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87-492: Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist constructions that showcase the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick , angular geometric shapes and

174-561: A "facade only a mother could love" by the university itself. The Joseph Mark Lauinger Library , the main library of the Georgetown University Library System, was designed by John Carl Warnecke and opened in 1970. Originally conceived with a traditional design similar to other buildings at Georgetown University , the final design of the Lauinger Library embraces brutalism and was intended as

261-419: A "protection against chaos". The concept of style was foreign to architects until the 18th century. Prior to the era of Enlightenment , the architectural form was mostly considered timeless, either as a divine revelation or an absolute truth derived from the laws of nature, and a great architect was the one who understood this "language". The new interpretation of history declared each historical period to be

348-643: A 'broad and balanced curriculum'. The school has to decide whether Key Stage 3 contains or whether year 9 should be in Key Stage 4 and the students just study subjects that will be examined by the GCSE exams at 16. Smithdon had decided to take the latter approach they are reconsidering this decision after reading the Ofsted report. Ofsted pointed out that the In some subjects, pupils have not been given enough time to cover

435-454: A brutalist structure must satisfy the following terms, "1, Formal legibility of plan; 2, clear exhibition of structure, and 3, valuation of materials for their inherent qualities 'as found'." Also important was the aesthetic "image", or "coherence of the building as a visual entity". Brutalist buildings are usually constructed with reoccurring modular elements representing specific functional zones, distinctly articulated and grouped together into

522-628: A building will usually be directed against a brutalist one. According to Simon Jenkins , "Few styles in history can have been met with so many pleas from its users to see it destroyed." In 2005, the British TV programme Demolition ran a public vote to select twelve buildings that ought to be demolished, and eight of those selected were brutalist buildings. One argument is that this criticism exists in part because concrete façades do not age well in damp, cloudy maritime climates such as those of northwestern Europe and New England . In these climates,

609-596: A certain faction of young British architects". The first published usage of the phrase "new brutalism" occurred in 1953, when Alison Smithson used it to describe a plan for their unbuilt Soho house which appeared in the November issue of Architectural Design . She further stated: "It is our intention in this building to have the structure exposed entirely, without interior finishes wherever practicable." The Smithsons' Hunstanton School completed in 1954 in Norfolk , and

696-481: A comprehensible style might emerge", supporting the Smithsons' description of the movement as "an ethic, not an aesthetic". Reyner Banham felt the phrase "the new brutalism" existed as both an attitude toward design as well as a descriptive label for the architecture itself and that it "eludes precise description, while remaining a living force". He attempted to codify the movement in systematic language, insisting that

783-608: A five-year campaign by the Twentieth Century Society . One of the earliest brutalist buildings in the US was Paul Rudolph 's 1963 Art and Architecture Building at Yale University where, as department chair, he was both client and architect, giving him a unique freedom to explore new directions. Rudolph's 1964 design for the University of Massachusetts Dartmouth is a rare example of an entire campus designed in

870-404: A historical epoch ( Renaissance style ), geographical location ( Italian Villa style ), or an earlier architectural style ( Neo-Gothic style ), and are influenced by the corresponding broader artistic style and the "general human condition". Heinrich Wölfflin even declared an analogy between a building and a costume : an "architectural style reflects the attitude and the movement of people in

957-711: A modern interpretation of the nearby Healy Hall , a Flemish Romanesque building. The building once received the Award of Merit by the American Institute of Architects in 1976 for distinguished accomplishment in library architecture. However, in recent years, as public attitudes towards brutalism have shifted, the library has been referred to as one of the "ugliest" buildings in Georgetown and Washington, D.C. Examples of brutalist university campuses can be found in other countries as well. The Robarts Library at

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1044-522: A number of styles which have acquired other names. Architectural styles often spread to other places, so that the style at its source continues to develop in new ways while other countries follow with their own twist. For instance, Renaissance ideas emerged in Italy around 1425 and spread to all of Europe over the next 200 years, with the French, German, English, and Spanish Renaissances showing recognisably

