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76-543: The DBS Tower One was finished in 1975, together with a wave of brutalist -style buildings, that dominated the 1950s to 1970s period. It was designed by Architects Team 3. Firms involved in the development of the building included DBS Land Limited, Obayashi-Gumi, Ltd., Steen Consultants Private Limited, Liu Cheng Consulting Engineers, Davis Langdon & Seah Philippines Inc., and Mitsubishi Elevator and Escalator. The towers were sold to Overseas Union Enterprise (OUE) for S$ 870.5 million in 2010. In July 2012, DBS moved out of

152-456: A brutalist structure must satisfy the following terms, "1, Formal legibility of plan; 2, clear exhibition of structure, and 3, valuation of materials for their inherent qualities 'as found'." Also important was the aesthetic "image", or "coherence of the building as a visual entity". Brutalist buildings are usually constructed with reoccurring modular elements representing specific functional zones, distinctly articulated and grouped together into

228-631: A building will usually be directed against a brutalist one. According to Simon Jenkins , "Few styles in history can have been met with so many pleas from its users to see it destroyed." In 2005, the British TV programme Demolition ran a public vote to select twelve buildings that ought to be demolished, and eight of those selected were brutalist buildings. One argument is that this criticism exists in part because concrete façades do not age well in damp, cloudy maritime climates such as those of northwestern Europe and New England . In these climates,

304-603: A certain faction of young British architects". The first published usage of the phrase "new brutalism" occurred in 1953, when Alison Smithson used it to describe a plan for their unbuilt Soho house which appeared in the November issue of Architectural Design . She further stated: "It is our intention in this building to have the structure exposed entirely, without interior finishes wherever practicable." The Smithsons' Hunstanton School completed in 1954 in Norfolk , and

380-483: A comprehensible style might emerge", supporting the Smithsons' description of the movement as "an ethic, not an aesthetic". Reyner Banham felt the phrase "the new brutalism" existed as both an attitude toward design as well as a descriptive label for the architecture itself and that it "eludes precise description, while remaining a living force". He attempted to codify the movement in systematic language, insisting that

456-491: A modernist building in steel and glass before cost considerations meant the structural elements were redesigned in concrete and moved to the outside of the building. Evans Woollen III 's brutalist Clowes Memorial Hall , a performing arts facility that opened in 1963 on the campus of Butler University in Indianapolis , was praised for its bold and dramatic design. The University of Minnesota 's West Bank campus features

532-650: A profile, at least among other architects, out of proportion to their relatively modest output. Peter Smithson's teaching activity included the participation for many years at the ILAUD workshops together with fellow architect Giancarlo De Carlo . National Life Stories conducted an oral history interview (C467/24) with Peter Smithson in 1997 for its Architects Lives' collection held by the British Library. Their built projects include: Robin Hood Gardens

608-493: A prominent, visible tower. Rather than being hidden in the walls, Hunstanton's water and electric utilities were delivered via readily visible pipes and conduits. Brutalism as an architectural philosophy was often associated with a socialist utopian ideology, which tended to be supported by its designers, especially by Alison and Peter Smithson , near the height of the style. Indeed, their work sought to emphasize functionality and to connect architecture with what they viewed as

684-571: A small number of local communities (with many brutalist buildings having become official, if not popular, cultural icons, sometimes obtaining a protected status). The term nybrutalism (new brutalism) was coined by the Swedish architect Hans Asplund to describe Villa Göth , a modern brick home in Uppsala , designed in January 1950 by his contemporaries Bengt Edman and Lennart Holm. Showcasing

760-402: A unified whole. There is often an emphasis on graphic expressions in the external elevations and in the whole-site architectural plan in regard to the main functions and people-flows of the buildings. Buildings may use materials such as concrete, brick, glass, steel, timber, rough-hewn stone, and gabions among others. However, due to its low cost, raw concrete is often used and left to reveal

836-509: Is an architect. Alison Smithson published a novel A Portrait of the Female Mind as a Young Girl in 1966. The Smithsons first came to prominence with Hunstanton School , Norfolk completed in 1954, which used some of the language of high modernist Ludwig Mies van der Rohe but in a stripped back way, with rough finishes and a deliberate lack of refinement that kept architectural structure and services exposed. They are arguably among

