130-508: Love Business is a 1931 Our Gang short comedy film directed by Robert F. McGowan . It was the 104th Our Gang short to be released. Jackie is hopelessly in love with Miss Crabtree, his teacher. At the same time, his sister Mary Ann tells their mother that Jackie is in love with Miss Crabtree. Jackie runs off to school without eating breakfast. Meanwhile, Miss Crabtree becomes a boarder in Jackie's home and moves in later that day. Chubby
260-768: A lithograph company. After establishing Warner Bros. Music, Harry appointed his son, Lewis, to manage the company. By 1931, the studio began to feel the effects of the Great Depression, reportedly losing $ 8 million, and an additional $ 14 million the following year. In 1931, Warner Bros. Music head Lewis Warner died from an infected wisdom tooth . Around that time, Zanuck hired screenwriter Wilson Mizner , who had little respect for authority and found it difficult to work with Jack, but became an asset. As time passed, Warner became more tolerant of Mizner and helped invest in Mizner's Brown Derby restaurant. Mizner died of
390-421: A "gangster studio". The studio's first gangster film, Little Caesar , was a great box office success and Edward G. Robinson starred in many of the subsequent Warner gangster films. The studio's next effort, The Public Enemy , made James Cagney arguably the studio's new top star, and Warner Bros. made more gangster films. "Movie for movie, Warners was the most reliable source of entertainment through
520-485: A Bosko clone. By the end of World War II, a new Schlesinger production team, including directors Friz Freleng (started in 1934), Tex Avery (started in 1935), Frank Tashlin (started in 1936), Bob Clampett (started in 1937), Chuck Jones (started in 1938), and Robert McKimson (started in 1946), was formed. Schlesinger's staff developed a fast-paced, irreverent style that made their cartoons globally popular. In 1935, Avery directed Porky Pig cartoons that established
650-643: A brief suspension in McFarland's work permit, Our Gang went into a four-month hiatus, during which the series was revised to a format similar to its original style and German-born Gus Meins was hired as the new series director. Hi-Neighbor! , released in March 1934, ended the hiatus and was the first series entry directed by Meins, a veteran of the once-competing Buster Brown short subject series. Gordon Douglas served as Meins's assistant director, and Fred Newmeyer alternated directorial duties with Meins for
780-725: A career in features (he returned in 1939 for two shorts, Cousin Wilbur and Dog Daze ). Our Gang was very successful during the 1920s and the early 1930s. However, by 1934, many movie theater owners were increasingly dropping two-reel (20-minute) comedies like Our Gang and the Laurel & Hardy series from their bills and running double feature programs instead. The Laurel & Hardy series went from film shorts to features exclusively in mid 1935. By 1936, Hal Roach began debating plans to discontinue Our Gang until Louis B. Mayer , head of Roach's distributor MGM, persuaded Roach to keep
910-422: A cash settlement. Nevertheless, Cagney left the studio to establish an independent film company with his brother Bill. The Cagneys released their films though Grand National Films ; however, they were not able to get good financing and ran out of money after their third film. Cagney then agreed to return to Warner Bros., after Jack agreed to a contract guaranteeing Cagney would be treated to his own terms. After
1040-540: A dog brought from France after World War I by an American soldier, established their reputation. Rin Tin Tin's third film was the feature Where the North Begins , which was so successful that Jack signed the dog to star in more films for $ 1,000 per week. Rin Tin Tin became the studio's top star. Jack nicknamed him "The Mortgage Lifter" and the success boosted Darryl F. Zanuck 's career. Zanuck eventually became
1170-707: A few films each year under the First National name until 1938. For thirty years, certain Warner productions were identified (mainly for tax purposes) as 'A Warner Bros.–First National Picture.' In the latter part of 1929, Jack Warner hired George Arliss to star in Disraeli , which was a success. Arliss won an Academy Award for Best Actor and went on to star in nine more movies for the studio. In 1930, Harry acquired more theaters in Atlantic City , despite
1300-729: A given name common in the Americas) became Albert Warner. Jack, the youngest brother, was born in London, Ontario , during the family's two-year residency in Canada. The three elder brothers began in the movie theater business, having acquired a movie projector with which they showed films in the mining towns of Pennsylvania and Ohio . In the beginning, Sam and Albert Warner invested $ 150 to present Life of an American Fireman and The Great Train Robbery . They opened their first theater,
1430-412: A handful of shorts. Meins's Our Gang shorts were less improvisational than McGowan's and featured a heavier reliance on dialogue. McGowan returned two years later to direct his Our Gang swan song, Divot Diggers , released in 1936. Retaining McFarland, Matthew Beard, Tommy Bond, and Jerry Tucker, the revised series added Scotty Beckett , Wally Albright , and Billie Thomas , who soon began playing
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#17327811557081560-460: A heart attack on April 3, 1933. By 1932, musicals were declining in popularity, and the studio was forced to cut musical numbers from many productions and advertise them as straight comedies. The public had begun to associate musicals with color, and thus studios began to abandon its use. Warner Bros. had a contract with Technicolor to produce two more pictures in that process. As a result, the first horror films in color were produced and released by
1690-575: A major loan. With this new money, the Warners bought the pioneer Vitagraph Company which had a nationwide distribution system. In 1925, Warners' also experimented in radio, establishing a successful radio station, KFWB , in Los Angeles. Warner Bros. was a pioneer of films with synchronized sound (then known as "talking pictures" or "talkies"). In 1925, at Sam's urging, Warner's agreed to add this feature to their productions. By February 1926,
1820-675: A male child — in Photoplay : "The honors go to a very young lady of color, billed as 'Little Farina.' Scarcely two years old, she goes through each set like a wee, sombre shadow." Daniels and Kornman were very popular and were often paired in Our Gang and a later teen version of the series called The Boy Friends , which Roach produced from 1930 to 1932. Other early Our Gang children were Eugene Jackson as Pineapple, Scooter Lowry , Andy Samuel , Johnny Downs , Winston and Weston Doty , and Jay R. Smith . After Ernie, Mickey and Mary left
1950-546: A mascot to Warner Bros., its various divisions, and Six Flags (which Time Warner once owned). The success of the compilation film The Bugs Bunny/Road Runner Movie in 1979, featuring the archived film of these characters, prompted Warner Bros. to organize Warner Bros. Animation as a new production division to restart production of original material. According to Warner's autobiography, prior to US entry in World War II , Philip Kauffman, Warner Bros. German sales head,
