Dutch garden refers firstly to gardens in the Netherlands , but also, mainly in the English-speaking countries, to various types of gardens traditionally considered to be in a Dutch style, a presumption that has been much disputed by garden historians in recent decades. Historically gardens in the Netherlands have generally followed trends from neighbouring countries, but from the Early Modern period, Dutch gardens were distinctive for the wider range of plants available over the rest of Europe north of the Alps, and an emphasis on individual specimen plants, often sparsely planted in a bed. In the 17th century and into the 18th, the Dutch dominated the publishing of botanical books, and established the very strong position in the breeding and growing of garden plants, which they still retain. They were perhaps also distinguished by their efficient use of space, and in large examples, the use of topiary (sculptured bushes and trees) and small " canals ", long thin, rectangular artificial stretches of water. When a distinctively "Dutch" style is claimed, it generally relates to formal styles in large gardens in the latter part of the 17th century, stretching on for a few decades.
101-467: Because the Netherlands is one of the most densely populated countries, gardens are generally small and because houses are placed right next to each other, there is not very much light available. From the 19th century onwards, Dutch gardens adapted to wider trends, mostly from England and France. Dutch gardens are relatively small, and tend to be "self-contained and introspective", with less linkage to
202-508: A folly , a picturesque recreation of an Ionic temple set in a theatre of trees. Between 1733 and 1736, he redesigned the garden, adding lawns sloping down to the edge of the river and a small cascade. For the first time the form of a garden was inspired not by architecture, but by an idealized version of nature. Rousham House in Oxfordshire is considered by some as the most accomplished and significant of William Kent's work. The patron
303-473: A rotunda (1720–21) designed by Vanbrugh. In the 1730s, William Kent and James Gibbs were appointed to work with Bridgeman, who died in 1738. Kent remade the lake in a more natural shape, and created a new kind of garden, which took visitors on a tour of picturesque landscapes. It eventually included a Palladian bridge (1738); a Temple of Venus (1731) in the form of a Palladian villa; a Temple of Ancient Virtues (1737), with statues of famous Greeks and Romans;
404-639: A Temple of British Worthies (1734–1735), with statues of British heroes; and a Temple of Modern Virtues, which was deliberately left in ruins, which contained a headless statue of Robert Walpole , Cobham's political rival. The garden attracted visitors from all over Europe, including Jean-Jacques Rousseau . It became the inspiration for landscape gardens in Britain and on the Continent. Stourhead , in Wiltshire (1741–1780), created by banker Henry Hoare ,
505-733: A blurring of the lines between flowers and grass by allowing shrubs to grow over flower bed boundaries. As the English landscape garden style took hold in the mid-18th century, the label began to be applied in a "derogatory" sense to formal gardens in general, in the "distortions of polemicists". Francis Coventry , a clergyman and writer, in his 1753 magazine piece on "Strictures on the Absurd Novelties introduced in Gardening" said William Kent had rescued English gardens from "Dutch absurdity". In 1755 Richard Owen Cambridge wrote that
606-423: A characteristic Dutch style since the 17th century. David Jacques , in a paper from 2002 called "Who Knows What a Dutch Garden Is?", concludes that the description was never accurate and "It is time that historians of English garden style eschewed labels such as "Dutch". Rectangular flower gardens, often slightly sunk in tiers, and now heavily planted, were seen as "Dutch". Any garden with large numbers of tulips
707-567: A distant view from above of the impressive ruins of Fountains Abbey . At Stowe, Capability Brown followed the new fashion between 1740 and 1753 by adding a new section to the park, called Hawkwelle Hill or the Gothic promenade, with a Gothic revival building. Walpole had decided in 1751 "to go Gothic", as he put it in a letter, and thereafter was a leading propagandist for the style, with his own house, Strawberry Hill in Twickenham , still
808-705: A forest of pine trees brought from Provence , and the first artificial grotto in France. The Château de Chenonceau had two gardens in the new style, one created for Diane de Poitiers in 1551, and a second for Catherine de' Medici in 1560. In 1536 the architect Philibert de l'Orme , upon his return from Rome, created the gardens of the Château d'Anet following the Italian rules of proportion. The carefully prepared harmony of Anet, with its parterres and surfaces of water integrated with sections of greenery, became one of
909-425: A geometric frame. The flower beds and areas of water would be intersected by geometrical path patterns, to make it possible to walk around the garden without damaging any of its features. An example, not now planted in an authentic style, is to be found adjacent to Kensington Palace , due south of the orangery. The Privy Garden at Hampton Court Palace has been restored in recent decades in a more authentic version of
1010-454: A historical "Dutch garden", and how Dutch the typical features ascribed to them actually were. Christopher Hussey associated the Dutch style not so much with topiary , regarded as diagnostic by many earlier writers, as with canals, giving Westbury Court as the prime example, observes David Jacques , Similarly Miles Hadfield considered that "an essential of Dutch versions of the grand manner
