56-582: James Gillray (13 August 1756 – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires , mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London. Gillray has been called "the father of the political cartoon ", with his works satirizing George III , Napoleon , prime ministers and generals. Regarded as one of
112-529: A Cooper , which he is doing by means of a candle on a "save-all", so that the sketch satirises at once the king's pretensions to knowledge of art and his miserly habits. During the French Revolution , Gillray took a conservative stance, and he issued caricature after caricature ridiculing the French and Napoleon (usually using Jacobin ) and glorifying John Bull . A number of these were published in
168-508: A New Batch of Kings; His Man, Talley Mixing up the Dough , a satire on Napoleon 's king-making proclivities, are shown in the shop window. Gillray's eyesight began to fail in 1806. He began wearing spectacles but they were unsatisfactory. Unable to work to his previous high standards, James Gillray became depressed and started drinking heavily. He produced his last print in September 1809. As
224-473: A commentary, a history of the times embraced by the caricatures. Many copies of the Bohn Edition have been broken up into individual sheets and passed off as originals (see Collecting below). Although the two volumes of the Bohn Edition are often represented as being a complete collection of Gillray's works, this is not the case: for example, Doublûres of Characters is not included in either volume. This
280-673: A contemporary art gallery, ran a programme of outdoor sculpture exhibitions in Southwood Garden in the grounds of the church in 2009–2010. The first exhibition was of work by the Swiss sculptor Hans Josephsohn . From 23 December 2013 to 5 January 2014 the "Bethlehem Unwrapped" demonstration against the Israeli West Bank barrier featured an art installation by Justin Butcher, Geof Thompson, and Dean Willars, which included
336-643: A few gravestones lining the edges of the park. Part of the Gardens, located between Hampstead Road and Euston railway station , was built over when Euston station was expanded in around 1887. To avoid public outcry, the affected remains were reinterred at St Pancras Cemetery . The Gardens were closed to the public in 2017 to allow the further expansion of Euston station for the High Speed 2 (HS2) rail project. Between October 2018 and 2020, archaeologists working on HS2 excavated approximately 40,000 burials. It
392-411: A large replica section of the wall. The installation blocked the view of the church, other than a section of the top of the tower, which was stated by church authorities to be part of the point of the demonstration. Following a short-term residency based in the bell tower at St James's, Turner Prize nominated artist Jesse Darling's Miserere (a substantial new work in the form of a choir or congregation)
448-401: A letter from Lord Bateman, dated 3 November 1798. "The Opposition", he writes to Gillray, "are as low as we can wish them. You have been of infinite service in lowering them, and making them ridiculous." Gillray's extraordinary industry may be inferred from the fact that nearly 1000 caricatures have been attributed to him; while some consider him the author of as many as 1600 or 1700. According to
504-483: A number in the top, right-hand corner of the print (the number is most commonly in the image itself, but may be outside in the margin); (ii) the fact that the Bohn edition was issued without colouring; and (iii) the fact that the strikes for the main published volumes of the Bohn Edition were printed on both sides of the paper (the Bohn Edition of the so-called "Suppressed Plates" was, like the originals, printed on one side of
560-601: A picture in which Pitt, so often Gillray's butt, figures in a favourable light; The Bridal Night ; The Apotheosis of Hoche , which concentrates the excesses of the French Revolution in one view; The Nursery with Britannia reposing in Peace ; The First Kiss these Ten Years (1803), another satire on the peace, which is said to have greatly amused Napoleon; The Hand-Writing upon the Wall ; The Confederated Coalition ,
616-511: A remarkably deft approach. The outstanding example of this is his print Fashionable Contrasts;—or—The Duchess's little Shoe yeilding [ sic ] to the Magnitude of the Duke's Foot . This was a devastating image aimed at the ridiculous sycophancy directed by the press towards Frederica Charlotte Ulrica, Duchess of York , and the supposed daintiness of her feet. The print showed only
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#1732782479893672-682: A result of his heavy drinking Gillray suffered from gout throughout his later life. His last work, from a design by Bunbury , is entitled Interior of a Barber's Shop in Assize Time , and is dated 1811. While he was engaged on it he became mad, although he had occasional intervals of sanity, which he employed on his last work. The approach of madness may have been hastened by his intemperate habits. In July 1811 Gillray attempted to kill himself by jumping out of an attic window above Humphrey's shop in St James's Street. Gillray lapsed into insanity and