2080-517: A monkey, and so forth. One early Our Gang short, Lodge Night (1924), revolves around the kids forming a parody club based on the Ku Klux Klan (though the Black children are still allowed to join). In their adult years, actors Morrison, Beard, and Thomas defended the series, arguing that the white characters in the series were similarly stereotyped: the "freckle-faced kid", the "fat kid",
2210-413: A month-long strike. In retaliation, Warner—during his 1947 testimony before Congress about Mission to Moscow —accused multiple employees of ties to Communists. By the end of 1947, the studio reached a record net profit of $ 22 million (equivalent to $ 300 million in 2023). Warner acquired Pathé News from RKO in 1947. On January 5, 1948, Warner offered the first color newsreel , covering
2340-428: A net profit of $ 674,158.00. By 1936, contracts of musical and silent stars were not renewed, instead being replaced by tough-talking, working-class types who better fit these pictures. As a result, Dorothy Mackaill , Dolores del Río , Bebe Daniels , Frank Fay , Winnie Lightner , Bernice Claire , Alexander Gray, Alice White , and Jack Mulhall that had characterized the urban, modern, and sophisticated attitude of
2470-468: A new distribution deal with to United Artists and left the short-subjects business. The final Roach-produced short in the Our Gang series, Hide and Shriek , was his final short-subject production. The Little Ranger was the first Our Gang short to be produced in-house at MGM. Gordon Douglas was loaned out from Hal Roach Studios to direct The Little Ranger and another early MGM short, Aladdin's Lantern , while MGM hired newcomer George Sidney as
2600-486: A popular book by former ambassador James W. Gerard , was released. On April 4, 1923, with help from money loaned to Harry by his banker Motley Flint, they formally incorporated as Warner Bros. Pictures, Incorporated . (As late as the 1960s, Warner Bros. claimed 1905 as its founding date.) The first important deal was the acquisition of the rights to Avery Hopwood 's 1919 Broadway play, The Gold Diggers , from theatrical impresario David Belasco . However, Rin Tin Tin ,
2730-431: A result of losses from the Great Depression, and Harry refused to restore it as the company recovered. Zanuck established his own company. Harry thereafter raised salaries for studio employees. In 1933, Warner was able to link up with newspaper tycoon William Randolph Hearst 's Cosmopolitan Films. Hearst had previously worked with MGM, but ended the association after a dispute with head producer Irving Thalberg over
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#17327811557082860-425: A result of their financial problems, Warner Bros. took the next step and released The Jazz Singer starring Al Jolson . This movie, which includes little sound dialogue, but did feature sound segments of Jolson singing, was a sensation. It signaled the beginning of the era of "talking pictures" and the twilight of the silent era. However, Sam died the night before the opening, preventing the brothers from attending
2990-458: A result, Harry Warner—while speaking at a convention of 1,500 independent exhibitors in Milwaukee, Wisconsin—was able to convince the filmmakers to spend $ 500,000 in newspaper advertising, and Harry saw this as an opportunity to establish theaters in places such as New York City and Los Angeles. As the studio prospered, it gained backing from Wall Street , and in 1924 Goldman Sachs arranged
3120-408: A separate interview, Ernie Morrison stated, "When it came to race, Hal Roach was color-blind ." Despite the stereotyping and racial gags, Our Gang's integrated cast caused it to be disliked by certain theater owners in the southern United States. Early in the existence of Our Gang , these theater owners complained to Pathé that Morrison and Hoskins had too much screen time and their prominence in
3250-480: A short-subject series which was essentially a teenaged version of Our Gang . Featuring Our Gang alumni Mickey Daniels and Mary Kornman among its cast, The Boy Friends was produced for two years, with fifteen installments in total. Jackie Cooper left Our Gang in early 1931 just before another wave of cast changes: Farina Hoskins, Chubby Chaney, and Mary Ann Jackson all departed a few months afterward. Our Gang entered another transitional period, similar to that of
3380-518: A top producer and between 1928 and 1933 served as Jack's right-hand man and executive producer , with responsibilities including day-to-day film production. More success came after Ernst Lubitsch was hired as head director; Harry Rapf left the studio to join Metro-Goldwyn-Mayer . Lubitsch's film The Marriage Circle was the studio's most successful film of 1924, and was on The New York Times best list for that year. Despite
3510-515: A top star and signed him to a new contract, tripling his salary. In 1936, Harry's daughter Doris read a copy of Margaret Mitchell's Gone with the Wind and was interested in making a film adaptation. Doris offered Mitchell $ 50,000 for screen rights. Jack vetoed the deal, realizing it would be an expensive production. Major Paramount star George Raft also eventually proved to be a problem for Jack. Warner had signed him in 1939, finally bringing
3640-686: A top star. Following High Sierra and after Raft had once again turned the part down, Bogart was given the leading role in John Huston 's successful 1941 remake of the studio's 1931 pre-Code film, The Maltese Falcon , based upon the Dashiell Hammett novel. Warner's cartoon unit had its roots in the independent Harman and Ising studio. From 1930 to 1933, Walt Disney Studios alumni Hugh Harman and Rudolf Ising produced musical cartoons for Leon Schlesinger , who sold them to Warner. Harman and Ising introduced their character Bosko in
3770-545: A top studio in Hollywood , but this changed after 1935 as other studios, notably MGM, quickly overshadowed the prestige and glamor that previously characterized Warner Bros. However, in the late 1930s, Bette Davis became the studio's top draw and was even dubbed as "The Fifth Warner Brother". In 1935, Cagney sued Jack Warner for breach of contract. Cagney claimed Warner had forced him to star in more films than his contract required. Cagney eventually dropped his lawsuit after
3900-460: A very successful musical under the direction of Lloyd Bacon. Warner assigned Bacon to "more expensive productions including Footlight Parade , Wonder Bar , Broadway Gondolier " (which he also starred in), and Gold Diggers that saved the company from bankruptcy. In the wake of 42nd Street 's success, the studio produced profitable musicals. These starred Ruby Keeler and Dick Powell and were mostly directed by Busby Berkeley . In 1935,
4030-692: Is Pups , became recognizable trademarks of Our Gang , Laurel and Hardy , and the other Roach series and films. Another 1930 short, Teacher's Pet , marked the first use of the Our Gang theme song , "Good Old Days" . Originally composed by Shield for use in Laurel & Hardy's first feature, Pardon Us , "Good Old Days," featuring a notable saxophone solo, served as the series' theme until 1938. Shield and Hatley's scores supported Our Gang's on-screen action regularly through 1934, after which series entries with background scores became less frequent. In 1930, Roach began production on The Boy Friends ,
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4160-402: Is also in love with Miss Crabtree, and practices reciting poetry as Dorothy echos him in parody. At school, Wheezer tells Jackie, Mary Ann, Chubby, Farina, Donald and Bonedust that Miss Crabtree is moving into their house. Jackie has mixed emotions about this. That evening, Miss Crabtree has dinner with Jackie, Mary Ann, Wheezer and their mother. Mothballs fell into the soup a bit earlier, giving
