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84-417: Harpies were generally depicted as birds with the heads of maidens, faces pale with hunger and long claws on their hands. Roman and Byzantine writers detailed their ugliness. Pottery art depicting the harpies featured beautiful women with wings. Ovid described them as human- vultures . To Hesiod , they were imagined as fair-locked and winged maidens, who flew as fast as the wind: [T]he Harpyiai (Harpies) of

168-479: A "poem and a mistake", but his reluctance to disclose specifics has resulted in much speculation among scholars. Ovid is most famous for the Metamorphoses , a continuous mythological narrative in fifteen books written in dactylic hexameters . He is also known for works in elegiac couplets such as Ars Amatoria ("The Art of Love") and Fasti . His poetry was much imitated during Late Antiquity and

252-504: A Tuticanus, whose name, Ovid complains, does not fit into meter. The final poem is addressed to an enemy whom Ovid implores to leave him alone. The last elegiac couplet is translated: "Where's the joy in stabbing your steel into my dead flesh?/ There's no place left where I can be dealt fresh wounds." One loss, which Ovid himself described, is the first five-book edition of the Amores , from which nothing has come down to us. The greatest loss

336-421: A collection of twenty-one poems in elegiac couplets. The Heroides take the form of letters addressed by famous mythological characters to their partners expressing their emotions at being separated from them, pleas for their return, and allusions to their future actions within their own mythology. The authenticity of the collection, partially or as a whole, has been questioned, although most scholars would consider

420-494: A decision of which his father apparently disapproved. Ovid's first recitation has been dated to around 25 BC, when he was eighteen. He was part of the circle centered on the esteemed patron Marcus Valerius Messalla Corvinus , and likewise seems to have been a friend of poets in the circle of Maecenas . In Tristia 4.10.41–54, Ovid mentions friendships with Macer, Propertius , Ponticus and Bassus, and claims to have heard Horace recite. He only barely met Virgil and Tibullus ,

504-472: A doctor and utilizes medical imagery. Some have interpreted this poem as the close of Ovid's didactic cycle of love poetry and the end of his erotic elegiac project. The Metamorphoses , Ovid's most ambitious and well-known work, consists of a 15-book catalogue written in dactylic hexameter about transformations in Greek and Roman mythology set within a loose mytho-historical framework. The word "metamorphoses"

588-609: A fellow member of Messalla's circle, whose elegies he admired greatly. He married three times and had divorced twice by the time he was thirty. He had one daughter and grandchildren through her. His last wife was connected in some way to the influential gens Fabia and helped him during his exile in Tomis (now Constanța in Romania). Ovid spent the first 25 years of his literary career primarily writing poetry in elegiac meter with erotic themes. The chronology of these early works

672-466: A guardian to let the poet see Corinna, poem 6 is a lament for Corinna's dead parrot; poems 7 and 8 deal with Ovid's affair with Corinna's servant and her discovery of it, and 11 and 12 try to prevent Corinna from going on vacation. Poem 13 is a prayer to Isis for Corinna's illness, 14 a poem against abortion, and 19 a warning to unwary husbands. Book 3 has 15 poems. The opening piece depicts personified Tragedy and Elegy fighting over Ovid. Poem 2 describes

756-464: A later addition to the corpus because they are never mentioned by Ovid and may or may not be spurious. The Heroides markedly reveal the influence of rhetorical declamation and may derive from Ovid's interest in rhetorical suasoriae , persuasive speeches, and ethopoeia , the practice of speaking in another character. They also play with generic conventions; most of the letters seem to refer to works in which these characters were significant, such as

840-507: A lover; Ovid then digresses on the story of Vulcan's trap for Venus and Mars . The book ends with Ovid asking his "students" to spread his fame. Book 3 opens with a vindication of women's abilities and Ovid's resolution to arm women against his teaching in the first two books. Ovid gives women detailed instructions on appearance telling them to avoid too many adornments. He advises women to read elegiac poetry, learn to play games, sleep with people of different ages, flirt, and dissemble. Throughout