1111-430: A number of Romantic elements. Always present is a pond or small lake with a pier or bridge. Overlooking the pond is a round or hexagonal pavilion , often in the shape of a monopteros , a Roman temple. Sometimes the park also has a "Chinese" pavilion . Other elements include a grotto and imitation ruins . A second style of English garden, which became popular during the 20th century in France and northern Europe,
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#17327730107871212-476: A parenthesis; there I end it with a period and start on another theme." Brown designed 170 gardens. The most important were: Humphry Repton (21 April 1752 – 24 March 1818) was the last great English landscape designer of the eighteenth century, often regarded as the successor to Capability Brown. Repton hit upon the idea of becoming a "landscape gardener" (a term he himself coined) after failing at various ventures and, sensing an opportunity after Brown's death,
1313-440: A result of the development of several new technologies. The first was géoplastie , the science of moving large amounts of earth. This science had several technological developments. This science had come from the military, following the introduction of cannon and modern siege warfare, when they were required to dig trenches and build walls and earth fortifications quickly. This led to the development of baskets for carrying earth on
1414-731: A revolt against the architectural garden and drew inspiration from landscape paintings by Salvator Rosa , Claude Lorrain , and Nicolas Poussin , as well as from the classic Chinese gardens of the East, which had recently been described by European travellers and were realized in the Anglo-Chinese garden. The English garden usually included a lake, sweeps of gently rolling lawns set against groves of trees, and recreations of classical temples, Gothic ruins , bridges, and other picturesque architecture, designed to recreate an idyllic pastoral landscape. The work of Lancelot "Capability" Brown
1515-419: A series of views and tableaux decorated with allegorical statues of Apollo, a wounded gladiator, a lion attacking a horse, and other subjects. He placed eyecatchers , pieces of classical architecture, to decorate the landscape, and made use of the ha-ha , a concealed ditch that kept grazing animals out of the garden while giving an uninterrupted vista from within. Finally, he added cascades modelled on those of
1616-576: A sloping "Alpine Valley" of conifers , as one of the best of the new style of "forest or savage gardens". This was a style of woodland aiming at the sublime , a newly-fashionable concept in literature and the arts, or at the least to be picturesque , another new term. It really required steep slopes, even if not very high, along which paths could be made revealing dramatic views, by which contemporary viewers who had read Gothic novels like Walpole's The Castle of Otranto (1764) were very ready to be impressed. The appropriate style of garden buildings
1717-579: A system of canals bringing water from the Seine, and the construction in 1681 of a huge pumping machine, the Machine de Marly , there was still not enough water pressure for all the fountains of Versailles to be turned on at once. Fontainiers were placed along the routes of the King's promenades, and turned on the fountains at each site just before he arrived. A related development took place in hydroplasie ,
1818-480: A theatre of water, decorated with fountains and statues of the infancy of the gods (destroyed between 1770 and 1780). Full-size ships were constructed for sailing on the Grand Canal, and the garden had an open-air ballroom surrounded by trees; a water organ, a labyrinth , and a grotto. The architects of the garden à la française did not stop at applying the rules of geometry and perspective to their work. In
1919-493: A year. Palace records from 1686 show that the palace used 20,050 jonquil bulbs, 23000 cyclamen , and 1700 lily plants. Most of the trees at Versailles were taken from the forest; they included hornbeam , elm , linden , and beech trees. There were also chestnut trees from Turkey and acacia trees. Large trees were dug up from the forests of Compiègne and Artois and transplanted to Versailles. Many died in transplanting and had to be regularly replaced. The trees in
2020-469: Is a style of " landscape " garden which emerged in England in the early 18th century, and spread across Europe , replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the "informal" garden style originated as
2121-516: Is also easily labelled as a Dutch garden. The gardens of Het Loo Palace , laid out by a pupil of Le Notre under William III, were the largest Dutch version of the French formal garden , in the style of the Gardens of Versailles ; in recent decades they have partly been returned to this style, with elaborately-patterned parterres . But these could not be said to be typical of the Dutch style. Even
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#17327730107872222-463: Is annexed, a Description of their Temples, Houses, Gardens, &c. published in 1757. In 1761 he built the Great Pagoda , London, as part of Kew Gardens , a park with gardens and architecture symbolizing all parts of the world and all architectural styles. Thereafter Chinese pagodas began to appear in other English gardens, then in France and elsewhere on the continent. French observers coined
2323-525: Is at the center of this strict spatial organization, which symbolizes power and success." The Gardens of Versailles , created by André Le Nôtre between 1662 and 1700, were the greatest achievement of the garden à la française . They were the largest gardens in Europe, with an area of 15,000 hectares, and were laid out on an east–west axis followed the course of the sun: the sun rose over the Court of Honor, lit
