87-534: Hooverphonic is a Belgian electronic band that was formed in October 1995. Though originally categorized as a trip hop group, they quickly expanded their sound to the point where they could no longer be described as a singular genre, but rather encompass alternative , electronica , electropop , rock , and a mixture of others. The band originally called themselves Hoover , but later changed their name to Hooverphonic after discovering other groups were already using
174-405: A PA system , several turntables, and mixers. The performance did not go well, as creating live montages with turntables had never been done before." Later that same year, Pierre Henry collaborated with Schaeffer on Symphonie pour un homme seul (1950) the first major work of musique concrete. In Paris in 1951, in what was to become an important worldwide trend, RTF established the first studio for
261-466: A slide show synchronized with a recorded soundtrack. Composers outside of the Jikken Kōbō, such as Yasushi Akutagawa , Saburo Tominaga, and Shirō Fukai , were also experimenting with radiophonic tape music between 1952 and 1953. Musique concrète was introduced to Japan by Toshiro Mayuzumi , who was influenced by a Pierre Schaeffer concert. From 1952, he composed tape music pieces for a comedy film,
348-500: A European tour in 1997 before Geike Arnaert was made the permanent singer later that year. The band achieved international recognition through the inclusion of the Stereophonic track "2Wicky" on the soundtrack to Bernardo Bertolucci 's 1996 film Stealing Beauty . "2Wicky" also appeared on the soundtracks of I Know What You Did Last Summer and Heights . The track's main riff is sampled from Isaac Hayes ' recording of
435-465: A common household item, and by the 1920s composers were using them to play short recordings in performances. The introduction of electrical recording in 1925 was followed by increased experimentation with record players. Paul Hindemith and Ernst Toch composed several pieces in 1930 by layering recordings of instruments and vocals at adjusted speeds. Influenced by these techniques, John Cage composed Imaginary Landscape No. 1 in 1939 by adjusting
522-484: A double CD entitled No More Sweet Music/More Sweet Music , was released in December 2005. Both CDs include the same 11 tracks, however, they are all different versions. In 2006 the band left Sony/BMG, complaining of lack of label support for No More Sweet Music . A greatest hits album ( Singles '96–'06 ) was released to end the relation with Sony/BMG. The band went on to work without a label. In an interview for
609-998: A number of musicians, ranging from Neil Rolnick , Charles Amirkhanian and Alice Shields to rock musicians Frank Zappa and The West Coast Pop Art Experimental Band . Following the emergence of differences within the GRMC (Groupe de Recherche de Musique Concrète) Pierre Henry, Philippe Arthuys, and several of their colleagues, resigned in April 1958. Schaeffer created a new collective, called Groupe de Recherches Musicales (GRM) and set about recruiting new members including Luc Ferrari , Beatriz Ferreyra , François-Bernard Mâche , Iannis Xenakis , Bernard Parmegiani , and Mireille Chamass-Kyrou . Later arrivals included Ivo Malec , Philippe Carson, Romuald Vandelle, Edgardo Canton and François Bayle . These were fertile years for electronic music—not just for academia, but for independent artists as synthesizer technology became more accessible. By this time,
696-528: A poisoned last supper. Jackie Cane retains the dreamy elements of Hooverphonic's previous works, most notably on songs "Nirvana Blue" and "Human Interest" (which contains references to " Echoes " by Pink Floyd ), but tracks like " The World Is Mine " (the first single) and "Day After Day" have a clear Broadway influence and quality to them. The album went platinum in Belgium and won the group ZAMU ’s Best Pop/Rock Band and Best Album awards in 2002. In 2003,
783-697: A public concert in New York together with other compositions I had written for conventional instruments." Otto Luening, who had attended this concert, remarked: "The equipment at his disposal consisted of an Ampex tape recorder . . . and a simple box-like device designed by the brilliant young engineer, Peter Mauzey, to create feedback, a form of mechanical reverberation. Other equipment was borrowed or purchased with personal funds." Just three months later, in August 1952, Ussachevsky traveled to Bennington, Vermont, at Luening's invitation to present his experiments. There,
870-465: A radio broadcast, and a radio drama. However, Schaeffer's concept of sound object was not influential among Japanese composers, who were mainly interested in overcoming the restrictions of human performance. This led to several Japanese electroacoustic musicians making use of serialism and twelve-tone techniques , evident in Yoshirō Irino 's 1951 dodecaphonic piece "Concerto da Camera", in