924-450: A noon tryst, introduces Corinna by name. Poems 8 and 9 deal with Corinna selling her love for gifts, while 11 and 12 describe the poet's failed attempt to arrange a meeting. Poem 14 discusses Corinna's disastrous experiment in dyeing her hair and 15 stresses the immortality of Ovid and love poets. The second book has 19 pieces; the opening poem tells of Ovid's abandonment of a Gigantomachy in favor of elegy . Poems 2 and 3 are entreaties to

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1008-403: A part is that of King Phineus of Thrace , who was given the gift of prophecy by Zeus. Angry that Phineus gave away the god's secret plan, Zeus punished him by blinding him and putting him on an island with a buffet of food which he could never eat because the harpies always arrived to steal the food out of his hands before he could satisfy his hunger. Later writers add that they either devoured

1092-511: A piece on the Rape of the Sabine women , Pasiphaë , and Ariadne . Book 2 invokes Apollo and begins with a telling of the story of Icarus . Ovid advises men to avoid giving too many gifts, keep up their appearance, hide affairs, compliment their lovers, and ingratiate themselves with slaves to stay on their lover's good side. The care of Venus for procreation is described as is Apollo's aid in keeping

1176-405: A poem against criticism (9), and a dream of Cupid (3). Book 4, the final work of Ovid, in 16 poems talks to friends and describes his life as an exile further. Poems 10 and 13 describe Winter and Spring at Tomis, poem 14 is halfhearted praise for Tomis, 7 describes its geography and climate, and 4 and 9 are congratulations on friends for their consulships and requests for help. Poem 12 is addressed to

1260-467: A real bird named after the mythological animal. The term is often used metaphorically to refer to a nasty or annoying woman. In Shakespeare 's Much Ado About Nothing , Benedick spots the sharp-tongued Beatrice approaching and exclaims to the prince, Don Pedro, that he would do an assortment of arduous tasks for him "rather than hold three words conference with this harpy!" In the Middle Ages ,

1344-472: A series of supports and refutations in the short space of five years. Among the supporting reasons Brown presents are: Ovid's exile is only mentioned by his own work, except in "dubious" passages by Pliny the Elder and Statius , but no other author until the 4th century; that the author of Heroides was able to separate the poetic "I" of his own and real life; and that information on the geography of Tomis

1428-405: A teacher of love. Ovid describes the places one can go to find a lover, like the theater, a triumph, which he thoroughly describes, or arena – and ways to get the girl to take notice, including seducing her covertly at a banquet. Choosing the right time is significant, as is getting into her associates' confidence. Ovid emphasizes care of the body for the lover. Mythological digressions include

1512-406: A theory that is little considered among scholars of Latin civilization today: that Ovid was never exiled from Rome and that all of his exile works are the result of his fertile imagination. This theory was supported and rejected in the 1930s, especially by Dutch authors. In 1985, a research paper by Fitton Brown advanced new arguments in support of Hartman's theory. Brown's article was followed by

1596-547: A third. Homer knew of a harpy named Podarge ("fleet-foot"). Aello is sometimes also spelled Aellopus or Nicothoe; Ocypete is sometimes also spelled Ocythoe or Ocypode. Homer called the harpy Podarge as the mother of the two horses ( Balius and Xanthus ) of Achilles sired by the West Wind Zephyrus while according to Nonnus , Xanthus and Podarkes, horses of the Athenian king Erechtheus , were born to Aello and

1680-464: A visit to the races, 3 and 8 focus on Corinna's interest in other men, 10 is a complaint to Ceres because of her festival that requires abstinence, 13 is a poem on a festival of Juno , and 9 a lament for Tibullus . In poem 11 Ovid decides not to love Corinna any longer and regrets the poems he has written about her. The final poem is Ovid's farewell to the erotic muse. Critics have seen the poems as highly self-conscious and extremely playful specimens of

1764-454: Is Ovid's only tragedy, Medea , from which only a few lines are preserved. Quintilian admired the work a great deal and considered it a prime example of Ovid's poetic talent. Lactantius quotes from a lost translation by Ovid of Aratus ' Phaenomena , although the poem's ascription to Ovid is insecure because it is never mentioned in Ovid's other works. A line from a work entitled Epigrammata