728-606: A sumptuous organ case of carved and gilded oak by Grinling Gibbons , which originally contained an organ by Renatus Harris, originally built for the Roman Catholic chapel in Whitehall Palace, and installed here in 1691. This organ was entirely rebuilt in 1852 by J. C. Bishop, who added the choir case that now sits in front of the original Gibbons Case. A restoration project has been underway since at least 1982, which has not yet come to fruition. The current proposal
784-607: A swipe at the coalition which superseded the Addington ministry; Uncorking Old Sherry ; The Plumb-pudding in danger (probably the best known political print ever published); Making Decent ; Comforts of a Bed of Roses ; View of the Hustings in Covent Garden ; Phaethon Alarmed ; and Pandora opening her Box . As well as being blatant in his observations, Gillray could be incredibly subtle, and puncture vanity with
840-505: A time with a company of strolling players. After a chequered experience, he returned to London and was admitted as a student in the Royal Academy , supporting himself by engraving, and probably issuing a considerable number of caricatures under fictitious names. His caricatures are almost all in etching , some also with aquatint , and a few using stipple technique. None can correctly be described as engravings , although this term
896-405: Is a foolish affair, methinks, Miss Humphrey. We live very comfortably together; we had better let well alone." There is no evidence, however, to support the stories which scandalmongers invented about their relationship. One of Gillray's prints, "Twopenny Whist", is a depiction of four individuals playing cards, and the character shown second from the left, an ageing lady with eyeglasses and a bonnet,
952-424: Is an Anglican church on Piccadilly in the centre of London, England. The church was designed and built by Sir Christopher Wren . The church is built of red brick with Portland stone dressings. Its interior has galleries on three sides supported by square pillars and the nave has a barrel vault supported by Corinthian columns . The carved marble font and limewood reredos are both notable examples of
1008-399: Is carrying two large bags of money. Market-Day pictures the ministerialists of the time as cattle for sale. Among Gillray's best satires on George III are: Farmer George and his Wife , two companion plates, in one of which the king is toasting muffins for breakfast, and in the other the queen is frying sprats; The Anti-Saccharites , where the royal pair propose to dispense with sugar, to
1064-707: Is most likely because this print was not published by Hannah Humphrey, but by John Wright for the Anti-Jacobin Review and Magazine . The next edition, entitled The Works of James Gillray, the Caricaturist: with the Story of his Life and Times (Chatto & Windus, 1874), was the work of Thomas Wright, and introduced Gillray to larger public. This edition, which is complete in one volume, contains two portraits of Gillray, and upwards of 400 illustrations. Auction prices for Gillray's work have increased since
1120-560: Is often loosely used to describe them. Hogarth 's works were the delight and study of his early years. Paddy on Horseback , which appeared in 1779, is the first caricature which is certainly his. Two caricatures on Admiral Rodney 's naval victory at the Battle of the Saintes , issued in 1782, were among the first of the memorable series of his political sketches. The name of Gillray's publisher and print seller, Hannah Humphrey – whose shop
1176-546: Is still revered as one of the most influential political caricaturists of all time, and among the leading cartoonists on the political stage in the United Kingdom today, both Steve Bell and Martin Rowson acknowledge him as probably the most influential of all their predecessors in that particular arena . Professor David Taylor, a University of Toronto expert in political satire, stated in 2013, "Without question, if
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#17327824798931232-572: Is to re-build a new organ within the historic case. At present, the case sits empty, and an electronic replacement is used instead. Concerts are regularly held in the church. Concerts have included performances by popular contemporary musicians such as John Grant , Tokio Myers , Victoria Canal , R.E.M. , the folk musician Laura Marling as part of her "church tour", the collegiate Indian-American music group Penn Masala and Devin Townsend on his 2015 UK acoustic tour. Hauser & Wirth ,
1288-600: Is widely believed to be an accurate depiction of Miss Humphrey. Gillray's plates were exposed in Humphrey's shop window, where eager crowds examined them. One of his later prints, Very Slippy-Weather , shows Miss Humphrey's shop in St. James's Street in the background. In the shop window a number of Gillray's previously published prints, such as Tiddy-Doll the Great French Gingerbread Maker, Drawing Out