4290-523: The "He-Man Woman Haters Club" from Hearts Are Thumps and Mail and Female (both 1937), the Laurel and Hardy-ish interaction between Alfalfa and Spanky, and the comic tag-along team of Porky and Buckwheat. Roach produced the final two-reel Our Gang short, a high-budget musical special entitled Our Gang Follies of 1938 , in 1937 as a parody of MGM's Broadway Melody of 1938 . In Follies of 1938 , Alfalfa, who aspires to be an opera singer, falls asleep and dreams that his old pal Spanky has become
4420-663: The Cascade , in New Castle, Pennsylvania , in 1903. When the original building was in danger of being demolished, the modern Warner Bros. called the current building owners and arranged to save it. The owners noted people across the country had asked them to protect it for its historical significance. In 1904, the Warners founded the Pittsburgh -based Duquesne Amusement & Supply Company, to distribute films. In 1912, Harry Warner hired an auditor named Paul Ashley Chase . By
4550-570: The Jim Crow era of racial segregation in the United States . The franchise began in 1922 as a silent short subject series produced by the Roach studio and released by Pathé Exchange . Roach changed distributors from Pathé to Metro-Goldwyn-Mayer (MGM) in 1927, and the series entered its most popular period after converting to sound in 1929. Production continued at Roach until 1938, when
4680-474: The Jim Crow era, is notable for being one of the first in cinema history in which African Americans and White Americans were portrayed as equals. The five black child actors who held main roles in the series were Ernie Morrison , Eugene Jackson , Allen Hoskins , Matthew Beard and Billie Thomas . Ernie Morrison was, in fact, the first black actor signed to a long-term contract in Hollywood history and
4810-512: The Laurel and Hardy films, Our Gang shorts were produced from 1922 to 1944, spanning the silent film and early sound film periods of American cinema . Our Gang is noted for showing children behaving in a relatively natural way; Roach and original director Robert F. McGowan worked to film the unaffected, raw nuances apparent in regular children, rather than have them imitate adult acting styles. The series also broke new ground by portraying white and black children interacting as equals during
4940-514: The Our Gang production unit was sold to MGM, where production continued until 1944. Across 220 short films and a feature-film spin-off, General Spanky , the Our Gang series featured more than 41 child actors as regular members of its cast. As MGM retained the rights to the Our Gang trademark after buying the series, the Roach-produced Our Gang sound films were re-released to theaters and syndicated for television under
5070-585: The Poverty Row section of Hollywood, and acquire a much larger studio lot in Burbank . They expanded by acquiring the Stanley Corporation, a major theater chain. This gave them a share in rival First National Pictures , of which Stanley owned one-third. In a bidding war with William Fox , Warner Bros. bought more First National shares on September 13, 1928; Jack also appointed Zanuck as
5200-818: The Tournament of Roses Parade and the Rose Bowl Game . In 1948, Bette Davis, still their top actress and now hostile to Jack, was a big problem for Harry after she and others left the studio after completing the film Beyond the Forest . Warner was a party to the United States v. Paramount Pictures, Inc. antitrust case of the 1940s. This action, brought by the Justice Department and the Federal Trade Commission , claimed
5330-522: The Warner Bros. Television Group . Bugs Bunny , a character created for the Looney Tunes series, is the company's official mascot. The company's name originated from the founding Warner brothers (born Wonsal, Woron, and Wonskolaser before Anglicization): Harry , Albert , Sam , and Jack Warner. Harry, Albert and Sam emigrated as young children with their Polish-Jewish mother to
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5460-480: The box office and the studio's net loss increased. During this time, Harry and six other movie studio figures were indicted for conspiracy to violate the Sherman Antitrust Act , through an attempt to gain a monopoly over St Louis movie theaters. In 1935, Harry was put on trial; after a mistrial, Harry sold the company's movie theaters and the case was never reopened. 1935 also saw the studio make
5590-401: The "neighborhood bully", the "pretty blond girl", and the "mischievous toddler". In an interview on Tom Snyder 's The Tomorrow Show in 1974, Matthew Beard said of his time in the series that "I feel it was great. Some of the lines I had to say I didn't like, but I never look at it like that. I just try to look at it as mostly a fun thing. We were just a group of kids who were having fun." In
5720-464: The 1920s gave way to James Cagney , Joan Blondell , Edward G. Robinson , Warren William and Barbara Stanwyck , who would be more acceptable to the common man. The studio was one of the most prolific producers of Pre-Code pictures and had a lot of trouble with the censors once they started clamping down on what they considered indecency (around 1934). As a result, Warner Bros. turned to historical pictures from around 1935 to avoid confrontations with
5850-410: The 1990s home video market. This article related to a short comedy film is a stub . You can help Misplaced Pages by expanding it . Our Gang Our Gang (also known as The Little Rascals or Hal Roach's Rascals ) is an American series of comedy short films chronicling a group of poor neighborhood children and their adventures. Created by film producer Hal Roach , also the producer of
5980-499: The B's". Foy was able to garnish arguably more profits than any other B-film producer at the time. During Foy's time at the studio, however, Warner fired him seven different times. During 1936, The Story of Louis Pasteur proved a box office success and star Paul Muni won the Oscar for Best Actor in March 1937. The studio's 1937 film The Life of Emile Zola gave the studio the first of its seven Best Picture Oscars . In 1937,
6110-520: The Breen office. In 1936, following the success of The Petrified Forest , Jack signed Humphrey Bogart to a studio contract. Warner, however, did not think Bogart was star material, and cast Bogart in infrequent roles as a villain opposite either James Cagney or Edward Robinson over the next five years. After Hal B. Wallis succeeded Zanuck in 1933, and the Hays Code began to be enforced in 1935,
6240-759: The Flame (1930), Song of the West (1930), The Life of the Party (1930), Sweet Kitty Bellairs (1930), Under a Texas Moon (1930), Bride of the Regiment (1930), Viennese Nights (1931), Woman Hungry (1931), Kiss Me Again (1931), 50 Million Frenchmen (1931) and Manhattan Parade (1932). In addition to these, scores of features were released with Technicolor sequences, as well as numerous Technicolor Specials short subjects . The majority of these color films were musicals. In 1929, Warner Bros. bought
6370-459: The Mule. Roach's distributor Pathé released One Terrible Day , the fourth short produced for the series, as the first Our Gang short on September 10, 1922; the pilot Our Gang was not released until November 5. The Our Gang series was a success from the start, with the children's naturalism, the funny animal actors, and McGowan's direction making a successful combination. The shorts did well at
