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88-502: The Kaogongji , Kaogong Ji , or Kao Gong Ji , variously translated as The Record of Trades , Records of Examination of Craftsman , Book of Diverse Crafts , and The Artificers' Record , is an ancient Chinese work on science and technology in China . It was compiled sometime during the 5th, 4th, or 3rd century BCE and then included as a section of the Rites of Zhou under

176-672: A minor syllable followed by a full syllable, as in modern Khmer , but still written with a single character. The development of characters to signify the words of the language follows the same three stages that characterized Egyptian hieroglyphs , Mesopotamian cuneiform script and the Maya script . Some words could be represented by pictures (later stylized) such as 日 rì 'sun', 人 rén 'person' and 木 mù 'tree, wood', by abstract symbols such as 三 sān 'three' and 上 shàng 'up', or by composite symbols such as 林 lín 'forest' (two trees). About 1,000 of

264-467: A subject (a noun phrase, sometimes understood) followed by a predicate , which could be of either nominal or verbal type. Before the Classical period, nominal predicates consisted of a copular particle *wjij 惟 followed by a noun phrase: 予 *ljaʔ I 惟 *wjij BE 小 *sjewʔ small 子 *tsjəʔ child 予 惟 小 子 Classic of Poetry Early references refer to

352-487: A "borrowed" character for a similar-sounding word ( rebus principle ). Later on, to reduce ambiguity, new characters were created for these phonetic borrowings by appending a radical that conveys a broad semantic category, resulting in compound xingsheng ( phono-semantic ) characters ( 形聲字 ). For the earliest attested stage of Old Chinese of the late Shang dynasty, the phonetic information implicit in these xingsheng characters which are grouped into phonetic series, known as

440-477: A final editorial round of decisions for elimination or inclusion in the received version of the Poetry . As with all great literary works of ancient China, the Poetry has been annotated and commented on continuously throughout history, as well as in this case providing a model to inspire future poetic works. Various traditions concern the gathering of the compiled songs and the editorial selection from these make up

528-573: A language without tones, but having consonant clusters at the end of the syllable, which developed into tone distinctions in Middle Chinese. Most researchers trace the core vocabulary of Old Chinese to Sino-Tibetan , with much early borrowing from neighbouring languages. During the Zhou period, the originally monosyllabic vocabulary was augmented with polysyllabic words formed by compounding and reduplication , although monosyllabic vocabulary

616-546: A poem would by the time of Tang poetry be one of the rules to distinguish the old style poetry from the new, regulated style . The works in the Classic of Poetry vary in their lyrical qualities, which relates to the musical accompaniment with which they were in their early days performed. The songs from the "Hymns" and "Eulogies", which are the oldest material in the Poetry , were performed to slow, heavy accompaniment from bells, drums, and stone chimes. However, these and

704-571: A range of purposes. As in the modern language, there were sentence-final particles marking imperatives and yes/no questions . Other sentence-final particles expressed a range of connotations, the most important being *ljaj 也 , expressing static factuality, and *ɦjəʔ 矣 , implying a change. Other particles included the subordination marker *tjə 之 and the nominalizing particles *tjaʔ 者 (agent) and *srjaʔ 所 (object). Conjunctions could join nouns or clauses. As with English and modern Chinese, Old Chinese sentences can be analysed as

792-608: A refined technique on the part of the poets". These traditional allegories of politics and morality are no longer seriously followed by any modern readers in China or elsewhere. The Odes became an important and controversial force, influencing political, social and educational phenomena. During the struggle between Confucian, Legalist , and other schools of thought, the Confucians used the Shijing to bolster their viewpoint. On

880-518: A result, the syntax and vocabulary of Old Chinese was preserved in Literary Chinese ( wenyan ), the standard for formal writing in China and neighboring Sinosphere countries until the early 20th century. Each character of the script represented a single Old Chinese morpheme , originally identical to a word. Most scholars believe that these words were monosyllabic. William Baxter and Laurent Sagart propose that some words consisted of

968-606: A rich literature written in ink on bamboo and wooden slips and (toward the end of the period) silk. Although these are perishable materials, a significant number of texts were transmitted as copies, and a few of these survived to the present day as the received classics. Works from this period, including the Analects , the Mencius and the Commentary of Zuo , have been admired as models of prose style by later generations. As

