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125-482: One interpretation of the word "Kachemak" is "Smokey Bay" which supposedly is from an Alutiiq word describing the smoldering coal seams that used to fill the bay with smoke. Kachemak Bay is home to Alaska's only state wilderness park, Kachemak Bay State Park . Kachemak Bay State park was the first state park in Alaska. There is no road access to most of the park; visitors must arrive by airplane or boat. Kachemak Bay

250-551: A Calvinist society, and the decline of religious painting in the 18th and 19th centuries all over Europe combined with Romanticism to give landscapes a much greater and more prestigious place in 19th-century art than they had assumed before. In England, landscapes had initially been mostly backgrounds to portraits, typically suggesting the parks or estates of a landowner, though mostly painted in London by an artist who had never visited his sitter's rolling acres. The English tradition

375-652: A triptych by Gerard David , dated to "about 1510–15", are the earliest from the Low Countries , and possibly in Europe. At the same time Joachim Patinir in the Netherlands developed the " world landscape " a style of panoramic landscape with small figures and using a high aerial viewpoint, that remained influential for a century, being used and perfected by Pieter Brueghel the Elder . The Italian development of

500-598: A "primeval character", meaning that it had not suffered from human habitation or development, the Eastern Wilderness Act of 1975 extended the protection of the NWPS to areas in the eastern states that were not initially considered for inclusion in the Wilderness Act. This act allowed lands that did not meet the constraints of size, roadlessness, or human impact to be designated as wilderness areas under

625-557: A background of dense trees in the Palace of the Popes, Avignon are probably a unique survival of what was a common subject. Several frescos of gardens have survived from Roman houses like the Villa of Livia . During the 14th century Giotto di Bondone and his followers began to acknowledge nature in their work, increasingly introducing elements of the landscape as the background setting for

750-544: A competition. These were closer to Chinese shan shui, but still fully coloured. Many more pure landscape subjects survive from the 15th century onwards; several key artists are Zen Buddhist clergy, and worked in a monochrome style with greater emphasis on brush strokes in the Chinese manner. Some schools adopted a less refined style, with smaller views giving greater emphasis to the foreground. A type of image that had an enduring appeal for Japanese artists, and came to be called

875-480: A dangerous place and as a moral counter-world to the realm of culture and godly life. "While archaic nature religions oriented themselves towards nature, in medieval Christendom this orientation was replaced by one towards divine law. The divine was no longer to be found in nature; instead, uncultivated nature became a site of the sinister and the demonic. It was considered corrupted by the Fall ( natura lapsa ), becoming

1000-521: A desire to protect wilderness. Nevertheless, in order to have animals to hunt they would have to protect wildlife from subsistence hunting and the land from villagers gathering firewood. Similar measures were introduced in other European countries. However, in European cultures, throughout the Middle Ages, wilderness generally was not regarded worth protecting but rather judged strongly negative as

1125-487: A factor in the popularity of Dutch 17th-century landscape painting and in the 19th century, as other nations attempted to develop distinctive national schools of painting, the attempt to express the special nature of the landscape of the homeland became a general tendency. In Russia, as in America, the gigantic size of paintings was itself a nationalist statement. In Poland the main representatives of landscape painting, in

1250-496: A gold sky populated not only by God and angels, but also a flying bird. A coastal scene in the Turin-Milan Hours has a sky overcast with carefully observed clouds. In woodcuts a large blank space can cause the paper to sag during printing, so Dürer and other artists often include clouds or squiggles representing birds to avoid this. The monochrome Chinese tradition has used ink on silk or paper since its inception, with

1375-476: A greater emphasis (with a great deal of Romantic exaggeration) on the raw, even terrifying power of nature. Frederic Edwin Church , a student of Cole, synthesized the ideas of his contemporaries with those of European Old Masters and the writings of John Ruskin and Alexander von Humboldt to become the foremost American landscape painter of the century. The best examples of Canadian landscape art can be found in

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1500-472: A highly sophisticated aesthetic much earlier than those in the West; the karensansui or Japanese dry garden of Zen Buddhism takes the garden even closer to being a work of sculpture, representing a highly abstracted landscape. Japanese art initially adapted Chinese styles to reflect their interest in narrative themes in art, with scenes set in landscapes mixing with those showing palace or city scenes using

1625-528: A large number of amateur painters, many following the popular systems found in the books of Alexander Cozens and others. By the beginning of the 19th century the English artists with the highest modern reputations were mostly dedicated landscape painters, showing the wide range of Romantic interpretations of the English landscape found in the works of John Constable , J. M. W. Turner and Samuel Palmer . However all these had difficulty establishing themselves in

1750-660: A low position in the accepted hierarchy of genres , in East Asia the classic Chinese mountain-water ink painting was traditionally the most prestigious form of visual art. Aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. In the West this was history painting , but in East Asia it was the imaginary landscape, where famous practitioners were, at least in theory, amateur literati , including several emperors of both China and Japan. They were often also poets whose lines and images illustrated each other. However, in

1875-552: A natural expression and development. These can be set up in preserves, conservation preserves, national forests, national parks and even in urban areas along rivers, gulches or otherwise undeveloped areas. Often these areas are considered important for the survival of certain species , biodiversity , ecological studies, conservation , solitude and recreation . They may also preserve historic genetic traits and provide habitat for wild flora and fauna that may be difficult to recreate in zoos , arboretums or laboratories . From

2000-536: A particular commission such as Cornelis de Man 's view of Smeerenburg in 1639. Compositional formulae using elements like the repoussoir were evolved which remain influential in modern photography and painting, notably by Poussin and Claude Lorrain , both French artists living in 17th century Rome and painting largely classical subject-matter, or Biblical scenes set in the same landscapes. Unlike their Dutch contemporaries, Italian and French landscape artists still most often wanted to keep their classification within