6500-687: The St. Louis-based theater chain Skouras Brothers Enterprises . Following this takeover, Spyros Skouras , the driving force of the chain, became general manager of the Warner Brothers Theater Circuit in America. He worked successfully in that post for two years and turned its losses into profits. Harry produced an adaptation of a Cole Porter musical titled Fifty Million Frenchmen . Through First National,
6630-647: The United States from Krasnosielc , Poland (then part of Congress Poland within the Russian Empire ), in October 1889, a year after their father emigrated to the U.S. and settled in Baltimore , Maryland . As in many other immigrant families, the elder Wonsal children gradually acquired anglicized versions of their Yiddish -sounding names: Szmuel Wonsal became Samuel Warner (nicknamed "Sam"), Hirsz Wonsal became Harry Warner, and Aaron Wonsal (although born with
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#17327811557086760-492: The action, with each film often incorporating a moral, a civics lesson, or a patriotic theme. The series was given a permanent setting in the fictitious town of Greenpoint, and the mayhem caused by the Our Gang kids was toned down significantly. Exhibitors noticed the drop in quality, and often complained that the series was slipping. When six of the 13 shorts released between 1942 and 1943 sustained losses rather than turning profits, MGM discontinued Our Gang . The final short
6890-408: The adventures of a black boy called "Sunshine Sammy", played by Ernie Morrison . Theater owners then were wary of booking shorts focused on a black boy, and the series ended after just one entry, The Pickaninny , was produced. Morrison's "Sunshine Sammy" instead became one of the foci of the new Our Gang series. Under the supervision of Charley Chase , work began on the first two-reel shorts in
7020-526: The beginning of every showing of Don Juan across the country) in 1926. Many film production companies questioned the necessity. Don Juan did not recoup its production cost and Lubitsch left for MGM. By April 1927, the Big Five studios (First National, Paramount, MGM, Universal Pictures , and Producers Distributing) had ruined Warners, and Western Electric renewed Warner's Vitaphone contract with terms that allowed other film companies to test sound. As
7150-420: The beginning of the Great Depression. In July 1930, the studio's banker, Motley Flint, was murdered by a disgruntled investor in another company. Harry acquired a string of music publishers (including M. Witmark & Sons , Remick Music Corp. , and T.B. Harms, Inc. ) to form Warner Bros. Music. In April 1930, Warner Bros. acquired Brunswick Records . Harry obtained radio companies, foreign sound patents and
7280-522: The bookworm Waldo. Tommy Bond , an off-and-on member of the gang since 1932, returned to the series as Butch beginning with the 1937 short Glove Taps . Sidney Kibrick , the younger brother of Leonard Kibrick, played Butch's crony, Woim. Glove Taps also featured the first appearance of Darwood Kaye as the bespectacled, foppish Waldo. In later shorts, both Butch and Waldo were portrayed as Alfalfa's rivals in his pursuit of Darla's affections. Other popular elements in these mid-to-late-1930s shorts include
7410-507: The box office, and by the end of the decade the Our Gang children were pictured on numerous product endorsements. The biggest Our Gang stars then were Ernie Morrison as Sunshine Sammy, Mickey Daniels, Mary Kornman, and Allen Hoskins as little Farina, who eventually became the most popular member of the 1920s gang and the most popular black child star of the 1920s. A reviewer wrote of the Farina character — depicted as female though played by
7540-401: The brothers acquired the studio in 1928. Thanks to the success of The Jazz Singer , the studio was cash-rich. Jolson's next film for the company, The Singing Fool was also a success. With the success of these first talkies ( The Jazz Singer , Lights of New York , The Singing Fool and The Terror ), Warner Bros. became a top studio and the brothers were now able to move out from
7670-420: The cast: Chaney replaced Joe Cobb , Beard replaced Allen Hoskins ("Farina"), and Thomas replaced Beard. Even when there was no talent search, the studio was bombarded by requests from parents who were sure their children were perfect for the series. Among them were the future child stars Mickey Rooney and Shirley Temple , neither of whom made it past the audition. The Our Gang series, produced during
7800-505: The chance to have his films packaged with MGM features to the Loews Theatres chain. Some shorts around this time, particularly Spook Spoofing (1928, one of only two three-reelers in the Our Gang canon), contained extended scenes of the gang tormenting and teasing Farina, scenes which helped spur the claims of racism, which many other shorts did not warrant. These shorts marked the departure of Jackie Condon , who had been with
7930-604: The character as the studio's first animated star. In addition to Porky, Daffy Duck (who debuted in 1937's Porky's Duck Hunt ), Elmer Fudd ( Elmer's Candid Camera , 1940), Bugs Bunny ( A Wild Hare , 1940), and Tweety ( A Tale of Two Kitties , 1942) would achieve star power. By 1942, the Schlesinger studio had surpassed Walt Disney Studios as the most successful producer of animated shorts. Warner Bros. bought Schlesinger's cartoon unit in 1944 and renamed it Warner Bros. Cartoons . However, senior management treated
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#17327811557088060-499: The character of Stymie's sister "Buckwheat", though Thomas was a male. Semi-regular actors, such as Jackie Lynn Taylor , Marianne Edwards , and Leonard Kibrick as the neighborhood bully, joined the series at this time. Tommy Bond and Wally Albright left in the middle of 1934; Jackie Lynn Taylor and Marianne Edwards would depart by 1935. Early in 1935, new cast members Carl Switzer and his brother Harold joined Our Gang after impressing Roach with an impromptu musical performance at
8190-418: The children and was a box office disappointment. No further Our Gang features were made. After years of gradual cast changes, the troupe standardized in 1936 with the move to one-reel shorts. Most casual fans of Our Gang are particularly familiar with the 1936–1939 incarnation of the cast: Spanky, Alfalfa, Darla, Buckwheat, and Porky, with recurring characters such as neighborhood bullies Butch and Woim and
8320-434: The children were poor, and the gang was often at odds with snobbish "rich kids", officious adults, parents, and other such adversaries. Senior director Robert F. McGowan helmed most of the Our Gang shorts until 1933, assisted by his nephew Anthony Mack . McGowan worked to develop a style that allowed the children to be as natural as possible, downplaying the importance of the filmmaking equipment. Scripts were written for
8450-511: The clearance to produce an Our Gang feature film, General Spanky , hoping that he might move the series to features as was done with Laurel & Hardy. Directed by Gordon Douglas and Fred Newmeyer, General Spanky featured characters Spanky, Buckwheat, and Alfalfa in a sentimental, Shirley Temple-esque story set during the American Civil War . The film focused more on the adult leads ( Phillips Holmes and Rosina Lawrence ) than
