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Shoulder angel

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A shoulder angel is a plot device used for dramatic and/or humorous effect in fiction, mainly in animation and comic books / strips . The angel represents conscience and is often accompanied by a shoulder devil representing temptation . They are a useful convention for depicting the inner conflict of a character.

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59-437: The shoulder angel often uses the iconography of a traditional angel , with wings, a robe, a halo , and sometimes a harp. The shoulder devil likewise usually looks like a traditional devil with reddish skin, horns, barbed tail, a trident , and in some cases, cloven hooves . Often, both resemble their host, though sometimes they will resemble other characters in the story who are responsible or mischievous. In Western culture

118-469: A branch of art history , studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style . The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write" or to draw ). A secondary meaning (based on a non-standard translation of

177-469: A character can be marked as especially evil or mischievous by receiving similarly bad advice from both shoulder figures, having a second shoulder devil instead of the angel, or being persuaded by the devil to kick the angel out. In the Disney short Donald's Better Self from 1938, Donald Duck is sleeping and when turning in his bed, an angel version of him appears in his former exact position. The angel and

236-413: A course of action, saying 'don't know' when asked for guidance; Torg's are both childish; and Zoe's demon dresses in revealing outfits, while her angel wishes she could dress in the same fashion. The 2000 Disney animated film The Emperor's New Groove , its sequel Kronk's New Groove , and the animated series The Emperor's New School feature the concept of shoulder angels and devils, most notably in

295-526: A devil version of Donald then fight for control over him. Angel on My Shoulder is a 1946 American fantasy film about a deal between the Devil and a dead man. The Adventures of Tintin comics used this concept in at least two stories. In The Red Sea Sharks (1958), Captain Haddock 's bad angel persuades him to drink a bottle of whisky, but the bottle smashes before he is able to drink it, leaving

354-588: A different voice than Donald's and has a devil form with horns. He easily convinces Donald to stay in bed, but the Conscience wins out and walks with Donald to school. Along the way, Donald is tempted by the Anti-Conscience to skip out on school and go fishing instead. At the fishing hole, the Anti-Conscience pressures him to smoke a pipe, which causes him to get sick. Soon the Conscience arrives looking for Donald. She finds him sick, and she gets angry at

413-614: A halo/horns and a pitchfork, respectively. In the Discworld novel Nightwatch (2002) by Terry Pratchett , the killer Carcer was considered by the hero Samuel Vimes to have a demon on each shoulder, not opposing each other but in competition to urge Carcer on to worse deeds. It was said that if Vimes looked deep into Carcer's eyes, he could see the demons looking back. In the feature film Cloud Atlas (2012), Old Georgie ( Hugo Weaving ) whispers bad and good advice to Zachry ( Tom Hanks ). Old Georgie appears only in critical points of

472-661: A local monastery and brings the monks to help. In both examples, the angels resemble good or bad versions of their subject, with horns and angel wings. In 1960, the original Hanna-Barbera cartoon, The Flintstones season 1, episode 12, “The Sweepstakes Ticket,” features Fred Flintstone with an angel conscience on one shoulder and a devil conscience on the other. These characters look like Fred dressed up in angel/devil costume, and they encourage him to trust those around him or to behave dishonestly and greedily. In 1993, in The Simpsons episode " Whacking Day ," Homer presents

531-769: A more scientific manner than the popular aesthetic approach of the time. These early contributions paved the way for encyclopedias , manuals, and other publications useful in identifying the content of art. Mâle's l'Art religieux du XIIIe siècle en France (originally 1899, with revised editions) translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In early twentieth-century Germany , Aby Warburg (1866–1929) and his followers Fritz Saxl (1890–1948) and Erwin Panofsky (1892–1968) elaborated

590-601: A person's shoulders, observing and reporting all his deeds. Dōmyō records good deeds, but Dōshō reports bad ones. In Ancient Greek philosophy , Plato writes in Phaedrus about a speech given by Socrates that splits the soul into three parts: a "charioteer," or the man that participates in everyday life, a "good horse" that knows of self-control, moderation, and shame, and a "bad [horse]" who "does everything to aggravate its yokemate and its charioteer." The bad horse, who "barely yields to horsewhip and goad combined," tempts

649-468: A sample of N=1,437 child sexual abuse (CSA) online press articles that included 419 stock photos, a CSA iconography (i.e. a set of typical image motifs for a topic) was revealed that relate to criminal reporting: The CSA iconography visualizes 1. crime contexts, 2. course of the crime and people involved, and 3. consequences of the crime for the people involved (e.g., image motif: perpetrator in handcuffs). Donald%27s Better Self Donald's Better Self