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1056-404: A significant period of development prior to the extant inscriptions. This may have involved writing on perishable materials, as suggested by the appearance on oracle bones of the character 冊 cè 'records'. The character is thought to depict bamboo or wooden strips tied together with leather thongs, a writing material known from later archaeological finds. Development and simplification of

1144-571: A study of the Kaogongji , c.  1235 . Dai Zhen 's own Kaogongji Tu was published in 1746 and Cheng Yaotian ( 程瑤田 , 程瑶田 , Chéng Yáotián )'s Kaogongji Chuangwu Xiaoji c.  1805 . Ancient Chinese language Old Chinese , also called Archaic Chinese in older works, is the oldest attested stage of Chinese , and the ancestor of all modern varieties of Chinese . The earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BC, in

1232-510: Is believed to be a Chinese innovation arising from earlier prefixes. Proto-Sino-Tibetan is reconstructed with a six-vowel system as in recent reconstructions of Old Chinese, with the Tibeto-Burman languages distinguished by the merger of the mid-central vowel *-ə- with *-a- . The other vowels are preserved by both, with some alternation between *-e- and *-i- , and between *-o- and *-u- . The earliest known written records of

1320-630: Is generally as "poem", "song", or "ode". Before its elevation as a canonical classic, the Classic of Poetry ( Shi jing ) was known as the Three Hundred Songs or the Songs . The Classic of Poetry contains the oldest chronologically authenticated Chinese poems. The majority of the Odes date to the Western Zhou period (1046–771 BCE), and were drawn from around provinces and cities in

1408-450: Is largely absent in later texts, and the *l- forms disappeared during the classical period. In the post-Han period, 我 (modern Mandarin wǒ ) came to be used as the general first-person pronoun. Second-person pronouns included *njaʔ 汝 , *njəjʔ 爾 , *njə 而 and *njak 若 . The forms 汝 and 爾 continued to be used interchangeably until their replacement by the northwestern variant 你 (modern Mandarin nǐ ) in

1496-410: Is much less developed than that of families such as Indo-European or Austronesian . Although Old Chinese is by far the earliest attested member of the family, its logographic script does not clearly indicate the pronunciation of words. Other difficulties have included the great diversity of the languages, the lack of inflection in many of them, and the effects of language contact. In addition, many of

1584-412: Is not always straightforward, as words were not marked for function, word classes overlapped, and words of one class could sometimes be used in roles normally reserved for a different class. The task is more difficult with written texts than it would have been for speakers of Old Chinese, because the derivational morphology is often hidden by the writing system. For example, the verb *sək 'to block' and

1672-624: Is that Chinese belongs to the Sino-Tibetan language family , together with Burmese , Tibetan and many other languages spoken in the Himalayas and the Southeast Asian Massif . The evidence consists of some hundreds of proposed cognate words, including such basic vocabulary as the following: Although the relationship was first proposed in the early 19th century and is now broadly accepted, reconstruction of Sino-Tibetan

1760-485: The Shuowen Jiezi , a dictionary compiled in the 2nd century, 82% of the 9,353 characters are classified as phono-semantic compounds. In the light of the modern understanding of Old Chinese phonology, researchers now believe that most of the characters originally classified as semantic compounds also have a phonetic nature. These developments were already present in the oracle bone script, possibly implying

1848-549: The xiesheng series , represents the only direct source of phonological data for reconstructing the language. The corpus of xingsheng characters was greatly expanded in the following Zhou dynasty. In addition, the rhymes of the earliest recorded poems, primarily those of the Classic of Poetry , provide an extensive source of phonological information with respect to syllable finals for the Central Plains dialects during

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1936-588: The Analects recounts that Confucius' son Kong Li told the story: "The Master once stood by himself, and I hurried to seek teaching from him. He asked me, 'You've studied the Odes?' I answered, 'Not yet.' He replied, 'If you have not studied the Odes, then I have nothing to say.'" According to Han tradition, the Poetry and other classics were targets of the burning of books in 213 BCE under Qin Shi Huang , and

2024-645: The Classic of Poetry often focuses on doing linguistic reconstruction and research in Old Chinese by analyzing the rhyme schemes in the Odes , which show vast differences when read in modern Mandarin Chinese . Although preserving more Old Chinese syllable endings than Mandarin, Modern Cantonese and Min Nan are also quite different from the Old Chinese language represented in the Odes. C.H. Wang refers to