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912-584: Is known for his brutalist academic buildings. Marcel Breuer was known for his "soft" approach to the style, often using curves rather than corners. In Atlanta , Georgia, the architectural style was introduced to Buckhead's affluent Peachtree Road with the Ted Levy-designed Plaza Towers and Park Place on Peachtree condominiums. Many of the stations of the Washington Metro , particularly older stations, were constructed in

988-755: Is largely brutalist, designed as an expression of Afrikaans identity. Several universities in Southeast Asia also feature brutalist designs, including those at the Ho Chi Minh City Medicine and Pharmaceutical University , the Royal University of Phnom Penh , and the Industrial College of Hue . A 2014 article in The Economist noted its unpopularity with the public, observing that a campaign to demolish

1064-487: The bao cấp era (lit: subsidizing), the period during which the country followed Soviet-type economic planning . Many Soviet architects , most notably Garol Isakovich , were sent to Vietnam during that time to help train new architects and played an influential role in shaping the country's architectural styles for decades. Isakovich himself also designed some of the most notable brutalist buildings in Vietnam, including

1140-603: The Award of Merit by the American Institute of Architects in 1976 for distinguished accomplishment in library architecture. However, in recent years, as public attitudes towards brutalism have shifted, the library has been referred to as one of the "ugliest" buildings in Georgetown and Washington, D.C. Examples of brutalist university campuses can be found in other countries as well. The Robarts Library at

1216-562: The Central Hall of the University of York with its surrounding colleges, designed by Robert Matthew, Johnson-Marshall & Partners, who would go on to build the universities of Bath , Stirling and Ulster . A notable pairing of brutalist campus buildings is found at Durham University , with Ove Arup 's Grade I-listed Kingsgate Bridge (1963), one of only six post-1961 buildings to have been listed as Grade I by 2017, and

1292-565: The Florey Building at Queen's College, Oxford , both also Grade II*), is described in its listing as "a distinctive example of a new approach to education buildings, from a period when the universities were at the forefront of architectural patronage". The building of new universities in the UK in the 1960s led to opportunities for brutalist architects. The first to be built was the University of Sussex , designed by Basil Spence , with

1368-1403: The Laval University campus in Quebec City; Habitat 67 , Place Bonaventure , the Maison de Radio-Canada , and several metro stations on the Montreal Metro's Green Line ; the Confederation Centre of the Arts in Charlottetown; the National Arts Centre in Ottawa ; the Hotel Dieu Hospital in Kingston; the Ontario Science Centre , Robarts Library , Rochdale College in Toronto ; Royal Manitoba Theatre Centre and Canadian Grain Commission building in Winnipeg ; and

1444-857: The New Brutalism , especially in architectural and urban theory . Peter was born in Stockton-on-Tees in County Durham, north-east England, and Alison Margaret Gill was born in Sheffield , West Riding of Yorkshire. Alison studied architecture at King's College, Durham in Newcastle (later the Newcastle University School of Architecture, Planning and Landscape ), then part of the University of Durham , between 1944 and 1949. Peter studied architecture at

1520-554: The Rarig Center , a performing arts venue by Ralph Rapson from 1971 that has been called "the best example in the Twin Cities of the style called Brutalism". Faner Hall at Southern Illinois University Carbondale has long been controversial for its use of brutalism and has been considered an eyesore on campus, deemed to have a "facade only a mother could love" by the university itself. The Joseph Mark Lauinger Library ,

1596-620: The Royal Institute of British Architects . Denys Lasdun 's work at the University of East Anglia , including six linked halls of residence commonly referred to as 'ziggurats', is considered one of the finest examples of a 1960s brutalist university campus. Other notable examples include the Grade II listed lecture block at Brunel University , used as a location in Stanley Kubrick 's 1971 film A Clockwork Orange , and