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708-460: A specialist on early medieval churches and another German émigré, extended iconographical analysis to architectural forms . The period from 1940 can be seen as one where iconography was especially prominent in art history. Whereas most iconographical scholarship remains highly dense and specialized, some analyses began to attract a much wider audience, for example Panofsky 's theory (now generally out of favour with specialists of that picture) that

767-415: A spicy bacon cheeseburger . Founder Dave Thomas is indecisive about the new recipe, and his shoulder angel and devil are him dressed in a white and red suit respectively. Both character appear morally good, but with different personalities, as they are not meant to represent good and evil, but food preferences (with the "angel" representing mild food and the "devil" representing spice). The "devil" Dave wins

826-512: A thousand years ago, though development, and some shifts in meaning, have occurred – for example, the old man wearing a fleece in conversation with Saint Joseph usually seen in Orthodox Nativities seems to have begun as one of the shepherds, or the prophet Isaiah , but is now usually understood as the "Tempter" ( Satan ). In both East and West, numerous iconic types of Christ , Mary and saints and other subjects were developed;

885-708: A well-educated contemporary. The subtle layers of meaning uncovered by modern iconographical research in works of Robert Campin such as the Mérode Altarpiece , and of Jan van Eyck such as the Madonna of Chancellor Rolin and the Washington Annunciation lie in small details of what are on first viewing very conventional representations. When Italian painting developed a taste for enigma, considerably later, it most often showed in secular compositions influenced by Renaissance Neo-Platonism . From

944-680: A wrathful deity but in few contexts is depicted in pacified mood. Although iconic depictions of, or concentrating on, a single figure are the dominant type of Buddhist image, large stone relief or fresco narrative cycles of the Life of the Buddha , or tales of his previous lives, are found at major sites like Sarnath , Ajanta , and Borobudor , especially in earlier periods. Conversely, in Hindu art, narrative scenes have become rather more common in recent centuries, especially in miniature paintings of

1003-593: Is a 1938 Disney cartoon featuring Donald Duck . This 8 minute short premiered in March 1938, and was distributed by RKO Radio Pictures . Donald is fast asleep in his bed. As he turns in his sleep, his Conscience takes a form of its own beside him. She looks exactly like Donald, but wears a white robe and a golden halo . She also has a kinder and gentler voice than Donald. The Conscience tries to get Donald up and out of bed so he won't be late for school, but Donald's Anti-Conscience appears to keep Donald in bed. He has

1062-434: Is a concern of other academic disciplines including Semiotics , Anthropology , Sociology , Media Studies , Communication Studies , and Cultural Studies . These analyses in turn have affected conventional art history, especially concepts such as signs in semiotics . Discussing imagery as iconography in this way implies a critical "reading" of imagery that often attempts to explore social and cultural values. Iconography

1121-415: Is also used within film studies to describe the visual language of cinema, particularly within the field of genre criticism . In the age of Internet, the new global history of the visual production of Humanity (Histiconologia ) includes History of Art and history of all kind of images or medias. Contemporary iconography research often draws on theories of visual framing to address such diverse issues as

1180-417: Is similar to ideas of personal tutelary spirits that are very common in many ancient and traditional cultures. In some Christian folklore , each person has a dedicated guardian angel whose task is to follow the person and try to prevent them from coming to harm, both physical and moral. At the same time each person is assailed by devils, not usually considered as single and dedicated to a single person in

1239-604: The Catacombs of Rome show orans figures, portraits of Christ and some saints, and a limited number of "abbreviated representations" of biblical episodes emphasizing deliverance. From the Constantinian period monumental art borrowed motifs from Roman Imperial imagery, classical Greek and Roman religion and popular art – the motif of Christ in Majesty owes something to both Imperial portraits and depictions of Zeus . In

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1298-543: The Franciscans , as were many other developments. Most painters remained content to copy and slightly modify the works of others, and it is clear that the clergy, by whom or for whose churches most art was commissioned, often specified what they wanted shown in great detail. The theory of typology , by which the meaning of most events of the Old Testament was understood as a "type" or pre-figuring of an event in