2112-467: The Classic of Poetry . In 2015, the Anhui University purchased a group of looted manuscripts, among which is one of the oldest extant scribal copies of the Classic of Poetry (at least part of it). The manuscript has been published in the first volume of this collection of manuscripts, Anhui daxue cang Zhanguo zhujian ( 安徽大學藏戰國竹簡 ). The Confucian school eventually came to consider

2200-523: The Han as a replacement for the lost text concerning the Offices of Winter concerning public works . The Kaogongji is the oldest known technical encyclopedia, particularly noted for its early discussion of Chinese urban planning . It has been suggested that the Kaogongji "may have been written by an administrator to assure the emperor that everything was under control. It is part of a manual for how to run

2288-464: The Han period and the subsequent Northern and Southern dynasties . Old Chinese verbs , like their modern counterparts, did not show tense or aspect; these could be indicated with adverbs or particles if required. Verbs could be transitive or intransitive . As in the modern language, adjectives were a special kind of intransitive verb, and a few transitive verbs could also function as modal auxiliaries or as prepositions . Adverbs described

2376-536: The Late Shang period. Bronze inscriptions became plentiful during the following Zhou dynasty . The latter part of the Zhou period saw a flowering of literature, including classical works such as the Analects , the Mencius , and the Zuo Zhuan . These works served as models for Literary Chinese (or Classical Chinese ), which remained the written standard until the early twentieth century, thus preserving

2464-482: The Odes were a valuable focus for knowledge and self-cultivation, as recorded in an anecdote in the Analects : 詩可以興，可以觀，可以群，可以怨。邇之事父，遠之事君。多識於鳥獸草木之名。 The Odes can be a source of inspiration and a basis for evaluation; they can help you to come together with others, as well as to properly express complaints. In the home, they teach you about how to serve your father, and in public life they teach you about how to serve your lord. They also broadly acquaint you with

2552-448: The Odes , though frequently on simple, rustic subjects, have traditionally been saddled with extensive, elaborate allegorical meanings that assigned moral or political meaning to the smallest details of each line. The popular songs were seen as good keys to understanding the troubles of the common people, and were often read as allegories, and complaints against lovers were seen as complaints against faithless rulers. Confucius taught that

2640-575: The Poetry ( 毛詩傳 Máo shī zhuàn ), attributed to an obscure scholar named Máo Hēng ( 毛亨 ) who lived during the 2nd or 3rd centuries BCE, was not officially recognized until the reign of Emperor Ping (1 BCE to 6 CE). However, during the Eastern Han period, the Mao Poetry gradually became the primary version. Proponents of the Mao Poetry said that its text was descended from the first generation of Confucius' students, and as such should be

2728-479: The Poetry can be divided into two main sections: the "Airs of the States", and the "Eulogies" and "Hymns". The "Airs of the States" are shorter lyrics in simple language that are generally ancient folk songs which record the voice of the common people. They often speak of love and courtship, longing for an absent lover, soldiers on campaign, farming and housework, and political satire and protest. The first song of

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2816-504: The Shijing does not specify the names of authors in association with the contained works, both traditional commentaries and modern scholarship have put forth hypotheses on authorship. The "Golden Coffer" chapter of the Book of Documents says that the poem "Owl" ( 鴟鴞 ) in the "Odes of Bin" was written by the Duke of Zhou . Many of the songs appear to be folk songs and other compositions used in

2904-464: The Tang period. However, in some Min dialects the second-person pronoun is derived from 汝 . Case distinctions were particularly marked among third-person pronouns. There was no third-person subject pronoun, but *tjə 之 , originally a distal demonstrative , came to be used as a third-person object pronoun in the classical period. The possessive pronoun was originally *kjot 厥 , replaced in

2992-562: The Warring States period , writing became more widespread, with further simplification and variation, particularly in the eastern states. The most conservative script prevailed in the western state of Qin , which would later impose its standard on the whole of China. Old Chinese phonology has been reconstructed using a unique method relying on textual sources. The starting point is the Qieyun dictionary (601 AD), which classifies

