113-450: The Guru Narasimha Temple, Saligrama is a Hindu temple dedicated to Narasimha , the lion-headed form of Vishnu . Srimad Yogananda Guru Narasimha is the chief deity of the town of Saligrama, Udupi , Karnataka , India. The main image of Narashima, lion-faced and two-handed, is dated to the 8th century. The temple of Guru Narasimha is located on NH 66 at a distance of 22 km from Udupi City . The 'Sri Saligrama Kshetra Mahatmyam' of
226-444: A Vishnu temple, Krishna temple, Rama temple, Narayana temple, Shiva temple, Lakshmi temple, Ganesha temple, Durga temple, Hanuman temple, Surya temple, etc. It is this garbha-griya which devotees seek for darsana (literally, a sight of knowledge, or vision ). Above the vastu-purusha-mandala is a superstructure with a dome called Shikhara in north India, and Vimana in south India, that stretches towards
339-422: A Hindu temple project would start with a Yajamana (patron), and include a Sthapaka (guru, spiritual guide and architect-priest), a Sthapati (architect) who would design the building, a Sutragrahin (surveyor), and many Vardhakins (workers, masons, painters, plasterers, overseers) and Taksakas (sculptors). While the temple is under construction, all those working on the temple were revered and considered sacerdotal by
452-619: A Hindu yogin, states Gopinath Rao, one who has realised the Self and the Universal Principle within himself, there is no need for any temple or divine image for worship. However, for those who have yet to reach this height of realization, various symbolic manifestations through images, murtis and icons as well as mental modes of worship are offered as one of the spiritual paths in the Hindu way of life. Some ancient Hindu scriptures like
565-500: A UNESCO World Heritage site. The Indian rock-cut architecture evolved in Maharashtran temple style in the 1st millennium CE. The temples are carved from a single piece of rock as a complete temple or carved in a cave to look like the interior of a temple. Ellora Temple is an example of the former, while The Elephanta Caves are representative of the latter style. The Elephanta Caves consist of two groups of caves—the first
678-511: A bed and meal to pilgrims. They relied on any voluntary donation the visitor may leave and to land grants from local rulers. Some temples have operated their kitchens on a daily basis to serve the visitor and the needy, while others during major community gatherings or festivals. Examples include the major kitchens run by Hindu temples in Udupi (Karnataka), Puri (Odisha) and Tirupati (Andhra Pradesh). The tradition of sharing food in smaller temple
791-488: A brief introduction to 12 types of Hindu temples. Other texts, such as Pancaratra Prasada Prasadhana compiled by Daniel Smith and Silpa Ratnakara compiled by Narmada Sankara provide a more extensive list of Hindu temple types. Ancient Sanskrit manuals for temple construction discovered in Rajasthan, in northwestern region of India, include Sutradhara Mandana's Prasadamandana (literally, manual for planning and building
904-497: A cord of threads, or a garment, or a rope of kusa grass", and it is its methods of wearing and the significance that matters. The proper manner of wearing the upper garment or thread, state the ancient texts, is from over the left shoulder and under the right arm. yajñopavīta contrasts with Pracinavīta method of wearing the upper garment, the latter a reverse and mirror image of former, and suggested to signify rituals for elders/ancestors (for example, funeral). The idea of wearing
1017-534: A girl, before her wedding, is described in multiple texts such as the Gobhila Gṛhya Sūtra (verse 2.1.19) and some Dharmasutras. The sacred thread or the yajnopavita has become one of the most important parts of contemporary Upanayana ceremonies. There are accordingly a number of rules related to it. The thread is composed of three cotton strands of nine strands each. The strands symbolise different things in their regions. For example, among Tamils, each strand
1130-600: A guru kanike before conducting rituals like Upanayana , marriage, etc. These villages surround the temple: Hindu temple Traditional A Hindu temple , also known as Mandir , Devasthanam , Pura , or Kovil , is a sacred place where Hindus worship and show their devotion to deities through worship, sacrifice, and prayers. It is considered the house of the god to whom it is dedicated. Hindu temple architecture, which makes extensive use of squares and circles, has its roots in Vedic traditions, which also influence
1243-502: A house or a palace. A house-themed temple is a simple shelter that serves as a deity's home. The temple is a place where the devotee visits, just like he or she would visit a friend or relative. The use of moveable and immoveable images is mentioned by Pāṇini . In the Bhakti school of Hinduism, temples are venues for puja , which is a hospitality ritual, where the deity is honored, and where devotee calls upon, attends to and connects with
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#17327830316871356-446: A main temple surrounded by smaller temples and shrines, but these are still arranged by principles of symmetry, grids and mathematical precision. An important principle found in the layout of Hindu temples is mirroring and repeating fractal-like design structure, each unique yet also repeating the central common principle, one which Susan Lewandowski refers to as "an organism of repeating cells". The ancient texts on Hindu temple design,
1469-601: A natural source of water is not present. Here too, they recommend that a pond be built preferably in front or to the left of the temple with water gardens. If water is neither present naturally nor by design, water is symbolically present at the consecration of the temple or the deity. Temples may also be built, suggests Visnudharmottara in Part III of Chapter 93, inside caves and carved stones, on hill tops affording peaceful views, on mountain slopes overlooking beautiful valleys, inside forests and hermitages, next to gardens, or at
1582-455: A number of ways. For example, one method of classification is the dimensionality of completion: Another way of classification is by the expressive state of the image: A Hindu temple may or may not include a murti or images, but larger temples usually do. Personal Hindu temples at home or a hermitage may have a pada for yoga or meditation, but be devoid of anthropomorphic representations of god. Nature or others arts may surround him or her. To