1357-596: The Late Antique period iconography began to be standardized, and to relate more closely to Biblical texts, although many gaps in the canonical Gospel narratives were plugged with matter from the apocryphal gospels . Eventually, the Church would succeed in weeding most of these out, but some remain, like the ox and ass in the Nativity of Christ . After the period of Byzantine iconoclasm iconographical innovation

1416-445: The 15th century religious painting gradually freed itself from the habit of following earlier compositional models, and by the 16th century ambitious artists were expected to find novel compositions for each subject, and direct borrowings from earlier artists are more often of the poses of individual figures than of whole compositions. The Reformation soon restricted most Protestant religious painting to Biblical scenes conceived along

1475-435: The Anti-Conscience for Donald's misfortune. The Anti-Conscience soon realizes he's in trouble when he sees the Conscience behind him. " YOU! This is all your fault!" says the Conscience to the Anti-Conscience, who nervously convinces the Conscience not to hurt him. The Conscience refuses, but after the Anti-Conscience deliberately tricks her, proceeds to fight the Anti-Conscience to teach him a lesson. Donald finally learns to do

1534-519: The Greek and Russian equivalent terms) is the production or study of the religious images, called " icons ", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history , "an iconography" may also mean a particular depiction of a subject in terms of the content of

1593-607: The Index of Medieval Art (formerly Index of Christian Art) at Princeton (which has made a specialism of iconography since its early days in America). These are now being digitised and made available online, usually on a restricted basis. With the arrival of computing, the Iconclass system, a highly complex system for the classification of the content of images, with 40,000+ classification types, and 84,000 (14,000 unique) keywords,

1652-783: The Virgin , parts of the Old Testament, and, increasingly, the lives of popular saints . Especially in the West, a system of attributes developed for identifying individual figures of saints by a standard appearance and symbolic objects held by them; in the East, they were more likely to identified by text labels. From the Romanesque period sculpture on churches became increasingly important in Western art, and probably partly because of

1711-508: The character of Kronk. His appear at various points of moral crisis in the franchise for Kronk, but often spend more time antagonizing each other than actually trying to take Kronk down one path or another. The Oscar-winning Disney short Lend a Paw also featured Pluto being influenced by a shoulder angel and devil. In Mickey Mouse Clubhouse , a Disney animated series aimed at preschoolers, Pete has similar manifestations—though simply colored white and red rather than depicted with wings and

1770-433: The charioteer in matters of eros and lust. The good horse, meanwhile, "is obedient to the charioteer" and "still controlled ... by its sense of shame," and meant to steer the charioteer away from the shameful and towards the divine. Both horses are present in the life of the charioteer at every moment, and act in a very similar fashion to the shoulder angel and shoulder devil plot device. In several modern fictional stories,

1829-473: The choices one makes, and only record one's deeds. However, there is a concept which is more similar to the shoulder angels: the qareen , which, according to Islamic literature, is a (possibly evil) personal companion, and the guardian angels assigned to each person. In Japanese Buddhism , the Kushoujin are a pair of beings – Dōmyō ( 同名 , Same Name) and Dōshō ( 同生 , Same Birth) – which sit on

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1888-649: The collections of the Gemäldegalerie, Berlin and the German Marburger Index . These are available, usually on-line or on DVD . The system can also be used outside pure art history, for example on sites like Flickr . Religious images are used to some extent by all major religions, including both Indian and Abrahamic faiths, and often contain highly complex iconography, which reflects centuries of accumulated tradition. Secular Western iconography later drew upon these themes. Central to

1947-482: The concept that everyone has a good and a bad self to Lisa. A fantasy sequence set in Homer's imagination then begins, showing Homer's bad self, visually depicted as Homer in a devil costume, dancing on the grave of the good Homer while singing 'I am Evil Homer, I am Evil Homer', implying that within him the battle for good and evil has long ago been won by his bad angel. The trope is used in a 1996 Wendy's commercial for

2006-437: The debate to add spicy pepper jack cheese to the burger, and the "angel" Dave suggests he be careful while eating the burger. The founder tells his angel to "mind his own business." In the webcomic Sluggy Freelance (beginning in 1997), all three of the main characters have been shown debating with their shoulder angels and demons, each of whom reflects aspects of their respective hosts: Riff's are both unwilling to commit to

2065-762: The definitions, and so the distinction made, varies. When referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Early Western writers who took special note of the content of images include Giorgio Vasari , whose Ragionamenti interpreted the paintings in the Palazzo Vecchio in Florence . Ragionamenti reassuringly demonstrates that such works were difficult to understand even for well-informed contemporaries. Lesser known, though it had informed poets, painters and sculptors for over two centuries after its 1593 publication,

