organization in the United States, and their papers at the society include the complete surviving office records of the organization. The society's holdings also include a substantial group of administrative records from

4956-850: The oldest gay theater in the U.S. and the Redstone's largest tenant. Today, its tenants include three theater ensembles: gay Theatre Rhinoceros, feminist Luna Sea, and the Latino El Teatro de la Esperanza. Other causes are evidenced by the groups' names: the Mission Area Federal Credit Union, the Filipino-American Employment and Training Center, the Industrial Workers of the World , the Homeless Children's Network,

5040-456: The opening of its new GLBT History Museum, the society closed its galleries and program space at 657 Mission St., while maintaining its archives, reading room and administrative offices at that location. At the end of May 2016, the GLBT Historical Society closed its archives at 657 Mission St. in preparation for a move to an expanded space with improved facilities for researchers and staff at 989 Market St. in San Francisco. The archives reopened at

5124-475: The organization was housed in a private home until 1990, when it moved into a basement space in the Redstone Building. After five years, the society moved out of the building and has subsequently been housed in larger spaces on Market Street and Mission Street in San Francisco. As of the year 1999, the current building had nearly 50,000 square feet (4,600 m ) of tenant space housing over forty tenants and four theaters, including Theatre Rhinoceros,

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5208-527: The other. A new wing to the building was added in 1939 at a cost of $ 92,000. On April 5, 1966, Dow Wilson , the secretary of the Brotherhood of Painters, Decorators and Paperhangers' San Francisco Local 4 was killed around the corner from the building in a corruption dispute. His murder led to the building being sold to Peter Blasko for $ 228,000. The sale helped SFLC pay off their outstanding loan. They continued to lease space as did other unions after

5292-506: The plan would require a much larger and more diverse organizing group. According to the GLBT Historical Society newsletter, "With this in mind, Walker sent a letter to 160 organizations and 100 individuals inviting them to what turned out to be the pivotal meeting at the San Francisco Public Library on March 16, 1985. There were 63 people at the library that Saturday afternoon. 'We made the decision that everyone at

5376-433: The primary lease and uses about one-quarter of the storefront as an extension for operations of its adjacent satellite pharmacy. In March 2015, the society renewed the lease for a second five-year term. The grand opening of the museum took place on the evening of Jan. 13, 2011. The newly appointed interim mayor of San Francisco, Edwin M. Lee , cut a rainbow ribbon to officially inaugurate the museum; in addition, he presented

5460-444: The print newsletter was succeeded by an ongoing electronic newsletter, History Happens, published monthly until 2014, then bimonthly, before returning to a monthly schedule in late 2015. Links to the current issue and several years of back issues are available on the GLBT Historical Society website. In addition, the society published three issues of a twice-yearly print journal, Fabulas, which appeared in 2008–2009. On Dec. 10, 2010,

5544-570: The project; and Susan Greene's rendering of the Service Employees International Union's hotel and department store strike of 1941. The remaining six murals reflect later uses of the building. Two are historical: John Fadeff's piece evokes construction of the building's foundation, and Carolyn Castaño's depicts ballroom dancing in the former Filipino-American social club. Others reflect the building's current uses: an abstract piece by stencil artist Scott Williams for

5628-699: The resolution." With its record of more than 35 years as an internationally recognized center for LGBT public-history initiatives, the GLBT Historical Society itself has increasingly attracted attention from scholars and other professionals in LGBT studies , sexuality studies, museum studies , library and information science , and other fields. Among the books and reports that analyze its work are Jennifer Tyburczy's Sex Museums: The Politics and Performance of Display (2016); Museums and LGBTQ: An Analysis of How Museums and Other Exhibitors Can Highlight Lesbian, Gay, Bisexual, Transgender and Queer Perspectives (2016); Out of

5712-507: The same time, Walker was involved in a private study group, the San Francisco Lesbian and Gay History Project; among its members were a number of individuals who would go on to make major cultural contributions, including historians Allan Bérubé and Estelle Freedman , independent scholar Jeffrey Escoffier , author and community organizer Amber Hollibaugh , and anthropologist and queer theorist Gayle Rubin . Each member of

5796-595: The second in the world after the Schwules Museum in Berlin). The grand opening of the museum took place on the evening of January 13, 2011. Referred to as San Francisco's "queer Smithsonian ", the GLBT Historical Society is one of approximately 30 LGBT archives in the United States—and is among the handful of such organizations to benefit from a paid staff and to function as a full-fledged center for exhibitions, programming, research, and production of oral histories. It

5880-562: The show included examples from the society's collections of ephemera ; posters; periodicals; photographs; oral history interviews; and film, video and recorded sound. The debut show in the front gallery of the museum closed at the end of February 2012; the museum then launched a program of periodically changing exhibitions in the space. The first of these shows opened in early March 2012: "Life and Death in Black and White: AIDS Direct Action in San Francisco, 1985–1990." The exhibition focused on