3080-548: The Western Zhou and Spring and Autumn periods . Similarly, the Chu Ci provides rhyme data for the dialect spoken in the Chu region during the Warring States period . These rhymes, together with clues from the phonetic components of xingsheng characters, allow most characters attested in Old Chinese to be assigned to one of 30 or 31 rhyme groups. For late Old Chinese of the Han period,

3168-623: The Zhongyuan area. A final section of 5 "Eulogies of Shang" purports to be ritual songs of the Shang dynasty as handed down by their descendants in the state of Song , but is generally considered quite late in date. According to the Eastern Han scholar Zheng Xuan , the latest material in the Shijing was the song "Tree-Stump Grove" ( 株林 ) in the "Odes of Chen", dated to the middle of the Spring and Autumn period ( c. 700 BCE). The content of

3256-407: The " shi " style for much of Chinese history. One of the characteristics of the poems in the Classic of Poetry is that they tend to possess "elements of repetition and variation". This results in an "alteration of similarities and differences in the formal structure: in successive stanzas, some lines and phrases are repeated verbatim, while others vary from stanza to stanza". Characteristically,

3344-1023: The "Airs of the States", " Fishhawk " ( Guān jū 關雎 ), is a well-known example of the category. Confucius commented on it, and it was traditionally given special interpretive weight. The fishhawks sing gwan-gwan On sandbars of the stream. Gentle maiden, pure and fair, Fit pair for a prince. Watercress grows here and there, Right and left we gather it. Gentle maiden, pure and fair, Wanted waking and sleep. Wanting, sought her, had her not, Waking, sleeping, thought of her, On and on he thought of her, He tossed from one side to another. Watercress grows here and there, Right and left we pull it. Gentle maiden, pure and fair, With harps we bring her company. Watercress grows here and there, Right and left we pick it out. Gentle maiden, pure and fair, With bells and drums do her delight. 關關雎鳩 在河之洲 窈窕淑女 君子好逑 參差荇菜 左右流之 窈窕淑女 寤寐求之 求之不得 寤寐思服 悠哉悠哉 輾轉反側 參差荇菜 左右采之 窈窕淑女 琴瑟友之 參差荇菜 左右芼之 窈窕淑女 鐘鼓樂之 On

3432-485: The "Eulogies" consist of a single stanza, and the "Court Hymns" exhibit wide variation in the number of stanzas and their lengths. Almost all of the "Airs", however, consist of three stanzas, with four-line stanzas being most common. Although a few rhyming couplets occur, the standard pattern in such four-line stanzas required a rhyme between the second and fourth lines. Often the first or third lines would rhyme with these, or with each other. This style later became known as

3520-500: The 1980s usually propose six  vowels : Vowels could optionally be followed by the same codas as in Middle Chinese: a glide *-j or *-w , a nasal *-m , *-n or *-ŋ , or a stop *-p , *-t or *-k . Some scholars also allow for a labiovelar coda *-kʷ . Most scholars now believe that Old Chinese lacked the tones found in later stages of the language, but had optional post-codas *-ʔ and *-s , which developed into

3608-479: The Chinese language were found at the Yinxu site near modern Anyang identified as the last capital of the Shang dynasty , and date from about 1250 BC. These are the oracle bones , short inscriptions carved on turtle plastrons and ox scapulae for divinatory purposes, as well as a few brief bronze inscriptions . The language written is undoubtedly an early form of Chinese, but is difficult to interpret due to

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3696-567: The Confucian side, the Shijing became a foundational text which informed and validated literature, education, and political affairs. The Legalists, on their side, attempted to suppress the Shijing by violence, after the Legalist philosophy was endorsed by the Qin dynasty , prior to their final triumph over the neighboring states: the suppression of Confucian and other thought and literature after

3784-550: The Grand Historian was the first work to directly attribute the work to Confucius. Subsequent Confucian tradition held that the Shijing collection was edited by Confucius from a larger 3,000-piece collection to its traditional 305-piece form. This claim is believed to reflect an early Chinese tendency to relate all of the Five Classics in some way or another to Confucius, who by the 1st century BCE had become

3872-573: The Middle Chinese rising and departing tones respectively. Little is known of the grammar of the language of the Oracular and pre-Classical periods, as the texts are often of a ritual or formulaic nature, and much of their vocabulary has not been deciphered. In contrast, the rich literature of the Warring States period has been extensively analysed. Having no inflection , Old Chinese was heavily reliant on word order, grammatical particles , and inherent word classes . Classifying Old Chinese words