2125-713: A pinnacle in the US with the passage of the Wilderness Act of 1964, which allowed for parts of U.S. National Forests to be designated as "wilderness preserves". Similar acts, such as the 1975 Eastern Wilderness Areas Act , followed. Nevertheless, initiatives for wilderness conservation continue to increase. There are a growing number of projects to protect tropical rainforests through conservation initiatives. There are also large-scale projects to conserve wilderness regions, such as Canada's Boreal Forest Conservation Framework . The Framework calls for conservation of 50 percent of

2250-496: A poet; mostly only copies of his works survive. From the 10th century onwards an increasing number of original paintings survive, and the best works of the Song dynasty (960–1279) Southern School remain among the most highly regarded in what has been an uninterrupted tradition to the present day. Chinese convention valued the paintings of the amateur scholar-gentleman , often a poet as well, over those produced by professionals, though

2375-633: A strong sense of place, but the emphasis is on individual plant forms and human and animal figures rather than the overall landscape setting. The frescos from the Tomb of Nebamun , now in the British Museum (c. 1350 BC), are a famous example. For a coherent depiction of a whole landscape, some rough system of perspective, or scaling for distance, is needed, and this seems from literary evidence to have first been developed in Ancient Greece in

2500-802: A thorough system of graphical perspective was now known all over Europe, which allowed large and complex views to be painted very effectively. Landscapes were idealized, mostly reflecting a pastoral ideal drawn from classical poetry which was first fully expressed by Giorgione and the young Titian , and remained associated above all with hilly wooded Italian landscape, which was depicted by artists from Northern Europe who had never visited Italy, just as plain-dwelling literati in China and Japan painted vertiginous mountains. Though often young artists were encouraged to visit Italy to experience Italian light , many Northern European artists could make their living selling Italianate landscapes without ever bothering to make

2625-542: A thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism . Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, it

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2750-678: A vale of tears in which humans were doomed to live out their existence. Thus, for example, mountains were interpreted [e.g, by Thomas Burnet ] as ruins of a once flat earth destroyed by the Flood , with the seas as the remains of that Flood." "If paradise was early man's greatest good, wilderness, as its antipode, was his greatest evil." Wilderness was viewed by colonists as being evil in its resistance to their control. The puritanical view of wilderness meant that in order for colonists to be able to live in North America, they had to destroy

2875-560: A visual arts perspective, nature and wildness have been important subjects in various epochs of world history. An early tradition of landscape art occurred in the Tang Dynasty (618–907). The tradition of representing nature as it is became one of the aims of Chinese painting and was a significant influence in Asian art. Artists in the tradition of Shan shui (lit. mountain-water-picture ), learned to depict mountains and rivers "from

3000-530: A wide view—with its elements arranged into a coherent composition . In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art , going back well over

3125-482: Is a long tradition of the appreciation of " viewing stones" – naturally formed boulders, typically limestone from the banks of mountain rivers that has been eroded into fantastic shapes, were transported to the courtyards and gardens of the literati. Probably associated with these is the tradition of carving much smaller boulders of jade or some other semi-precious stone into the shape of a mountain, including tiny figures of monks or sages. Chinese gardens also developed

3250-427: Is a normal and enduring part of our spiritual activity" In Clark's analysis, underlying European ways to convert the complexity of landscape to an idea were four fundamental approaches: the acceptance of descriptive symbols, a curiosity about the facts of nature, the creation of fantasy to allay deep-rooted fears of nature, and the belief in a Golden Age of harmony and order, which might be retrieved. The 18th century

3375-615: Is also home to the Kachemak Bay National Estuarine Research Reserve , the largest reserve in the National Estuarine Research Reserve System . It is a very active site of research and education. The bay hosts a remarkably high level of biological activity , due in part to water circulation patterns which keep shellfish larvae and nutrients in the bay. While surface waters push nutrients out into

3500-663: Is an important part of wilderness designation because it created the legal definition of wilderness and established the National Wilderness Preservation System. The Wilderness Act defines wilderness as "an area where the earth and its community of life are untrammelled by man, where man himself is a visitor who does not remain." Wilderness designation helps preserve the natural state of the land and protects flora and fauna by prohibiting development and providing for non-mechanized recreation only. The first administratively protected wilderness area in

3625-428: Is being placed on marine wilderness . Recent maps of wilderness suggest it covers roughly one-quarter of Earth's terrestrial surface, but is being rapidly degraded by human activity. Even less wilderness remains in the ocean , with only 13.2% free from intense human activity. Some governments establish protection for wilderness areas by law to not only preserve what already exists , but also to promote and advance

3750-449: Is called a topographical view . Such views, extremely common as prints in the West, are often seen as inferior to fine art landscapes, although the distinction is not always meaningful; similar prejudices existed in Chinese art, where literati painting usually depicted imaginary views, while professional artists painted real views. The word "landscape" entered the modern English language as landskip (variously spelt), an anglicization of

3875-556: Is designated as wilderness. As of 2023 there are 806 designated wilderness areas in the United States ranging in size from Florida's Pelican Island at 5 acres (20,000 m ) to Alaska's Wrangell-Saint Elias at 9,078,675 acres (36,740.09 km ). In Western Australia, a wilderness area is an area that has a wilderness quality rating of 12 or greater and meets a minimum size threshold of 80 km in temperate areas or 200 km in arid and tropical areas. A wilderness area

