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Digital single-lens reflex camera

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A digital single-lens reflex camera ( digital SLR or DSLR ) is a digital camera that combines the optics and mechanisms of a single-lens reflex camera with a solid-state image sensor and digitally records the images from the sensor.

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71-422: The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens and then to a mirror that alternates to send the image to either a prism, which shows the image in the optical viewfinder , or the image sensor when the shutter release button is pressed. The viewfinder of a DSLR presents an image that will not differ substantially from what

142-515: A Nikon F4 subsystem, the E3/E3S uses a Nikon F100 subsystem. The E series uses a unique additional optical system that enables the small sensor to capture the field of view of a 35mm film, with a crop factor of 1. This comes not at the expense of the F-stop of the lenses, because the light is bundled to the 2 ⁄ 3  inch CCD sensor with approximately 16 times smaller area. The result

213-420: A pentamirror instead of the traditional pentaprism . Focusing can be manual, by twisting the focus on the lens; or automatic , activated by pressing half-way on the shutter release or a dedicated auto-focus (AF) button. To take an image, the mirror swings upwards in the direction of the arrow, the focal-plane shutter opens, and the image is projected and captured on the image sensor . After these actions,

284-442: A waist-level viewfinder. Single-lens reflex (SLR) cameras use the camera lens itself, to completely eliminate parallax , the significant field-of-view error for close subjects caused by the offset distance between the viewfinder's lens and the camera's lens. Early SLRs were plate cameras , with a mechanism to insert a mirror between the lens and the film which reflected the light upwards, where it could be seen at waist level on

355-567: A " digital back " which can be used as an alternative to a film back. Because of the manufacturing costs of these large sensors, the price of these cameras is typically over $ 1,500 and easily reaching $ 8,000 and beyond as of February 2021. " Full-frame " is the same size as 35 mm film (135 film, image format 24×36 mm); these sensors are used in DSLRs such as the Canon EOS-1D X Mark II , 5DS/5DSR , 5D Mark IV and 6D Mark II , and

426-434: A "PASM" dial, they typically provide modes such as program, aperture-priority, shutter-priority, and full manual modes. Scene modes vary from camera to camera, and these modes are inherently less customizable. They often include landscape, portrait, action, macro, night, and silhouette, among others. However, these different settings and shooting styles that "scene" mode provides can be achieved by calibrating certain settings on

497-418: A color-striped 2/3” format CCD sensor with 280K pixels, along with analog video signal processing and recording. The Mavica electronic still camera employed a TTL single-lens reflex viewfinder, as shown in the graphic from a June 1982 Sony press release. It recorded FM-modulated analog video signals on a newly developed 2” magnetic floppy disk, dubbed the "Mavipak". The disk format was later standardized as

568-423: A digital accessory device used with digital cameras. These cameras had no separate viewfinder. The exact image (although upside-down and reversed left-right) was viewed on a ground glass installed either in a replaceable plateholder, or in a spring back where springs hold the ground glass at the focus plane until a photographic plateholder is slid in front of it. Spring backs usually had a flip-up cover protecting

639-528: A distant third at 6.3%. In 2008, Canon 's and Nikon 's offerings took the majority of sales. In 2010, Canon controlled 44.5% of the DSLR market, followed by Nikon with 29.8% and Sony with 11.9%. For Canon and Nikon, digital SLRs are their biggest source of profit. For Canon, their DSLRs brought in four times the profits from compact digital cameras, while Nikon earned more from DSLRs and lenses than from any other product. Olympus and Panasonic have since exited

710-435: A ground glass screen. When ready to take the picture, the mirror was pivoted out of the way (without moving the camera). Later SLR still cameras had a mechanism which flipped the mirror out of the way when the shutter button was pressed, opened and closed the shutter, and then moved the mirror back. The Zeiss Ikon Contax S was the first SLR camera to allow easy eye-level viewing by using a roof pentaprism to laterally reverse

781-473: A larger variety of dedicated lenses and other equipment. Mainstream DSLRs (in full-frame or smaller image sensor format ) are produced by Canon , Nikon , Pentax , and Sigma . Pentax , Phase One , Hasselblad , and Mamiya Leaf produce expensive, high-end medium-format DSLRs, including some with removable sensor backs. Contax , Fujifilm , Kodak , Panasonic , Olympus, Samsung previously produced DSLRs, but now either offer non-DSLR systems or have left

