A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. Genre is to be distinguished from musical form and musical style , although in practice these terms are sometimes used interchangeably.
158-477: Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic , danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and
316-513: A Mu-Tron Octave Divider , an octave pedal that, like the Octavia pedal popularized by Hendrix , can double a note an octave above and below to create a "futuristic and fat low-end sound". Funk drumming creates a groove by emphasizing the drummer's "feel and emotion", which including "occasional tempo fluctuations", the use of swing feel in some songs (e.g., "Cissy Strut" by The Meters and "I'll Take You There" by The Staple Singers , which have
474-431: A " call-and-response , intertwined pocket." If a band only has one guitarist, this effect may be recreated by overdubbing in the studio, or, in a live show, by having a single guitarist play both parts, to the degree that this is possible. In funk bands, guitarists typically play in a percussive style, using a style of picking called the "chank" or "chicken scratch", in which the guitar strings are pressed lightly against
632-546: A "black aesthetic" to perform that made use of "colorful and lively exchange of gestures, facial expressions, body posture, and vocal phrases" to create an engaging performance. The lyrics in funk music addressed issues faced by the African American community in the United States during the 1970s, which arose due to the move away from an industrial, working-class economy to an information economy, which harmed
790-451: A "central dance beat that's slower, sexier and more syncopated than disco", and funk rhythm section musicians add more "subtextures", complexity and "personality" onto the main beat than a programmed synth-based disco ensemble. Before funk, most pop music was based on sequences of eighth notes, because the fast tempos made further subdivisions of the beat infeasible. The innovation of funk was that by using slower tempos (surely influenced by
948-455: A "form of art music which originated in the United States through the confrontation of the Negro with European music" and arguing that it differs from European music in that jazz has a "special relationship to time defined as 'swing ' ". Jazz involves "a spontaneity and vitality of musical production in which improvisation plays a role" and contains a "sonority and manner of phrasing which mirror
1106-515: A "hypnotic" and "danceable feel". A great deal of funk is rhythmically based on a two- celled onbeat/offbeat structure, which originated in sub-Saharan African music traditions . New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, and made it its own. New Orleans funk, as it was called, gained international acclaim largely because James Brown's rhythm section used it to great effect. Funk uses
1264-465: A Black President be considered in the future. The political themes of funk songs and the aiming of the messages to a Black audience echoed the new image of Blacks that was created in Blaxploitation films, which depicted "African-American men and women standing their ground and fighting for what was right". Both funk and Blaxploitation films addressed issues faced by Blacks and told stories from
1422-551: A Black perspective. Another link between 1970s funk and Blaxploitation films is that many of these films used funk soundtracks (e.g., Curtis Mayfield for Superfly ; James Brown and Fred Wesley for Black Caesar and War for Youngblood ). Funk songs included metaphorical language that was understood best by listeners who were "familiar with the black aesthetic and [black] vernacular". For example, funk songs included expressions such as "shake your money maker", "funk yourself right out" and "move your boogie body". Another example
1580-719: A Little Bit of Bitch in Him"); clavinet ("Joyful Process", "Up for the Down Stroke", "Red Hot Mama"); Minimoog synthesizer ("Atmosphere", " Flash Light ", "Aqua Boogie", "Knee Deep", "Let's Take It to the Stage"); and ARP string ensemble synth (" Chocolate City ", " Give Up the Funk (Tear the Roof off the Sucker) ", "Undisco Kidd"). Synthesizers were used in funk both to add to the deep sound of
1738-549: A bad mood ( in a funk ), in African communities, the term funk , while still linked to body odor, had the positive sense that a musician's hard-working, honest effort led to sweat, and from their "physical exertion" came an "exquisite" and "superlative" performance. In early jam sessions , musicians would encourage one another to " get down " by telling one another, "Now, put some stank on it!" At least as early as 1907, jazz songs carried titles such as Funky . The first example
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#17327903064171896-616: A baritone sax. Horn sections played "rhythmic and syncopated" parts, often with "offbeat phrases" that emphasize "rhythmic displacement". Funk song introductions are an important place for horn arrangements. Funk horn sections performed in a "rhythmic percussive style" that mimicked the approach used by funk rhythm guitarists. Horn sections would "punctuate" the lyrics by playing in the spaces between vocals, using "short staccato rhythmic blast[s]". Notable funk horn players included Alfred "PeeWee" Ellis , trombonist Fred Wesley , and alto sax player Maceo Parker . Notable funk horn sections including
2054-801: A basic template of funk. According to Dr. John (Malcolm John "Mac" Rebennack Jr.), the Professor "put funk into music ... Longhair's thing had a direct bearing I'd say on a large portion of the funk music that evolved in New Orleans." In his "Mardi Gras in New Orleans", the pianist employs the 2-3 clave onbeat/offbeat motif in a rumba-boogie " guajeo ". The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New Orleans R&;B during this time. Alexander Stewart states: "Eventually, musicians from outside of New Orleans began to learn some of
2212-772: A broader and wider range of music styles. In addition, social identity also plays a large role in music preference. Personality is a key contributor for music selection. Those who consider themselves to be "rebels" will tend to choose heavier music styles like heavy metal or hard rock , while those who consider themselves to be more "relaxed" or "laid back" will tend to choose lighter music styles like jazz or classical music. According to one model, there are five main factors that exist that underlie music preferences that are genre-free, and reflect emotional/affective responses. These five factors are: Studies have shown that while women prefer more treble oriented music, men prefer to listen to bass-heavy music. A preference for bass-heavy music
2370-415: A clean sound, and given the importance of a crisp, high sound, Fender Stratocasters and Telecasters were widely used for their cutting treble tone. The mids are often cut by guitarists to help the guitar sound different from the horn section , keyboards and other instruments. Given the focus on providing a rhythmic groove, and the lack of emphasis on instrumental guitar melodies and guitar solos , sustain
2528-526: A coherent tradition". Duke Ellington , one of jazz's most famous figures, said, "It's all music." Although jazz is considered difficult to define, in part because it contains many subgenres, improvisation is one of its defining elements. The centrality of improvisation is attributed to the influence of earlier forms of music such as blues , a form of folk music which arose in part from the work songs and field hollers of African-American slaves on plantations. These work songs were commonly structured around
2686-404: A commodity and (4) in capitalist societies, subject to the laws of 'free' enterprise_ it should ideally sell as much as possible. The distinction between classical and popular music has sometimes been blurred in marginal areas such as minimalist music and light classics. Background music for films/movies often draws on both traditions. In this respect, music is like fiction, which likewise draws
2844-589: A constant haze of marijuana smoke", such as Parliament's " Aqua Boogie (A Psychoalphadiscobetabioaquadoloop) ", which includes words such as "bioaquadooloop". The mainstream white listener base was often not able to understand funk's lyrical messages, which contributed to funk's lack of popular music chart success with white audiences during the 1970s. Horn section arrangements with groups of brass instruments are often used in funk songs. Funk horn sections could include saxophone (often tenor sax), trumpet, trombone, and for larger horn sections, such as quintets and sextets,
3002-584: A distinction between literary fiction and popular fiction that is not always precise. Country music, also known as country and western (or simply country) and hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s. Electronic music is music that employs electronic musical instruments , digital instruments, or circuitry-based music technology in its creation. Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music (EDM). Funk
