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134-423: " Lucy Gray " is a poem written by William Wordsworth in 1799 and published in his Lyrical Ballads . It describes the death of a young girl named Lucy Gray, who went out one evening into a storm. The poem was inspired by Wordsworth being surrounded by snow, and his sister's memory of a real incident that happened at Halifax. Wordsworth explained the origins when he wrote, "Written at Goslar in Germany in 1799. It
268-528: A cottage at Felpham , in Sussex (now West Sussex ), to take up a job illustrating the works of William Hayley , a minor poet. It was in this cottage that Blake began Milton (the title page is dated 1804, but Blake continued to work on it until 1808). The preface to this work includes a poem beginning " And did those feet in ancient time ", which became the words for the anthem " Jerusalem ". Over time, Blake began to resent his new patron, believing that Hayley
402-488: A Civil List pension of £300 a year. Following the death of Robert Southey in 1843, Wordsworth became Poet Laureate . He initially refused the honour, saying that he was too old, but accepted when the Prime Minister, Robert Peel , assured him that "you shall have nothing required of you". Wordsworth thus became the only poet laureate to write no official verses. The sudden death of his daughter Dora in 1847 at age 42
536-418: A character in works of fiction, including: Isaac Asimov 's 1966 novelisation of the 1966 film Fantastic Voyage sees Dr. Peter Duval quoting Wordsworth's The Prelude as the miniaturised submarine sails through the cerebral fluid surrounding a human brain, comparing it to the "strange seas of thought". Taylor Swift 's 2020 album Folklore mentions Wordsworth in her bonus track " The Lakes ", which
670-403: A critic "obliterates her status as human pure and simple, or, what is the same, underrates the importance of this status." William Blake marked the poems Lucy Gray , "Strange fits", and "Louisa" with an "X", which provoked Mark Jones to write "The award for minimalist commentary must go to William Blake". Matthew Arnold believed that Lucy Gray was "a beautiful success" when contrasting how it
804-406: A distinctive vision of a humanity redeemed by self-sacrifice and forgiveness, while retaining his earlier negative attitude towards what he felt was the rigid and morbid authoritarianism of traditional religion. Not all readers of Blake agree upon how much continuity exists between Blake's earlier and later works. Psychoanalyst June Singer has written that Blake's late work displayed a development of
938-406: A few miles above Tintern Abbey " have been a source of critical debate. It was long supposed that Wordsworth relied chiefly on Coleridge for philosophical guidance. However, scholars have recently suggested that Wordsworth's ideas may have been formed years before he and Coleridge became friends in the mid-1790s. In particular, while he was in revolutionary Paris in 1792, the 22-year-old Wordsworth met
1072-519: A gesture of equality, as the barren earth blooms beneath their feet. Europe wears a string of pearls, while her sisters Africa and America are depicted wearing slave bracelets. Some scholars have speculated that the bracelets represent the "historical fact" of slavery in Africa and the Americas while the handclasp refer to Stedman's "ardent wish": "we only differ in color, but are certainly all created by
1206-406: A great number of his works, particularly his Bible illustrations, to Thomas Butts , a patron who saw Blake more as a friend than a man whose work held artistic merit; this was typical of the opinions held of Blake throughout his life. The commission for Dante 's Divine Comedy came to Blake in 1826 through Linnell, with the aim of producing a series of engravings. Blake's death in 1827 cut short
1340-610: A housekeeper. She believed she was regularly visited by Blake's spirit. She continued selling his illuminated works and paintings, but entertained no business transaction without first "consulting Mr. Blake". On the day of her death, in October 1831, she was as calm and cheerful as her husband, and called out to him "as if he were only in the next room, to say she was coming to him, and it would not be long now." On her death, longtime acquaintance Frederick Tatham took possession of Blake's works and continued selling them. Tatham later joined
1474-653: A larger work called The Recluse . In 1804, he began expanding this autobiographical work, having decided to make it a prologue rather than an appendix. He completed this work, now generally referred to as the first version of The Prelude , in 1805, but refused to publish such a personal work until he had completed the whole of The Recluse . The death of his brother John, also in 1805, affected him strongly and may have influenced his decisions about these works. Wordsworth's philosophical allegiances, as articulated in The Prelude and in such shorter works as " Lines written
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#17327762598191608-700: A memorial to Blake and his wife was erected in Westminster Abbey. Another memorial lies in St James's Church, Piccadilly , where he was baptised. At the time of Blake's death, he had sold fewer than 30 copies of Songs of Innocence and of Experience. Blake was not active in any well-established political party. His poetry consistently embodies an attitude of rebellion against the abuse of class power as documented in David Erdman's major study Blake: Prophet Against Empire: A Poet's Interpretation of
1742-435: A method he used to produce most of his books, paintings, pamphlets and poems. The process is also referred to as illuminated printing, and the finished products as illuminated books or prints. Illuminated printing involved writing the text of the poems on copper plates with pens and brushes, using an acid-resistant medium. Illustrations could appear alongside words in the manner of earlier illuminated manuscripts . He then etched
1876-489: A number of Blake's drawings. At the same time, some works not intended for publication were preserved by friends, such as his notebook and An Island in the Moon . Blake's grave is commemorated by two stones. The first was a stone that reads "Near by lie the remains of the poet-painter William Blake 1757–1827 and his wife Catherine Sophia 1762–1831". The memorial stone is situated approximately 20 metres (66 ft) away from
2010-410: A plate that Blake employed for his relief etching, and indicates why the engravings took so long to complete. Blake's marriage to Catherine was close and devoted until his death. Blake taught Catherine to write, and she helped him colour his printed poems. Gilchrist refers to "stormy times" in the early years of the marriage. Some biographers have suggested that Blake tried to bring a concubine into
2144-420: A poetic Prospectus to The Recluse in which he laid out the structure and intention of the whole work. The Prospectus contains some of Wordsworth's most famous lines on the relation between the human mind and nature: ... my voice proclaims How exquisitely the individual Mind (And
2278-460: A practice that was preferred to actual drawing. Within these drawings Blake found his first exposure to classical forms through the work of Raphael , Michelangelo , Maarten van Heemskerck and Albrecht Dürer . The number of prints and bound books that James and Catherine were able to purchase for young William suggests that the Blakes enjoyed, at least for a time, a comfortable wealth. When William