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4000-482: Is fairly close to the viewer, and there are few distant views. Normally all landscape images show narrative scenes with figures, but there are a few drawn pure landscape scenes in albums. Hindu painting had long set scenes amid lush vegetation, as many of the stories depicted demanded. Mughal painting combined this and the Persian style, and in miniatures of royal hunts often depicted wide landscapes. Scenes set during

4125-593: Is gazetted under section 62(1)(a) of the Conservation and Land Management Act 1984 by the Minister on any land that is vested in the Conservation Commission of Western Australia. Landscape art Landscape painting , also known as landscape art , is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests , especially where the main subject is

4250-520: Is now understood that simply drawing lines around a piece of land and declaring it a wilderness does not necessarily make it a wilderness. All landscapes are intricately connected and what happens outside a wilderness certainly affects what happens inside it. For example, air pollution from Los Angeles and the California Central Valley affects Kern Canyon and Sequoia National Park . The national park has miles of "wilderness" but

4375-409: Is preferred, which is shown full of animals and plants which are carefully and individually depicted, as are rock formations. The particular convention of the elevated viewpoint that developed in the tradition fills most of the vertical format picture spaces with the landscape, though clouds are also typically shown in the sky, shown in a curling convention drawn from Chinese art. Usually, everything seen

4500-429: Is typically at least 5,000 acres (about 8 mi or 20 km ) in size. Human activities in wilderness areas are restricted to scientific study and non-mechanized recreation; horses are permitted but mechanized vehicles and equipment, such as cars and bicycles, are not. The United States was one of the first countries to officially designate land as "wilderness" through the Wilderness Act of 1964. The Wilderness Act

4625-404: Is untrue due to the existence of Native Americans. The land was shaped by Native Americans through practices such as fires. Burning happened frequently and in a controlled manner. The landscapes seen in the US today are very different from the way things looked before colonists came. Fire could be used to maintain food, cords, and baskets. One of the main roles of frequent fires was to prevent

4750-421: Is −6.4 ft (−2.0 m) from MLLW and occurred on April 27, 2002. Wilderness Wilderness or wildlands (usually in the plural ) are Earth's natural environments that have not been significantly modified by human activity , or any nonurbanized land not under extensive agricultural cultivation. The term has traditionally referred to terrestrial environments, though growing attention

4875-863: The Barbizon school , the French Waters and Forests Military Agency set an "artistic reserve" in Fontainebleau State Forest . With a total of 1,097 hectares, it is thought to be the first nature reserve in the world. Global conservation became an issue at the time of the dissolution of the British Empire in Africa in the late 1940s. The British established great wildlife preserves there. As before, this interest in conservation had an economic motive: in this case, big game hunting . Nevertheless, this led to growing recognition in

5000-563: The Dutch landschap , around the start of the 17th century, purely as a term for works of art, with its first use as a word for a painting in 1598. Within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However, the cognate term landscaef or landskipe for a cleared patch of land had existed in Old English , though it is not recorded from Middle English . The earliest forms of art around

5125-480: The Han dynasty onwards, with surviving examples mostly in stone or clay reliefs from tombs, which are presumed to follow the prevailing styles in painting, no doubt without capturing the full effect of the original paintings. The exact status of the later copies of reputed works by famous painters (many of whom are recorded in literature) before the 10th century is unclear. One example is a famous 8th-century painting from

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5250-463: The Hellenistic period, although no large-scale examples survive. More ancient Roman landscapes survive, from the 1st century BCE onwards, especially frescos of landscapes decorating rooms that have been preserved at archaeological sites of Pompeii , Herculaneum and elsewhere, and mosaics . The Chinese ink painting tradition of shan shui ("mountain-water"), or "pure" landscape, in which

5375-671: The Labours of the Months such as those in the Très Riches Heures du Duc de Berry , which conventionally showed small genre figures in increasingly large landscape settings. A particular advance is shown in the less well-known Turin-Milan Hours , now largely destroyed by fire, whose developments were reflected in Early Netherlandish painting for the rest of the century. The artist known as "Hand G", probably one of

5500-579: The Le Môle peak in The Miraculous Draught of Fishes by Konrad Witz (1444) is often cited as the first Western rural landscape to show a specific scene. The landscape studies by Dürer clearly represent actual scenes, which can be identified in many cases, and were at least partly made on the spot; the drawings by Fra Bartolomeo also seem clearly sketched from nature. Dürer's finished works seem generally to use invented landscapes, although

5625-639: The National Parks Act 1980 and the Conservation Act 1987 that fall well within the IUCN definition. Wilderness areas cannot have any human intervention and can only have indigenous species re-introduced into the area if it is compatible with conservation management strategies. In New Zealand wilderness areas are remote blocks of land that have high natural character. The Conservation Act 1987 prevents any access by vehicles and livestock,

5750-557: The Utrecht Psalter ; the last reworking of this source, in an early Gothic version, reduces the previously extensive landscapes to a few trees filling gaps in the composition, with no sense of overall space. A revival in interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Conclusus or those in millefleur tapestries. The frescos of figures at work or play in front of

5875-541: The Van Eyck brothers, was especially successful in reproducing effects of light and in a natural-seeming progression from the foreground to the distant view. This was something other artists were to find difficult for a century or more, often solving the problem by showing a landscape background from over the top of a parapet or window-sill, as if from a considerable height. Landscape backgrounds for various types of painting became increasingly prominent and skillful during

6000-583: The conservation movement in the United States , partly through the efforts of writers and activists such as John Burroughs , Aldo Leopold , and John Muir , and politicians such as U.S. President Teddy Roosevelt . The idea of protecting nature for nature's sake began to gain more recognition in the 1930s with American writers like Aldo Leopold , calling for a "land ethic" and urging wilderness protection. It had become increasingly clear that wild spaces were disappearing rapidly and that decisive action