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852-622: A low-noise analog image signal, which is digitized when used in a digital camera. For their contribution to digital photography, Boyle and Smith were awarded the Nobel Prize for Physics in 2009. In 1973, Fairchild developed a 100 x 100 pixel interline CCD image sensor. This CCD was used in the first commercial CCD camera, the Fairchild MV-100 , which was introduced in late 1973. In 1974, Kodak scientists Peter Dillon and Albert Brault used this Fairchild CCD 202 image sensor to create

923-505: A nonstandard video resolution or frame rate. For example, the Pentax K-7 uses a nonstandard resolution of 1536×1024, which matches the imager's 3:2 aspect ratio. The Canon EOS 500D (Rebel T1i) uses a nonstandard frame rate of 20 frame/s at 1080p, along with a more conventional 720p30 format. In general, HDSLRs use the full imager area to capture HD video, though not all pixels (causing video artifacts to some degree). Compared with

994-470: A separate viewfinder. For those cameras, the electronic image is shown on a small accessory screen for composition and focusing purposes. CCTVs and webcams do not need any viewfinding device. Nikon E3S The Nikon E series , co-developed with Fujifilm , are autofocus 1.3 megapixel professional grade quasi- full frame ( 35mm ) Nikon F-mount digital single lens reflex cameras ( DSLR ) manufactured by Nikon since 1995. The E series included

1065-522: A tethered hard drive and processed for histogram feedback to the user. This camera was created for the U.S. government, and was followed by several other models intended for government use and eventually Kodak DCS , a commercial DSLR series launched in 1991. In 1995, Nikon co-developed the Nikon E series with Fujifilm. The E series included the Nikon E2 / E2S , Nikon E2N / E2NS and Nikon E3 / E3S , with

1136-470: A variety of different lens mounts. There are also lens adapters that allow a lens for one lens mount to be used on a camera body with a different lens mount, but with often reduced functionality. Many lenses are mountable, "diaphragm-and-meter-compatible", on modern DSLRs, and on older film SLRs that use the same lens mount. However, when lenses designed for 35  mm film or equivalently sized digital image sensors are used on DSLRs with smaller sized sensors,

1207-521: Is a good example of this. When comparing two sensors of the same size, for example, two APS-C sensors one 12.1 MP and one 18 MP, the one with the lower megapixel rating will usually perform better in low light. This is because the size of the individual pixels is larger, and more light is landing on each pixel, compared with the sensor with more megapixels. This is not always the case, because newer cameras that have higher megapixels also have better noise reduction software, and higher ISO settings to make up for

1278-480: Is a half mirror prism that reflect data from LCD to the optical viewfinder, so we can see both the shooting frame and the shooting data. A button can change the hybrid function to electronical viewfinder by blocking the image through the optical viewfinder with moving a half mirror prism to be a straight up mirror. Viewfinders are used for virtually all cameras whether still or movie, film, electronic analog (Television) or digital. Many digital sensor cameras do not have

1349-431: Is approximately 4 stops (2 = 16) more light at the small sensor compared to a full-frame sensor. Therefore, the camera has a minimum full-frame sensitivity of ISO 800 which is equivalent to ISO 50 at 2 ⁄ 3  inch. As a result, the noise of the camera at ISO 800 full-frame is equivalent to ISO 50 of the 2 ⁄ 3  inch CCD sensor. Nikon could not reduce sensitivity below 800 ISO full-frame, because

1420-611: Is captured by the camera's sensor , as it presents it as a direct optical view through the main camera lens rather than showing an image through a separate secondary lens. DSLRs largely replaced film-based SLRs during the 2000s. Major camera manufacturers began to transition their product lines away from DSLR cameras to mirrorless interchangeable-lens cameras (MILCs) beginning in the 2010s. In 1969, Willard S. Boyle and George E. Smith invented charge-coupled semiconductor devices, which can be used as analog storage registers and image sensors. A CCD (Charge-Coupled Device) imager provides

