115-558: Hindol is a Hindustani classical raga from the Kalyan Thaat . According to Indian classical vocalist Pandit Jasraj , Hindol is an ancient raga associated with the spring season and is sung during the first part of the day. The raga emerges from Kalyan Thaat . It is an ancient raga associated with the spring season. The Arohana has five notes. Sa Ga Ma# Dha Ni Dha Sa. The Avarohana has five notes. Sa Ni Dha Ma# Ga Sa. Re and Pa are not used. The only Teevra note used
230-604: A sarkar could turn into a subah , and Parganas were often transferred between sarkars . The hierarchy of division was ambiguous sometimes, as a territory could fall under multiple overlapping jurisdictions. Administrative divisions were also vague in their geography – the Mughal state did not have enough resources or authority to undertake detailed land surveys, and hence the geographical limits of these divisions were not formalised and maps were not created. The Mughals instead recorded detailed statistics about each division, to assess
345-705: A central reference for the Mughal state that dealt with the specifics of the South Asian context. The Mughal Empire also drew on Persian notions of kingship. Particularly, this meant that the Mughal emperor was considered the supreme authority on legal affairs. Various kinds of courts existed in the Mughal Empire. One such court was that of the qadi . The Mughal qadi was responsible for dispensing justice; this included settling disputes, judging people for crimes, and dealing with inheritances and orphans. The qadi also had additional importance in documents, as
460-402: A century of growth and prosperity. A succession of short-lived incompetent and weak rulers, and civil wars over the succession, created political instability at the centre. The Mughals appeared virtually unassailable during the 17th century but, once gone, their imperial overstretch became clear, and the situation could not be recovered. The seemingly innocuous European trading companies, such as
575-623: A clearer expression in what is called Jati in the Dattilam , a text composed shortly after or around the same time as Natya Shastra . The Dattilam is focused on Gandharva music and discusses scales ( swara ), defining a tonal framework called grama in terms of 22 micro-tonal intervals ( shruti ) comprising one octave. It also discusses various arrangements of the notes ( Murchhana ), the permutations and combinations of note-sequences ( tanas ), and alankara or elaboration. Dattilam categorizes melodic structure into 18 groups called Jati , which are
690-578: A few generations (e.g. the Sham Chaurasia gharana). Meanwhile, the Bhakti and Sufi traditions continued to develop and interact with the different gharanas and groups. Until the late 19th century, Hindustani classical music was imparted on a one-on-one basis through the guru-shishya ("mentor-protégé") tradition. This system had many benefits but also several drawbacks. In many cases, the shishya had to spend most of his time, serving his guru with
805-472: A highly centralised, bureaucratic government, most of which was instituted during the rule of the third Mughal emperor Akbar. The central government was headed by the Mughal emperor; immediately beneath him were four ministries. The finance/revenue ministry, headed by an official called a diwan , was responsible for controlling revenues from the empire's territories, calculating tax revenues, and using this information to distribute assignments. The ministry of
920-426: A kind of mobile, "de facto" administrative capital. From the time of Akbar, Mughal camps were huge in scale, accompanied by numerous personages associated with the royal court, as well as soldiers and labourers. All administration and governance were carried out within them. The Mughal Emperors spent a significant portion of their ruling period within these camps. After Aurangzeb, the Mughal capital definitively became
1035-452: A mood of elation and are usually performed towards the end of a concert. They consist of a few lines of bols either from the rhythmic language of Tabla , Pakhawaj , or Kathak dance set to a tune. The singer uses these few lines as a basis for fast improvisation. The tillana of Carnatic music is based on the tarana, although the former is primarily associated with dance. Tappa is a form of Indian semi-classical vocal music whose specialty
1150-509: A new religion, Din-i-Ilahi , with strong characteristics of a ruler cult. He left his son an internally stable state, which was in the midst of its golden age, but before long signs of political weakness would emerge. Jahangir (born Salim, reigned 1605–1627) was born to Akbar and his wife Mariam-uz-Zamani , an Indian Rajput princess. Salim was named after the Indian Sufi saint, Salim Chishti . He "was addicted to opium, neglected
1265-490: A perfect match, which, before Thumri became a solo form, were performed together. Some recent performers of this genre are Abdul Karim Khan , the brothers Barkat Ali Khan and Bade Ghulam Ali Khan , Begum Akhtar , Nirmala Devi , Girija Devi , Prabha Atre , Siddheshwari Devi , Shobha Gurtu , and Chhannulal Mishra . Mughal Empire The Mughal Empire was an early modern empire in South Asia . At its peak,
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#17327868246381380-638: A reference to their descent from the Turco-Mongol conqueror Timur , who took the title Gūrkān 'son-in-law' after his marriage to a Chinggisid princess. The word Mughal (also spelled Mogul or Moghul in English) is the Indo-Persian form of Mongol . The Mughal dynasty's early followers were Chagatai Turks and not Mongols. The term Mughal was applied to them in India by association with
1495-434: A rendition of bandish, with the pakhawaj as an accompaniment. The great Indian musician Tansen sang in the dhrupad style. A lighter form of dhrupad called dhamar , is sung primarily during the spring festival of Holi . Dhrupad was the main form of northern Indian classical music until two centuries ago when it gave way to the somewhat less austere khyal, a more free-form style of singing. Since losing its main patrons among
1610-712: A severe decline in governance, while stability and economic output in the Mughal Deccan plummeted. Aurangzeb is considered the most controversial Mughal emperor, with some historians arguing his religious conservatism and intolerance undermined the stability of Mughal society, while other historians question this, noting that he built Hindu temples , employed significantly more Hindus in his imperial bureaucracy than his predecessors did, opposed bigotry against Hindus and Shia Muslims . Despite these allegations, it has been acknowledged that Emperor Aurangzeb enacted repressive policies towards non-Muslims. A major rebellion by
