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84-553: Built in 1936 by Guy Morgan and Partners who worked until 1927 for Edwin Lutyens , and two years earlier successfully completed the similar Cholmeley Lodge in Highgate , it features an impressive curved façade with projecting wings, a roof garden, setbacks on the eighth and ninth floor and a basement swimming pool. It was probably the earliest of the residential apartment blocks in the wider Clerkenwell area, immediately north of

168-695: A Stone of Remembrance , designed by him. The best known of these monuments are The Cenotaph in Whitehall , Westminster , and the Memorial to the Missing of the Somme , Thiepval . The Cenotaph was originally commissioned by David Lloyd George as a temporary structure to be the centrepiece of the Allied Victory Parade in 1919. Lloyd George proposed a catafalque , a low empty platform, but it

252-455: A château or a Schloss can be a fortified or unfortified building, a country house, similar to an Ansitz , is usually unfortified. If fortified, it is called a castle, but not all buildings with the name "castle" are fortified (for example Highclere Castle in Hampshire ). The term stately home is subject to debate, and avoided by historians and other academics. As a description of

336-491: A bridge over the River Liffey (unbuilt) and two tiered sunken gardens; Heywood House Gardens , County Laois (open to the public), consisting of a hedge garden, lawns, tiered sunken garden and a belvedere; extensive changes and extensions to Lambay Castle, Lambay Island , near Dublin, consisting of a circular battlement enclosing the restored and extended castle and farm building complex, upgraded cottages and stores near

420-700: A country house, the term was first used in a poem by Felicia Hemans , "The Homes of England", originally published in Blackwood's Magazine in 1827. In the 20th century, the term was later popularised in a song by Noël Coward , and in modern usage it often implies a country house that is open to visitors at least some of the time. In England, the terms "country house" and "stately home" are sometimes used vaguely and interchangeably; however, many country houses such as Ascott in Buckinghamshire were deliberately designed not to be stately, and to harmonise with

504-428: A fortunate few; it was the centre of its own world, providing employment to hundreds of people in the vicinity of its estate . In previous eras, when state benefits were unheard of, those working on an estate were among the most fortunate, receiving secured employment and rent-free accommodation. At the summit of this category of people was the indoor staff of the country house. Unlike many of their contemporaries prior to

588-731: A member of the newly created Royal Fine Art Commission , a position he held until his death. While work continued in New Delhi, Lutyens received other commissions including several commercial buildings in London and the Embassy of the United Kingdom in Washington, D.C. . In 1924 he completed the supervision of the construction of what is perhaps his most popular design: Queen Mary's Dolls' House . This four-storey Palladian villa

672-529: A mixture of high architecture , often as interpreted by a local architect or surveyor, and determined by practicality as much as by the whims of architectural taste. An example of this is Brympton d'Evercy in Somerset, a house of many periods that is unified architecturally by the continuing use of the same mellow, local Ham Hill stone . The fashionable William Kent redesigned Rousham House only to have it quickly and drastically altered to provide space for

756-659: A more conventional Classicism , a change of direction which had a profound influence on wider British architectural practice. His commissions were of a varied nature from private houses to two churches for the new Hampstead Garden Suburb in London to Julius Drewe 's Castle Drogo near Drewsteignton in Devon and on to his contributions to India's new imperial capital , New Delhi (where he worked as chief architect with Herbert Baker and others). Here he added elements of local architectural styles to his classicism, and based his urbanisation scheme on Mughal water gardens. He also designed

840-476: A number of projects, including Lindisfarne Castle and the Country Life headquarters building in London, at 8 Tavistock Street . One of his assistants in the 1890s was Maxwell Ayrton . By the turn of the century, Lutyens was recognised as one of architecture's coming men. In his major study of English domestic buildings, Das englische Haus , published in 1904, Hermann Muthesius wrote of Lutyens, "He

924-635: A soldier and painter. His sister, Mary Constance Elphinstone Lutyens (1868–1951), wrote novels under her married name of Mrs George Wemyss. He grew up in Thursley , Surrey. He was named after a friend of his father, the painter and sculptor Edwin Henry Landseer . Lutyens studied architecture at South Kensington School of Art , London, from 1885 to 1887. After college he joined the Ernest George and Harold Peto architectural practice. It