1695-668: A particular community. Indologically, the ritual is present in the Gṛhyasūtras and Dharmasūtras and Dharmaśāstras , as well as a couple of times in the Saṃhitās . Educational courses or training has been referred to in the Chandogya Upaniṣad and in the Yājñavalkya Smṛti ; Gharpure (1956) writes that during the Smṛti period , Upanayana may have attained a permanent fixture if
1808-527: A particular mode of wearing the upper garment, and it is not necessary to have the yajñopavīta at all times". There is no mention of any rule or custom, states Patrick Olivelle , that "required Brāhmaṇas to wear a sacred string at all times", in the Brāhmaṇya literature (Vedic and ancient post-Vedic). Yajñopavīta, textual evidence suggests, is a medieval and modern tradition. However, the term yajnopavita appears in ancient Hindu literature, and therein it means
1921-452: A sacred space. It represents the triple-knowledge (trayi- vidya ) of the Vedic vision by mapping the relationships between the cosmos ( brahmaṇḍa ) and the cell (pinda) by a unique plan based on astronomical numbers. Subhash Kak sees the temple form and its iconography to be a natural expansion of Vedic ideology related to recursion, change and equivalence. In ancient Indian texts, a temple
2034-1825: A school in Hinduism . Some traditions consider the ceremony as a spiritual rebirth for the child or future dvija , twice born. It signifies the acquisition of the knowledge of and the start of a new and disciplined life as a brahmāchārya . According to the given community and its regional language, it is also known by numerous terms such as mekhal in Kashmiri (मेखल), janeo in Punjabi (ਜਨੇਓ), jaanoi in Gujrati (જાનોઇ), janya in Sindhi (जन्य), janev in Bhojpuri (जनेव), munja in Marathi (मुंजा), munji in Konkani (मुंजी), poite in Bangla (পৈতৈ), brataghara in Odia (ବ୍ରତଘର), logun dioni in Assamese (লগুণ দিওনী), bratabandha in Nepali (ब्रतबन्ध), chewar in Newari (छेवार), upanayana in Kannada (ಉಪನಯನ), upanayanamu in Telugu (ఉపనయనము), upanayanam in Malayalam (ഉപനയനം), and upanayanam or poonool in Tamil (உபநயனம் or பூணூல்). The Upanayanam ceremony
2147-437: A social meaning. Some temples have served as a venue to mark festivals, to celebrate arts through dance and music, to get married or commemorate marriages, the birth of a child, other significant life events or the death of a loved one. In political and economic life, Hindu temples have served as a venue for succession within dynasties and landmarks around which economic activity thrived. Almost all Hindu temples take two forms:
2260-400: A symbolic product of knowledge and human thought, while the circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 (or in some cases 81) sub-squares called padas. Each pada is conceptually assigned to a symbolic element, sometimes in the form of a deity. The central square(s) of
2373-500: A temple). Manasara , a text of South Indian origin, estimated to be in circulation by the 7th century CE, is a guidebook on South Indian temple design and construction. Isanasivagurudeva paddhati is another Sanskrit text from the 9th century describing the art of temple building in India in south and central India. In north India, Brihat-samhita by Varāhamihira is the widely cited ancient Sanskrit manual from 6th century describing
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#17327830316872486-544: A thread grew out of convenience and manageability, becoming more popular than alternatives such as a kusa rope. The ancient Saṁskṛta texts offer a diverse view while describing the yajñopavītam or upavita. The term upavita was originally meant to be any upper garment, as stated in Apastamba Dharmasūtra (verse 2.2.4.22–2.2.4.23) or, if the wearer does not want to wear a top, a thread would suffice. The ancient Indian scholar Haradatta states, " yajñopavītam means
2599-458: A thread or upper garment over their left shoulder. Those girls who chose not to go to a gurukula were called Sadyovadhu (literally, one who marries straight). However, the Sadyovadhu , too, underwent a step during the wedding rituals, where she would complete Upanayana, and thereafter wear her upper garment (saree) over her left shoulder. This interim symbolic Upanayana rite of passage for
2712-458: A way of wearing the upper garment during a ritual or rites of passage. The custom of wearing a string is a late development in Hinduism, was optional in the medieval era, and the ancient Indian texts do not mention this ritual for any class or for Upanayana . The Gobhila Gṛhya Sutra (verse 1.2.1) similarly states in its discussion on Upanayana, that "the student understands the yajnopavita as
2825-416: Is a yantra , a design laying out a Hindu temple in a symmetrical, self-repeating structure derived from central beliefs, myths, cardinality and mathematical principles. The four cardinal directions help create the axis of a Hindu temple, around which is formed a perfect square in the space available. The circle of the mandala circumscribes the square. The square is considered divine for its perfection and as
2938-560: Is a large group of five Hindu caves and the second is a smaller group of two Buddhist caves. The Hindu caves contain rock-cut stone sculptures, representing the Shaiva Hindu sect, dedicated to the god Shiva. A typical, ancient Hindu temple has a profusion of arts—from paintings to sculpture, from symbolic icons to engravings, from thoughtful layout of space to fusion of mathematical principles with Hindu sense of time and cardinality. Ancient Sanskrit texts classify murtis and images in
3051-497: Is a noun formed from the root √ nī meaning 'leading to'. The prefix upa means 'near'. With the prefix the full literal meaning becomes 'leading near (to)'. The initiation or rite of passage ceremony in which the sacred thread is given symbolizes the child drawn towards a school, towards education, by the guru or teacher. The student was being taken to the Gods and a disciplined life. As explained by PV Kane , taking (the child) near
3164-457: Is a place of pilgrimage, known in India as a Tirtha . It is a sacred site whose ambience and design attempts to symbolically condense the ideal tenets of the Hindu way of life. In a Hindu temple, all the cosmic components that produce and maintain life are there, from fire to water, from depictions of the natural world to gods, from genders that are feminine or masculine to those that are everlasting and universal. Susan Lewandowski states that
3277-400: Is arguably the most important rite for Brāhmaṇa , Kṣatriya , and Vaiśya males, ensuring his rights with responsibilities and signifying his advent into adulthood . The tradition is widely discussed in ancient Samskṛta texts of Hinduism and varies regionally. The sacred thread or yajñopavīta (also referred to as Janeu , Jandhyam , Pūṇūl, Muñja and Janivara Yonya ) has become one of