957-810: A score. In 1955, more experimental and electronic studios began to appear. Notable were the creation of the Studio di fonologia musicale di Radio Milano , a studio at the NHK in Tokyo founded by Toshiro Mayuzumi , and the Philips studio at Eindhoven , the Netherlands, which moved to the University of Utrecht as the Institute of Sonology in 1960. "With Stockhausen and Mauricio Kagel in residence, [Cologne] became
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#17327908287571044-460: A significant influence on popular music , with the adoption of polyphonic synthesizers , electronic drums , drum machines, and turntables , through the emergence of genres such as disco , krautrock , new wave , synth-pop , hip hop , and EDM . In the early 1980s mass-produced digital synthesizers , such as the Yamaha DX7 , became popular, and MIDI (Musical Instrument Digital Interface)
1131-558: A special comic strip based on the lyrics of Hooverphonic's hit single Badaboum . In April 2018, Hooverphonic introduced their new singer Luka Cruysberghs. Cruysberghs provided vocals for the band's tenth studio album Looking For Stars , anticipated by the single "Romantic". Hooverphonic were supposed to represent Belgium at the Eurovision Song Contest 2020 in Rotterdam with their song " Release Me ". The event
1218-567: A strong community of composers and musicians working with new sounds and instruments was established and growing. 1960 witnessed the composition of Luening's Gargoyles for violin and tape as well as the premiere of Stockhausen's Kontakte for electronic sounds, piano, and percussion. This piece existed in two versions—one for 4-channel tape, and the other for tape with human performers. "In Kontakte , Stockhausen abandoned traditional musical form based on linear development and dramatic climax. This new approach, which he termed 'moment form', resembles
1305-454: A year-round hive of charismatic avant-gardism." on two occasions combining electronically generated sounds with relatively conventional orchestras—in Mixtur (1964) and Hymnen, dritte Region mit Orchester (1967). Stockhausen stated that his listeners had told him his electronic music gave them an experience of "outer space", sensations of flying, or being in a "fantastic dream world". In
1392-483: Is alone, a world of mystery and essential loneliness." In Cologne, what would become the most famous electronic music studio in the world, was officially opened at the radio studios of the NWDR in 1953, though it had been in the planning stages as early as 1950 and early compositions were made and broadcast in 1951. The brainchild of Werner Meyer-Eppler , Robert Beyer, and Herbert Eimert (who became its first director),
1479-468: Is most recognizable in its 4/4 form and more connected with the mainstream than preceding forms which were popular in niche markets. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments . These initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for
1566-454: Is the most watched video of Hooverphonic. On 26 March 2015, Hooverphonic announced that Wolfs would be leaving the band "in mutual agreement". The band's ninth studio album, In Wonderland (2016), featured vocals from Janie Price, Emilie Satt, Litlo Tinz, Christa Jérôme, Tjeerd Bomhof and Felix Howard . Anton Marin, of the design agency Power & Glory, who had been the band's official house illustrator and designer since their debut, released
1653-718: Is to be realized as a magnetic tape. According to Otto Luening, Cage also performed Williams Mix at Donaueschingen in 1954, using eight loudspeakers, three years after his alleged collaboration. Williams Mix was a success at the Donaueschingen Festival , where it made a "strong impression". The Music for Magnetic Tape Project was formed by members of the New York School ( John Cage , Earle Brown , Christian Wolff , David Tudor , and Morton Feldman ), and lasted three years until 1954. Cage wrote of this collaboration: "In this social darkness, therefore,
1740-768: The Columbia-Princeton Electronic Music Center in the late 1950s. Following his work with Studio d'Essai at Radiodiffusion Française (RDF), during the early 1940s, Pierre Schaeffer is credited with originating the theory and practice of musique concrète. In the late 1940s, experiments in sound-based composition using shellac record players were first conducted by Schaeffer. In 1950, the techniques of musique concrete were expanded when magnetic tape machines were used to explore sound manipulation practices such as speed variation ( pitch shift ) and tape splicing . On 5 October 1948, RDF broadcast Schaeffer's Etude aux chemins de fer . This
1827-507: The Ensemble of electro-musical instruments [ ru ] , which used theremins, electric harps, electric organs, the first synthesizer in the USSR "Ekvodin", and also created the first Soviet reverb machine. The style in which Meshcherin's ensemble played is known as " Space age pop ". In 1957, engineer Igor Simonov assembled a working model of a noise recorder (electroeoliphone), with