1131-718: A performing arts facility that opened in 1963 on the campus of Butler University in Indianapolis , was praised for its bold and dramatic design. The University of Minnesota 's West Bank campus features the Rarig Center , a performing arts venue by Ralph Rapson from 1971 that has been called "the best example in the Twin Cities of the style called Brutalism". Faner Hall at Southern Illinois University Carbondale has long been controversial for its use of brutalism and has been considered an eyesore on campus, deemed to have

1218-565: A period when the universities were at the forefront of architectural patronage". The building of new universities in the UK in the 1960s led to opportunities for brutalist architects. The first to be built was the University of Sussex , designed by Basil Spence , with the Grade I listed Falmer House as its centerpiece. The building has been described as a "meeting of Arts and Crafts with modernism", with features such as hand-made bricks that contrast with

1305-664: A place in history that is independent of its author. The subject of study no longer was the ideas that Borromini borrowed from Maderno who in turn learned from Michelangelo , instead the questions now were about the continuity and changes observed when the architecture transitioned from Renaissance to Baroque . Semper, Wölfflin, and Frankl, and later Ackerman, had backgrounds in the history of architecture, and like many other terms for period styles, "Romanesque" and "Gothic" were initially coined to describe architectural styles, where major changes between styles can be clearer and more easy to define, not least because style in architecture

1392-496: A predominantly monochrome colour palette; other materials, such as steel , timber , and glass , are also featured. Descending from the modernist movement , brutalism is said to be a reaction against the nostalgia of architecture in the 1940s. Derived from the Swedish phrase nybrutalism, the term "new brutalism" was first used by British architects Alison and Peter Smithson for their pioneering approach to design. The style

1479-492: A prominent, visible tower. Rather than being hidden in the walls, Hunstanton's water and electric utilities were delivered via readily visible pipes and conduits. Brutalism as an architectural philosophy was often associated with a socialist utopian ideology, which tended to be supported by its designers, especially by Alison and Peter Smithson , near the height of the style. Indeed, their work sought to emphasize functionality and to connect architecture with what they viewed as

1566-512: A small number of local communities (with many brutalist buildings having become official, if not popular, cultural icons, sometimes obtaining a protected status). The term nybrutalism (new brutalism) was coined by the Swedish architect Hans Asplund to describe Villa Göth , a modern brick home in Uppsala , designed in January 1950 by his contemporaries Bengt Edman and Lennart Holm. Showcasing

1653-414: A stage of growth for the humanity (cf. Johann Gottfried Herder 's Volksgeist that much later developed into Zeitgeist ). This approach allowed to classify architecture of each age as an equally valid approach, "style" (the use of the word in this sense became established by the mid-18th century). Style has been subject of an extensive debate since at least the 19th century. Many architects argue that

1740-400: A unified whole. There is often an emphasis on graphic expressions in the external elevations and in the whole-site architectural plan in regard to the main functions and people-flows of the buildings. Buildings may use materials such as concrete, brick, glass, steel, timber, rough-hewn stone, and gabions among others. However, due to its low cost, raw concrete is often used and left to reveal

1827-589: A wide catchment area, which includes many small, rural villages receiving students at 11 (year 7) from primary schools and 13 (year 9) from middle schools in the Norfolk three-tier system . This reverted to two tier. After a Good Ofsted Report in 2014, the school changed its status to an academy, within the West Norfolk Academies Trust Group. In 2019, Smithdon High School again received a 'needs improvement' report from Ofsted. This

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1914-405: Is a building; Lincoln Cathedral is a piece of architecture" ( Nikolaus Pevsner , 1943). Nonetheless, the traditional and popular approach to the architectural history is through chronology of styles, with changes reflecting the evolution of materials, economics, fashions, and beliefs. Works of architecture are unlikely to be preserved for their aesthetic value alone; with practical re-purposing,

2001-465: Is a depressing affair indeed". According to James Elkins "In the later 20th century criticisms of style were aimed at further reducing the Hegelian elements of the concept while retaining it in a form that could be more easily controlled". In the middle of the 19th century, multiple aesthetic and social factors forced architects to design the new buildings using a selection of styles patterned after