1491-649: Is limited in its ability to find focus quickly, though it is somewhat more accurate. In 2012, Canon introduced hybrid autofocus technology to the DSLR in the EOS 650D/Rebel T4i , and introduced a more sophisticated version, which it calls "Dual Pixel CMOS AF", with the EOS 70D . The technology allows certain pixels to act as both contrast-detection and phase-detection pixels, thereby greatly improving autofocus speed in live view (although it remains slower than pure phase detection). While several mirrorless cameras , plus Sony's fixed-mirror SLTs , have similar hybrid AF systems, Canon

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1562-524: Is not unique to the DSLR design and mirrorless interchangeable lens cameras are becoming increasingly popular. Interchangeable lenses for SLRs and DSLRs are built to operate correctly with a specific lens mount that is generally unique to each brand. A photographer will often use lenses made by the same manufacturer as the camera body (for example, Canon EF lenses on a Canon body) although there are also many independent lens manufacturers, such as Sigma , Tamron , Tokina , and Vivitar , that make lenses for

1633-556: Is the only manufacturer that offers such technology in DSLRs. A new feature via a separate software package introduced from Breeze Systems in October 2007, features live view from a distance. The software package is named "DSLR Remote Pro v1.5" and enables support for the Canon EOS 40D and 1D Mark III . Image sensors used in DSLRs come in a range of sizes. The very largest are the ones used in " medium format " cameras, typically via

1704-497: Is used. Images are digitally stored as uncompressed TIFF or compressed JPEG. It can be accessed via a SCSI connector . TV replay (NTSC or PAL) is possible. Nikon gained knowledge on digital cameras ( still video cameras , with analog storage) by constructing the Nikon Still Video Camera (SVC) Model 1, a prototype which was first presented at photokina 1986 . The follower Nikon QV-1000C Still Video Camera

1775-536: Is useful in situations where the camera's eye-level viewfinder cannot be used, such as underwater photography where the camera is enclosed in a plastic waterproof case. In 2000, Olympus introduced the Olympus E-10 , the first DSLR with live preview – albeit with an atypical fixed lens design. In late 2008, some DSLRs from Canon , Nikon , Olympus , Panasonic , Leica , Pentax , Samsung and Sony all provided continuous live preview as an option. Additionally,

1846-477: Is viewed through a magnifying eyepiece, and due to a rubber eyepiece it can be viewed perfectly even in bright light. The second viewfinder would be larger, of a higher resolution, and may be mounted on the side of the camera. Because it consumes more power, a method is often provided to turn it off to save energy. In late 2010, Fujifilm announced hybrid viewfinder of optical viewfinder and electronic viewfinder in one viewfinder for its highend compact cameras . There

1917-668: The Konica Minolta Maxxum 7D , the first DSLR with in-body image stabilization which later become standard in Pentax , Olympus , and Sony Alpha cameras. In early 2008, Nikon released the D90 , the first DSLR to feature video recording. Since then, all major companies have offered cameras with this functionality. Over time, the number of megapixels in imaging sensors has increased steadily, with most companies focusing on high ISO performance, speed of focus, higher frame rates,

1988-648: The Nikon D5 , D850 , D750 , D610 and Df . Most lower-cost DSLRs use a smaller sensor that is APS-C sized, which is approximately 24×16 mm, slightly smaller than the size of an APS-C film frame, or about 40% of the area of a full-frame sensor. Other sensor sizes found in DSLRs include the Four Thirds System sensor at 26% of full frame, APS-H sensors (used, for example, in the Canon EOS-1D Mark III ) at around 61% of full frame, and

2059-638: The Nikon E2/E2S , Nikon E2N/E2NS and the Nikon E3/E3S . The S-variants are identical except they had triple the frame rate and a larger buffer. Its unique optical system bundles the light of the full-frame lenses to the small 2/3 inch CCD sensor. That gives approximately 4 stops more light at the small sensor, therefore delivering an exceptional (for that time) minimum sensitivity of 800 and maximum 3200 ISO , which remains usable for press and news use. The Nikon E2/E2S and E2N/E2NS use

2130-402: The digital image , performing data storage , and/or driving an electronic display . DSLRs typically use autofocus based on phase detection. This method allows the optimal lens position to be calculated rather than "found", as would be the case with autofocus based on contrast maximization. Phase-detection autofocus is typically faster than other passive techniques. As the phase sensor requires