2424-481: Is based on the style of the late 19th-century English cottage garden , with abundant mixed planting of flowers, intended to appear largely unplanned. French formal garden The French formal garden , also called the jardin à la française ( French for 'garden in the French manner'), is a style of " landscape " garden based on symmetry and the principle of imposing order on nature. Its epitome
2525-579: Is characteristically on a smaller scale; many are in or on the edge of cities, rather than in the middle of the countryside. Such gardens usually lack the sweeping vistas of gently rolling ground and water, which in England tend to be set against a woodland background with clumps of trees and outlier groves. Instead, they are often more densely studded with "eye-catchers", such as grottoes , temples , tea-houses , belvederes , pavilions , sham ruins , bridges, and statues. The name English garden – not used in
2626-559: Is generally considered to be the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV and widely copied by other European courts . The jardin à la française evolved from the French Renaissance garden , a style which was inspired by the Italian Renaissance garden at the beginning of the 16th century. The Italian Renaissance garden, typified by
2727-512: Is the koepel or pavilion , generally built of brick and raised up to give a view of the garden. Westbury Court and Hampton Court have two-storey examples, the latter the Banqueting House designed by William Talman for William III, overlooking on one side a row of three rectangular garden rooms for flowers, and on the other the river Thames . Later, in England the term was used for flower gardens that are heavily planted within
2828-660: The Boboli Gardens in Florence and the Villa Medici in Fiesole , was characterized by planting beds, or parterres , created in geometric shapes, and laid out symmetrical patterns; the use of fountains and cascades to animate the garden; stairways and ramps to unite different levels of the garden; grottos , labyrinths , and statuary on mythological themes. The gardens were designed to represent harmony and order,
2929-530: The Dutch Maiden and the Batavian Lion was, and to some extent still is, a popular patriotic metaphor for the independence of the Netherlands, first seen in the late 16th century. It draws from the medieval Hortus Conclusus . Many prints and forms of the decorative arts depict it, a few of which have interest from the garden history angle. Where there is a single tree in the garden, it represents
3030-604: The English country house , and many examples in the United Kingdom are popular visitor attractions today. The predecessors of the landscape garden in England were the great parks created by Sir John Vanbrugh (1664–1726) and Nicholas Hawksmoor at Castle Howard (1699–1712), Blenheim Palace (1705–1722), and the Claremont Landscape Garden at Claremont House (1715–1727). These parks featured vast lawns, woods, and pieces of architecture, such as
3131-634: The Essonne department, (1784–1786). Even at Versailles, the home of the most classical of all French gardens, a small English landscape park with a Roman temple was built and a mock village, the Hameau de la Reine (1783–1789), was created for Marie Antoinette . The new style also spread to Germany. The central English Grounds of Wörlitz , in the Principality of Anhalt , was laid out between 1769 and 1773 by Leopold III, Duke of Anhalt-Dessau , based on
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3232-508: The House of Orange , which often needs re-planting. Common flowers in the Dutch garden are: Some noteworthy public Dutch gardens are: English Landscape garden The English landscape garden , also called English landscape park or simply the English garden ( French : Jardin à l'anglaise , Italian : Giardino all'inglese , German : Englischer Landschaftsgarten , Portuguese : Jardim inglês , Spanish : Jardín inglés ),
3333-646: The Netherlands . An important ornamental feature in Versailles and other gardens was the topiary , a tree or bush carved into geometric or fantastic shapes, which were placed in rows along the main axes of the garden, alternating with statues and vases. At Versailles flower beds were found only at the Grand Trianon and in parterres on the north side of the palace. Flowers were usually brought from Provence , kept in pots, and changed three or four times
3434-563: The United Kingdom , where "landscape garden" serves – differentiates it from the formal Baroque design of the garden à la française . One of the best-known English gardens in Europe is the Englischer Garten in Munich . The dominant style was revised in the early 19th century to include more " gardenesque " features, including shrubberies with gravelled walks, tree plantations to satisfy botanical curiosity, and, most notably,
3535-418: The "Dutch" style had "for more than half a century deformed the face of nature in this country". In 1806, Humphry Repton , the leading garden designer of the day, said the "Dutch style" lasted from the accession of William III in 1689 for half a century, to be replaced by the "English style" of Capability Brown "to restore the ground to its original shape". The small, fenced, Garden of Holland , defended by
3636-495: The 'meagre genius of the bare and bald', criticizing Brown's smooth, serpentine curves as bland and unnatural and championing rugged and intricate designs, composed according to ' picturesque theory' that designed landscapes should be composed like landscape paintings, with a foreground, a middle ground and a background. Early in his career, Repton defended Brown's reputation during the 'picturesque controversy'. However, as his career progressed Repton came to apply picturesque theory to