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1008-652: A two floors office space renamed "Florin Court Studios"). The three-story Georgian buildings that stood between 6-9 Charterhouse Square before Florin Court used to be a vicarage and a lady's school until 1859, that was later converted into a staff dormitory once purchased in 1872 by Copestake, Crampton & Co. Ltd (lace manufacturers and wholesalers located in Cheapside ). Copestake, Crampton & Co. Ltd employees' hostel housed up to 100 male and 18 female, but once

1092-565: Is The Salutation , a house in Sandwich, Kent, England. Built in 1911–1912 with a 3.7-acre (1.5 ha) garden, it was commissioned by Henry Farrer , one of three sons of Sir William Farrer . Lutyens heavily influenced Sigurd Frosterus when he designed Vanajanlinna Manor in Finland . He was knighted in 1918 and elected a Royal Academician in March 1920. In 1924, he was appointed

1176-887: Is a young man who has come increasingly to the forefront of domestic architects and who may soon become the accepted leader among English builders of houses". The bulk of Lutyens's early work consisted of private houses in an Arts and Crafts style, strongly influenced by Tudor architecture and the vernacular styles of south-east England. This was the most innovative phase of his career. Important works of this period include Munstead Wood, Tigbourne Court , Orchards and Goddards in Surrey , Deanery Garden and Folly Farm in Berkshire, Overstrand Hall in Norfolk and Le Bois des Moutiers in France. After about 1900 this style gave way to

1260-512: Is built on an area of some 330 acres (130 ha) and incorporates a private garden also designed by Lutyens. The building was designed as the official residence of the Viceroy of India and is now the official residence of the President of India . The Delhi Order columns at the front entrance of the palace have bells carved into them, which, it has been suggested, Lutyens had designed with

1344-473: Is politics; they talk politics; and they make politics, quite spontaneously. There are no written terms for distinguishing between vast country palaces and comparatively small country houses; the descriptive terms, which can include castle , manor and court , provide no firm clue and are often only used because of a historical connection with the site of such a building. Therefore, for ease or explanation, Britain's country houses can be categorised according to

1428-574: The Buildings of England series , while noting that; "the genius and the charlatan were very close together in Lutyens". In the introduction to the catalogue for the 1981 Lutyens exhibition at the Hayward Gallery , the architectural writer Colin Amery described Lutyens as "the builder of some of our finest country houses and gardens". In 2015 a memorial to Lutyens by the sculptor Stephen Cox

1512-507: The City of London , Metropolitan Borough of Finsbury , now Islington . The walls were built with beige bricks, specially made by Williamson Cliff Ltd (based in Stamford , Lincolnshire), and placed over a steel frame. Regalian properties refurbished the building in the late 1980s, to designs by Hildebrand & Clicker architects, providing today's interior layout and more facilities. Before

1596-525: The Court of St. James's . Between 1915 and 1928, Lutyens also produced designs for a new palace for the Duke of Alba's younger brother, Hernando Fitz-James Stuart, 18th Duke of Peñaranda . The palace of El Guadalperal, as it was to be called, would have been, if built, Edwin Lutyens's largest country house. Lutyens married Lady Emily Bulwer-Lytton (1874–1964) on 4 August 1897 at Knebworth , Hertfordshire. She

1680-552: The Delhi Order and was used by him for several designs in England, such as Campion Hall, Oxford . Unlike the more traditional British architects who came before him, he was both inspired by and incorporated various features from the local and traditional Indian architecture—something most clearly seen in the great drum-mounted Buddhist dome of Viceroy's House, now Rashtrapati Bhavan . This palatial building, containing 340 rooms,

1764-613: The Hyderabad House for the last Nizam of Hyderabad , as his Delhi palace and planned the layout for the Janpath and Rajpath roads. Before the end of World War I , he was appointed one of three principal architects for the Imperial War Graves Commission (now Commonwealth War Graves Commission ) and was involved with the creation of many monuments to commemorate the dead . Larger cemeteries have

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1848-804: The India Gate ; he also designed the Viceroy's House, which is now known as the Rashtrapati Bhavan . Many of his works were inspired by Indian architecture. He was elected Master of the Art Workers' Guild in 1933. Lutyens was born in Kensington , London, the tenth of thirteen children of Mary Theresa Gallwey (1832/33–1906) from Killarney , Ireland, and Captain Charles Augustus Henry Lutyens (1829–1915),