2124-481: The good angel victorious. In Tintin in Tibet (1960), Snowy is tempted by his demon to lap up Captain Haddock's whiskey leaking from his rucksack. In an later instance from the same book, his demon tempts him to enjoy a huge bone rather than deliver a vital message. His good angel loses the argument, leaving in tears, and he gnaws the bone while the message blows away. Realizing his mistake, Snowy makes amends by reaching

2183-476: The hero. The non-canonical early Christian book The Shepherd of Hermas , of around A.D. 140–150, has a reference to the idea of two angels: "There are two angels with a man—one of righteousness, and the other of iniquity". These angels in turn descend into a person's heart, and attempt to guide a person's emotions. Hermas is told to understand both angels, but to only trust the Angel of Righteousness. The concept

2242-648: The iconography and hagiography of Indian religions are mudra or gestures with specific meanings. Other features include the aureola and halo , also found in Christian and Islamic art, and divine qualities and attributes represented by asana and ritual tools such as the dharmachakra , vajra , chhatra , sauwastika , phurba and danda . The symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under

2301-421: The iconography of climate change created by different stakeholders, the iconography that international organizations create about natural disasters, the iconography of epidemics disseminated in the press, and the iconography of suffering found in social media. An iconography study in communication science analyzed stock photos used in press reporting to depict the social issue of child sexual abuse. Based on

2360-451: The idea develops the Christian concept of a personal guardian angel , who was sometimes considered to be matched by a personal devil who countered the angel's efforts, especially in popular medieval dramas like the 15th century The Castle of Perseverance . In both this and Christopher Marlowe 's play The Tragical History of Doctor Faustus , of about 1592, the "Good Angel" and "Bad Angel" offer competing advice (Act 2, scene 1, etc.) to

2419-530: The identification of visual content) and "iconology" (the analysis of the meaning of that content), has not been generally accepted, though it is still used by some writers. In the United States , to which Panofsky immigrated in 1931, students such as Frederick Hartt , and Meyer Schapiro continued under his influence in the discipline. In an influential article of 1942, Introduction to an "Iconography of Mediaeval Architecture" , Richard Krautheimer ,

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2478-411: The image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics , media studies , and archaeology, and in general usage, for the content of images, the typical depiction in images of a subject, and related senses. Sometimes distinctions have been made between iconology and iconography , although

2537-513: The influence of tantra art developed esoteric meanings, accessible only to initiates; this is an especially strong feature of Tibetan art . The art of Indian Religions esp. Hindus in its numerous sectoral divisions is governed by sacred texts called the Aagama which describes the ratio and proportion of the icon, called taalmaana as well as mood of the central figure in a context. For example, Narasimha an incarnation of Vishnu though considered

2596-545: The lack of Byzantine models, became the location of much iconographic innovation, along with the illuminated manuscript , which had already taken a decisively different direction from Byzantine equivalents, under the influence of Insular art and other factors. Developments in theology and devotional practice produced innovations like the subject of the Coronation of the Virgin and the Assumption , Both associated with

2655-627: The life of, or aspect of, Christ or Mary was often reflected in art, and in the later Middle Ages came to dominate the choice of Old Testament scenes in Western Christian art. Whereas in the Romanesque and Gothic periods the great majority of religious art was intended to convey often complex religious messages as clearly as possible, with the arrival of Early Netherlandish painting iconography became highly sophisticated, and in many cases appears to be deliberately enigmatic, even for

2714-654: The lines of history painting , and after some decades the Catholic Council of Trent reined in somewhat the freedom of Catholic artists. Secular painting became far more common in the West from the Renaissance, and developed its own traditions and conventions of iconography, in history painting , which includes mythologies , portraits , genre scenes , and even landscapes , not to mention modern media and genres like photography , cinema , political cartoons , comic books . Renaissance mythological painting

2773-460: The lives of Krishna and Rama . Christian art features Christian iconography, prominently developed in the medieval era and renaissance , and is a prominent aspect of Christian media . Aniconism was rejected within Christian theology from the outset, and the development of early Christian art and architecture occurred within the first seven centuries after Jesus . Small images in

2832-467: The meaning of Christian images and architecture is closely linked to the content of biblical , liturgical and theological texts, which were usually considered authoritative by most patrons, artists and viewers. Technological advances allowed the building-up of huge collections of photographs, with an iconographic arrangement or index, which include those of the Warburg Institute and