6125-461: The hierarchy of genres as history painting by including small figures to represent a scene from classical mythology or the Bible. Salvator Rosa gave picturesque excitement to his landscapes by showing wilder Southern Italian country, often populated by banditi . Dutch Golden Age painting of the 17th century saw the dramatic growth of landscape painting, in which many artists specialized, and

6250-401: The monsoon rains, with dark clouds and flashes of lightning, are popular. Later, influence from European prints is evident. Most early landscapes are clearly imaginary, although from very early on townscape views are clearly intended to represent actual cities, with varying degrees of accuracy. Various techniques were used to simulate the randomness of natural forms in invented compositions:

6375-534: The "Japanese style", is in fact first found in China. This combines one or more large birds, animals or trees in the foreground, typically to one side in a horizontal composition, with a wider landscape beyond, often only covering portions of the background. Later versions of this style often dispensed with a landscape background altogether. The ukiyo-e style that developed from the 16th century onwards, first in painting and then in coloured woodblock prints that were cheap and widely available, initially concentrated on

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6500-427: The "armies of amateurs" who also painted. Leading artists included John Robert Cozens , Francis Towne , Thomas Girtin , Michael Angelo Rooker , William Pars , Thomas Hearne , and John Warwick Smith , all in the late 18th century, and John Glover , Joseph Mallord William Turner , John Varley , John Sell Cotman , Anthony Copley Fielding , Samuel Palmer in the early 19th. The Romantic movement intensified

6625-476: The 15th century. The period around the end of the 15th century saw pure landscape drawings and watercolours from Leonardo da Vinci , Albrecht Dürer , Fra Bartolomeo and others, but pure landscape subjects in painting and printmaking , still small, were first produced by Albrecht Altdorfer and others of the German Danube School in the early 16th century. However, the outsides of the wings of

6750-549: The 1830s Jean-Baptiste-Camille Corot and other painters in the Barbizon School established a French landscape tradition that would become the most influential in Europe for a century, with the Impressionists and Post-Impressionists for the first time making landscape painting the main source of general stylistic innovation across all types of painting. The nationalism of the new United Provinces had been

6875-401: The 1870s, followed by the portable "box easel ", that painting en plein air became widely practiced. A curtain of mountains at the back of the landscape is standard in wide Roman views and even more so in Chinese landscapes. Relatively little space is given to the sky in early works in either tradition; the Chinese often used mist or clouds between mountains, and also sometimes show clouds in

7000-547: The 1910 Glacier National Park act made void those rights. The act of 'preserving' the land was specifically linked to the exclusion of the Blackfeet people. The continued resistance of the Blackfeet people has provided documentation of the importance of the area to many different tribes. The world's second national park, the Royal National Park , located just 32 km to the south of Sydney , Australia ,

7125-491: The 1950s and the early 1960s of the need to protect large spaces for wildlife conservation worldwide. The World Wildlife Fund (WWF), founded in 1961, grew to be one of the largest conservation organizations in the world. Early conservationists advocated the creation of a legal mechanism by which boundaries could be set on human activities in order to preserve natural and unique lands for the enjoyment and use of future generations. This profound shift in wilderness thought reached

7250-625: The 20th century, but was often classed as a lower form of art than an imagined landscape. Landscapes in watercolour on paper became a distinct specialism, above all in England, where a particular tradition of talented artists who only, or almost entirely, painted landscape watercolours developed, as it did not in other countries. These were very often real views, though sometimes the compositions were adjusted for artistic effect. The paintings sold relatively cheaply, but were far quicker to produce. These professionals could augment their income by training

7375-701: The 6,000,000 square kilometres of boreal forest in Canada's north. In addition to the World Wildlife Fund, organizations such as the Wildlife Conservation Society , the WILD Foundation , The Nature Conservancy , Conservation International , The Wilderness Society (United States) and many others are active in such conservation efforts. The 21st century has seen another slight shift in wilderness thought and theory. It

7500-722: The Babylonian Empire and Chinese Empire. Ashoka , the Great Mauryan King, defined the first laws in the world to protect flora and fauna in Edicts of Ashoka around the 3rd century B.C. In the Middle Ages , the Kings of England initiated one of the world's first conscious efforts to protect natural areas. They were motivated by a desire to be able to hunt wild animals in private hunting preserves rather than

7625-1486: The Forest Service, and preservationists the Park Service The World Conservation Union (IUCN) classifies wilderness at two levels, 1a ( strict nature reserves ) and 1b (Wilderness areas). There have been recent calls for the World Heritage Convention to better protect wilderness and to include the word wilderness in their selection criteria for Natural Heritage Sites Forty-eight countries have wilderness areas established via legislative designation as IUCN protected area management Category 1b sites that do not overlap with any other IUCN designation. They are: Australia, Austria, Bahamas, Bangladesh, Bermuda, Bosnia and Herzegovina, Botswana, Canada, Cayman Islands, Costa Rica, Croatia, Cuba, Czech Republic, Democratic Republic of Congo, Denmark, Dominican Republic, Equatorial Guinea, Estonia, Finland, French Guiana, Greenland, Iceland, India, Indonesia, Japan, Latvia, Liechtenstein, Luxembourg, Malta, Marshall Islands, Mexico, Mongolia, Nepal, New Zealand, Norway, Northern Mariana Islands, Portugal, Seychelles, Serbia, Singapore, Slovakia, Slovenia, Spain, Sri Lanka, Sweden, Tanzania, United States of America, and Zimbabwe. At publication, there are 2,992 marine and terrestrial wilderness areas registered with

