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Major Tom

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151-465: Major Tom is a persona of David Bowie , referenced in the songs " Space Oddity ", " Ashes to Ashes ", " Hallo Spaceboy ", " Blackstar " and more. Bowie's own interpretation of the character evolved throughout his career. "Space Oddity" (1969) depicts an astronaut who casually slips the bonds of the world to journey beyond the stars. In the song "Ashes to Ashes" (1980), Bowie reinterprets Major Tom as an oblique autobiographical symbol for himself. Major Tom

302-489: A Grafton saxophone in 1961. He was soon receiving lessons from baritone saxophonist Ronnie Ross . He received a serious injury at school in 1962 when his friend George Underwood punched him in the left eye during a fight over a girl. After a series of operations during a four-month hospitalisation, his doctors determined that the damage could not be fully repaired and Bowie was left with faulty depth perception and anisocoria (a permanently dilated pupil), which gave

453-434: A hi-NRG anthem with chart appeal to the max". Mojo magazine writer Mark Paytress opined that adding Pet Shop Boys was a "masterstroke". Huey called the remix a success, with "less uncompromising" drama and "less disturbing" results. "Hallo Spaceboy" has appeared on lists ranking Bowie's best songs by Far Out (number 21), The Guardian (number 40) and Mojo (number 70). In 2016, Ultimate Classic Rock placed

604-452: A ménage à trois formation. Bowie created a sequel entitled " Ashes to Ashes " (1980). The song, which peaked at Number 1 in the UK music charts and had a respectable showing in other international music charts, was featured on his LP Scary Monsters (And Super Creeps) . The song actually says little about Major Tom, except to call him a "junkie"; The context of the lyrics seems to indicate that

755-534: A science fiction apocalypse were recycled from Tin Machine's " Baby Universal " (1991). "Hallo Spaceboy" was released as the sixth track on Outside on 25 September 1995. Bowie featured the song prominently on the 1995 Outside Tour , often together with Nine Inch Nails on the US leg and after as the closing number. Bowie intended "Hallo Spaceboy" to be his next single after " Strangers When We Meet ", performing

906-469: A sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was incorporated for the film Ziggy Stardust and the Spiders from Mars , which premiered in 1979 and commercially released in 1983. After breaking up

1057-579: A "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), combining the hard rock elements of The Man Who Sold the World with the lighter experimental rock and pop of Hunky Dory , was released in June and was considered one of the defining albums of glam rock . " Starman ", issued as an April single ahead of

1208-520: A "valuable friend". The song again refers directly to Tom toward the end, where he has become more of a legend, but not for his heroics. He has become a nursery rhyme in the minds of the public, with mothers warning against drug use by telling their children if they want: "...to get things done, you'd better not mess with Major Tom." Bowie released a song entitled " Hallo Spaceboy " on his album Outside (1995). While this song itself does not directly reference Major Tom, references to Major Tom do appear in

1359-400: A 1997 interview that he and Lowe, working alongside Bowie, had completed what Tennant called the " Major Tom trilogy", in reference to the fictional astronaut who first appeared in "Space Oddity" and later appeared in 1980's " Ashes to Ashes ". Tennant explained, "I said to [Bowie], 'It's like Major Tom is in one of those Russian spaceships they can't afford to bring down,' and he said, 'Oh wow,

1510-484: A Gysin-style cut-up technique, to create a second verse: "Ground to Major, bye bye Tom / dead the circuit, countdown's wrong / Planet Earth is control on?" O'Leary states the additions turned the song's cry of "this chaos is killing me" into a plea from an astronaut "strung out in heaven". Bowie himself initially expressed reservation about the additions when Tennant told him during a telephone conversation, but later agreed that they worked well. Tennant told NME in

1661-715: A Shotgun" one line is "And Major Tom, will sing along, yeah they still say I'm a dreamer." Major Tom is briefly referenced in Five Star 's 1986 hit single, " Rain or Shine ," alongside Robin Hood . The song itself plays an important role in the Apple TV+ American science fiction television series Invasion , created by Simon Kinberg and David Weil . David Bowie David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie ( / ˈ b oʊ i / BOH -ee ),

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1812-411: A Trip on a Gemini Spaceship , again hinting a metaphoric connection between space journeys and drug use. In the music video of Bowie's 2015 song " Blackstar " (on the album of the same name , released in 2016 two days prior to his death), a dead astronaut is depicted. His jewel-encrusted skull is retrieved by an alien female who takes it back to what could be considered a cult which subsequently worships

1963-556: A character named Major Tom had a major role in the plot. He first appeared in the opening scene in a flashback as having been a pilot who died in 1969 after TVC 15 , an experimental aircraft which shares the name with another song by David Bowie, he was piloting crashed into the ocean within the Bermuda Triangle , and his ghost later appears in the present in the episode. In addition, the opening scene's dialogue references lyrics from both "Space Oddity" and "Ashes to Ashes", and

2114-640: A collection of American 45s by artists including the Teenagers , the Platters , Fats Domino , Elvis Presley and Little Richard . Upon listening to Little Richard's song " Tutti Frutti ", Bowie later said that he had "heard God". Bowie was first impressed with Presley when he saw his cousin Kristina dance to " Hound Dog " soon after its release in 1956. According to Kristina, she and David "danced like possessed elves" to records of various artists. By

2265-730: A collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in his version of the McCoys 's " Sorrow " and itself peaking at number one, making Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums concurrently on the UK chart to six. Bowie moved to the US in 1974, initially staying in New York City before settling in Los Angeles. Diamond Dogs (1974), parts of which found him heading towards soul and funk ,

2416-519: A contract with Mercury Records and its UK subsidiary Philips , who issued "Space Oddity" as a single on 11 July 1969, five days ahead of the Apollo 11 launch. Reaching the top five in the UK, it was his first and last hit for three years. Bowie's second album followed in November. Originally issued in the UK as David Bowie , it caused some confusion with its predecessor of the same name, and

2567-405: A departure from the acoustic guitar and folk rock style established by his second album, to a more hard rock sound. Mercury financed a coast-to-coast publicity tour across the US in which Bowie, between January and February 1971, was interviewed by media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later depicted Bowie wearing a dress. He took

2718-420: A disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but recording halted while Bowie conducted the seven-month Sound+Vision Tour , which brought him commercial success and acclaim. In October 1990, Bowie and Somali -born supermodel Iman were introduced by