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1672-475: The Singapore Land Tower , Temasek Tower and OCBC Centre , dominates the architecture of Singapore . In 2017, Tower One's original aluminium-cladded façade was replaced with a new glass curtain wall façade. It has the world's largest rear projection smart glass display on 400 sqm of switchable glass. Brutalist Brutalist architecture is an architectural style that emerged during

1748-522: The University of Toronto was designed by Warner, Burns, Toan & Lunde and built between 1968 and 1973. Although it has been called "a crowning achievement of the brutalist movement", its opening in 1974 came after public sentiment had turned against brutalism, leading to it being condemned as "a blunder on the grandest scale". Rand Afrikaans University in Johannesburg, South Africa (now Kingsway Campus Auckland Park , University of Johannesburg )

1824-636: The Vietnam-Soviet Friendship Palace of Culture and Labour (1985). In his later years, Isakovich, who was awarded the Hero of Labor by the Vietnamese government in 1976, is said to have deviated from the brutalist style and adopted Vietnamese traditional styles in his design, which has been referred to by some Vietnamese architects as Chủ nghĩa hiện đại địa phương (lit: local modernism ) and hậu hiện đại ( postmodernism ). In

1900-407: The modernist movement , brutalism is said to be a reaction against the nostalgia of architecture in the 1940s. Derived from the Swedish phrase nybrutalism, the term "new brutalism" was first used by British architects Alison and Peter Smithson for their pioneering approach to design. The style was further popularised in a 1955 essay by architectural critic Reyner Banham , who also associated

1976-513: The 'as found' design approach that would later be at the core of brutalism, the house displays visible I-beams over windows, exposed brick inside and out, and poured concrete in several rooms where the tongue-and-groove pattern of the boards used to build the forms can be seen. The term was picked up in the summer of 1950 by a group of visiting English architects, including Michael Ventris , Oliver Cox, and Graeme Shankland, where it apparently "spread like wildfire, and [was] subsequently adopted by

2052-569: The 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist constructions that showcase the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick , angular geometric shapes and a predominantly monochrome colour palette; other materials, such as steel , timber , and glass , are also featured. Descending from

2128-453: The 1966 book, The New Brutalism: Ethic or Aesthetic? , to characterise a somewhat recently established cluster of architectural approaches, particularly in Europe. In the book, Banham says that Le Corbusier's concrete work was a source of inspiration and helped popularise the movement, suggesting "if there is one single verbal formula that has made the concept of Brutalism admissible in most of

2204-524: The 1970s in the world. The treatment of the form and details is slightly associating the building with postmodernism and is today one of the rare surviving representatives of this style's early period in Serbia. The artistic expression of the gate marked an entire era in Serbian architecture. In Vietnam , brutalist architecture is particularly popular among old public buildings and has been associated with

2280-761: The British capital include the Barbican Centre ( Chamberlin, Powell and Bon ) and the National Theatre ( Denys Lasdun ). In the United States , Paul Rudolph and Ralph Rapson were both noted brutalists. Evans Woollen III , a pacesetter among architects in the Midwest , is credited for introducing the Brutalist and Modernist architecture styles to Indianapolis , Indiana. Walter Netsch

2356-579: The Downtown Gallery shopping mall running the full length of the podium, Tower One contains residential accommodation operated by Oakwood Apartments and Tower Two remains as offices. The Work Project provides co-working space in the Gallery. DBS Tower One was the first anchor in the financial district of Shenton Way , and was the tallest building in Singapore when it was completed in 1975. It

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2432-687: The East Campus of the University of Illinois at Chicago ) under a single, unified brutalist design. Netsch also designed the brutalist Joseph Regenstein Library for the University of Chicago and the Northwestern University Library . Crafton Hills College in California was designed by desert modern architect E. Stewart Williams in 1965 and built between 1966 and 1976. Williams' brutalist design contrasts with

2508-515: The Grade I listed Falmer House as its centerpiece. The building has been described as a "meeting of Arts and Crafts with modernism", with features such as hand-made bricks that contrast with the pre-fabricated construction of other 1960s campuses, and colonnades of bare, board-marked concrete arches on brick piers inspired by the Colosseum. It is also considered one of the "key Brutalist buildings" by