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1848-400: Is a didactic elegiac poem in three books that sets out to teach the arts of seduction and love. The first book addresses men and teaches them how to seduce women, the second, also to men, teaches how to keep a lover. The third addresses women and teaches seduction techniques. The first book opens with an invocation to Venus, in which Ovid establishes himself as a praeceptor amoris (1.17) –

1932-674: Is cited by Priscian . Even though it is unlikely, if the last six books of the Fasti ever existed, they constitute a great loss. Ovid also mentions some occasional poetry ( Epithalamium , dirge, even a rendering in Getic ) which does not survive. Also lost is the final portion of the Medicamina . Celaeno Too Many Requests If you report this error to the Wikimedia System Administrators, please include

2016-549: Is going to use his abilities to hurt his enemy. He cites Callimachus' Ibis as his inspiration and calls all the gods to make his curse effective. Ovid uses mythical exempla to condemn his enemy in the afterlife, cites evil prodigies that attended his birth, and then in the next 300 lines wishes that the torments of mythological characters befall his enemy. The poem ends with a prayer that the gods make his curse effective. The Tristia consist of five books of elegiac poetry composed by Ovid in exile in Tomis. Book 1 contains 11 poems;

2100-567: Is not secure, but scholars have established tentative dates. His earliest extant work is thought to be the Heroides , letters of mythological heroines to their absent lovers, which may have been published in 19 BC, although the date is uncertain as it depends on a notice in Am. 2.18.19–26 that seems to describe the collection as an early published work. The authenticity of some of these poems has been challenged, but this first edition probably contained

2184-545: Is of Greek origin and means "transformations". Appropriately, the characters in this work undergo many different transformations. Within an extent of nearly 12,000 verses, almost 250 different myths are mentioned. Each myth is set outdoors where the mortals are often vulnerable to external influences. The poem stands in the tradition of mythological and etiological catalogue poetry such as Hesiod 's Catalogue of Women , Callimachus ' Aetia , Nicander 's Heteroeumena , and Parthenius ' Metamorphoses . The first book describes

2268-565: Is often ranked as one of the three canonical poets of Latin literature . The Imperial scholar Quintilian considered him the last of the Latin love elegists . Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus exiled him to Tomis , the capital of the newly-organised province of Moesia , on the Black Sea , where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to

2352-596: The Aeneid in the case of Dido and Catullus 64 for Ariadne, and transfer characters from the genres of epic and tragedy to the elegiac genre of the Heroides . The letters have been admired for their deep psychological portrayals of mythical characters, their rhetoric, and their unique attitude to the classical tradition of mythology. They also contribute significantly to conversations on how gender and identity were constructed in Augustan Rome. A popular quote from

2436-500: The Ars Amatoria , and is primarily addressed to men. The poem criticizes suicide as a means for escaping love and, invoking Apollo, goes on to tell lovers not to procrastinate and be lazy in dealing with love. Lovers are taught to avoid their partners, not perform magic, see their lover unprepared, take other lovers, and never be jealous. Old letters should be burned and the lover's family avoided. The poem throughout presents Ovid as

2520-550: The Metamorphoses , scholars have focused on Ovid's organization of his vast body of material. The ways that stories are linked by geography, themes, or contrasts creates interesting effects and constantly forces the reader to evaluate the connections. Ovid also varies his tone and material from different literary genres; G. B. Conte has called the poem "a sort of gallery of these various literary genres". In this spirit, Ovid engages creatively with his predecessors, alluding to

2604-510: The Metamorphoses , the Fasti was to be a long poem and emulated etiological poetry by writers like Callimachus and, more recently, Propertius and his fourth book. The poem goes through the Roman calendar, explaining the origins and customs of important Roman festivals, digressing on mythical stories, and giving astronomical and agricultural information appropriate to the season. The poem was probably dedicated to Augustus initially, but perhaps

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2688-420: The Middle Ages , and greatly influenced Western art and literature . The Metamorphoses remains one of the most important sources of classical mythology today. Ovid wrote more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, which gives a lengthy autobiographical account of his life. Other sources include Seneca

2772-476: The battle of the centaurs , and Iphigeneia . The thirteenth book discusses the contest over Achilles' arms , and Polyphemus . The fourteenth moves to Italy, describing the journey of Aeneas , Pomona and Vertumnus , and Romulus and Hersilia . The final book opens with a philosophical lecture by Pythagoras and the deification of Caesar . The end of the poem praises Augustus and expresses Ovid's belief that his poem has earned him immortality. In analyzing