3390-399: Is derived from the terms yajña (sacrifice) and upavīta (worn) . The literal meaning would then become "something worn on the body for the sacrifice". Accoutrements offered along with the yajnopavita may include be a daṇḍa (staff) and a mekhala (girdle). The earliest form of this saṁskāra, whose name there are no records of, may have been to mark the acceptance of a person into
3503-503: Is everywhere in a Hindu temple. Life principles such as the pursuit of joy, connection and emotional pleasure (kama) are fused into mystical, erotic and architectural forms in Hindu temples. These motifs and principles of human life are part of the sacred texts of the Hindus, such as its Upanishads; the temples express these same principles in a different form, through art and spaces. For example, Brihadaranyaka Upanisad (4.3.21) recites: In
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3616-478: Is for each of the Tridevī , the supreme trinity of the Hindu goddesses Sarasvatī , Lakṣmī , and Pārvatī . According to another tradition, each of the nine threads represents a male deity, such as Agni , Bhaga , and Chandra . The predecessor to the sacred thread was an upper garment (such as a dupatta or an uparane). However, as traditions developed, the upper garment began to be worn continuously. The usage of
3729-432: Is grand. In Hindu tradition, this is discarded in favor of an open and diffusive architecture, where the secular world was not separated from the sacred, but transitioned and flowed into the sacred. The Hindu temple has structural walls, which were patterned usually within the 64-grid, or other geometric layouts. Yet the layout was open on all sides, except for the core space with a single opening for darsana. The temple space
3842-483: Is high likelihood of interpolation, insertion and corruption in dharma sutras and dharma sastra texts on the Upanayana-related rite of passage. Patrick Olivelle notes the doubts in postmodern scholarship about the presumed reliability of Manusmṛti manuscripts. He writes, "Manusmriti was the first Indian legal text introduced to the western world through the translation of Sir William Jones in 1794". This
3955-405: Is laid out in a series of courts ( mandapas ). The outermost regions may incorporate the negative and suffering side of life with the symbolism of evil, asuras and rakshashas ; but in small temples this layer is dispensed with. When present, this outer region diffuse into the next inner layer that bridges as human space, followed by another inner Devika padas space and symbolic arts incorporating
4068-478: Is located to the right of the garbha griha of Guru Narasimha and exactly opposite to the shrine of Mahaganapathi. Here too puja is performed to the deity on a regular basis. It is a traditional practice for a class of Brahmins to be associated to some Matha usually established by great acharyas like Adi Shankara , Ramanuja , Madhvacharya , etc. However, the Kota Brahmins of the 14 villages surrounding
4181-417: Is the name of six methods or alternate viewpoints of understanding truth. These are Nyaya, Vaisesika, Sankhya, Yoga, Mimamsa and Vedanta —which flowered into individual schools of Hinduism, each of which is considered a valid, alternate path to understanding truth and achieving self-realization in the Hindu way of life. From names to forms, from images to stories carved into the walls of a temple, symbolism
4294-415: Is typically called prasada . Hindu temples are found in diverse locations each incorporating different methods of construction and styles: In arid western parts of India, such as Rajasthan and Gujarat, Hindu communities built large walk-in wells that served as the only source of water in dry months but also served as social meeting places and carried religious significance. These monuments went down into
4407-609: The Netherlands , South Africa , Suriname , Tanzania , Trinidad and Tobago , Uganda , the United Kingdom , the United States , Australia , New Zealand , and other countries with a significant Hindu population. The current state and outer appearance of Hindu temples reflect arts, materials and designs as they evolved over two millennia; they also reflect the effect of conflicts between Hinduism and Islam since
4520-564: The Telika Mandir in Gwalior , built in the 8th century CE, is not a square but a rectangle in 2:3 proportion. Further, the temple explores a number of structures and shrines in 1:1, 1:2, 1:3, 2:5, 3:5 and 4:5 ratios. These ratios are exact, suggesting that the architect intended to use these harmonic ratios, and the rectangle pattern was not a mistake, nor an arbitrary approximation. Other examples of non-square harmonic ratios are found at
4633-523: The Vāstu-puruṣa-mandala and Vastu Śāstras , do not limit themselves to the design of a Hindu temple. They describe the temple as a holistic part of its community, and lay out various principles and a diversity of alternate designs for home, village and city layout along with the temple, gardens, water bodies and nature. A predominant number of Hindu temples exhibit the perfect-square grid principle. However, there are some exceptions. For example,
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4746-419: The garbha-griya (literally, "womb house")—a small, perfect square, windowless, enclosed space without ornamentation that represents universal essence. In or near this space is typically a cult image—which, though many Indians may refer to casually as an idol, is more formally known as a murti, or the main worshippable deity, who varies with each temple. Often this murti gives the temple a local name, such as
4859-514: The 10th-century attached medical care along with their religious and educational roles. This is evidenced by various inscriptions found in Bengal, Andhra Pradesh and elsewhere. An inscription dated to about 930 CE states the provision of a physician to two matha to care for the sick and destitute. Another inscription dated to 1069 at a Vishnu temple in Tamil Nadu describes a hospital attached to
4972-585: The 12th century. The Swaminarayanan Akshardham in Robbinsville, New Jersey , between the New York and Philadelphia metropolitan areas, was inaugurated in 2014 as one of the world's largest Hindu temples. A Hindu temple reflects a synthesis of arts, the ideals of dharma , beliefs, values and the way of life cherished under Hinduism. It is a link between man, deities, and the Universal Puruṣa in