2201-524: The "Still Video Floppy", or "SVF", so the Sony Mavica was the first "SVF-SLR" to be demonstrated, but it was not a D-SLR since it recorded analog video images rather than digital images. Starting in 1983, many Japanese companies demonstrated prototype SVF cameras, including Toshiba, Canon, Copal, Hitachi, Panasonic, Sanyo, and Mitsubishi. The Canon RC-701, introduced in May 1986, was the first SVF camera (and

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2272-407: The DSLR market and now focus on producing mirrorless cameras. In 2013, after a decade of double-digit growth, DSLR (along with MILC ) sales were down 15 percent. This may be due to some low-end DSLR users choosing to use a smartphone instead. The market intelligence firm IDC predicted that Nikon would be out of business by 2018 if the trend continued, although this did not come to pass. Regardless,

2343-504: The DSLR's optical construction, HDSLRs typically lack one or more video functions found on standard dedicated camcorders, such as autofocus while shooting, powered zoom, and an electronic viewfinder/preview. These and other handling limitations prevent the HDSLR from being operated as a simple point-and-shoot camcorder, instead of demanding some level of planning and skill for location shooting. Video functionality has continued to improve since

2414-643: The E3S released in December 1999. In the late 1990s, Sony introduced the "Digital Mavica" series of consumer digital cameras. Unlike the original analog Mavica, the Digital Mavica cameras recorded JPEG compressed image files on standard 3½-inch magnetic floppy discettes (meant to simplify camera-to-computer data transfer) and did not have an SLR viewfinder. In 1999, Nikon announced the Nikon D1 . The D1's body

2485-487: The Fujifilm FinePix S5 Pro offers 30 seconds of live preview. On almost all DSLRs that offer live preview via the primary sensor, the phase-detection autofocus system does not work in the live preview mode, and the DSLR switches to a slower contrast system commonly found in point-and-shoot cameras . While even phase detection autofocus requires contrast in the scene, strict contrast-detection autofocus

2556-600: The Kodak Microelectronics Technology Division developed a 1.3 MP CCD image sensor, the first with more than 1 million pixels. In 1987, this sensor was integrated with a Canon F-1 film SLR body at the Kodak Federal Systems Division to create an early DSLR camera. The digital back monitored the camera body battery current to sync the image sensor exposure to the film body shutter. Digital images were stored on

2627-501: The Still" contest that asked filmmakers to collectively shoot a short film in 8 chapters, with each chapter being shot over a short period of time and a winner was determined for each chapter. After 7 chapters the winners collaborated to shoot the final chapter of the story. Due to the affordability and convenient size of HDSLRs compared with professional movie cameras, The Avengers used five Canon EOS 5D Mark II and two Canon 7D to shoot

2698-465: The T1i itself. Other types of HDSLRs found their distinct application in the field of documentary and ethnographic filmmaking, especially due to their affordability, technical and aesthetical features, and their ability to make observation highly intimate. An increased number of films, television shows, and other productions are utilizing the quickly improving features. One such project was Canon's "Story Beyond

2769-705: The brand's first professional digital body. In 2003, Canon introduced the 6.3- megapixel EOS 300D SLR camera (known in the United States and Canada as the Digital Rebel and in Japan as the Kiss Digital) with an MSRP of US$ 999, aimed at the consumer market. Its commercial success encouraged other manufacturers to produce competing digital SLRs, lowering entry costs and allowing more amateur photographers to purchase DSLRs. In 2004, Konica Minolta released

2840-441: The camera market entirely. Konica Minolta 's line of DSLRs was purchased by Sony. Like SLRs, DSLRs typically use interchangeable lenses with a proprietary lens mount . A movable mechanical mirror system is switched down (to precisely a 45-degree angle) to direct light from the lens over a matte focusing screen via a condenser lens and a pentaprism / pentamirror to an optical viewfinder eyepiece. Most entry-level DSLRs use

2911-522: The camera. A method to prevent dust from entering the chamber by using a "dust cover" filter right behind the lens mount was used by Sigma in its first DSLR, the Sigma SD9 , in 2002. Olympus used a built-in sensor cleaning mechanism in its first DSLR that had a sensor exposed to air, the Olympus E-1 , in 2003 (all previous models each had a non-interchangeable lens, preventing direct exposure of