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#17327908287571914-524: The Eurovision Song Contest 2020 in Rotterdam with their song " Release Me ". However, on March 18, 2020, the event was cancelled due to the Covid-19 government restrictions . They instead represented Belgium in the Eurovision Song Contest 2021 with the song " The Wrong Place ". The original members of the group were vocalist Esther Lybeert, keyboardist Frank Duchêne, bassist Alex Callier , and guitarist Raymond Geerts. Lybeert recorded several demos with
2001-432: The telharmonium , Hammond organ , electric piano and electric guitar . The first electronic musical devices were developed at the end of the 19th century. During the 1920s and 1930s, some electronic instruments were introduced and the first compositions featuring them were written. By the 1940s, magnetic audio tape allowed musicians to tape sounds and then modify them by changing the tape speed or direction, leading to
2088-600: The 'cinematic splice' techniques in early twentieth-century film." The theremin had been in use since the 1920s but it attained a degree of popular recognition through its use in science-fiction film soundtrack music in the 1950s (e.g., Bernard Herrmann 's classic score for The Day the Earth Stood Still ). Motorola SLVR L7 Too Many Requests If you report this error to the Wikimedia System Administrators, please include
2175-445: The 1950s and algorithmic composition with computers was first demonstrated in the same decade. During the 1960s, digital computer music was pioneered, innovation in live electronics took place, and Japanese electronic musical instruments began to influence the music industry . In the early 1970s, Moog synthesizers and drum machines helped popularize synthesized electronic music. The 1970s also saw electronic music begin to have
2262-517: The 1960s hit " Walk On By ". Additional session musicians for Stereophonic include Eric Bosteels, a session drummer with Hooverphonic from 1997 to 1998 (replaced by Mario Goossens until 2005) and David Poltrock, a keyboard player with the group on and off from 1998 until 2005. In 1998, Hooverphonic also contributed to the Depeche Mode tribute album For the Masses with their cover of " Shake
2349-585: The Disease ". After an extensive European tour with artists such as Massive Attack , Morcheeba , and Apollo 440 , and a tour opening for Fiona Apple in the United States in 1997, the band released Blue Wonder Power Milk in 1998 with 18-year-old Arnaert on vocals. A marked departure from their debut, the album is driven less by breakbeats and samples, and more by organic string elements and traditional song structures. The single "Club Montepulciano"
2436-475: The Hoover name and to avoid any legal issues with the vacuum cleaner company . Since their formation, Hooverphonic's lineup consisted of bassist Alex Callier , guitarist Raymond Geerts, and various lead singers. Prominent ones included Liesje Sadonius (1996–1997), Geike Arnaert (1997–2008, 2020–present), Noémie Wolfs (2010–2015), and Luka Cruysberghs (2018–2020). The band were set to represent Belgium at
2523-681: The Louisville Symphony and A Poem in Cycles and Bells , both for orchestra and tape. Because he had been working at Schaeffer's studio, the tape part for Varèse's work contains much more concrete sounds than electronic. "A group made up of wind instruments, percussion and piano alternate with the mutated sounds of factory noises and ship sirens and motors, coming from two loudspeakers." At the German premiere of Déserts in Hamburg, which
2610-475: The Philips studio in the Netherlands. The public remained interested in the new sounds being created around the world, as can be deduced by the inclusion of Varèse's Poème électronique , which was played over four hundred loudspeakers at the Philips Pavilion of the 1958 Brussels World Fair . That same year, Mauricio Kagel , an Argentine composer, composed Transición II . The work was realized at
2697-450: The Poet , a 1959 series of electronic compositions that stood out for its immersion and seamless fusion of electronic and folk music , in contrast to the more mathematical approach used by serial composers of the time such as Babbitt. El-Dabh's Leiyla and the Poet , released as part of the album Columbia-Princeton Electronic Music Center in 1961, would be cited as a strong influence by
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2784-700: The Spanish TV program Nosolomusica , Alex Callier gave some hints of a new, more psychedelic orientation for the band's forthcoming music. During a show in Moscow (October 2007), the band revealed the first single of the new album, " Expedition Impossible ". The President of the LSD Golf Club was released in October 2007 in Belgium and the Netherlands. The album was released in Europe in March 2008. Following
2871-545: The United States following the end of World War II. These were the basis for the first commercially produced tape recorder in 1948. In 1944, before the use of magnetic tape for compositional purposes, Egyptian composer Halim El-Dabh , while still a student in Cairo , used a cumbersome wire recorder to record sounds of an ancient zaar ceremony. Using facilities at the Middle East Radio studios El-Dabh processed