1725-458: A syncretistic Hindu-Muslim culture, emulating his great-grandfather Akbar. With the support of the Islamic orthodoxy, however, a younger son of Shah Jahan, Aurangzeb ( r. 1658–1707 ), seized the throne. Aurangzeb defeated Dara in 1659 and had him executed. Although Shah Jahan fully recovered from his illness, Aurangzeb kept Shah Jahan imprisoned until he died in 1666. Aurangzeb brought
1840-473: A system where wealth was hoarded by elites, wages were depressed for manual labour . While slavery also existed, it was limited largely to household servants. Indian agricultural production increased under the Mughal Empire. A variety of crops were grown, including food crops such as wheat, rice, and barley , and non-food cash crops such as cotton, indigo and opium . By the mid-17th century, Indian cultivators began to extensively grow two new crops from
1955-606: Is Gauhar, Khandar and Nauharvani.The living legends of this gharana is Pt. Ramjee Mishra A section of dhrupad singers of Delhi Gharana from Mughal emperor Shah Jahan 's court migrated to Bettiah under the patronage of the Bettiah Raj , giving rise to the Bettiah Gharana. Khyal is the modern Hindustani form of vocal music. Khyal, literally meaning "thought" or "imagination" in Hindustani and derived from
2070-496: Is Ma (henceforth represented by Ma#). All other swaras are shuddha . Sa Ga Ma# Dha Ni Dha Ma# Ga Sa. The vadi swara is Dha, and the samvadi is Ga. Audhva – Audhav The raga is to be sung or played on an instrument such as veena , sitar , sehnai , flute, etc., during the first part of the day. The raga has Teevra Madhyam at its heart, and revolves around that note, resting on Dha or Ga. A prominent movement in Hindol
2185-411: Is a Sanskrit scripture describing the theory of music and its applications in not just musical form and systems but also in physics, medicine and magic. It is said that there are two types of sound: āhata (struck/audible) and anāhata (unstruck/inaudible). The inaudible sound is said to be the principle of all manifestation, the basis of all existence. There are three main 'Saptak' which resemble to
2300-562: Is an integral part of the culture of India and is performed across the country and internationally. Exponents of Hindustani classical music, including Ustad Bismillah Khan , Pandit Bhimsen Joshi , and Ravi Shankar have been awarded the Bharat Ratna , the highest civilian award of India, for their contributions to the arts. Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music .The central notion in both systems
2415-458: Is into "melodic modes" or "parent scales", known as thaats , under which most ragas can be classified based on the notes they use. Thaats may consist of up to seven scale degrees, or swara . Hindustani musicians name these pitches using a system called Sargam , the equivalent of the Western movable do solfege : Both systems repeat at the octave. The difference between sargam and solfege
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#17327868246382530-573: Is its rolling pace based on fast, subtle, knotty construction. It originated from the folk songs of the camel riders of Punjab and was developed as a form of classical music by Mian Ghulam Nabi Shori or Shori Mian, a court singer for Asaf-Ud-Dowlah , the Nawab of Awadh . "Nidhubabur Tappa", or tappas sung by Nidhu Babu were very popular in 18th and 19th-century Bengal. Thumri is a semi-classical vocal form said to have begun in Uttar Pradesh with
2645-471: Is primarily vocal-centric, insofar as the musical forms were designed primarily for a vocal performance, and many instruments were designed and evaluated as to how well they emulate the human voice. The major vocal forms or styles associated with Hindustani classical music are dhrupad , khyal , and tarana . Light classical forms include dhamar , trivat , chaiti , kajari , tappa , tap-khyal , thumri , dadra , ghazal and bhajan ; these do not adhere to
2760-638: Is set to a melodic pattern called a raga characterized in part by specific ascent ( aroha ) and descent ( avaroha ) sequences, "king" ( vadi ) and "queen" ( samavadi ) notes and characteristic phrases ( pakad ). Ragas may originate from any source, including religious hymns, folk tunes, and music from outside the Indian subcontinent . For example, raga Khamaj and its variants have been classicized from folk music, while ragas such as Hijaz (also called Basant Mukhari) originated in Persian maqams. The Gandharva Veda
2875-462: Is that of a melodic musical mode or raga , sung to a rhythmic cycle or tala . It is melodic music, with no concept of harmony. These principles were refined in the musical treatises Natya Shastra , by Bharata (2nd–3rd century CE), and Dattilam (probably 3rd–4th century CE). In medieval times, the melodic systems were fused with ideas from Persian music, particularly through the influence of Sufi composers like Amir Khusro , and later in
2990-409: Is that re, ga, ma, dha, and ni can refer to either "Natural" ( shuddha ) or altered "Flat" ( komal ) or "Sharp" ( teevra ) versions of their respective scale degrees. As with movable do solfege, the notes are heard relative to an arbitrary tonic that varies from performance to performance, rather than to fixed frequencies, as on a xylophone. The fine intonational differences between different instances of
3105-475: Is the classical music of the Indian subcontinent 's northern regions. It may also be called North Indian classical music or Uttar Bhartiya shastriya sangeet . The term shastriya sangeet literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena , sitar and sarod . It diverged in the 12th century CE from Carnatic music ,
3220-455: Is the gamak , heavy and forceful oscillations particularly using Ma# and Dha. Its structure and phrasing is the imitation of a swing, hence the name Hindol (Hindola means swing). The Ni in the avarohana is very weak, and in most compositions, it is used obliquely or often entirely avoided. The mostly pure classical genre of music like Khayals or Dhamars are composed in this raga. Hindustani classical music Hindustani classical music
3335-610: Is the goddess of music. Gandharvas are presented as spirits who are musical masters, and the gandharva style looks to music primarily for pleasure, accompanied by the soma rasa. In the Vishnudharmottara Purana , the Naga king Ashvatara asks to know the swaras from Saraswati . While the term raga is articulated in the Natya Shastra (where its meaning is more literal, meaning "color" or "mood"), it finds