5964-486: The social and legal background was presented, such as the anti-gay Paragraph 175 of the German penal code; the associated marginalisation, persecution and criminalisation of homosexuality ; as well as the successes of LGBT social movements . The museum also holds series of exhibitions on individuals, groups and organisations, such as Der Kreis ("The Circle") and Gesellschaft für Reform des Sexualrechts ("Society for

6048-430: The society's collection of textiles: the pantsuits that Del Martin and Phyllis Lyon wore to their wedding during San Francisco's "Winter of Love" in 2004 and again in 2008 when they became the first couple to wed during the brief period when the state's high court legalized same-sex marriage in California . On exhibit as examples of the society's artifacts collections were personal belongings of Harvey Milk . In addition,

6132-470: The tenor of those times and provides a microcosm of what was at stake as the federal government, either out of obliviousness, callousness, prejudice or a combination of all three, turned a blind eye and deaf ear to the proliferation and devastating impact of the disease." The Huffington Post review noted that "the exhibition highlights the pain, the rage and the bravery involved in the fight for AIDS awareness. The crisp and clean black and white photos bring

6216-489: The work of five photographers—Jane Philomen Cleland, Patrick Clifton, Marc Geller, Rick Gerharter and Daniel Nicoletta —who used the medium of black-and-white film to document the emergence of militant protests in response to the AIDS epidemic in San Francisco. The Bay Area Reporter characterized the show as "a concise, laser-focused exhibition ... of 17 carefully selected black-and-white photographs," adding that it "distills

6300-500: The world. The society likewise holds numerous manuscript collections documenting the history of transgender individuals and movements in Northern California, including the complete papers of Lou Sullivan , founder of the pioneering female-to-male transsexual organization FTM International. Holdings focused on the history of bisexuality include the typescript and research files for "Bisexuality and Androgyny: An Analysis,"

6384-542: Was Mary Newson with the Lab's Laura Brun coordinating the administration of the city grant, which was part of the original $ 1.8 million Mission Armory Foundation money that was broken up by Mayor Brown and given to arts groups across the city. On January 25, 1997, the Redstone Labor Temple Mural Project was dedicated by San Francisco mayor Willie L. Brown, Jr. The lobby and first floor of

6468-402: Was a permanent exhibition called Selbstbewusstsein und Beharrlichkeit. 200 Jahre schwule Geschichte ("Self-Awareness and Endurance: 200 Years of Gay History"). It covers period 1790 to 1990, showing how gay people met up with each other and organised networks, and depicted the strategies, options and problems of gay people in seeking to live a self-determined life. In association with this theme,

6552-462: Was awarded a grant from the Mayor's Office to cover artist fees and expenses for the mural project, and for the design and installation of a handicapped lift, to allow access to the entertainment venues The Lab and Theater Rhinoceros. CAMP members spent several months researching the history of the building at San Francisco State University's Labor Archives. They followed this up with surveys to all of

6636-604: Was constructed and operated by the San Francisco Labor Council Hall Associates. Initial planning started in 1910, with most construction work done during 1914. Its primary tenant was the San Francisco Labor Council , including 22 labor union offices as well as meeting halls. The building was a hub of union organizing and work activities and a "primary center for the city's historic labor community for over half

6720-544: Was dedicated on September 7, 1914, by former San Francisco mayor and head of the local Building Trades Council P.H. McCarthy . The cornerstone was set by A.J Gallagaher. The San Francisco Labor Council held a grand opening for the Labor Temple on February 27, 1915. The SF Labor Council newspaper, the Labor Clarion, described the building on the front page of its newspaper on February 26, 1915. The article described

6804-702: Was established in 1977 to produce original LGBT live theater to explore "the ordinary and extraordinary aspects of our queer community" moved into the Redstone in 1981. The Rhino was the first gay theatre to receive funding from the National Endowment for the Arts and is the "world’s oldest and longest-running queer theatre" and was the Redstone's 2nd oldest and largest tenant producing "an unparalleled amount of original work" shown in The Rhino's two theaters. The Rhino's marquee and box office were at

6888-730: Was first located at Mehringdamm 61 in Kreuzberg when it was founded in 1985, and since the summer of 2013, it has been located in a former printing factory (1,600 m ) at Lützowstraße 73 in Berlin-Mitte , more than doubling its exhibition space. The impetus for the founding of the Schwules Museum was a successful exhibition on gay topics at the Berlin Märkisches Museum in summer 1984, called " Eldorado - Homosexual Women and Men in Berlin 1850-1950" . It

6972-627: Was shot to death by assassin Dan White . Searchable catalogs of the society's manuscript collections, periodicals holdings and oral histories are available on the institution's website, and complete finding aids for the ephemera collections and many of the manuscript collections are available through the Online Archive of California (a project of the California Digital Library ). From June 1985 through November 2007,

7056-522: Was the first public exhibition shown in Germany of recent research on gay life. In 1985 the Verein der Freunde eines Schwulen Museums in Berlin e.V. (Society of Friends of a Gay Museum in Berlin) was founded and opened its own museum dedicated exclusively to LGBTQ+ topics at Mehringdamm 61 in the district of Kreuzberg. The building acquired the nickname Homo-Hof ("the gay courtyard") because it also housed

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