1932-596: The Liria Palace , a neoclassical building which was severely damaged during the Spanish Civil War . The palace was originally built in the 18th century for James FitzJames, 1st Duke of Berwick , and still belongs to his descendants. Lutyens's reconstruction was commissioned by Jacobo Fitz-James Stuart, 17th Duke of Alba . The Duke had been in contact with Lutyens while serving as the Spanish ambassador to

2016-399: The agricultural depressions of the 1870s , the estates, of which country houses were the hub, provided their owners with incomes. However, the late 19th and early 20th centuries were the swansong of the traditional English country house lifestyle. Increased taxation and the effects of World War I led to the demolition of hundreds of houses ; those that remained had to adapt to survive. While

2100-559: The "youth of Ireland", and it has been a hostel ever since. Largely designed by Lutyens over 20 or so years (1912 to 1930), New Delhi, situated within the metropolis of Delhi , popularly known as ' Lutyens' Delhi ', was chosen to replace Calcutta as the seat of the British Indian government in 1911; the project was completed in 1929 and officially inaugurated in 1931. In undertaking this project, Lutyens invented his own new order of classical architecture, which has become known as

2184-567: The 1850s, with the English economy booming, new mansions were built in one of the many revivalist architectural styles popular throughout the 19th century. The builders of these new houses were able to take advantage of the political unrest in Europe that gave rise to a large trade in architectural salvage. This new wave of country house building is exemplified by the Rothschild properties in

2268-419: The 18th century with houses such as Castle Howard , Kedleston Hall and Holkham Hall . Such building reached its zenith from the late 17th century until the mid-18th century; these houses were often completely built or rebuilt in their entirety by one eminent architect in the most fashionable architectural style of the day and often have a suite of Baroque state apartments, typically in enfilade , reserved for

2352-528: The 1930s had to be sourced and found within the UK. The building is composed of nine floors and has a total of 120 flats. In the basement are a swimming pool, a sauna, a gym, a lounge room with a small library, a Wi-Fi area, a laundry room and a garage. All spaces are communal and access is free to all residents. There are two lifts. The building has been used as Whitehaven Mansions, the fictional London residence of Agatha Christie 's character Hercule Poirot , in

2436-474: The 20th century, they slept in proper beds, wore well-made adequate clothes and received three proper meals a day, plus a small wage. In an era when many still died from malnutrition or lack of medicine, the long working hours were a small price to pay. As a result of the aristocratic habit of only marrying within the aristocracy, and whenever possible to a sole heiress, many owners of country houses owned several country mansions, and would visit each according to

2520-774: The British Raj, Lutyens was made a Knight Commander of the Order of the Indian Empire (KCIE) on 1 January 1930. As a chivalric order, the KCIE knighthood held precedence over his earlier bachelor knighthood . A bust of Lutyens in the former Viceroy's House is the only statue of a Westerner left in its original position in New Delhi. Lutyens's work in New Delhi is the focus of Robert Grant Irving 's book Indian Summer . In spite of his monumental work in India, Lutyens held views on

2604-624: The Indian traders would participate in "the grand shopping centre for the residents of Shahjahanabad and New Delhi", thus giving rise to the D-shaped market seen today. Many of the garden-ringed villas in the Lutyens' Bungalow Zone (LBZ)—also known as Lutyens' Delhi—that were part of Lutyens's original scheme for New Delhi are under threat due to the constant pressure for development in Delhi. The LBZ

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2688-507: The LWT television series Agatha Christie's Poirot (1989–2013). As well as exterior filming, a number of interior shots of the building were used for this programme over the 24 years of production. In March 2019 the building was again extensively filmed, after being selected as home and neighbourhood of one of the leading characters of the Batman spin-off Pennyworth . In 2022 the exterior

2772-838: The RIBA Royal Gold Medal in 1921, and the American Institute of Architects Gold Medal in 1925. In November 2015 the British government announced that all 44 of Lutyens's surviving First World War memorials in Britain had now been listed on the advice of Historic England , and were therefore all protected by law. This involved the one remaining memorial—the Gerrards Cross Memorial Building in Buckinghamshire —being added to

2856-787: The Royal Academy's planning for post-war London, an endeavour dismissed by Osbert Lancaster as "... not unlike what the new Nuremberg might have been had the Führer enjoyed the inestimable advantage of the advice and guidance of the late Sir Aston Webb ". Works in Ireland include the Irish National War Memorial Gardens in Islandbridge in Dublin , which consists of a bridge over the railway and