2856-487: The carmen , or song, which was one cause of his banishment. The Ars Amatoria was followed by the Remedia Amoris in the same year. This corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member. By AD 8, Ovid had completed Metamorphoses , a hexameter epic poem in 15 books, which comprehensively catalogs

2940-729: The Argonauts how to pass the Symplegades . Tzetzes explained the origin of the myth pertaining to Phineus, the harpies, and the Boreades in his account. In this late version of the myth it was said that Phineus, due to his old age, became blind, and he has two daughters named Eraseia and Harpyreia . These maidens lived a very libertine and lazy life, abandoning themselves to poverty and fatal famine. Then Zetes and Calais snatched them away somehow, and they disappeared from those places ever since. From this account all myths about them [i.e.,

3024-652: The Elder and Quintilian . Ovid was born in the Paelignian town of Sulmo (modern-day Sulmona , in the province of L'Aquila , Abruzzo), in an Apennine valley east of Rome , to an important equestrian family, the gens Ovidia , on 20 March 43 BC – a significant year in Roman politics. Along with his brother, who excelled at oratory, Ovid was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro . His father wanted him to study rhetoric so that he might practice law. According to Seneca

3108-485: The Elder, Ovid tended to the emotional, not the argumentative pole of rhetoric. Following the death of his brother at 20 years of age, Ovid renounced law and travelled to Athens , Asia Minor , and Sicily . He held minor public posts, as one of the tresviri capitales , as a member of the Centumviral court and as one of the decemviri litibus iudicandis , but resigned to pursue poetry probably around 29–25 BC,

3192-652: The Erinyes. In this form they were agents of punishment who abducted people and tortured them on their way to Tartarus . They were depicted as vicious, cruel, and violent. The harpies were called "the hounds of mighty Zeus " thus "ministers of the Thunderer (Zeus)". Later writers listed the harpies among the guardians of the underworld among other monstrosities including the Centaurs , Scylla , Briareus , Lernaean Hydra , Chimera , Gorgons and Geryon . Their abode

3276-464: The Heroides anticipates Machiavelli's "the end justifies the means". Ovid had written "Exitus acta probat" – the result justifies the means. The Amores is a collection in three books of love poetry in elegiac meter, following the conventions of the elegiac genre developed by Tibullus and Propertius . Elegy originates with Propertius and Tibullus, but Ovid is an innovator in the genre. Ovid changes

3360-522: The North Wind Boreas . Other progeny of Podarge were Phlogeus and Harpagos, horses given by Hermes to the Dioscuri , who competed for the chariot-race in celebration of the funeral games of Pelias . The swift horse Arion was also said to begotten by loud-piping Zephyrus on a harpy (probably Podarge), as attested by Quintus Smyrnaeus . The most celebrated story in which the harpies play

3444-513: The appearance of the Erinyes , cthonic goddesses of vengeance, with those of harpies in the following lines of The Eumenides : Before this man an extraordinary band of women [i.e. the Erinyes] slept, seated on thrones. No! Not women, but rather Gorgons I call them; and yet I cannot compare them to forms of Gorgons either. Once before I saw some creatures in a painting [i.e. harpies], carrying off

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3528-419: The book, Ovid playfully interjects, criticizing himself for undoing all his didactic work to men and mythologically digresses on the story of Procris and Cephalus . The book ends with his wish that women will follow his advice and spread his fame saying Naso magister erat, "Ovid was our teacher". (Ovid was known as "Naso" to his contemporaries. ) This elegiac poem proposes a cure for the love Ovid teaches in

3612-567: The death of the emperor prompted Ovid to change the dedication to honor Germanicus . Ovid uses direct inquiry of gods and scholarly research to talk about the calendar and regularly calls himself a vates , a seer. He also seems to emphasize unsavory, popular traditions of the festivals, imbuing the poem with a popular, plebeian flavor, which some have interpreted as subversive to the Augustan moral legislation. While this poem has always been invaluable to students of Roman religion and culture for