2584-790: The Grade II-listed Dunelm House (Richard Raines of the Architects' Co-Partnership ; 1964–66), described in its listing as "the foremost students' union building of the post-war era in England" but only saved from demolition in 2021 following a five-year campaign by the Twentieth Century Society . One of the earliest brutalist buildings in the US was Paul Rudolph 's 1963 Art and Architecture Building at Yale University where, as department chair, he

2660-876: The Smithsons' Robin Hood Gardens (2017) in East London , John Madin 's Birmingham Central Library (2016), Marcel Breuer's American Press Institute Building in Reston, Virginia , Araldo Cossutta 's Third Church of Christ, Scientist in Washington, D.C. (2014), and the Welbeck Street car park in London (2019). Alison and Peter Smithson Alison Margaret Smithson (22 June 1928 – 14 August 1993) and Peter Denham Smithson (18 September 1923 – 3 March 2003) were English architects who together formed an architectural partnership, and are often associated with

2736-646: The Sugden House completed in 1955 in Watford , represent the earliest examples of new brutalism in the United Kingdom. Hunstanton school, likely inspired by Mies van der Rohe 's 1946 Alumni Memorial Hall at the Illinois Institute of Technology in Chicago , United States, is notable as the first completed building in the world to carry the title of "new brutalist" by its architects. At the time, it

2812-532: The United Kingdom, brutalism was featured in the design of utilitarian, low-cost social housing influenced by socialist principles and soon spread to other regions around the world, while being echoed by similar styles like in Eastern Europe. Brutalist designs became most commonly used in the design of institutional buildings, such as provincial legislatures, public works projects, universities , libraries , courts , and city halls . The popularity of

2888-692: The United States have been recognized, such as the Pirelli Tire Building in New Haven's Long Wharf. The Twentieth Century Society has unsuccessfully campaigned against the demolition of British buildings such as the Tricorn Centre and Trinity Square multi-storey car park but successfully in the case of Preston bus station garage, London's Hayward Gallery , and others. Notable buildings that have been demolished include

2964-708: The University of Sydney (his State Office Block is another), the High Court of Australia and Warringah Civic Centre by Christopher Kringas , the MUSE building (also referred to as C7A MUSE) which was the original Library at Macquarie University before the new library replaced it, and WTC Wharf (World Trade Centre in Melbourne ). John Andrews 's government and institutional structures in Australia also exhibit

3040-477: The basic nature of its construction with rough surfaces featuring wood "shuttering" produced when the forms were cast in situ . Examples are frequently massive in character (even when not large) and challenge traditional notions of what a building should look like with focus given to interior spaces as much as exterior. A common theme in brutalist designs is the exposure of the building's inner-workings—ranging from their structure and services to their human use—in

3116-428: The brutalist style. Architectural historian William Jordy says that although Louis Kahn was "[o]pposed to what he regarded as the muscular posturing of most Brutalism", some of his work "was surely informed by some of the same ideas that came to momentary focus in the brutalist position." In Australia , examples of the brutalist style are Robin Gibson 's Queensland Art Gallery , Ken Woolley 's Fisher Library at

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3192-415: The central business district. The bank used to own the towers until it sold them to a Goldman Sachs real estate fund in late 2005 and leased back the space it occupied for an initial eight-year term with options for renewal. The towers are an example of brutalist architecture , and are constructed mainly out of concrete and granite. The architecture of DBS Tower One, together with that of buildings such as

3268-414: The church of the Westminster Abbey in British Columbia. Prominent Vancouver-based architect, Arthur Erickson was responsible for several noteable brutalist developments including Simon Fraser University 's main campus building, the MacMillan Bloedel Building , Vancouver's Evergreen Building, the Museum of Anthropology and Vancouver Law Courts . In Serbia , Božidar Janković was a representative of

3344-413: The concept of Brutalism." New brutalism is not only an architectural style; it is also a philosophical approach to architectural design, a striving to create simple, honest, and functional buildings that accommodate their purpose, inhabitants, and location. Stylistically, brutalism is a strict, modernistic design language that has been said to be a reaction to the architecture of the 1940s, much of which