2869-456: A false impression of a change in the iris' colour, erroneously suggesting he had heterochromia iridum (one iris a different colour to the other); his eye later became one of Bowie's most recognisable features. Despite their altercation, Bowie remained on good terms with Underwood, who went on to create the artwork for Bowie's early albums. Bowie formed his first band, the Konrads, in 1962 at

3020-466: A free festival in a local park, the subject of his song " Memory of a Free Festival ". Pitt attempted to introduce Bowie to a larger audience with the Love You till Tuesday film, which went unreleased until 1984. Feeling alienated over his unsuccessful career and deeply affected by his break-up, Bowie wrote " Space Oddity ", a tale about a fictional astronaut named Major Tom . The song earned him

3171-401: A fundraising single, which went to number one in the UK and number seven in the US; its video premiered during Live Aid. Bowie took an acting role in the 1986 film Absolute Beginners , and his title song rose to number two in the UK charts. He also worked with composer Trevor Jones and wrote five original songs for the 1986 film Labyrinth , which he starred in. His final solo album of

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3322-412: A group with Bowie and guitarist John Hutchinson named Feathers; between September 1968 and early 1969 the trio gave a small number of concerts combining folk, Merseybeat , poetry and mime. After the break-up with Farthingale, Bowie moved in with Mary Finnigan as her lodger. In February and March 1969, he undertook a short tour with Marc Bolan 's duo Tyrannosaurus Rex , as third on the bill, performing

3473-426: A limited-edition single release version of Placebo 's track " Without You I'm Nothing " with Bowie's harmonised vocal added to the original recording. Bowie, with Gabrels, created the soundtrack for Omikron: The Nomad Soul , a 1999 computer game in which he and Iman also voiced characters based on their likenesses. Released the same year and containing re-recorded tracks from Omikron , his album Hours featured

3624-480: A low-key release, had almost no promotion and flopped commercially, reaching number 87 in the UK. Nevertheless, it later received critical praise as Bowie's "lost great album". Reuniting Bowie with Eno, the quasi-industrial Outside (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved UK and US chart success and yielded three top 40 UK singles. In

3775-423: A melding of the persona of Iggy Pop with the music of Lou Reed , producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars". The "Stardust" surname was a tribute to the " Legendary Stardust Cowboy ", whose record he

3926-658: A mime act. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. The club was influenced by the Arts Lab movement, developing into the Beckenham Arts Lab and became extremely popular. The Arts Lab hosted

4077-521: A move that provoked mixed reactions from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour . Visiting cities in Europe and North America between September 1995 and February 1996, the tour saw the return of Gabrels as Bowie's guitarist. On 7 January 1997, Bowie celebrated his half century with a 50th birthday concert at Madison Square Garden at which he

4228-537: A mutual friend. He recalled, "I was naming the children the night we met ... it was absolutely immediate." They married in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. Tin Machine II (1991) was Bowie's first album to miss the UK top 20 in nearly twenty years, and was controversial for its cover art. Depicting four ancient nude Kouroi statues,

4379-565: A number of cover songs, including three Pop covers and the 1966 Beach Boys hit " God Only Knows ". The album bore the transatlantic top 10 hit " Blue Jean ", itself the inspiration for the Julien Temple -directed short film Jazzin' for Blue Jean , in which Bowie played the dual roles of romantic protagonist Vic and arrogant rock star Screaming Lord Byron. The short won Bowie his only non-posthumous Grammy Award for Best Short Form Music Video . In early 1985, Bowie's collaboration with

4530-445: A one-off single release, " Under Pressure ". The duet was a hit, becoming Bowie's third UK number-one single. Bowie was given the lead role in the BBC 's 1982 televised adaptation of Bertolt Brecht 's play Baal . Coinciding with its transmission, a five-track EP of songs from the play was released as Baal . In March 1982, Bowie's title song for Paul Schrader 's film Cat People

4681-472: A professional career as a musician in 1963. He released a string of unsuccessful singles with local bands and a self-titled solo album (1967) before achieving his first top-five entry on the UK Singles Chart with " Space Oddity " (1969). After a period of experimentation, he re-emerged in 1972 during the glam rock era with the flamboyant and androgynous alter ego Ziggy Stardust . The character

Major Tom - Misplaced Pages Continue

4832-576: A promotions officer for the children's charity Barnardo's . The family lived at 40 Stansfield Road, on the boundary between Brixton and Stockwell in the south London borough of Lambeth . Bowie attended Stockwell Infants School until he was six, acquiring a reputation as a gifted and single-minded child—and a defiant brawler. From 1953, Bowie moved with his family to Bickley and then Bromley Common , before settling in Sundridge Park in 1955 where he attended Burnt Ash Junior School. His voice

4983-439: A radical shift in style that initially alienated many of his UK devotees. Young Americans was a commercial success in both the US and the UK and yielded Bowie's first US number one, " Fame ", a collaboration with John Lennon . A re-issue of the 1969 single "Space Oddity" became Bowie's first number-one hit in the UK a few months after "Fame" achieved the same in the US. He mimed "Fame" and his November single " Golden Years " on

5134-452: A song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Hours and a performance on VH1 Storytellers in mid-1999 represented the end of Gabrels' association with Bowie as a performer and songwriter. Sessions for Toy , a planned collection of remakes of tracks from Bowie's 1960s period, commenced in 2000, but

5285-549: A suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead. In 1993, Bowie released his first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced Black Tie White Noise . Making prominent use of electronic instruments, the album, which reunited Bowie with Let's Dance producer Nile Rodgers, confirmed Bowie's return to popularity, topping

5436-706: A superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in a cover of Eddie Floyd 's " Knock on Wood ". After a break in Philadelphia , where Bowie recorded new material, the tour resumed with a new emphasis on soul. The fruit of the Philadelphia recording sessions was Young Americans (1975). Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which Bowie identified as " plastic soul ", constituted

5587-495: A time during Station to Station 's recording sessions and later said he remembered "only flashes" of its making. His sanity—by his own later admission—had become twisted from cocaine; he referenced the drug directly in the album's ten-minute title track. The album's release was followed by a 3 + 1 ⁄ 2 -month-long concert tour, the Isolar Tour , of Europe and North America. The core band that coalesced to record

5738-474: A week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman, in turn, was awarded substantial compensation when he was fired the following year. Station to Station (1976), produced by Bowie and Harry Maslin, introduced a new Bowie persona, the Thin White Duke of its title track . Visually, the character

5889-578: Is a song by the English musician David Bowie from his 20th studio album, Outside (1995). It originated as an instrumental by Reeves Gabrels called "Moondust", which Bowie and Brian Eno stripped down and used to form the final track. An industrial rock and electronica number influenced by the Pixies and Nine Inch Nails , the song contains a hypnotic sound, with synthesisers , loops and distorted guitar lines. Lyrically influenced by Brion Gysin ,