3160-413: A drum made by stretching skin over a flour-barrel. Lavish festivals with African-based dances to drums were organized on Sundays at Place Congo, or Congo Square, in New Orleans until 1843. There are historical accounts of other music and dance gatherings elsewhere in the southern United States. Robert Palmer said of percussive slave music: Usually such music was associated with annual festivals, when
3318-465: A drum part played by a percussionist , often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in
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#17327903064173476-415: A half-swung feel), and less use of fills (as they can lessen the groove). Drum fills are "few and economical", to ensure that the drumming stays "in the pocket", with a steady tempo and groove. These playing techniques are supplemented by a set-up for the drum kit that often includes muffled bass drums and toms and tightly tuned snare drums. Double bass drumming sounds are often done by funk drummers with
3634-407: A horn section is not feasible, a keyboardist can play the horn parts on a synthesizer with brass patches; however, choosing an authentic-sounding synthesizer and brass patch is important. In the 2010s, with micro-MIDI synths, it may even have been possible to have another instrumentalist play the keyboard brass parts, thus enabling the keyboardist to continue to comp throughout the song. Funk bands in
3792-416: A hybrid of electronic music and funk; funk metal ; G-funk , a mix of gangsta rap and psychedelic funk ; Timba , a form of funky Cuban dance music; and funk jam. It is also the main influence of Washington go-go , a funk subgenre. Funk samples and breakbeats have been used extensively in hip hop and electronic dance music . The word funk initially referred (and still refers) to a strong odor. It
3950-544: A larger interval. Funk basslines emphasize repetitive patterns, locked-in grooves, continuous playing, and slap and popping bass. Slapping and popping uses a mixture of thumb-slapped low notes (also called "thumped") and finger "popped" (or plucked) high notes, allowing the bass to have a drum-like rhythmic role, which became a distinctive element of funk. Notable slap and funky players include Bernard Edwards ( Chic ), Robert "Kool" Bell , Mark Adams ( Slave ), Johnny Flippin ( Fatback ) and Bootsy Collins . While slap and funky
4108-410: A limited melodic range, sounding like a field holler, and the guitar accompaniment was slapped rather than strummed, like a small drum which responded in syncopated accents, functioning as another "voice". Handy and his band members were formally trained African-American musicians who had not grown up with the blues, yet he was able to adapt the blues to a larger band instrument format and arrange them in
4266-460: A multi- strain ragtime march with four parts that feature recurring themes and a bass line with copious seventh chords . Its structure was the basis for many other rags, and the syncopations in the right hand, especially in the transition between the first and second strain, were novel at the time. The last four measures of Scott Joplin's "Maple Leaf Rag" (1899) are shown below. African-based rhythmic patterns such as tresillo and its variants,
4424-660: A popular music form. Handy wrote about his adopting of the blues: The primitive southern Negro, as he sang, was sure to bear down on the third and seventh tone of the scale, slurring between major and minor. Whether in the cotton field of the Delta or on the Levee up St. Louis way, it was always the same. Till then, however, I had never heard this slur used by a more sophisticated Negro, or by any white man. I tried to convey this effect ... by introducing flat thirds and sevenths (now called blue notes) into my song, although its prevailing key
4582-439: A repetitive call-and-response pattern, but early blues was also improvisational. Classical music performance is evaluated more by its fidelity to the musical score , with less attention given to interpretation, ornamentation, and accompaniment. The classical performer's goal is to play the composition as it was written. In contrast, jazz is often characterized by the product of interaction and collaboration, placing less value on
4740-410: A short duration (nicknamed "stabs") with faster rhythms and riffs. Guitarists playing rhythmic parts often play sixteenth notes, including with percussive ghost notes. Chord extensions are favored, such as ninth chords. Typically, funk uses "two interlocking [electric] guitar parts", with a rhythm guitarist and a "tenor guitarist" who plays single notes. The two guitarists trade off their lines to create
4898-492: A single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands , Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near
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5056-587: A single pedal, an approach which "accents the second note... [and] deadens the drumhead's resonance", which gives a short, muffled bass drum sound. James Brown used two drummers such as Clyde Stubblefield and John 'Jabo' Starks in recording and soul shows. By using two drummers, the JB band was able to maintain a "solid syncopated" rhythmic sound, which contributed to the band's distinctive "Funky Drummer" rhythm. In Tower of Power drummer David Garibaldi 's playing, there are many ghost notes and rim shots . A key part of
5214-416: A soloist is supported by a rhythm section of one or more chordal instruments (piano, guitar), double bass, and drums. The rhythm section plays chords and rhythms that outline the composition structure and complement the soloist. In avant-garde and free jazz , the separation of soloist and band is reduced, and there is license, or even a requirement, for the abandoning of chords, scales, and meters. Since
5372-490: A subcategory within major genres or their subgenres. The genealogy of musical genres expresses, often in the form of a written chart. New genres of music can arise through the development of new styles of music; in addition to simply creating a new categorization. Although it is conceivable to create a musical style with no relation to existing genres, new styles usually appear under the influence of pre-existing genres. Musicologists have sometimes classified music according to
5530-432: A trichotomous distinction such as Philip Tagg's "axiomatic triangle consisting of 'folk', 'art' and 'popular' musics". He explains that each of these three is distinguishable from the others according to certain criteria. Automatic methods of musical similarity detection, based on data mining and co-occurrence analysis, have been developed to classify music titles for electronic music distribution. Glenn McDonald,
5688-493: A way to theorize sexuality, culture, and western hegemony within the many locations of funk : "street parties, drama/theater, strippers and strip clubs, pornography, and self-published fiction." Like soul, funk is based on dance music , so it has a strong "rhythmic role". The sound of funk is as much based on the "spaces between the notes" as the notes that are played; as such, rests between notes are important. While there are rhythmic similarities between funk and disco , funk has
5846-524: A world reference since the east–west tensions during the Early Modern Period . Traditional folk music usually refers to songs composed in the twentieth century, which tend to be written as universal truths and big issues of the time they were composed. Artists including Bob Dylan ; Peter, Paul and Mary ; James Taylor ; and Leonard Cohen , transformed folk music to what it is known today. Newer composers such as Ed Sheeran (pop folk) and
6004-434: Is a music genre that originated in the African-American communities of New Orleans , Louisiana , in the late 19th and early 20th centuries, with its roots in blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . Since the 1920s Jazz Age , it has been recognized as a major form of musical expression in traditional and popular music . Jazz
6162-455: Is a subordinate within a genre. In music terms, it is a subcategory of a musical genre that adopts its basic characteristics, but also has its own set of characteristics that clearly distinguish and set it apart within the genre. A subgenre is also often being referred to as a style of the genre. The proliferation of popular music in the 20th century has led to over 1,200 definable subgenres of music. A musical composition may be situated in
6320-529: Is a "white jazz" genre that expresses whiteness . White jazz musicians appeared in the Midwest and in other areas throughout the U.S. Papa Jack Laine , who ran the Reliance band in New Orleans in the 1910s, was called "the father of white jazz". The Original Dixieland Jazz Band , whose members were white, were the first jazz group to record, and Bix Beiderbecke was one of the most prominent jazz soloists of