2412-584: A process invented in 1725, consisted of making a metal cast from a wood engraving, but Blake's innovation was, as described above, very different. The pages printed from these plates were hand-coloured in watercolours and stitched together to form a volume. Blake used illuminated printing for most of his well-known works, including Songs of Innocence and of Experience , The Book of Thel , The Marriage of Heaven and Hell and Jerusalem . Although Blake has become better known for his relief etching, his commercial work largely consisted of intaglio engraving ,
2546-601: A result, he wrote his Descriptive Catalogue (1809), which contains what Anthony Blunt called a "brilliant analysis" of Chaucer and is regularly anthologised as a classic of Chaucer criticism. It also contained detailed explanations of his other paintings. The exhibition was very poorly attended, selling none of the temperas or watercolours. Its only review, in The Examiner , was hostile. Also around this time (circa 1808), Blake gave vigorous expression of his views on art in an extensive series of polemical annotations to
2680-509: A rustic, woodland air, And she was wildly clad; Her eyes were fair, and very fair; - Her beauty made me glad. “Sisters and brothers, little maid, How many may you be?” “How many? Seven in all,” she said, And wondering looked at me. “And where are they? I pray you tell.” She answered, “Seven are we; And two of us at Conway dwell, And two are gone to sea; “Two of us in
2814-537: A solitary song That whistles in the wind. Bennett Weaver points out that "The dominant theme of the poems of 1799 is death: death for the children of the village school, for Matthew's daughter, and for Lucy Gray", and Mary Moorman believes that Lucy Gray is the "most haunting of all his ballads of childhood". Lucy Gray, like the Lucy of the Lucy poems and Ruth of Wordsworth's "Ruth" are, according to H. W. Garrod, part of "an order of beings who have lapsed out of nature –
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#17327762598192948-531: A stormy night, You to the Town must go, And take the lantern, Child, to light Your Mother through the snow". "That, Father! Will I gladly do; 'Tis scarcely afternoon- The Minster-clock had just struck two, And yonder is the moon". At this the Father raised his hook And snapp'd a faggot-band; He plied his work – and Lucy took The lantern in her hand. Not blither is the mountain roe; With many
3082-724: A student at the Royal Academy in Old Somerset House, near the Strand. While the terms of his study required no payment, he was expected to supply his own materials throughout the six-year period. There, he rebelled against what he regarded as the unfinished style of fashionable painters such as Rubens , championed by the school's first president, Joshua Reynolds . Over time, Blake came to detest Reynolds' attitude towards art, especially his pursuit of "general truth" and "general beauty". Reynolds wrote in his Discourses that
3216-628: A verse tragedy set during the reign of King Henry III of England , when Englishmen in the North Country came into conflict with Scottish border reivers . He attempted to get the play staged in November 1797. However, it was rejected by Thomas Harris , the manager of the Covent Garden Theatre , who proclaimed it "impossible that the play should succeed in the representation". The rebuff was not received lightly by Wordsworth, and
3350-405: A wanton stroke Her feet disperse the powdery snow, That rises up like smoke. The storm came on before its time, She wander'd up and down, And many a hill did Lucy climb But never reach'd the Town. The wrecked Parents all that night Went shouting far and wide; But there was neither sound nor sight To serve them for a guide. At day-break on a hill they stood That overlooked
3484-502: A writer in 1787 when he published a sonnet in The European Magazine . That same year he began attending St John's College, Cambridge . He received his BA degree in 1791. He returned to Hawkshead for the first two summers of his time at Cambridge and often spent later holidays on walking tours , visiting places famous for the beauty of their landscape . In 1790, he went on a walking tour of Europe, during which he toured
3618-633: Is a direct imitation of the traditional 18th century ballad form. LUCY GRAY Oft I had heard of Lucy Gray, And, when I crossed the Wild, I chanced to see at break of day The solitary Child. No mate, no comrade Lucy knew; She dwelt on a wide Moor, -The sweetest Thing that ever grew Beside a human door! You yet may spy the Fawn at play, The Hare upon the Green; But the sweet face of Lucy Gray Will never more be seen. "To-night will be
3752-444: Is able to emphasise an incorporeal side of nature, and he believed that the poem "The Sailor's Mother" was "a failure" for its lack of the incorporeal. However, Swinburne believed that "The Sailor's Mother" was "the deeper in its pathos, the more enduring in its effect, the happier if also the more venturous in its simplicity". A.C. Bradley believed that "there is too much reason to fear that for half his readers his 'solitary child'
3886-417: Is at last fulfilled." John Middleton Murry notes discontinuity between Marriage and the late works, in that while the early Blake focused on a "sheer negative opposition between Energy and Reason", the later Blake emphasised the notions of self-sacrifice and forgiveness as the road to interior wholeness. This renunciation of the sharper dualism of Marriage of Heaven and Hell is evidenced in particular by
4020-525: Is generalised into a mere 'little girl,' and that they never receive the main impression he wished this is very wrong where is the actual theme written to produce. Yet his intention is announced in the opening lines, and as clearly shown in the lovely final stanzas, which gives even to this ballad the visionary touch". In 2020 Suzanne Collins released The Ballad of Songbirds and Snakes , a prequel to The Hunger Games . The book focused on President Snow's formation and his mentorship of Lucy Gray Baird , who
4154-501: Is generally considered to be The Prelude , a semi-autobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published by his wife in the year of his death, before which it was generally known as "The Poem to Coleridge". Wordsworth was Poet Laureate from 1843 until his death from pleurisy on 23 April 1850. He remains one of the most recognizable names in English poetry and
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4288-432: Is generally not included with Wordsworth's "Lucy" poems , even though it is a poem that mentions a character named Lucy. The poem is excluded from the series because the traditional "Lucy" poems are uncertain about the age of Lucy and her actual relationship with the narrator, and Lucy Gray provides exact details on both. Furthermore, the poem is different from the "Lucy" poems in that it relies on narrative storytelling and
4422-621: Is in proportion to its merits the least read body of poetry in the English language". While he lived in London his entire life, except for three years spent in Felpham , he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God", or "human existence itself". Although Blake was considered mad by contemporaries for his idiosyncratic views, he came to be highly regarded by later critics and readers for his expressiveness and creativity, and for