6040-594: Is another reversal of Major Tom's original withdrawal, turning 'outwards' or towards space. German singer Peter Schilling retold and continued the story of Major Tom in his late 1982 release " Major Tom (völlig losgelöst) ", which reached number one in Germany and Austria in early 1983. The English-language version, " Major Tom (Coming Home) ", peaked at number 14 in the United States in late 1983. Other artists who have subsequently made substantial contributions to

6191-491: Is described as a " junkie , strung out in heaven's high, hitting an all-time low". This lyric was interpreted as a play on the title of Bowie's album Low (1977), which was inspired by the withdrawal symptoms he suffered while undergoing treatment for drug addiction . Additionally, the choked and self-recriminating tone used in the lyrics "Time and again I tell myself I'll stay clean tonight" reinforces an autobiographical and retrospective interpretation. A short time later, there

Major Tom - Misplaced Pages Continue

6342-449: Is successful and everything goes according to plan. At a certain point during the travel ('past one hundred thousand miles'), he claims that "he feels very still" and thinks that "my spaceship knows which way to go" and proceeds to say: "Tell my wife I love her very much." Control then informs him: "Ground Control to Major Tom: your circuit's dead, there's something wrong" and attempts to reestablish contact with Major Tom. Tom's final words in

6493-463: Is that where he is? ' " Compared to the original version, the remix features a disco edge. Released on 19 February 1996, the single was released through several formats, including a 7" single through BMG / RCA , a CD single through Arista /RCA and a 12" promo in the US through Virgin . The CD single was packaged with a reissue of " The Hearts Filthy Lesson " and live renditions of " Under Pressure " and " Moonage Daydream ", recorded on

6644-477: Is the recipient of numerous accolades , including six Grammy Awards and four Brit Awards . Often dubbed the "chameleon of rock" due to his constant musical reinventions, he was inducted into the Rock and Roll Hall of Fame in 1996. Rolling Stone ranked him among the greatest singers, songwriters and artists of all time. As of 2022, Bowie was the best-selling vinyl artist of the 21st century. David Robert Jones

6795-478: Is uh..." at which point Lister suggests "Major Tom!" and Cat confirms "Yeah, Major Tom!" The song " Terrence Loves You " by Lana Del Rey , whose meaning is speculated by fans to be about David Bowie's brother Terry Burns, contains the lyrics "Ground Control to Major Tom / Can you hear me all night long?" in its bridge. In the animated series Chaotic the main protagonist, Tom Majors, is also known by his online handle "MajorTom". In The Cab 's song "Angel with

6946-526: The Metal Gear series. In the first mission of Metal Gear Solid 3: Snake Eater , the character Major Zero codenames himself Major Tom. In season 3 episode 13 of Rugrats , "Destination Moon", Tommy says, "This is Major Tom, to ground control, requesting permission for lift off". This is in reference to the song "Space Oddity". In The Venture Bros. season 1 episode " Ghosts of the Sargasso ",

7097-735: The A Reality Tour , with an estimated attendance of 722,000, grossed more than any other in 2004. On 13 June, Bowie headlined the last night of the Isle of Wight Festival 2004 . On 25 June, he experienced chest pain while performing at the Hurricane Festival in Scheeßel , Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked coronary artery , requiring an emergency angioplasty in Hamburg. The remaining fourteen dates of

7248-650: The Earthling Tour was also released on the live album Look at the Moon! in 2021, and 2 November recording in Rio de Janeiro from the same tour appeared on the live album LiveAndWell.com in 2000 (re-released in 2021). Pet Shop Boys also performed their own version of "Hallo Spaceboy" during their residency at London's Savoy Theatre in 1997. At Bowie's fiftieth birthday concert in New York in January 1997,

7399-537: The Isolar II world tour , bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. ... Without the oblivion that drugs had brought, he

7550-636: The Pat Metheny Group , " This Is Not America ", for the soundtrack of The Falcon and the Snowman , was released as a single and became a top 40 hit in the UK and US. In July that year, Bowie performed at Wembley Stadium for Live Aid , a multi-venue benefit concert for Ethiopian famine relief. Bowie and Mick Jagger duetted on a cover of Martha and the Vandellas ' " Dancing in the Street " as

7701-658: The Paul Verhoeven film Showgirls was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US Billboard Hot 100 . Bowie received a star on the Hollywood Walk of Fame on 12 February 1997. The Earthling Tour took place in Europe and North America between June and November. In November, Bowie performed on

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7852-473: The Pixies and Pornography -era Cure to Nine Inch Nails and the Smashing Pumpkins ; Bowie himself reportedly stated he was aiming for a Nine Inch Nails-type sound. Featuring synthesisers , loops and distorted guitar lines, a few reviewers compared the song's sound to Bowie's 1974 album Diamond Dogs and his work with the rock band Tin Machine . Author Dave Thompson argued that

8003-497: The remixed version that Bowie released with the Pet Shop Boys in 1996. This remix contains lyrics from "Space Oddity" that are sung by Pet Shop Boys vocalist Neil Tennant . Although never mentioned in the song, an astronaut, possibly Major Tom, does make an appearance in the music video for the song " Slow Burn " on Bowie's 2002 album Heathen . The same album also contains a cover of Legendary Stardust Cowboy 's I Took

8154-721: The "If I fall, moondust will cover me", reportedly Gysin's final words before his death in 1986. Work halted on the track following the session, as Bowie believed "there wasn't anything special going on with that piece". The track resurfaced on 17 January 1995 during the Outside sessions in New York City at The Hit Factory . Eno wrote in his diary that it was "stripped down to almost nothing [before] I wrote some lightning chords and space and suddenly, miraculously, we had something." The final track features Bowie, Eno, Gabrels, guitarist Carlos Alomar , bassist Yossi Fine , pianist Mike Garson and drummer Joey Baron . After finishing

8305-851: The 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle . He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Phillip Jeffries in Twin Peaks: Fire Walk with Me (1992), Andy Warhol in the biopic Basquiat (1996), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He ceased touring after 2004 and his last live performance

8456-565: The Arts Lab, Visconti on bass and Mick Ronson on electric guitar. Known as Hype , the bandmates created characters for themselves and wore elaborate costumes that prefigured the glam style of the Spiders from Mars. After a disastrous opening gig at the London Roundhouse , they reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over