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7750-530: The German approach were applied in other parts of the world, but with varying degrees of success. Over the course of the 19th century wilderness became viewed not as a place to fear but a place to enjoy and protect; hence came the conservation movement in the latter half of the 19th century. Rivers were rafted and mountains were climbed solely for the sake of recreation, not to determine their geographical context. In 1861, following an intense lobbying by artists of

7875-536: The Grand Canyon, and Yosemite, the 'preservation' of these lands by the US government was what caused the Native Americans who lived in the areas to be systematically removed. Historian Mark David Spence has shown that the case of Glacier National Park and the Blackfeet people who live there is a perfect example of such erasure. The Blackfeet people had specifically designated rights to the area, but

8000-568: The IUCN as solely Category 1b sites. Twenty-two other countries have wilderness areas. These wilderness areas are established via administrative designation or wilderness zones within protected areas. Whereas the above listing contains countries with wilderness exclusively designated as Category 1b sites, some of the below-listed countries contain protected areas with multiple management categories including Category 1b. They are: Argentina, Bhutan, Brazil, Chile, Honduras, Germany, Italy, Kenya, Malaysia, Namibia, Nepal, Pakistan, Panama, Peru, Philippines,

8125-554: The Imperial collection, titled The Emperor Ming Huang traveling in Shu . This shows the entourage riding through vertiginous mountains of the type typical of later paintings, but is in full colour "producing an overall pattern that is almost Persian", in what was evidently a popular and fashionable court style. The decisive shift to a monochrome landscape style, almost devoid of figures, is attributed to Wang Wei (699–759), also famous as

8250-639: The Low Countries either continued with the world landscape or followed the new mode presented by the Small Landscapes. The popularity of exotic landscape scenes can be seen in the success of the painter Frans Post , who spent the rest of his life painting Brazilian landscapes after a trip there in 1636–1644. Other painters who never crossed the Alps could make money selling Rhineland landscapes, and still others for constructing fantasy scenes for

8375-720: The Russian Federation, South Africa, Switzerland, Uganda, Ukraine, the United Kingdom of Great Britain and Northern Ireland, Venezuela, and Zambia. The German National Strategy on Biological Diversity aims to establish wilderness areas on 2% of its terrestrial territory by 2020 (7,140 km ). However, protected wilderness areas in Germany currently only cover 0.6% of the total terrestrial area. In absence of pristine landscapes, Germany counts national parks (IUCN Category II) as wilderness areas. The government counts

8500-407: The United States (see below). The first National Park was Yellowstone , which was signed into law by U.S. President Ulysses S. Grant on 1 March 1872. The Act of Dedication declared Yellowstone a land "hereby reserved and withdrawn from settlement, occupancy, or sale under the laws of the United States, and dedicated and set apart as a public park or pleasuring ground for the benefit and enjoyment of

8625-604: The United States was the Gila National Forest. In 1922, Aldo Leopold , then a ranking member of the U.S. Forest Service, proposed a new management strategy for the Gila National Forest. His proposal was adopted in 1924, and 750,000 acres of the Gila National Forest became the Gila Wilderness . The Great Swamp in New Jersey was the first formally designated wilderness refuge in the United States. It

8750-509: The West, history painting came to require an extensive landscape background where appropriate, so the theory did not entirely work against the development of landscape painting – for several centuries landscapes were regularly promoted to the status of history painting by the addition of small figures to make a narrative scene, typically religious or mythological. In early Western medieval art interest in landscape disappears almost entirely, kept alive only in copies of Late Antique works such as

8875-696: The action of the figures in their paintings. Early in the 15th century, landscape painting was established as a genre in Europe, as a setting for human activity, often expressed in a religious subject, such as the themes of the Rest on the Flight into Egypt , the Journey of the Magi , or Saint Jerome in the Desert . Luxury illuminated manuscripts were very important in the early development of landscape, especially series of

9000-717: The air is filled with pollution from the valley. This gives rise to the paradox of what a wilderness really is; a key issue in 21st century wilderness thought. The creation of national parks , beginning in the 19th century, preserved some especially attractive and notable areas, but the pursuits of commerce , lifestyle , and recreation combined with increases in human population have continued to result in human modification of relatively untouched areas. Such human activity often negatively impacts native flora and fauna. As such, to better protect critical habitats and preserve low-impact recreational opportunities, legal concepts of "wilderness" were established in many countries, beginning with

9125-481: The areas and further the traditional livelihood of the Sami people. This means e.g. that reindeer husbandry, hunting and taking wood for use in the household is permitted. As population is very sparse, this is generally no big threat to the nature. Large scale reindeer husbandry has influence on the ecosystem, but no change is introduced by the act on wilderness areas. The World Commission on Protected Areas (WCPA) classifies

9250-582: The areas as "VI Protected area with sustainable use of natural resources". Since 1861, the French Waters and Forests Military Agency (Administration des Eaux et Forêts) put a strong protection on what was called the « artistic reserve » in Fontainebleau State Forest. With a total of 1,097 hectares, it is known to be the first World nature reserve. Then in the 1950s, Integral Biological Reserves (Réserves Biologiques Intégrales, RBI) are dedicated to man free ecosystem evolution, on

9375-523: The art of the world", and owes its special character to the Taoist (Daoist) tradition in Chinese culture. William Watson notes that "It has been said that the role of landscape art in Chinese painting corresponds to that of the nude in the west, as a theme unvarying in itself, but made the vehicle of infinite nuances of vision and feeling". There are increasingly sophisticated landscape backgrounds to figure subjects showing hunting, farming or animals from