4556-631: Is named for this poem, as District 12's female tribute in the 10th Hunger Games. The 2023 film adaptation included a musical rendition of the poem on its soundtrack , performed by Rachel Zegler . William Wordsworth William Wordsworth (7 April 1770 – 23 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge , helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). Wordsworth's magnum opus
4690-425: Is said to have cried, "Stay Kate! Keep just as you are – I will draw your portrait – for you have ever been an angel to me." Having completed this portrait (now lost), Blake laid down his tools and began to sing hymns and verses. At six that evening, after promising his wife that he would be with her always, Blake died. Gilchrist reports that a female lodger in the house, present at his expiration, said, "I have been at
4824-459: Is the first work to mention them. In particular, Blake's God/Man union is broken down into the bodily components of Urizen (head), Urthona (loins), Luvah (heart), and Tharmas (unity of the body) with paired Emanations being Ahania (wisdom, from the head), Enitharmon (what can't be attained in nature, from the loins), Vala (nature, from the heart), and Enion (earth mother, from the separation of unity). As connected to Blake's understanding of
4958-469: Is the last green field That Lucy's eyes surveyed. Wordsworth, Dorothy, and Coleridge travelled to Germany in the autumn of 1798. While Coleridge was intellectually stimulated by the journey, its main effect on Wordsworth was to produce homesickness. During the harsh winter of 1798–99, Wordsworth lived with Dorothy in Goslar , and, despite extreme stress and loneliness, began work on
5092-487: Is the most innovative aspect of his art, but a 2009 study drew attention to Blake's surviving plates, including those for the Book of Job : they demonstrate that he made frequent use of a technique known as " repoussage ", a means of obliterating mistakes by hammering them out by hitting the back of the plate. Such techniques, typical of engraving work of the time, are very different from the much faster and fluid way of drawing on
5226-642: Is thought to be about the Lake District . In April 2020, the Royal Mail issued a series of postage stamps to mark the 250th anniversary of the birth of Wordsworth. Ten 1st class stamps were issued featuring Wordsworth and all the major British Romantic poets, including William Blake , John Keats , Lord Byron , Samuel Taylor Coleridge , Percy Bysshe Shelley and Walter Scott . Each stamp included an extract from one of their most popular and enduring works, with Wordsworth's " The Rainbow " selected for
5360-628: Is trying to pull away from realism into a state dominated by the imagination. To Wordsworth, the imagination was connected to both ethics and aesthetics, and he sought to exalt the imagination in Lucy Gray . Paul De Man believes that there is a "loss of name in the Lucy Gray poems where death makes her into an anonymous entity". However, some critics, like Mark Jones, believe that, in arguing for "a more general symbolic or literary value for Lucy Gray" or deemphasising Lucy Gray's identity as an individual,
5494-512: The Alps extensively and visited nearby areas of France, Switzerland, and Italy. In November 1791, Wordsworth visited Revolutionary France and became enchanted with the Republican movement. He fell in love with a French woman, Annette Vallon, who, in 1792, gave birth to their daughter Caroline. Financial problems and Britain 's tense relations with France forced him to return to England alone
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5628-477: The Discourses of Sir Joshua Reynolds , denouncing the Royal Academy as a fraud and proclaiming, "To Generalize is to be an Idiot". In 1818, he was introduced by George Cumberland's son to a young artist named John Linnell . A blue plaque commemorates Blake and Linnell at Old Wyldes' at North End, Hampstead. Through Linnell he met Samuel Palmer , who belonged to a group of artists who called themselves
5762-663: The French and American revolutions and wore a Phrygian cap in solidarity with the French revolutionaries, but despaired with the rise of Robespierre and the Reign of Terror in France. That same year, Blake composed his unfinished manuscript An Island in the Moon (1784). Blake illustrated Original Stories from Real Life (2nd edition, 1791) by Mary Wollstonecraft. Although they seem to have shared some views on sexual equality and
5896-535: The Peace of Amiens again allowing travel to France, in 1802, Wordsworth and his sister Dorothy visited Annette and Caroline in Calais . The purpose of the visit was to prepare Annette for the fact of his forthcoming marriage to Mary Hutchinson. Afterwards, he wrote the sonnet " It is a beauteous evening, calm and free ", recalling a seaside walk with the nine-year-old Caroline, whom he had never seen before that visit. Mary
6030-640: The Rhineland together. Dorothy suffered from a severe illness in 1829 that rendered her an invalid for the remainder of her life. Coleridge and Charles Lamb both died in 1834, their loss being a difficult blow to Wordsworth. The following year saw the passing of James Hogg . Despite the death of many contemporaries, the popularity of his poetry ensured a steady stream of young friends and admirers to replace those he lost. Wordsworth's youthful political radicalism, unlike Coleridge's, never led him to rebel against his religious upbringing. He remarked in 1812 that he
6164-538: The Shoreham Ancients . The group shared Blake's rejection of modern trends and his belief in a spiritual and artistic New Age. Aged 65, Blake began work on illustrations for the Book of Job , later admired by Ruskin , who compared Blake favourably to Rembrandt , and by Vaughan Williams , who based his ballet Job: A Masque for Dancing on a selection of the illustrations. In later life Blake began to sell
6298-520: The University of Durham . The following year he was awarded the same honorary degree by the University of Oxford, when John Keble praised him as the "poet of humanity", praise greatly appreciated by Wordsworth. (It has been argued that Wordsworth was a significant influence on Keble's immensely popular book of devotional poetry, The Christian Year (1827). ) In 1842, the government awarded him
6432-474: The "disposition to abstractions, to generalising and classification, is the great glory of the human mind"; Blake responded, in marginalia to his personal copy, that "To Generalize is to be an Idiot; To Particularize is the Alone Distinction of Merit". Blake also disliked Reynolds' apparent humility, which he held to be a form of hypocrisy. Against Reynolds' fashionable oil painting , Blake preferred
6566-535: The Abbey. They teased him and one tormented him so much that Blake knocked the boy off a scaffold to the ground, "upon which he fell with terrific Violence". After Blake complained to the Dean, the schoolboys' privilege was withdrawn. Blake claimed that he experienced visions in the Abbey. He saw Christ with his Apostles and a great procession of monks and priests, and heard their chant. On 8 October 1779, Blake became
6700-520: The Ancient Mariner ". The second edition, published in 1800, had only Wordsworth listed as the author and included a preface to the poems. It was augmented significantly in the next edition, published in 1802. In this preface, which some scholars consider a central work of Romantic literary theory, Wordsworth discusses what he sees as the elements of a new type of verse, one that is based on the ordinary language "really used by men" while avoiding