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2982-426: The elimination of digital 'noise' produced by the imaging sensor, and price reductions to lure new customers. In June 2012, Canon announced the first DSLR to feature a touchscreen , the EOS 650D/Rebel T4i/Kiss X6i . Although this feature had been widely used on both compact cameras and mirrorless models, it had not made an appearance on a DSLR until the 650D. The DSLR market is dominated by Japanese companies, and

3053-489: The first HDSLRs to offer 1080p video at 24fps, and since then the list of models with comparable functionality has grown considerably. The rapid maturation of HDSLR cameras has sparked a revolution in digital filmmaking (referred to as "DSLR revolution"), and the "Shot On DSLR" badge is a quickly growing phrase among independent filmmakers. Canon's North American TV advertisements featuring the Rebel T1i have been shot using

3124-504: The first SVF-SLR camera) sold in the US. It employed an SLR viewfinder and included a 2/3” format color CCD sensor with 380K pixels. It was sold along with removable 11-66mm and 50-150mm zoom lens.   Over the next five years, many other companies began selling SVF analog electronic cameras. These included the monochrome Nikon QV-1000C SVF-SLR camera, introduced in 1988, which had an F-mount for interchangeable QV Nikkor lenses. In 1986,

3195-607: The first color CCD image sensor by fabricating a red, green, and blue color filter array that was registered and bonded to the CCD. In 1975, Kodak engineer Steven Sasson built the first portable, battery-operated digital still camera, which used a zoom lens from a Kodak Super 8mm movie camera and a monochrome Fairchild 100×100 pixel CCD . The first prototype filmless SLR camera was publicly demonstrated by Sony in August 1981.  The Sony Mavica (a magnetic still video camera ) used

3266-417: The ground glass. A black focusing cloth was used with larger models. Later referred to as "sports finders", for many sports and newspaper applications optical viewfinders gave too small an image and were inconvenient to use for scenes that were changing rapidly. For these purposes a simple arrangement of two wire rectangles, a smaller one nearer the eye and a larger one further away, was used, without optics;

3337-453: The image is effectively cropped and the lens appears to have a longer focal length than its stated focal length. Most DSLR manufacturers have introduced lines of lenses with image circles optimised for the smaller sensors and focal lengths equivalent to those generally offered for existing 35  mm mount DSLRs, mostly in the wide-angle range. These lenses tend not to be completely compatible with full-frame sensors or 35  mm film because of

3408-425: The introduction of the HDSLR, including higher video resolution (such as 1080p24 ) and video bitrate, improved automatic control (autofocus) and manual exposure control, and support for formats compatible with high-definition television broadcast, Blu-ray disc mastering or Digital Cinema Initiatives (DCI). The Canon EOS 5D Mark II (with the release of firmware version 2.0.3/2.0.4.) and Panasonic Lumix GH1 were

3479-555: The inverted camera image (the reflex mirror had already vertically reversed the image). SLR movie cameras used a beamsplitter partial mirror to split the camera image between the shutter and film, and the viewfinder. A major advantage of SLR viewfinders is that any change of camera lens did not affect the viewing accuracy, and accurate camera focus did not depend on correct linking or calibration. Some sophisticated 20th century cameras with direct viewfinders had coincidence (split-image) rangefinders , initially with separate windows from

3550-515: The little sensor will be overexposed below 50 ISO. The exceptional high sensitivity up to 3200 ISO (equivalent 200 ISO, 2 ⁄ 3  inch) can be seen as an advantage for indoor or available light photography and is important for professional press and sports use, the customer target area. Although the camera is small for a 90s DSLR, the additional optical system makes the camera deeper compared to today's DSLRs. Standard Nikon F-mount lenses can be used. A PCMCIA compatible memory card

3621-434: The loss of light per pixel due to higher pixel density. Viewfinder In photography, a viewfinder is a device on a camera that a photographer uses to determine exactly where the camera is pointed, and approximately how much of that view will be photographed. A viewfinder can be mechanical (indicating only direction and approximate view), with simple optical components, with precision optics and optical functions, or