8607-651: The BBC's Children in Need charity single " Perfect Day ", which reached number one in the UK. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for The Rugrats Movie . Although the track was edited out of the final cut, it was later re-recorded and released as "Safe" on the B-side of Bowie's 2002 single " Everyone Says 'Hi' " . The reunion led to other collaborations with his old producer, including

8758-592: The February 2001 and February 2003 concerts to support Tibet House US at Carnegie Hall in New York. In October 2001, Bowie opened the Concert for New York City , a charity event to benefit the victims of the September 11 attacks , with a minimalist performance of Simon & Garfunkel 's " America ", followed by a full band performance of " ' Heroes ' ". 2002 saw the release of Heathen , and, during

8909-629: The King Bees, was not commercially successful. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon covers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul—"I used to dream of being their Mick Jagger ", he recalled. Their cover of Bobby Bland 's " I Pity the Fool " was no more successful than "Liza Jane", and Bowie soon moved on again to join

9060-527: The Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles —and make another million." Bloom did not respond to the offer, but his referral to Dick James 's partner Leslie Conn led to Bowie's first personal management contract. Conn quickly began to promote Bowie. His debut single, " Liza Jane ", credited to Davie Jones with

9211-856: The Lower Third after the single's release, partly due to Horton's influence, and released two more singles for Pye, " Do Anything You Say " and " I Dig Everything ", both of which featured a new band called the Buzz, before signing with Deram Records . Around this time Bowie also joined the Riot Squad ; their recordings, which included one of Bowie's original songs and material by the Velvet Underground , went unreleased. Kenneth Pitt , introduced by Horton, took over as Bowie's manager. His April 1967 solo single, " The Laughing Gnome ", on which speeded-up and high-pitched vocals were used to portray

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9362-510: The Lower Third, a blues trio strongly influenced by the Who . " You've Got a Habit of Leaving " fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop music world "to study mime at Sadler's Wells ", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, helped secure him a contract with Pye Records . Publicist Tony Hatch signed Bowie on

9513-655: The Major Tom story include K.I.A. (" Mrs. Major Tom ") and The Tea Party ("Empty Glass"). Due to some similarities in Elton John 's "Rocket Man" , there is a possible connection between the Rocket Man and Major Tom, a connection notably made by Bowie himself, who while singing "Space Oddity" in concert would sometimes call out, "Oh, Rocket Man!" In " Space Oddity ", from the album David Bowie (1969, later retitled Space Oddity ), Major Tom's departure from Earth

9664-480: The Netherlands Top 40 and Single Top 100 (24 and 33, respectively), Scotland (10) and Sweden (12). The music video for "Hallo Spaceboy" was directed by longtime Bowie director David Mallet , mixing shots of both Bowie and Pet Shop Boys into a rapid-fire montage of Cold War era retro-footage of science fiction film clips, atomic bomb testing footage and television advertising clips. Bowie performed

9815-637: The Outside Tour on 13 December 1995 in Birmingham. The single was a success across Europe, reaching number 12 in the UK, becoming Bowie's highest charting single since 1993's " Jump They Say ". On top of a number 1 placement in Latvia, the remixed "Hallo Spaceboy" charted in Australia (36), Austria (37), Belgium Flanders (48) and Wallonia (30), Finland (8), Germany (59), Ireland (21),

9966-468: The Pet Shop Boys without anything you could call a chorus. The bit where Bowie's gin-and-lemon voice mixes with Neil Tennant's Amaretto Disaronno on the line Do you like girls or boys? It's confusing these days... is one to hoist aloft around the room on a red velvet cushion, though." A reviewer from Music Week rated the song four out of five, writing that the song "has been transformed into

10117-627: The Queen singer's death the previous year. As well as performing " ' Heroes ' " and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox , who took Mercury's vocal part; during his appearance, Bowie knelt and recited the Lord's Prayer at Wembley Stadium. Four days later, Bowie and Iman married in Switzerland. Intending to move to Los Angeles, they flew in to search for

10268-463: The Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the " Victoria Station incident". Arriving in an open-top Mercedes convertible , Bowie waved to the crowd in a gesture that some alleged was a Nazi salute , which was captured on camera and published in NME . Bowie said the photographer caught him in mid-wave. He later blamed his pro-fascism comments and his behaviour during

10419-432: The Spiders, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought after: The Man Who Sold the World had been re-released in 1972 along with Space Oddity . Hunky Dory 's " Life on Mars? " was released in June 1973 and peaked at number three on the UK Singles Chart . Entering the same chart in September, his 1967 novelty record "The Laughing Gnome" reached number six. Pin Ups ,

10570-664: The UK and charted elsewhere across Europe. Its accompanying music video, directed by David Mallet , mixes shots of both Bowie and Pet Shop Boys with footage of science fiction clips, atomic bomb testing footage and television advertising clips. Both versions of "Hallo Spaceboy" have been positively received and have appeared on lists of Bowie's best songs. Bowie performed "Hallo Spaceboy" frequently on his concert tours, recordings from which have appeared on live albums . Written by David Bowie and Brian Eno , "Hallo Spaceboy" developed from an ambient instrumental piece written by guitarist Reeves Gabrels called "Moondust". Initial work on

10721-605: The UK and number 20 in the US, and yielded the UK hit singles " Boys Keep Swinging " and " DJ ". Towards the end of the year, Bowie and Angie initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980. The three albums were later adapted into classical music symphonies by American composer Philip Glass for his first , fourth and twelfth symphonies in 1992, 1997 and 2019, respectively. Glass praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces". Scary Monsters (and Super Creeps) (1980) produced

10872-489: The UK chart and spawning three top 40 hits, including the top 10 single " Jump They Say ". Bowie explored new directions on The Buddha of Suburbia (1993), which began as a soundtrack album for the BBC television adaptation of Hanif Kureishi 's novel The Buddha of Suburbia before turning into a full album; only the title track " The Buddha of Suburbia " was used in the programme. Referencing his 1970s works with pop, jazz, ambient and experimental material, it received

11023-410: The UK chart, where it reached number two. Bowie himself did not promote it, instead touring with Pop as his keyboardist throughout March and April before recording Pop's follow-up, Lust for Life . Echoing Low ' s minimalist, instrumental approach, the second of the trilogy, "Heroes" (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp . It

11174-574: The UK. Dressed in a striking costume, his hair dyed reddish-brown, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars —Ronson, Bolder, and Woodmansey—at the Toby Jug pub in Tolworth in Kingston upon Thames on 10 February 1972. The show was hugely popular, catapulting him to stardom as he toured the UK over the next six months and creating, as described by David Buckley,