6834-656: The Beast: William Blake and the Moral Law (1993), claims to show how far he was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War . Because Blake's later poetry contains a private mythology with complex symbolism, his late work has been less published than his earlier more accessible work. The Vintage anthology of Blake edited by Patti Smith focuses heavily on
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#17327762598196968-476: The Classical precision of his early influences, Michelangelo and Raphael . David Bindman suggests that Blake's antagonism towards Reynolds arose not so much from the president's opinions (like Blake, Reynolds held history painting to be of greater value than landscape and portraiture), but rather "against his hypocrisy in not putting his ideals into practice." Certainly Blake was not averse to exhibiting at
7102-550: The History of His Own Times (1954). Blake was concerned about senseless wars and the blighting effects of the Industrial Revolution . Much of his poetry recounts in symbolic allegory the effects of the French and American revolutions. Erdman claims Blake was disillusioned with the political outcomes of the conflicts, believing they had simply replaced monarchy with irresponsible mercantilism. Erdman also notes Blake
7236-576: The Lake District. This was the immediate cause of the brother and sister's settling at Dove Cottage in Grasmere in the Lake District, this time with another poet, Robert Southey , nearby. Wordsworth, Coleridge and Southey came to be known as the " Lake Poets ". Throughout this period, many of Wordsworth's poems revolved around themes of death, endurance, separation and grief. In 1802, Lowther's heir, William Lowther, 1st Earl of Lonsdale , paid
7370-591: The Moor; And thence they saw the Bridge of Wood A furlong from their door. They wept, and turning homeward cried "In Heaven we all shall meet!" When in the snow the Mother spied The print of Lucy's feet. Then downward from the steep hill's edge They tracked the footmarks small; And through the broken hawthorn-hedge, And by the long stone-wall; And then an open field they crossed, The marks were still
7504-526: The Pastor, who dominates the last third of the poem. Behler has pointed out the fact that Wordsworth wanted to invoke the basic feeling that a human heart possesses and expresses. He had reversed the philosophical standpoint expressed by his friend S. T. Coleridge , of 'creating the characters in such an environment so that the public feels them belonging to the distant place and time'. And this philosophical realisation by Wordsworth indeed allowed him to choose
7638-699: The Royal Academy, submitting works on six occasions between 1780 and 1808. Blake became a friend of John Flaxman , Thomas Stothard and George Cumberland during his first year at the Royal Academy. They shared radical views, with Stothard and Cumberland joining the Society for Constitutional Information . Blake's first biographer, Alexander Gilchrist , records that in June 1780 Blake was walking towards Basire's shop in Great Queen Street when he
7772-745: The Tate Gallery, Catherine mixed and applied his paint colors. One of Catherine Blake's most noted works is the coloring of the cover of the book Europe: A Prophecy . William Blake's 1863 biographer, Alexander Gilchrist , wrote, "The poet and his wife did everything in making the book - writing, designing, printing, engraving - everything except manufacturing the paper: the very ink, or colour rather, they did make." In 2019 Tate Britain 's Blake exhibition gave particular focus to Catherine Boucher's role in William Blake's work. Around 1783, Blake's first collection of poems, Poetical Sketches ,
7906-506: The actual grave, which was not marked until 12 August 2018. For years since 1965, the exact location of William Blake's grave had been lost and forgotten. The area had been damaged in the Second World War ; gravestones were removed and a garden was created. The memorial stone, indicating that the burial sites are "nearby", was listed as a Grade II listed structure in 2011. A Portuguese couple, Carol and Luís Garrido, rediscovered
8040-420: The atmosphere of the three states of being in the poem. Blake's illustrations of the poem are not merely accompanying works, but rather seem to critically revise, or furnish commentary on, certain spiritual or moral aspects of the text. Because the project was never completed, Blake's intent may be obscured. Some indicators bolster the impression that Blake's illustrations in their totality would take issue with
8174-683: The autobiographical piece that was later titled The Prelude . He wrote several other famous poems in Goslar, including " The Lucy poems ". In the Autumn of 1799, Wordsworth and his sister returned to England and visited the Hutchinson family at Sockburn. When Coleridge arrived back in England, he travelled to the North with their publisher, Joseph Cottle, to meet Wordsworth and undertake a proposed tour of
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#17327762598198308-643: The book are the Four Zoas ( Urthona , Urizen , Luvah and Tharmas ), who were created by the fall of Albion in Blake's mythology . It consists of nine books, referred to as "nights". These outline the interactions of the Zoas, their fallen forms and their Emanations . Blake intended the book to be a summation of his mythic universe . Blake's Four Zoas, which represent four aspects of the Almighty God and Vala
8442-400: The child as observing the day- moon , which no town or village girl would ever notice". However, her connection with nature makes it is possible that Lucy's spirit is able to survive. The feeling in Lucy Gray, as John Beer writes, is counter to the feeling in "She dwelt among the untrodden ways" that "No amount of dwelling on her significance as an embodiment of life-forces can reduce by one iota
8576-570: The churchyard lie, My sister and my brother; And, in the churchyard cottage, I Dwell near them with my mother.” “My stockings there I often knit; My kerchief there I hem; And there upon the ground I sit, And sing a song to them. “And often after sunset, sir, When it is light and fair, I take my little porringer, And eat my supper there. “How many are you, then,” said I, “If they two are in heaven?” Quick
8710-575: The collections An Evening Walk and Descriptive Sketches . In 1795, he received a legacy of £900 from Raisley Calvert and was able to pursue a career as a poet. It was also in 1795 that he met Samuel Taylor Coleridge in Somerset. The two poets quickly developed a close friendship. For two years from 1795, William and his sister Dorothy lived at Racedown House in Dorset—a property of the Pinney family—to
8844-431: The couple and grew close to Mary. The following year, Mary gave birth to the first of five children, three of whom predeceased her and William: Wordsworth had for years been making plans to write a long philosophical poem in three parts, which he intended to call The Recluse . In 1798–99 he started an autobiographical poem, which he referred to as the " poem to Coleridge " and which he planned would serve as an appendix to
8978-437: The death, not of a man, but of a blessed angel." George Richmond gives the following account of Blake's death in a letter to Samuel Palmer : He died ... in a most glorious manner. He said He was going to that Country he had all His life wished to see & expressed Himself Happy, hoping for Salvation through Jesus Christ – Just before he died His Countenance became fair. His eyes Brighten'd and he burst out Singing of