3696-491: The destructive nature of wind). Their name means 'snatchers' or 'swift robbers', and they were said to steal food from their victims while they were eating and carry evildoers (especially those who have killed their families) to the Erinyes . When a person suddenly disappeared from the Earth , it was said that he had been carried off by the harpies. Thus, they carried off the daughters of King Pandareus and gave them as servants to

3780-518: The eerie trees. In Canto XXXIII of Orlando Furioso , author Ludovico Ariosto has the Christian Ethiopian Emperor Senapo ( Prester John ) afflicted with harpies under circumstances nearly identical to those in the myth of Phineus. He has been blinded by God himself, and the harpies contaminate his every meal. Senapo is delivered from this torment by Astolfo , a paladin from the court of Charlemagne . William Blake

3864-476: The elegiac Tristia , a series of poems expressing the poet's despair in exile and advocating his return to Rome, are dated to AD 9–12. The Ibis , an elegiac curse poem attacking an unnamed adversary, may also be dated to this period. The Epistulae ex Ponto , a series of letters to friends in Rome asking them to effect his return, are thought to be his last compositions, with the first three books published in AD 13 and

3948-618: The elegiac genre. About a hundred elegiac lines survive from this poem on beauty treatments for women's faces, which seems to parody serious didactic poetry. The poem says that women should concern themselves first with manners and then prescribes several compounds for facial treatments before breaking off. The style is not unlike the shorter Hellenistic didactic works of Nicander and Aratus .       Si quis in hoc artem populo non novit amandi,            hoc legat et lecto carmine doctus amet. The Ars Amatoria

4032-466: The emperor for forgiveness. Book 3 in 14 poems focuses on Ovid's life in Tomis. The opening poem describes his book's arrival in Rome to find Ovid's works banned. Poems 10, 12, and 13 focus on the seasons spent in Tomis, 9 on the origins of the place, and 2, 3, and 11 his emotional distress and longing for home. The final poem is again an apology for his work. The fourth book has ten poems addressed mostly to friends. Poem 1 expresses his love of poetry and

4116-514: The fact that Ozomene was another name for Electra. The harpies possibly were siblings of the river-god Hydaspes and Arke , as they were called sisters of Iris and children of Thaumas. According to Valerius , Typhoeus ( Typhon ) was said to be the father of these monsters while a different version by Servius told that the harpies were daughters of Pontus and Gaea or of Poseidon . They were named Aello ("storm swift") and Ocypete ("the swift wing"), and Virgil added Celaeno ("the dark") as

4200-647: The feast of Phineus ; but these [i.e. the Erinyes] are wingless in appearance, black, altogether disgusting; they snore with repulsive breaths, they drip from their eyes hateful drops; their attire is not fit to bring either before the statues of the gods or into the homes of men. Bird-bodied, girl-faced things they (Harpies) are; abominable their droppings, their hands are talons, their faces haggard with hunger insatiable They are said to have been feathered, with cocks' heads, wings, and human arms, with great claws; breasts, bellies, and female parts human. The harpies seem originally to have been wind spirits (personifications of

4284-471: The first 14 poems of the collection. The first five-book collection of the Amores , a series of erotic poems addressed to a lover, Corinna, is thought to have been published in 16–15 BC; the surviving version, redacted to three books according to an epigram prefixed to the first book, is thought to have been published c.  8 –3 BC. Between the publications of the two editions of the Amores can be dated

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4368-501: The first piece is an address by Ovid to his book about how it should act when it arrives in Rome. Poem 3 describes his final night in Rome, poems 2 and 10 Ovid's voyage to Tomis, 8 the betrayal of a friend, and 5 and 6 the loyalty of his friends and wife. In the final poem Ovid apologizes for the quality and tone of his book, a sentiment echoed throughout the collection. Book 2 consists of one long poem in which Ovid defends himself and his poetry, uses precedents to justify his work, and begs

4452-464: The first semester of the year, with each book dedicated to a different month of the Roman calendar (January to June). The project seems unprecedented in Roman literature. It seems that Ovid planned to cover the whole year, but was unable to finish because of his exile, although he did revise sections of the work at Tomis, and he claims at Trist. 2.549–52 that his work was interrupted after six books. Like