1344-647: The Anti-Jacobin Review . He is not, however, to be thought of as a keen political adherent of either the Whig or the Tory party; his caricatures satirized members of all sides of the political spectrum. The times in which Gillray lived were peculiarly favourable to the growth of a great school of caricature. Party warfare was carried on with great vigour and not a little bitterness; and personalities were freely indulged in on both sides. Gillray's incomparable wit and humour, knowledge of life, fertility of resource, keen sense of
1400-663: The Encyclopædia Britannica Eleventh Edition , "Gillray is as invaluable to the student of English manners as to the political student, attacking the social follies of the time with scathing satire; and nothing escapes his notice, not even a trifling change of fashion in dress. The great tact Gillray displays in hitting on the ludicrous side of any subject is only equalled by the exquisite finish of his sketches—the finest of which reach an epic grandeur and Miltonic sublimity of conception." Gillray's caricatures are generally divided into two classes,
1456-600: The ordination of women to all the orders of the church, the just treatment of asylum seekers and those living in poverty. It celebrates what it regards as the "radical welcome" found in the heart of the Gospels and attested to by the Incarnation . The church was embroiled in a controversy in 2023 after organizing a drag show in the Church, it drew some criticism, being described as "inappropriate". In May 2024 St James's
1512-523: The 1970s. At the auction of the Draper Hill Collection at Phillips auctioneers in London in 2001, several key prints, including Fashionable Contrasts , sold for more than US$ 10,000. Since 2002, annual auctions of caricatures at Bonhams in London, each of which included large selections of Gillray prints, have continued this trend. An impression of Light expelling Darkness sold in 2006 for over US$ 9,000, while Fashionable Contrasts sold in
1568-522: The building of a parish church and churchyard on the south side of what is now Piccadilly. Christopher Wren was appointed the architect in 1672 and the church was consecrated on 13 July 1684 by Henry Compton , the Bishop of London . In 1685 the parish of St James was created for the church. The church was severely damaged by enemy action in the London Blitz on 14 October 1940. After the war ended,
1624-478: The celebration of the principal Christian sacrament . It finds expression in a wide range of interest groups: spiritual explorers, labyrinth walking, Julian prayer meetings, the Vagabonds group (a lively discussion group which takes its name from a William Blake poem and in faithfulness to that text meets in a local alehouse), an LGBT group and many others. The community has actively supported, and supports,
1680-458: The church was restored by Sir Albert Richardson . Specialist contractors, Rattee and Kett , of Cambridge, under the supervision of Messrs. W. F. Heslop and F. Brigmore, undertook restoration work, which was completed in 1954. The old lead-covered spire was replaced by a much lighter fibreglass copy. The restored interior, with its pews and light fittings, represents a rare survival of a full suite of church furnishing by Richardson. Southwood Garden
1736-425: The fact that a print is a Bohn. Some common methods include: (i) tortuously worded descriptions, which attempt to avoid disclosure of the fact the print is a restrike (although some sellers will just plain lie); (ii) if the number is outside the image, trimming the print to the very edges of the image; (iii) if the number is inside the image, carefully abrading the surface to obliterate the number; (iv) cutting strips of
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1792-504: The feet and ankles of the Duke and Duchess of York, in an obviously copulatory position, with the Duke's feet enlarged and the Duchess's feet drawn very small. This print silenced forever the sycophancy of the press regarding the union of the Duke and Duchess. The miscellaneous series of caricatures, although they have scarcely the historical importance of the political series, are more readily intelligible, and are even more amusing. Among
1848-696: The finest are: Shakespeare Sacrificed ; Two-Penny Whist (which features an image of Hannah Humphrey); Oh that this too solid flesh would melt ; Sandwich-Carrots ; The Gout ; Comfort to the Corns ; Begone Dull Care ; The Cow-Pock , which gives humorous expression to the popular dread of vaccination ; Dilletanti Theatricals ; and Harmony before Matrimony and Matrimonial Harmonics —two sketches in violent contrast to each other. A selection of Gillray's works appeared in James Gillray: The Caricatures printed between 1818 and
1904-412: The general freedom of treatment common in all intellectual departments in the 18th century. The historical value of Gillray's work has been recognized by many discerning students of history. As has been well remarked: " Lord Stanhope has turned Gillray to account as a veracious reporter of speeches, as well as a suggestive illustrator of events." His contemporary political influence is borne witness to in