8580-639: The company established itself as a leader in the American film industry before diversifying into animation , television , and video games , and is one of the "Big Five" major American film studios , as well as a member of the Motion Picture Association (MPA). The company is known for its film studio division, the Warner Bros. Motion Picture Group , which includes Warner Bros. Pictures , New Line Cinema , Warner Bros. Pictures Animation , Castle Rock Entertainment , DC Studios , and
8710-528: The company's remaining one-third share from Fox. The Justice Department agreed to allow the purchase if First National was maintained as a separate company. When the Great Depression hit, Warner asked for and got permission to merge the two studios. Soon afterward Warner Bros. moved to the First National lot in Burbank. Though the companies merged, the Justice Department required Warner to release
8840-486: The end of 1941, Darla Hood had departed from the series, and Spanky McFarland followed her within a year. Billie Thomas as Buckwheat remained in the cast until the end of the series as the sole holdover from the Roach era. Overall, the Our Gang films produced by MGM were not as well-received as the Roach-produced shorts had been, largely due to MGM's inexperience with the brand of slapstick comedy that Our Gang
8970-434: The end of the 1920s, McGowan modified his approach slightly, but scripts were not adhered to until McGowan left the series. Later Our Gang directors, such as Gus Meins and Gordon Douglas , streamlined the approach to McGowan's methods to meet the demands of the increasingly sophisticated movie industry of the mid-to-late 1930s. Douglas, in particular, had to streamline his films, as he directed Our Gang after Roach halved
9100-407: The exception of Ernie Morrison, who was already under contract to Roach. The other Our Gang recruits included Roach photographer Gene Kornman's daughter Mary Kornman , their friends' son Mickey Daniels , and family friends Allen Hoskins , Jack Davis , Jackie Condon , and Joe Cobb . Most early shorts were filmed outdoors and on location and featured a menagerie of animal characters, such as Dinah
9230-407: The expressions "Okey-dokey!" and "Okey-doke!" Dickie Moore , a veteran child actor, joined in the middle of 1932 and remained with the series for one year. Other members in these years included Mary Ann Jackson's brother Dickie Jackson, John "Uh-huh" Collum , and Tommy Bond . Upon Dickie Moore's departure in mid 1933, long-term Our Gang members such as Wheezer (who had been with Our Gang since
9360-698: The feature Don Juan starring John Barrymore . The film was silent, but it featured a large number of Vitaphone shorts at the beginning. To hype Don Juan ' s release, Harry acquired the large Piccadilly Theater in Manhattan , New York City , and renamed it Warners' Theatre. Don Juan premiered at the Warners' Theatre in New York on August 6, 1926. Throughout the early history of film distribution, theater owners hired orchestras to attend film showings, where they provided soundtracks . Through Vitaphone, Warner Bros. produced eight shorts (which were played at
9490-667: The film—sued the studio for displaying "vicious, untrue and false attacks" against him in the film. After appearing in the Warner's film The Man Who Played God , Bette Davis became a top star. In 1933, relief for the studio came after Franklin D. Roosevelt became president and began the New Deal . This economic rebound allowed Warner Bros. to again become profitable. The same year, Zanuck quit. Harry Warner's relationship with Zanuck had become strained after Harry strongly opposed allowing Zanuck's film Baby Face to step outside Hays Code boundaries. The studio reduced his salary as
9620-476: The first Looney Tunes cartoon, Sinkin' in the Bathtub , and created a sister series, Merrie Melodies , in 1931. Harman and Ising broke away from Schlesinger in 1933 due to a contractual dispute, taking Bosko with them to MGM. As a result, Schlesinger started his own studio, Leon Schlesinger Productions , which continued with Merrie Melodies while starting production on Looney Tunes starring Buddy ,
9750-532: The first major black star in Hollywood history. The African-American characters have often been criticized as racial stereotypes. The Black children spoke (or were indicated as speaking via text titles in the case of the silent entries) in a stereotypical " Negro dialect ", and several controversial gags revolved directly around their skin color: Matthew Beard's Stymie character sweating jet-black ink, Billie Thomas's Buckwheat character being given fake "white measles " instead of dark ones and supposedly turned into
9880-453: The five integrated studio-theater chain combinations restrained competition. The Supreme Court heard the case in 1948, and ruled for the government. As a result, Warner and four other major studios were forced to separate production from the exhibition. In 1949, the studio's net profit was only $ 10 million (equivalent to $ 128.06 million in 2023). Warner Bros. had two semi-independent production companies that released films through
10010-549: The gang as Spanky late in 1931 at the age of three and remained an Our Gang actor for eleven years, except for a brief break in summer 1938. At first appearing as the tag-along toddler of the group, and later finding an accomplice in Scotty Beckett in 1934, Spanky quickly became Our Gang ' s biggest child star. He won parts in a number of outside features, appeared in many of the now-numerous Our Gang product endorsements and spin-off merchandise items, and popularized
10140-492: The gang to fully adjust to talking pictures, during which time they lost Joe Cobb, Jean Darling and Harry Spear and added Norman Chaney , Dorothy DeBorba , Matthew "Stymie" Beard , Donald Haines and Jackie Cooper . Cooper proved to be the personality the series had been missing since Mickey Daniels left and was featured prominently in three 1930/1931 Our Gang films: Teacher's Pet , School's Out , and Love Business . These three shorts explored Jackie Cooper's crush on
10270-455: The governments of England and the United States. By the middle of 1943, however, audiences had tired of war films, but Warner continued to produce them, losing money. In honor of the studio's contributions to the cause, the Navy named a Liberty ship after the brothers' father, Benjamin Warner. Harry christened the ship. By the time the war ended, $ 20 million in war bonds were purchased through
10400-458: The group from the beginning of the series. Starting in 1928, Our Gang comedies were distributed with phonographic discs that contained synchronized music-and-sound-effect tracks for the shorts. In spring 1929, the Roach sound stages were converted for sound recording, and Our Gang made its " all-talking " debut in April 1929 with the 25-minute film Small Talk . It took a year for McGowan and
10530-476: The late Pathé silents period) and Dorothy left the series as well. Robert McGowan, burned out from the stress of working with the child actors, had as early as 1931 tried to resign as producer/director of Our Gang . Lacking a replacement, Hal Roach persuaded him to stay on for another year. At the start of the 1933–34 season, the Our Gang series format was significantly altered to accommodate McGowan and persuade him to stay another year. The first two entries of
10660-407: The lumberyard to play with, but the smallest child had the biggest stick, and the others were trying to force him to give it to the biggest child. After realizing that he had been watching the children bicker for 15 minutes, Roach thought a short film series about children just being themselves might be a success. Our Gang also had its roots in an aborted Roach short-subject series revolving around
