Misplaced Pages

Camp Street Theatre

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

Citizenship is a membership and allegiance to a sovereign state .

#370629

128-624: The Camp Street Theatre , American Theatre , or Old American Theatre was a theater in New Orleans between 1824 and 1835. It was founded by James H. Caldwell to replace the St. Philip Street Theatre as the only English theater in New Orleans. It was considered the finest English speaking theater in the South and was the first building in New Orleans with gas lighting . It was replaced by

256-466: A civitas and the social class of the burgher or bourgeoisie . Since then states have expanded the status of citizenship to most of their national people , while the extent of citizen rights remain contested. Conceptually citizenship and nationality are different dimensions of state membership. Citizenship is focused on the internal political life of the state and nationality is the dimension of state membership in international law . Article 15 of

384-410: A collective form of reception. The structure of dramatic texts , unlike other forms of literature , is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus Rex ( c.  429 BCE ) by Sophocles are among the masterpieces of the art of drama. A modern example

512-424: A passport . Though through discriminatory laws, like disfranchisement and outright apartheid citizens have been made second-class citizens . Historically, populations of states were mostly subjects , while citizenship was a particular status which originated in the rights of urban populations, like the rights of the male public of cities and republics , particularly ancient city-states , giving rise to

640-411: A bond, citizenship extends beyond basic kinship ties to unite people of different genetic backgrounds. It usually signifies membership in a political body. It is often based on or was a result of, some form of military service or expectation of future service. It usually involves some form of political participation, but this can vary from token acts to active service in government. It generally describes

768-429: A citizen on a number of bases. Every citizen has obligations that are required by law and some responsibilities that benefit the community. Obeying the laws of a country and paying taxes are some of the obligations required of citizens by law. Voting and community services form part of responsibilities of a citizen that benefits the community. The Constitution of Ghana (1992), Article 41, obligates citizens to promote

896-728: A citizen thereof." Under early U.S. laws, African Americans were not eligible for citizenship. In 1857, these laws were upheld in the US Supreme Court case Dred Scott v. Sandford , which ruled that "a free negro of the African race, whose ancestors were brought to this country and sold as slaves, is not a 'citizen' within the meaning of the Constitution of the United States," and that "the special rights and immunities guaranteed to citizens do not apply to them." It

1024-406: A dancing floor (orchestra), dressing room and scene-building area (skene). Since the words were the most important part, good acoustics and clear delivery were paramount. The actors (always men) wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance -drama that formed an important part of

1152-690: A distinct Canadian Citizenship , automatically conferred upon most individuals born in Canada, with some exceptions, and defined the conditions under which one could become a naturalized citizen. The concept of Commonwealth citizenship was introduced in 1948 in the British Nationality Act 1948 . Other dominions adopted this principle such as New Zealand , by way of the British Nationality and New Zealand Citizenship Act 1948 . Citizenship most usually relates to membership of

1280-468: A few hundred years and, for humanity, that the concept of citizenship arose with the first laws . Polis meant both the political assembly of the city-state as well as the entire society. Citizenship concept has generally been identified as a western phenomenon. There is a general view that citizenship in ancient times was a simpler relation than modern forms of citizenship, although this view has come under scrutiny. The relation of citizenship has not been

1408-472: A fixed or static relation but constantly changed within each society, and that according to one view, citizenship might "really have worked" only at select periods during certain times, such as when the Athenian politician Solon made reforms in the early Athenian state. Citizenship was also contingent on a variety of biopolitical assemblages, such as the bioethics of emerging Theo-Philosophical traditions. It

SECTION 10

#1732787004371

1536-491: A legal member of a specific nation. Modern citizenship has often been looked at as two competing underlying ideas: Responsibilities of citizens Responsibility is an action that individuals of a state or country must take note of in the interest of a common good. These responsibilities can be categorised into personal and civic responsibilities . Scholars suggest that the concept of citizenship contains many unresolved issues, sometimes called tensions, existing within

1664-548: A less discriminatory system. The 1918 constitution of revolutionary Russia granted citizenship to any foreigners who were living within the Russian Soviet Federative Socialist Republic , so long as they were "engaged in work and [belonged] to the working class." It recognized "the equal rights of all citizens, irrespective of their racial or national connections" and declared oppression of any minority group or race "to be contrary to

1792-580: A limited right to free movement and residence in the Member States other than that of which the European Union citizen is a national. Articles 18-21 and 225 provide certain political rights. Union citizens have also extensive rights to move in order to exercise economic activity in any of the Member States which predate the introduction of Union citizenship. Citizenship of the Mercosur

1920-428: A live audience in a specific place, often a stage . The performers may communicate this experience to the audience through combinations of gesture , speech, song, music , and dance . It is the oldest form of drama , though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of

2048-467: A naturalized citizen. The Naturalization Act of 1790 , the first law in U.S. history to establish rules for citizenship and naturalization, barred citizenship to all people who were not of European descent, stating that "any alien being a free white person, who shall have resided within the limits and under the jurisdiction of the United States for the term of two years, maybe admitted to becoming

2176-536: A particular locality, as well as membership in a mercantile or trading class; thus, individuals of respectable means and socioeconomic status were interchangeable with citizens. During this era, members of the nobility had a range of privileges above commoners (see aristocracy ), though political upheavals and reforms, beginning most prominently with the French Revolution , abolished privileges and created an egalitarian concept of citizenship. During