5085-515: The 4th century CE suggest the existence of schools around Hindu temples, called Ghatikas or Mathas , where the Vedas were studied. In south India, 9th century Vedic schools attached to Hindu temples were called Calai or Salai , and these provided free boarding and lodging to students and scholars. The temples linked to Bhakti movement in the early 2nd millennium, were dominated by non-Brahmins. These assumed many educational functions, including
5198-638: The 64- or 81-grid is dedicated to Brahman (not to be confused with brahmin, the scholarly and priestly class in India), and are called Brahma padas . The 49-grid design is called Sthandila and is of great importance in creative expressions of Hindu temples in South India, particularly in Prakaras . The symmetric Vastu-purusa-mandala grids are sometimes combined to form a temple superstructure with two or more attached squares. The temples face sunrise, and
5311-408: The 6th century CE. Vastu-Sastra manuals included chapters on home construction, town planning, and how efficient villages, towns and kingdoms integrated temples, water bodies and gardens within them to achieve harmony with nature. While it is unclear, states Barnett, as to whether these temple and town planning texts were theoretical studies and if or when they were properly implemented in practice,
5424-489: The Jabaladarshana Upanishad appear to endorse this idea Upanayana Upanayana ( Sanskrit : उपनयन , romanized : upanayana , lit. 'initiation') is a Hindu educational sacrament, one of the traditional saṃskāras or rites of passage that marked the acceptance of a student by a preceptor , such as a guru or acharya , and an individual's initiation into
5537-475: The Lord after following a set of rituals. If a person wished to swear in front of the Lord in a court case, the person would be allowed to do so in the presence of the judge, who himself would come down to the temple. The person wishing to swear in front of the Lord would have to take a dip in both Teerthas, wear wet clothes, and enter the temple from the side door. Then he would be required to ring 2 pramana bells near
5650-623: The Naresar temple site of Madhya Pradesh and at the Nakti-Mata temple near Jaipur , Rajasthan. Michael Meister suggests that these exceptions mean that the ancient Sanskrit manuals for temple building were guidelines, and Hinduism permitted its artisans flexibility in expression and aesthetic independence. A Hindu temple is a symbolic reconstruction of the universe and the universal principles that enable everything in it to function. The temples reflect Hindu philosophy and its diverse views on
5763-756: The Pushkara khanda of the Padma Purana , the Sahyadri khanda of the Skanda Purana and the Lokadityapaddati provide the details of the significance of this temple. To this day, the Brahmins of these 14 villages, known as Kota Brahmins follow Guru Narasimha as their sole Guru. Earlier, the deity of Guru Narasimha was facing east. Because of the "Ugra" nature of Narasimha, the crops facing
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#17327830316875876-609: The Saligrama temple do not have any human gurus. Instead Lord Vishnu himself in the form of Narasimha is their guru. The Brahmins themselves did not disconnect from any matha and adopt Narasimha as their guru. It was Ganapathi who appeared in the dreams of Bhattacharya who told him to gather the Brahmins of the 14 villages surrounding the Guru Narasimha temple and inform them that from henceforth only Guru Narasimha shall be their guru. Also, this incident took place even before
5989-605: The Vedas. Several texts such as Suśruta Sūtrasthāna , however, also include the fourth varna, the Śūdras , entering schools and the formal education process, stating that the Upanayana rite of passage was open to everyone. The large variation in age and changes to it over time was to accommodate for the diversity in society and between families. Vedic period texts such as the Baudhāyana Gṛhyasūtra encouraged
6102-414: The acarya (for instruction), or alternately "introducing to studenthood". It is a ceremony in which a teacher accepts and draws a child towards knowledge and initiates the second birth that is of the young mind and spirit. A popular variation is Mauñjibandhana , derived from two words muñja , a type of grass, and bandhana which means to tie or bind. The munja grass is tied around the waist. This word
6215-479: The age of 25. Apart from specialist technical competence, the manuals suggest that best Silpins for building a Hindu temple are those who know the essence of Vedas and Agamas, consider themselves as students, keep well verse with principles of traditional sciences and mathematics, painting and geography. Further they are kind, free from jealousy, righteous, have their sense under control, of happy disposition, and ardent in everything they do. According to Silparatna,
6328-609: The ancient texts. For example, in Satapatha Brahmana, the Upanayana rite of passage text appears in the middle of a dialogue about Agnihotra; after the Upanayana verse end, sage Saukeya abruptly returns to the Agnihotra and Uddalaka. Oldenberg states that the Upanayana discussion is likely an insertion into the older text. Kane, in his History of Dharmasastra reviews, as well as other scholars, state that there
6441-617: The artworks and sculptures within them, were considered by the ancient Sanskrit texts to deploy arts whose number are unlimited, Kala (techniques) that were 64 in number, and Vidya (science) that were of 32 types. The Hindu manuals of temple construction describe the education, characteristics of good artists and architects. The general education of a Hindu Shilpin in ancient India included Lekha or Lipi (alphabet, reading and writing), Rupa (drawing and geometry), Ganana (arithmetic). These were imparted from age 5 to 12. The advanced students would continue in higher stages of Shilpa Sastra studies till
6554-477: The burning effect due to Guru Narasimha's sight. It is a practice for tourists travelling long distances to stop in front of the Anjaneya Swami temple and offer kanike to the deity and only then pass on in order to ensure that they reach their destination safely. Rangapuja is carried out in this shrine throughout the year in the evenings. Bhattacharya, who installed the Guru Narasimha idol, also installed
6667-606: The central space typically is surrounded by an ambulatory for the devotee to walk around and ritually circumambulate the Purusa, the universal essence. Often this space is visually decorated with carvings, paintings or images meant to inspire the devotee. In some temples, these images may be stories from Hindu Epics; in others, they may be Vedic tales about right and wrong or virtues and vice; in yet others, they may be murtis of locally worshipped deities. The pillars, walls and ceilings typically also have highly ornate carvings or images of