3737-471: The 17th century. On the one hand these have a concentration on the display of specimen plants, initially often imported from the Netherlands. In larger gardens, canals and topiary are often found. However, both of these features may well have been imported to the Netherlands from France, and their appearance in England may have been from either or both countries. Evergreen hedges, rather than those of deciduous species such as hornbeam , have also been seen as
3838-510: The 19th century to English landscape gardens and have not been reinstated. The designers of the French garden saw their work as a branch of architecture, which simply extended the space of the building to the space outside the walls, and ordered nature according to the rules of geometry, optics and perspective. Gardens were designed like buildings, with a succession of rooms which a visitor could pass through following an established route, hallways, and vestibules with adjoining chambers. They used
3939-514: The Chinese style, brought to France by Jesuit priests from the Court of the Emperor of China. These styles rejected symmetry in favor of nature and rustic scenes and brought an end to the reign of the symmetrical garden à la française . In many French parks and estates, the garden closest to the house was kept in the traditional à la française style, but the rest of the park was transformed into
4040-550: The English garden was invented by landscape designers William Kent and Charles Bridgeman , working for wealthy patrons, including Richard Temple, 1st Viscount Cobham ; Richard Boyle, 3rd Earl of Burlington ; and banker Henry Hoare . These men had large country estates, were members of the anti-royalist Whig Party, had classical educations, were patrons of the arts, and had taken the Grand Tour to Italy, where they had seen
4141-622: The German style. In England, Dutch influence became strong for a period after the Dutch King William III of England reached the throne in 1689 through his wife; both were interested in gardening. Westbury Court Garden , now carefully restored to its design around 1700 is perhaps the best example in England of a more native Dutch style for a large house. The restoration at Westbury Court prompted some discussion among English garden historians as to what, if anything, constituted
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4242-583: The Great adapted the new style in the park of her palace at Tsarskoe Selo , complete with a mock Chinese village and a Palladian bridge , modeled after that at Wilton House . A much larger park was created for her son Paul in the neighbouring estate of Pavlovsk . The Monrepos Park is sited on the rocky island of Linnasaari in the Vyborg Bay and is noted for its glacially deposited boulders and granite rocks. The continental European "English garden"
4343-566: The Marble Court, crossed the Chateau and lit the bedroom of the King, and set at the end of the Grand Canal, reflected in the mirrors of the Hall of Mirrors . In contrast with the grand perspectives, reaching to the horizon, the garden was full of surprises – fountains, small gardens filled with statuary, which provided a more human scale and intimate spaces. The central symbol of the garden
4444-552: The Palladian architecture of the houses he built. Charles Bridgeman (1690–1738) was the son of a gardener and an experienced horticulturist, who became the Royal Gardener for Queen Anne and Prince George of Denmark , responsible for tending and redesigning the royal gardens at Windsor , Kensington Palace , Hampton Court , St. James's Park and Hyde Park . He collaborated with Kent on several major gardens, providing
4545-621: The Roman ruins and Italian landscapes they reproduced in their gardens. William Kent (1685–1748) was an architect, painter and furniture designer who introduced Palladian -style architecture to England. Kent's inspiration came from Palladio 's buildings in the Veneto and the landscapes and ruins around Rome – he lived in Italy from 1709 to 1719, and brought back many drawings of antique architecture and landscapes. His gardens were designed to complement
4646-410: The age. The gardens he created became the symbols of French grandeur and rationality, setting the style for European gardens until the arrival of the English landscape park in the 18th century. Joseph-Antoine Dezallier d'Argenville (1680–1765) wrote Théorie et traité de jardinage , laid out the principles of the garden à la française , and included drawings and designs of gardens and parterres. It
4747-463: The architect Ange-Jacques Gabriel designed elements of the gardens at Versailles, Choisy (Val-de-Marne), and Compiègne . Nonetheless, a few variations in the strict geometry of the garden à la française began to appear. Elaborate parterres of broderies, with their curves and counter-curves, were replaced by parterres of grass bordered with flowerbeds, which were easier to maintain. Circles became ovals, called rotules, with alleys radiating outward in
4848-769: The arrangement of the flowers is designed to create a harmonious interplay of colours. Frequently found in French Baroque gardens are water gardens , cascades , grottos and statues . Further away from the country house , stately home , chateau or schloss the parterre transitions into the bosquets. Well known examples are the gardens at the Palace of Versailles in France and the Palace of Augustusburg at Brühl, near Cologne in Germany, which have achieved UNESCO World Heritage status. As fashions changed, many parterres de broderie of stately homes had to give way in
4949-434: The art and science of shaping water into different shapes as it came out the fountain. The shape of the water depended upon the force of the water and the shape of the nozzle. New forms created through this art were named tulipe (the tulip), double gerbe (the double sheaf), Girandole (centerpiece) candélabre (candelabra), and corbeille (bouquet), La Boule en l'air (Ball in the air), and L'Evantail (the fan). This art