2958-454: The United States, electronic music was being created as early as 1939, when John Cage published Imaginary Landscape, No. 1 , using two variable-speed turntables, frequency recordings, muted piano, and cymbal, but no electronic means of production. Cage composed five more "Imaginary Landscapes" between 1942 and 1952 (one withdrawn), mostly for percussion ensemble, though No. 4 is for twelve radios and No. 5, written in 1952, uses 42 recordings and
3045-597: The WDR studio in Cologne. Two musicians performed on the piano, one in the traditional manner, the other playing on the strings, frame, and case. Two other performers used tape to unite the presentation of live sounds with the future of prerecorded materials from later on and its past of recordings made earlier in the performance. In 1958, Columbia-Princeton developed the RCA Mark II Sound Synthesizer ,
3132-902: The album charts. Current members Former members Hooverphonic's music has also appeared in a number of commercials and other TV series: Electronic music Electronic music broadly is a group of music genres that employ electronic musical instruments , circuitry-based music technology and software, or general-purpose electronics (such as personal computers ) in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music ). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator , theremin , or synthesizer . Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups , power amplifiers and loudspeakers . Such electromechanical devices include
3219-748: The ancestor of the ORTF . Karlheinz Stockhausen worked briefly in Schaeffer's studio in 1952, and afterward for many years at the WDR Cologne's Studio for Electronic Music . 1954 saw the advent of what would now be considered authentic electric plus acoustic compositions—acoustic instrumentation augmented/accompanied by recordings of manipulated or electronically generated sound. Three major works were premiered that year: Varèse's Déserts , for chamber ensemble and tape sounds, and two works by Otto Luening and Vladimir Ussachevsky : Rhapsodic Variations for
3306-510: The band released an album performed live in a studio with an orchestra entitled Sit Down and Listen to Hooverphonic , featuring a selection of songs from the band’s body of work, as well as the new songs "Antarctica" and "The Last Thing I Need Is You", and a cover of Lee Hazlewood 's "My Autumn’s Done Come". The band launched into an extended European tour in September 2003, performing in over 100 concert halls. The band's fifth studio album,
3393-641: The borrowed equipment in the back of Ussachevsky's car, we left Bennington for Woodstock and stayed two weeks. . . . In late September 1952, the travelling laboratory reached Ussachevsky's living room in New York, where we eventually completed the compositions." Two months later, on 28 October, Vladimir Ussachevsky and Otto Luening presented the first Tape Music concert in the United States. The concert included Luening's Fantasy in Space (1952)—"an impressionistic virtuoso piece" using manipulated recordings of flute—and Low Speed (1952), an "exotic composition that took
3480-412: The composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music (1907). Futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery . They predicted expansions in timbre allowed for by electronics in
3567-617: The development of electroacoustic tape music in the 1940s, in Egypt and France. Musique concrète , created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds. Music produced solely from electronic generators was first produced in Germany in 1953 by Karlheinz Stockhausen . Electronic music was also created in Japan and the United States beginning in
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3654-597: The development of music technology several decades later. Following the foundation of electronics company Sony in 1946, composers Toru Takemitsu and Minao Shibata independently explored possible uses for electronic technology to produce music. Takemitsu had ideas similar to musique concrète , which he was unaware of, while Shibata foresaw the development of synthesizers and predicted a drastic change in music. Sony began producing popular magnetic tape recorders for government and public use. The avant-garde collective Jikken Kōbō (Experimental Workshop), founded in 1950,
3741-402: The direction of electronic music. Another associate of Schaeffer, Edgard Varèse , began work on Déserts , a work for chamber orchestra and tape. The tape parts were created at Pierre Schaeffer's studio and were later revised at Columbia University . In 1950, Schaeffer gave the first public (non-broadcast) concert of musique concrète at the École Normale de Musique de Paris . "Schaeffer used