3450-461: Is used in instrumental music in dhrupad. Dhrupad music is primarily devotional in theme and content. It contains recitals in praise of particular deities. Dhrupad compositions begin with a relatively long and acyclic alap, where the syllables of the following mantra is recited: " Om Anant tam Taran Tarini Twam Hari Om Narayan, Anant Hari Om Narayan ". The alap gradually unfolds into more rhythmic jod and jhala sections. These sections are followed by
3565-609: The Gandharva Mahavidyalaya music school that he opened in Lahore in 1901, helped foster a movement away from the closed gharana system. Paluskar's contemporary (and occasional rival) Vishnu Narayan Bhatkhande recognized the many rifts that had appeared in the structure of Indian classical music. He undertook extensive research visits to a large number of gharanas, Hindustani as well as Carnatic, collecting and comparing compositions. Between 1909 and 1932, he produced
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3680-523: The kotwal (local police), the faujdar (an officer controlling multiple districts and troops of soldiers), and the most powerful, the subahdar (provincial governor). In some cases, the emperor dispensed justice directly. Jahangir was known to have installed a "chain of justice" in the Agra Fort that any aggrieved subject could shake to get the attention of the emperor and bypass the inefficacy of officials. Self-regulating tribunals operating at
3795-479: The British East Indies Company , played no real part in the initial decline; they were still racing to get permission from the Mughal rulers to establish trades and factories in India. In fiscal terms, the throne lost the revenues needed to pay its chief officers, the emirs (nobles) and their entourages. The emperor lost authority, as the widely scattered imperial officers lost confidence in
3910-709: The First Battle of Panipat in 1526. Through his use of firearms and cannons, he was able to shatter Ibrahim's armies despite being at a numerical disadvantage, expanding his dominion up to the mid Indo-Gangetic Plain . After the battle, the centre of Mughal power shifted to Agra . In the decisive Battle of Khanwa , fought near Agra a year later, the Timurid forces of Babur defeated the combined Rajput armies of Rana Sanga of Mewar , with his native cavalry employing traditional flanking tactics. The preoccupation with wars and military campaigns, however, did not allow
4025-504: The Godavari River . He created a new ruling elite loyal to him, implemented a modern administration, and encouraged cultural developments. He increased trade with European trading companies. India developed a strong and stable economy, leading to commercial expansion and economic development. Akbar allowed freedom of religion at his court and attempted to resolve socio-political and cultural differences in his empire by establishing
4140-537: The ITC Sangeet Research Academy . Meanwhile, Hindustani classical music has become popular across the world through the influence of artists such as Ravi Shankar and Ali Akbar Khan . Indian classical music has seven basic notes with five interspersed half-notes, resulting in a 12-note scale. Unlike the 12-note scale in Western music, the base frequency of the scale is not fixed, and intertonal gaps ( temperament ) may also vary. The performance
4255-481: The Industrial Revolution . Modern historians and researchers generally agree that the character of the Mughal Empire's economic policy resembles the laissez-faire system in dealing with trade and billions to achieve the economic ends. The Mughals were responsible for building an extensive road system and creating a uniform currency. The empire had an extensive road network, which was vital to
4370-519: The Marathas took place following this change, precipitated by the unmitigated state-building of its leader Shivaji in the Deccan. Aurangzeb's son, Bahadur Shah I , repealed the religious policies of his father and attempted to reform the administration. "However, after he died in 1712, the Mughal dynasty began to sink into chaos and violent feuds. In 1719 alone, four emperors successively ascended
4485-552: The Mughal courts, noted composers such as Tansen flourished, along with religious groups like the Vaishnavites . Artists such as Dalptaram , Mirabai , Brahmanand Swami and Premanand Swami revitalized classical Hindustani music in the 16-18th century. After the 16th century, the singing styles diversified into different gharanas patronized in different princely courts. Around 1900, Vishnu Narayan Bhatkhande consolidated
4600-686: The Second Anglo-Maratha War . Thereafter, the British East India Company became the protectors of the Mughal dynasty in Delhi. The British East India Company took control of the former Mughal province of Bengal-Bihar in 1793 after it abolished local rule (Nizamat) that lasted until 1858, marking the beginning of the British colonial era over the Indian subcontinent. By 1857 a considerable part of former Mughal India
4715-593: The Sikh guru Arjan , whose execution was the first of many conflicts between the Mughal Empire and the Sikh community. Shah Jahan (reigned 1628–1658) was born to Jahangir and his wife Jagat Gosain , a Rajput princess. His reign ushered in the golden age of Mughal architecture . During the reign of Shah Jahan, the splendour of the Mughal court reached its peak, as exemplified by the Taj Mahal . The cost of maintaining
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4830-541: The Taj Mahal , which is described as "the jewel of Muslim art in India, and one of the universally admired masterpieces of the world's heritage." The closest to an official name for the empire was Hindustan , which was documented in the Ain-i-Akbari . Mughal administrative records also refer to the empire as "dominion of Hindustan" ( Wilāyat-i-Hindustān ), "country of Hind" ( Bilād-i-Hind ), "Sultanate of Al-Hind" ( Salṭanat(i) al-Hindīyyah ) as observed in
4945-775: The Third Battle of Panipat was fought between the Maratha Empire and the Afghans (led by Ahmad Shah Durrani ) in 1761, in which the Afghans were victorious, the emperor had ignominiously taken temporary refuge with the British to the east. In 1771, the Marathas recaptured Delhi from the Rohillas , and in 1784 the Marathas officially became the protectors of the emperor in Delhi, a state of affairs that continued until