5050-400: The back, wheelbarrows, carts and wagons. Andre LeNotre adapted these methods to build the level terraces, and to dig canals and basins on a grand scale. A second development was in hydrology , bringing water to the gardens for the irrigation of the plants and for use in the many fountains. This development was not fully successful at Versailles, which was on a plateau; even with 221 pumps and
5151-399: The botanical expertise which allowed Kent to realize his architectural visions. Kent created one of the first true English landscape gardens at Chiswick House for Richard Boyle, 3rd Earl of Burlington . The first gardens that he laid out between 1724 and 1733 had many formal elements of a garden à la française , including alleys forming a patte d'oie and canals, but they also featured
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#17327730107875252-398: The chateau or home was supposed to be the visual focal point. The different parts of the gardens were not harmoniously joined, and they were often placed on difficult sites chosen for terrain easy to defend, rather than for beauty. All this was to change in the middle of the 17th century with the development of the first real garden à la française . The first important garden à la française
5353-473: The chateaux, they laid out elaborate hydraulic systems to supply the fountains and basins of the garden. Long basins full of water replaced mirrors, and the water from fountains replaced chandeliers. In the bosquet du Marais in the gardens of Versailles, André Le Nôtre placed tables of white and red marble for serving meals. The flowing water in the basins and fountains imitated water pouring into carafes and crystal glasses. The dominant role of architecture in
5454-465: The classical mausoleum designed by Hawksmoor at Castle Howard. At the centre of the composition was the house, behind which were formal and symmetrical gardens in the style of the garden à la française , with ornate carpets of floral designs and walls of hedges, decorated with statues and fountains. These gardens, modelled after the gardens of Versailles , were designed to impress visitors with their size and grandeur. The new style that became known as
5555-490: The construction of Italian-style gardens at his residence at the Château d'Amboise and at Château Gaillard, another private résidence in Amboise. His successor Henry II , who had also travelled to Italy and had met Leonardo da Vinci , created an Italian-style garden nearby at the Château de Blois . Beginning in 1528, King Francis I created new gardens at the Château de Fontainebleau , which featured fountains, parterres,
5656-471: The construction of the first Chinese-style building in an English garden, in the garden of Stowe House , at a time when chinoiserie was popular in most forms of the decorative arts across Europe. The style became even more popular thanks to William Chambers (1723–1796), who lived in China from 1745 to 1747, and wrote a book, Designs of Chinese Buildings, Furniture, Dresses, Machines, and Utensils. To which
5757-521: The design of gardens in France through the reign of Louis XV . His nephew, Claude Desgots , created the garden at Château de Bagnolet ( Seine-Saint-Denis ) for Philippe II, Duke of Orléans (1717) and at Champs ( Seine-et-Marne ), and another relative, Jean-Charles Garnier d'Isle [ fr ] , created gardens for Madame de Pompadour at Crécy ( Eure-et-Loir ) in 1746 and Bellevue ( Hauts-de-Seine ) in 1748–50. The major inspiration for gardens continued to be architecture, rather than nature –
5858-512: The design the Palais du Luxembourg , the Jardin des Tuileries , and the gardens of Saint Germain-en-Laye . Claude Mollet (ca 1564-shortly before 1649), was the chief gardener of three French kings: Henry IV , Louis XIII , and the young Louis XIV . His father was head gardener at the Château d'Anet , where Italian formal gardening was introduced to France and where Claude apprenticed. His son
5959-545: The earliest and most influential examples of the classic French garden. Today, water remains a key garden design in the form of round pools and long ponds. While the gardens of the French Renaissance were much different in their spirit and appearance than those of the Middle Ages, they were still not integrated with the architecture of the châteaux, and were usually enclosed by walls. In French garden design,
6060-516: The end of the Seven Years' War in 1763, French noblemen were able to voyage to England and see the gardens for themselves, and the style began to be adapted in French gardens. The new style also had the advantage of requiring fewer gardeners, and was easier to maintain, than the French garden. One of the first English gardens on the continent was at Ermenonville , in France, built by marquis René Louis de Girardin from 1763 to 1776 and based on
6161-524: The eye and create beautiful compositions, with an understatement criticizing the formal compositions of the gardens at the Palace of Versailles of Louis XIV of France . His observations on the Chinese garden were cited by the essayist Joseph Addison in an essay in 1712, who used them to attack the English gardeners who, instead of imitating nature, tried to make their gardens in the French style, as far from nature as possible. The novelty and exoticism of Chinese art and architecture in Europe led in 1738 to
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#17327730107876262-406: The first published treatises on gardens, in the 17th century, they devoted chapters to the subject of how to correct or improve perspective, usually to create the illusion of greater distance. This was often done by having alleys become narrower, or having rows of trees that converged, or were trimmed so that they became gradually shorter, as they went farther away from the centre of the garden or from