3828-740: The end of the 1960s, musical groups playing light electronic music appeared in the USSR. At the state level, this music began to be used to attract foreign tourists to the country and for broadcasting to foreign countries. In the mid-1970s, composer Alexander Zatsepin designed an "orchestrolla" – a modification of the mellotron. The Baltic Soviet Republics also had their own pioneers: in Estonian SSR — Sven Grunberg , in Lithuanian SSR — Gedrus Kupriavicius, in Latvian SSR — Opus and Zodiac . The world's first computer to play music
3915-438: The first complete work of computer-assisted composition using algorithmic composition. "... Hiller postulated that a computer could be taught the rules of a particular style and then called on to compose accordingly." Later developments included the work of Max Mathews at Bell Laboratories , who developed the influential MUSIC I program in 1957, one of the first computer programs to play electronic music. Vocoder technology
4002-546: The first programmable synthesizer. Prominent composers such as Vladimir Ussachevsky, Otto Luening, Milton Babbitt , Charles Wuorinen , Halim El-Dabh, Bülent Arel and Mario Davidovsky used the RCA Synthesizer extensively in various compositions. One of the most influential composers associated with the early years of the studio was Egypt's Halim El-Dabh who, after having developed the earliest known electronic tape music in 1944, became more famous for Leiyla and
4089-528: The flute far below its natural range." Both pieces were created at the home of Henry Cowell in Woodstock, New York. After several concerts caused a sensation in New York City, Ussachevsky and Luening were invited onto a live broadcast of NBC's Today Show to do an interview demonstration—the first televised electroacoustic performance. Luening described the event: "I improvised some [flute] sequences for
4176-582: The future)." Word quickly reached New York City. Oliver Daniel telephoned and invited the pair to "produce a group of short compositions for the October concert sponsored by the American Composers Alliance and Broadcast Music, Inc., under the direction of Leopold Stokowski at the Museum of Modern Art in New York. After some hesitation, we agreed. . . . Henry Cowell placed his home and studio in Woodstock, New York, at our disposal. With
4263-441: The group shifting gears again, this time releasing the concept album Hooverphonic Presents Jackie Cane . The album tells the story of the fictional title character, a celebrity and singer catapulted into stardom at the expense of her relationship with her twin sister. Driven to the brink of insanity by the pressures of fame, Jackie quits show business and returns home to attempt reconciliation, where her sister kills them both with
4350-464: The group; however, she backed out of the band on the day they were to sign their contract with Sony Music. The band then brought in Liesje Sadonius to record the album. Sadonius left Hooverphonic on amicable terms shortly after the release of A New Stereophonic Sound Spectacular . Kyoko Baertsoen, singer for fellow Belgian trip hop band Lunascape , filled in for Sadonius for three months of
4437-592: The help of which it was possible to extract various timbres and consonances of a noise nature. In 1958, Evgeny Murzin designed ANS synthesizer , one of the world's first polyphonic musical synthesizers. Founded by Murzin in 1966, the Moscow Experimental Electronic Music Studio became the base for a new generation of experimenters – Eduard Artemyev , Alexander Nemtin [ ru ] , Sándor Kallós , Sofia Gubaidulina , Alfred Schnittke , and Vladimir Martynov . By
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#17327908287574524-547: The influential manifesto The Art of Noises (1913). Developments of the vacuum tube led to electronic instruments that were smaller, amplified , and more practical for performance. In particular, the theremin , ondes Martenot and trautonium were commercially produced by the early 1930s. From the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger and Maria Schuppel to adopt them. They were typically used within orchestras, and most composers wrote parts for
4611-473: The instruments. While some were considered novelties and produced simple tones, the Telharmonium synthesized the sound of several orchestral instruments with reasonable precision. It achieved viable public interest and made commercial progress into streaming music through telephone networks . Critics of musical conventions at the time saw promise in these developments. Ferruccio Busoni encouraged
4698-506: The new lead singer Noémie Wolfs was announced on De Laatste Show at the VRT , the Flemish public broadcasting organization. On 29 October 2010, Hooverphonic announced a new single on their website. The videoclip showcased fourteen possible singers but only one of them, Noémie Wolfs , proved to be the real successor to Geike Arnaert. The single "The Night Before" introduced the new singer and
4785-550: The opening ceremony of the 2000 European Football Championship , which took place in Brussels , Belgium. The result — a 12-minute-long track called "Visions," Hooverphonic's performance at the opening ceremony was heard/seen by more than 1 billion people. On the heels of Tree' s success, the band became the first Belgian outfit to headline the Belgian Rock Werchter musical festival in 2001. 2002 saw