9112-566: The divine, the Zoas are the God the Father (Tharmas, sense), the Son of God (Luvah, love), the Holy Ghost (Urthona, imagination), and Satan who was originally of the divine substance (Urizen, reason) and their Emanations represent Sexual Urges (Enion), Nature (Vala), Inspiration (Enitharmon), and Pleasure (Ahania). Blake believed that each person had a twofold identity with one half being good and
9246-439: The dull fact of her death and the necessary loss to all who love her." Wordsworth wrote, in reference to Lucy Gray , "the way in which the incident was treated and the spiritualizing of the character might furnish hints for contrasting the imaginative influences which I have endeavoured to throw over common life with Crabbe's matter of fact style of treating subjects of the same kind". By this, Raymond Havens points out, Wordsworth
9380-496: The earlier work, as do many critical studies such as William Blake by D. G. Gillham. The earlier work is primarily rebellious in character and can be seen as a protest against dogmatic religion especially notable in The Marriage of Heaven and Hell , in which the figure represented by the "Devil" is virtually a hero rebelling against an imposter authoritarian deity. In later works, such as Milton and Jerusalem , Blake carves
9514-500: The end of the 18th century. Europe Supported by Africa and America is an engraving by Blake held in the collection of the University of Arizona Museum of Art . The engraving was for a book written by Blake's friend John Gabriel Stedman called The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam (1796). It depicts three women embracing one another. Black Africa and White Europe hold hands in
9648-428: The enterprise, and only a handful of watercolours were completed, with only seven of the engravings arriving at proof form. Even so, they have earned praise: [T]he Dante watercolours are among Blake's richest achievements, engaging fully with the problem of illustrating a poem of this complexity. The mastery of watercolour has reached an even higher level than before, and is used to extraordinary effect in differentiating
9782-539: The exact burial location after 14 years of investigatory work, and the Blake Society organised a permanent memorial slab, which was unveiled at a public ceremony at the site on 12 August 2018. The new stone is inscribed "Here lies William Blake 1757–1827 Poet Artist Prophet" above a verse from his poem Jerusalem . The Blake Prize for Religious Art was established in his honour in Australia in 1949. In 1957
9916-897: The festivals around Easter, May Day and Shrove Tuesday . Wordsworth was taught both the Bible and the Spectator , but little else. At the school in Penrith, he met the Hutchinsons, including Mary Hutchinson, who later became his wife. After the death of Wordsworth's mother, in 1778, his father sent him to Hawkshead Grammar School in Lancashire (now in Cumbria ) and sent Dorothy to live with relatives in Yorkshire . She and William did not meet again for nine years. Wordsworth debuted as
10050-506: The following year. The circumstances of his return and subsequent behaviour raised doubts about his declared wish to marry Annette. However, he supported her and his daughter as best he could in later life. The Reign of Terror left Wordsworth thoroughly disillusioned with the French Revolution, and the outbreak of armed hostilities between Britain and France prevented him from seeing Annette and his daughter for some years. With
10184-490: The fundamentalist Irvingite church and under the influence of conservative members of that church burned manuscripts that he deemed heretical. The exact number of destroyed manuscripts is unknown, but shortly before his death Blake told a friend he had written "twenty tragedies as long as Macbeth ", none of which survive. Another acquaintance, William Michael Rossetti, also burned works by Blake that he considered lacking in quality, and John Linnell erased sexual imagery from
10318-440: The government of George III , and the creation of the first police force. In 1781 William met Catherine Boucher when he was recovering from a relationship that had culminated in a refusal of his marriage proposal. He recounted the story of his heartbreak for Catherine and her parents, after which he asked Catherine: "Do you pity me?" When she responded affirmatively, he declared: "Then I love you". William married Catherine, who
10452-405: The grim humour of the cantos ). At the same time, Blake shared Dante's distrust of materialism and the corruptive nature of power, and clearly relished the opportunity to represent the atmosphere and imagery of Dante's work pictorially. Even as he seemed to be near death, Blake's central preoccupation was his feverish work on the illustrations to Dante's Inferno ; he is said to have spent one of
10586-545: The human mind. In response to Wordsworth's poetic program that, “when we look / Into our Minds, into the Mind of Man- / My haunt, and the main region of my song” ( The Excursion ), William Blake wrote to his friend Henry Crabb Robinson that the passage " caused him a bowel complaint which nearly killed him”. Following the death of his friend, the painter William Green in 1823, Wordsworth also mended his relations with Coleridge. The two were fully reconciled by 1828 when they toured
10720-444: The humanisation of the character of Urizen in the later works. Murry characterises the later Blake as having found "mutual understanding" and "mutual forgiveness". Regarding conventional religion, Blake was a satirist and ironist in his viewpoints which are illustrated and summarized in his poem Vala, or The Four Zoas , one of his uncompleted prophetic books begun in 1797. The demi-mythological and demi-religious main characters of
10854-439: The ideas first introduced in his earlier works, namely, the humanitarian goal of achieving personal wholeness of body and spirit. The final section of the expanded edition of her Blake study The Unholy Bible suggests the later works are the "Bible of Hell" promised in The Marriage of Heaven and Hell . Regarding Blake's final poem, Jerusalem , she writes: "The promise of the divine in man, made in The Marriage of Heaven and Hell ,
10988-421: The identical emotion that the poet and his sister nourish: "We leave you here in solitude to dwell/ With these our latest gifts of tender thought; Thou, like the morning, in thy saffron coat,/ Bright gowan, and marsh-marigold, farewell!" (L.19–22). This kind of conversational tone persists throughout the poet's poetic journey, which positions him as a man in society who speaks to the purpose of communion with
11122-526: The institution of marriage, no evidence is known that would prove that they had met. In Visions of the Daughters of Albion (1793), Blake condemned the cruel absurdity of enforced chastity and marriage without love and defended the right of women to complete self-fulfilment. From 1790 to 1800, William Blake lived in North Lambeth , London, at 13 Hercules Buildings, Hercules Road . The property
11256-421: The language and structural patterning of the poetry that a common person used every day. Kurland wrote that the conversational aspect of a language emerges through social necessity. Social necessity posits the theme of possessing the proper knowledge, interest and biases also among the speakers. William Wordsworth has used conversation in his poetry to let the poet 'I' merge into 'We'. The poem "Farewell" exposes