2891-606: The nineteenth century in the works of scholars such as Adolphe Napoleon Didron (1806–1867), Anton Heinrich Springer (1825–1891), and Émile Mâle (1862–1954) all specialists in Christian religious art, which was the main focus of study in this period, in which French scholars were especially prominent. They looked back to earlier attempts to classify and organise subjects encyclopedically like Cesare Ripa and Anne Claude Philippe de Caylus 's Recueil d'antiquités égyptiennes, étrusques, grècques, romaines et gauloises as guides to understanding works of art, both religious and profane, in

2950-512: The number of named types of icons of Mary, with or without the infant Christ, was especially large in the East, whereas Christ Pantocrator was much the commonest image of Christ. Especially important depictions of Mary include the Hodegetria and Panagia types. Traditional models evolved for narrative paintings, including large cycles covering the events of the Life of Christ , the Life of

3009-544: The practice of identification and classification of motifs in images to using iconography as a means to understanding meaning. Panofsky codified an influential approach to iconography in his 1939 Studies in Iconology , where he defined it as "the branch of the history of art which concerns itself with the subject matter or meaning of works of art, as opposed to form," although the distinction he and other scholars drew between particular definitions of "iconography" (put simply,

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3068-446: The publications of Erwin Panofsky, has been critically discussed since the mid-1950s, in part also strongly ( Otto Pächt , Svetlana Alpers ). However, among the critics, no one has found a model of interpretation that could completely replace that of Panofsky. As regards the interpretation of Christian art , that Panofsky researched throughout his life, the iconographic interest in texts as possible sources remains important, because

3127-562: The same way as the guardian angel, who try to tempt the person into sin . Both angels and devils are often regarded as having the ability to access the person's thoughts, and introduce ideas. In the ancient midrash , Genesis Rabbah , the concept appears in connection with Isaac 's deathbed blessing for Jacob (see figure and caption, right.) There is a similar Islamic belief of Kiraman Katibin , two recording angels residing on either shoulder of humans which record their good and bad deeds. However, these angels do not have influence over

3186-422: The story, where Zachry's mind is split between right and wrong choices. BYUtv 's sketch comedy series Studio C makes use of the concept in several sketches, with the physical comedy aspect of the angel or devil – a full-sized being played by an actor – having to physically climb up onto the shoulder of the one they are attempting to influence for good or evil. Iconography Iconography , as

3245-529: The writing on the rear wall in the Arnolfini Portrait by Jan van Eyck turned the painting into the record of a marriage contract. Holbein 's The Ambassadors has been the subject of books for a general market with new theories as to its iconography, and the best-sellers of Dan Brown include theories, disowned by most art historians, on the iconography of works by Leonardo da Vinci . The method of iconology , which had developed following

3304-462: Was Cesare Ripa 's emblem book Iconologia . Gian Pietro Bellori , a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessing 's study (1796) of the classical figure Amor with an inverted torch was an early attempt to use a study of a type of image to explain the culture it originated in, rather than the other way round. Iconography as an academic art historical discipline developed in

3363-663: Was developed in the Netherlands as a standard classification for recording collections, with the idea of assembling huge databases that will allow the retrieval of images featuring particular details, subjects or other common factors. For example, the Iconclass code "71H7131" is for the subject of " Bathsheba (alone) with David's letter", whereas "71" is the whole " Old Testament " and "71H" the "story of David ". A number of collections of different types have been classified using Iconclass, notably many types of old master print ,

3422-607: Was in theory reviving the iconography of its Classical Antiquity , but in practice themes like Leda and the Swan developed on largely original lines, and for different purposes. Personal iconographies, where works appear to have significant meanings individual to, and perhaps only accessible by, the artist, go back at least as far as Hieronymous Bosch , but have become increasingly significant with artists like Goya , William Blake , Gauguin , Picasso , Frida Kahlo , and Joseph Beuys . Iconography, often of aspects of popular culture ,

3481-596: Was regarded as unhealthy, if not heretical, in the Eastern Church, though it still continued at a glacial pace. More than in the West, traditional depictions were often considered to have authentic or miraculous origins , and the job of the artist was to copy them with as little deviation as possible. The Eastern church also never accepted the use of monumental high relief or free-standing sculpture, which it found too reminiscent of paganism. Most modern Eastern Orthodox icons are very close to their predecessors of

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