9500-497: The bay, ocean currents push them back into the bay, creating a very fertile environment. Both fish and shellfish are abundant in the bay, year-round. Waterfowl and shorebirds occupy the bay during all but the winter season, while waterbirds and marine mammals including otters , seals , porpoise , and whales remain in the bay all year. The bay provides winter homes for 90% of the seabird and waterfowl populations of Lower Cook Inlet. Land mammals are frequently seen during

9625-481: The belief that they could be returned to a "primeval" state through preservation. Approximately 107,500,000 acres (435,000 km ) are designated as wilderness in the United States. This accounts for 4.82% of the country's total land area; however, 54% of that amount is found in Alaska (recreation and development in Alaskan wilderness is often less restrictive), while only 2.58% of the lower continental United States

9750-543: The classic artists from the distant past, from which Chinese painters tended to draw their inspiration. Painting was initially fully coloured, often brightly so, and the landscape never overwhelms the figures who are often rather oversized. The scene from the Biography of the Priest Ippen illustrated below is from a scroll that in full measures 37.8 cm × 802.0 cm, for only one of twelve scrolls illustrating

9875-584: The commercialization of some of Canada's National Parks with the building of great hotels such as the Banff Springs Hotel and Chateau Lake Louise . Despite their similar name, national parks in England and Wales are quite different from national parks in many other countries. Unlike most other countries, in England and Wales, designation as a national park may include substantial settlements and human land uses which are often integral parts of

10000-471: The construction of tracks and buildings, and all indigenous natural resources are protected. They are generally over 400 km in size. Three Wilderness Areas are currently recognised, all on the West Coast : Adams Wilderness Area, Hooker/Landsborough Wilderness Area and Paparoa Wilderness Area. In the United States, a Wilderness Area is an area of federal land set aside by an act of Congress . It

10125-402: The contemporary art market, which still preferred history paintings and portraits. In Europe, as John Ruskin said, and Sir Kenneth Clark confirmed, landscape painting was the "chief artistic creation of the nineteenth century", and "the dominant art", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape

10250-640: The contrary of Managed Biological reserves (Réserves Biologiques Dirigées, RBD) where a specific management is applied to conserve vulnerable species or threatened habitats. Integral Biological Reserves occurs in French State Forests or City Forests and are therefore managed by the National Forests Office . In such reserves, all harvests coupe are forbidden excepted exotic species elimination or track safety works to avoid fallen tree risk to visitors (already existing tracks in or on

10375-536: The convention of the Eight Views . A different style, produced by workshops of professional court artists, painted official views of Imperial tours and ceremonies, with the primary emphasis on highly detailed scenes of crowded cities and grand ceremonials from a high viewpoint. These were painted on scrolls of enormous length in bright colour (example below). Chinese sculpture also achieves the difficult feat of creating effective landscapes in three dimensions. There

10500-473: The countryside; under his teaching the "painters proliferated and took advantage of the new railway system to explore the furthest corners of the nation's topography." In the United States, the Hudson River School , prominent in the middle to late 19th century, is probably the best-known native development in landscape art. These painters created works of mammoth scale that attempted to capture

10625-579: The development of extremely subtle realist techniques for depicting light and weather. There are different styles and periods, and sub-genres of marine and animal painting, as well as a distinct style of Italianate landscape. Most Dutch landscapes were relatively small, but landscapes in Flemish Baroque painting , still usually peopled, were often very large, above all in the series of works that Peter Paul Rubens painted for his own houses. Landscape prints were also popular, with those of Rembrandt and

10750-659: The edge of the reserve). At the end of 2014, there were 60 Integral Biological Reserves in French State Forests for a total area of 111,082 hectares and 10 in City Forests for a total of 2,835 hectares. In Greece there are some parks called "ethniki drimoi" (εθνικοί δρυμοί, national forests) that are under protection of the Greek government. Such parks include Olympus , Parnassos and Parnitha National Parks. There are seven Wilderness Areas in New Zealand as defined by

10875-429: The epic scope of the landscapes that inspired them. The work of Thomas Cole , the school's generally acknowledged founder, has much in common with the philosophical ideals of European landscape paintings – a kind of secular faith in the spiritual benefits to be gained from the contemplation of natural beauty. Some of the later Hudson River School artists, such as Albert Bierstadt , created less comforting works that placed

11000-406: The example illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty. A major contrast between landscape painting in the West and East Asia has been that while in the West until the 19th century it occupied

11125-523: The existing interest in landscape art, and remote and wild landscapes, which had been one recurring element in earlier landscape art, now became more prominent. The German Caspar David Friedrich had a distinctive style, influenced by his Danish training , where a distinct national style, drawing on the Dutch 17th-century example, had developed. To this he added a quasi-mystical Romanticism. French painters were slower to develop landscape painting, but from about

11250-688: The experimental works of Hercules Seghers usually considered the finest. The Dutch tended to make smaller paintings for smaller houses. Some Dutch landscape specialties named in period inventories include the Batalje , or battle-scene; the Maneschijntje , or moonlight scene; the Bosjes , or woodland scene; the Boederijtje , or farm scene, and the Dorpje or village scene. Though not named at

11375-538: The former was Gifford Pinchot , first Chief of the United States Forest Service, and they focused on the proper use of nature, whereas the preservationists sought the protection of nature from use. Put another way, conservation sought to regulate human use while preservation sought to eliminate human impact altogether. The management of US public lands during the years 1960s and 70s reflected these dual visions, with conservationists dominating

11500-459: The government supports bargains of land that will then be designated as wilderness by 10 Mio. Euro annually. The German minimum size for wilderness candidate sites is normally 10 km . In some cases (i.e. swamps) the minimum size is 5 km . There are twelve wilderness areas in the Sami native region in northern Finnish Lapland . They are intended both to preserve the wilderness character of