4872-813: The organization of electronic sounds in Mayuzumi's "X, Y, Z for Musique Concrète", and later in Shibata's electronic music by 1956. Modelling the NWDR studio in Cologne, established an NHK electronic music studio in Tokyo in 1954, which became one of the world's leading electronic music facilities. The NHK electronic music studio was equipped with technologies such as tone-generating and audio processing equipment, recording and radiophonic equipment, ondes Martenot, Monochord and Melochord , sine-wave oscillators , tape recorders, ring modulators , band-pass filters , and four- and eight-channel mixers . Musicians associated with
4959-553: The popular Dr. Jekyll and Mr. Hyde in the United States. Experiments with graphical sound were continued by Norman McLaren from the late 1930s. The first practical audio tape recorder was unveiled in 1935. Improvements to the technology were made using the AC biasing technique, which significantly improved recording fidelity. As early as 1942, test recordings were being made in stereo. Although these developments were initially confined to Germany, recorders and tapes were brought to
5046-482: The principle of the theremin . In the 1930s, Nikolai Ananyev invented "sonar", and engineer Alexander Gurov — neoviolena, I. Ilsarov — ilston., A. Rimsky-Korsakov [ ru ] and A. Ivanov — emiriton [ ru ] . Composer and inventor Arseny Avraamov was engaged in scientific work on sound synthesis and conducted a number of experiments that would later form the basis of Soviet electro-musical instruments. In 1956 Vyacheslav Mescherin created
5133-413: The production of electronic music. Also in 1951, Schaeffer and Henry produced an opera, Orpheus , for concrete sounds and voices. By 1951 the work of Schaeffer, composer-percussionist Pierre Henry, and sound engineer Jacques Poullin had received official recognition and The Groupe de Recherches de Musique Concrète , Club d 'Essai de la Radiodiffusion-Télévision Française was established at RTF in Paris,
5220-497: The recorded material using reverberation, echo, voltage controls and re-recording. What resulted is believed to be the earliest tape music composition. The resulting work was entitled The Expression of Zaar and it was presented in 1944 at an art gallery event in Cairo. While his initial experiments in tape-based composition were not widely known outside of Egypt at the time, El-Dabh is also known for his later work in electronic music at
5307-464: The release, the lead singer of the band, Geike Arnaert, announced on 10 October 2008 she would be leaving the band to pursue a solo career. Arnaert had been working on solo material for a few months. The last concert Hooverphonic did with Geike was on 13 December 2008 in Tele-Club, Ekaterinburg , Russia . It was filmed by the local MTV station and was shown on Russian TV in 2009. On 4 November 2010,
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#17327908287575394-427: The return of Geike Arnaert. Also on the same day, they released a new version of "Mad About You" for the song's 20th anniversary. They participated at the Eurovision Song Contest 2021 with the song " The Wrong Place ". They finished the contest in 19th place with 74 points. In May 2021, the band released their eleventh studio album overall and sixth to feature Arnaert as vocalist, Hidden Stories . The album featured
5481-496: The singles The Wrong Place , Thinking About You , Lift Me Up and Belgium In The Rain . Like The Wrong Place , the album went to #1 in the charts. On March 21, 2024 Hooverphonic released the album Fake Is The New Dope , preceded by the singles Don't Think (2023), Por Favor (2023), Then I Found You (2023), the title track (2024) and The Best Day Of Our Life (2024). Belgian newspaper De Standaard headlined: Hooverphonic surprises with introspective new album. It went to #4 in
5568-482: The speeds of recorded tones. Composers began to experiment with newly developed sound-on-film technology. Recordings could be spliced together to create sound collages , such as those by Tristan Tzara , Kurt Schwitters , Filippo Tommaso Marinetti , Walter Ruttmann and Dziga Vertov . Further, the technology allowed sound to be graphically created and modified . These techniques were used to compose soundtracks for several films in Germany and Russia, in addition to
5655-613: The studio album Reflection in 2013. With Orchestra Live features orchestral renditions of songs spanning the Hooverphonic entire career performed live at the Koningin Elisabethzaal in Antwerp . The performance was also released on DVD. In 2016, all the songs from the concert were uploaded on the band's official YouTube channel in high definition. With more than 100 million views, the "Mad About You" performance