3960-692: The Qi Poetry ( 齊詩 Qí shī ) and the Han Poetry ( 韓詩 Hán shī ) were officially recognized with chairs at the Imperial Academy during the reign of Emperor Wu of Han (156–87 BCE). Until the later years of the Eastern Han period, the dominant version of the Poetry was the Lu Poetry , named after the state of Lu , and founded by Shen Pei, a student of a disciple of the Warring States period philosopher Xunzi . The Mao Tradition of

4048-551: The Qin victories and the start of Burning of Books and Burying of Scholars era, starting in 213 BCE, extended to attempt to prohibit the Shijing . As the idea of allegorical expression grew, when kingdoms or feudal leaders wished to express or validate their own positions, they would sometimes couch the message within a poem, or by allusion. This practice became common among educated Chinese in their personal correspondences and spread to Japan and Korea as well. Modern scholarship on

4136-753: The Shang and early Zhou but was already in the process of disappearing by the Classical period. Likewise, by the Classical period, most morphological derivations had become unproductive or vestigial, and grammatical relationships were primarily indicated using word order and grammatical particles . Middle Chinese and its southern neighbours Kra–Dai , Hmong–Mien and the Vietic branch of Austroasiatic have similar tone systems, syllable structure, grammatical features and lack of inflection, but these are believed to be areal features spread by diffusion rather than indicating common descent. The most widely accepted hypothesis

4224-424: The Zhou area. Although their language changed over time, it was highly uniform across this range at each point in time, suggesting that it reflected the prestige form used by the Zhou elite. Even longer pre-Classical texts on a wide range of subjects have also been transmitted through the literary tradition. The oldest sections of the Book of Documents , the Classic of Poetry and the I Ching , also date from

4312-413: The anthology as the 300 Poems ( shi ). The Odes first became known as a jīng , or a "classic book", in the canonical sense, as part of the Han dynasty 's official adoption of Confucianism as the guiding principle of Chinese society. The same word shi later became a generic term for poetry. In English, lacking an exact equivalent for the Chinese, the translation of the word shi in this regard

4400-503: The authoritative version. Xu Shen 's influential dictionary Shuowen Jiezi , written in the 2nd-century CE, quotes almost exclusively from the Mao Poetry . Finally, the renowned Eastern Han scholar Zheng Xuan used the Mao Poetry as the basis for his annotated 2nd-century edition of the Poetry . Zheng Xuan's edition of the Mao text was itself the basis of the "Right Meaning of the Mao Poetry " ( 毛詩正義 Máo shī zhèngyì ) which became

4488-462: The borrowed character would be modified slightly to distinguish it from the original, as with 毋 wú 'don't', a borrowing of 母 mǔ 'mother'. Later, phonetic loans were systematically disambiguated by the addition of semantic indicators, usually to the less common word: Such phono-semantic compound characters were already used extensively on the oracle bones, and the vast majority of characters created since then have been of this type. In

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4576-506: The classic text of the Odes : "Royal Officials' Collecting Songs" ( 王官采詩 ) is recorded in the Book of Han , and "Master Confucius Deletes Songs" ( 孔子刪詩 ) refers to Confucius and his mention in the Records of the Grand Historian , where it says from originally some 3,000 songs and poems in a previously extant " Odes " that Confucius personally selected the "300" which he felt best conformed to traditional ritual propriety, thus producing

4664-414: The classical period by *ɡjə 其 . In the post-Han period, 其 came to be used as the general third-person pronoun. It survives in some Wu dialects, but has been replaced by a variety of forms elsewhere. There were demonstrative and interrogative pronouns , but no indefinite pronouns with the meanings 'something' or 'nothing'. The distributive pronouns were formed with a *-k suffix: As in

4752-424: The combination *-rj- to explain the retroflex and palatal obstruents of Middle Chinese, as well as many of its vowel contrasts. *-r- is generally accepted. However, although the distinction denoted by *-j- is universally accepted, its realization as a palatal glide has been challenged on a number of grounds, and a variety of different realizations have been used in recent constructions. Reconstructions since