11390-591: The last shillings he possessed on a pencil to continue sketching. Blake's last years were spent at Fountain Court off the Strand (the property was demolished in the 1880s, when the Savoy Hotel was built). On the day of his death (12 August 1827), Blake worked relentlessly on his Dante series. Eventually, it is reported, he ceased working and turned to his wife, who was in tears by his bedside. Beholding her, Blake
11524-552: The marriage bed in accordance with the beliefs of the more radical branches of the Swedenborgian Society , but other scholars have dismissed these theories as conjecture. In his Dictionary, Samuel Foster Damon suggests that Catherine may have had a stillborn daughter for which The Book of Thel is an elegy. That is how he rationalizes the Book's unusual ending, but notes that he is speculating. In 1800, Blake moved to
11658-444: The mid-1810s, perhaps because most of the concerns that characterised his early poems (loss, death, endurance, separation and abandonment) had been resolved in his writings and his life. By 1820, he was enjoying considerable success accompanying a reversal in the contemporary critical opinion of his earlier works. The poet and artist William Blake, who knew Wordsworth's work, was struck by Wordsworth's boldness in centring his poetry on
11792-717: The mysterious traveller John "Walking" Stewart (1747–1822), who was nearing the end of his thirty years of wandering, on foot, from Madras , India, through Persia and Arabia , across Africa and Europe, and up through the fledgling United States. By the time of their association, Stewart had published an ambitious work of original materialist philosophy entitled The Apocalypse of Nature (London, 1791), to which many of Wordsworth's philosophical sentiments may well be indebted. In 1807, Wordsworth published Poems, in Two Volumes , including " Ode: Intimations of Immortality from Recollections of Early Childhood ". Until now, Wordsworth
11926-527: The nature of woods and hills – into human connections hardly strong enough to hold them. Perpetually they threaten to fall back into a kind of things or a kind of spirits." Wordsworth is trying to describe how Lucy, a girl connected to nature, dies. She is part of nature, according to Robert Langbaum, because Wordsworth "makes the human figure seem to evolve out of and pass back into the landscape". Henry Crabb Robinson explains that Wordsworth's point "was to exhibit poetically entire solitude , and he represents
12060-411: The other evil. In Vala , both the character Orc and The Eternal Man discuss their selves as divided. By the time he was working on his later works, including Vala , Blake felt that he was able to overcome his inner battle but he was concerned about losing his artistic abilities. These thoughts carried over into Vala as the character Los (imagination) is connected to the image of Christ, and he added
12194-591: The pair moved to Alfoxton House , Somerset, just a few miles away from Coleridge's home in Nether Stowey . Together Wordsworth and Coleridge (with insights from Dorothy) produced Lyrical Ballads (1798), an important work in the English Romantic movement . The volume gave neither Wordsworth's nor Coleridge's name as author. One of Wordsworth's most famous poems, " Tintern Abbey ", was published in this collection, along with Coleridge's " The Rime of
12328-633: The philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic". A theist who preferred his own Marcionite style of theology, he was hostile to the Church of England (indeed, to almost all forms of organised religion), and was influenced by the ideals and ambitions of the French and American Revolutions . Although later he rejected many of these political beliefs, he maintained an amicable relationship with
12462-507: The plates in acid to dissolve the untreated copper and leave the design standing in relief (hence the name). This is a reversal of the usual method of etching, where the lines of the design are exposed to the acid, and the plate printed by the intaglio method. Relief etching (which Blake referred to as " stereotype " in The Ghost of Abel ) was intended as a means for producing his illuminated books more quickly than via intaglio. Stereotype,
12596-709: The play was not published until 1842, after substantial revisions. I travelled among unknown men I travelled among unknown men, In lands beyond the sea; Nor, England! did I know till then What love I bore to thee. 'T is past, that melancholy dream! Nor will I quit thy shore A second time, for still I seem To love thee more and more. Among thy mountains did I feel The joy of my desire; And she I cherished turned her wheel Beside an English fire. Thy mornings showed, thy nights concealed, The bowers where Lucy played; And thine too
12730-451: The poet. [REDACTED] Category William Blake This is an accepted version of this page William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the poetry and visual art of the Romantic Age . What he called his " prophetic works " were said by 20th-century critic Northrop Frye to form "what
12864-411: The poetic diction of much 18th-century verse. Wordsworth also gives his famous definition of poetry as "the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility", and calls his own poems in the book "experimental". A fourth and final edition of Lyrical Ballads was published in 1805. Between 1795 and 1797, Wordsworth wrote his only play, The Borderers ,
12998-497: The political activist Thomas Paine ; he was also influenced by thinkers such as Emanuel Swedenborg . Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Michael Rossetti characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors". Collaboration with his wife, Catherine Boucher ,
13132-401: The progressive powers perhaps no less Of the whole species) to the external World Is fitted:—and how exquisitely, too— Theme this but little heard of among Men, The external World is fitted to the Mind; And the creation (by no lower name Can it be called) which they with blended might Accomplish ... Some modern critics suggest that there was a decline in his work beginning around
13266-418: The same Hand." Others have said it "expresses the climate of opinion in which the questions of color and slavery were, at that time, being considered, and which Blake's writings reflect." Blake employed intaglio engraving in his own work, such as for his Illustrations of the Book of Job , completed just before his death. Most critical work has concentrated on Blake's relief etching as a technique because it
13400-415: The same; They tracked them on, nor ever lost, And to the Bridge they came. They followed from the snowy bank The footmarks, one by one, Into the middle of the plank, And further there were none. Yet some maintain that to this day She is a living Child, That you may see sweet Lucy Gray Upon the lonesome Wild. Over rough and smooth she trips along, And never looks behind; And sings
13534-399: The standard process of engraving in the 18th century in which the artist incised an image into the copper plate, a complex and laborious process, with plates taking months or years to complete, but as Blake's contemporary, John Boydell , realised, such engraving offered a "missing link with commerce", enabling artists to connect with a mass audience and became an immensely important activity by