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3692-663: The market has shifted from being driven by hardware to software, and camera manufacturers have not been keeping up. Beginning in the 2010s, major camera manufacturers began to transition their product lines away from DSLR cameras to mirrorless interchangeable-lens cameras (MILCs). In September 2013, Olympus announced they would stop the development of DSLR cameras and focus on the development of MILCs. Nikon announced they were ending production of DSLRs in Japan in 2020, followed by similar announcements from Canon and Sony. Currently, DSLRs are widely used by consumers and professional still photographers. Well established DSLRs currently offer

3763-466: The much smaller image sensors found in the typical camcorder, the HDSLR's much larger sensor yields distinctly different image characteristics. HDSLRs can achieve much shallower depth of field and superior low-light performance. However, the low ratio of active pixels (to total pixels) is more susceptible to aliasing artifacts (such as moiré patterns ) in scenes with particular textures, and CMOS rolling shutter tends to be more severe. Furthermore, due to

3834-510: The next decade, other camera manufacturers entered the DSLR market, including Canon , Kodak , Fujifilm , Minolta (later Konica Minolta , and ultimately acquired by Sony), Pentax (whose camera division is now owned by Ricoh ), Olympus , Panasonic , Samsung , Sigma , and Sony . In January 2000, Fujifilm announced the FinePix S1 Pro , the first consumer-level DSLR. In November 2001, Canon released its 4.1-megapixel EOS-1D ,

3905-497: The original Foveon X3 sensor at 33% of full frame (although Foveon sensors since 2013 have been APS-C sized). Leica offers an "S-System" DSLR with a 30×45 mm array containing 37 million pixels. This sensor is 56% larger than a full-frame sensor. The resolution of DSLR sensors is typically measured in megapixels. More expensive cameras and cameras with larger sensors tend to have higher megapixel ratings. A larger megapixel rating does not mean higher quality. Low light sensitivity

3976-405: The resolution of the photographer's eye ). Modern electronic viewfinders (EVF) are LCD or OLED based display devices. In addition to its primary purpose, an electronic viewfinder can be used to replay previously captured material, and as an on-screen display to browse through menus. A still camera's optical viewfinder typically has one or more small supplementary LED displays surrounding

4047-496: The same light going to the image sensor, it was previously only possible with an SLR design. However, with the introduction of focal-plane phase-detect autofocusing in mirrorless interchangeable lens cameras by Sony, Fuji, Olympus, and Panasonic, cameras can now employ both phase detect and contrast-detect AF points. Digital SLR cameras, along with most other digital cameras, generally have a mode dial to access standard camera settings or automatic scene-mode settings. Sometimes called

4118-480: The scenes from various vantage angles throughout the set and reduced the number of reshoots of complex action scenes. Manufacturers have sold optional accessories to optimize a DSLR camera as a video camera, such as a shotgun-type microphone, and an External EVF with 1.2 million pixels. Early DSLRs lacked the ability to show the optical viewfinder's image on the LC display – a feature known as live preview . Live preview

4189-422: The sensor to outside environmental conditions). Several Canon DSLR cameras rely on dust reduction systems based on vibrating the sensor at ultrasonic frequencies to remove dust from the sensor. The ability to exchange lenses, to select the best lens for the current photographic need, and to allow the attachment of specialized lenses is one of the key factors in the popularity of DSLR cameras, although this feature

4260-563: The shutter closes, the mirror returns to the 45-degree angle, and the built-in drive mechanism re-tensions the shutter for the next exposure. Compared with the newer concept of mirrorless interchangeable-lens cameras , this mirror/prism system is the characteristic difference, providing direct, accurate optical preview with separate autofocus and exposure metering sensors . Essential parts of all digital cameras are some electronics like amplifiers , analog-to-digital converters , image processors , and other microprocessors for processing

4331-459: The side of folding cameras . These viewfinders were fitted to inexpensive cameras. Twin-lens reflex (TLR) cameras use a viewfinding lens with the same focal length as the camera lens, so it has the same field of view and focus properties. With a mirror, of similar size to the film, held at 45°, it projects an upright image onto a focusing ground glass screen viewable from above. The camera can be then be held steady at waist level. Although