4536-521: The food themselves, or that they dirtied it by dropping upon it some stinking substance, so as to render it unfit to be eaten. This continued until the arrival of Jason and the Argonauts . Phineus promised to instruct them respecting the course they had to take, if they would deliver him from the harpies. The Boreads , sons of Boreas , the North Wind, who also could fly, succeeded in driving off

4620-507: The formation of the world, the ages of man , the flood , the story of Daphne 's rape by Apollo and Io 's by Jupiter. The second book opens with Phaethon and continues describing the love of Jupiter with Callisto and Europa . The third book focuses on the mythology of Thebes with the stories of Cadmus , Actaeon , and Pentheus . The fourth book focuses on three pairs of lovers: Pyramus and Thisbe , Salmacis and Hermaphroditus , and Perseus and Andromeda . The fifth book focuses on

4704-640: The fourth book between AD 14 and 16. The exile poetry is particularly emotive and personal. In the Epistulae he claims friendship with the natives of Tomis (in the Tristia they are frightening barbarians) and to have written a poem in their language ( Ex Ponto , 4.13.19–20). Yet he pined for Rome – and for his third wife, addressing many poems to her. Some are also to the Emperor Augustus, yet others are to himself, to friends in Rome, and sometimes to

4788-475: The full spectrum of classical poetry. Ovid's use of Alexandrian epic, or elegiac couplets, shows his fusion of erotic and psychological style with traditional forms of epic. A concept drawn from the Metamorphoses is the idea of the white lie or pious fraud : "pia mendacia fraude". Six books in elegiacs survive of this second ambitious poem that Ovid was working on when he was exiled. The six books cover

4872-544: The harpies. According to an ancient oracle, the harpies were to perish by the hands of the Boreades, but the Boreades were to die if they could not overtake the harpies. The harpies fled, but one fell into the river Tigris, which was hence called Harpys, and the other reached the Echinades, and as she never returned, the islands were called Strophades. But being worn out with fatigue, she fell down simultaneously with her pursuer; and, as they promised no further to molest Phineus,

4956-642: The harpies] started, as was also retold by Apollonius in his own story of the Argonauts. Aeneas encountered harpies on the Strophades as they repeatedly made off with the feast the Trojans were setting. Celaeno utters a prophecy: the Trojans will be so hungry they will eat their tables before they reach the end of their journey. The Trojans fled in fear. Harpies remained vivid in the Middle Ages . In Canto XIII of his Inferno , Dante Alighieri envisages

5040-556: The harpy as early as 1243. The harpy also appears in British heraldry, although it remains a peculiarly German device. Ovid Publius Ovidius Naso ( Latin: [ˈpuːbliʊs ɔˈwɪdiʊs ˈnaːso(ː)] ; 20 March 43 BC – AD 17/18), known in English as Ovid ( / ˈ ɒ v ɪ d / OV -id ), was a Roman poet who lived during the reign of Augustus . He was a younger contemporary of Virgil and Horace , with whom he

5124-654: The harpy, referred to in German as the Jungfrauenadler  [ de ] or "maiden eagle" (although it may not have been modeled after the original harpy of Greek mythology), became a popular charge in heraldry , particularly in East Frisia , seen on, among others, the coats-of-arms of Rietberg , Liechtenstein , and the Cirksena . Among the earliest examples is the city of Nuremberg's device, which used

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5208-432: The historical Sappho to Phaon , seems spurious (although referred to in Am. 2.18) because of its length, its lack of integration in the mythological theme, and its absence from Medieval manuscripts. The final letters (16–21) are paired compositions comprising a letter to a lover and a reply. Paris and Helen , Hero and Leander , and Acontius and Cydippe are the addressees of the paired letters. These are considered

5292-412: The leader of his elegies from the poet, to Amor (Love or Cupid). This switch in focus from the triumphs of the poet, to the triumphs of love over people is the first of its kind for this genre of poetry. This Ovidian innovation can be summarized as the use of love as a metaphor for poetry. The books describe the many aspects of love and focus on the poet's relationship with a mistress called Corinna. Within