4840-418: The core issues. For example, the Old Chinese initial consonants recognized by Li Fang-Kuei and William Baxter are given below, with Baxter's (mostly tentative) additions given in parentheses: Various initial clusters have been proposed, especially clusters of *s- with other consonants, but this area remains unsettled. Bernhard Karlgren and many later scholars posited the medials *-r- , *-j- and

4928-465: The court ceremonies of the aristocracy. Furthermore, many of the songs, based on internal evidence, appear to be written either by women, or from the perspective of a female persona . The repeated emphasis on female authorship of poetry in the Shijing was made much of in the process of attempting to give the poems of the women poets of the Ming - Qing period canonical status. Despite the impersonality of

5016-416: The derived noun *səks 'frontier' were both written with the same character 塞 . Personal pronouns exhibit a wide variety of forms in Old Chinese texts, possibly due to dialectal variation. There were two groups of first-person pronouns: In the oracle bone inscriptions, the *l- pronouns were used by the king to refer to himself, and the *ŋ- forms for the Shang people as a whole. This distinction

5104-496: The early Zhou period, and closely resemble the bronze inscriptions in vocabulary, syntax, and style. A greater proportion of this more varied vocabulary has been identified than for the oracular period. The four centuries preceding the unification of China in 221 BC (the later Spring and Autumn period and the Warring States period ) constitute the Chinese classical period in the strict sense. There are many bronze inscriptions from this period, but they are vastly outweighed by

5192-554: The empire". The book includes "enigmatic" recipes for metal-making; in 2022, researchers reanalyzed its mention jin and xi , key components for making bronze thought for centuries to have been copper and tin , as possibly referring instead to premade alloys of uncertain composition. Such a composition would yield bronzes more like early Chinese bronzes , revealing unexpected complexity in early Chinese metal production. Lin Xiyi ( 林希逸 , Lín Xīyì ) published his Kaogongji Jie ,

5280-450: The failure of the ruling dynasty to ensure the prosperity of their subjects. The people's folksongs were deemed to be the best gauge of their feelings and conditions, and thus indicative of whether the nobility was ruling according to the mandate of Heaven or not. Accordingly, the songs were collected from the various regions, converted from their diverse regional dialects into standard literary language, and presented accompanied with music at

5368-618: The imperially authorized text and commentary on the Poetry in 653 CE. By the 5th-century, the Lu, Qi, and Han traditions had died out, leaving only the Mao Poetry , which has become the received text in use today. Only isolated fragments of the Lu text survive, among the remains of the Xiping Stone Classics . The Book of Odes has been a revered Confucian classic since the Han dynasty, and has been studied and memorized by centuries of scholars in China. The individual songs of

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5456-510: The later actual musical scores or choreography which accompanied the Shijing poems have been lost. Nearly all of the songs in the Poetry are rhyming, with end rhyme, as well as frequent internal rhyming. While some of these verses still rhyme in modern varieties of Chinese, others had ceased to rhyme by the Middle Chinese period. For example, the eighth song ( 芣苢 Fú Yǐ ) has a tightly constrained structure implying rhymes between

5544-466: The limited subject matter and high proportion of proper names. Only half of the 4,000 characters used have been identified with certainty. Little is known about the grammar of this language, but it seems much less reliant on grammatical particles than Classical Chinese. From early in the Western Zhou period, around 1000 BC, the most important recovered texts are bronze inscriptions, many of considerable length. These texts are found throughout

5632-477: The many officers, Holding fast to the virtue of King Wen . Responding in praise to the one in Heaven, They hurry swiftly within the temple. Greatly illustrious, greatly honored, May [King Wen] never be weary of [us] men. 於穆清廟 肅雝顯相 濟濟多士 秉文之德 對越在天 駿奔走在廟 不顯不承 無射於人斯 Whether the various Shijing poems were folk songs or not, they "all seem to have passed through the hands of men of letters at

5720-478: The model of sages and was believed to have maintained a cultural connection to the early Zhou dynasty. This view is now generally discredited, as the Zuo zhuan records that the Classic of Poetry already existed in a definitive form when Confucius was just a young child. In works attributed to him, Confucius comments upon the Classic of Poetry in such a way as to indicate that he holds it in great esteem. A story in