5060-763: The Timurid Empire ) on his father's side, and from Genghis Khan on his mother's side. Paternally, Babur belonged to the Turkicized Barlas tribe of Mongol origin. Ousted from his ancestral domains in Central Asia, Babur turned to India to satisfy his ambitions. He established himself in Kabul and then pushed steadily southward into India from Afghanistan through the Khyber Pass . Babur's forces defeated Ibrahim Lodi , Sultan of Delhi , in
5175-589: The maharajahs and nawabs declined in the early 20th century, so did their patronage. With the expulsion of Wajid Ali Shah to Calcutta after 1857, the Lucknavi musical tradition came to influence the music of the renaissance in Bengal , giving rise to the tradition of Ragpradhan gan around the turn of the century. Raja Chakradhar Singh of Raigarh was the last of the modern-era Maharajas to patronize Hindustani classical musicians, singers and dancers. Also, at
5290-449: The mir saman . Of these ministers, the diwan held the most importance, and typically acted as the wazir (prime minister) of the empire. The empire was divided into Subah (provinces), each of which was headed by a provincial governor called a subadar . The structure of the central government was mirrored at the provincial level; each suba had its own bakhshi , sadr as-sudr , and finance minister that reported directly to
5405-436: The sitar ) were also introduced in his time. Amir Khusrau is sometimes credited with the origins of the khyal form, but the record of his compositions does not appear to support this. The compositions by the court musician Sadarang in the court of Muhammad Shah bear a closer affinity to the modern khyal. They suggest that while khyal already existed in some form, Sadarang may have been the father of modern khyal. Much of
5520-513: The zabt system, the Mughals also conducted extensive cadastral surveying to assess the area of land under plough cultivation, with the Mughal state encouraging greater land cultivation by offering tax-free periods to those who brought new land under cultivation. The expansion of agriculture and cultivation continued under later Mughal emperors including Aurangzeb. Mughal agriculture was in some ways advanced compared to European agriculture at
5635-524: The 'Octaves' in Western Music except they characterize total seven notes or 'swaras' instead of eight. These are-- low ( mandra), medium ( madhya) and high ( tāra ) . Each octave resonates with a certain part of the body, low octave in the heart, medium octave in the throat and high octave in the head. The rhythmic organization is based on rhythmic patterns called tala . The melodic foundations are called ragas. One possible classification of ragas
5750-419: The 1720s. Despite India having its stocks of gold and silver, the Mughals produced minimal gold of their own but mostly minted coins from imported bullion , as a result of the empire's strong export-driven economy, with global demand for Indian agricultural and industrial products drawing a steady stream of precious metals into India. The historian Shireen Moosvi estimates that in terms of contributions to
5865-508: The Americas, maize and tobacco. The Mughal administration emphasised the agrarian reform that began under the non-Mughal emperor Sher Shah Suri, which Akbar adopted and furthered with more reforms. The civil administration was organised hierarchically based on merit, with promotions based on performance. The Mughal government funded the building of irrigation systems across the empire, which produced much higher crop yields and increased
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#17327868246385980-462: The Dhrupad vocalists of this tradition. A Very ancient 500 years old Dhrupad Gharana from Bihar is Dumraon Gharana, Pt. Tilak Chand Dubey , Pt. Ghanarang Baba was founder of this prestigious Gharana.Dumraon Gharana Dist-Buxar is an ancient tradition of Dhrupad music nearly 500 years old. This Gharana flourished under the patronage of the king of Dumraon Raj. The dhrupad style (vanis) of the gharana
6095-865: The Gandharva Mahavidyalaya, a school to impart formal training in Hindustani classical music with some historical Indian Music. This was a school open to all and one of the first in India to run on public support and donations, rather than royal patronage. Many students from the School's early batches became respected musicians and teachers in North India. This brought respect to musicians, who were treated with disdain earlier. This also helped spread of Hindustani classical music to masses from royal courts. Ravana and Narada from Hindu tradition are accomplished musicians; Saraswati with her veena
6210-769: The Hindu culture from their kingdoms. This helped spur the fusion of Hindu and Muslim ideas to bring forth new forms of musical synthesis like qawwali and khyal . The most influential musician of the Delhi Sultanate period was Amir Khusrau (1253–1325), a composer in Persian , Turkish and Arabic , as well as Braj Bhasha . He is credited with systematizing some aspects of Hindustani music and also introducing several ragas such as Yaman Kalyan , Zeelaf and Sarpada . He created six genres of music: khyal, tarana , Naqsh, Gul, Qaul and Qalbana. A number of instruments (such as
6325-702: The Indian Ocean and an increasing demand for Indian raw and finished products generated much wealth for the Mughal court. There was more conspicuous consumption among the Mughal elite, resulting in greater patronage of painting , literary forms, textiles, and architecture , especially during the reign of Shah Jahan . Among the Mughal UNESCO World Heritage Sites in South Asia are: Agra Fort , Fatehpur Sikri , Red Fort , Humayun's Tomb , Lahore Fort , Shalamar Gardens , and
6440-657: The Mongols and to distinguish them from the Afghan elite which ruled the Delhi Sultanate. The term remains disputed by Indologists . In Marshall Hodgson's view, the dynasty should be called Timurid / Timuri or Indo-Timurid . The Mughal Empire was founded by Babur (reigned 1526–1530), a Central Asian ruler who was descended from the Persianized Turco-Mongol conqueror Timur (the founder of
6555-475: The Mughal Empire came into closer contact with Hindus, especially under Jalal ud-Din Akbar , music and dance also flourished. In particular, the musician Tansen introduced a number of innovations, including ragas and particular compositions. Legend has it that upon his rendition of a nighttime raga in the morning, the entire city fell under a hush and clouds gathered in the sky so that he could light fires by singing