10790-448: The management at MGM and its parent company, Loews Inc. , which elected to end MGM's partnership with Roach. However, MGM did not want Our Gang discontinued and agreed to take over production. On May 31, 1938, Roach sold MGM the Our Gang unit, including the rights to the name and the contracts for the actors and writers, for $ 25,000 (equal to $ 541,135 today). After delivering the Laurel and Hardy feature Block-Heads , Roach started
10920-429: The manager of First National Pictures. In 1928, Warner Bros. released Lights of New York , the first all-talking feature. Due to its success, the movie industry converted entirely to sound almost overnight. By the end of 1929, all the major studios were exclusively making sound films. In 1929, First National Pictures released their first film with Warner Bros., Noah's Ark . Despite its expensive budget, Noah's Ark
11050-509: The mid-1920s. Matthew Beard, Wheezer Hutchins, and Dorothy DeBorba carried the series during this period, aided by Sherwood Bailey and Kendall McComas , who would play Breezy Brisbane. Unlike the mid-1920s period, McGowan sustained the quality of the series with the help of the several regular cast members and the Roach writing staff. Many of these shorts include early appearances of Jerry Tucker and Wally Albright , who later became series regulars. New Roach discovery George McFarland joined
11180-441: The new "kids-and-pets" series, to be called Hal Roach's Rascals , later that year. Director Fred C. Newmeyer helmed the first pilot film, entitled Our Gang , but Roach scrapped Newmeyer's work and had former fireman Robert F. McGowan reshoot the short. Roach tested it at several theaters around Hollywood. The attendees were very receptive, and the press clamored for "lots more of those 'Our Gang' comedies." The colloquial usage of
11310-491: The new schoolteacher Miss Crabtree, played by June Marlowe . Cooper soon won the lead role in Paramount 's feature film Skippy , and Roach sold his contract to MGM in 1931. Other Our Gang members appearing in the early sound shorts included Buddy McDonald , Clifton Young , and Shirley Jean Rickert . Many also appeared in a group cameo appearance in the all-star comedy short The Stolen Jools (1931). Beginning with
11440-561: The permanent series director. Our Gang would be used by MGM as a training ground for future feature directors: Sidney, Edward Cahn and Cy Endfield all worked on Our Gang before moving on to features. Another director, Herbert Glazer, remained a second-unit director outside of his work on the series. Nearly all of the 52 MGM-produced Our Gangs were written by former Roach director Hal Law and former junior director Robert A. McGowan (also known as Anthony Mack, nephew of former senior Our Gang director Robert F. McGowan). Robert A. McGowan
11570-501: The popular series in production. Roach agreed, producing shorter, one-reel Our Gang comedies (ten minutes in length instead of twenty). The first one-reel Our Gang short, Bored of Education (1936), marked the Our Gang directorial debut of former assistant director Gordon Douglas and won the Academy Award for Best Short Subject (One Reel) in 1937. As part of the arrangement with MGM to continue Our Gang , Roach received
11700-426: The premiere. Jack became sole head of production. Sam's death also had a great effect on Jack's emotional state, as Sam was arguably Jack's inspiration and favorite brother. In the years to come, Jack kept the studio under tight control. Firing employees was common. Among those whom Jack fired were Rin Tin Tin (in 1929) and Douglas Fairbanks Jr. (in 1933), the latter having served as First National's top star since
11830-555: The revival was affected by Berkeley's arrest for killing three people while driving drunk. By the end of the year, people again tired of Warner Bros. musicals, and the studio — after the huge profits made by 1935 film Captain Blood — shifted its focus to Errol Flynn swashbucklers . With the collapse of the market for musicals, Warner Bros., under Zanuck, turned to more socially realistic storylines. Because of its many films about gangsters, Warner Bros. soon became known as
11960-485: The rich owner of a swanky Broadway nightclub where Darla and Buckwheat perform, making "hundreds and thousands of dollars". As the profit margins continued to decline owing to double features, Roach could no longer afford to continue producing Our Gang . The lack of consistent success with Roach's concurrent program of feature output and an ultimately unsuccessful partnership with Vittorio Mussolini - son of Italian dictator Benito Mussolini - led to disagreements with
12090-471: The running times of the shorts from two reels (20 minutes) to one reel (10 minutes). As children aged out of their roles, they were replaced by new children, usually from the Los Angeles area. Eventually Our Gang talent scouting employed large-scale national contests in which thousands of children tried out for an open role. For example, Norman Chaney ("Chubby"), Matthew Beard ("Stymie"), and Billie "Buckwheat" Thomas all won contests to become members of
12220-529: The season in fall 1933, Bedtime Worries and Wild Poses (which featured a cameo by Laurel and Hardy), focused on Spanky and his hapless parents, portrayed by Gay Seabrook and Emerson Treacy , in a family-oriented situation comedy format similar to the style later popular on television . A smaller cast of Our Gang kids—Matthew Beard, Tommy Bond, Jerry Tucker, and Georgie Billings—were featured in supporting roles with reduced screen time. An unsatisfied McGowan abruptly left after Wild Poses . Coupled with
12350-512: The series in the mid-1920s, the Our Gang series entered a transitional period. The stress of directing child actors forced Robert McGowan to take doctor-mandated sabbaticals for exhaustion, leaving his nephew Robert A. McGowan (credited as Anthony Mack) to direct many shorts in this period. The Mack-directed shorts are considered among the lesser entries in the series. New faces included Bobby Hutchins as Wheezer, Harry Spear , Jean Darling and Mary Ann Jackson , while stalwart Farina served as
12480-488: The series with varying levels of stereotyping. According to Roach, the idea for Our Gang came to him in 1921, when he was auditioning a child actress to appear in a film. The girl was, in his opinion, overly made up and overly rehearsed, and Roach waited for the audition to be over. After the girl and her mother left the office, Roach looked out of his window to a lumberyard across the street, where he saw some children having an argument. The children had all taken sticks from
12610-645: The series' anchor. Also at this time, the Our Gang cast acquired an American Pit Bull Terrier with a ring around one eye, originally named Pansy but soon known as Pete the Pup , the most famous Our Gang pet. In 1927, Roach ended his distribution arrangement with the Pathé company. He signed on to release future products through the newly formed Metro-Goldwyn-Mayer , which released its first Our Gang comedy in September 1927. The move to MGM offered Roach larger budgets and
12740-591: The short When the Wind Blows , in 1930 background music scores were added to the soundtracks of most of the Our Gang films. Initially, the music consisted of orchestral versions of then-popular tunes. Marvin Hatley had served as the music director of Hal Roach Studios since 1929, and RCA employee Leroy Shield joined the company as a part-time musical director in mid-1930. Hatley and Shield's jazz -influenced scores, first featured in Our Gang with 1930s Pups