2304-533: A particular type. Kālidāsa in the 1st century BCE, is arguably considered to be ancient India 's greatest Sanskrit dramatist. Three famous romantic plays written by Kālidāsa are the Mālavikāgnimitram ( Mālavikā and Agnimitra ), Vikramuurvashiiya ( Pertaining to Vikrama and Urvashi ), and Abhijñānaśākuntala ( The Recognition of Shakuntala ). The last was inspired by a story in the Mahabharata and

2432-428: A person with legal rights within a given political order. It almost always has an element of exclusion, meaning that some people are not citizens and that this distinction can sometimes be very important, or not important, depending on a particular society. Citizenship as a concept is generally hard to isolate intellectually and compare with related political notions since it relates to many other aspects of society such as

2560-500: A play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). In Ancient Greece however, the word drama encompassed all theatrical plays, tragic, comic, or anything in between. Drama is often combined with music and dance : the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs ; and some forms of drama have incidental music or musical accompaniment underscoring

2688-420: A political one. For further information, see History of citizenship . Citizenship status, under social contract theory, carries with it both rights and duties . In this sense, citizenship was described as "a bundle of rights -- primarily, political participation in the life of the community, the right to vote, and the right to receive certain protection from the community, as well as obligations." Citizenship

SECTION 20

#1732787004371

2816-400: A special elite status, and it can also be seen as a democratizing force and something that everybody has; the concept can include both senses. According to sociologist Arthur Stinchcombe , citizenship is based on the extent that a person can control one's own destiny within the group in the sense of being able to influence the government of the group. One last distinction within citizenship

2944-558: A struggle between the upper-class patrician interests against the lower-order working groups known as the plebeian class. A citizen came to be understood as a person "free to act by law, free to ask and expect the law's protection, a citizen of such and such a legal community, of such and such a legal standing in that community". Citizenship meant having rights to have possessions, immunities, expectations, which were "available in many kinds and degrees, available or unavailable to many kinds of person for many kinds of reason". The law itself

3072-399: A submissive relation with a lord or count, but rather indicated the bond between a person and the state in the rather abstract sense of having rights and duties. The modern idea of citizenship still respects the idea of political participation, but it is usually done through "elaborate systems of political representation at a distance" such as representative democracy . Modern citizenship

3200-432: A subordinate social status but demanded a greater role in the form of citizenship. Membership in guilds was an indirect form of citizenship in that it helped their members succeed financially. The rise of citizenship was linked to the rise of republicanism , according to one account, since independent citizens meant that kings had less power. Citizenship became an idealized, almost abstract, concept, and did not signify

3328-524: A tool for developing dramatic work or skills or as a form for situational comedy. Spolin also became interested in how the process of learning improvisation was applicable to the development of human potential. Spolin's son, Paul Sills popularized improvisational theatre as a theatrical art form when he founded, as its first director, The Second City in Chicago. Having been an important part of human culture for more than 2,500 years, theatre has evolved

3456-421: A vehicle to tell a story qualify as comedies. This may include a modern farce such as Boeing Boeing or a classical play such as As You Like It . Theatre expressing bleak, controversial or taboo subject matter in a deliberately humorous way is referred to as black comedy . Black Comedy can have several genres like slapstick humour, dark and sarcastic comedy. Tragedy, then, is an imitation of an action that

3584-435: A very colourful shadow. The thin rods which controlled their movements were attached to a leather collar at the neck of the puppet. The rods ran parallel to the bodies of the puppet and then turned at a ninety degree angle to connect to the neck. While these rods were visible when the shadow was cast, they laid outside the shadow of the puppet; thus they did not interfere with the appearance of the figure. The rods are attached at

3712-697: A wide range of different theories and practices. Some are related to political or spiritual ideologies, while others are based purely on "artistic" concerns. Some processes focus on a story, some on theatre as event, and some on theatre as catalyst for social change. The classical Greek philosopher Aristotle , in his seminal treatise, Poetics ( c.  335 BCE ) is the earliest-surviving example and its arguments have influenced theories of theatre ever since. In it, he offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama — comedy , tragedy , and

3840-436: Is Long Day's Journey into Night by Eugene O'Neill (1956). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle 's Poetics ( c.  335 BCE ); the earliest work of dramatic theory . The use of "drama" in the narrow sense to designate a specific type of play dates from the 19th century . Drama in this sense refers to

3968-663: Is an ancient form of storytelling that renowned for its elaborate puppet/human and complex musical styles. The earliest evidence is from the late 1st millennium CE, in medieval-era texts and archeological sites. The oldest known record that concerns wayang is from the 9th century. Around 840 AD an Old Javanese (Kawi) inscriptions called Jaha Inscriptions issued by Maharaja Sri Lokapala from Mataram Kingdom in Central Java mentions three sorts of performers: atapukan, aringgit, and abanol. Aringgit means Wayang puppet show, Atapukan means Mask dance show, and abanwal means joke art. Ringgit

Camp Street Theatre - Misplaced Pages Continue

4096-509: Is applied to the totality of the citizens of their constituent countries combined. Citizenship at this level is a secondary concept, with rights deriving from national citizenship. The Maastricht Treaty introduced the concept of citizenship of the European Union . Article 17 (1) of the Treaty on European Union stated that: Citizenship of the Union is hereby established. Every person holding