6670-441: The Mughal Empire. However, the dispensation of justice also depended on other factors, such as administrative rules, local customs, and political convenience. This was due to Persianate influences on Mughal ideology, and that the Mughal Empire governed a non-Muslim majority. Scholar Mouez Khalfaoui notes that legal institutions in the Mughal Empire systemically suffered from the corruption of local judges. The Mughal Empire followed
6785-427: The Mughal economy, in the late 16th century, the primary sector contributed 52%, the secondary sector 18% and the tertiary sector 29%; the secondary sector contributed a higher percentage than in early 20th-century British India , where the secondary sector only contributed 11% to the economy. In terms of the urban-rural divide, 18% of Mughal India's labour force were urban and 82% were rural, contributing 52% and 48% to
6900-467: The Persian/Arabic term, is a two- to eight-line lyric set to a melody. Khyal contains a greater variety of embellishments and ornamentations compared to dhrupad . Khyal 's features such as sargam and taan as well as movements to incorporate dhrupad-style alap have led to it becoming popular. The importance of the khyal's content is for the singer to depict, through music in the set raga ,
7015-670: The Sunni Hanafi system of jurisprudence. In its early years, the empire relied on Hanafi legal references inherited from its predecessor, the Delhi Sultanate. These included the al-Hidayah (the best guidance) and the Fatawa al-Tatarkhaniyya (religious decisions of the Emire Tatarkhan). During the Mughal Empire's peak, the Fatawa 'Alamgiri was commissioned by Emperor Aurangzeb. This compendium of Hanafi law sought to serve as
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#17327868246387130-489: The affairs of the state, and came under the influence of rival court cliques". Jahangir distinguished himself from Akbar by making substantial efforts to gain the support of the Islamic religious establishment. One way he did this was by bestowing many more madad-i-ma'ash (tax-free personal land revenue grants given to religiously learned or spiritually worthy individuals) than Akbar had. In contrast to Akbar, Jahangir came into conflict with non-Muslim religious leaders, notably
7245-417: The central authorities, and made their deals with local men of influence. The imperial army bogged down in long, futile wars against the more aggressive Marathas , and lost its fighting spirit. Finally came a series of violent political feuds over control of the throne. After the execution of Emperor Farrukhsiyar in 1719, local Mughal successor states took power in region after region. The Mughal Empire had
7360-533: The central government rather than the subahdar . Subas were subdivided into administrative units known as sarkars , which were further divided into groups of villages known as parganas . Mughal government in the pargana consisted of a Muslim judge and local tax collector. Parganas were the basic administrative unit of the Mughal Empire. Mughal administrative divisions were not static. Territories were often rearranged and reconstituted for better administrative control, and to extend cultivation. For example,
7475-561: The classical tradition of Southern India . While Carnatic music largely uses compositions written in Sanskrit , Kannada , Telugu , Tamil , Malayalam , Hindustani music largely uses compositions written in Hindi , Urdu , Braj , Avadhi , Bhojpuri , Bengali , Rajasthani , Marathi and Punjabi . Knowledge of Hindustani classical music is taught through a network of classical music schools, called gharana . Hindustani classical music
7590-436: The community or village level were common, but sparse documentation of them exists. For example, it is unclear how panchayats (village councils) operated in the Mughal era. The Mughal economy was large and prosperous. India was producing 24.5% of the world's manufacturing output up until 1750. Mughal India's economy has been described as a form of proto-industrialization , like that of 18th-century Western Europe before
7705-474: The cost of establishing a new capital was marginal. Situations where two simultaneous capitals happened multiple times in Mughal history. Certain cities also served as short-term, provincial capitals, as was the case with Aurangzeb's shift to Aurangabad in the Deccan . Kabul was the summer capital of Mughals from 1526 to 1681. The imperial camp, used for military expeditions and royal tours, also served as
7820-480: The court of Nawab Wajid Ali Shah , (r. 1847–1856). There are three types of thumri: poorab ang, Lucknavi, and Punjabi thumri. The lyrics are primarily in older, more rural Hindi dialects such as Brij Bhasha , Awadhi , and Bhojpuri . The themes covered are usually romantic in nature, hence giving more importance to lyrics rather than Raag, and bringing out the storytelling qualities of music. The need to express these strong emotional aesthetics makes Thumri and Kathak
7935-541: The court, however, began to exceed the revenue coming in. His reign was called as "The Golden Age of Mughal Architecture". Shah Jahan extended the Mughal Empire to the Deccan by ending the Ahmadnagar Sultanate and forcing the Adil Shahis and Qutb Shahis to pay tribute. Shah Jahan's eldest son, the liberal Dara Shikoh , became regent in 1658, as a result of his father's illness. Dara championed
8050-603: The earliest musical composition sung in the classical tradition called Ashtapadi music . In the 13th century, Sharangadeva composed the Sangita Ratnakara , which has names such as the Turushka Todi ("Turkish Todi "), revealing an influx of ideas from Islamic culture. This text is the last to be mentioned by both the Carnatic and the Hindustani traditions and is often thought to date the divergence between
8165-404: The earliest periods of the common era . Narada 's Sangita Makarandha treatise, from about 1100 CE, is the earliest text where rules similar to those of current Hindustani classical music can be found. Narada actually names and classifies the system in its earlier form before the Persian influences introduced changes in the system. Jayadeva 's Gita Govinda from the 12th century was perhaps
8280-432: The economic infrastructure, built by a public works department set up by the Mughals which designed, constructed and maintained roads linking towns and cities across the empire, making trade easier to conduct. The main base of the empire's collective wealth was agricultural taxes, instituted by the third Mughal emperor, Akbar. These taxes, which amounted to well over half the output of a peasant cultivator, were paid in