6363-441: The following elements, which became typical of the formal French garden: Ornamental flowers were relatively rare in French gardens in the 17th century and there was a limited range of colours: blue, pink, white and mauve. Brighter colours (yellow, red, orange) would not arrive until about 1730, because of botanical discoveries from around the world brought to Europe. Bulbs of tulips and other exotic flowers came from Turkey and
6464-489: The foot of the chateau to the statue of the Farnese Hercules , and the space was filled with parterres of evergreen shrubs in ornamental patterns, bordered by coloured sand, and the alleys were decorated at regular intervals by statues, basins, fountains, and carefully sculpted topiaries. "The symmetry attained at Vaux achieved a degree of perfection and unity rarely equalled in the art of classic gardens. The chateau
6565-459: The garden did not change until the 18th century, when the English garden arrived in Europe and the inspiration for gardens began to come not from architecture but from romantic painting . The garden à la française was often used as a setting for plays, spectacles, concerts, and displays of fireworks . In 1664, Louis XIV celebrated a six-day festival in the gardens, with cavalcades, comedies, ballets, and fireworks. Gardens of Versailles included
6666-510: The garden of Villa Aldobrandini and Villa di Pratolino in Italy, to add movement and drama. Stowe Gardens , in Buckinghamshire , (1730–1738), was an even more radical departure from the formal French garden. In the early 18th century, Richard Temple, 1st Viscount Cobham , had commissioned Charles Bridgeman to design a formal garden, with architectural decorations by John Vanbrugh . Bridgeman's design included an octagonal lake and
6767-519: The grandest Dutch 17th century gardens are small in comparison to their French and English equivalents, but often combine the same set of elements "into happily crowded enclosures, with trellises and hedges and curling parterres mirroring the grills of the popular ironwork gates". Land values were high, and the Dutch felt they suffered from strong winds, as well as too much water, dictating a style with ponds, canals and hedges. Small modern Dutch gardens tend to use many bulbs, and often dwarf conifers in
6868-406: The house. This created the illusion that the perspective was longer and that the garden was larger than it actually was. Another trick used by French garden designers was the ha-ha (fr: saut de loup ). This was a method used to conceal fences which crossed long alleys or perspectives. A deep and wide trench with vertical wall of stone on one side was dug wherever a fence crossed a view, or a fence
6969-630: The ideals of Jean Jacques Rousseau , who was buried within the park. Rousseau and the garden's founder had visited Stowe a few years earlier. Other early examples were the Désert de Retz , Yvelines (1774–1782); the Gardens of the Château de Bagatelle in the Bois de Boulogne , west of Paris (1777–1784); The Folie Saint James , in Neuilly-sur-Seine , (1777–1780); and the Château de Méréville , in
7070-598: The ideals of the Renaissance, and to recall the virtues of Ancient Rome . Additionally, the symmetry of French gardens was a continuation of the Renaissance themes of harmony. French gardens were symmetrical and well manicured to represent order, and this idea of orderliness extended to French society at the time. Following his campaign in Italy in 1495, where he saw the gardens and castles of Naples, King Charles VIII brought Italian craftsmen and garden designers , such as Pacello da Mercogliano , from Naples and ordered
7171-400: The landscape seem even larger. "He sought to create an ideal landscape out of the English countryside." He created artificial lakes and used dams and canals to transform streams or springs into the illusion that a river flowed through the garden. He compared his own role as a garden designer to that of a poet or composer. "Here I put a comma, there, when it's necessary to cut the view, I put
7272-404: The language of architecture in their plans; the spaces were referred to as salles , chambres and théâtres of greenery. The "walls" were composed of hedges, and "stairways" of water. On the ground were tapis , or carpets, of grass, brodés , or embroidered, with plants, and the trees were formed into rideaux , or curtains, along the alleys. Just as architects installed systems of water into
7373-450: The later development of the English landscape garden was Lancelot "Capability" Brown (1716–1783), who began his career in 1740 as a gardener at Stowe Gardens under Charles Bridgeman , then succeeded William Kent in 1748. Brown's contribution was to simplify the garden by eliminating geometric structures, alleys, and parterres near the house and replacing them with rolling lawns and extensive views out to isolated groups of trees, making
7474-751: The main example of this style is Łazienki Park in Warsaw . The garden scheme owes its shape and appearance mainly to the last king of the country Stanisław August Poniatowski . In another part of the Polish–Lithuanian Commonwealth the Sofiyivka Park (Zofiówka), now Ukraine , was designed by Count Stanisław Szczęsny Potocki so as to illustrate the Odyssey and the Iliad . The style also spread rapidly to Russia , where in 1774 Catherine
7575-464: The models of Claremont , Stourhead and Stowe Landscape Gardens . Another notable example was The Englischer Garten in Munich , Germany , created in 1789 by Sir Benjamin Thompson (1753–1814). In the Netherlands the landscape-architect Lucas Pieters Roodbaard (1782–1851) designed several gardens and parks in this style. The style was introduced to Sweden by Fredrik Magnus Piper . In Poland