6780-468: The centre of the temple, typically below and sometimes above or next to the deity , is mere hollow space with no decoration, symbolically representing Purusa , the Supreme Principle, the sacred Universal, one without form, which is omnipresent, connects everything, and is the essence of everyone. A Hindu temple is meant to encourage reflection, facilitate purification of one's mind, and trigger
6893-518: The child had entered into formal education. In the modern era, the Upanayana rite of passage is open to anyone at any age. The Upanayana follows the Vidyārambhaṃ , the previous rite of passage. Vidyārambhaṃ became an intermediary samskāra following the evolution in writing and language. Vidyārambhaṃ now marked the beginning of primary education or literacy while Upanayana went on to refer to spiritual education. The Upanayana can also take place at
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#17327830316877006-522: The cosmos and on truth. Hinduism has no traditional ecclesiastical order, no centralized religious authorities, no governing body, no prophet nor any binding holy book save the Vedas; Hindus can choose to be polytheistic , pantheistic , monistic , or atheistic . Within this diffuse and open structure, spirituality in Hindu philosophy is an individual experience, and referred to as kṣaitrajña ( Sanskrit : क्षैत्रज्ञ ) ). It defines spiritual practice as one's journey towards moksha , awareness of self,
7119-482: The deity Mahaganapati. Legend says that Mahaganapathi appeared with ten arms in Bhattacharya's dreams and gave him instructions. As a result, the deity that Bhattacharya installed is a "dashabhuja" Ganapathi. The presence of Narasimha and Ganapathi also serves as a reminder that elephants and lions once lived in harmony in this place. Puja is carried out every day for the deity. The idol of Sri Durga Parameshwari
7232-521: The deity. In other schools of Hinduism, the person may simply perform japa , or meditation, or yoga , or introspection in his or her temple. Palace-themed temples often incorporate more elaborate and monumental architecture. The appropriate site for a temple, suggests ancient Sanskrit texts, is near water and gardens, where lotus and flowers bloom, where swans, ducks and other birds are heard, and where animals rest without fear of injury or harm. These harmonious places were recommended in these texts with
7345-404: The design and construction of Nagara style of Hindu temples. A Hindu temple design follows a geometrical design called vastu-purusha-mandala . The name is a composite Sanskrit word with three of the most important components of the plan. Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure. The Vastu-purusha-mandala
7458-462: The details and restrictions in the Upanayana ceremony is likely to have been inserted into ancient texts in a more modern era. Hermann Oldenberg , for example, states that Upanayana — the solemn reception of the pupil by the teacher to teach him the Veda — is joined into texts of Vedic texts at places that simply do not make any contextual sense, do not match the style, and are likely to be a corruption of
7571-486: The direction of the eyesight of the deity used to get burned to ashes. An angry Brahmin once struck the Lord with a plough, and hence a scar was formed on the deity. It is deemed that the person who struck the deity faced a lot of problems later on in his life. Several citations from the Shilpa Shastra can be used to prove that the deity was once facing east. Until 1950, it was a common practice to swear in front of
7684-432: The discovery of higher truths, true nature of reality, and a consciousness that is liberated and content. A Hindu temple reflects these core beliefs. The central core of almost all Hindu temples is not a large communal space; the temple is designed for the individual, a couple or a family—a small, private space to allow visitors to experience darsana . Darsana is itself a symbolic word. In ancient Hindu scripts, darsana
7797-936: The donations (melvarum) they collected from devotees. According to James Heitzman, these donations came from a wide spectrum of the Indian society, ranging from kings, queens, officials in the kingdom to merchants, priests and shepherds. Temples also managed lands endowed to it by its devotees upon their death. They would provide employment to the poorest. Some temples had large treasury, with gold and silver coins, and these temples served as banks. Hindu temples over time became wealthy from grants and donations from royal patrons as well as private individuals. Major temples became employers and patrons of economic activity. They sponsored land reclamation and infrastructure improvements, states Michell, including building facilities such as water tanks, irrigation canals and new roads. A very detailed early record from 1101 lists over 600 employees (excluding
7910-714: The earth towards subterranean water, up to seven storeys, and were part of a temple complex. These vav (literally, stepwells) had intricate art reliefs on the walls, with numerous murtis and images of Hindu deities, water spirits and erotic symbolism. The step wells were named after Hindu deities; for example, Mata Bhavani's Stepwell , Ankol Mata Vav, Sikotari Vav and others. The temple ranged from being small single pada (cell) structure to large nearby complexes. These stepwells and their temple compounds have been variously dated from late 1st millennium BCE through 11th century CE. Of these, Rani ki vav , with hundreds of art reliefs including many of Vishnu deity avatars , has been declared
8023-565: The eastern states of India. Other ancient texts found expand these architectural principles, suggesting that different parts of India developed, invented and added their own interpretations. For example, in the Saurastra tradition of temple building found in western states of India, the feminine form, expressions and emotions are depicted in 32 types of Nataka-stri compared to 16 types described in Silpa Prakasa . Silpa Prakasa provides
8136-460: The elements of the Hindu sense of cyclic time and the essence of life—symbolically presenting dharma , artha , kama , moksha , and karma . The spiritual principles symbolically represented in Hindu temples are detailed in the ancient Sanskrit texts of India (for example, the Vedas and Upanishads ), while their structural rules are described in various ancient Sanskrit treatises on architecture ( Bṛhat Saṃhitā , Vāstu Śāstras ). The layout,