8395-479: The economy, respectively. According to Moosvi, Mughal India had a per-capita income, in terms of wheat, 1.24% higher in the late 16th century than British India did in the early 20th century. This income, however, would have to be revised downwards if manufactured goods, like clothing, would be considered. Compared to food per capita, expenditure on clothing was much smaller though, so relative income between 1595 and 1596 should be comparable to 1901–1910. However, in
8510-602: The emotional significance of the khyal. The singer improvises and finds inspiration within the raga to depict the khyal. The origin of Khyal is controversial, although it is accepted that this style was based on dhrupad and influenced by other musical traditions. Many argue that Amir Khusrau created the style in the late 14th century. This form was popularized by Mughal Emperor Mohammad Shah through his court musicians; some well-known composers of this period were Sadarang , Adarang , and Manrang . Another vocal form, taranas are medium- to fast-paced songs that are used to convey
8625-432: The emperor or the sadr-us-sudr (chief of charities). The jurisdiction of the qadi was availed by Muslims and non-Muslims alike. The jagirdar (local tax collector) was another kind of official approach, especially for high-stakes cases. Subjects of the Mughal Empire also took their grievances to the courts of superior officials who held more authority and punitive power than the local qadi . Such officials included
8740-676: The empire also achieved its maximum geographical extent. Reduced subsequently to the region in and around Old Delhi by 1760, the empire was formally dissolved by the British Raj after the Indian Rebellion of 1857 . Although the Mughal Empire was created and sustained by military warfare, it did not vigorously suppress the cultures and peoples it came to rule; rather it equalized and placated them through new administrative practices, and diverse ruling elites, leading to more efficient, centralised, and standardized rule. The base of
8855-622: The empire stretched from the outer fringes of the Indus River Basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India . The Mughal Empire is conventionally said to have been founded in 1526 by Babur , a Timurid chieftain from Transoxiana , who employed aid from
8970-528: The empire to its greatest territorial extent, and oversaw an increase in the Islamicization of the Mughal state. He encouraged conversion to Islam, reinstated the jizya on non-Muslims, and compiled the Fatawa 'Alamgiri , a collection of Islamic law. Aurangzeb also ordered the execution of the Sikh guru Tegh Bahadur , leading to the militarization of the Sikh community. From the imperial perspective, conversion to Islam integrated local elites into
9085-454: The empire's collective wealth was agricultural taxes, instituted by the third Mughal emperor, Akbar. These taxes, which amounted to well over half the output of a peasant cultivator, were paid in the well-regulated silver currency, and caused peasants and artisans to enter larger markets. The relative peace maintained by the empire during much of the 17th century was a factor in India's economic expansion. The burgeoning European presence in
9200-419: The epithet of Emperor Aurangzeb or endonymous identification from emperor Bahadur Shah Zafar as "Land of Hind" ( Hindostān ) in Hindustani . Contemporary Chinese chronicles referred to the empire as Hindustan ( Héndūsītǎn ). In the west, the term " Mughal " was used for the emperor, and by extension, the empire as a whole. The Mughal designation for their dynasty was Gurkani ( Gūrkāniyān ),
9315-596: The fundamental melodic structures similar to the raga . The names of the Jatis reflect regional origins, for example Andhri and Oudichya . Music also finds mention in a number of texts from the Gupta period ; Kalidasa mentions several kinds of veena (Parivadini, Vipanchi ), as well as percussion instruments ( mridang ), the flute ( Vamshi ) and conch ( Shankha ). Music also finds mention in Buddhist and Jain texts from
9430-614: The government-run All India Radio , Bangladesh Betar and Radio Pakistan helped bring the artists to public attention, countering the loss of the patronage system. The first star was Gauhar Jan , whose career was born out of Fred Gaisberg 's first recordings of Indian music in 1902. With the advance of films and other public media, musicians started to make their living through public performances. A number of Gurukuls , such as that of Alauddin Khan at Maihar , flourished. In more modern times, corporate support has also been forthcoming, as at
9545-404: The hope that the guru might teach him a " cheez " (piece or nuance) or two. In addition, the system forced the music to be limited to a small subsection of the Indian community. To a large extent, it was limited to the palaces and dance halls. It was shunned by the intellectuals, avoided by the educated middle class, and in general, looked down upon as a frivolous practice. First, as the power of
9660-579: The huge armies with which they had formerly enforced their rule. Many of the empire's elites now sought to control their affairs and broke away to form independent kingdoms. But lip service continued to be paid to the Mughal Emperor as the highest manifestation of sovereignty. Not only the Muslim gentry, but the Maratha, Hindu, and Sikh leaders took part in ceremonial acknowledgements of the emperor as
9775-565: The independence of Nizam-ul-Mulk, Asaf Jah I in the Deccan, he encouraged the Marathas to invade central and northern India. The Indian campaign of Nader Shah , who had previously reestablished Iranian suzerainty over most of West Asia, the Caucasus, and Central Asia, culminated with the Sack of Delhi shattering the remnants of Mughal power and prestige, and taking off all the accumulated Mughal treasury. The Mughals could no longer finance
9890-771: The junior Dagar brothers, Nasir Zahiruddin and Nasir Faiyazuddin Dagar ; and Wasifuddin , Fariduddin , and Sayeeduddin Dagar . Other leading exponents include the Gundecha Brothers and Uday Bhawalkar , who have received training from some of the Dagars. Leading vocalists outside the Dagar lineage include the Mallik family of Darbhanga tradition of musicians; some of the leading exponents of this tradition were Ram Chatur Mallick, Siyaram Tiwari , and Vidur Mallick. At present Prem Kumar Mallick, Prashant and Nishant Mallick are