5808-575: The modern Southern Min languages, the oldest layer of Sino-Vietnamese vocabulary , and a few early transliterations of foreign proper names, as well as names for non-native flora and fauna, also provide insights into language reconstruction. Although many of the finer details remain unclear, most scholars agree that Old Chinese differed from Middle Chinese in lacking retroflex and palatal obstruents but having initial consonant clusters of some sort, and in having voiceless nasals and liquids . Most recent reconstructions also describe Old Chinese as

5896-431: The modern language, localizers (compass directions, 'above', 'inside' and the like) could be placed after nouns to indicate relative positions. They could also precede verbs to indicate the direction of the action. Nouns denoting times were another special class (time words); they usually preceded the subject to specify the time of an action. However the classifiers so characteristic of Modern Chinese only became common in

5984-610: The names of birds, beasts, plants, and trees. The extensive allegorical traditions associated with the Odes were theorized by Herbert Giles to have begun in the Warring States period as a justification for Confucius ' focus upon such a seemingly simple and ordinary collection of verses. These elaborate, far-fetched interpretations seem to have gone completely unquestioned until the 12th century, when scholar Zheng Qiao ( 鄭樵 , 1104–1162) first wrote his scepticism of them. European sinologists like Giles and Marcel Granet ignored these traditional interpretations in their analysis of

6072-441: The officials returned from their missions, the king was said to have observed them himself in an effort to understand the current condition of the common people. The well-being of the people was of special concern to the Zhou because of their ideological position that the right to rule was based on the benignity of the rulers to the people in accordance with the will of Heaven , and that this Heavenly Mandate would be withdrawn upon

6160-586: The oracle bone characters, nearly a quarter of the total, are of this type, though 300 of them have not yet been deciphered. Though the pictographic origins of these characters are apparent, they have already undergone extensive simplification and conventionalization. Evolved forms of most of these characters are still in common use today. Next, words that could not be represented pictorially, such as abstract terms and grammatical particles, were signified by borrowing characters of pictorial origin representing similar-sounding words (the " rebus strategy"): Sometimes

6248-407: The original meanings of the Odes . Granet, in his list of rules for properly reading the Odes , wrote that readers should "take no account of the standard interpretation", "reject in no uncertain terms the distinction drawn between songs evicting a good state of morals and songs attesting to perverted morality", and "[discard] all symbolic interpretations, and likewise any interpretation that supposes

6336-448: The other hand, songs in the two "Hymns" sections and the "Eulogies" section tend to be longer ritual or sacrificial songs, usually in the forms of courtly panegyrics and dynastic hymns which praise the founders of the Zhou dynasty. They also include hymns used in sacrificial rites and songs used by the aristocracy in their sacrificial ceremonies or at banquets. "Court Hymns" contains "Lesser Court Hymns" and "Major Court Hymns". Most of

6424-404: The parallel or syntactically matched lines within a specific poem share the same, identical words (or characters) to a large degree, as opposed to confining the parallelism between lines to using grammatical category matching of the words in one line with the other word in the same position in the corresponding line; but, not by using the same, identical word(s). Disallowing verbal repetition within

6512-467: The penultimate words (here shown in bold) of each pair of lines: The second and third stanzas still rhyme in modern Standard Chinese , with the rhyme words even having the same tone, but the first stanza does not rhyme in Middle Chinese or any modern variety. Such cases were attributed to lax rhyming practice until the late- Ming dynasty scholar Chen Di argued that the original rhymes had been obscured by sound change . Since Chen, scholars have analyzed

6600-453: The poems were used by the aristocrats to pray for good harvests each year, worship gods, and venerate their ancestors. The authors of "Major Court Hymns" are nobles who were dissatisfied with the political reality. Therefore, they wrote poems not only related to the feast, worship, and epic but also to reflect the public feelings. Ah! Solemn is the clear temple, Reverent and concordant the illustrious assistants. Dignified, dignified are

6688-437: The poetic voice characteristic of the Songs , many of the poems are written from the perspective of various generic personalities. According to tradition, the method of collection of the various Shijing poems involved the appointment of officials, whose duties included documenting verses current from the various states which constituted the empire. Out of these many collected pieces, also according to tradition, Confucius made

6776-455: The reading pronunciation of each character found in texts to that time within a precise, but abstract, phonological system. Scholars have sought to assign phonetic values to these Middle Chinese categories by comparing them with modern varieties of Chinese , Sino-Xenic pronunciations and transcriptions. Next, the phonology of Old Chinese is reconstructed by comparing the Qieyun categories to