4224-644: Is described in an 11th-century Javanese poem as a leather shadow figure. Theatre in the medieval Islamic world included puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziyeh , where actors re-enact episodes from Muslim history . In particular, Shia Islamic plays revolved around the istishhād (martyrdom) of Ali 's sons Hasan ibn Ali and Husayn ibn Ali . Secular plays were known as akhraja , recorded in medieval adab literature, though they were less common than puppetry and ta'ziya theatre. Theatre took on many alternative forms in

4352-584: Is granted to eligible citizens of the Southern Common Market member states . It was approved in 2010 through the Citizenship Statute and should be fully implemented by the member countries in 2021 when the program will be transformed in an international treaty incorporated into the national legal system of the countries, under the concept of "Mercosur Citizen". The concept of "Commonwealth Citizenship" has been in place ever since

4480-539: Is known primarily from the substantial papyrus fragments of Menander . Aristotle defined comedy as a representation of laughable people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, the festival also included the Satyr Play . Finding its origins in rural, agricultural rituals dedicated to Dionysus,

4608-418: Is much more passive; action is delegated to others; citizenship is often a constraint on acting, not an impetus to act. Nevertheless, citizens are usually aware of their obligations to authorities and are aware that these bonds often limit what they can do. From 1790 until the mid-twentieth century, United States law used racial criteria to establish citizenship rights and regulate who was eligible to become

4736-417: Is often conflated with nationality in today's English-speaking world, international law does not usually use the term citizenship to refer to nationality ; these two notions are conceptually different dimensions of collective membership. Generally citizenships have no expiration and allow persons to work , reside and vote in the polity, as well as identify with the polity, possibly acquiring

4864-633: Is seen by most scholars as culture-specific, in the sense that the meaning of the term varies considerably from culture to culture, and over time. In China , for example, there is a cultural politics of citizenship which could be called "peopleship", argued by an academic article. How citizenship is understood depends on the person making the determination. The relation of citizenship has never been fixed or static, but constantly changes within each society. While citizenship has varied considerably throughout history, and within societies over time, there are some common elements but they vary considerably as well. As

4992-419: Is serious, complete, and of a certain magnitude: in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. Aristotle's phrase "several kinds being found in separate parts of the play" is a reference to the structural origins of drama. In it

5120-472: Is the most famous. It was the first to be translated into English and German . Śakuntalā (in English translation) influenced Goethe 's Faust (1808–1832). The next great Indian dramatist was Bhavabhuti ( c.  7th century CE ). He is said to have written the following three plays: Malati-Madhava , Mahaviracharita and Uttar Ramacharita . Among these three, the last two cover between them

5248-430: Is the so-called consent descent distinction, and this issue addresses whether citizenship is a fundamental matter determined by a person choosing to belong to a particular nation––by their consent––or is citizenship a matter of where a person was born––that is, by their descent. Some intergovernmental organizations have extended the concept and terminology associated with citizenship to the international level, where it

Camp Street Theatre - Misplaced Pages Continue

5376-789: Is universally acknowledged in the Western critical tradition", Marvin Carlson explains, "almost every detail about his seminal work has aroused divergent opinions." Important theatre practitioners of the 20th century include Konstantin Stanislavski , Vsevolod Meyerhold , Jacques Copeau , Edward Gordon Craig , Bertolt Brecht , Antonin Artaud , Joan Littlewood , Peter Brook , Jerzy Grotowski , Augusto Boal , Eugenio Barba , Dario Fo , Viola Spolin , Keith Johnstone and Robert Wilson (director) . Citizenship Though citizenship

5504-518: Is why actors are commonly called "Children of the Pear Garden". During the dynasty of Empress Ling, shadow puppetry first emerged as a recognized form of theatre in China. There were two distinct forms of shadow puppetry, Pekingese (northern) and Cantonese (southern). The two styles were differentiated by the method of making the puppets and the positioning of the rods on the puppets , as opposed to

5632-546: The 20th century in the realism of Stanislavski and Lee Strasberg , the political theatre of Erwin Piscator and Bertolt Brecht , the so-called Theatre of the Absurd of Samuel Beckett and Eugène Ionesco , American and British musicals, the collective creations of companies of actors and directors such as Joan Littlewood 's Theatre Workshop , experimental and postmodern theatre of Robert Wilson and Robert Lepage ,

5760-508: The City Dionysia as an audience member (or even as a participant in the theatrical productions) in particular—was an important part of citizenship . Civic participation also involved the evaluation of the rhetoric of orators evidenced in performances in the law-court or political assembly , both of which were understood as analogous to the theatre and increasingly came to absorb its dramatic vocabulary. The Greeks also developed

5888-620: The Naturalization Act of 1870 would extend the right to become a naturalized citizen to include "aliens of African nativity and to persons of African descent". Despite the gains made by African Americans after the Civil War, Native Americans , Asians , and others not considered "free white persons" were still denied the ability to become citizens. The 1882 Chinese Exclusion Act explicitly denied naturalization rights to all people of Chinese origin, while subsequent acts passed by

6016-563: The Persian response to news of their military defeat at the Battle of Salamis in 480 BCE—is the notable exception in the surviving drama. When Aeschylus won first prize for it at the City Dionysia in 472 BCE, he had been writing tragedies for more than 25 years, yet its tragic treatment of recent history is the earliest example of drama to survive. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in