2940-513: The architecture of the Empire – Hardinge wanted elements of the Indian vernacular for political reasons. An unapologetic spokesman of British imperialism he built the Viceroy's Palace as a symbol of glory of the Raj, and considered Indians to be primitive as yet on the verge of civilization who deserved to be ruled in perpetuity by the British. In Madrid , Lutyens's work can be seen in the interiors of

3024-467: The best-known examples of the showy prodigy house , often built with the intention of attracting the monarch to visit. By the reign of Charles I , Inigo Jones and his form of Palladianism had changed the face of English domestic architecture completely, with the use of turrets and towers as an architectural reference to the earlier castles and fortified houses completely disappearing. The Palladian style, in various forms, interrupted briefly by baroque ,

3108-524: The circumstances of their creation. The great houses are the largest of the country houses; in truth palaces, built by the country's most powerful – these were designed to display their owners' power or ambitions to power. Really large unfortified or barely fortified houses began to take over from the traditional castles of the crown and magnates during the Tudor period, with vast houses such as Hampton Court Palace and Burghley House , and continued until

3192-429: The company started to move to Nottingham the building was sold to balance part of the loss due to the business slowing down around 1934. In 2003, the building was listed Grade II. On Saturday 20 July 2013, a flat on the first floor caught fire and the building had to be evacuated. Consequently, the curved façade required major restoration work that lasted for nearly a year, as some of the original materials used in

3276-523: The country saw the building of the first of the unfortified great houses. Henry VIII 's Dissolution of the Monasteries saw many former ecclesiastical properties granted to the King's favourites, who then converted them into private country houses. Woburn Abbey , Forde Abbey and many other mansions with abbey or priory in their name became private houses during this period. Other terms used in

3360-428: The design of the wing around the next corner. These varying "improvements", often criticised at the time, today are the qualities that make English country houses unique. Wealthy and influential people, often bored with their formal duties, go to the country in order to get out of London, the ugliest and most uncomfortable city in the world; they invented the long week-end to stay away as long as possible. Their métier

3444-427: The early 1970s, hundreds of country houses were demolished . Houses that survived destruction are now mostly Grade I or II listed as buildings of historic interest with restrictions on restoration and re-creation work. However such work is usually very expensive. Several houses have been restored, some over many years. For example at Copped Hall where the restoration started in 1995 continues to this day. Although

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3528-477: The greatest British architect of the twentieth (or of any other) century". Lutyens played an instrumental role in the construction of New Delhi , which would later on serve as the seat of the Government of India . In recognition of his contribution, New Delhi is also known as " Lutyens' Delhi ". In collaboration with Sir Herbert Baker , he was also the main architect of several monuments in New Delhi such as

3612-467: The harbour, a real tennis court, a large guest house (The White House), a boathouse and a chapel; alterations and extensions to Howth Castle , County Dublin ; the unbuilt Hugh Lane gallery straddling the River Liffey on the site of the Ha'penny Bridge and the unbuilt Hugh Lane Gallery on the west side of St Stephen's Green ; and Costelloe Lodge at Casla (also known as Costelloe), County Galway (that

3696-479: The home counties and Bletchley Park (rebuilt in several styles, and famous for its code-breaking role in World War II). The slow decline of the English country house coincided with the rise not just of taxation, but also of modern industry, along with the agricultural depression of the 1870s. By 1880, this had led some owners into financial shortfalls as they tried to balance maintenance of their estates with

3780-435: The household. These houses were always an alternative residence to a London house. During the 18th and 19th centuries, for the highest echelons of English society, the country house served as a place for relaxing, hunting and running the country with one's equals at the end of the week, with some houses having their own theatre where performances were staged. The country house, however, was not just an oasis of pleasure for

3864-475: The idea that as the bells were silent the British rule would never come to an end. At one time, more than 2,000 people were required to care for the building and serve the Viceroy's household. The new city contains both the Parliament buildings and government offices (many designed by Herbert Baker) and was built distinctively of the local red sandstone using the traditional Mughal style. When composing

3948-556: The immediately preceding war then in World War I, were now paying far higher rates of tax, and agricultural incomes had dropped. Thus, the solution for many was to hold contents auctions and then demolish the house and sell its stone, fireplaces , and panelling . This is what happened to many of Britain's finest houses. Despite this slow decline, so necessary was the country house for entertaining and prestige that in 1917 Viscount Lee of Fareham donated his country house Chequers to