5742-666: The studio included Toshiro Mayuzumi, Minao Shibata, Joji Yuasa, Toshi Ichiyanagi , and Toru Takemitsu. The studio's first electronic compositions were completed in 1955, including Mayuzumi's five-minute pieces "Studie I: Music for Sine Wave by Proportion of Prime Number", "Music for Modulated Wave by Proportion of Prime Number" and "Invention for Square Wave and Sawtooth Wave" produced using the studio's various tone-generating capabilities, and Shibata's 20-minute stereo piece "Musique Concrète for Stereophonic Broadcast". The impact of computers continued in 1956. Lejaren Hiller and Leonard Isaacson composed Illiac Suite for string quartet ,
5829-546: The studio of Bebe and Louis Barron . In the same year Columbia University purchased its first tape recorder—a professional Ampex machine—to record concerts. Vladimir Ussachevsky, who was on the music faculty of Columbia University, was placed in charge of the device, and almost immediately began experimenting with it. Herbert Russcol writes: "Soon he was intrigued with the new sonorities he could achieve by recording musical instruments and then superimposing them on one another." Ussachevsky said later: "I suddenly realized that
5916-571: The studio was soon joined by Karlheinz Stockhausen and Gottfried Michael Koenig . In his 1949 thesis Elektronische Klangerzeugung: Elektronische Musik und Synthetische Sprache , Meyer-Eppler conceived the idea to synthesize music entirely from electronically produced signals; in this way, elektronische Musik was sharply differentiated from French musique concrète , which used sounds recorded from acoustical sources. In 1953, Stockhausen composed his Studie I , followed in 1954 by Elektronische Studie II —the first electronic piece to be published as
6003-496: The tape recorder could be treated as an instrument of sound transformation." On Thursday, 8 May 1952, Ussachevsky presented several demonstrations of tape music/effects that he created at his Composers Forum, in the McMillin Theatre at Columbia University. These included Transposition, Reverberation, Experiment, Composition , and Underwater Valse . In an interview, he stated: "I presented a few examples of my discovery in
6090-399: The tape recorder. Ussachevsky then and there put them through electronic transformations." The score for Forbidden Planet , by Louis and Bebe Barron , was entirely composed using custom-built electronic circuits and tape recorders in 1956 (but no synthesizers in the modern sense of the word). In 1929, Nikolai Obukhov invented the " sounding cross " (la croix sonore ), comparable to
6177-412: The theremin that could otherwise be performed with string instruments . Avant-garde composers criticized the predominant use of electronic instruments for conventional purposes. The instruments offered expansions in pitch resources that were exploited by advocates of microtonal music such as Charles Ives , Dimitrios Levidis , Olivier Messiaen and Edgard Varèse . Further, Percy Grainger used
6264-403: The theremin to abandon fixed tonation entirely, while Russian composers such as Gavriil Popov treated it as a source of noise in otherwise-acoustic noise music . Developments in early recording technology paralleled that of electronic instruments. The first means of recording and reproducing audio was invented in the late 19th century with the mechanical phonograph . Record players became
6351-694: The time of their release, both songs were also featured in two separate third-season episodes of La Femme Nikita . Shortly afterwards, Sarah Brightman recorded a cover of "Eden" on her 1998 album Eden . Yoko Kanno samples the opening track "Battersea" in "Cyberbird", on the Ghost in the Shell: Stand Alone Complex O.S.T. 2 . At this point, Frank Duchêne decided to quit the band: "Having made two successful albums for Sony Music with his band Hooverphonic, and after extensive touring as support for Fiona Apple, Moloko & Massive Attack, he
6438-400: The two collaborated on various pieces. Luening described the event: "Equipped with earphones and a flute, I began developing my first tape-recorder composition. Both of us were fluent improvisors and the medium fired our imaginations." They played some early pieces informally at a party, where "a number of composers almost solemnly congratulated us saying, 'This is it' ('it' meaning the music of
6525-465: The work of Earle Brown, Morton Feldman, and Christian Wolff continues to present a brilliant light, for the reason that at the several points of notation, performance, and audition, action is provocative." Cage completed Williams Mix in 1953 while working with the Music for Magnetic Tape Project. The group had no permanent facility, and had to rely on borrowed time in commercial sound studios, including
6612-556: Was CSIRAC , which was designed and built by Trevor Pearcey and Maston Beard. Mathematician Geoff Hill programmed the CSIRAC to play popular musical melodies from the very early 1950s. In 1951 it publicly played the Colonel Bogey March , of which no known recordings exist, only the accurate reconstruction. However, CSIRAC played standard repertoire and was not used to extend musical thinking or composition practice. CSIRAC