2088-637: Is a small comprehensive school (ages 11–16) academy , with 627 students in Hunstanton , Norfolk. Its buildings are Grade II* listed . It changed its status, joining the West Norfolk Academies Trust in 2016. Ofsted rated the school as 'requires improvement' in 2019. The Grade II* listed buildings were designed by Peter and Alison Smithson . They were completed in 1954, in the modernist style that became known as New Brutalism . They have remained largely unchanged though some of

2175-491: Is a small school, that no longer has a sixth form . It has difficulty in recruiting and retaining staff. Pupils feel it is a safe, friendly school though attendance is a problem. The head is seen as strict but fair. The curriculum is well laid out in curriculum plans. Virtually all maintained schools and academies follow the National Curriculum , and are inspected by Ofsted on how well they succeed in delivering

2262-414: Is easier to replicate by following a set of rules than style in figurative art such as painting. Terms originated to describe architectural periods were often subsequently applied to other areas of the visual arts, and then more widely still to music, literature and the general culture. In architecture stylistic change often follows, and is made possible by, the discovery of new techniques or materials, from

2349-614: Is found at Durham University , with Ove Arup 's Grade I-listed Kingsgate Bridge (1963), one of only six post-1961 buildings to have been listed as Grade I by 2017, and the Grade II-listed Dunelm House (Richard Raines of the Architects' Co-Partnership ; 1964–66), described in its listing as "the foremost students' union building of the post-war era in England" but only saved from demolition in 2021 following

2436-584: Is known for his brutalist academic buildings. Marcel Breuer was known for his "soft" approach to the style, often using curves rather than corners. In Atlanta , Georgia, the architectural style was introduced to Buckhead's affluent Peachtree Road with the Ted Levy-designed Plaza Towers and Park Place on Peachtree condominiums. Many of the stations of the Washington Metro , particularly older stations, were constructed in

2523-752: Is largely brutalist, designed as an expression of Afrikaans identity. Several universities in Southeast Asia also feature brutalist designs, including those at the Ho Chi Minh City Medicine and Pharmaceutical University , the Royal University of Phnom Penh , and the Industrial College of Hue . A 2014 article in The Economist noted its unpopularity with the public, observing that a campaign to demolish

2610-561: Is revived, it is different. The Spanish mission style was revived 100 years later as the Mission Revival , and that soon evolved into the Spanish Colonial Revival . Early writing on the subjects of architectural history, since the works of Vitruvius in the 1st century B.C. , treated architecture as a patrimony that was passed on to the next generation of architects by their forefathers. Giorgio Vasari in

2697-486: The bao cấp era (lit: subsidizing), the period during which the country followed Soviet-type economic planning . Many Soviet architects , most notably Garol Isakovich , were sent to Vietnam during that time to help train new architects and played an influential role in shaping the country's architectural styles for decades. Isakovich himself also designed some of the most notable brutalist buildings in Vietnam, including

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2784-491: The Festival of Britain with the community. Hunstanton School, with its exposed structure and services, with its references to Mies van der Rohe was an answer. It was described by architectural critics as New Brutalism . This was the first time this description had been used, and was then adopted to describe all buildings of this genre, and profoundly influenced school design and public buildings. The school's main building

2871-1401: The Laval University campus in Quebec City; Habitat 67 , Place Bonaventure , the Maison de Radio-Canada , and several metro stations on the Montreal Metro's Green Line ; the Confederation Centre of the Arts in Charlottetown; the National Arts Centre in Ottawa ; the Hotel Dieu Hospital in Kingston; the Ontario Science Centre , Robarts Library , Rochdale College in Toronto ; Royal Manitoba Theatre Centre and Canadian Grain Commission building in Winnipeg ; and

2958-569: The University of Chicago and the Northwestern University Library . Crafton Hills College in California was designed by desert modern architect E. Stewart Williams in 1965 and built between 1966 and 1976. Williams' brutalist design contrasts with the steep terrain of the area and was chosen in part because it provided a firebreak from the surrounding environment. One of the most famous brutalist buildings in