6144-509: The Renaissance , people transitioned from being subjects of a king or queen to being citizens of a city and later to a nation. Each city had its own law, courts, and independent administration. And being a citizen often meant being subject to the city's law in addition to having power in some instances to help choose officials. City dwellers who had fought alongside nobles in battles to defend their cities were no longer content with having

6272-492: The St. Charles Theatre and by the New American Theatre , both of which burned down in 1842. This article about a theater building in the United States is a stub . You can help Misplaced Pages by expanding it . Theater Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses , to present experiences of a real or imagined event before

6400-569: The Sundanese and wayang kulit (leather shadow-puppet play) of the Javanese and Balinese —draw much of their repertoire from indigenized versions of the Ramayana and Mahabharata . These tales also provide source material for the wayang wong (human theatre) of Java and Bali , which uses actors. Some wayang golek performances, however, also present Muslim stories, called menak . Wayang

6528-669: The United Kingdom . Canada departed from the principle of nationality being defined in terms of allegiance in 1921. In 1935 the Irish Free State was the first to introduce its own citizenship. However, Irish citizens were still treated as subjects of the Crown , and they are still not regarded as foreign, even though Ireland is not a member of the Commonwealth. The Canadian Citizenship Act of 1946 provided for

SECTION 50

#1732787004371

6656-572: The Universal Declaration of Human Rights states that everyone has the right to nationality. As such nationality in international law can be called and understood as citizenship, or more generally as subject or belonging to a sovereign state , and not as ethnicity. This notwithstanding, around 10 million people are stateless . Today, the concept of full citizenship encompasses not only active political rights, but full civil rights and social rights . A person can be recognized as

6784-414: The family , military service , the individual, freedom , religion , ideas of right, and wrong , ethnicity , and patterns for how a person should behave in society. When there are many different groups within a nation, citizenship may be the only real bond that unites everybody as equals without discrimination—it is a "broad bond" linking "a person with the state" and gives people a universal identity as

6912-559: The high-style , verbally elaborate tragedies of Seneca . Although Rome had a native tradition of performance, the Hellenization of Roman culture in the 3rd century BCE had a profound and energizing effect on Roman theatre and encouraged the development of Latin literature of the highest quality for the stage. The only surviving plays from the Roman Empire are ten dramas attributed to Lucius Annaeus Seneca (4 BCE–65 CE),

7040-516: The postcolonial theatre of August Wilson or Tomson Highway , and Augusto Boal 's Theatre of the Oppressed . Drama is the specific mode of fiction represented in performance . The term comes from a Greek word meaning " action ", which is derived from the verb δράω, dráō , "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience , presupposes collaborative modes of production and

7168-514: The satyr play —as well as lyric poetry , epic poetry , and the dithyramb ). He examines its "first principles" and identifies its genres and basic elements; his analysis of tragedy constitutes the core of the discussion. Aristotle argues that tragedy consists of six qualitative parts, which are (in order of importance) mythos or "plot", ethos or "character", dianoia or "thought", lexis or "diction", melos or "song", and opsis or "spectacle". "Although Aristotle's Poetics

7296-573: The specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts , literature and the arts in general. A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. Modern theatre includes performances of plays and musical theatre . The art forms of ballet and opera are also theatre and use many conventions such as acting , costumes and staging. They were influential in

7424-484: The well-made plays of Scribe and Sardou gave way to the problem plays of Naturalism and Realism ; the farces of Feydeau ; Wagner's operatic Gesamtkunstwerk ; musical theatre (including Gilbert and Sullivan 's operas); F. C. Burnand 's, W. S. Gilbert 's and Oscar Wilde 's drawing-room comedies; Symbolism ; proto- Expressionism in the late works of August Strindberg and Henrik Ibsen ; and Edwardian musical comedy . These trends continued through

7552-465: The 1st century CE. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. The wealth of archeological evidence from earlier periods offers no indication of

7680-407: The 5th century BCE have survived. We have complete texts extant by Aeschylus , Sophocles , and Euripides . The origins of tragedy remain obscure, though by the 5th century BCE it was institutionalized in competitions ( agon ) held as part of festivities celebrating Dionysus (the god of wine and fertility ). As contestants in the City Dionysia's competition (the most prestigious of

7808-553: The Corduba-born Stoic philosopher and tutor of Nero. These tragedies are known for their philosophical themes, complex characters, and rhetorical style. While Seneca's plays provide valuable insights into Roman theater, they represent only a small fraction of the dramatic repertoire that existed in ancient Rome. The first form of Indian theatre was the Sanskrit theatre , earliest-surviving fragments of which date from

SECTION 60

#1732787004371

7936-598: The French had a larger distinction between comedy and tragedy, whereas the English fudged the lines occasionally and put some comedic parts in their tragedies. Common forms of non-comedic plays were sentimental comedies as well as something that would later be called tragédie bourgeoise , or domestic tragedy —that is, the tragedy of common life—were more popular in England because they appealed more to English sensibilities. While theatre troupes were formerly often travelling,

8064-459: The German government passed a law that entitled victims of Nazi persecution and their descendants to become naturalised German citizens. The primary principles of Israeli citizenship is jus sanguinis (citizenship by descent) for Jews and jus soli (citizenship by place of birth) for others. Many theorists suggest that there are two opposing conceptions of citizenship: an economic one, and

8192-507: The Romans first experienced theatre in the 4th century BCE, with a performance by Etruscan actors . Beacham argues that they had been familiar with "pre-theatrical practices" for some time before that recorded contact. The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre , nude dancing, and acrobatics , to the staging of Plautus 's broadly appealing situation comedies , to