3420-446: The concrete becomes streaked with water stains and sometimes with moss and lichen , and rust stains from the steel reinforcing bars . Critics of the style find it unappealing due to its "cold" appearance, projecting an atmosphere of totalitarianism , as well as the association of the buildings with urban decay due to materials weathering poorly in certain climates and the surfaces being prone to vandalism by graffiti. Despite this,

3496-452: The department, and designed by Colin St John Wilson and Alex Hardy, with participation by students at the university. This inspired further brutalist buildings in Cambridge, including the Grade II listed University Centre and the Grade II listed Churchill College . The Grade II* listed History Faculty Building, the second building in architect James Stirling 's Red Trilogy (along with the University of Leicester Engineering Building and

3572-402: The exterior of the building. In the Boston City Hall , designed in 1962, the strikingly different and projected portions of the building indicate the special nature of the rooms behind those walls, such as the mayor's office or the city council chambers. From another perspective, the design of the Hunstanton School included placing the facility's water tank, normally a hidden service feature, in

3648-399: The former South Vietnam , notable buildings that are said to carry brutalist elements include the Independence Palace (1966) designed by Ngô Viết Thụ , the first Asian architect to become an Honorary Fellow of the American Institute of Architects . However, whether South Vietnamese architecture prior to 1975 was brutalism or not remains a matter of dispute, with some architects argued it

3724-432: The lavish Atlas of Brutalist Architecture (Phaidon, 2018). Many of the defining aspects of the style have been softened in newer buildings, with concrete façades often being sandblasted to create a stone-like surface, covered in stucco , or composed of patterned, precast elements. These elements are also found in renovations of older Brutalist buildings, such as the redevelopment of Sheffield's Park Hill . Villa Göth

3800-588: The leaders of the British school of New Brutalism . They referred to New Brutalism as "an ethic, not an aesthetic". It was a "brute" injunction to social relevance, “an attempt to be objective about ‘reality’”, its aim to “drag a rough poetry out of the confused and powerful forces which are at work.” Their work sought to connect architecture with what they viewed as the realities of modern life in post-war Britain. Their definitions and interpretation of Brutalism put them at odds with their contemporary Reyner Banham , an architecture critic known for his work in defining

3876-416: The main library of the Georgetown University Library System, was designed by John Carl Warnecke and opened in 1970. Originally conceived with a traditional design similar to other buildings at Georgetown University , the final design of the Lauinger Library embraces brutalism and was intended as a modern interpretation of the nearby Healy Hall , a Flemish Romanesque building. The building once received

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3952-515: The movement began to decline in the late 1970s, with some associating the style with urban decay and totalitarianism . Brutalism's popularity in socialist and communist nations owed to traditional styles being associated with bourgeoisie, whereas concrete emphasized equality. Brutalism has been polarising historically; specific buildings, as well as the movement as a whole, have drawn a range of criticism (often being described as "cold" or "soulless") but have also elicited support from architects and

4028-454: The movement with the French phrases béton brut ("raw concrete") and art brut ("raw art"). The style, as developed by architects such as the Smithsons, Hungarian-born Ernő Goldfinger , and the British firm Chamberlin, Powell & Bon , was partly foreshadowed by the modernist work of other architects such as French-Swiss Le Corbusier , Estonian-American Louis Kahn , German-American Mies van der Rohe , and Finnish Alvar Aalto . In

4104-422: The realities of modern life. Among their early contributions were " streets in the sky " in which traffic and pedestrian circulation were rigorously separated, another theme popular in the 1960s. This style had a strong position in the architecture of European communist countries from the mid-1960s to the late 1980s ( Bulgaria , Czechoslovakia , East Germany , USSR , Yugoslavia ). In Czechoslovakia, Brutalism

4180-569: The same university between 1939 and 1948, along with a programme in the Department of Town Planning, also at King's, between 1946 and 1948. His studies were interrupted by war, and from 1942 he served in the Madras Sappers and Miners in India and Burma. Peter and Alison had met at Durham, and they married in 1949. In the same year they both joined the architecture department of the London County Council as Temporary Technical Assistants before establishing their own partnership in 1950. Of their three children, Simon, Samantha and Soraya, one, Simon,