3045-521: The University of Toronto was designed by Warner, Burns, Toan & Lunde and built between 1968 and 1973. Although it has been called "a crowning achievement of the brutalist movement", its opening in 1974 came after public sentiment had turned against brutalism, leading to it being condemned as "a blunder on the grandest scale". Rand Afrikaans University in Johannesburg, South Africa (now Kingsway Campus Auckland Park , University of Johannesburg )

3132-634: The Vietnam-Soviet Friendship Palace of Culture and Labour (1985). In his later years, Isakovich, who was awarded the Hero of Labor by the Vietnamese government in 1976, is said to have deviated from the brutalist style and adopted Vietnamese traditional styles in his design, which has been referred to by some Vietnamese architects as Chủ nghĩa hiện đại địa phương (lit: local modernism ) and hậu hiện đại ( postmodernism ). In

3219-511: The 'as found' design approach that would later be at the core of brutalism, the house displays visible I-beams over windows, exposed brick inside and out, and poured concrete in several rooms where the tongue-and-groove pattern of the boards used to build the forms can be seen. The term was picked up in the summer of 1950 by a group of visiting English architects, including Michael Ventris , Oliver Cox, and Graeme Shankland, where it apparently "spread like wildfire, and [was] subsequently adopted by

3306-629: The 16th century shifted the narrative to biographies of the great artists in his " Lives of the Most Excellent Painters, Sculptors, and Architects ". Constructing schemes of the period styles of historic art and architecture was a major concern of 19th century scholars in the new and initially mostly German-speaking field of art history . Important writers on the broad theory of style including Carl Friedrich von Rumohr , Gottfried Semper , and Alois Riegl in his Stilfragen of 1893, with Heinrich Wölfflin and Paul Frankl continued

3393-452: The 1966 book, The New Brutalism: Ethic or Aesthetic? , to characterise a somewhat recently established cluster of architectural approaches, particularly in Europe. In the book, Banham says that Le Corbusier's concrete work was a source of inspiration and helped popularise the movement, suggesting "if there is one single verbal formula that has made the concept of Brutalism admissible in most of

3480-523: The 1970s in the world. The treatment of the form and details is slightly associating the building with postmodernism and is today one of the rare surviving representatives of this style's early period in Serbia. The artistic expression of the gate marked an entire era in Serbian architecture. In Vietnam , brutalist architecture is particularly popular among old public buildings and has been associated with

3567-759: The British capital include the Barbican Centre ( Chamberlin, Powell and Bon ) and the National Theatre ( Denys Lasdun ). In the United States , Paul Rudolph and Ralph Rapson were both noted brutalists. Evans Woollen III , a pacesetter among architects in the Midwest , is credited for introducing the Brutalist and Modernist architecture styles to Indianapolis , Indiana. Walter Netsch

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3654-470: The Gothic rib vault to modern metal and reinforced concrete construction. A major area of debate in both art history and archaeology has been the extent to which stylistic change in other fields like painting or pottery is also a response to new technical possibilities, or has its own impetus to develop (the kunstwollen of Riegl), or changes in response to social and economic factors affecting patronage and

3741-558: The Grade II listed University Centre and the Grade II listed Churchill College . The Grade II* listed History Faculty Building, the second building in architect James Stirling 's Red Trilogy (along with the University of Leicester Engineering Building and the Florey Building at Queen's College, Oxford , both also Grade II*), is described in its listing as "a distinctive example of a new approach to education buildings, from

3828-754: The Smithsons' Robin Hood Gardens (2017) in East London , John Madin 's Birmingham Central Library (2016), Marcel Breuer's American Press Institute Building in Reston, Virginia , Araldo Cossutta 's Third Church of Christ, Scientist in Washington, D.C. (2014), and the Welbeck Street car park in London (2019). Architectural style Architectural styles are frequently associated with