11325-595: The UK. The Ziggy Stardust Tour continued to the United States. Bowie contributed backing vocals, keyboards and guitar to Reed's 1972 solo breakthrough Transformer , co-producing the album with Ronson. The following year, Bowie co-produced and mixed the Stooges ' album Raw Power alongside Iggy Pop. His own Aladdin Sane (1973) was his first UK number-one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across

11476-522: The US during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. Aladdin Sane spawned the UK top five singles " The Jean Genie " and " Drive-In Saturday ". Bowie's love of acting led to his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting

11627-471: The US release was instead titled Man of Words/Man of Music ; it was reissued internationally in 1972 by RCA Records as Space Oddity . Featuring philosophical post- hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time. Bowie met Angela Barnett in April 1969. They married within a year. Her impact on him

11778-501: The US variety show Soul Train , earning him the distinction of being one of the first white artists to appear on the programme. The same year, Bowie fired Defries as his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for

11929-675: The accompanying video, renowned as one of the most innovative of all time. While Scary Monsters used principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Fripp and Pete Townshend . Topping the UK Albums Chart for the first time since Diamond Dogs , Buckley writes that with Scary Monsters , Bowie achieved "the perfect balance" of creativity and mainstream success. Bowie paired with Queen in 1981 for

12080-425: The age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother arranged his employment as an electrician's mate. Frustrated by his bandmates' limited aspirations, Bowie left

12231-463: The album and tour—rhythm guitarist Carlos Alomar , bassist George Murray and drummer Dennis Davis —continued as a stable unit for the remainder of the 1970s. Bowie performed on stage as the Thin White Duke. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and was detained by customs on

12382-440: The album explored more serious subjects, and found Bowie paying unusually direct homage to his influences with " Song for Bob Dylan ", " Andy Warhol " and " Queen Bitch ", the latter a Velvet Underground pastiche. His first release through RCA, it was a commercial failure, partly due lack of promotion from the label. Peter Noone of Herman's Hermits covered the album's track " Oh! You Pretty Things ", which reached number 12 in

12533-529: The album went platinum in both the UK and the US. Its three singles became top 20 hits in both countries, where its title track reached number one. " Modern Love " and " China Girl " each made number two in the UK, accompanied by a pair of "absorbing" music videos that Buckley said "activated key archetypes in the pop world... 'Let's Dance', with its little narrative surrounding the young Aboriginal couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially censored) beach lovemaking scene...

12684-533: The album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July Top of the Pops performance of the song. The album, which remained in the chart for two years, was soon joined there by the six-month-old Hunky Dory . At the same time, the non-album single " John, I'm Only Dancing " and " All the Young Dudes ", a song he wrote and produced for Mott the Hoople , were successful in

12835-523: The basis that he wrote his own songs. Dissatisfied with Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of the Monkees , he took on the stage name David Bowie after the 19th-century American pioneer James Bowie and the knife he had popularised . His first release under the name was the January 1966 single " Can't Help Thinking About Me ", recorded with the Lower Third. It flopped like its predecessors. Bowie departed

12986-489: The chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from The Idiot 's "Sister Midnight". The album was recorded in Switzerland and New York City. Ahead of its release, RCA's Mel Ilberman described it as "a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." Lodger reached number four in

13137-486: The cult film The Man Who Fell to Earth and released Station to Station . In 1977, he again changed direction with the electronic -inflected album Low , the first of three collaborations with Brian Eno that came to be known as the Berlin Trilogy . "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in

13288-508: The decade was 1987's Never Let Me Down , where he ditched the light sound of his previous two albums, instead combining pop rock with a harder rock sound. Peaking at number six in the UK, the album yielded the hits " Day-In Day-Out ", " Time Will Crawl " and " Never Let Me Down ". Bowie later described it as his "nadir", calling it "an awful album". He supported the album on the 86-concert Glass Spider Tour . The backing band included Peter Frampton on lead guitar. Contemporary critics maligned

13439-466: The dress with him and wore it during interviews, to the approval of critics – including Rolling Stone ' s John Mendelsohn , who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall ". During the tour, Bowie's observation of two seminal American proto-punk artists led him to develop a concept that eventually found form in the Ziggy Stardust character:

13590-500: The end of the following year, Bowie had taken up the ukulele and tea-chest bass , begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile, his stage presentation of numbers by both Presley and Chuck Berry —complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet". Having encouraged his son to follow his dreams of being an entertainer since he

13741-545: The episode introduces recurring character The Action Man , his name itself a reference to a lyric in the latter song. The show contains many other references to Bowie's work, including Bowie "himself" in several episodes. In series 8 episode 3 of the British space comedy Red Dwarf , "Back in the Red: Part 3," the protagonists attempt to escape from a landing bay. Cat activates the intercom and says, "Ground control, this

13892-494: The establishment of Rock Against Racism . In August 1976, Bowie moved to West Berlin with his old friend Iggy Pop to rid themselves of their respective drug addictions and escape the spotlight. Bowie's interest in German krautrock and the ambient works of multi-instrumentalist Brian Eno culminated in the first of three albums, co-produced with Visconti, that became known as the Berlin Trilogy . The album, Low (1977),

14043-692: The film Stealth . He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed backing vocals on TV on the Radio 's song "Province" for their album Return to Cookie Mountain , and joined with Lou Reed on Danish alt-rockers Kashmir 's 2005 album No Balance Palace . Hallo Spaceboy " Hallo Spaceboy "

14194-457: The gnome, failed to chart. Released six weeks later, his album debut, David Bowie , an amalgam of pop, psychedelia and music hall , met the same fate. It was his last release for two years. In September, Bowie recorded " Let Me Sleep Beside You " and " Karma Man ", both rejected by Deram and left unreleased until 1970. The tracks marked the beginning of Bowie's working relationship with producer Tony Visconti which, with large gaps, lasted for

14345-405: The hard rock quartet Tin Machine . The line-up was completed by bassist and drummer Tony and Hunt Sales , who had played with Bowie on Iggy Pop's Lust for Life in 1977. Although he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's 1989 self-titled debut album received mixed reviews and, according to author Paul Trynka ,

14496-559: The high-budget stage production was filmed by Alan Yentob . The resulting documentary, Cracked Actor , featured a pasty and emaciated Bowie: the tour coincided with his slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, David Live , ought to have been titled "David Bowie Is Alive and Well and Living Only in Theory". David Live nevertheless solidified Bowie's status as