12870-483: The shorts by the Hal Roach comedy writing staff, which included at various times Leo McCarey , Frank Capra , Walter Lantz , and Frank Tashlin , among others. The children, some too young to read, rarely saw the scripts; instead, McGowan would explain the scene to be filmed to each child immediately before it was shot, directing the children using a megaphone and encouraging improvisation . When sound came in at
13000-526: The shorts would offend white audiences. A later Our Gang spin-off film, Curley (1947), was banned by the Memphis, Tennessee censor board for showing black and white children in school together, a characteristic common to even the earlier shorts. Other minorities, including Asian Americans Sing Joy, Allen Tong (also known as Alan Dong), and Edward Soo Hoo, as well as Italian-American actor Mickey Gubitosi (later known as Robert Blake ), were depicted in
13130-533: The soup a very bitter taste. Later, Chubby stops in to see Miss Crabtree, and recites some very romantic poetry. Miss Crabtree asks Chubby where he got all this stuff. He says from Wheezer (who got them from his mother's old love letters). Mother hears this and is about to give Wheezer a spanking, but decides not to in the end, at the sight of him sleeping with Pete. Most of the schoolyard scenes were edited from The Little Rascals television prints in 1971 due to stereotyping of African-Americans, but were reinstated in
13260-460: The studio commissary. While Harold would eventually be relegated to the role of a background player, Carl, nicknamed "Alfalfa", eventually replaced Scotty Beckett as Spanky's sidekick. Matthew Beard as Stymie left the cast soon after, and the Buckwheat character morphed subtly into a male. That same year, Darla Hood , Patsy May, and Eugene Lee as Porky joined the gang. Scotty Beckett departed for
13390-576: The studio hired Midwestern radio announcer Ronald Reagan , who would eventually become the President of the United States . Although Reagan was initially a B-film actor, Warner Bros. was impressed by his performance in the final scene of Knute Rockne, All American , and agreed to pair him with Flynn in Santa Fe Trail (1940). Reagan then returned to B-films. After his performance in the studio's 1942 Kings Row , Warner decided to make Reagan
13520-411: The studio reported a net loss of $ 333,413. After a long period denying Sam's request for sound, Harry agreed to change, as long as the studio's use of synchronized sound was for background music purposes only. The Warners signed a contract with the sound engineer company Western Electric and established Vitaphone . In 1926, Vitaphone began making films with music and effects tracks, most notably, in
13650-467: The studio since 1935. The court ruled in de Havilland's favor and she left the studio in favor of RKO Radio Pictures, and, eventually, Paramount. Through de Havilland's victory, many of the studio's longtime actors were now freed from their contracts, and Harry decided to terminate the studio's suspension policy. The same year, Jack signed newly released MGM actress Joan Crawford , a former top star who found her career fading. Crawford's first role with
13780-587: The studio was 1944's Hollywood Canteen . Her first starring role at the studio, in the title role as Mildred Pierce (1945), revived her career and earned her an Oscar for Best Actress. In the post-war years, Warner Bros. prospered greatly and continued to create new stars, including Lauren Bacall and Doris Day . By 1946, company payroll reached $ 600,000 a week and net profit topped $ 19.4 million (equivalent to $ 303.1 million in 2023). Jack Warner continued to refuse to meet Screen Actors Guild salary demands. In September 1946, employees engaged in
13910-399: The studio was forced to abandon this realistic approach in order to produce more moralistic, idealized pictures. The studio's historical dramas, melodramas (or "women's pictures"), swashbucklers, and adaptations of best-sellers, with stars like Bette Davis , Olivia de Havilland , Paul Muni , and Errol Flynn , avoided the censors. In 1936, Bette Davis, by now arguably the studio's top star,
14040-408: The studio's profit increased substantially. After the success of the studio's 1929 First National film Noah's Ark , Harry agreed to make Michael Curtiz a major director at the Burbank studio. Mort Blumenstock, a First National screenwriter, became a top writer at the brothers' New York headquarters. In the third quarter, Warner Bros. gained complete control of First National, when Harry purchased
14170-513: The studio's top gangster stars after appearing in the successful film, which convinced audiences to question the American legal system. By January 1933, the film's protagonist Robert Elliot Burns—still imprisoned in New Jersey—and other chain gang prisoners nationwide appealed and were released. In January 1933, Georgia chain gang warden J. Harold Hardy—who was also made into a character in
14300-1049: The studio, the Red Cross collected 5,200 pints of blood plasma from studio employees and 763 of the studio's employees served in the armed forces, including Harry Warner's son-in-law Milton Sperling and Jack's son Jack Warner Jr. Following a dispute over ownership of Casablanca 's Oscar for Best Picture, Wallis resigned. After Casablanca made Bogart a top star, Bogart's relationship with Jack deteriorated. In 1943, Olivia de Havilland (whom Warner frequently loaned to other studios) sued Warner for breach of contract. De Havilland had refused to portray famed abolitionist Elizabeth Blackwell in an upcoming film for Columbia Pictures . Warner responded by sending 150 telegrams to different film production companies, warning them not to hire her for any role. Afterwards, de Havilland discovered employment contracts in California could only last seven years ; de Havilland had been under contract with
14430-682: The studio: Doctor X (1932) and Mystery of the Wax Museum (1933). In the latter part of 1931, Harry Warner rented the Teddington Studios in London, England. The studio focused on making " quota quickies " for the domestic British market and Irving Asher was appointed as the studio's head producer. In 1934, Harry officially purchased the Teddington Studios. In February 1933, Warner Bros. produced 42nd Street ,
14560-410: The success of Yankee Doodle Dandy at the box office, Cagney again questioned if the studio would meet his salary demand and again quit to form his own film production and distribution company with Bill. Another employee with whom Warner had troubles was studio producer Bryan Foy . In 1936, Wallis hired Foy as a producer for the studio's low budget B movies leading to his nickname "the keeper of
14690-698: The success of Rin Tin Tin and Lubitsch, Warner's remained a lesser studio. Sam and Jack decided to offer Broadway actor John Barrymore the lead role in Beau Brummel . The film was so successful that Harry signed Barrymore to a long-term contract; like The Marriage Circle , Beau Brummel was named one of the ten best films of the year by the Times . By the end of 1924, Warner Bros. was arguably Hollywood's most successful independent studio, where it competed with "The Big Three" Studios ( First National , Paramount Pictures , and Metro-Goldwyn-Mayer (MGM)). As