8249-410: The embrace of the beloved, one forgets the whole world, everything both within and without; in the same way, one who embraces the Self knows neither within nor without. The architecture of Hindu temples is also symbolic. The whole structure fuses the daily life and its surroundings with the divine concepts, through a structure that is open yet raised on a terrace, transitioning from the secular towards
8362-563: The end of the course. The Upanayana became a permanent feature around the Upaniṣad period. Attire includes a daṇḍa or staff and a mekhala or girdle. In Hindu traditions, a human being is born at least twice—once at physical birth and second at intellectual birth through teacher's care. The first is marked through the Jatakarman rite of passage; the second is marked through Upanayanam or Vidyārambha rites of passage. A sacred thread
8475-400: The entrance for the devotee is typically this east side. The mandala pada facing sunrise is dedicated to Surya , the sun-god. The Surya pada is flanked by the padas of Satya, the deity of Truth, on one side and Indra , the king of the demigods, on other. The east and north faces of most temples feature a mix of gods and demigods; while the west and south feature demons and demigods related to
8588-406: The explanation that such are the places where gods play, and thus the best site for Hindu temples. The gods always play where lakes are, where the sun's rays are warded off by umbrellas of lotus leaf clusters, and where clear waterpaths are made by swans whose breasts toss the white lotus hither and thither, where swans, ducks, curleys and paddy birds are heard, and animals rest nearby in
8701-558: The exposition, recitation and public discourses of Sanskrit and Vedic texts. Some temple schools offered wide range of studies, ranging from Hindu scriptures to Buddhist texts, grammar, philosophy, martial arts, music and painting. By the 8th century, Hindu temples also served as the social venue for tests, debates, team competition and Vedic recitals called Anyonyam . According to Kenneth G. Zysk—a professor specializing in Indology and ancient medicine, Hindu mathas and temples had by
8814-424: The four just and necessary pursuits of life—kama, artha, dharma and moksa. This walk around is called pradakshina . Large temples also have pillared halls, called mandapa —one of which, on the east side, serves as the waiting room for pilgrims and devotees. The mandapa may be a separate structure in older temples, but in newer temples this space is integrated into the temple superstructure. Mega-temple sites have
8927-661: The head of a town street. Ancient builders of Hindu temples created manuals of architecture, called Vastu-Sastra (literally "science" of dwelling; vas-tu is a composite Sanskrit word; vas means "reside", tu means "you"); these contain Vastu-Vidya (literally, knowledge of dwelling) and Sastra meaning system or knowledge in Sanskrit. There exist many Vastu-Sastras on the art of building temples, such as one by Thakkura Pheru , describing where and how temples should be built. Sanskrit manuals have been found in India since
9040-668: The inclusion of goddess Sarasvatī or Sāvitrī, with the teacher becoming the enabler of the connection between this goddess and the student. The meaning was extended to include Vedāngas and vows among other things. The education of a student was not limited to ritual and philosophical speculations found in the Vedas and the Upaniṣads . It extended to many arts and crafts, which had their own, similar rites of passages. The Aitareya Brāhmaṇa , Āgamas , and Purāṇas genres of literature in Hinduism describe these as Śilpa Śāstras . They extend to all practical aspects of culture, such as
9153-437: The initiation ceremony for students of Āyurveda. The Upanayana rite of passage was also important to the teacher, as the student would therefrom begin to live in the gurukula (school). Upanayana became an elaborate ceremony, that includes rituals involving the family, the child and the teacher. A boy receives during this ceremony a sacred thread called the yajnopavita to be worn. The yajnopavita ceremony announces that
9266-547: The life of students to be as compared to being optional before. In the Atharvaveda , and later in the Sutras period , the word Upanayana meant taking responsibility of a student, the beginning of an education, a student's initiation into "studentship" and the acceptance of the student by the teacher. Preceptors could include a guru , ācharya , upādhyāya , and ṛtvik. Gradually, new layers of meaning emerged, such as
9379-422: The main entrance, stand in front of the garbha gudi, light 6 lamps, swear in front of the Lord, blow out the lamps, and repeat these 2 more times. Outside the temple, there is also an idol of Anjaneya Swami that faces Guru Narsimha's line of sight. This idol was installed there to reduce the "Ugra" nature of the Lord and hence stop the burning of crops. The idol is smeared with sindhura and butter in order to reduce
9492-532: The manuals suggest that town planning and Hindu temples were conceived as ideals of art and integral part of Hindu social and spiritual life. The Silpa Prakasa of Odisha, authored by Ramacandra Bhattaraka Kaulacara in the 9th or 10th centuries CE, is another Sanskrit treatise on Temple Architecture. Silpa Prakasa describes the geometric principles in every aspect of the temple and symbolism such as 16 emotions of human beings carved as 16 types of female figures. These styles were perfected in Hindu temples prevalent in
9605-426: The most important identifiers of the Upanayana ceremony in contemporary times, however this was not always the case. Generally, this ceremony should be performed before the advent of adulthood. Upanayana literally means "the act of leading to or near, bringing", "introduction (into any science)" or "initiation" (as elucidated by Monier-Williams ). Upanayana is formed from the root √ nī meaning 'to lead'. Nayana
9718-973: The motifs, the plan and the building process recite ancient rituals, geometric symbolisms, and reflect beliefs and values innate within various schools of Hinduism. A Hindu temple is a spiritual destination for many Hindus, as well as landmarks around which ancient arts, community celebrations and the economy have flourished. Hindu temple architecture are presented in many styles, are situated in diverse locations, deploy different construction methods, are adapted to different deities and regional beliefs, and share certain core ideas, symbolism and themes. They are found in South Asia, particularly India and Nepal , Bangladesh , Pakistan , Sri Lanka , in Southeast Asian countries such as Cambodia , Vietnam , Malaysia , and Indonesia , and countries such as Canada , Fiji , France , Guyana , Kenya , Mauritius ,