6478-537: Is a broad genre of popular music that originated as " rock and roll " in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and the United Kingdom. Heavy metal evolved from hard rock , psychedelic rock , and blues rock in late 1960s and 1970s with notable acts such as Black Sabbath , Judas Priest and Motörhead . The popularity of heavy metal soared in
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6636-693: Is a fundamental rhythmic figure heard in many different slave musics of the Caribbean, as well as the Afro-Caribbean folk dances performed in New Orleans Congo Square and Gottschalk's compositions (for example "Souvenirs From Havana" (1859)). Tresillo (shown below) is the most basic and most prevalent duple-pulse rhythmic cell in sub-Saharan African music traditions and the music of the African Diaspora . Tresillo
6794-439: Is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. The aggressiveness of the musical and performative style, based on structural simplicity and the vigorous rhythms of rock'n'roll style, reinforced
6952-605: Is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic , danceable new form of music through a mixture of soul, jazz, and rhythm and blues (R&B). Hip Hop music, also referred to as hip-hop or rap music , is a genre of music that was started in the United States, specifically the South Bronx in the New York City by African-American youth from
7110-418: Is an unrecorded number by Buddy Bolden , remembered as either "Funky Butt" or "Buddy Bolden's Blues", with improvised lyrics that were, according to Donald M. Marquis, either "comical and light" or "crude and downright obscene" but, in one way or another, referring to the sweaty atmosphere at dances where Bolden's band played. As late as the 1950s and early 1960s, when funk and funky were used increasingly in
7268-469: Is characterized by swing and blue notes , complex chords , call and response vocals , polyrhythms and improvisation . As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles , biguine , ragtime and blues with collective polyphonic improvisation . However, jazz did not begin as
7426-540: Is generally defined similarly by many authors and musicologists, while the related term style has different interpretations and definitions. Some, like Peter van der Merwe , treat the terms genre and style as the same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language". Others, such as Allan F. Moore, state that genre and style are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A subgenre
7584-493: Is heard prominently in New Orleans second line music and in other forms of popular music from that city from the turn of the 20th century to present. "By and large the simpler African rhythmic patterns survived in jazz ... because they could be adapted more readily to European rhythmic conceptions," jazz historian Gunther Schuller observed. "Some survived, others were discarded as the Europeanization progressed." In
7742-563: Is important, some influential bassists who play funk, such as Rocco Prestia (from Tower of Power ), did not use the approach, and instead used a typical fingerstyle method based on James Jamerson 's Motown playing style. Larry Graham from Sly and the Family Stone is an influential bassist. Funk bass has an "earthy, percussive kind of feel", in part due to the use of muted, rhythmic ghost notes (also called "dead notes"). Some funk bass players use electronic effects units to alter
7900-725: Is lumped into existing categories or else a proliferation of derivative subgenres , fusion genres and "micro genres" starts to accrue. Douglass M. Green distinguishes between genre and form in his book Form in Tonal Music . He lists madrigal , motet , canzona , ricercar , and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre , Green writes about " Beethoven's Op. 61 " and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are violin concertos that have different forms. However, Mozart's Rondo for Piano, K. 511, and
8058-413: Is not sought out by funk rhythm guitarists. Funk rhythm guitarists use compressor volume-control effects to enhance the sound of muted notes, which boosts the "clucking" sound and adds "percussive excitement to funk rhythms" (an approach used by Nile Rodgers ). Guitarist Eddie Hazel from Funkadelic is notable for his solo improvisation (particularly for the solo on " Maggot Brain ") and guitar riffs,
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#17327903064178216-403: Is orally passed from one generation to another. Usually, the artist is unknown, and there are several versions of the same song. The genre is transmitted by singing, listening and dancing to popular songs. This type of communication allows culture to transmit the styles (pitches and cadences) as well as the context it was developed. Culturally transmitting folk songs maintain rich evidence about
8374-509: Is originally derived from Latin fumigare (which means "to smoke") via Old French fungiere and, in this sense, it was first documented in English in 1620. In 1784, funky meaning "musty" was first documented, which, in turn, led to a sense of "earthy" that was taken up around 1900 in early jazz slang for something "deeply or strongly felt". Even though in white culture, the term funk can have negative connotations of odor or being in
8532-477: Is pivoted around sound recording technologies (for example jazz , pop, rock, rap and so on). These last two branches are created by means of the above-mentioned audiotactile matrix in which the formative medium is the Audiotactile Principle. Art music primarily includes classical traditions, including both contemporary and historical classical music forms. Art music exists in many parts of
8690-490: Is so particularly in the case of western classical music. Art music may include certain forms of jazz , though some feel that jazz is primarily a form of popular music. The 1960s saw a wave of avant-garde experimentation in free jazz, represented by artists such as Ornette Coleman , Sun Ra , Albert Ayler , Archie Shepp and Don Cherry . Additionally, avant-garde rock artists such as Frank Zappa , Captain Beefheart , and
8848-432: Is sometimes paired with borderline and antisocial personalities. Age is another strong factor that contributes to musical preference. Evidence is available that shows that music preference can change as one gets older. A Canadian study showed that adolescents show greater interest in pop music artists while adults and the elderly population prefer classic genres such as rock, opera, and jazz . Jazz Jazz
9006-400: Is that jazz can absorb and transform diverse musical styles. By avoiding the creation of norms, jazz allows avant-garde styles to emerge. For some African Americans, jazz has drawn attention to African-American contributions to culture and history. For others, jazz is a reminder of "an oppressive and racist society and restrictions on their artistic visions". Amiri Baraka argues that there
9164-524: Is the use of "bad" in the song "Super Bad" (1970), which black listeners knew meant "good" or "great". In the 1970s, to get around radio obscenity restrictions, funk artists would use words that sounded like non-allowed words and double entendres to get around these restrictions. For example, The Ohio Players had a song entitled "Fopp" which referred to "Fopp me right, don't you fopp me wrong/We'll be foppin' all night long...". Some funk songs used made-up words which suggested that they were "writing lyrics in
9322-402: Is used in funk (e.g., F 6/9); it is a major chord with an added sixth and ninth. In funk, minor seventh chords are more common than minor triads because minor triads were found to be too thin-sounding. Some of the best known and most skillful soloists in funk have jazz backgrounds. Trombonist Fred Wesley and saxophonists Pee Wee Ellis and Maceo Parker are among the most notable musicians in
9480-650: Is used in funk, in songs such as "Cissy Strut" by The Meters and "Love the One You're With" (with Aretha Franklin singing and Billy Preston on keyboards). Bernie Worrell 's range of keyboards from his recordings with Parliament Funkadelic demonstrate the wide range of keyboards used in funk, as they include the Hammond organ ("Funky Woman", "Hit It and Quit It", "Wars of Armageddon"); RMI electric piano ("I Wanna Know If It's Good to You?", " Free Your Mind ", "Loose Booty"); acoustic piano ("Funky Dollar Bill", "Jimmy's Got
9638-529: Is used in funk, including in "September" by Earth Wind & Fire and " Will It Go Round in Circles " by Billy Preston . The electric piano is used on songs such as Herbie Hancock 's "Chameleon" (a Fender Rhodes ) and "Mercy, Mercy, Mercy" by Joe Zawinul (a Wurlitzer ). The clavinet is used for its percussive tone, and it can be heard in songs such as Stevie Wonder 's " Superstition " and " Higher Ground " and Bill Withers' " Use Me ". The Hammond B-3 organ
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#17327903064179796-476: Is well documented. It is believed to be related to jasm , a slang term dating back to 1860 meaning ' pep, energy ' . The earliest written record of the word is in a 1912 article in the Los Angeles Times in which a minor league baseball pitcher described a pitch which he called a 'jazz ball' "because it wobbles and you simply can't do anything with it". The use of the word in a musical context