13668-444: The stipend of £400 a year made him financially secure, albeit at the cost of political independence. In 1813, he and his family, including Dorothy, moved to Rydal Mount , Ambleside (between Grasmere and Rydal Water), where he spent the rest of his life. In 1814, Wordsworth published The Excursion as the second part of the three-part work The Recluse even though he never completed the first or third parts. He did, however, write
13802-790: The text they accompany: in the margin of Homer Bearing the Sword and His Companions , Blake notes, "Every thing in Dantes Comedia shews That for Tyrannical Purposes he has made This World the Foundation of All & the Goddess Nature & not the Holy Ghost." Blake seems to dissent from Dante's admiration of the poetic works of ancient Greece , and from the apparent glee with which Dante allots punishments in Hell (as evidenced by
13936-802: The things he saw in Heaven. Catherine paid for Blake's funeral with money lent to her by Linnell. Blake's body was buried in a plot shared with others, five days after his death – on the eve of his 45th wedding anniversary – at the Dissenter 's burial ground in Bunhill Fields , that became the London Borough of Islington . His parents' bodies were buried in the same graveyard. Present at the ceremonies were Catherine, Edward Calvert , George Richmond , Frederick Tatham and John Linnell. Following Blake's death, Catherine moved into Tatham's house as
14070-420: The time, it has since come to be widely recognised as his masterpiece. Margaret Louisa Woods portrayed the young Wordsworth in her novel A Poet's Youth (1923). Ken Russell 's 1978 film William and Dorothy portrays the relationship between William and his sister Dorothy. Wordsworth and Coleridge's friendship is examined by Julien Temple in his 2000 film Pandaemonium . Wordsworth has appeared as
14204-826: The very common mass of that society. Again; "Preface to Lyrical Ballads" [1] is the evidence where the poet expresses why he is writing and what he is writing and what purpose it will serve humanity. Wordsworth remained a formidable presence in his later years. In 1837, the Scottish poet and playwright Joanna Baillie reflected on her long acquaintance with Wordsworth. "He looks like a man that one must not speak to unless one has some sensible thing to say. However, he does occasionally converse cheerfully & well, and when one knows how benevolent & excellent he is, it disposes one to be very much pleased with him." In 1838, Wordsworth received an honorary doctorate in Civil Law from
14338-440: The west of Pilsdon Pen . They walked in the area for about two hours daily, and the nearby hills consoled Dorothy as she pined for the fells of her native Lakeland. She wrote, "We have hills which, seen from a distance, almost take the character of mountains, some cultivated nearly to their summits, others in their wild state covered with furze and broom. These delight me the most as they remind me of our native wilds." In 1797,
14472-411: The £4,000 (equivalent to £451,114 in 2023) owed to Wordsworth's father through Lowther's failure to pay his aide. It was this repayment that afforded Wordsworth the financial means to marry. On 4 October, following his visit with Dorothy to France to arrange matters with Annette, Wordsworth married his childhood friend, Mary Hutchinson, at All Saints' Church, Brompton . Dorothy continued to live with
14606-532: Was a key figure of the Romantic poets. The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in what is now named Wordsworth House in Cockermouth , Cumberland (now in Cumbria), part of the scenic region in northwestern England known as the Lake District . William's sister, the poet and diarist Dorothy Wordsworth , to whom he was close all his life,
14740-680: Was a legal representative of James Lowther, 1st Earl of Lonsdale and, through his connections, lived in a large mansion in the small town. He was frequently away from home on business, so the young William and his siblings had little involvement with him and remained distant until he died in 1783. However, he did encourage William in his reading, and in particular, set him to commit large portions of verse to memory, including works by Milton , Shakespeare and Spenser which William would pore over in his father's library. William also spent time at his mother's parents' house in Penrith , Cumberland, where he
14874-501: Was an early and profound influence on Blake, and remained a source of inspiration throughout his life. Blake's childhood, according to him, included mystical religious experiences such as "beholding God's face pressed against his window, seeing angels among the haystacks, and being visited by the Old Testament prophet Ezekiel ." Blake started engraving copies of drawings of Greek antiquities purchased for him by his father,
15008-458: Was anxious that Wordsworth should do more for Caroline. Upon Caroline's marriage, in 1816, Wordsworth settled £30 a year on her (equivalent to £2,400 in 2021), payments which continued until 1835, when they were replaced by a capital settlement. We Are Seven I met a little cottage girl: She was eight years old, she said; Her hair was thick with many a curl That clustered round her head. She had
15142-488: Was apprenticed to engraver James Basire of Great Queen Street , at the sum of £52.10, for a term of seven years. At the end of the term, aged 21, he became a professional engraver. No record survives of any serious disagreement or conflict between the two during the period of Blake's apprenticeship, but Peter Ackroyd 's biography notes that Blake later added Basire's name to a list of artistic adversaries; and then crossed it out. This aside, Basire's style of line-engraving
15276-555: Was born the following year, and the two were baptised together. They had three other siblings: Richard, the eldest, who became a lawyer; John Wordsworth, born after Dorothy, who went to sea and died in 1805 when the ship of which he was captain, the Earl of Abergavenny , was wrecked off the south coast of England; and Christopher , the youngest, who entered the Church and rose to be Master of Trinity College, Cambridge . Wordsworth's father
15410-473: Was charged not only with assault, but with uttering seditious and treasonable expressions against the king. Schofield claimed that Blake had exclaimed "Damn the king. The soldiers are all slaves." Blake was cleared in the Chichester assizes of the charges. According to a report in the Sussex county paper, "[T]he invented character of [the evidence] was ... so obvious that an acquittal resulted". Schofield
15544-491: Was decorated with suits of armour, painted funeral effigies and varicoloured waxworks. Ackroyd notes that "...the most immediate [impression] would have been of faded brightness and colour". This close study of the Gothic (which he saw as the "living form") left clear traces in his style. In the long afternoons Blake spent sketching in the Abbey, he was occasionally interrupted by boys from Westminster School , who were allowed in
15678-421: Was deeply opposed to slavery and believes some of his poems, read primarily as championing " free love ", had their anti-slavery implications short-changed. A more recent study, William Blake: Visionary Anarchist by Peter Marshall (1988), classified Blake and his contemporary William Godwin as forerunners of modern anarchism . British Marxist historian E. P. Thompson 's last finished work, Witness Against