10005-425: The king's vision of network of shared identity that would join disparate groups throughout the empire in obedience to the Mughal emperor. He led campaigns from 1682 in the Deccan, annexing its remaining Muslim powers of Bijapur and Golconda, though engaged in a prolonged conflict in the region which had a ruinous effect on the empire. The campaigns took a toll on the Mughal treasury, and Aurangzeb's absence led to
10120-414: The military (army/intelligence) was headed by an official titled mir bakhshi , who was in charge of military organisation, messenger service, and the mansabdari system. The ministry in charge of law/religious patronage was the responsibility of the sadr as-sudr, who appointed judges and managed charities and stipends. Another ministry was dedicated to the imperial household and public works, headed by
10235-655: The monumental four-volume work Hindustani Sangeeta Paddhati , which suggested a transcription of Indian music, and described the many traditions in this notation. Finally, it suggested a possible categorization of ragas based on their notes into a number of thaats (modes), subsequent to the Melakarta system that reorganized Carnatic tradition in the 17th century. The ragas that exist today were categorized according to this scheme, although there are some inconsistencies and ambiguities in Bhatkande's system. In modern times,
10350-564: The musical forms innovated by these pioneers merged with the Hindu tradition, composed in the popular language of the people (as opposed to Sanskrit) in the work of composers like Kabir or Nanak . This can be seen as part of a larger Bhakti tradition (strongly related to the Vaishnavite movement) which remained influential across several centuries; notable figures include Jayadeva (11th century), Vidyapati (fl. 1375 CE), Chandidas (14th–15th century), and Meerabai (1555–1603 CE). As
10465-559: The musical structures of Hindustani classical music, called ragas , into a few thaats based on their notes. This is a very flawed system but is somewhat useful as a heuristic. Distinguished musicians who are Hindu may be addressed as Pandit and those who are Muslim as Ustad . An aspect of Hindustani music going back to Sufi times is the tradition of religious neutrality: Muslim ustads may sing compositions in praise of Hindu deities, and Hindu pandits may sing similar Islamic compositions. Vishnu Digambar Paluskar in 1901 founded
10580-470: The neighbouring Safavid and Ottoman Empires to defeat the Sultan of Delhi , Ibrahim Lodi , in the First Battle of Panipat , and to sweep down the plains of North India . The Mughal imperial structure, however, is sometimes dated to 1600, to the rule of Babur's grandson, Akbar . This imperial structure lasted until 1720, shortly after the death of the last major emperor, Aurangzeb , during whose reign
10695-536: The net revenue base, leading to increased agricultural production. A major Mughal reform introduced by Akbar was a new land revenue system called zabt . He replaced the tribute system, previously common in India and used by Tokugawa Japan at the time, with a monetary tax system based on a uniform currency. The revenue system was biased in favour of higher value cash crops such as cotton, indigo, sugar cane , tree crops, and opium, providing state incentives to grow cash crops, in addition to rising market demand. Under
10810-655: The new emperor to consolidate the gains he had made in India. The instability of the empire became evident under his son, Humayun (reigned 1530–1556), who was forced into exile in Persia by the rebellious Sher Shah Suri (reigned 1540–1545). Humayun's exile in Persia established diplomatic ties between the Safavid and Mughal courts and led to increasing Persian cultural influence in the later restored Mughal Empire. Humayun's triumphant return from Persia in 1555 restored Mughal rule in some parts of India, but he died in an accident
10925-549: The next year. Akbar (reigned 1556–1605) was born Jalal-ud-din Muhammad in the Rajput Umarkot Fort , to Humayun and his wife Hamida Banu Begum , a Persian princess. Akbar succeeded to the throne under a regent, Bairam Khan , who helped consolidate the Mughal Empire in India. Through warfare, Akbar was able to extend the empire in all directions and controlled almost the entire Indian subcontinent north of
11040-533: The production of piece goods , calicos , and muslins . The cotton textile industry was responsible for a large part of the empire's international trade. India had a 25% share of the global textile trade in the early 18th century, and it represented the most important manufactured goods in world trade in the 18th century. The most important centre of cotton production was the Bengal province, particularly around its capital city of Dhaka . The production of cotton
11155-486: The raga "Deepak". At the royal house of Gwalior , Raja Mansingh Tomar (1486–1516 CE) also participated in the shift from Sanskrit to the local idiom ( Hindi ) as the language for classical songs. He himself penned several volumes of compositions on religious and secular themes and was also responsible for the major compilation, the Mankutuhal ("Book of Curiosity"), which outlined the major forms of music prevalent at
11270-562: The rigorous rules of classical music. Dhrupad is an old style of singing, traditionally performed by male singers. It is performed with a tambura and a pakhawaj as instrumental accompaniments. The lyrics, some of which were written in Sanskrit centuries ago, are presently often sung in brajbhasha , a medieval form of North and East Indian languages that were spoken in Eastern India. The rudra veena , an ancient string instrument,
11385-455: The royalty in Indian princely states, dhrupad risked becoming extinct in the first half of the twentieth century. However, the efforts by a few proponents, especially from the Dagar family, have led to its revival. Some of the best known vocalists who sing in the Dhrupad style are the members of the Dagar lineage, including the senior Dagar brothers, Nasir Moinuddin and Nasir Aminuddin Dagar ;
11500-491: The same swara are called srutis . The three primary registers of Indian classical music are mandra (lower), madhya (middle) and taar (upper). Since the octave location is not fixed, it is also possible to use provenances in mid-register (such as mandra-madhya or madhya-taar) for certain ragas. A typical rendition of Hindustani raga involves two stages: Tans are of several types like Shuddha, Koot, Mishra, Vakra, Sapaat, Saral, Chhoot, Halaq, Jabda, Murki Hindustani classical music