9954-568: The Agnus Dei from his Mass, K. 317, are quite different in genre but happen to be similar in form." In 1982, Franco Fabbri proposed a definition of the musical genre that is now considered to be normative: "musical genre is a set of musical events (real or possible) whose course is governed by a definite set of socially accepted rules", where a musical event can be defined as "any type of activity performed around any type of event involving sound". A music genre or subgenre may be defined by
10112-625: The Atlantic slave trade had brought nearly 400,000 Africans to North America. The slaves came largely from West Africa and the greater Congo River basin and brought strong musical traditions with them. The African traditions primarily use a single-line melody and call-and-response pattern, and the rhythms have a counter-metric structure and reflect African speech patterns. An 1885 account says that they were making strange music (Creole) on an equally strange variety of 'instruments'—washboards, washtubs, jugs, boxes beaten with sticks or bones and
10270-562: The Civil Rights Movement . Gerhard Kubik notes that with the exception of New Orleans , early blues lacked complex polyrhythms , and there was a "very specific absence of asymmetric time-line patterns ( key patterns ) in virtually all early twentieth century African-American music ... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in
10428-425: The backbeat that typified African-American music. Brown often cued his band with the command "On the one!," changing the percussion emphasis/accent from the one- two -three- four backbeat of traditional soul music to the one -two-three-four downbeat – but with an even-note syncopated guitar rhythm (on quarter notes two and four) featuring a hard-driving, repetitive brassy swing . This one-three beat launched
10586-480: The fingerboard and then quickly released just enough to get a muted "scratching" sound that is produced by rapid rhythmic strumming of the opposite hand near the bridge . Earliest examples of that technic used on rhythm and blues is listened on Johnny Otis song " Willie and the Hand Jive " in 1957, with the future James Brown band guitar player Jimmy Nolen . The technique can be broken down into three approaches:
10744-476: The musical techniques , the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that, since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". The term genre
10902-471: The swing era of the 1920s–40s, big bands relied more on arrangements which were written or learned by ear and memorized. Soloists improvised within these arrangements. In the bebop era of the 1940s, big bands gave way to small groups and minimal arrangements in which the melody was stated briefly at the beginning and most of the piece was improvised. Modal jazz abandoned chord progressions to allow musicians to improvise even more. In many forms of jazz,
11060-399: The "chika", the "chank" and the "choke". With the "chika" comes a muted sound of strings being hit against the fingerboard; "chank" is a staccato attack done by releasing the chord with the fretting hand after strumming it; and "choking" generally uses all the strings being strummed and heavily muted. The result of these factors was a rhythm guitar sound that seemed to float somewhere between
11218-582: The "mesmerizing" nature of funk. Payne states that funk can be thought of as "rock played in a more syncopated manner", particularly with the bass drum, which plays syncopated eighth-note and sixteenth-note patterns that were innovated by drummer Clive Williams (with Joe Tex ); George Brown (with Kool & the Gang ) and James "Diamond" Williams (with The Ohio Players ). As with rock, the snare provides backbeats in most funk (albeit with additional soft ghost notes). In funk, guitarists often mix playing chords of
11376-948: The 1920s. The Chicago Style was developed by white musicians such as Eddie Condon , Bud Freeman , Jimmy McPartland , and Dave Tough . Others from Chicago such as Benny Goodman and Gene Krupa became leading members of swing during the 1930s. Many bands included both Black and white musicians. These musicians helped change attitudes toward race in the U.S. Female jazz performers and composers have contributed to jazz throughout its history. Although Betty Carter , Ella Fitzgerald , Adelaide Hall , Billie Holiday , Peggy Lee , Abbey Lincoln , Anita O'Day , Dinah Washington , and Ethel Waters were recognized for their vocal talent, less familiar were bandleaders, composers, and instrumentalists such as pianist Lil Hardin Armstrong , trumpeter Valaida Snow , and songwriters Irene Higginbotham and Dorothy Fields . Women began playing instruments in jazz in
11534-418: The 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado 's mambo records." Professor Longhair's particular style was known locally as rumba-boogie . One of Longhair's great contributions was his particular approach of adopting two-celled, clave-based patterns into New Orleans rhythm and blues (R&B). Longhair's rhythmic approach became
11692-451: The 1950s, many women jazz instrumentalists were prominent, some sustaining long careers. Some of the most distinctive improvisers, composers, and bandleaders in jazz have been women. Trombonist Melba Liston is acknowledged as the first female horn player to work in major bands and to make a real impact on jazz, not only as a musician but also as a respected composer and arranger, particularly through her collaborations with Randy Weston from
11850-579: The 1970s adopted Afro-American fashion and style, including " Bell-bottom pants , platform shoes, hoop earring[s], Afros [hairstyles], leather vests,... beaded necklaces", dashiki shirts, jumpsuits and boots. In contrast to earlier bands such as The Temptations , which wore "matching suits" and "neat haircuts" to appeal to white mainstream audiences, funk bands adopted an "African spirit" in their outfits and style. George Clinton and Parliament are known for their imaginative costumes and "freedom of dress", which included bedsheets acting as robes and capes. Funk
12008-469: The 1970s to capitalize on the new "social and political opportunities" that had become available in the 1970s. The Isley Brothers song "Fight the Power" (1975) has a political message. Parliament's song "Chocolate City" (1975) metaphorically refers to Washington, D.C., and other US cities that have a mainly Black population, and it draws attention to the potential power that Black voters wield and suggests that
12166-454: The 1980s with bands such as Iron Maiden , Metallica and Guns 'n' Roses . It has a rougher style and heavier sound than other forms of rock music, with notable subgenres such as thrash metal , hair metal and death metal . Soul music became a musical genre that came to include a wide variety of R&B-based music styles from the pop R&B acts at Motown Records in Detroit, such as
12324-616: The African oral tradition approach). The call and response in funk can be between the lead singer and the band members who act as backup vocalists . As funk emerged from soul, the vocals in funk share soul's approach; however, funk vocals tend to be "more punctuated, energetic, rhythmically percussive[,] and less embellished" with ornaments, and the vocal lines tend to resemble horn parts and have "pushed" rhythms. Funk bands such as Earth, Wind & Fire have harmony vocal parts. Songs like " Super Bad " by James Brown included "double-voice" along with "yells, shouts and screams". Funk singers used
12482-499: The African-American communities of New Orleans, Louisiana, United States, in the late 19th and early 20th centuries, with its roots in blues and ragtime. Latin music is a genre of music that originated in the United States due to the growing influence of Latino Americans in the music industry. It is a term used by the music industry to describe music in a catch-all category for various music styles from Ibero-America . Pop
12640-509: The Black middle-class. Blues is the name given to both a musical form and a music genre, which originated in African-American communities of primarily the Deep South of the United States at the end of the 19th century from their spirituals , work songs , field hollers , shouts and chants and rhymed simple narrative ballads . The African use of pentatonic scales contributed to
12798-446: The Black working class. Funk songs by The Ohio Players, Earth, Wind & Fire, and James Brown raised issues faced by lower-income Blacks in their song lyrics, such as poor "economic conditions and themes of poor inner-city life in the black communities". The Funkadelic song " One Nation Under A Groove " (1978) is about the challenges that Blacks overcame during the 1960s civil rights movement, and it includes an exhortation for Blacks in