14647-399: The late 1970s, Bowie had three number-one hits: the 1980 single " Ashes to Ashes ", its album Scary Monsters (and Super Creeps) and " Under Pressure " (a 1981 collaboration with Queen ). He achieved his greatest commercial success in the 1980s with Let's Dance (1983). Between 1988 and 1992, he fronted the hard rock band Tin Machine before resuming his solo career in 1993. Throughout

14798-497: The latter's drumming style, leading to his replacement by Mick Woodmansey . Not long after, Bowie fired his manager and replaced him with Tony Defries . This resulted in years of litigation that concluded with Bowie having to pay Pitt compensation. The studio sessions continued and resulted in Bowie's third album, The Man Who Sold the World (1970), which contained references to schizophrenia, paranoia and delusion. It represented

14949-569: The launch. Once in orbit Major Tom sees a shining spinning object in the distance and promptly loses contact with GC. At the end of the show Major Tom regains contact with GC and enters Earth's atmosphere and is back home. British astronaut Tim Peake , a major in the Army Air Corps , was regularly referred to by the media as "Major Tim", during his tour of duty on board the ISS, 15 December 2015 - 18 June 2016, (Expeditions 46 and 47 ). This

15100-411: The minimalist, ambient nature of its two predecessors, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of new wave and world music , in places incorporating Hijaz non-Western scales . Some tracks were composed using Eno's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used

15251-607: The new record label, Victory , deemed the cover "a show of wrong, obscene images" and airbrushed the statues' genitalia for the American release. Tin Machine toured again, but after the live album Tin Machine Live: Oy Vey, Baby (1992) failed commercially, Bowie dissolved the band and resumed his solo career. He continued to collaborate with Gabrels for the rest of the 1990s. On 20 April 1992, Bowie appeared at The Freddie Mercury Tribute Concert , following

15402-530: The number one single " Ashes to Ashes ", featuring the textural guitar-synthesiser work of Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage ) to act in

15553-448: The original "pummelling, chaotic and hypnotic". Paul Lester from Melody Maker said, "'Hallo Spaceboy', drenched in the theatrical mockneyisms that begat Damon Albarn and Brett Anderson , is trip hoppy (dub it up, Portishead !)" Roger Morton from NME declared it as "a viscerally thrilling glassed-guitar'n'driller rhythm rocker". Reviewing the Pet Shop Boys remix, Simon Price from Melody Maker said that "this sounds like

15704-565: The original, biographer Marc Spitz called it Bowie's "most convincing rocker" since " Rebel Rebel ", and David Buckley said the track is "quite daring, with a hard, industrial menace and a great use of dynamics". Some have recognised the original as a highlight of the Outside album. AllMusic 's Christian Huey said that the song was "the most successful spin since [1980's] Scary Monsters (and Super Creeps) on his recurring 'urban nightmare' motif." Alexis Petridis of The Guardian called

15855-572: The period on his cocaine addiction, the character of the Thin White Duke and his life living in Los Angeles, a city he later said "should be wiped off the face of the Earth". He later apologised for these statements, and throughout the 1980s and 1990s criticised racism in European politics and the American music industry. Nevertheless, his comments on fascism, as well as Eric Clapton 's alcohol-fuelled denunciations of Pakistani immigrants in 1976, led to

16006-479: The relic. This astronaut was speculated to be a depiction of Major Tom's final fate. Video director Johan Renck said on a BBC documentary "to me, it was 100% Major Tom". Canadian astronaut Chris Hadfield performed "Space Oddity" on board the International Space Station (ISS). With the express permission of Bowie it was released on YouTube for a year, starting on 13 May 2013. The video

16157-530: The rest of Bowie's career. Studying the dramatic arts under Lindsay Kemp , from avant-garde theatre and mime to commedia dell'arte , Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, his composition "Over the Wall We Go" became a 1967 single for Oscar ; another Bowie song, " Silly Boy Blue ", was released by Billy Fury the following year. Playing acoustic guitar, Hermione Farthingale formed

16308-619: The same role over an extended period, it became impossible for him to separate Ziggy Stardust—and later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both Ziggy Stardust and Aladdin Sane , were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to

16459-475: The school's most gifted pupils to the arts, a regime so liberal that Frampton actively encouraged his own son, Peter , to pursue a musical career with David, a partnership briefly intact thirty years later. Bowie's maternal half-brother, Terry Burns, was a substantial influence on his early life. Burns, who was 10 years older than Bowie, had schizophrenia and seizures , and lived alternately at home and in psychiatric wards; while living with Bowie, he introduced

16610-582: The second half of the year, the Heathen Tour . Taking place in Europe and North America, the tour opened at London's annual Meltdown festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and the Dandy Warhols . As well as songs from the new album, the tour featured material from Bowie's Low era. Reality (2003) followed, and its accompanying world tour,

16761-509: The shrieking of nothing is killing him, how all he has are his pictures of women to keep him company, and how he now has neither money nor hair. He wants to stop, but the planet is "glowing"; essentially he cannot quit whatever is influencing him—and killing him—because the feeling is too pleasurable and addictive. The exact source of the influence is not defined. The later verses seem to reflect more on Bowie's literal battle with addiction, specifically about wanting to stay clean but being stuck with

16912-577: The single at number 79 (out of 119) in a list ranking every Bowie single from worst to best. "Hallo Spaceboy" featured regularly on Bowie's setlists throughout 1996 and 1997, and made return appearances during his 2000 summer shows , 2002 Heathen and 2003–2004 A Reality tours. A version recorded on 18 July 1996 at the Phoenix Festival in England appeared on the BBC compilation Phoenix: The Album in 1997. A July 1997 recording from

17063-588: The song (possibly not heard by Ground Control) are: "Here am I floating 'round my tin can, far above the moon. Planet Earth is blue, and there's nothing I can do." In the promotional film from 1969, David Bowie plays as Major Tom, Ground Control (GC), and the Countdown Announcer. When the lyrics "And the stars look very different today" are said, two women appear, portraying either angels or aliens , or perhaps both. The moment "Though I'm past one hundred thousand miles, I'm feeling very still" are said,

17214-461: The song contains images of apocalypse and continues the androgynous conundrums of former Bowie songs such as " Rebel Rebel ". For its release as the third and final single from Outside in February 1996, "Hallo Spaceboy" was remixed by the duo Pet Shop Boys , who added a disco edge and lyrics referencing the Major Tom character from Bowie's " Space Oddity ". The single reached number 12 in