3915-643: The Sugden House completed in 1955 in Watford , represent the earliest examples of new brutalism in the United Kingdom. Hunstanton school, likely inspired by Mies van der Rohe 's 1946 Alumni Memorial Hall at the Illinois Institute of Technology in Chicago , United States, is notable as the first completed building in the world to carry the title of "new brutalist" by its architects. At the time, it

4002-528: The United Kingdom, brutalism was featured in the design of utilitarian, low-cost social housing influenced by socialist principles and soon spread to other regions around the world, while being echoed by similar styles like in Eastern Europe. Brutalist designs became most commonly used in the design of institutional buildings, such as provincial legislatures, public works projects, universities , libraries , courts , and city halls . The popularity of

4089-691: The United States have been recognized, such as the Pirelli Tire Building in New Haven's Long Wharf. The Twentieth Century Society has unsuccessfully campaigned against the demolition of British buildings such as the Tricorn Centre and Trinity Square multi-storey car park but successfully in the case of Preston bus station garage, London's Hayward Gallery , and others. Notable buildings that have been demolished include

4176-462: The United States is Geisel Library at the University of California, San Diego . Designed by William Pereira and built 1969–70, it is said to "occup[y] a fascinating nexus between brutalism and futurism" but was originally intended as a modernist building in steel and glass before cost considerations meant the structural elements were redesigned in concrete and moved to the outside of the building. Evans Woollen III 's brutalist Clowes Memorial Hall ,

4263-707: The University of Sydney (his State Office Block is another), the High Court of Australia and Warringah Civic Centre by Christopher Kringas , the MUSE building (also referred to as C7A MUSE) which was the original Library at Macquarie University before the new library replaced it, and WTC Wharf (World Trade Centre in Melbourne ). John Andrews 's government and institutional structures in Australia also exhibit

4350-474: The basic nature of its construction with rough surfaces featuring wood "shuttering" produced when the forms were cast in situ . Examples are frequently massive in character (even when not large) and challenge traditional notions of what a building should look like with focus given to interior spaces as much as exterior. A common theme in brutalist designs is the exposure of the building's inner-workings—ranging from their structure and services to their human use—in

4437-401: The brutalist style, and was considered by him to be "the most complete realisation of his experiments with urbanism and monumentality". Walter Netsch similarly designed the entire University of Illinois-Chicago Circle Campus (now the East Campus of the University of Illinois at Chicago ) under a single, unified brutalist design. Netsch also designed the brutalist Joseph Regenstein Library for

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4524-427: The brutalist style. Architectural historian William Jordy says that although Louis Kahn was "[o]pposed to what he regarded as the muscular posturing of most Brutalism", some of his work "was surely informed by some of the same ideas that came to momentary focus in the brutalist position." In Australia , examples of the brutalist style are Robin Gibson 's Queensland Art Gallery , Ken Woolley 's Fisher Library at

4611-402: The builder. The concept of architectural style is studied in the architectural history as one of the approaches ("style and period") that are used to organize the history of architecture (Leach lists five other approaches as "biography, geography and culture, type, technique, theme and analogy"). Style provides an additional relationship between otherwise disparate buildings, thus serving as

4698-412: The church of the Westminster Abbey in British Columbia. Prominent Vancouver-based architect, Arthur Erickson was responsible for several noteable brutalist developments including Simon Fraser University 's main campus building, the MacMillan Bloedel Building , Vancouver's Evergreen Building, the Museum of Anthropology and Vancouver Law Courts . In Serbia , Božidar Janković was a representative of

4785-410: The concept of Brutalism." New brutalism is not only an architectural style; it is also a philosophical approach to architectural design, a striving to create simple, honest, and functional buildings that accommodate their purpose, inhabitants, and location. Stylistically, brutalism is a strict, modernistic design language that has been said to be a reaction to the architecture of the 1940s, much of which

4872-445: The concrete becomes streaked with water stains and sometimes with moss and lichen , and rust stains from the steel reinforcing bars . Critics of the style find it unappealing due to its "cold" appearance, projecting an atmosphere of totalitarianism , as well as the association of the buildings with urban decay due to materials weathering poorly in certain climates and the surfaces being prone to vandalism by graffiti. Despite this,