9831-452: The patron as well as others witnessing the construction. Further, it was a tradition that all tools and materials used in temple building and all creative work had the sanction of a sacrament. For example, if a carpenter or sculptor needed to fell a tree or cut a rock from a hill, he would propitiate the tree or rock with prayers, seeking forgiveness for cutting it from its surroundings, and explaining his intent and purpose. The axe used to cut
9944-554: The positive and joyful side of life about the good and the gods. This divine space then concentrically diffuses inwards and lifts the guest to the core of the temple, where resides the main murti , as well as the space for the Purusa, and ideas held to be most sacred principles in Hindu tradition. The symbolism in the arts and temples of Hinduism, suggests Edmund Leach, is similar to those in Christianity and other major religions of
10057-529: The priests) of the Brihadisvara Temple, Thanjavur , still one of the largest temples in Tamil Nadu . Most worked part-time and received the use of temple farmland as reward. For those thus employed by the temple, according to Michell, "some gratuitous services were usually considered obligatory, such as dragging the temple chariots on festival occasions and helping when a large building project
10170-503: The process of inner realization within the devotee. The specific process is left to the devotee's school of belief. The primary deity of different Hindu temples varies to reflect this spiritual spectrum. In Hindu tradition, there is no dividing line between the secular and the lonely sacred. In the same spirit, Hindu temples are not just sacred spaces; they are also secular spaces. Their meaning and purpose have extended beyond spiritual life to social rituals and daily life, offering thus
10283-452: The sacred, inviting the visitor inwards and upwards towards the Brahma pada, the temple's central core, a symbolic space marked by its spire ( shikhara, vimana ). The ancient temples had grand, intricately carved entrances but no doors, and they lacked a boundary wall. In most cultures, suggests Edmund Leach , a boundary and gateway separates the secular and the sacred, and this gateway door
10396-433: The sculptor, the potter, the perfumer, the wheelwright, the painter, the weaver, the architect, the dancer, and the musician. The training of these began from childhood and included studies about dharma , culture, reading, writing, mathematics, geometry, colours, tools, as well as traditions and trade secrets. The rites of passage during apprentice education varied in the respective guilds. Suśruta and Charaka developed
10509-674: The shade of Nicula trees on the river banks. The gods always play where rivers have for their braclets the sound of curleys and the voice of swans for their speech, water as their garment, carps for their zone, the flowering trees on their banks as earrings, the confluence of rivers as their hips, raised sand banks as breasts and plumage of swans their mantle. The gods always play where groves are near, rivers, mountains and springs, and in towns with pleasure gardens. While major Hindu temples are recommended at sangams (confluence of rivers), river banks, lakes and seashore, Brhat Samhita and Puranas suggest temples may also be built where
10622-696: The sick and needy in the 1st millennium, but with the destruction of Buddhist centers after the 12th century, the Hindu religious institutions assumed these social responsibilities. According to George Michell, Hindu temples in South India were active charity centers and they provided free meal for wayfarers, pilgrims and devotees, as well as boarding facilities for students and hospitals for the sick. The 15th and 16th century Hindu temples at Hampi featured storage spaces (temple granary, kottara ), water tanks and kitchens. Many major pilgrimage sites have featured dharmashalas since early times. These were attached to Hindu temples, particularly in South India, providing
10735-459: The sky. Sometimes, in makeshift temples, the dome may be replaced with symbolic bamboo with few leaves at the top. The vertical dimension's cupola or dome is designed as a pyramid, a cone or other mountain-like shape, once again using the principle of concentric circles and squares. Scholars suggest that this shape is inspired by the cosmic mountain of Meru or Himalayan Kailasa, the abode of the gods, according to Vedic mythology. In larger temples,
10848-556: The student's home for those who are home-schooled. Ceremonial bhikṣa as one of the rituals during Upanayana became important, attaining sizeable proportions. The actual initiation occurred during the recitation of the Gāyatrī Mantra . The spiritual birth would take place four days after the initial Upanayana rituals. It was then that the last ritual was performed, the Medhajanana. The Samavartanam or convocation ritual marked
10961-566: The temple, listing the nurses, physicians, medicines and beds for patients. Similarly, a stone inscription in Andhra Pradesh dated to about 1262 mentions the provision of a prasutishala (maternity house), vaidya (physician), an arogyashala (health house) and a viprasattra (hospice, kitchen) with the religious center where people from all social backgrounds could be fed and cared for. According to Zysk, both Buddhist monasteries and Hindu religious centers provided facilities to care for
11074-420: The temples' construction and symbolism. Through astronomical numbers and particular alignments connected to the temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the equivalency of the macrocosm and the microcosm . A temple incorporates all elements of the Hindu cosmos—presenting the good, the evil and the human, as well as
11187-770: The texts were copied when they wore out. In South India, temples and associated mathas served custodial functions, and a large number of manuscripts on Hindu philosophy , poetry, grammar and other subjects were written, multiplied and preserved inside the temples. Archaeological and epigraphical evidence indicates existence of libraries called Sarasvati-bhandara , dated possibly to early 12th-century and employing librarians, attached to Hindu temples. Palm-leaf manuscripts called lontar in dedicated stone libraries have been discovered by archaeologists at Hindu temples in Bali Indonesia and in 10th century Cambodian temples such as Angkor Wat and Banteay Srei . Inscriptions from