12956-464: The Caribbean. African-based rhythmic patterns were retained in the United States in large part through "body rhythms" such as stomping, clapping, and patting juba dancing . In the opinion of jazz historian Ernest Borneman , what preceded New Orleans jazz before 1890 was "Afro-Latin music", similar to what was played in the Caribbean at the time. A three-stroke pattern known in Cuban music as tresillo
13114-481: The Lumineers (American folk) are examples of contemporary folk music, which has been recorded and adapted to the new way of listening to music (online)—unlike the traditional way of orally transmitting music. Each country in the world, in some cases each region, district and community, has its own folk music style. The sub-divisions of folk genre are developed by each place, cultural identity and history. Because
13272-678: The Phoenix Horns (with Earth, Wind & Fire), the Horny Horns (with Parliament), the Memphis Horns (with Isaac Hayes ), and MFSB (with Curtis Mayfield ). The instruments in funk horn sections varied. If there were two horn players, it could be trumpet and sax, trumpet and trombone, or two saxes. A standard horn trio would consist of trumpet, sax, and trombone, but trios of one trumpet with two saxes, or two trumpets with one sax, were also fairly common. A quartet would be set up
13430-592: The Residents released art music albums. Popular music is any musical style accessible to the general public and disseminated by the mass media. Musicologist and popular music specialist Philip Tagg defined the notion in the light of sociocultural and economical aspects: Popular music, unlike art music, is (1) conceived for mass distribution to large and often socioculturally heterogeneous groups of listeners, (2) stored and distributed in non-written form, (3) only possible in an industrial monetary economy where it becomes
13588-665: The Starlight Roof at the famed Waldorf-Astoria Hotel . He entertained audiences with a light elegant musical style which remained popular with audiences for nearly three decades from the 1930s until the late 1950s. Jazz originated in the late-19th to early-20th century. It developed out of many forms of music, including blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . It also incorporated interpretations of American and European classical music, entwined with African and slave folk songs and
13746-751: The Temptations , Gladys Knight & the Pips , Marvin Gaye and Four Tops , to " deep soul " singers such as Percy Sledge and James Carr . The polka is originally a Czech dance and genre of dance music familiar throughout Europe and the Americas. Religious music (also referred as sacred music) is music performed or composed for religious use or through religious influence. Gospel , spiritual, and Christian music are examples of religious music. Traditional and folk music are very similar categories. Although
13904-552: The blues are undocumented, though they can be seen as the secular counterpart of the spirituals. However, as Gerhard Kubik points out, whereas the spirituals are homophonic , rural blues and early jazz "was largely based on concepts of heterophony ". During the early 19th century an increasing number of black musicians learned to play European instruments, particularly the violin, which they used to parody European dance music in their own cakewalk dances. In turn, European American minstrel show performers in blackface popularized
14062-517: The centerpiece of songs. Indeed, funk has been called the style in which the bassline is most prominent in the songs, with the bass playing the "hook" of the song. Early funk basslines used syncopation (typically syncopated eighth notes), but with the addition of more of a "driving feel" than in New Orleans funk, and they used blues scale notes along with the major third above the root. Later funk basslines use sixteenth note syncopation, blues scales, and repetitive patterns, often with leaps of an octave or
14220-537: The challenging and provocative character, within the universe of modern music. Reggae music, originating from the late 1960s Jamaica , is a genre of music that was originally used by Jamaicans to define themselves with their lifestyle and social aspects. The meaning behind reggae songs tend to be about love, faith or a higher power, and freedom. Reggae music is important to Jamaican culture as it has been used as inspiration for many third world liberation movements. Bob Marley , an artist primarily known for reggae music,
14378-438: The context of jazz music , the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans -born drummer Earl Palmer "was the first to use the word 'funky' to explain to other musicians that their music should be made more syncopated and danceable." The style later evolved into a rather hard-driving, insistent rhythm, implying a more carnal quality . This early form of
14536-473: The contribution of the composer, if there is one, and more on the performer. The jazz performer interprets a tune in individual ways, never playing the same composition twice. Depending on the performer's mood, experience, and interaction with band members or audience members, the performer may change melodies, harmonies, and time signatures. In early Dixieland , a.k.a. New Orleans jazz, performers took turns playing melodies and improvising countermelodies . In
14694-555: The development of blue notes in blues and jazz. As Kubik explains: Many of the rural blues of the Deep South are stylistically an extension and merger of basically two broad accompanied song-style traditions in the west central Sudanic belt: W. C. Handy became interested in folk blues of the Deep South while traveling through the Mississippi Delta. In this folk blues form, the singer would improvise freely within
14852-509: The early 1920s, drawing particular recognition on piano. When male jazz musicians were drafted during World War II, many all-female bands replaced them. The International Sweethearts of Rhythm , which was founded in 1937, was a popular band that became the first all-female integrated band in the U.S. and the first to travel with the USO , touring Europe in 1945. Women were members of the big bands of Woody Herman and Gerald Wilson . Beginning in
15010-480: The education of freed African Americans. Although strict segregation limited employment opportunities for most blacks, many were able to find work in entertainment. Black musicians were able to provide entertainment in dances, minstrel shows , and in vaudeville , during which time many marching bands were formed. Black pianists played in bars, clubs, and brothels, as ragtime developed. Ragtime appeared as sheet music, popularized by African-American musicians such as
15168-613: The electric bass, or even to replace the electric bass altogether in some songs. Funk synthesizer bass, most often a Minimoog , was used because it could create layered sounds and new electronic tones that were not feasible on electric bass. In the 1970s, funk used many of the same vocal styles that were used in African-American music in the 1960s, including singing influences from blues, gospel, jazz and doo-wop. Like these other African-American styles, funk used "[y]ells, shouts, hollers, moans, humming, and melodic riffs", along with styles such as call and response and narration of stories (like
15326-593: The emergence of bebop, forms of jazz that are commercially oriented or influenced by popular music have been criticized. According to Bruce Johnson, there has always been a "tension between jazz as a commercial music and an art form". Regarding the Dixieland jazz revival of the 1940s, Black musicians rejected it as being shallow nostalgia entertainment for white audiences. On the other hand, traditional jazz enthusiasts have dismissed bebop, free jazz, and jazz fusion as forms of debasement and betrayal. An alternative view
15484-421: The employee of The Echo Nest , music intelligence and data platform, owned by Spotify , has created a categorical perception spectrum of genres and subgenres based on "an algorithmically generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,315 genre-shaped distinctions by Spotify" called Every Noise at Once . Alternatively, music can be assessed on
15642-401: The end of 1900s, Vincenzo Caporaletti has proposed a more comprehensive distinction of music genres based on the "formative medium" with which a music is created, that is the creative interface (cognitive milieu) employed by the artist. Following this framework, formative media may belong to two different matrixes: visual or audiotactile with regards to the role played in the creative process by
15800-525: The end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines. The mid-1950s saw the emergence of hard bop , which introduced influences from rhythm and blues , gospel , and blues to small groups and particularly to saxophone and piano. Modal jazz developed in the late 1950s, using the mode , or musical scale, as the basis of musical structure and improvisation, as did free jazz , which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in