8320-648: The US Congress, such as laws in 1906 , 1917 , and 1924 , would include clauses that denied immigration and naturalization rights to people based on broadly defined racial categories. Supreme Court cases such as Ozawa v. the United States (1922) and U.S. v. Bhagat Singh Thind (1923), would later clarify the meaning of the phrase "free white persons," ruling that ethnically Japanese, Indian, and other non-European people were not "white persons", and were therefore ineligible for naturalization under U.S. law. Native Americans were not granted full US citizenship until

8448-761: The West between the 15th and 19th centuries, including commedia dell'arte from Italian theatre , and melodrama . The general trend was away from the poetic drama of the Greeks and the Renaissance and toward a more naturalistic prose style of dialogue, especially following the Industrial Revolution . Theatre took a big pause during 1642 and 1660 in England because of the Puritan Interregnum. The rising anti-theatrical sentiment among Puritans saw William Prynne write Histriomastix (1633),

8576-630: The Woods (1986), and The Phantom of the Opera (1986), as well as more contemporary hits including Rent (1994), The Lion King (1997), Wicked (2003), Hamilton (2015) and Frozen (2018). Musical theatre may be produced on an intimate scale Off-Broadway , in regional theatres , and elsewhere, but it often includes spectacle. For instance, Broadway and West End musicals often include lavish costumes and sets supported by multimillion-dollar budgets. Theatre productions that use humour as

8704-532: The act still contained restrictions regarding who was eligible for US citizenship and retained a national quota system which limited the number of visas given to immigrants based on their national origin, to be fixed "at a rate of one-sixth of one percent of each nationality's population in the United States in 1920". It was not until the passage of the Immigration and Nationality Act of 1965 that these immigration quota systems were drastically altered in favor of

8832-587: The best known of which is Peking Opera which is still popular today. Xiangsheng is a certain traditional Chinese comedic performance in the forms of monologue or dialogue. In Indonesia , theatre performances have become an important part of local culture, theatre performances in Indonesia have been developed for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary traditions (oral and written). The prominent puppet theatres — wayang golek (wooden rod-puppet play) of

8960-437: The citizens of the community. This was not a problem because they all had a strong affinity with the polis; their own destiny and the destiny of the community were strongly linked. Also, citizens of the polis saw obligations to the community as an opportunity to be virtuous, it was a source of honor and respect. In Athens, citizens were both rulers and ruled, important political and judicial offices were rotated and all citizens had

9088-552: The concepts of dramatic criticism and theatre architecture. Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama : tragedy , comedy , and the satyr play . The origins of theatre in ancient Greece, according to Aristotle (384–322 BCE), the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10,000–20,000 people. The stage consisted of

9216-471: The dealings of the pantheon of Gods and their involvement in human affairs, backed by the chorus of Satyrs . However, according to Webster , satyr actors did not always perform typical satyr actions and would break from the acting traditions assigned to the character type of a mythical forest creature. Western theatre developed and expanded considerably under the Romans . The Roman historian Livy wrote that

9344-433: The development of musical theatre . The city-state of Athens is where Western theatre originated. It was part of a broader culture of theatricality and performance in classical Greece that included festivals , religious rituals , politics , law , athletics and gymnastics, music , poetry , weddings, funerals, and symposia . Participation in the city-state's many festivals—and mandatory attendance at

9472-454: The dialogue ( melodrama and Japanese Nō , for example). In certain periods of history (the ancient Roman and modern Romantic ) some dramas have been written to be read rather than performed. In improvisation , the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience. Music and theatre have had a close relationship since ancient times— Athenian tragedy , for example,

9600-484: The elements of theatre, the Treatise gives most attention to acting ( abhinaya ), which consists of two styles: realistic ( lokadharmi ) and conventional ( natyadharmi ), though the major focus is on the latter. Its drama is regarded as the highest achievement of Sanskrit literature . It utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialized in

9728-477: The entire epic of Ramayana . The powerful Indian emperor Harsha (606–648) is credited with having written three plays: the comedy Ratnavali , Priyadarsika , and the Buddhist drama Nagananda . The Tang dynasty is sometimes known as "The Age of 1000 Entertainments". During this era, Ming Huang formed an acting school known as The Pear Garden to produce a form of drama that was primarily musical. That

9856-733: The establishment of the Commonwealth of Nations . As with the EU, one holds Commonwealth citizenship only by being a citizen of a Commonwealth member state. This form of citizenship offers certain privileges within some Commonwealth countries: Although Ireland was excluded from the Commonwealth in 1949 because it declared itself a republic, Ireland is generally treated as if it were still a member. Legislation often specifically provides for equal treatment between Commonwealth countries and Ireland and refers to "Commonwealth countries and Ireland". Ireland's citizens are not classified as foreign nationals in

9984-481: The existence of a tradition of theatre. The ancient Vedas ( hymns from between 1500 and 1000 BCE that are among the earliest examples of literature in the world) contain no hint of it (although a small number are composed in a form of dialogue ) and the rituals of the Vedic period do not appear to have developed into theatre. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been

10112-661: The experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece , from which it borrows technical terminology, classification into genres , and many of its themes , stock characters , and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language , stage writing and