11300-455: The three Varṇas of society to undergo the Upanayana. In some regions, in modern times, some girls undergo Upanayana rite of passage. In ancient and medieval eras, texts such as Harita Dharmasūtras, Aśvālayana Gṛhya Sutra and Yama smrṛti suggest women could begin Vedic studies after Upanayana. Girls who decided to become a student underwent the Upanayana rite of passage, at the age of 8, and thereafter were called Brahmavadinī . They wore
11413-531: The time of the 1st Brahmin guru Adi Shankara was born. Although the Brahmins of these 14 villages did not accept Adi Shankara as their guru formally when he toured this place, they completely accepted the Advaita vedanta as propagated by him. They too belong to the Smartha category of Brahmins with the exception that their guru is Guru Narasimha and not Adi Shankara . It is mandatory for them to keep aside
11526-594: The tree would be anointed with butter to minimize the hurt to the tree. Even in modern times, in some parts of India such as Odisha , Visvakarma Puja is a ritual festival every year where the craftsmen and artists worship their arts, tools and materials. Hindu temples served as nuclei of important social, economic, artistic and intellectual functions in ancient and medieval India. Burton Stein states that South Indian temples managed regional development function, such as irrigation projects, land reclamation, post-disaster relief and recovery. These activities were paid for by
11639-497: The underlying principle in a Hindu temple is the belief that all things are one, that everything is connected. The pilgrim is welcomed through 64-grid or 81-grid mathematically structured spaces, a network of art, pillars with carvings and statues that display and celebrate the four important and necessary principles of human life—the pursuit of artha (prosperity, wealth), of kama (pleasure, sex), of dharma (virtues, ethical life) and of moksha (release, self-knowledge). At
11752-401: The underworld. This vastu-purusha-mandala plan and symbolism is systematically seen in ancient Hindu temples on the Indian subcontinent as well as those in southeast Asia, with regional creativity and variations. Beneath the mandala's central square(s) is the space for the all-pervasive, all-connecting Universal Spirit, the highest reality , the purusha . This space is sometimes known as
11865-610: The upper garment or sacred thread, and its significance, extended to women. This is reflected in the traditional wearing of sari over the left shoulder, during formal occasions and the celebration of rites of passage such as Hindu weddings. It was also the norm if a girl undertakes the Upanayana ceremony and begins her Vedic studies as a Brahmavadinī . The sacred Yajnopavita is known by many names (varying by region and community), such as Bratabandha, Janivaara , Jaanva , Jandhyam , Poita , Pūṇūl , Janeu , Lagun , Yajnopavita , Yagyopavit , Yonya and Zunnar . Scholars state that
11978-401: The vulgate in key readings." In Nepal, a ceremony is held which combines choodakarma (tonsure, shave the head) and Upanayana saṃskāra locally known as Bratabandha ( Sanskrit vrata = promise, bandhana = bond). In Nepal , The one who wears the sacred thread are called as Tagadhari . This Sanskara involves the participation of entire family and a teacher who then accepts the boy as
12091-455: The word "Silpin". "Silpa", explains Stella Kramrisch, is a multicolored word and incorporates art, skill, craft, ingenuity, imagination, form, expression and inventiveness of any art or craft. Similarly, "Shilpin", notes Kramrisch, is a complex Sanskrit word, describing any person who embodies art, science, culture, skill, and rhythm and employs creative principles to produce any divine form of expression. Silpins who built Hindu temples, as well as
12204-514: The world. Indian texts call the craftsmen and builders of temples "Silpin" ( Sanskrit : शिल्पिन् ), derived from "Silpa". One of the earliest mentions of the Sanskrit word "Silpa" is in Atharvaveda , from about 1000 BCE; according to scholars, the word was used to denote any work of art. Some scholars suggest that the word "Silpa" has no direct or one-word translation in English, nor does
12317-562: Was based on the Calcutta manuscript with the commentary of Kulluka, which has been assumed to be the reliable vulgate version, and translated repeatedly from Jones in 1794 to Doniger in 1991. The reliability of the Manusmṛti manuscript used since colonial times, states Olivelle, is "far from the truth. Indeed, one of the great surprises of my editorial work has been to discover how few of the over fifty manuscripts that I collated actually follow
12430-403: Was given by the teacher during the initiation to school ceremony and was a symbolic reminder to the student of his purpose at school as well as a social marker of the student as someone who was born a second time ( dvija , twice born). Many medieval era texts discuss Upanayana in the context of three of the four varnas (caste, class) — Brāhmaṇas , Kṣatriyas and Vaiśyas . The ceremony
12543-538: Was typically performed at age eight among the Brāhmaṇas , at age 11 among the Kṣatriyas , and age 12 among Vaiśyas. Apastamba Gryha Sutra (verse 1.1.1.27) places a maximum age limit of 24 for the Upanayana ceremony and start of formal education. However, Gautama Gṛyha Sūtra and other ancient texts state that there is no age restriction and anyone of any age can undertake Upanayanam when they initiate their formal studies of
12656-634: Was undertaken". Temples also acted as refuge during times of political unrest and danger. Historically, the Scheduled Castes or Dalits were prohibited from the entry into temples. In contemporary times, the process of building a Hindu temple by emigrants and diasporas from South Asia has also served as a process of building a community, a social venue to network, reduce prejudice and seek civil rights together. John Guy and Jorrit Britschgi state Hindu temples served as centers where ancient manuscripts were routinely used for learning and where
12769-425: Was used by Manu . Another variation is vratabandha(na) meaning "binding to an observance". The word janeu is a condensed version of yagyopaveeta . The ceremony is also known as punal kalyanam (meaning auspicious thread ceremony) and Brahmopadeśa . The sacred thread or upper garment is called the yajñopavīta ( Sanskrit : यज्ञोपवीतम् , romanized : yajñopavītam ), used as an adjective, which
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