7676-559: The most extreme example of 18th-century "Gothick" style. According to some writers, especially French ones, the Far East inspired the origins of the English landscape garden, via Holland. In 1685, the English writer, formerly a diplomat at The Hague , Sir William Temple wrote an essay Upon the garden of Epicurus (published in 1690), including a passage which contrasted European symmetrical and formal gardens with asymmetrical compositions from China, for which he introduced (as Chinese)
7777-454: The new style was making woodland more interesting and ornamental, leading to the establishment of the woodland garden as a distinct type. This took several forms, one of which was helped by the developing Gothic revival . Horace Walpole , a great promoter of the English landscape garden style, praised Painshill in Surrey, whose varied features included a shrubbery with American plants, and
7878-404: The new style, called variously jardin à l'anglaise (the English garden), "anglo-chinois", exotiques , or "pittoresques". This marked the end of the age of the garden à la française and the arrival in France of the jardin paysager , or landscape garden , which was inspired not by architecture but by painting, literature and philosophy. Jacques Boyceau , sieur de la Barauderie (c. 1560–1633)
7979-816: The newly popular genre of paintings and prints of country houses and their gardens from about 1660 to the 1730s. The Dutch garden was the description given to a particular type of rectangular flower garden space, often enclosed within hedges or walls, even if part of a larger garden or parkland. The Dutch version of the French formal garden , this space would be laid out in a highly cultivated and geometrical, often symmetrical, fashion, shaped by plantings of highly coloured flowers, originally very well-spaced by modern standards, and edged with box or other dense and clipped shrubs, or low walls (sometimes in geometrical patterns), and sometimes, also, with areas of artificial water, with fountains and water butts, which were also laid out in symmetrical arrangements. A particular Dutch feature
8080-867: The nineteenth century. Repton published four major books on garden design: Sketches and Hints on Landscape Gardening (1795), Observations on the Theory and Practice of Landscape Gardening (1803), An Inquiry into the Changes of Taste in Landscape Gardening (1806) and Fragments on the Theory and Practice of Landscape Gardening (1816). These drew on material and techniques used in the Red Books. These works greatly influenced other landscape-designers including John Claudius Loudon , John Nash , Jean-Charles Adolphe Alphand , Hermann Ludwig Heinrich Pückler-Muskau and Frederick Law Olmsted . One aspect of
8181-581: The park were trimmed both horizontally and flattened at the top, giving them the desired geometric form. Only in the 18th century were they allowed to grow freely. The parterres de broderie (from the French French : broderie meaning 'embroidery') is the typical form of French garden design of the Baroque . It is characterised by a symmetrical layout of the flower beds and sheared box hedging to form ornamental patterns known as broderie . Even
8282-435: The practice of landscape design. He believed that the foreground should be the realm of art (with formal geometry and ornamental planting), that the middle ground should have a parkland character of the type created by Brown and that the background should have a wild and 'natural' character. Repton re-introduced formal terraces, balustrades , trellis work and flower gardens around the house in a way that became common practice in
8383-406: The return of flowers, in skirts of sweeping planted beds. This is the version of the landscape garden most imitated in Europe in the 19th century. The outer areas of the "home park" of English country houses retain their naturalistic shaping. English gardening since the 1840s has been on a more restricted scale, closer and more allied to the residence. The canonical European English park contains
8484-446: The shape of an 'x', and irregular octagon shapes appeared. Gardens began to follow the natural landscape, rather than moving earth to shape the ground into artificial terraces. Limited colors were available at the time as well. Traditionally, French gardens included blue, pink, white, and mauve. The middle of the 18th century saw spread in popularity of the new English landscape garden , created by British aristocrats and landowners, and
8585-484: The style around 1700, when it was planted under William III. Unlike Louis XIV's much larger Gardens of Versailles , this was only accessible to a small group of courtiers. Another example, less ambitious, is at Clandon Park in Surrey . The Dutch garden, with its geometry and formality, was in opposition to the cottage garden , which in its modern form is characterised by grass, winding and asymmetrical paths (if any) and
8686-415: The superintendent of royal gardens under Louis XIII , became the first theorist of the new French style. His book, Traité du jardinage selon les raisons de la nature et de l'art. Ensemble divers desseins de parterres, pelouzes, bosquets et autres ornements was published after his death in 1638. Its sixty-one engravings of designs for parterres and bosquets made it a style book for gardens, which influenced
8787-554: The term sharawadgi , in fact probably a mangled Japanese word for "irregularity". Temple had never visited the Far East, but he was in contact with the Dutch and their discourse on irregularity in design, had spoken to a merchant who had been in the Far East for a long time, and read the works of European travellers there. He noted that Chinese gardens avoided formal rows of trees and flower beds, and instead placed trees, plants, and other garden features in irregular ways to strike