5376-535: The letters mentioned specifically in Ovid's description of the work at Am. 2.18.19–26 as safe from objection. The collection comprises a new type of generic composition without parallel in earlier literature. The first fourteen letters are thought to comprise the first published collection and are written by the heroines Penelope , Phyllis , Briseis , Phaedra , Oenone , Hypsipyle , Dido , Hermione , Deianeira , Ariadne , Canace , Medea , Laodamia , and Hypermnestra to their absent male lovers. Letter 15, from

5460-431: The lovely hair, Okypete (Ocypete) and Aello, and these two in the speed of their wings keep pace with the blowing winds, or birds in flight, as they soar and swoop, high aloft. Even as early as the time of Aeschylus , harpies were thought to be ugly creatures with wings, and later writers carried their notions of the harpies so far as to represent them as most disgusting monsters. The Pythian priestess of Apollo compares

5544-487: The metamorphoses in Greek and Roman mythology, from the emergence of the cosmos to the apotheosis of Julius Caesar . The stories follow each other in the telling of human beings transformed to new bodies: trees, rocks, animals, flowers, constellations , etc. Simultaneously, he worked on the Fasti , a six-book poem in elegiac couplets on the theme of the calendar of Roman festivals and astronomy. The composition of this poem

5628-457: The poem as a mere justification for something more personal. In exile, Ovid wrote two poetry collections, Tristia and Epistulae ex Ponto , which illustrated his sadness and desolation. Being far from Rome, he had no access to libraries, and thus might have been forced to abandon his Fasti , a poem about the Roman calendar, of which only the first six books exist – January through June. He learned Sarmatian and Getic . The five books of

5712-461: The poems themselves, expressing loneliness and hope of recall from banishment or exile. The obscure causes of Ovid's exile have given rise to much speculation by scholars. The medieval texts that mention the exile offer no credible explanations: their statements seem incorrect interpretations drawn from the works of Ovid. Ovid himself wrote many references to his offense, giving obscure or contradictory clues. In 1923, scholar J. J. Hartman proposed

5796-459: The population's birth rate, were fresh in the Roman mind. Ovid's writing in the Ars Amatoria concerned the serious crime of adultery . He may have been banished for these works, which appeared subversive to the emperor's moral legislation. However, in view of the long time that elapsed between the publication of this work (1 BC) and the exile (AD 8), some authors suggest that Augustus used

5880-613: The premiere of his tragedy Medea , which was admired in antiquity but is no longer extant. Ovid's next poem, the Medicamina Faciei (a fragmentary work on women's beauty treatments), preceded the Ars Amatoria (the Art of Love ), a parody of didactic poetry and a three-book manual about seduction and intrigue, which has been dated to AD 2 (Books 1–2 would go back to 1 BC ). Ovid may identify this work in his exile poetry as

5964-483: The quality of his poetry. The Epistulae ex Ponto is a collection in four books of further poetry from exile. The Epistulae are each addressed to a different friend and focus more desperately than the Tristia on securing his recall from exile. The poems mainly deal with requests for friends to speak on his behalf to members of the imperial family, discussions of writing with friends, and descriptions of life in exile. The first book has ten pieces in which Ovid describes

6048-581: The reason for his exile was carmen et error – "a poem and a mistake", claiming that his crime was worse than murder, more harmful than poetry. The Emperor's grandchildren, Julia the Younger and Agrippa Postumus (the latter adopted by him), were also banished around the same time. Julia's husband, Lucius Aemilius Paullus , was put to death for a conspiracy against Augustus , a conspiracy of which Ovid potentially knew. The Julian marriage laws of 18 BC , which promoted monogamous marriage to increase

6132-438: The solace it brings; while 2 describes a triumph of Tiberius. Poems 3–5 are to friends, 7 a request for correspondence, and 10 an autobiography. The final book of the Tristia with 14 poems focuses on his wife and friends. Poems 4, 5, 11, and 14 are addressed to his wife, 2 and 3 are prayers to Augustus and Bacchus , 4 and 6 are to friends, 8 to an enemy. Poem 13 asks for letters, while 1 and 12 are apologies to his readers for