10240-517: The festivals to stage drama) playwrights were required to present a tetralogy of plays (though the individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play. The performance of tragedies at the City Dionysia may have begun as early as 534 BCE; official records ( didaskaliai ) begin from 501 BCE, when the satyr play was introduced. Most Athenian tragedies dramatize events from Greek mythology , though The Persians —which stages

10368-628: The first improvisation form. Popularized by 1997 Nobel Prize in Literature winner Dario Fo and troupes such as the Upright Citizens Brigade improvisational theatre continues to evolve with many different streams and philosophies. Keith Johnstone and Viola Spolin are recognized as the first teachers of improvisation in modern times, with Johnstone exploring improvisation as an alternative to scripted theatre and Spolin and her successors exploring improvisation principally as

10496-529: The fundamental laws of the Republic." The 1918 constitution also established the right to vote and be elected to soviets for both men and women "irrespective of religion, nationality, domicile, etc. [...] who shall have completed their eighteenth year by the day of the election." The later constitutions of the USSR would grant universal Soviet citizenship to the citizens of all member republics in concord with

10624-675: The idea of the national theatre gained support in the 18th century, inspired by Ludvig Holberg . The major promoter of the idea of the national theatre in Germany, and also of the Sturm und Drang poets, was Abel Seyler , the owner of the Hamburgische Entreprise and the Seyler Theatre Company . Through the 19th century , the popular theatrical forms of Romanticism , melodrama , Victorian burlesque and

10752-630: The importance of freedom . Hosking explained: It can be argued that this growth of slavery was what made Greeks particularly conscious of the value of freedom. After all, any Greek farmer might fall into debt and therefore might become a slave, at almost any time ... When the Greeks fought together, they fought in order to avoid being enslaved by warfare, to avoid being defeated by those who might take them into slavery. And they also arranged their political institutions so as to remain free men. Slavery permitted slave-owners to have substantial free time and enabled participation in public life. Polis citizenship

10880-672: The late 19th and early 20th century . After the Edwardian musical comedy that began in the 1890s, the Princess Theatre musicals of the early 20th century, and comedies in the 1920s and 1930s (such as the works of Rodgers and Hammerstein ), with Oklahoma! (1943), musicals moved in a more dramatic direction. Famous musicals over the subsequent decades included My Fair Lady (1956), West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1980), Cats (1981), Into

11008-421: The modern western conception. The obligations of citizenship were deeply connected with everyday life. To be truly human, one had to be an active citizen to the community, which Aristotle famously expressed: "To take no part in the running of the community's affairs is to be either a beast or a god!" This form of citizenship was based on the obligations of citizens towards the community, rather than rights given to

11136-464: The most complete work of dramaturgy in the ancient world. It addresses acting , dance , music , dramatic construction , architecture , costuming , make-up , props , the organisation of companies, the audience, competitions, and offers a mythological account of the origin of theatre. In doing so, it provides indications about the nature of actual theatrical practices. Sanskrit theatre was performed on sacred ground by priests who had been trained in

11264-471: The most notorious attack on theatre prior to the ban. Viewing theatre as sinful, the Puritans ordered the closure of London theatres in 1642 . On 24 January 1643, the actors protested against the ban by writing a pamphlet titled The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses . This stagnant period ended once Charles II came back to

11392-624: The nation's boundaries who did not fit the racial criteria for citizenship. Subjects would have no voting rights, could not hold any position within the state, and possessed none of the other rights and civic responsibilities conferred on citizens. All women were to be conferred "subject" status upon birth, and could only obtain "citizen" status if they worked independently or if they married a German citizen (see women in Nazi Germany ). The final category, aliens, referred to those who were citizens of another state, who also had no rights. In 2021,

11520-421: The nation-state, but the term can also apply at the subnational level. Subnational entities may impose requirements, of residency or otherwise, which permit citizens to participate in the political life of that entity or to enjoy benefits provided by the government of that entity. But in such cases, those eligible are also sometimes seen as "citizens" of the relevant state, province, or region. An example of this

11648-458: The nationality of a Member State shall be a citizen of the Union. Citizenship of the Union shall be additional to and not replace national citizenship. An agreement is known as the amended EC Treaty established certain minimal rights for European Union citizens. Article 12 of the amended EC Treaty guaranteed a general right of non-discrimination within the scope of the Treaty. Article 18 provided

11776-411: The necessary skills (dance, music, and recitation) in a [hereditary process]. Its aim was both to educate and to entertain. Under the patronage of royal courts, performers belonged to professional companies that were directed by a stage manager ( sutradhara ), who may also have acted. This task was thought of as being analogous to that of a puppeteer —the literal meaning of " sutradhara " is "holder of

11904-410: The necks to facilitate the use of multiple heads with one body. When the heads were not being used, they were stored in a muslin book or fabric-lined box. The heads were always removed at night. This was in keeping with the old superstition that if left intact, the puppets would come to life at night. Some puppeteers went so far as to store the heads in one book and the bodies in another, to further reduce

12032-437: The oldest surviving work of dramatic theory —his Poetics ( c.  335 BCE ). Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy", and "New Comedy". Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes , while Middle Comedy is largely lost (preserved only in relatively short fragments in authors such as Athenaeus of Naucratis ). New Comedy

12160-531: The passage of the Indian Citizenship Act in 1924. However, even well into the 1960s, some state laws prevented Native Americans from exercising their full rights as citizens, such as the right to vote. In 1962, New Mexico became the last state to enfranchise Native Americans. It was not until the passage of the Immigration and Nationality Act of 1952 that the racial and gender restrictions for naturalization were explicitly abolished. However,