11615-417: The seal of the qadi was required to validate deeds and tax records. Qadis did not constitute a single position, but made up a hierarchy. For example, the most basic kind was the pargana (district) qadi . More prestigious positions were those of the qadi al-quddat (judge of judges) who accompanied the mobile imperial camp, and the qadi-yi lashkar (judge of the army). Qadis were usually appointed by
11730-472: The sovereign of India. Meanwhile, some regional polities within the increasingly fragmented Mughal Empire involved themselves and the state in global conflicts, leading only to defeat and loss of territory during conflicts such as the Carnatic wars and Bengal War . The Mughal Emperor Shah Alam II (1759–1806) made futile attempts to reverse the Mughal decline. Delhi was sacked by the Afghans, and when
11845-479: The territory's capacity for revenue, based on simpler land surveys. The Mughals had multiple imperial capitals, established throughout their rule. These were the cities of Agra , Delhi , Lahore , and Fatehpur Sikri . Power often shifted back and forth between these capitals. Sometimes this was necessitated by political and military demands, but shifts also occurred for ideological reasons (for example, Akbar's establishment of Fatehpur Sikri), or even simply because
11960-607: The throne", as figureheads under the rule of a brotherhood of nobles belonging to the Indian Muslim caste known as the Sadaat-e-Bara , whose leaders, the Sayyid Brothers , became the de facto sovereigns of the empire. During the reign of Muhammad Shah (reigned 1719–1748), the empire began to break up, and vast tracts of central India passed from Mughal to Maratha hands. As the Mughals tried to suppress
12075-625: The time, exemplified by the common use of the seed drill among Indian peasants before its adoption in Europe. Geared sugar rolling mills first appeared in Mughal India, using the principle of rollers as well as worm gearing , by the 17th century. South Asia during the Mughal's rule was a very fertile ground for manufacturing technologies coveted by the Europeans before the Industrial Revolution . Up until 1750, India produced about 25% of
12190-550: The time. In particular, the musical form known as dhrupad saw considerable development in his court and remained a strong point of the Gwalior gharana for many centuries. After the dissolution of the Mughal empire, the patronage of music continued in smaller princely kingdoms like Awadh , Patiala , and Banaras , giving rise to the diversity of styles that is today known as gharanas . Many musician families obtained large grants of land which made them self-sufficient, at least for
12305-456: The turn of the century, Vishnu Digambar Paluskar and Vishnu Narayan Bhatkhande spread Hindustani classical music to the masses in general by organizing music conferences, starting schools, teaching music in classrooms, devising a standardized grading and testing system, and standardizing the notation system. Vishnu Digambar Paluskar emerged as a talented musician and organizer despite being blind from age of 12. His books on music, as well as
12420-503: The two. The advent of Islamic rule under the Delhi Sultanate and later the Mughal Empire over northern India caused considerable cultural interchange. Increasingly, musicians received patronage in the courts of the new rulers, who, in turn, started taking an increasing interest in local musical forms. While the initial generations may have been rooted in cultural traditions outside India, they gradually adopted many aspects from
12535-417: The walled city of Shahjahanabad (Old Delhi). The Mughal Empire's legal system was context-specific and evolved throughout the empire's rule. Being a Muslim state, the empire employed fiqh (Islamic jurisprudence) and therefore the fundamental institutions of Islamic law such as those of the qadi (judge), mufti (jurisconsult), and muhtasib (censor and market supervisor) were well-established in
12650-491: The well-regulated silver currency, and caused peasants and artisans to enter larger markets. In circa 1595, Modern historians estimated the state's annual revenues of the Mughal Empire were around 99,000,000 rupees. The Mughals adopted and standardised the rupee ( rupiya , or silver) and dam (copper) currencies introduced by Sur Emperor Sher Shah Suri during his brief rule. The Mughals minted coins with high purity, never dropping below 96%, and without debasement until
12765-482: The world's industrial output. Manufactured goods and cash crops from the Mughal Empire were sold throughout the world. The growth of manufacturing industries in the Indian subcontinent during the Mughal era in the 17th–18th centuries has been referred to as a form of proto-industrialization , similar to 18th-century Western Europe before the Industrial Revolution. In early modern Europe , there
12880-403: Was advanced by the diffusion of the spinning wheel across India shortly before the Mughal era, lowering the costs of yarn and helping to increase demand for cotton. The diffusion of the spinning wheel and the incorporation of the worm gear and crank handle into the roller cotton gin led to greatly expanded Indian cotton textile production during the Mughal era. The Bengal Subah province
12995-517: Was especially prosperous from the time of its takeover by the Mughals in 1590 until the British East India Company seized control in 1757. Historian C. A. Bayly wrote that it was probably the Mughal Empire's wealthiest province. Domestically, much of India depended on Bengali products such as rice, silks and cotton textiles. Overseas, Europeans depended on Bengali products such as cotton textiles, silks, and opium. The province
13110-432: Was significant demand for products from Mughal India, particularly cotton textiles, as well as goods such as spices, peppers, indigo , silks, and saltpetre (for use in munitions ). European fashion , for example, became increasingly dependent on Mughal Indian textiles and silks. The largest manufacturing industry in the Mughal Empire was textile manufacturing , particularly cotton textile manufacturing, which included
13225-476: Was under the East India Company's control. After a crushing defeat in the Indian Rebellion of 1857 which he nominally led, the last Mughal emperor, Bahadur Shah Zafar , was deposed by the British East India Company and exiled in 1858 to Rangoon , Burma. Historians have offered numerous accounts of the several factors involved in the rapid collapse of the Mughal Empire between 1707 and 1720, after
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