1960-686: The great horror of the family; A Connoisseur Examining a Cooper ; the paired plates A Voluptuary under the Horrors of Digestion and Temperance enjoying a Frugal Meal , satirising the excesses of the Prince Regent (later George IV of the United Kingdom ) and the miserliness of his father, George III of the United Kingdom respectively; Royal Affability ; A Lesson in Apple Dumplings ; and The Pigs Possessed . Other political caricatures include: Britannia between Scylla and Charybdis ,
2016-559: The ideas of Rousseau , his work was influenced by them, and, as later designs on revolution and radicalism indicate, he held Rousseau in higher regard than other revolutionary influences, using a Rousseauian technique of misspelling to place uncertainty in his depictions of Rousseau's texts." List of caricaturists A caricaturist is an artist who specializes in drawing caricatures . St James%27s Church, Piccadilly St James's Church, Piccadilly , also known as St James's Church, Westminster , and St James-in-the-Fields ,
2072-508: The image to remove the number; (v) laying the print to paper or framing it such that it is difficult to determine whether there is printing on the reverse; and (vi) adding colour. Also recently the prices of the John Miller editions are rapidly increasing in value because they are affordable for collectors and is seen as a solid investment. They are seen as good alternative to the desirable originals of Mrs. Humphrey's print shop. Gillray
2128-410: The leading cartoonist back then—James Gillray—had depicted Rob Ford he would have been far more merciless than they are today." Regarded as being one of the two most influential cartoonists, the other being William Hogarth , Gillray has been called the father of the political cartoon . The 20th-century New Zealander cartoonist David Low described Hogarth as the grandfather and Gillray the father of
2184-405: The ludicrous, and beauty of execution, at once gave him the first place among caricaturists. He is distinguished in the history of caricature by the fact that his sketches are real works of art. The ideas embodied in some of them are sublime and poetically magnificent in their intensity of meaning, while the forthrightness — which some have called coarseness — which others display is characteristic of
2240-464: The mid-1820s and published by John Miller, Bridge Street and W. Blackwood, Edinburgh. Nine parts were released. The next edition was Thomas McLean's, which was published with a key, in 1830. In 1851 Henry George Bohn put out an edition, from the original plates in a handsome elephant folio, with coarser sketches—commonly known as the "Suppressed Plates"—being published in a separate volume. For this edition Thomas Wright and Robert Harding Evans wrote
2296-405: The paper only). However, the fact that a print is single-sided does not mean that it is not a Bohn restrike: there are in existence many Bohns (for example, Light expelling Darkness ) that bear a number, but which are printed on one side of the paper only. These single-sided numbered strikes are almost always printed on much higher quality paper than was used for the bound volumes, and the quality of
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2352-407: The political cartoon. The face of Court Flunkey from the 1980s/1990s British television satirical puppet show Spitting Image is a caricature of Gillray, intended as a homage to the father of political cartooning. In the article titled A Rousseauian Reading of Gillray's National Conveniences John Moores wrote, "As National Conveniences and The Fashionable Mamma show, Gillray was interested in
2408-597: The political prints, George III , George's wife Queen Charlotte , the Prince of Wales (later prince regent , then King George IV ), Fox , Pitt the Younger , Burke and Napoleon Bonaparte are the most prominent figures. In 1788, appeared two fine caricatures by Gillray. Blood on Thunder fording the Red Sea represents Lord Thurlow carrying Warren Hastings through a sea of gore: Hastings looks very comfortable, and
2464-526: The political series and the social, though it is important not to attribute to the term "series" any concept of continuity or completeness. The political caricatures comprise an important and invaluable component of the history extant of the latter part of the reign of George III. They were circulated not only in Britain but also throughout Europe, and exerted a powerful influence both in Britain and abroad. In
2520-615: The printing is usually much superior too, with more care having been taken to ensure a crisp impression. These impressions are believed to have been struck by Henry Bohn with a view to colouring them, and then selling them as high-quality single prints, in much the same way as the prints published in Gillray's lifetime. There are many example of such single-sided restrikes, both coloured and uncoloured. Since prices for Bohns are usually between one-tenth and one-twentieth of those for originals, unscrupulous sellers will go to great lengths to disguise