12288-402: The polis. These small-scale organic communities were generally seen as a new development in world history, in contrast to the established ancient civilizations of Egypt or Persia, or the hunter-gatherer bands elsewhere. From the viewpoint of the ancient Greeks, a person's public life could not be separated from their private life, and Greeks did not distinguish between the two worlds according to

12416-582: The possibility of reanimating puppets. Shadow puppetry is said to have reached its highest point of artistic development in the eleventh century before becoming a tool of the government. In the Song dynasty , there were many popular plays involving acrobatics and music. These developed in the Yuan dynasty into a more sophisticated form known as zaju , with a four- or five-act structure. Yuan drama spread across China and diversified into numerous regional forms, one of

12544-468: The prestige and good name of Ghana and respect the symbols of Ghana. Examples of national symbols includes the Ghanaian flag, coat of arms, money, and state sword. These national symbols must be treated with respect and high esteem by citizens since they best represent Ghanaians. Apart from responsibilities, citizens also have rights. Some of the rights are the right to pursue life, liberty and happiness,

12672-511: The principles of equality under the law , civic participation in government, and notions that "no one citizen should have too much power for too long", but Rome offered relatively generous terms to its captives, including chances for lesser forms of citizenship. If Greek citizenship was an "emancipation from the world of things", the Roman sense increasingly reflected the fact that citizens could act upon material things as well as other citizens, in

12800-428: The principles of non-discrimination laid out in the original 1918 constitution of Russia. Nazism , the German variant of twentieth-century fascism, classified inhabitants of the country into three main hierarchical categories, each of which would have different rights in relation to the state: citizens, subjects, and aliens. The first category, citizens, were to possess full civic rights and responsibilities. Citizenship

12928-583: The relation, that continue to reflect uncertainty about what citizenship is supposed to mean. Some unresolved issues regarding citizenship include questions about what is the proper balance between duties and rights . Another is a question about what is the proper balance between political citizenship versus social citizenship. Some thinkers see benefits with people being absent from public affairs, since too much participation such as revolution can be destructive, yet too little participation such as total apathy can be problematic as well. Citizenship can be seen as

13056-443: The remainder of the Puritans and very religious of the time. The main question was if seeing something immoral on stage affects behaviour in the lives of those who watch it, a controversy that is still playing out today. The seventeenth century had also introduced women to the stage, which was considered inappropriate earlier. These women were regarded as celebrities (also a newer concept, thanks to ideas on individualism that arose in

13184-542: The right to speak and vote in the political assembly. In the Roman Empire , citizenship expanded from small-scale communities to the entirety of the empire. Romans realized that granting citizenship to people from all over the empire legitimized Roman rule over conquered areas. Roman citizenship was no longer a status of political agency, as it had been reduced to a judicial safeguard and the expression of rule and law. Rome carried forth Greek ideas of citizenship such as

13312-408: The right to worship, right to run for elected office and right to express oneself. Many thinkers such as Giorgio Agamben in his work extending the biopolitical framework of Foucault 's History of Sexuality in the book, Homo Sacer , point to the concept of citizenship beginning in the early city-states of ancient Greece , although others see it as primarily a modern phenomenon dating back only

13440-422: The satyr play eventually found its way to Athens in its most well-known form. Satyr's themselves were tied to the god Dionysus as his loyal woodland companions, often engaging in drunken revelry and mischief at his side. The satyr play itself was classified as tragicomedy, erring on the side of the more modern burlesque traditions of the early twentieth century. The plotlines of the plays were typically concerned with

13568-460: The scale of poetry in general (where the tragic divides against epic and lyric ) or at the scale of the drama (where tragedy is opposed to comedy ). In the modern era, tragedy has also been defined against drama, melodrama , the tragicomic , and epic theatre . Improvisation has been a consistent feature of theatre, with the Commedia dell'arte in the sixteenth century being recognized as

13696-452: The seeds of Sanskrit drama. This treatise on grammar from 140 BCE provides a feasible date for the beginnings of theatre in India . The major source of evidence for Sanskrit theatre is A Treatise on Theatre ( Nātyaśāstra ), a compendium whose date of composition is uncertain (estimates range from 200 BCE to 200 CE) and whose authorship is attributed to Bharata Muni . The Treatise is

13824-430: The sense of buying or selling property, possessions, titles, goods. One historian explained: The person was defined and represented through his actions upon things; in the course of time, the term property came to mean, first, the defining characteristic of a human or other being; second, the relation which a person had with a thing; and third, the thing defined as the possession of some person. Roman citizenship reflected

13952-596: The spoken parts were written in the Attic dialect whereas the choral (recited or sung) ones in the Doric dialect , these discrepancies reflecting the differing religious origins and poetic metres of the parts that were fused into a new entity, the theatrical drama . Tragedy refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation . That tradition has been multiple and discontinuous, yet

14080-461: The strings or threads". The performers were trained rigorously in vocal and physical technique. There were no prohibitions against female performers; companies were all-male, all-female, and of mixed gender. Certain sentiments were considered inappropriate for men to enact, however, and were thought better suited to women. Some performers played characters their own age, while others played ages different from their own (whether younger or older). Of all

14208-568: The term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans , in one cultural form; Hellenes and Christians , in a common activity", as Raymond Williams puts it. From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of Aeschylus , Sophocles and Euripides , through its singular articulations in