4256-411: The sky ' in which traffic and pedestrian circulation were rigorously separated, a theme popular in the 1960s. They were members of the Independent Group participating in the 1953 Parallel of Life and Art exhibition at the Institute of Contemporary Arts and This Is Tomorrow in 1956. Throughout their career they published their work energetically, including their several unbuilt schemes, giving them

4332-422: The so-called "Belgrade School of residence", identifiable by its functionalist relations on the basis of the flat and elaborated in detail the architecture. Known example, Western City Gate also known as the Genex Tower is a 36- storey skyscraper in Belgrade , Serbia , which was designed in 1977 by Mihajlo Mitrović . It is formed by two towers connected with a two-storey bridge and revolving restaurant at

4408-411: The steep terrain of the area and was chosen in part because it provided a firebreak from the surrounding environment. One of the most famous brutalist buildings in the United States is Geisel Library at the University of California, San Diego . Designed by William Pereira and built 1969–70, it is said to "occup[y] a fascinating nexus between brutalism and futurism" but was originally intended as

4484-528: The style is appreciated by others, and preservation efforts are taking place in the United Kingdom. Although the Brutalist movement was largely over by the late 1970s and early 1980s, having largely given way to Structural Expressionism and Deconstructivism , it has experienced a resurgence of interest since 2015 with the publication of a variety of guides and books, including Brutal London (Zupagrafika, 2015), Brutalist London Map (2015), This Brutal World (2016), SOS Brutalism: A Global Survey (2017), and

4560-427: The style. Canada possesses numerous examples of brutalist architecture. In the years leading to the 100th anniversary of the Confederation in 1967, the Federal Government financed the construction of many public buildings. Major brutalist examples, not all built as part of the Canadian Centennial , include the Grand Théâtre de Québec , the Édifice Marie-Guyart (formerly Complex-G), Hôtel Le Concorde , and much of

4636-438: The stylistic components of New Brutalism. Alison Smithson articulated their desire to connect building, users, and site when, describing architecture as an act of "form-giving", she noted: "My act of form-giving has to invite the occupiers to add their intangible quality of use." As such, they turned against the formal unity of classical proportion and symmetry, governed by principles of geometry, to instead fashion architecture on

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4712-487: The system selected and from high levels of crime, all of which undermined the modernist vision of 'streets in the sky' and the Smithsons' architectural reputation. In 2017, with the flats set to be demolished, a three-storey section including a walkway and maisonette interiors was acquired by the Victoria and Albert Museum . They would go on to design several buildings at Bath , while relying mainly on private overseas commissions and Peter Smithson's writing and teaching (he

4788-464: The term "new brutalism" with art brut and béton brut , meaning "raw concrete" in French, for the first time. The best-known béton brut architecture is the proto-brutalist work of the Swiss-French architect Le Corbusier , in particular his 1952 Unité d'habitation in Marseille , France; the 1951–1961 Chandigarh Capitol Complex in India; and the 1955 church of Notre Dame du Haut in Ronchamp , France. Banham further expanded his thoughts in

4864-409: The top. It is 117 m (384 ft) tall (with restaurant 135–140 m (443–459 ft)) and is the second-tallest high-rise in Belgrade after Ušće Tower . The building was designed in the brutalist style with some elements of structuralism and constructivism . It is considered a prime representative of the brutalist architecture in Serbia and one of the best of its style built in the 1960s and

4940-452: The topological principle of "form in process" or "deforming form," governed by qualities of circulation, penetration, and thresholds, as most especially evident in their Robin Hood Gardens scheme. After the critical success of Hunstanton School, they were associated with Team X and its 1953 revolt against old Congrès International d'Architecture Moderne (CIAM) philosophies of high modernism. Among their early contributions were ' streets in