2576-406: The same year for over US$ 20,000. This dramatic increase in prices has also led to unscrupulous sellers attempting to pass off prints from the Bohn Edition as originals, and it can be difficult for those unfamiliar with these practices to tell the difference between a restrike (commonly called "a Bohn") and an original. The key indicators of a print coming from the Bohn Edition are (i) the presence of
2632-661: The two most influential cartoonists , the other being William Hogarth , Gillray's wit and humour, knowledge of life, fertility of resource, keen sense of the ludicrous, and beauty of execution, at once gave him the first place among caricaturists. He was born in Chelsea , London. His father had served as a soldier: he lost an arm at the Battle of Fontenoy and was admitted, first as an inmate and subsequently as an outdoor pensioner, at Chelsea Hospital . Gillray commenced life by learning letter-engraving, at which he soon became adept. Finding this employment irksome, he then wandered for
2688-418: The work of Grinling Gibbons . In 1902, an outside pulpit was erected on the north wall of the church. It was designed by Temple Moore and carved by Laurence Arthur Turner . It was damaged in 1940, but restored at the same time as the rest of the fabric. In 1662, Henry Jermyn, 1st Earl of St Albans , was granted land for residential development on what was then the outskirts of London. He set aside land for
2744-475: Was created in the churchyard by Viscount Southwood after the Second World War as a garden of remembrance, "to commemorate the courage and fortitude of the people of London", and was opened by Queen Mary in 1946. Like many central London churches surrounded by commercial buildings and ever fewer local people, St James's lost numbers and momentum in the 1960s and 1970s. When, in 1980, Donald Reeves
2800-560: Was developed in Camden , in use from 1790 until 1853. It had been obtained via a 1789 act of Parliament ( 29 Geo. 3 . c. 47), which also provided for the erection of a chapel of ease for the parish, designed by Thomas Hardwick and opening in 1791. With the railway-related expansion around Euston Station , the Chapel was given a parish of its own in 1871, but the cemetery fell into disrepair and became St James's Gardens in 1878 with only
2856-610: Was first at 227 Strand , then in New Bond Street , then in Old Bond Street , and finally in St James's Street – is inextricably associated with that of the caricaturist himself. Gillray lived with Miss (often called Mrs) Humphrey during the entire period of his fame. It is believed that he several times thought of marrying her, and that on one occasion the pair were on their way to the church, when Gillray said: "This
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#17327824798932912-461: Was installed in the church 12-16 October 2022. In September 2023, a series of murals by Che Lovelace were unveiled in the church, to mark the 250th anniversary of the baptism of abolitionist Ottobah Cugoano , which took place at St James's in 1773; it was the first permanent artwork commissioned by the church, as well as the first anywhere in the world to commemorate Cugoano. † Rector died in post A separate burial ground of St James's Church
2968-399: Was looked after by Hannah Humphrey until his death on 1 June 1815 in London; he was buried in St James's churchyard , Piccadilly . A number of his most trenchant satires are directed against George III , who, after examining some of Gillray's sketches, said "I don't understand these caricatures." Gillray revenged himself for this utterance by his caricature entitled A Connoisseur Examining
3024-462: Was offered the post of rector , the bishop allegedly said "I don't mind what you do, just keep it open." During that decade and most of the 1990s numbers and activity grew, the clergy and congregation gaining a reputation for being a progressive, liberal and campaigning church . That has continued. The "congregation" rejects that description and prefers "community". It is centred on the Eucharist ,
3080-426: Was proposed to re-bury the remains after they had been examined by osteo-archaeologists . The remains were agreed to be re-interred at Surrey's Brookwood Cemetery which has received relocated remains from London since the 1870s. While almost all remains would be relocated there, it was agreed in 2019 that Matthew Flinders ' remains would be buried in his home village of Donington, Lincolnshire . Work to prepare for
3136-527: Was the first church to have a show garden at RHS Chelsea Flower Show . Its gold award-winning 'Imagine the World to be Different' garden was designed by Robert Myers to highlight the restorative power of urban green spaces and was sponsored by Project Giving Back in support of its fundraising campaign for the Wren Project, to revitalise the church and garden. The west wall of the Church is dominated by
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