15812-409: Was demolished in 1918, but the site is marked with a plaque. A series of 70 mosaics commemorates Blake in the nearby railway tunnels of Waterloo Station . The mosaics largely reproduce illustrations from Blake's illuminated books, The Songs of Innocence and of Experience , The Marriage of Heaven and Hell , and the prophetic books . In 1788, aged 31, Blake experimented with relief etching ,
15946-433: Was difficult for the ageing poet to take, and in his depression, he ultimately gave up writing new material. William Wordsworth died at home at Rydal Mount from an aggravated case of pleurisy on 23 April 1850, and was buried at St Oswald's Church, Grasmere . His widow, Mary, published his lengthy autobiographical "Poem to Coleridge" as The Prelude several months after his death. Though it failed to interest people at
16080-574: Was exposed to the moors but did not get along with his grandparents or uncle, who also lived there. His hostile interactions with them distressed him to the point of contemplating suicide. Wordsworth was taught to read by his mother, and he first attended a tiny school of low quality in Cockermouth, then a school in Penrith for the children of upper-class families. He was taught there by Ann Birkett, who instilled in her students traditions that included pursuing scholarly and local activities, especially
16214-499: Was five years his junior, on 18 August 1782 in St Mary's Church, Battersea . Illiterate, Catherine signed her wedding contract with an X. The original wedding certificate may be viewed at the church, where a commemorative stained-glass window was installed between 1976 and 1982. The marriage was successful and Catherine became William's "partner in both life and work", undertaking important roles as an engraver and colourist. According to
16348-537: Was founded on a circumstance told me by my Sister, of a little girl who, not far from Halifax in Yorkshire, was bewildered in a snow-storm. Her footsteps were traced by her parents to the middle of the lock of a canal, and no other vestige of her, backward or forward, could be traced. The body however was found in the canal." Lucy Gray was first published in Volume 2 of the 1800 edition of Lyrical Ballads . Lucy Gray
16482-543: Was instrumental in the creation of many of his books. Boucher worked as a printmaker and colorist for his works. "For almost forty-five years she was the person who lived and worked most closely with Blake, enabling him to realize numerous projects, impossible without her assistance. Catherine was an artist and printer in her own right", writes literary scholar Angus Whitehead. William Blake was born on 28 November 1757 at 28 Broad Street (now Broadwick Street ) in Soho , London. He
16616-409: Was known only for Lyrical Ballads , and he hoped this new collection would cement his reputation. Its reception was lukewarm. In 1810, Wordsworth and Coleridge were estranged over the latter's opium addiction, and in 1812, his son Thomas died at the age of 6, six months after the death of 3-year-old Catherine. The following year, he received an appointment as Distributor of Stamps for Westmorland, and
16750-545: Was later depicted wearing "mind forged manacles" in an illustration to Jerusalem The Emanation of the Giant Albion . Blake returned to London in 1804 and began to write and illustrate Jerusalem (1804–20), his most ambitious work. Having conceived the idea of portraying the characters in Chaucer 's Canterbury Tales , Blake approached the dealer Robert Cromek , with a view to marketing an engraving. Knowing Blake
16884-718: Was of a kind held at the time to be old-fashioned compared to the flashier stipple or mezzotint styles. It has been speculated that Blake's instruction in this outmoded form may have been detrimental to his acquiring of work or recognition in later life. After two years, Basire sent his apprentice to copy images from the Gothic churches in London (perhaps to settle a quarrel between Blake and James Parker, his fellow apprentice). His experiences in Westminster Abbey helped form his artistic style and ideas. The Abbey of his day
17018-550: Was printed. In 1784, after his father's death, Blake and former fellow apprentice James Parker opened a print shop. They began working with radical publisher Joseph Johnson . Johnson's house was a meeting-place for some leading English intellectual dissidents of the time: theologian and scientist Joseph Priestley ; philosopher Richard Price ; artist John Henry Fuseli ; early feminist Mary Wollstonecraft ; and English-American revolutionary Thomas Paine . Along with William Wordsworth and William Godwin , Blake had great hopes for
17152-483: Was swept up by a rampaging mob that stormed Newgate Prison . The mob attacked the prison gates with shovels and pickaxes, set the building ablaze, and released the prisoners inside. Blake was reportedly in the front rank of the mob during the attack. The riots, in response to a parliamentary bill revoking sanctions against Roman Catholicism, became known as the Gordon Riots and provoked a flurry of legislation from
17286-461: Was ten years old, his parents knew enough of his headstrong temperament that he was not sent to school but instead enrolled in drawing classes at Henry Pars' drawing school in the Strand . He read avidly on subjects of his own choosing. During this period, Blake made explorations into poetry; his early work displays knowledge of Ben Jonson , Edmund Spenser , and the Psalms . On 4 August 1772, Blake
17420-408: Was the little maid’s reply: “O Master! we are seven.” “But they are dead; those two are dead! Their spirits are in heaven!” - ’T was throwing words away; for still The little maid would have her will, And said, “Nay, we are seven!” From the "We Are Seven" poem The year 1793 saw the first publication of poems by Wordsworth in
17554-445: Was the third of seven children, two of whom died in infancy. Blake's father, James, was a hosier , who had lived in London. He attended school only long enough to learn reading and writing, leaving at the age of 10, and was otherwise educated at home by his mother Catherine Blake ( née Wright). Even though the Blakes were English Dissenters , William was baptised on 11 December at St James's Church , Piccadilly, London. The Bible
17688-514: Was too eccentric to produce a popular work, Cromek promptly commissioned Blake's friend Thomas Stothard to execute the concept. When Blake learned he had been cheated, he broke off contact with Stothard. He set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho . The exhibition was designed to market his own version of the Canterbury illustration (titled The Canterbury Pilgrims ), along with other works. As
17822-471: Was uninterested in true artistry, and preoccupied with "the meer drudgery of business" (E724). Blake's disenchantment with Hayley has been speculated to have influenced Milton: a Poem , in which Blake wrote that "Corporeal Friends are Spiritual Enemies". (4:26, E98) Blake's trouble with authority came to a head in August 1803, when he was involved in a physical altercation with a soldier, John Schofield. Blake
17956-582: Was willing to shed his blood for the established Church of England , reflected in his Ecclesiastical Sketches of 1822. This religious conservatism also colours The Excursion (1814), a long poem that became extremely popular during the nineteenth century. It features three central characters: the Wanderer, the Solitary, who has experienced the hopes and miseries of the French Revolution , and
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