4959-482: The conditions of the artist, as current thinking tends to emphasize, using less rigid versions of Marxist art history. Although style was well-established as a central component of art historical analysis, seeing it as the over-riding factor in art history had fallen out of fashion by World War II, as other ways of looking at art were developing, and a reaction against the emphasis on style developing; for Svetlana Alpers , "the normal invocation of style in art history

5046-483: The debate into the 20th century. Paul Jacobsthal and Josef Strzygowski are among the art historians who followed Riegl in proposing grand schemes tracing the transmission of elements of styles across great ranges in time and space. This type of art history is also known as formalism , or the study of forms or shapes in art. Wölfflin declared the goal of formalism as German : Kunstgeschichtliche Grundbegriffe , "art history without names", where an architect's work has

5133-402: The exterior of the building. In the Boston City Hall , designed in 1962, the strikingly different and projected portions of the building indicate the special nature of the rooms behind those walls, such as the mayor's office or the city council chambers. From another perspective, the design of the Hunstanton School included placing the facility's water tank, normally a hidden service feature, in

5220-422: The featured clear glass panels were replaced by black panels to overcome a solar overheating problem. They were listed in 1993. The school was opened in 1954. It was a product of extreme austerity, intended to educate the boys and girls aged 11 to 15 who had failed the 11-plus . The school became non-selective following the 1965 Circular 10/65 and in 1972 the school leaving age was raised to 16. The school had

5307-495: The finest examples of a 1960s brutalist university campus. Other notable examples include the Grade II listed lecture block at Brunel University , used as a location in Stanley Kubrick 's 1971 film A Clockwork Orange , and the Central Hall of the University of York with its surrounding colleges, designed by Robert Matthew, Johnson-Marshall & Partners, who would go on to build the universities of Bath , Stirling and Ulster . A notable pairing of brutalist campus buildings

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5394-527: The former South Vietnam , notable buildings that are said to carry brutalist elements include the Independence Palace (1966) designed by Ngô Viết Thụ , the first Asian architect to become an Honorary Fellow of the American Institute of Architects . However, whether South Vietnamese architecture prior to 1975 was brutalism or not remains a matter of dispute, with some architects argued it was actually modernism . In recent years, public sentiments in Vietnam towards brutalist architecture has shifted negatively, but

5481-427: The full curriculum in key stage 3. ... In some subjects, plans are not as well sequenced. This means that pupils do not get a strong enough grasp of important knowledge and concepts. In these subjects, pupils are not as well prepared for their key stage 4 studies. We saw examples of this in art, history and languages. In 2019, Key Stage 3 and 4 students studied: Potential Key Stage 5 students are offered places in

5568-570: The historical ones (working "in every style or none"), and style definition became a practical matter. The choice of an appropriate style was subject of elaborate discussions; for example, the Cambridge Camden Society had argued that the churches in the new British colonies should be built in the Norman style , so that the local architects and builders can go through the paces repeating the architectural history of England. Hunstanton School Smithdon High School (formerly known as Hunstanton Secondary Modern School and Hunstanton School )

5655-432: The lavish Atlas of Brutalist Architecture (Phaidon, 2018). Many of the defining aspects of the style have been softened in newer buildings, with concrete façades often being sandblasted to create a stone-like surface, covered in stucco , or composed of patterned, precast elements. These elements are also found in renovations of older Brutalist buildings, such as the redevelopment of Sheffield's Park Hill . Villa Göth

5742-513: The movement began to decline in the late 1970s, with some associating the style with urban decay and totalitarianism . Brutalism's popularity in socialist and communist nations owed to traditional styles being associated with bourgeoisie, whereas concrete emphasized equality. Brutalism has been polarising historically; specific buildings, as well as the movement as a whole, have drawn a range of criticism (often being described as "cold" or "soulless") but have also elicited support from architects and