15958-556: The entertainer Ernest Hogan , whose hit songs appeared in 1895. Two years later, Vess Ossman recorded a medley of these songs as a banjo solo known as "Rag Time Medley". Also in 1897, the white composer William Krell published his " Mississippi Rag " as the first written piano instrumental ragtime piece, and Tom Turpin published his "Harlem Rag", the first rag published by an African-American. Classically trained pianist Scott Joplin produced his " Original Rags " in 1898 and, in 1899, had an international hit with " Maple Leaf Rag ",
16116-415: The first written music which was rhythmically based on an African motif (1803). From the perspective of African-American music, the "habanera rhythm" (also known as "congo"), "tango-congo", or tango . can be thought of as a combination of tresillo and the backbeat . The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States and reinforced and inspired
16274-478: The funk drumming style is using the hi-hat, with opening and closing the hi-hats during playing (to create "splash" accent effects) being an important approach. Two-handed sixteenth notes on the hi-hats, sometimes with a degree of swing feel, is used in funk. Jim Payne states that funk drumming uses a "wide-open" approach to improvisation around rhythmic ideas from Latin music, ostinatos , that are repeated "with only slight variations", an approach which he says causes
16432-511: The funk into the rhythm" of rock and roll . Following his temporary exit from secular music to become an evangelist in 1957, some of Little Richard's band members joined Brown and the Famous Flames , beginning a long string of hits for them in 1958. By the mid-1960s, James Brown had developed his signature groove that emphasized the downbeat —with heavy emphasis on the first beat of every measure to etch his distinctive sound, rather than
16590-467: The funk music genre, having worked with James Brown , George Clinton and Prince . Unlike bebop jazz, with its complex, rapid-fire chord changes, funk often uses a static single-chord or two-chord vamp (often alternating a minor seventh chord and a related dominant seventh chord, such as A minor to D7) during all or part of a song, with melodo-harmonic movement and a complex, driving rhythmic feel. Even though some funk songs are mainly one-chord vamps,
16748-493: The genre beginning in the late 1960s. Other musical groups developed Brown's innovations during the 1970s and the 1980s, including Kool and the Gang , Ohio Players , Fatback Band , Jimmy Castor Bunch, Earth, Wind & Fire , B.T. Express , Shalamar , One Way, Lakeside , Dazz Band , The Gap Band , Slave , Aurra , Roger Troutman & Zapp , Con Funk Shun , Cameo , Bar-Kays and Chic . Funk derivatives include avant-funk , an avant-garde strain of funk; boogie ,
16906-532: The habanera rhythm and cinquillo , are heard in the ragtime compositions of Joplin and Turpin. Joplin's " Solace " (1909) is generally considered to be in the habanera genre: both of the pianist's hands play in a syncopated fashion, completely abandoning any sense of a march rhythm. Ned Sublette postulates that the tresillo/habanera rhythm "found its way into ragtime and the cakewalk," whilst Roberts suggests that "the habanera influence may have been part of what freed black music from ragtime's European bass". In
17064-512: The individuality of the performing jazz musician". A broader definition that encompasses different eras of jazz has been proposed by Travis Jackson: "it is music that includes qualities such as swing, improvising, group interaction, developing an 'individual voice', and being open to different musical possibilities". Krin Gibbard argued that "jazz is a construct" which designates "a number of musics with enough in common to be understood as part of
17222-424: The influences of West African culture. Its composition and style have changed many times throughout the years with each performer's personal interpretation and improvisation, which is also one of the greatest appeals of the genre. By the 18th century, slaves in the New Orleans area gathered socially at a special market, in an area which later became known as Congo Square , famous for its African dances. By 1866,
17380-410: The inner cities during the 1970s. It can be broadly defined as a stylized rhythmic music that commonly accompanies rapping , a rhythmic and rhyming speech that is chanted. Hip hop music derives from the hip hop culture itself, including four key elements: emceeing ( MCing )/ rapping , Disc jockeying (DJing) with turntablism , breakdancing and graffiti art . Jazz is a music genre that originated in
17538-460: The instruments of jazz: brass, drums, and reeds tuned in the European 12-tone scale. Small bands contained a combination of self-taught and formally educated musicians, many from the funeral procession tradition. These bands traveled in black communities in the deep south. Beginning in 1914, Louisiana Creole and African-American musicians played in vaudeville shows which carried jazz to cities in
17696-402: The intersection of two or more genres, sharing characteristics of each parent genre, and therefore belong to each of them at the same time. Such subgenres are known as fusion genres . Examples of fusion genres include jazz fusion , which is a fusion of jazz and rock music, and country rock which is a fusion of country music and rock music. A microgenre is a niche genre, as well as
17854-578: The late 1950s into the 1990s. Jewish Americans played a significant role in jazz. As jazz spread, it developed to encompass many different cultures, and the work of Jewish composers in Tin Pan Alley helped shape the many different sounds that jazz came to incorporate. Jewish Americans were able to thrive in Jazz because of the probationary whiteness that they were allotted at the time. George Bornstein wrote that African Americans were sympathetic to
18012-455: The late 1960s and early 1970s, combining jazz improvisation with rock music 's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 21st century, such as Latin and Afro-Cuban jazz . The origin of the word jazz has resulted in considerable research, and its history
18170-412: The low-end thump of the electric bass and the cutting tone of the snare and hi-hats , with a rhythmically melodic feel that fell deep in the pocket. Guitarist Jimmy Nolen , longtime guitarist for James Brown, developed this technique. On Brown's " Give It Up or Turnit a Loose " (1969), however, Jimmy Nolen's guitar part has a bare bones tonal structure. The pattern of attack-points is the emphasis, not
18328-888: The many top players he employed, such as George Brunies , Sharkey Bonano , and future members of the Original Dixieland Jass Band . During the early 1900s, jazz was mostly performed in African-American and mulatto communities due to segregation laws. Storyville brought jazz to a wider audience through tourists who visited the port city of New Orleans. Many jazz musicians from African-American communities were hired to perform in bars and brothels. These included Buddy Bolden and Jelly Roll Morton in addition to those from other communities, such as Lorenzo Tio and Alcide Nunez . Louis Armstrong started his career in Storyville and found success in Chicago. Storyville
18486-419: The mid-1960s, with James Brown 's development of a signature groove that emphasized the downbeat —with a heavy emphasis on the first beat of every measure ("The One"), and the application of swung 16th notes and syncopation on all basslines, drum patterns, and guitar riffs. Rock- and psychedelia -influenced musicians Sly and the Family Stone and Parliament-Funkadelic fostered more eclectic examples of
18644-697: The music internationally, combining syncopation with European harmonic accompaniment. In the mid-1800s the white New Orleans composer Louis Moreau Gottschalk adapted slave rhythms and melodies from Cuba and other Caribbean islands into piano salon music. New Orleans was the main nexus between the Afro-Caribbean and African American cultures. The Black Codes outlawed drumming by slaves, which meant that African drumming traditions were not preserved in North America, unlike in Cuba, Haiti, and elsewhere in
18802-482: The music is developed in different places, many of the instruments are characteristic to location and population—but some are used everywhere: button or piano accordion , different types of flutes or trumpets, banjo , and ukulele . Both French and Scottish folk music use related instruments such as the fiddle , the harp and variations of bagpipes . Since music has become more easily accessible ( Spotify , iTunes , YouTube, etc.), more people have begun listening to
18960-583: The music of New Orleans with the music of Cuba, Wynton Marsalis observes that tresillo is the New Orleans "clavé", a Spanish word meaning "code" or "key", as in the key to a puzzle, or mystery. Although the pattern is only half a clave , Marsalis makes the point that the single-celled figure is the guide-pattern of New Orleans music. Jelly Roll Morton called the rhythmic figure the Spanish tinge and considered it an essential ingredient of jazz. The abolition of slavery in 1865 led to new opportunities for