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4402-542: The smaller imaging circle and with some Canon EF-S lenses , interfere with the reflex mirrors on full-frame bodies. Since 2008, manufacturers have offered DSLRs which offer a movie mode capable of recording high definition motion video. A DSLR with this feature is often known as an HDSLR or DSLR video shooter. The first DSLR introduced with an HD movie mode, the Nikon D90 , captures video at 720p 24 (1280x720 resolution at 24 frame/s ). Other early HDSLRs capture video using

4473-483: The top five manufacturers are Japanese: Canon, Nikon, Olympus , Pentax, and Sony . Other manufacturers of DSLRs include Mamiya , Sigma , Leica (Germany), and Hasselblad (Swedish). In 2007, Canon edged out Nikon with 41% of worldwide sales to the latter's 40%, followed by Sony and Olympus, each with approximately 6% market share . In the Japanese domestic market, Nikon captured 43.3% to Canon's 39.9%, with Pentax

4544-510: The two rectangles were aligned so the smaller one was centered in the larger, and the larger rectangle would give an indication of what would be included. Cameras with sportsfinders usually had optical viewfinders also. A single divergent (plano-concave) lens, in front of a frame, when close to the eye, acts as a viewfinder. Adding a convergent (plano-convex) lens makes a very short reversed Galilean (upright image) telescope . For movie camera or others with changeable lenses, outline marks on one of

4615-557: The view of the scene is often provided. It typically shows the location and state of the camera's provided auto-focus points. This overlay can also provide lines or a grid which assist in picture composition . It is not uncommon for a camera to have two viewfinders. For example, a digital still camera may have an optical viewfinder and an electronic one. The latter can be used to replay previously captured material, has an on-screen display , and can be switched off to save power. A camcorder may have two viewfinders, both electronic. The first

4686-406: The view of the scene. On a film camera, these displays show shooting information such as the shutter speed and aperture and, for autofocus cameras, provide an indication that the image is correctly focussed. Digital still cameras will typically also display information such as the current ISO setting and the number of remaining shots which can be taken in a burst. Another display which overlays

4757-629: The viewfinder lens was similar to the camera lens, the optical quality was less important and so the cost is reduced. TLR viewfinders do not have the interrupted viewing and shutter lag of the SLR type and so is preferred for dance photography. Reinhold Heidecke cited his experience with periscope focusing from the German trenches in 1916 as the inspiration for the Rolleiflex line in 1929. Some similar-looking cameras are actually simple box cameras with

4828-431: The viewfinder lenses could show the different fields of view for the different camera lenses. Simple reflecting viewfinders, known also as "brilliant finders", comprised a small forward-looking lens, a small mirror at 45° behind it, and a lens at the top; the user held the camera at waist level and looked down into the lens, where a small image could be seen. Such viewfinders were integrated into box cameras , and fitted to

4899-544: The viewfinder, later integrated with it; they were called rangefinder cameras . Cameras with interchangeable lenses had to indicate the field of view of each lens in the viewfinder; more usually, interchangeable viewfinders to match the lenses were used. Viewfinders can be optical or electronic . An optical viewfinder is simply a reversed telescope that displays what the camera sees. It has many drawbacks, but it also has advantages; it consumes no power, it does not wash out in sunlight, and it has "full resolution" (i.e.

4970-661: Was produced since 1988 mainly for professional press use. Both cameras used QV mount lenses, a variant of F-mount lenses. Via an adapter (QM-100) other Nikkor lenses can be fitted. The Nikon NASA F4 was one of the first cameras with digital storage. Eastman Kodak used Nikon SLR's to design the Kodak DCS 100 and followers. This first variant was manufactured since 1995 and were also available as Fujifilm Fujix DS-505 and DS-515. Announced 1996. Also available as Fujifilm Fujix DS-505A and DS-515A. The Nikon E3 and Nikon E3S , co-developed with Fujifilm and marketed also as

5041-453: Was similar to Nikon's professional 35  mm film SLRs, and it had the same Nikkor lens mount, allowing the D1 to use Nikon's existing line of AI/AIS manual focus and AF lenses. Although Nikon and other manufacturers had produced digital SLR cameras for several years prior, the D1 was the first professional digital SLR that displaced Kodak's then-undisputed reign over the professional market. Over

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