5829-494: The notion of "style" cannot adequately describe the contemporary architecture, is obsolete and ridden with historicism . In their opinion, by concentrating on the appearance of the building, style classification misses the hidden from view ideas that architects had put into the form. Studying history of architecture without reliance on styles usually relies on a " canon " of important architects and buildings. The lesser objects in this approach do not deserve attention: "A bicycle shed

5916-552: The original intent of the original architect, sometimes his very identity, can be forgotten, and the building style becomes "an indispensable historical tool". Styles emerge from the history of a society. At any time several styles may be fashionable, and when a style changes it usually does so gradually, as architects learn and adapt to new ideas. The new style is sometimes only a rebellion against an existing style, such as postmodern architecture (meaning "after modernism"), which in 21st century has found its own language and split into

6003-423: The period concerned. The 21st century construction uses a multitude of styles that are sometimes lumped together as a " contemporary architecture " based on the common trait of extreme reliance on computer-aided architectural design (cf. Parametricism ). Folk architecture (also "vernacular architecture") is not a style, but an application of local customs to small-scale construction without clear identity of

6090-416: The pre-fabricated construction of other 1960s campuses, and colonnades of bare, board-marked concrete arches on brick piers inspired by the Colosseum. It is also considered one of the "key Brutalist buildings" by the Royal Institute of British Architects . Denys Lasdun 's work at the University of East Anglia , including six linked halls of residence commonly referred to as 'ziggurats', is considered one of

6177-419: The realities of modern life. Among their early contributions were " streets in the sky " in which traffic and pedestrian circulation were rigorously separated, another theme popular in the 1960s. This style had a strong position in the architecture of European communist countries from the mid-1960s to the late 1980s ( Bulgaria , Czechoslovakia , East Germany , USSR , Yugoslavia ). In Czechoslovakia, Brutalism

6264-607: The same style, but with unique characteristics. An architectural style may also spread through colonialism , either by foreign colonies learning from their home country, or by settlers moving to a new land. One example is the Spanish missions in California , brought by Spanish priests in the late 18th century and built in a unique style . After an architectural style has gone out of fashion, revivals and re-interpretations may occur. For instance, classicism has been revived many times and found new life as neoclassicism . Each time it

6351-471: The sixth form at Springwood High School in Lynn . Hunstanton School , built between 1949 and 1954, is an important work by Alison and Peter Smithson . It was known locally as 'the glasshouse'. The school was strikingly modern in many ways, most notably in its extensive use of glass and steel, and the unusual free-standing water tower. The Smithsons struggled with reuniting modernist architectural style of

6438-534: The so-called "Belgrade School of residence", identifiable by its functionalist relations on the basis of the flat and elaborated in detail the architecture. Known example, Western City Gate also known as the Genex Tower is a 36- storey skyscraper in Belgrade , Serbia , which was designed in 1977 by Mihajlo Mitrović . It is formed by two towers connected with a two-storey bridge and revolving restaurant at

6525-526: The style is appreciated by others, and preservation efforts are taking place in the United Kingdom. Although the Brutalist movement was largely over by the late 1970s and early 1980s, having largely given way to Structural Expressionism and Deconstructivism , it has experienced a resurgence of interest since 2015 with the publication of a variety of guides and books, including Brutal London (Zupagrafika, 2015), Brutalist London Map (2015), This Brutal World (2016), SOS Brutalism: A Global Survey (2017), and

6612-575: The style is said to have made a comeback recently. An early example of brutalist architecture in British universities was the extension to the department of architecture at the University of Cambridge in 1959 under the influence of Leslie Martin , the head of the department, and designed by Colin St John Wilson and Alex Hardy, with participation by students at the university. This inspired further brutalist buildings in Cambridge, including

6699-690: The style. Canada possesses numerous examples of brutalist architecture. In the years leading to the 100th anniversary of the Confederation in 1967, the Federal Government financed the construction of many public buildings. Major brutalist examples, not all built as part of the Canadian Centennial , include the Grand Théâtre de Québec , the Édifice Marie-Guyart (formerly Complex-G), Hôtel Le Concorde , and much of