19118-574: The music set the pattern for later musicians. The music was identified as slow, sexy, loose, riff -oriented and danceable. The meaning of funk continues to captivate the genre of black music, feeling, and knowledge. Recent scholarship in black studies has taken the term funk in its many iterations to consider the range of black movement and culture. In particular, L.H. Stallings's Funk the Erotic: Transaesthetics and Black Sexual Cultures explores these multiple meanings of funk as
19276-404: The northeastern United States, a "hot" style of playing ragtime had developed, notably James Reese Europe 's symphonic Clef Club orchestra in New York City, which played a benefit concert at Carnegie Hall in 1912. The Baltimore rag style of Eubie Blake influenced James P. Johnson 's development of stride piano playing, in which the right hand plays the melody, while the left hand provides
19434-618: The northern and western parts of the U.S. Jazz became international in 1914, when the Creole Band with cornettist Freddie Keppard performed the first ever jazz concert outside the United States, at the Pantages Playhouse Theatre in Winnipeg , Canada. In New Orleans, a white bandleader named Papa Jack Laine integrated blacks and whites in his marching band. He was known as "the father of white jazz" because of
19592-547: The notes to create a percussive sound for their guitar riffs. The phaser effect is often used in funk and R&B guitar playing for its filter sweeping sound effect, an example being the Isley Brothers ' song " Who's That Lady ". Michael Hampton , another P-Funk guitarist, was able to play Hazel's virtuosic solo on "Maggot Brain", using a solo approach that added in string bends and Hendrix-style feedback . A range of keyboard instruments are used in funk. Acoustic piano
19750-459: The pattern of pitches. The guitar is used the way that an African drum, or idiophone would be used. Nolen created a "clean, trebly tone" by using "hollow-body jazz guitars with single-coil P-90 pickups" plugged into a Fender Twin Reverb amp with the mid turned down low and the treble turned up high. Funk guitarists playing rhythm guitar generally avoid distortion effects and amp overdrive to get
19908-500: The period 1820–1850. Some of the earliest [Mississippi] Delta settlers came from the vicinity of New Orleans, where drumming was never actively discouraged for very long and homemade drums were used to accompany public dancing until the outbreak of the Civil War. Another influence came from the harmonic style of hymns of the church, which black slaves had learned and incorporated into their own music as spirituals . The origins of
20066-478: The period of history when they were created and the social class in which they developed. Some examples of the Folk Genre can be seen in the folk music of England and Turkish folk music . English folk music has developed since the medieval period and has been transmitted from that time until today. Similarly, Turkish folk music relates to all the civilizations that once passed thorough Turkey, thereby being
20224-494: The plight of the Jewish American and vice versa. As disenfranchised minorities themselves, Jewish composers of popular music saw themselves as natural allies with African Americans. The Jazz Singer with Al Jolson is one example of how Jewish Americans were able to bring jazz, music that African Americans developed, into popular culture. Benny Goodman was a vital Jewish American to the progression of Jazz. Goodman
20382-489: The point: "The singular style of rhythm & blues that emerged from New Orleans in the years after World War II played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet generally unacknowledged transition from triplet or shuffle feel to even or straight eighth notes." James Brown credited Little Richard 's 1950s R&B road band, The Upsetters from New Orleans, as "the first to put
20540-459: The post-Civil War period (after 1865), African Americans were able to obtain surplus military bass drums, snare drums and fifes, and an original African-American drum and fife music emerged, featuring tresillo and related syncopated rhythmic figures. This was a drumming tradition that was distinct from its Caribbean counterparts, expressing a uniquely African-American sensibility. "The snare and bass drummers played syncopated cross-rhythms ," observed
20698-676: The pre-jazz era and contributed to the codification of jazz through the publication of some of the first jazz sheet music. The music of New Orleans , Louisiana had a profound effect on the creation of early jazz. In New Orleans, slaves could practice elements of their culture such as voodoo and playing drums. Many early jazz musicians played in the bars and brothels of the red-light district around Basin Street called Storyville . In addition to dance bands, there were marching bands which played at lavish funerals (later called jazz funerals ). The instruments used by marching bands and dance bands became
20856-446: The revival of blues at early 60s), funk "created space for further rhythmic subdivision, so a bar of 4/4 could now accommodate possible 16 note placements." Specifically, by having the guitar and drums play in "motoring" sixteenth-note rhythms, it created the opportunity for the other instruments to play "more syncopated, broken-up style", which facilitated a move to more "liberated" basslines. Together, these "interlocking parts" created
21014-410: The rhythm and bassline. In Ohio and elsewhere in the mid-west the major influence was ragtime, until about 1919. Around 1912, when the four-string banjo and saxophone came in, musicians began to improvise the melody line, but the harmony and rhythm remained unchanged. A contemporary account states that blues could only be heard in jazz in the gut-bucket cabarets, which were generally looked down upon by
21172-444: The rhythm section musicians may embellish this chord by moving it up or down a semitone or a tone to create chromatic passing chords. For example, the verse section of " Play That Funky Music " (by Wild Cherry ) mainly uses an E ninth chord, but it also uses F#9 and F9. The chords used in funk songs typically imply a Dorian or Mixolydian mode , as opposed to the major or natural minor tonalities of most popular music. Melodic content
21330-503: The rhythmic practices [of the Crescent City]. Most important of these were James Brown and the drummers and arrangers he employed. Brown's early repertoire had used mostly shuffle rhythms, and some of his most successful songs were 12/8 ballads (e.g. "Please, Please, Please" (1956), "Bewildered" (1961), "I Don't Mind" (1961)). Brown's change to a funkier brand of soul required 4/4 metre and a different style of drumming." Stewart makes
21488-470: The same as a standard horn trio, but with an extra trumpet, sax, or (less frequently) trombone player. Quintets would either be a trio of saxes (typically alto/tenor/baritone, or tenor/tenor/baritone) with a trumpet and a trombone, or a pair each of trumpets and saxes with one trombone. With six instruments, the horn section would usually be two trumpets, three saxes, and a trombone. Notable songs with funk horn sections include: In bands or shows where hiring
21646-435: The same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths. Some examples of chords used in funk are minor eleventh chords (e.g., F minor 11th); dominant seventh with added sharp ninth and a suspended fourth (e.g., C7 (#9) sus 4); dominant ninth chords (e.g., F9); and minor sixth chords (e.g., C minor 6). The six-ninth chord
21804-582: The same way as African time lines." In the late 1940s this changed somewhat when the two-celled time line structure was brought into New Orleans blues . New Orleans musicians were especially receptive to Afro-Cuban influences precisely at the time when R&B was first forming. Dave Bartholomew and Professor Longhair (Henry Roeland Byrd) incorporated Afro-Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day" (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949). Robert Palmer reports that, in
21962-646: The shift in Brown's signature music style, starting with his 1964 hit single, " Out of Sight " and his 1965 hits, " Papa's Got a Brand New Bag " and " I Got You (I Feel Good) ". Music genre Music can be divided into genres in numerous ways, sometimes broadly and with polarity, such as for popular music , as opposed to art music or folk music ; or, as another example, religious music and secular music . The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. As genres evolve, sometimes new music
22120-626: The standard forms of music notation that evolved in Europe, beginning well before the Renaissance and reaching its maturity in the Romantic period. The identity of a "work" or "piece" of art music is usually defined by the notated version rather than by a particular performance and is primarily associated with the composer rather than the performer (though composers may leave performers with some opportunity for interpretation or improvisation). This