4032-438: The income they provided. Some relied on funds from secondary sources such as banking and trade while others, like the severely impoverished Duke of Marlborough , sought to marry American heiresses to save their country houses and lifestyles. The ultimate demise began immediately following World War I . The members of the huge staff required to maintain large houses had either left to fight and never returned, departed to work in

4116-491: The landscape, while some of the great houses such as Kedleston Hall and Holkham Hall were built as "power houses" to dominate the landscape, and were most certainly intended to be "stately" and impressive. In his book Historic Houses: Conversations in Stately Homes , the author and journalist Robert Harling documents nineteen "stately homes"; these range in size from the vast Blenheim Palace and Castle Howard to

4200-435: The later years of his life, Lutyens suffered with several bouts of pneumonia . In the early 1940s he was diagnosed with cancer . He died on 1 January 1944 and was cremated at East Finchley Crematorium in north London, also known as St Marylebone Crematorium. His ashes were interred in the crypt of St. Paul's Cathedral , beneath a memorial designed by his friend and fellow architect William Curtis Green . Lutyens received

4284-544: The latter two are ducal palaces, Montacute, although built by a Master of the Rolls to Queen Elizabeth I, was occupied for the next 400 years by his descendants, who were gentry without a London townhouse , rather than aristocracy. They finally ran out of funds in the early 20th century. However, the vast majority of English country houses, often owned at different times by gentlemen and peers , are an evolution of one or more styles with facades and wings in different styles in

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4368-490: The list, plus a further fourteen having their statuses upgraded. For the Imperial Tobacco Company 's First World War memorial, installed in 1921 at its Bedminster Head Office, this protection arrived too late to prevent its destruction following the company's take-over in 1986 by Hanson Trust plc . The architectural critic Ian Nairn wrote of Lutyen's Surrey "masterpieces" in the 1971 Surrey volume of

4452-655: The minuscule Ebberston Hall , and in architecture from the Jacobean Renaissance of Hatfield House to the eccentricities of Sezincote . The book's collection of stately homes also includes George IV's Brighton town palace, the Royal Pavilion . The country houses of England have evolved over the last five hundred years. Before this time, larger houses were usually fortified, reflecting the position of their owners as feudal lords , de facto overlords of their manors . The Tudor period of stability in

4536-416: The most eminent guests, the entertainment of whom was of paramount importance in establishing and maintaining the power of the owner. The common denominator of this category of English country houses is that they were designed to be lived in with a certain degree of ceremony and pomp. It was not unusual for the family to have a small suite of rooms for withdrawing in privacy away from the multitude that lived in

4620-399: The munitions factories, or filled the void left by the fighting men in other workplaces. Of those who returned after the war, many left the countryside for better-paid jobs in towns. The final blow for many country houses came following World War II ; having been requisitioned during the war, they were returned to the owners in poor repair. Many estate owners, having lost their heirs, if not in

4704-468: The names of houses to describe their origin or importance include palace , castle , court , hall , mansion , park , house , manor , and place . It was during the second half of the reign of Elizabeth I , and under her successor, James I , that the first architect-designed mansions, thought of today as epitomising the English country house, began to make their appearance. Burghley House , Longleat House , and Hatfield House are among

4788-454: The nation for the use of a prime minister who might not possess one of his or her own. Chequers still fulfills that need today as do both Chevening House and Dorneywood , donated for sole use of high-ranking ministers of the Crown. Today, many country houses have become hotels, schools, hospitals and museums, while others have survived as conserved ruins, but from the early 20th century until

4872-468: The owner of a "power house" or a small manor, the inhabitants of the English country house have become collectively referred to as the ruling class, because this is exactly what they did in varying degrees, whether by having high political influence and power in national government, or in the day-to-day running of their own localities or "county" in such offices as lord/deputy lieutenant , magistrates , or occasionally even clergy. The Country house mystery

4956-529: The owner's twelve children. Canons Ashby , home to poet John Dryden 's family, is another example of architectural evolution: a medieval farmhouse enlarged in the Tudor era around a courtyard, given grandiose plaster ceilings in the Stuart period , and then having Georgian façades added in the 18th century. The whole is a glorious mismatch of styles and fashions that seamlessly blend together. These could be called