6864-497: The rhyming patterns of the Poetry as crucial evidence for the reconstruction of Old Chinese phonology . Traditional scholarship of the Poetry identified three major literary devices employed in the songs: straightforward narrative ( fù 賦 ), explicit comparisons ( bǐ 比 ) and implied comparisons ( xìng 興 ). The poems of the Classic of Poetry tend to have certain typical patterns in both rhyme and rhythm, to make much use of imagery, often derived from nature. Although

6952-520: The rhyming practice of the Classic of Poetry (early 1st millennium BC) and the shared phonetic components of Chinese characters, some of which are slightly older. More recent efforts have supplemented this method with evidence from Old Chinese derivational morphology , from Chinese varieties preserving distinctions not found in the Qieyun , such as Min and Waxiang , and from early transcriptions and loans. Although many details are still disputed, recent formulations are in substantial agreement on

7040-450: The royal Zhou court". In other words, they show an overall literary polish together with some general stylistic consistency. About 95% of lines in the Poetry are written in a four-syllable meter , with a slight caesura between the second and third syllables. Lines tend to occur in syntactically related couplets , with occasional parallelism, and longer poems are generally divided into similarly structured stanzas . All but six of

7128-488: The royal courts. The Classic of Poetry historically has a major place in the Four Books and Five Classics , the canonical works associated with Confucianism . Some pre-Qin dynasty texts, such as the Analects and a recently excavated manuscript from 300 BCE entitled "Confucius' Discussion of the Odes ", mention Confucius' involvement with the Classic of Poetry but Han dynasty historian Sima Qian 's Records of

7216-412: The scope of a statement or various temporal relationships. They included two families of negatives starting with *p- and *m- , such as *pjə 不 and *mja 無 . Modern northern varieties derive the usual negative from the first family, while southern varieties preserve the second. The language had no adverbs of degree until late in the Classical period. Particles were function words serving

7304-467: The script continued during the pre-Classical and Classical periods, with characters becoming less pictorial and more linear and regular, with rounded strokes being replaced by sharp angles. The language developed compound words, though almost all constituent morphemes could also be used as independent words. Hundreds of morphemes of two or more syllables also entered the language, and were written with one phono-semantic compound character per syllable. During

7392-735: The smaller languages are poorly described because they are spoken in mountainous areas that are difficult to reach, including several sensitive border zones. Initial consonants generally correspond regarding place and manner of articulation , but voicing and aspiration are much less regular, and prefixal elements vary widely between languages. Some researchers believe that both these phenomena reflect lost minor syllables . Proto-Tibeto-Burman as reconstructed by Benedict and Matisoff lacks an aspiration distinction on initial stops and affricates. Aspiration in Old Chinese often corresponds to pre-initial consonants in Tibetan and Lolo-Burmese , and

7480-437: The songs had to be reconstructed largely from memory in the subsequent Han period. However the discovery of pre-Qin copies showing the same variation as Han texts, as well as evidence of Qin patronage of the Poetry , have led modern scholars to doubt this account. During the Han period there were three different versions of the Poetry which each belonged to different hermeneutic traditions. The Lu Poetry ( 魯詩 Lǔ shī ),

7568-581: The verses of the "Airs of the States" to have been collected in the course of activities of officers dispatched by the Zhou dynasty court, whose duties included the field collection of the songs local to the territorial states of Zhou. This territory was roughly the Yellow River Plain , Shandong , southwestern Hebei , eastern Gansu , and the Han River region. Perhaps during the harvest . After

7656-499: The vocabulary and grammar of late Old Chinese. Old Chinese was written with several early forms of Chinese characters , including oracle bone , bronze , and seal scripts . Throughout the Old Chinese period, there was a close correspondence between a character and a monosyllabic and monomorphemic word. Although the script is not alphabetic, the majority of characters were created based on phonetic considerations. At first, words that were difficult to represent visually were written using

7744-439: Was still predominant. Unlike Middle Chinese and the modern Chinese languages, Old Chinese had a significant amount of derivational morphology. Several affixes have been identified, including ones for the verbification of nouns, conversion between transitive and intransitive verbs, and formation of causative verbs. Like modern Chinese, it appears to be uninflected, though a pronoun case and number system seems to have existed during

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