5016-402: The towers and into its new headquarters at Marina Bay Financial Centre (MBFC) Tower 3. Various 'core support functions' were relocated to a nine-storey building at Changi Business Park , near the Expo MRT station , in 2010. The Changi site has a permissible gross floor area of some 50,000 m (540,000 sq ft). OUE took the opportunity to upgrade the property saying the acquisition

5092-470: The world's Western languages, it is that Le Corbusier himself described that concrete work as ' béton-brut '". He further states that "the words 'The New Brutalism' were already circulating, and had acquired some depth of meaning through things said and done, over and above the widely recognised connection with béton brut . The phrase still 'belonged' to the Smithsons, however, and it was their activities above all others that were giving distinctive qualities to

5168-400: Was actually modernism . In recent years, public sentiments in Vietnam towards brutalist architecture has shifted negatively, but the style is said to have made a comeback recently. An early example of brutalist architecture in British universities was the extension to the department of architecture at the University of Cambridge in 1959 under the influence of Leslie Martin , the head of

5244-441: Was both client and architect, giving him a unique freedom to explore new directions. Rudolph's 1964 design for the University of Massachusetts Dartmouth is a rare example of an entire campus designed in the brutalist style, and was considered by him to be "the most complete realisation of his experiments with urbanism and monumentality". Walter Netsch similarly designed the entire University of Illinois-Chicago Circle Campus (now

5320-493: Was characterised by a retrospective nostalgia. Peter Smithson believed that the core of brutalism was a reverence for materials, expressed honestly, stating "Brutalism is not concerned with the material as such but rather the quality of material", and "the seeing of materials for what they were: the woodness of the wood; the sandiness of sand." Architect John Voelcker explained that the "new brutalism" in architecture "cannot be understood through stylistic analysis, although some day

5396-428: Was described as "the most truly modern building in England". The term gained increasingly wider recognition when British architectural historian Reyner Banham used it to identify both an ethic and aesthetic style, in his 1955 essay The New Brutalism . In the essay, Banham described Hunstanton and the Soho house as the "reference by which The New Brutalism in architecture may be defined." Reyner Banham also associated

5472-558: Was designed to provide multiple facilities within a single building, and contains facilities like a conference hall, a small theatre and an exhibition centre within the podium. DBS Tower One is one of the first commercial buildings to incorporate a covered walkway around the whole city block. A series of roof gardens, viewing galleries and outdoor areas provide views and facilities for the enjoyment of its tenants. Together with DBS Building Tower Two, DBS occupies about 56,000 to 70,000 m (600,000 to 750,000 sq ft) of office space in

5548-411: Was in line with its strategic goal of maximizing investment opportunities from high-yield properties. The property was redeveloped for mixed commercial and residential development. This was in line with OUE's plan to reduce its exposure in the office portfolio and allow it to participate in the residential market, to help lower borrowings and enhance cash flow for the company. OUE Downtown now consists of

5624-492: Was listed as historically significant by the Uppsala county administrative board on 3 March 1995. Several brutalist buildings in the United Kingdom have been granted listed status as historic, and others, such as Gillespie, Kidd & Coia 's St. Peter's Seminary , named by Prospect magazine's survey of architects as Scotland's greatest post-war building, have been the subject of conservation campaigns. Similar buildings in

5700-794: Was presented as an attempt to create a "national" but also "modern socialist" architectural style. Such prefabricated socialist era buildings are called panelaky . In the United Kingdom , architects associated with the brutalist style include Ernő Goldfinger , wife-and-husband pairing Alison and Peter Smithson , some of the work of Sir Basil Spence , the London County Council / Greater London Council Architects Department, Owen Luder , John Bancroft , and, arguably perhaps, Sir Denys Lasdun , Sir Leslie Martin , Sir James Stirling and James Gowan with their early works. Some well-known examples of brutalist-influenced architecture in

5776-529: Was under construction when B. S. Johnson made a short film about the couple for the BBC, The Smithsons on Housing (1970). Sukhdev Sandhu, in a blog entry for the London Telegraph website, wrote that "they drone in self-pitying fashion about vandals and local naysayers to such an extent that any traces of visionary utopianism are extinguished." The finished flats suffered from high costs associated with

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