5040-403: The ownership or management of some houses has been transferred to a private trust , most notably at Chatsworth , other houses have transferred art works and furnishings under the Acceptance in Lieu scheme to ownership by various national or local museums, but retained for display in the building. This enables the former owners to offset tax, the payment of which would otherwise have necessitated

5124-405: The peoples of the Indian sub-continent which would now be considered racist, although they were common at the time among many of his contemporaries. He thought the Indian Indo-Saracenic style was "formless, not of carved decoration, an anathema...hardly qualified as architecture at all." Endless battles were fought between him and Viceroy Hardinge over architectural style: Lutyens wanted classical,

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5208-404: The plans for New Delhi, Lutyens planned for the new city to lie southwest of the walled city of Shahjahanbad . His plans for the city also laid out the street plan for New Delhi consisting of wide tree-lined avenues. Built in the spirit of British colonial rule, the place where the new imperial city and the older native settlement met was intended to be a market. It was there that Lutyens imagined

5292-407: The private sale of the art works. For example, tapestries and furniture at Houghton Hall are now owned by the Victoria and Albert Museum . In addition, increasing numbers of country houses hold licences for weddings and civil ceremonies . Another source of income is to use the house as a venue for parties, a film location or a corporate entertainment venue. While many country houses are open to

5376-416: The public and derive income through that means, they remain homes, in some cases inhabited by the descendants of their original owners. The lifestyles of those living and working in a country house in the early 20th century were recreated in a BBC television programme, The Edwardian Country House , filmed at Manderston House in Scotland. Another television programme which features life in country houses

5460-446: The refurbishment, the ground floor included a porter's office and a flat for the head porter; the entrance hall had a marble floor inset with the arms of Charterhouse (now carpeted), and an inlaid ceiling covered the outside of the entrance door, before being plastered. In the basement, there were a public restaurant, a cocktail bar, and a clubroom. Behind the block, a single-storey building contained two squash courts (modified in 2015 into

5544-409: The season: Grouse shooting in Scotland , pheasant shooting and fox hunting in England. The Earl of Rosebery , for instance, had Dalmeny House in Scotland, Mentmore Towers in Buckinghamshire, and another house near Epsom just for the racing season. For many, this way of life, which began a steady decline in 1914, continued well into the 20th century, and for a few continues to this day. In

5628-444: The second category of Britain's country houses are those that belonged to the squirearchy or landed gentry . These tend either to have evolved from medieval hall houses, with rooms added as required, or were purpose-built by relatively unknown local architects. Smaller, and far greater in number than the "power houses", these were still the epicentre of their own estate, but were often the only residence of their owner. However, whether

5712-514: The term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who dominated rural Britain until the Reform Act 1832 . Frequently, the formal business of the counties was transacted in these country houses, having functional antecedents in manor houses . With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until

5796-438: The true English country house. Wilton House , one of England's grandest houses, is in a remarkably similar vein; although, while the Drydens, mere squires, at Canons Ashby employed a local architect, at Wilton the mighty Earls of Pembroke employed the finest architects of the day: first Holbein , 150 years later Inigo Jones, and then Wyatt followed by Chambers. Each employed a different style of architecture, seemingly unaware of

5880-538: Was Lutyens's idea for the taller monument. The design took less than six hours to complete. Lutyens also designed many other war memorials, and others are based on or inspired by Lutyens's designs. Examples of Lutyens's other war memorials include the War Memorial Gardens in Dublin, the Tower Hill memorial , the Manchester Cenotaph and the Arch of Remembrance memorial in Leicester. Lutyens also refurbished Lindisfarne Castle for its wealthy owner. One of Lutyens's smaller works, but considered one of his masterpieces,

5964-406: Was Sir Frederick Gibberd . In 1945, a year after his death, A Plan for the City & County of Kingston upon Hull was published. Lutyens worked on the plan with Sir Patrick Abercrombie and they are credited as its co-authors. Abercrombie's introduction in the plan makes special reference to Lutyens's contribution. The plan was, however, rejected by Hull City Council . He was also involved in

6048-520: Was a popular genre of English detective fiction in the 1920s and 1930s; set in the residence of the gentry and often involving a murder in a country house temporarily isolated by a snowstorm or similar with the suspects all at a weekend house party. Following the Industrial Revolution of the 18th century, a third category of country houses was built as newly rich industrialists and bankers were eager to display their wealth and taste. By