8888-551: The term Jardin Anglo-Chinois (Anglo-Chinese garden) for this style of garden. Descriptions of English gardens were first brought to France by Jean-Bernard, abbé Le Blanc , who published accounts of his voyage in 1745 and 1751. A treatise, and tour guide, on the English garden, Observations on Modern Gardening , written by Thomas Whately and published in London in 1770, was translated into French and German in 1771. After
8989-467: The wider landscape around. From the late 18th century onwards, many or most large gardens in the Netherlands adopted the continental version of the English Landscape garden style, at least for the areas beyond the immediate vicinity of the house. There are also many woodland gardens from the late 19th and early 20th centuries. The history of "Dutch-style" gardens abroad perhaps begins in
9090-420: Was André Mollet , who took the French style to the Netherlands, Sweden and England. André Le Nôtre (1613–1700) was the most important figure in the history of the French garden. The son of the gardener of Louis XIII , he worked on the plans of Vaux-le-Vicomte , before becoming the chief gardener of Louis XIV between 1645 and 1700, and the designer of the Gardens of Versailles , the greatest garden project of
9191-470: Was Gothic rather than Neoclassical , and exotic planting was more likely to be evergreen conifers rather than flowering plants, replacing "the charm of bright, pleasant scenery in favour of the dark and rugged, gloomy and dramatic". A leading example of the style was Studley Royal in North Yorkshire , which had the great advantage, at what was known as "The Surprise View", of suddenly revealing
9292-529: Was General James Dormer , who commissioned Bridgeman to begin the garden in 1727, then brought in Kent to recreate it in 1737. Bridgeman had built a series of garden features including a grotto of Venus on the slope along the River Cherwell , connected by straight alleys. Kent turned the alleys into winding paths, built a gently turning stream, used the natural landscape features and slopes, and created
9393-410: Was ambitious to fill the gap and sent circulars round his contacts in the upper classes advertising his services. To help clients visualize his designs, Repton produced 'Red Books' (so called for their binding) with explanatory text and watercolors with a system of overlays to show 'before' and 'after' views. In 1794 Richard Payne Knight and Uvedale Price simultaneously published vicious attacks on
9494-540: Was closely associated with the fireworks of the time, which tried to achieve similar effects with fire instead of water. Both the fountains and fireworks were often accompanied by music, and were designed to show how nature (water and fire) could be shaped by the will of man. Another important development was in horticulture , in the ability to raise plants from warmer climates in the northern European climate by protecting them inside buildings and bringing them outdoors in pots. The first orangeries were built in France in
9595-499: Was one of the first 'picturesque' gardens, inspired to resemble the paintings of Claude Lorrain . Hoare had travelled to Italy on the Grand Tour and had returned with a painting by Claude Lorrain. Hoare dammed a stream on his estate, created a lake, and surrounded the lake with landscapes and architectural constructions representing the different steps of the journey of Aeneas in the Aeneid by Virgil . The most influential figure in
9696-466: Was particularly influential. By the end of the 18th century the English garden was being imitated by the French landscape garden , and as far away as St. Petersburg, Russia, in Pavlovsk , the gardens of the future Emperor Paul . It also had a major influence on the forms of public parks and gardens which appeared around the world in the 19th century. The English landscape garden was usually centred on
9797-399: Was placed in bottom of the trench, so that it was invisible to the viewer. As gardens became more and more ambitious and elaborate through the 17th century, the garden no longer served as a decoration for the chateau. At Chantilly and at Saint-Germain , the chateau became a decorative element of the much larger garden. The appearance of the French garden in the 17th and 18th centuries was
9898-419: Was reprinted many times, and was found in the libraries of aristocrats across Europe. Jacques Boyceau de La Barauderie wrote in 1638 in his Traité du jardinage, selon les raisons de la nature et de l'art that "the principal reason for the existence of a garden is the esthetic pleasure which it gives to the spectator." The form of the French garden was largely fixed by the middle of the 17th century. It had
9999-401: Was that the ground be tolerably level, with an abundance of water". Later, Hadfield found "not the slightest hint" of a Dutch connection at Westbury Court. To some extent calling formal gardens in England "Dutch" avoided the accusation that they were actually in a style that was essentially French, at a time of wars between England and France. Even in England, Dutch artists completely dominated
10100-487: Was the Chateau of Vaux-le-Vicomte , created for Nicolas Fouquet , the Superintendent of Finances to Louis XIV , beginning in 1656. Fouquet commissioned Louis Le Vau to design the chateau, Charles Le Brun to design statues for the garden, and André Le Nôtre to create the gardens. It was for the first time that the garden and the chateau were perfectly integrated. A grand perspective of 1500 meters extended from
10201-411: Was the sun; the emblem of Louis XIV , illustrated by the statue of Apollo in the central fountain of the garden. "The views and perspectives, to and from the palace, continued to infinity. The king ruled over nature, recreating in the garden not only his domination of his territories, but over the court and his subjects." André Le Nôtre died in 1700, but his pupils and his ideas continued to dominate
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