6216-521: The song of the Muses , which describes the rape of Proserpina . The sixth book is a collection of stories about the rivalry between gods and mortals, beginning with Arachne and ending with Philomela . The seventh book focuses on Medea , as well as Cephalus and Procris . The eighth book focuses on Daedalus ' flight, the Calydonian boar hunt, and the contrast between pious Baucis and Philemon and

6300-471: The state of his health (10), his hopes, memories, and yearning for Rome (3, 6, 8), and his needs in exile (3). Book 2 contains impassioned requests to Germanicus (1 and 5) and various friends to speak on his behalf at Rome while he describes his despair and life in exile. Book 3 has nine poems in which Ovid addresses his wife (1) and various friends. It includes a telling of the story of Iphigenia in Tauris (2),

6384-470: The tortured wood infested with harpies, where the suicides have their punishment in the seventh ring of Hell : Here the repellent harpies make their nests, Who drove the Trojans from the Strophades With dire announcements of the coming woe. They have broad wings, with razor sharp talons and a human neck and face, Clawed feet and swollen, feathered bellies; they caw Their lamentations in

6468-512: The two harpies were not deprived of their lives. According to others, the Boreades were on the point of killing the harpies, when Iris or Hermes appeared and commanded the conquerors to set them free, promising that Phineus would not be bothered by the harpies again. "The dogs of great Zeus" then returned to their "cave in Minoan Crete". Other accounts said that both the harpies as well as the Boreades died. Thankful for their help, Phineus told

6552-441: The various poems, several describe events in the relationship, thus presenting the reader with some vignettes and a loose narrative. Book 1 contains 15 poems. The first tells of Ovid's intention to write epic poetry, which is thwarted when Cupid steals a metrical foot from him, changing his work into love elegy. Poem 4 is didactic and describes principles that Ovid would develop in the Ars Amatoria . The fifth poem, describing

6636-427: The wealth of antiquarian material it preserves, it recently has been seen as one of Ovid's finest literary works and a unique contribution to Roman elegiac poetry. The Ibis is an elegiac poem in 644 lines, in which Ovid uses a dazzling array of mythic stories to curse and attack an enemy who is harming him in exile. At the beginning of the poem, Ovid claims that his poetry up to that point had been harmless, but now he

6720-425: The wicked Erysichthon . The ninth book focuses on Heracles and the incestuous Byblis . The tenth book focuses on stories of doomed love, such as Orpheus , who sings about Hyacinthus , as well as Pygmalion , Myrrha , and Adonis . The eleventh book compares the marriage of Peleus and Thetis with the love of Ceyx and Alcyone . The twelfth book moves from myth to history describing the exploits of Achilles ,

6804-505: Was already known by Virgil , by Herodotus and by Ovid himself in his Metamorphoses . Most scholars, however, oppose these hypotheses. One of the main arguments of these scholars is that Ovid would not let his Fasti remain unfinished, mainly because this poem meant his consecration as an imperial poet. Ovid died at Tomis in AD 17 or 18. It is thought that the Fasti , which he spent time revising, were published posthumously. The Heroides ("Heroines") or Epistulae Heroidum are

6888-602: Was described as either the islands called Strofades , a place at the entrance of Orcus , or a cave in Crete. Hesiod calls them two "lovely-haired" creatures, the daughters of Thaumas and the Oceanid Electra and sisters of Iris . Hyginus , however, cited a certain Ozomene as the mother of the harpies but he also recounted that Electra was also the mother of these beings in the same source. This can be explained by

6972-647: Was inspired by Dante's description in his pencil, ink, and watercolour The Wood of the Self-Murderers: The Harpies and the Suicides (Tate Gallery, London). Harpies also found a role in Shakespeare 's Tempest , where the spirit Ariel tortured the antagonists Antonio, Sebastian, and Alonso for their crimes by staging a banquet scene similar to that in the Aeneid . The harpy eagle is

7056-615: Was interrupted by Ovid's exile, and it is thought that Ovid abandoned work on the piece in Tomis. It is probably in this period that the double letters (16–21) in the Heroides were composed, although there is some contention over their authorship. In AD 8, Ovid was banished to Tomis , on the Black Sea , by the exclusive intervention of the Emperor Augustus without any participation of the Senate or of any Roman judge . This event shaped all his following poetry. Ovid wrote that

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