6132-508: Was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses , war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely

6216-603: Was built in 1/12 scale and is now a permanent exhibit in the public area of Windsor Castle . It was not conceived or built as a plaything for children; its goal was to exhibit the finest British craftsmanship of the period. Lutyens was commissioned in 1929 to design a new Roman Catholic cathedral in Liverpool . He planned a vast building of brick and granite, topped with towers and a 510-foot (160 m) dome, with commissioned sculpture work by Charles Sargeant Jagger and W. C. H. King . Work on this building started in 1933, but

6300-472: Was erected in Apple Tree Yard, Mayfair, London, adjacent to the studio where Lutyens prepared the designs for New Delhi. English country house An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house . This allowed them to spend time in the country and in the city—hence, for these people,

6384-584: Was featured in the film See How They Run as the home of characters Melvyn Cocker-Norris and Gio. [REDACTED] Media related to Florin Court at Wikimedia Commons 51°31′15.35″N 0°05′55.35″W  /  51.5209306°N 0.0987083°W  / 51.5209306; -0.0987083 Edwin Lutyens Sir Edwin Landseer Lutyens OM KCIE PRA FRIBA ( / ˈ l ʌ t j ə n z / LUT -yənz ; 29 March 1869 – 1 January 1944 )

6468-532: Was halted during World War II . After the war, the project ended due to a shortage of funding, with only the crypt completed. A model of Lutyens's unrealised building was given to and restored by the Walker Art Gallery in 1975 and is now on display in the Museum of Liverpool . The architect of the present Liverpool Metropolitan Cathedral , which was built over part of the crypt and consecrated in 1967,

6552-411: Was here that he first met Sir Herbert Baker . For many years he worked from offices at 29 Bloomsbury Square , London. He began his own practice in 1888, his first commission being a private house at Crooksbury, Farnham, Surrey . During this work, he met the garden designer and horticulturalist Gertrude Jekyll . In 1896 he began work on a house for Jekyll at Munstead Wood near Godalming , Surrey. It

6636-423: Was in contrast to the formal bedding schemes favoured by the previous generation in the 19th century. This "natural" style was to define the "English garden" until modern times. Lutyens's fame grew largely through the popularity of the new lifestyle magazine Country Life created by Edward Hudson , which featured many of his house designs. Hudson was a great admirer of Lutyens's style and commissioned Lutyens for

6720-607: Was placed on the 2002 World Monuments Fund Watch List of 100 Most Endangered Sites. None of the bungalows in the LBZ were designed by Lutyens—he only designed the four bungalows in the Presidential Estate surrounding Rashtrapati Bhavan at Willingdon Crescent, now known as Mother Teresa Crescent. Other buildings in Delhi that Lutyens designed include Baroda House , Bikaner House , Hyderabad House , and Patiala House . In recognition of his architectural accomplishments for

6804-418: Was the beginning of a professional partnership that would define the look of many Lutyens country houses. The "Lutyens–Jekyll" garden had hardy shrubbery and herbaceous plantings within a structural architecture of stairs and balustraded terraces. This combined style, of the formal with the informal, exemplified by brick paths, herbaceous borders, and with plants such as lilies, lupins, delphiniums and lavender,

6888-469: Was third daughter of Edith (née Villiers) and the 1st Earl of Lytton , a former Viceroy of India . Lady Emily had proposed to Lutyens two years before the wedding, and her parents disapproved of the marriage. Their marriage was largely unsatisfactory, practically from the start, with Lady Emily developing interests in theosophy , Eastern religions, and being drawn both emotionally and philosophically to Jiddu Krishnamurti . They had five children: During

6972-422: Was to predominate until the second half of the 18th century when, influenced by ancient Greek styles, it gradually evolved into the neoclassicism championed by such architects as Robert Adam . Some of the best known of England's country houses were the work of only one architect/designer, built in a relatively short, particular time: Montacute House , Chatsworth House , and Blenheim Palace are examples. While

7056-707: Was used for refuge by J. Bruce Ismay , the Chairman of the White Star Line , following the sinking of the RMS Titanic ). In 1907, Lutyens designed Tranarossan House , located just north of Downings on the Rosguill Peninsula on the north coast of County Donegal . The house was built of local granite for Mr and Mrs Phillimore, from London, as a holiday home. In 1937, Mrs Phillimore donated it to An Óige (Irish Youth Hostels Association) for

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