6786-685: The term "new brutalism" with art brut and béton brut , meaning "raw concrete" in French, for the first time. The best-known béton brut architecture is the proto-brutalist work of the Swiss-French architect Le Corbusier , in particular his 1952 Unité d'habitation in Marseille , France; the 1951–1961 Chandigarh Capitol Complex in India; and the 1955 church of Notre Dame du Haut in Ronchamp , France. Banham further expanded his thoughts in

6873-464: The top. It is 117 m (384 ft) tall (with restaurant 135–140 m (443–459 ft)) and is the second-tallest high-rise in Belgrade after Ušće Tower . The building was designed in the brutalist style with some elements of structuralism and constructivism . It is considered a prime representative of the brutalist architecture in Serbia and one of the best of its style built in the 1960s and

6960-469: The world's Western languages, it is that Le Corbusier himself described that concrete work as ' béton-brut '". He further states that "the words 'The New Brutalism' were already circulating, and had acquired some depth of meaning through things said and done, over and above the widely recognised connection with béton brut . The phrase still 'belonged' to the Smithsons, however, and it was their activities above all others that were giving distinctive qualities to

7047-490: Was characterised by a retrospective nostalgia. Peter Smithson believed that the core of brutalism was a reverence for materials, expressed honestly, stating "Brutalism is not concerned with the material as such but rather the quality of material", and "the seeing of materials for what they were: the woodness of the wood; the sandiness of sand." Architect John Voelcker explained that the "new brutalism" in architecture "cannot be understood through stylistic analysis, although some day

7134-477: Was described as "the most truly modern building in England". The term gained increasingly wider recognition when British architectural historian Reyner Banham used it to identify both an ethic and aesthetic style, in his 1955 essay The New Brutalism . In the essay, Banham described Hunstanton and the Soho house as the "reference by which The New Brutalism in architecture may be defined." Reyner Banham also associated

7221-412: Was designated a Grade II* listed building in 1993. The school gymnasium was listed at Grade II* the same year. This is a two-storey, flat roofed, roughly symmetrical rectangular block with two internal courtyards and a central double-height hall spanning two main ranges. The classrooms are all on the first floor reached by individual stair columns- or columns that service at most three classrooms. This

7308-421: Was done to prevent the perceived noise and disruption caused by long corridors. The classrooms were fully glazed, with obscured panels below cill height. It was built using a galvanised steel frame with buff sandlime brick infill. The steel framed windows were fitted without subframes. There were single storeyed workshops and kitchens to north. A feature is the steel framed water tower with steel tanks, built between

7395-551: Was further popularised in a 1955 essay by architectural critic Reyner Banham , who also associated the movement with the French phrases béton brut ("raw concrete") and art brut ("raw art"). The style, as developed by architects such as the Smithsons, Hungarian-born Ernő Goldfinger , and the British firm Chamberlin, Powell & Bon , was partly foreshadowed by the modernist work of other architects such as French-Swiss Le Corbusier , Estonian-American Louis Kahn , German-American Mies van der Rohe , and Finnish Alvar Aalto . In

7482-491: Was listed as historically significant by the Uppsala county administrative board on 3 March 1995. Several brutalist buildings in the United Kingdom have been granted listed status as historic, and others, such as Gillespie, Kidd & Coia 's St. Peter's Seminary , named by Prospect magazine's survey of architects as Scotland's greatest post-war building, have been the subject of conservation campaigns. Similar buildings in

7569-794: Was presented as an attempt to create a "national" but also "modern socialist" architectural style. Such prefabricated socialist era buildings are called panelaky . In the United Kingdom , architects associated with the brutalist style include Ernő Goldfinger , wife-and-husband pairing Alison and Peter Smithson , some of the work of Sir Basil Spence , the London County Council / Greater London Council Architects Department, Owen Luder , John Bancroft , and, arguably perhaps, Sir Denys Lasdun , Sir Leslie Martin , Sir James Stirling and James Gowan with their early works. Some well-known examples of brutalist-influenced architecture in

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