17365-405: The song for release as the third single from Outside . Tennant, a lifelong Bowie fan, stripped the song's anger with electronics and added Pet Shop Boys' signature backing vocals to the mix. Combined with the original only containing a single verse, and a lyric including feelings of alienation , Tennant and bandmate Chris Lowe added lyrical fragments from Bowie's 1969 song " Space Oddity ", using

17516-465: The song is mainly about Bowie's own experiences with drug addiction , rather than a literal continuation of the Major Tom story. Alternatively, the song can be interpreted to provide detailed information on Tom's story. The song refers an event happening much later, after "Space Oddity". Ground control receives a message from the "Action Man", referring to Tom, and he says: "I've loved all I've needed to love. Sordid details following..." He talks about how

17667-403: The song twice in Birmingham and again on Jools Holland 's Later... in late December the same year. Both Birmingham performances were later released on the live album No Trendy Réchauffé (Live Birmingham 95) in 2020. Believing that in its original state, "Hallo Spaceboy" was uncommercial as a potential hit single in 1996, Bowie commissioned Neil Tennant of the Pet Shop Boys to remix

17818-598: The song was performed together with Foo Fighters . Three years later, he performed it at the Glastonbury Festival on 25 June 2000, released in 2018 as Glastonbury 2000 . Bowie performed the song live at BBC Radio Theatre , London, on 27 June 2000, and a recording of this performance was included on the bonus disc of Bowie at the Beeb in 2000; the full concert later appeared on Brilliant Adventure (1992–2001) . A November 2003 performance from

17969-510: The song with Pet Shop Boys at the 1996 Brit Awards on 19 February 1996, and again on Top of the Pops on 1 March. According to O'Leary, Bowie "thrashed around" during these performances while Tennant sang calmly. The Pet Shop Boys remix replaced "Wishful Beginnings" on the Outside – Version 2 album, and is included on some editions of the compilation albums Best of Bowie (2002), Nothing Has Changed (2014) and Legacy (The Very Best of David Bowie) (2016). The remix

18120-446: The song would not have felt out of place as a bonus track on that album. Lyrically, Pegg states that "Hallo Spaceboy" captures the "millennial angst" of the Outside album and continues the androgynous conundrums of songs such as 1974's " Rebel Rebel " and 1979's " Boys Keep Swinging " with the line "Do you like girls or boys? / It's confusing these days". Some of the words and ideals, such as "chaos", "dust" and "hallo", and visions of

18271-552: The time David arrived in 1958, as rich in arcane ritual as any [English] public school . There were houses named after eighteenth-century statesmen like Pitt and Wilberforce . There was a uniform and an elaborate system of rewards and punishments. There was also an accent on languages, science and particularly design, where a collegiate atmosphere flourished under the tutorship of Owen Frampton . In David's account, Frampton led through force of personality, not intellect; his colleagues at Bromley Tech were famous for neither and yielded

18422-465: The title track on Marc Bolan's television show Marc , and again two days later for Bing Crosby 's final CBS television Christmas special, when he joined Crosby in " Peace on Earth/Little Drummer Boy ", a version of " The Little Drummer Boy " with a new, contrapuntal verse. RCA belatedly released the recording as a single five years later in 1982, charting in the UK at number three. After completing Low and "Heroes" , Bowie spent much of 1978 on

18573-476: The tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing, although in later years critics acknowledged the tour's strengths and influence on concert tours by other artists, such as Prince , Madonna and U2 . Wanting to completely rejuvenate himself following the critical failures of Tonight and Never Let Me Down , Bowie placed his solo career on hold after meeting guitarist Reeves Gabrels and formed

18724-424: The tour were cancelled. In the years following his recuperation from the heart attack, Bowie reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1971 song " Changes " with Butterfly Boucher for the 2004 animated film Shrek 2 . During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau , for

18875-581: The track began during a recording session at Mountain Studios in Montreux in 1994, shortly after the main sessions for the Leon project concluded. Bowie biographers Nicholas Pegg and Chris O'Leary point to the influence of poet and artist Brion Gysin , who developed a cut-up technique with William S. Burroughs that Bowie had, on several occasions, utilised for song lyrics. During the recording, Bowie spoke

19026-564: The track, Bowie said "I adore that track. In my mind, it was like Jim Morrison meets industrial . When I heard it back, I thought, 'Fuck me. It's like metal Doors .' It's an extraordinary sound." Gabrels later expressed disappointment in not receiving a co-writing credit for the song. Characterised by commentators as industrial rock and electronica , Pegg describes "Hallo Spaceboy" as "a hardcore maelstrom of sci-fi noise, hypnotic high-speed drumming and an insistent, speaker-hopping four-note guitar riff". The song's influences range from

19177-413: The two women can be seen removing Major Tom's helmet and spacesuit. Later, a still fully outfitted Major Tom can be seen spinning around in space, with a panicked Ground Control attempting to contact him; the spinning Major Tom is either the reality of the situation, or Ground Control's imagination. The music video ends with Major Tom sitting in his "tin can", far above the world, with the two women by him in

19328-596: The younger man to many of his lifelong influences, such as modern jazz , Buddhism , Beat poetry and the occult . In addition to Burns, a significant proportion of Bowie's extended family members had schizophrenia spectrum disorders , including an aunt who was institutionalised and another who underwent a lobotomy ; this has been labelled as an influence on his early work. Bowie studied art, music and design, including layout and typesetting. After Burns introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him

19479-436: Was a direct reference to Bowie's fictional astronaut. Peake was on the ISS at the time of Bowie's death and tweeted a tribute to him from there. In 2017, author Clive Gifford wrote a book aimed at children about Peake's time on board the ISS, titled "Ground Control to Major Tim: The Space Adventures of Major Tim Peake". Video game designer, director, and producer Hideo Kojima's admiration for Bowie inspired several elements in

19630-520: Was a toddler, in the late 1950s David's father took him to meet singers and other performers preparing for the Royal Variety Performance , introducing him to Alma Cogan and Tommy Steele . After taking his eleven-plus exam at the conclusion of his Burnt Ash Junior education, Bowie went to Bromley Technical High School . It was an unusual technical school, as biographer Christopher Sandford wrote: Despite its status it was, by

19781-477: Was an English singer, songwriter, musician and actor. Regarded as one of the most influential musicians of the 20th century, Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft has had a significant impact on popular music . Bowie developed an interest in music from an early age. He studied art, music and design before embarking on

19932-419: Was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film The Man Who Fell to Earth the same year. Developing the funk and soul of Young Americans , Station to Station ' s synthesiser-heavy arrangements were influenced by electronic and German krautrock . Bowie's cocaine addiction during this period was at its peak; he often did not sleep for three to four days at