14820-512: The television distribution rights to the 1929–1938 Roach-era shorts for broadcast and cable. Meanwhile, MGM's Our Gang series (1938–1944) is currently owned by Warner Bros. through Turner Entertainment Co. . New productions based on the shorts have been made over the years, including the 1994 feature film The Little Rascals , released by Universal Pictures . Unlike many motion pictures featuring children and based in fantasy , producer/creator Hal Roach rooted Our Gang in real life: most of
14950-439: The term Our Gang led to its becoming the series' second (yet more popular) official title, with the title cards reading " Our Gang Comedies: Hal Roach presents His Rascals in..." The series was officially called both Our Gang and Hal Roach's Rascals until 1932, when Our Gang became the sole title of the series. The first cast of Our Gang was recruited primarily of children recommended to Roach by studio employees, with
15080-459: The third top 1930s gangster actor into the Warners fold, knowing that he could carry any gangster picture when either Robinson or Cagney were on suspension. Raft had difficulty working with Bogart and refused to co-star with him. Eventually, Warner agreed to release Raft from his contract in 1943. After Raft had turned the role down, the studio gave Bogart the role of "Mad Dog" Roy Earle in the 1941 film High Sierra , which helped establish him as
15210-476: The thirties and forties, even though it was clearly the most budget-conscious of them all." — Film historian Andrew Sarris in "You Ain't Heard Nothin' Yet.": The American Talking Film History & Memory, 1927–1949 . Another gangster film the studio produced was the critically acclaimed I Am a Fugitive from a Chain Gang , based on a true story and starring Paul Muni , joining Cagney and Robinson as one of
15340-535: The time of World War I , they had begun producing films; in the early 1920s they acquired their first studio facilities on Sunset Boulevard in Hollywood. Sam and Jack produced the pictures, while Harry and Albert, along with their auditor and now-controller Chase, handled finance and distribution in New York City. During World War I their first nationally syndicated film, My Four Years in Germany , based on
15470-492: The title The Little Rascals . The Roach-produced Little Rascals shorts (1929–1938) are currently owned by Chicken Soup for the Soul Entertainment (through Halcyon Studios ), which manages the copyrights as well as theatrical and home video and streaming releases; the entries produced between 1922 and 1929 are in the public domain in the United States. Paramount Global (through King World Productions ) owns
15600-610: The treatment of Hearst's longstanding mistress, actress Marion Davies , who was struggling for box office success. Through his partnership with Hearst, Warner signed Davies to a studio contract. Hearst's company and Davies' films, however, did not increase the studio's profits. In 1934, the studio lost over $ 2.5 million, of which $ 500,000 was the result of a 1934 fire at the Burbank studio, destroying 20 years' worth of early Vitagraph, Warner Bros. and First National films. The following year, Hearst's film adaption of William Shakespeare 's A Midsummer Night's Dream (1935) failed at
15730-446: The unit with indifference, beginning with the installation as senior producer of Edward Selzer , whom the creative staff considered an interfering incompetent. Jack Warner had little regard for the company's short film product and reputedly was so ignorant about the studio's animation division that he was mistakenly convinced that the unit produced cartoons of Mickey Mouse , the flagship character of Walt Disney Productions . He sold off
15860-464: The unit's pre-August 1948 library for $ 3,000 each, which proved a shortsighted transaction in light of its eventual value. Warner Bros. Cartoons continued, with intermittent interruptions, until 1969 when it was dissolved as the parent company ceased its production of film shorts entirely. Characters such as Bugs Bunny, Daffy Duck, Tweety , Sylvester , and Porky Pig became central to the company's image in subsequent decades. Bugs in particular remains
15990-520: The war, eliminating its B Pictures unit in 1941. Bryan Foy joined Twentieth Century Fox. During the war era, the studio made Casablanca ; Now, Voyager ; Yankee Doodle Dandy (all 1942); This Is the Army , and Mission to Moscow (both 1943). The last of these films became controversial a few years afterwards. At the premieres of Yankee Doodle Dandy (in Los Angeles, New York, and London), audiences purchased $ 15.6 million in war bonds for
16120-496: Was Dancing Romeo , which was released on April 29, 1944 (as an MGM Miniature, not an Our Gang comedy). Warner Bros. Warner Bros. Entertainment Inc. (commonly known as Warner Bros. , or abbreviated as WB , or WBEI ) is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California , and a subsidiary of Warner Bros. Discovery (WBD). Founded in 1923 by four brothers, Harry , Albert , Sam , and Jack Warner ,
16250-400: Was credited for these shorts as "Robert McGowan"; as a result, moviegoers have been confused for decades about whether this Robert McGowan and the senior director of the same name at Roach were two separate people. The last few of the Roach comedies featured Alfalfa Switzer as the lead character; Spanky McFarland had departed from the series just before its sale to MGM. Casting his replacement
16380-405: Was delayed until after the move to MGM, at which point MGM rehired McFarland. In 1939, Mickey Gubitosi (later known by the stage name of Robert Blake ) replaced Eugene "Porky" Lee, who had matured too quickly. Tommy Bond, Darwood Kaye, and Alfalfa Switzer all left the series in 1940, and Billy "Froggy" Laughlin (with his Popeye -esque trick voice) and Janet Burston were added to the cast. By
16510-411: Was famous for, and to MGM's insistence on keeping Alfalfa, Spanky, and Buckwheat in the series as they became teens. The MGM entries are considered by many film historians, and the Our Gang children themselves, to be lesser films than the Roach entries. The children's performances were criticized as stilted and stiff, their dialogue being recited instead of spoken naturally. Adult situations often drove
16640-596: Was murdered by the Nazis in Berlin in 1936. Harry produced the successful anti-German film The Life of Emile Zola (1937). After that, Harry supervised the production of more anti-German films, including Confessions of a Nazi Spy (1939), The Sea Hawk (1940), which made King Philip II an equivalent of Hitler , Sergeant York , and You're In The Army Now (1941). Harry then decided to focus on producing war films. Warners' cut its film production in half during
16770-498: Was profitable. In 1929, Warner Bros. released On with the Show! , the first all-color all-talking feature. This was followed by Gold Diggers of Broadway which would play in theaters until 1939. The success of these pictures caused a color revolution. Warner Bros. color films from 1929 to 1931 included The Show of Shows (1929), Sally (1929), Bright Lights (1930), Golden Dawn (1930), Hold Everything (1930), Song of
16900-447: Was unhappy with her roles. She traveled to England and tried to break her contract. Davis lost the lawsuit and returned to America. Although many of the studio's employees had problems with Jack Warner, they considered Albert and Harry fair. In the 1930s many actors and actresses who had characterized the realistic pre-Code era, but who were not suited to the new trend into moral and idealized pictures, disappeared. Warner Bros. remained
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