22278-443: The studio recording stage, which might only be based on the skeleton framework for each song. Funk uses "collective improvisation", in which musicians at rehearsals would have what was metaphorically a musical "conversation", an approach which extended to the onstage performances. Funk creates an intense groove by using strong guitar riffs and basslines played on electric bass . Like Motown recordings, funk songs use basslines as
22436-586: The three dimensions of "arousal", "valence", and "depth". Arousal reflects physiological processes such as stimulation and relaxation (intense, forceful, abrasive, thrilling vs. gentle, calming, mellow), valence reflects emotion and mood processes (fun, happy, lively, enthusiastic, joyful vs. depressing, sad), and depth reflects cognitive processes (intelligent, sophisticated, inspiring, complex, poetic, deep, emotional, thoughtful vs. party music, danceable). These help explain why many people like similar songs from different traditionally segregated genres. Starting from
22594-483: The tone of their instrument, such as "envelope filters" (an auto-wah effect that creates a "gooey, slurpy, quacky, and syrupy" sound) and imitate keyboard synthesizer bass tones (e.g., the Mutron envelope filter) and overdriven fuzz bass effects, which are used to create the "classic fuzz tone that sounds like old school Funk records". Other effects that are used include the flanger and bass chorus . Collins also used
22752-543: The tone of which was shaped by a Maestro FZ-1 Fuzz-Tone pedal. Hazel, along with guitarist Ernie Isley of the Isley Brothers , was influenced by Jimi Hendrix 's improvised, wah-wah infused solos. Ernie Isley was tutored at an early age by Hendrix, when Hendrix was a part of the Isley Brothers backing band and temporarily lived in the Isleys' household. Funk guitarists use the wah-wah sound effect along with muting
22910-451: The traditional music is a very broad category and can include several genres, it is widely accepted that traditional music encompasses folk music. According to the ICTM (International Council for Traditional Music), traditional music are songs and tunes that have been performed over a long period of time (usually several generations) . The folk music genre is classified as the music that
23068-500: The twice-daily ferry between both cities to perform, and the habanera quickly took root in the musically fertile Crescent City. John Storm Roberts states that the musical genre habanera "reached the U.S. twenty years before the first rag was published." For the more than quarter-century in which the cakewalk , ragtime , and proto-jazz were forming and developing, the habanera was a consistent part of African-American popular music. Habaneras were widely available as sheet music and were
23226-575: The use of tresillo-based rhythms in African-American music. New Orleans native Louis Moreau Gottschalk 's piano piece "Ojos Criollos (Danse Cubaine)" (1860) was influenced by the composer's studies in Cuba: the habanera rhythm is clearly heard in the left hand. In Gottschalk's symphonic work "A Night in the Tropics" (1859), the tresillo variant cinquillo appears extensively. The figure was later used by Scott Joplin and other ragtime composers. Comparing
23384-457: The visual rationality or the bodily sensitivity and embodied cognition. The theory developed by Caporaletti, named Audiotactile Music Theory, categorises music in three different branches: 1) written music, like the so-called classical music, that is created using the visual matrix; 2) oral music (like folk music or ethnic music before the advent of sound recording technologies); 3) Audiotactile music, which are process of production and transmission
23542-462: The world. It emphasizes formal styles that invite technical and detailed deconstruction and criticism, and demand focused attention from the listener. In Western practice, art music is considered primarily a written musical tradition, preserved in some form of music notation rather than being transmitted orally, by rote, or in recordings, as popular and traditional music usually are. Historically, most western art music has been written down using
23700-498: The writer Robert Palmer, speculating that "this tradition must have dated back to the latter half of the nineteenth century, and it could have not have developed in the first place if there hadn't been a reservoir of polyrhythmic sophistication in the culture it nurtured." African-American music began incorporating Afro-Cuban rhythmic motifs in the 19th century when the habanera (Cuban contradanza ) gained international popularity. Musicians from Havana and New Orleans would take
23858-500: The year's crop was harvested and several days were set aside for celebration. As late as 1861, a traveler in North Carolina saw dancers dressed in costumes that included horned headdresses and cow tails and heard music provided by a sheepskin-covered "gumbo box", apparently a frame drum; triangles and jawbones furnished the auxiliary percussion. There are quite a few [accounts] from the southeastern states and Louisiana dating from
24016-495: Was derived by mixing these modes with the blues scale . In the 1970s, jazz music drew upon funk to create a new subgenre of jazz-funk , which can be heard in recordings by Miles Davis ( Live-Evil , On the Corner ), and Herbie Hancock ( Head Hunters ). Funk continues the African musical tradition of improvisation , in that in a funk band, the group would typically "feel" when to change, by "jamming" and "grooving", even in
24174-497: Was documented as early as 1915 in the Chicago Daily Tribune . Its first documented use in a musical context in New Orleans was in a November 14, 1916, Times-Picayune article about "jas bands". In an interview with National Public Radio , musician Eubie Blake offered his recollections of the slang connotations of the term, saying: "When Broadway picked it up, they called it 'J-A-Z-Z'. It wasn't called that. It
24332-845: Was formed through a mixture of various music genres that were popular among African Americans in the mid-20th century. Musicologist Anne Danielsen wrote that funk might be placed in the lineage of rhythm and blues, jazz, and soul. Sociologist Darby E. Southgate wrote that funk is "an amalgam of gospel, soul, jazz fusion, rhythm and blues, and black rock." The distinctive characteristics of African-American musical expression are rooted in sub-Saharan African music traditions , and find their earliest expression in spirituals, work chants/songs, praise shouts, gospel, blues, and "body rhythms" ( hambone , patting juba , and ring shout clapping and stomping patterns). Like other styles of African-American musical expression including jazz, soul music and R&B, funk music accompanied many protest movements during and after
24490-588: Was honored by Zimbabwe's 1980 Independence celebration due to his music giving inspirations to freedom fighters. The music genre of reggae is known to incorporate stylistic techniques from rhythm and blues , jazz , African, Caribbean, and other genres as well but what makes reggae unique are the vocals and lyrics. The vocals tend to be sung in Jamaican Patois , Jamaican English , and Iyaric dialects. The lyrics of reggae music usually tend to raise political awareness and on cultural perspectives. Rock music
24648-433: Was major ... , and I carried this device into my melody as well. The publication of his " Memphis Blues " sheet music in 1912 introduced the 12-bar blues to the world (although Gunther Schuller argues that it is not really a blues, but "more like a cakewalk"). This composition, as well as his later " St. Louis Blues " and others, included the habanera rhythm, and would become jazz standards . Handy's music career began in
24806-651: Was spelled 'J-A-S-S'. That was dirty, and if you knew what it was, you wouldn't say it in front of ladies." The American Dialect Society named it the Word of the 20th Century . Jazz is difficult to define because it encompasses a wide range of music spanning a period of over 100 years, from ragtime to rock -infused fusion . Attempts have been made to define jazz from the perspective of other musical traditions, such as European music history or African music. But critic Joachim-Ernst Berendt argues that its terms of reference and its definition should be broader, defining jazz as
24964-536: Was the leader of a racially integrated band named King of Swing. His jazz concert in the Carnegie Hall in 1938 was the first ever to be played there. The concert was described by Bruce Eder as "the single most important jazz or popular music concert in history". Shep Fields also helped to popularize "Sweet" Jazz music through his appearances and Big band remote broadcasts from such landmark venues as Chicago's Palmer House , Broadway's Paramount Theater and
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