20083-424: Was at a charity event in 2006. He returned from a decade-long recording hiatus in 2013 with The Next Day and remained musically active until his death from liver cancer in 2016. He died two days after both his 69th birthday and the release of his final album, Blackstar . During his lifetime, his record sales, estimated at over 100 million worldwide, made him one of the best-selling musicians of all time . He

20234-585: Was born on 8 January 1947 in Brixton , London. His mother, Margaret Mary "Peggy" (née Burns), was born at Shorncliffe Army Camp near Cheriton , Kent. Her paternal grandparents were Irish immigrants who had settled in Manchester . She worked as a waitress at a cinema in Royal Tunbridge Wells . His father, Haywood Stenton "John" Jones, was from Doncaster , Yorkshire, and worked as

20385-418: Was considered "adequate" by the school choir, and he demonstrated above-average abilities in playing the recorder . At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home

20536-406: Was expecting another success following Young Americans and Station to Station . Bowie's former manager Tony Defries, who maintained a significant financial interest in Bowie's affairs, had tried to prevent the album from being released. Upon its release in January 1977, Low yielded the UK number three single " Sound and Vision ", and its own performance surpassed that of Station to Station in

20687-439: Was given during the tour. Bowie later covered "I Took a Trip on a Gemini Space Ship" on 2002's Heathen . Hunky Dory (1971) found Visconti supplanted in both roles by Ken Scott producing and Trevor Bolder on bass. It again featured a stylistic shift towards art pop and melodic pop rock , with light fare tracks such as " Kooks ", a song written for his son, Duncan Zowie Haywood Jones , born on 30 May. Elsewhere,

20838-407: Was immediate—he wrote his 1970 single " The Prettiest Star " for her —and her involvement in his career far-reaching, leaving Pitt with limited influence which he found frustrating. Having established himself as a solo artist with "Space Oddity", Bowie desired a full-time band he could record with and could relate to personally. The band Bowie assembled comprised John Cambridge, a drummer Bowie met at

20989-622: Was joined in playing his songs and those of his guests, Lou Reed, Dave Grohl and the Foo Fighters , Robert Smith of the Cure , Billy Corgan of the Smashing Pumpkins , Black Francis of the Pixies , and Sonic Youth . Incorporating experiments in jungle and drum 'n' bass , Earthling (1997) was a critical and commercial success in the UK and the US, and two singles from the album—" Little Wonder " and " Dead Man Walking "—became UK top 40 hits. The song " I'm Afraid of Americans " from

21140-492: Was later included on Re:Call 5 , released as part of the Brilliant Adventure (1992–2001) box set in 2022. Four additional remixes, excluding the single one, were compiled on the 2004 two-disc edition of Outside . An extended Pet Shop Boys remix is included on their 2007 remix album Disco 4 . Both versions of "Hallo Spaceboy" have received positive reviews from music critics and biographers. Discussing

21291-506: Was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album Stage , released the same year. Bowie also recorded narration for an adaptation of Sergei Prokofiev 's classical composition Peter and the Wolf , which was released as an album in May 1978. The final piece in what Bowie called his " triptych ", Lodger (1979), eschewed

21442-461: Was quickly dismissed as "pompous, dogmatic and dull". EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". It reached number three in the UK and was supported by a twelve-date tour . The tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after

21593-431: Was re-released with a fresh two-year agreement on 3 November 2014. This was the first music video to be made in space. In 2013, Drum Corps International (DCI) world class corps Carolina Crown created a show that told a story of Major Tom. The show went on tour in 2014 and is called "Out of This World" it includes quotations from David Bowie's own music. During the show Major Tom is communicating with Ground Control (GC) for

21744-487: Was recorded in France and took influence from krautrock and experimental music and featured both short song-fragments and ambient instrumentals. Before its recording, Bowie produced Iggy Pop's debut solo album The Idiot , described by Pegg as "a stepping stone between Station to Station and Low ". Low was completed in November, but left unreleased for three months. RCA did not see the album as commercially viable and

21895-581: Was released as a live album in November 2018. On 27 June, he performed a concert at the BBC Radio Theatre in London, which was released on the compilation album Bowie at the Beeb ; this also featured BBC recording sessions from 1968 to 1972. Bowie and Iman's daughter, Alexandra, was born on 15 August. His interest in Buddhism led him to support the Tibetan cause by performing at

22046-551: Was released as a single. A collaboration with Giorgio Moroder , it became a minor US hit and charted in the UK top 30. The same year, he departed RCA, having grown increasingly dissatisfied with them, and signed a new contract with EMI America Records for a reported $ 17 million. His 1975 severance settlement with Defries also ended in September. Bowie reached his peak of popularity and commercial success in 1983 with Let's Dance . Co-produced by Chic 's Nile Rodgers ,

22197-402: Was shelved due to EMI/ Virgin 's lack of faith in its commercial appeal. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album Heathen . On 25 June 2000, Bowie made his second appearance at the Glastonbury Festival in England, playing almost 30 years after his first. The performance

22348-461: Was spearheaded by the success of " Starman " and its album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (both 1972), which won him widespread popularity. In 1975, Bowie's style shifted towards a sound he characterised as " plastic soul ", initially alienating many of his UK fans but garnering his first major US crossover success with the number-one single " Fame " and the album Young Americans (both 1975). In 1976, Bowie starred in

22499-561: Was sufficiently sexually provocative to guarantee heavy rotation on MTV". Then-unknown Texas blues guitarist Stevie Ray Vaughan guested on the album, featuring prominently on the title track. Let's Dance was followed by the six-month Serious Moonlight Tour , which was extremely successful. At the 1984 MTV Video Music Awards Bowie received two awards including the inaugural Video Vanguard Award . Tonight (1984), another dance-oriented album, found Bowie collaborating with Pop and Tina Turner . Co-produced by Hugh Padgham , it included

22650-456: Was the only album recorded entirely in Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesisers and koto , the album was another hit, reaching number three in the UK. Its title track was released in both German and French and, though only reached number 24 in the UK singles chart, later became one of his best-known tracks. In contrast to Low , Bowie promoted "Heroes" extensively, performing

22801-538: Was the product of two distinct ideas: a musical based on a wild future in a post- apocalyptic city, and setting George Orwell 's Nineteen Eighty-Four to music. The album went to number one in the UK, spawning the hits " Rebel Rebel " and " Diamond Dogs ", and number five in the US. The supporting Diamond Dogs Tour visited cities in North America between June and December 1974. Choreographed by Toni Basil , and lavishly produced with theatrical special effects,

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