11625-517: The human figure, individually and in groups. But from the late 18th century landscape ukiyo-e developed under Hokusai and Hiroshige to become much the best known type of Japanese landscape art. Though there are some landscape elements in earlier art, the landscape tradition of the Persian miniature really begins in the Ilkhanid period, largely under Chinese influence. Rocky mountainous country

11750-407: The idea that before settlers came, the US was an uninhabited landscape. This erases the reality of Native Americans, and their relationship with the land and the role they had in shaping the landscape. Such erasure suggests there were areas of the US which were historically unoccupied, once again erasing the existence of Native Americans and their relationship to the land. In the case of Yellowstone,

11875-472: The land and other living organisms into submission. The belief colonists had of the land being only something to be used was based in Christian ideas. If the earth and animals and plants were created by a Christian God for human use, then the cultivation by colonists was their God-given goal. However, the idea that what European colonists saw upon arriving in North America was pristine and devoid of humans

12000-458: The landscape, and land within a national park remains largely in private ownership. Each park is operated by its own national park authority . The United States philosophy around wilderness preservation through National Parks has been attempted in other countries. However, people living in those countries have different ideas surrounding wilderness than people in the United States, thus, the US concept of wilderness can be damaging in other areas of

12125-489: The life of a Buddhist monk; like their Western counterparts, monasteries and temples commissioned many such works, and these have had a better chance of survival than courtly equivalents. Even rarer are survivals of landscape byōbu folding screens and hanging scrolls , which seem to have common in court circles – the Tale of Genji has an episode where members of the court produce the best paintings from their collections for

12250-437: The medieval advice of Cennino Cennini to copy ragged crags from small rough rocks was apparently followed by both Poussin and Thomas Gainsborough , while Degas copied cloud forms from a crumpled handkerchief held up against the light. The system of Alexander Cozens used random ink blots to give the basic shape of an invented landscape, to be elaborated by the artist. The distinctive background view across Lake Geneva to

12375-609: The only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition. Both the Roman and Chinese traditions typically show grand panoramas of imaginary landscapes, generally backed with a range of spectacular mountains – in China often with waterfalls and in Rome often including sea, lakes or rivers. These were frequently used, as in

12500-491: The out of control fires which are becoming more and more common. The idea of wilderness having intrinsic value emerged in the Western world in the 19th century. British artists John Constable and J. M. W. Turner turned their attention to capturing the beauty of the natural world in their paintings. Prior to that, paintings had been primarily of religious scenes or of human beings. William Wordsworth 's poetry described

12625-429: The people." When national parks were established in an area, the Native Americans that had been living there were forcibly removed so visitors to the park could see nature without humans present. National parks are seen as areas untouched by humans, when in reality, humans existed in these spaces, until settler colonists came in and forced them off their lands in order to create the national parks. The concept glorifies

12750-468: The perspective of nature as a whole and on the basis of their understanding of the laws of nature   … as if seen through the eyes of a bird". In the 13th century, Shih Erh Chi recommended avoiding painting "scenes lacking any places made inaccessible by nature". For most of human history , the greater part of Earth's terrain was wilderness, and human attention was concentrated on settled areas. The first known laws to protect parts of nature date back to

12875-503: The planning of the areas. This situation places the ideal of wilderness above the already existing relationships between people and the land they live on. By placing an imperialistic ideal of nature onto a different country, the desire to reestablish wilderness is being put above the lives of those who live by working the land. By the late 19th century, it had become clear that in many countries wild areas had either disappeared or were in danger of disappearing. This realization gave rise to

13000-471: The railroads advertised travel to "the great wild spaces" of North America. When outdoorsman Teddy Roosevelt became president of the United States, he began to enlarge the U.S. National Parks system, and established the National Forest system. By the 1920s, travel across North America by train to experience the "wilderness" (often viewing it only through windows) had become very popular. This led to

13125-455: The same high view point, cutting away roofs as necessary. These appeared in the very long yamato-e scrolls of scenes illustrating the Tale of Genji and other subjects, mostly from the 12th and 13th centuries. The concept of the gentleman-amateur painter had little resonance in feudal Japan, where artists were generally professionals with a strong bond to their master and his school, rather than

13250-699: The second part of the 19th century, were Maksymilian Gierymski , Józef Chełmoński and Stanisław Masłowski In Spain, the main promoter of the genre was the Belgium-born painter Carlos de Haes , one of the most active landscape professors at the Academy of Fine Arts of San Fernando in Madrid since 1857. After studying with the great Flemish landscape masters, he developed his technique to paint outdoors. Back in Spain, Haes took his students with him to paint in

13375-531: The situation was more complex than that. If they include any figures, they are very often such persons, or sages, contemplating the mountains. Famous works have accumulated numbers of red "appreciation seals" , and often poems added by later owners – the Qianlong Emperor (1711–1799) was a prolific adder of his own poems, following earlier Emperors. The shan shui tradition was never intended to represent actual locations, even when named after them, as in

13500-451: The sky far earlier than Western artists, who initially mainly use clouds as supports or covers for divine figures or heaven. Both panel paintings and miniatures in manuscripts usually had a patterned or gold "sky" or background above the horizon until about 1400, but frescos by Giotto and other Italian artists had long shown plain blue skies. The single surviving altarpiece from Melchior Broederlam , completed for Champmol in 1399, has

13625-483: The spectacular bird's-eye view in his engraving Nemesis shows an actual view in the Alps , with additional elements. Several landscapists are known to have made drawings and watercolour sketches from nature, but the evidence for early oil painting being done outside is limited. The Pre-Raphaelite Brotherhood made special efforts in this direction, but it was not until the introduction of ready-mixed oil paints in tubes in