6699-698: Was a hit in native Belgium and a minor college hit in the U.S., while "Renaissance Affair" was featured in the North American commercial campaign for the new Volkswagen Vapor Beetle . " This Strange Effect " and " Eden " were both featured in American cell phone commercials: "This Strange Effect" for the Motorola SLVR , and in 2006, "Eden" for the Cingular 8525 . "Eden" was also used in the 1998 slasher film I Still Know What You Did Last Summer . At
6786-579: Was also a major development in this early era. In 1956, Stockhausen composed Gesang der Jünglinge , the first major work of the Cologne studio, based on a text from the Book of Daniel . An important technological development of that year was the invention of the Clavivox synthesizer by Raymond Scott with subassembly by Robert Moog . In 1957, Kid Baltan ( Dick Raaymakers ) and Tom Dissevelt released their debut album, Song Of The Second Moon , recorded at
6873-415: Was built in 1935. however, after World War II, Japanese composers such as Minao Shibata knew of the development of electronic musical instruments. By the late 1940s, Japanese composers began experimenting with electronic music and institutional sponsorship enabled them to experiment with advanced equipment. Their infusion of Asian music into the emerging genre would eventually support Japan's popularity in
6960-464: Was cancelled because of the COVID-19 pandemic . Hooverphonic was the only Eurovision entrant for 2020 who refused to take part in the " Love Shine a Light " performance, where entrants each contributed sections of the song, although a photograph of Cruysberghs was included with the other participants making a hand heart at the end. On 9 November 2020, Cruysberghs was fired from the band to make way for
7047-419: Was conducted by Bruno Maderna , the tape controls were operated by Karlheinz Stockhausen . The title Déserts suggested to Varèse not only "all physical deserts (of sand, sea, snow, of outer space, of empty streets), but also the deserts in the mind of man; not only those stripped aspects of nature that suggest bareness, aloofness, timelessness, but also that remote inner space no telescope can reach, where man
7134-732: Was developed. In the same decade, with a greater reliance on synthesizers and the adoption of programmable drum machines, electronic popular music came to the fore. During the 1990s, with the proliferation of increasingly affordable music technology, electronic music production became an established part of popular culture. In Berlin starting in 1989, the Love Parade became the largest street party with over 1 million visitors, inspiring other such popular celebrations of electronic music. Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music . Pop electronic music
7221-446: Was followed on November 26 by the release of the full-length album The Night Before . The album went platinum in Belgium soon after its release. On 9 November 2011 they announced the re-release of their first album, A New Stereophonic Sound Spectacular . Three more albums were released in the following years featuring Wolfs as main vocalist: the orchestral album With Orchestra and the live album With Orchestra Live in 2012, and
7308-540: Was never recorded, but the music played was accurately reconstructed. The oldest known recordings of computer-generated music were played by the Ferranti Mark 1 computer, a commercial version of the Baby Machine from the University of Manchester in the autumn of 1951. The music program was written by Christopher Strachey . The earliest group of electronic musical instruments in Japan, Yamaha Magna Organ
7395-482: Was offered access to emerging audio technology by Sony. The company hired Toru Takemitsu to demonstrate their tape recorders with compositions and performances of electronic tape music. The first electronic tape pieces by the group were "Toraware no Onna" ("Imprisoned Woman") and "Piece B", composed in 1951 by Kuniharu Akiyama. Many of the electroacoustic tape pieces they produced were used as incidental music for radio, film, and theatre. They also held concerts employing
7482-416: Was the first " movement " of Cinq études de bruits , and marked the beginning of studio realizations and musique concrète (or acousmatic art). Schaeffer employed a disc cutting lathe , four turntables, a four-channel mixer, filters, an echo chamber, and a mobile recording unit. Not long after this, Pierre Henry began collaborating with Schaeffer, a partnership that would have profound and lasting effects on
7569-411: Was unhappy with the project and near the end of 1998, decided to leave" The band followed up Blue Wonder Power Milk with 2000's The Magnificent Tree , which expands on the sound of Milk with a warmer, more approachable sound. Highlights from the album are the string-laden "Out of Sight", " Mad About You ", and the title track. The same year, Hooverphonic was asked to write a song specifically for
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