14336-459: The theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the Hellenistic period . No tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during

14464-721: The throne in 1660 in the Restoration . Theatre (among other arts) exploded, with influence from French culture, since Charles had been exiled in France in the years previous to his reign. In 1660, two companies were licensed to perform, the Duke's Company and the King's Company . Performances were held in converted buildings, such as Lisle's Tennis Court . The first West End theatre , known as Theatre Royal in Covent Garden , London,

14592-532: The time because of his use of floor space and scenery. Because of the turmoil before this time, there was still some controversy about what should and should not be put on the stage. Jeremy Collier , a preacher, was one of the heads in this movement through his piece A Short View of the Immorality and Profaneness of the English Stage . The beliefs in this paper were mainly held by non-theatre goers and

14720-429: The type of play performed by the puppets. Both styles generally performed plays depicting great adventure and fantasy, rarely was this very stylized form of theatre used for political propaganda. Japanese forms of Kabuki , Nō , and Kyōgen developed in the 17th century CE. Cantonese shadow puppets were the larger of the two. They were built using thick leather which created more substantial shadows. Symbolic colour

14848-519: The wake of Renaissance Humanism ), but on the other hand, it was still very new and revolutionary that they were on the stage, and some said they were unladylike, and looked down on them. Charles II did not like young men playing the parts of young women, so he asked that women play their own parts. Because women were allowed on the stage, playwrights had more leeway with plot twists, like women dressing as men, and having narrow escapes from morally sticky situations as forms of comedy. Comedies were full of

14976-475: The works of Shakespeare , Lope de Vega , Racine , and Schiller , to the more recent naturalistic tragedy of Strindberg , Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at

15104-540: The young and very much in vogue, with the storyline following their love lives: commonly a young roguish hero professing his love to the chaste and free minded heroine near the end of the play, much like Sheridan's The School for Scandal . Many of the comedies were fashioned after the French tradition, mainly Molière, again hailing back to the French influence brought back by the King and the Royals after their exile. Molière

15232-457: Was a form of dance - drama that employed a chorus whose parts were sung (to the accompaniment of an aulos —an instrument comparable to the modern oboe ), as were some of the actors' responses and their 'solo songs' ( monodies ). Modern musical theatre is a form of theatre that also combines music, spoken dialogue, and dance. It emerged from comic opera (especially Gilbert and Sullivan ), variety , vaudeville , and music hall genres of

15360-517: Was a kind of bond uniting people. Roman citizenship was more impersonal, universal, multiform, having different degrees and applications. During the European Middle Ages , citizenship was usually associated with cities and towns (see medieval commune ), and applied mainly to middle-class folk. Titles such as burgher , grand burgher (German Großbürger ) and the bourgeoisie denoted political affiliation and identity in relation to

15488-440: Was also very prevalent; a black face represented honesty, a red one bravery. The rods used to control Cantonese puppets were attached perpendicular to the puppets' heads. Thus, they were not seen by the audience when the shadow was created. Pekingese puppets were more delicate and smaller. They were created out of thin, translucent leather (usually taken from the belly of a donkey). They were painted with vibrant paints, thus they cast

15616-519: Was conferred only on males of German (or so-called " Aryan ") heritage who had completed military service, and could be revoked at any time by the state. The Reich Citizenship Law of 1935 established racial criteria for citizenship in the German Reich , and because of this law Jews and others who could not "prove German racial heritage" were stripped of their citizenship. The second category, subjects, referred to all others who were born within

15744-574: Was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane . One of the big changes was the new theatre house. Instead of the type of the Elizabethan era, such as the Globe Theatre , round with no place for the actors to prepare for the next act and with no "theatre manners", the theatre house became transformed into a place of refinement, with a stage in front and stadium seating facing it. Since seating

15872-432: Was marked by exclusivity. Inequality of status was widespread; citizens (πολίτης politēs < πόλις 'city') had a higher status than non-citizens, such as women, slaves, and resident foreigners ( metics ). The first form of citizenship was based on the way people lived in the ancient Greek times, in small-scale organic communities of the polis. The obligations of citizenship were deeply connected to one's everyday life in

16000-422: Was necessary to fit Aristotle's definition of the besouled (the animate) to obtain citizenship: neither the sacred olive tree nor spring would have any rights. An essential part of the framework of Greco-Roman ethics is the figure of Homo Sacer or the bare life. Historian Geoffrey Hosking in his 2005 Modern Scholar lecture course suggested that citizenship in ancient Greece arose from an appreciation for

16128-422: Was no longer all the way around the stage, it became prioritized—some seats were obviously better than others. The king would have the best seat in the house: the very middle of the theatre, which got the widest view of the stage as well as the best way to see the point of view and vanishing point that the stage was constructed around. Philippe Jacques de Loutherbourg was one of the most influential set designers of

16256-521: Was not until the abolition of slavery following the American Civil War that African Americans were granted citizenship rights. The 14th Amendment to the U.S. Constitution , ratified on July 9, 1868, stated that "all persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside." Two years later,

16384-464: Was one of the top comedic playwrights of the time, revolutionizing the way comedy was written and performed by combining Italian commedia dell'arte and neoclassical French comedy to create some of the longest lasting and most influential satiric comedies. Tragedies were similarly victorious in their sense of righting political power, especially poignant because of the recent Restoration of the Crown. They were also imitations of French tragedy, although

#370629