13750-567: The time as a specific genre, the popularity of Roman ruins inspired many Dutch landscape painters of the period to paint the ruins of their own region, such as monasteries and churches ruined after the Beeldenstorm . Jacob van Ruisdael is considered the most versatile of all Dutch Golden Age landscape painters. The popularity of landscapes in the Netherlands was in part a reflection of the virtual disappearance of religious painting in

13875-573: The trip. Indeed, certain styles were so popular that they became formulas that could be copied again and again. The publication in Antwerp in 1559 and 1561 of two series of a total of 48 prints (the Small Landscapes ) after drawings by an anonymous artist referred to as the Master of the Small Landscapes signaled a shift away from the imaginary, distant landscapes with religious content of

14000-510: The warmer seasons. Moose , coyote , and bears are frequently seen. The tides at Kachemak Bay are extreme, with an average vertical difference (also called mean range) of 15.53 ft (4.73 m), and recorded extremes of 31.72 ft (9.67 m) as measured at the Seldovia Tide Station. The highest tide on record is 25.25 ft (7.70 m) above MLLW and occurred on November 15, 1966. The lowest tide on record

14125-535: The whole area of the 16 national parks as wilderness. This means, also the managed parts are included in the "existing" 0,6%. There is no doubt, that Germany will miss its own time-dependent quantitative goals, but there are also some critics, that point a bad designation practice: Findings of disturbance ecology, according to which process-based nature conservation and the 2% target could be further qualified by more targeted area designation, pre-treatment and introduction of megaherbivores , are widely neglected. Since 2019

14250-422: The wilderness in order to make way for their ' civilized ' society. Wilderness was considered to be the root of the colonists' problems, so to make the problems go away, wilderness needed to be destroyed. One of the first steps in doing this, is to get rid of trees in order to clear the land. Military metaphors describing the wilderness as the "enemy" were used, and settler expansion was phrased as "[conquering]

14375-402: The wilderness". In relation to the wilderness, Native Americans were viewed as savages . The relationship between Native Americans and the land was something colonists did not understand and did not try to understand. This mutually beneficial relationship was different from how colonists viewed the land only in relation to how it could benefit themselves by waging a constant battle to beat

14500-401: The wonder of the natural world, which had formerly been viewed as a threatening place. Increasingly the valuing of nature became an aspect of Western culture. By the mid-19th century, in Germany, "Scientific Conservation", as it was called, advocated "the efficient utilization of natural resources through the application of science and technology ". Concepts of forest management based on

14625-517: The works of the Group of Seven , prominent in the 1920s. Although certainly less dominant in the period after World War I, many significant artists still painted landscapes in the wide variety of styles exemplified by Edvard Munch , Georgia O'Keeffe , Charles E. Burchfield , Neil Welliver , Alex Katz , Milton Avery , Peter Doig , Andrew Wyeth , David Hockney and Sidney Nolan . Landscape painting has been called "China's greatest contribution to

14750-461: The world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included. The earliest "pure landscapes" with no human figures are frescos from Minoan art of around 1500 BCE. Hunting scenes, especially those set in the enclosed vista of the reed beds of the Nile Delta from Ancient Egypt, can give

14875-437: The world landscape towards close-up renderings at eye-level of identifiable country estates and villages populated with figures engaged in daily activities. By abandoning the panoramic viewpoint of the world landscape and focusing on the humble, rural and even topographical, the Small Landscapes set the stage for Netherlandish landscape painting in the 17th century. After the publication of the Small Landscapes, landscape artists in

15000-551: The world. India is more densely populated and has been settled for a long time. There are complex relationships between agricultural communities and the wilderness. An example of this is the Project Tiger parks in India. By claiming areas as no longer used by humans, the land moves from the hands of poor people to rich people. Having designated tiger reserves is only possible by displacing poor people, who were not involved in

15125-470: Was also a great age for the topographical print, depicting more or less accurately a real view in a way that landscape painting rarely did. Initially these were mostly centred on a building, but over the course of the century, with the growth of the Romantic movement pure landscapes became more common. The topographical print, often intended to be framed and hung on a wall, remained a very popular medium into

15250-543: Was declared a wildlife refuge on 3 November 1960. In 1966 it was declared a National Natural Landmark and, in 1968, it was given wilderness status. Properties in the swamp had been acquired by a small group of residents of the area, who donated the assembled properties to the federal government as a park for perpetual protection. Today the refuge amounts to 7,600 acres (31 km ) that are within thirty miles of Manhattan . While wilderness designations were originally granted by an Act of Congress for Federal land that retained

15375-490: Was established in 1879. The U.S. concept of national parks soon caught on in Canada , which created Banff National Park in 1885, at the same time as the transcontinental Canadian Pacific Railway was being built. The creation of this and other parks showed a growing appreciation of wild nature, but also an economic reality. The railways wanted to entice people to travel west. Parks such as Banff and Yellowstone gained favor as

15500-489: Was founded by Anthony van Dyck and other mostly Flemish artists working in England, but in the 18th century the works of Claude Lorrain were keenly collected and influenced not only paintings of landscapes, but the English landscape gardens of Capability Brown and others. In the 18th century, watercolour painting, mostly of landscapes, became an English specialty, with both a buoyant market for professional works, and

15625-570: Was needed to save them. Wilderness preservation is central to deep ecology ; a philosophy that believes in an inherent worth of all living beings, regardless of their instrumental utility to human needs. Two different groups had emerged within the US environmental movement by the early 20th century: the conservationists and the preservationists. The initial consensus among conservationists was split into "utilitarian conservationists" later to be referred to as conservationists, and "aesthetic conservationists" or preservationists. The main representative for

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