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125-767: Located under Millennium Park , a terminal station was first established here in the 1800s by the Illinois Central Railroad (IC) but has gone through several re-configurations. Most recently, it was rebuilt in the early 21st century and is owned by Metra through its operating arm, the Northeast Illinois Regional Commuter Railroad Corporation. Not counting commuters on the South Shore Line, over 18,000 people board Metra trains at Millennium Station each day. During peak periods, trains leave

250-533: A 300-space heated and air conditioned indoor bike station located in the northeast corner of Millennium Park. The facility provides lockers, showers, a snack bar with outdoor summer seating, bike repair, bike rental and other amenities for downtown bicycle commuters and utility cyclists . The bike station also accommodates runners and in-line skaters , and provides space for a Chicago Police Department Bike Patrol Group. The city-built center opened in July 2004 as

375-566: A French aerial photographer . The Park Grill Plaza is affiliated with the 300-seat indoor Park Grill restaurant, located beneath the Grainger Plaza and Cloud Gate . The Park Grill is the only full-service restaurant in Millennium Park and opened on November 24, 2003. It regularly places among the leaders in citywide best-of competitions for best burger, and it is widely praised for its views. The restaurant has been

500-466: A commission motive and as a critical focus by artists. The individual, Romantic retreat element implied in the conceptual structure of land art , and its will to reconnect the urban environment with nature, is turned into a political claim in projects such as Wheatfield – A Confrontation (1982) by American artist Agnes Denes , as well as in Joseph Beuys ’ 7000 Oaks (1982). Both projects focus on

625-481: A database of public art works, essays and case studies, with a focus on the UK. The Institute for Public Art, based in the UK, maintains information about public art on six continents. The WikiProject Public art project began in 2009 and strove to document public art around the globe. While this project received initial attention from the academic community, it mainly relied on temporary student contributions. Its status

750-676: A good example although less art is involved. The doual'art project in Douala ( Cameroon , 1991) is based on a commissioning system that brings together the community, the artist and the commissioning institution for the realization of the project. Memorials for individuals, groups of people or events are sometimes represented through public art. Examples are Maya Lin 's Vietnam War Memorial in Washington DC, Tim Tate 's AIDS Monument in New Orleans , and Kenzō Tange 's Cenotaph for

875-409: A headdress fashioned from signature Gehry stainless steel. It features a sound system with an acoustic design that replicates an indoor concert hall sound experience. The pavilion and Millennium Park have received favorable recognition by critics, especially for their accessibility; an accessibility award ceremony held at the pavilion in 2005 described it as "one of the most accessible parks—not just in

1000-413: A heavy load. The pedestrian bridge serves as a noise barrier for the pavilion, blocking traffic sounds from Columbus Drive. It is a connecting link between Millennium Park and destinations to the east, such as the nearby lakefront, other parts of Grant Park and a parking garage. The BP Bridge uses a concealed box girder design with a concrete base, and its deck is covered by hardwood floor boards. It

1125-470: A large lawn and a public fountain. The William Wrigley, Jr. Foundation contributed $ 5 million for the monument and square, which was named in its honor. The pedestal of the Millennium Monument's peristyle is inscribed with the names of the 115 financial donors who made the 91 contributions of at least $ 1 million each to help pay for Millennium Park. The McDonald's Cycle Center is

1250-463: A new approach in the way the percent for art was used, or the public art funds of Geneva with the Neon Parallax project involving a very large urban environnement in 2005. For the second one can refer to Les Nouveaux Commanditaires launched by Fondation de France with François Hers in 1990 with the idea a project can respond to a community's wish. The New York High Line from 2009 is

1375-429: A notoriously unfriendly, cave-like environment. Skidmore, Owings and Merrill was the architect for the station redesign. With the completion of construction in 2005, the station was renamed Millennium Station. However, many longtime Chicago-area residents still call it "Randolph Street Terminal." The main entrance to the station is at the southwest corner of the intersection of Randolph Street and Michigan Avenue . From

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1500-498: A number of shops, eateries and services. While some portions of the system remain open at all hours, most close by 7:00 PM on weekdays and 6:00 PM on the weekends, rendering a significant portion of the system unusable during non-business hours. In the 2008 film The Dark Knight , there is a brief shot where the Batpod is driven through Millennium Station's concourse during a chase scene. Millennium Park Millennium Park

1625-549: A place to view the McCormick Tribune Plaza & Ice Rink. During the holiday season, the plaza hosts Christmas caroling. Cloud Gate , dubbed "The Bean" by Chicagoans because of its legume-like shape, is a three-story reflective steel sculpture. The first public artwork in the United States by world-renowned artist Anish Kapoor , the privately funded piece cost $ 23 million, considerably more than

1750-418: A prominent semicircle of paired Greek Doric -style columns (called a peristyle ) was placed in this area of Grant Park ( partially recreated in the new Millennium Park). In 1997, when the city gained airspace rights over the tracks, it decided to build a parking facility over them in the northwestern corner of Grant Park. Eventually, the city realized that a grand civic amenity might lure private dollars in

1875-481: A railroad yard and large parking garages. The park, which is known for being user friendly, has a very rigorous cleaning schedule with many areas being swept, wiped down or cleaned multiple times a day. Although the park was unveiled in July 2004, some features opened earlier, and upgrades continued for some time afterwards. Along with the cultural features above ground (described below) the park has its own 2218-space parking garage. The centerpiece of Millennium Park

2000-607: A right of way between downtown Chicago and Lake Michigan , in the area that became Grant Park and used it for railroad tracks. In 1871, Union Base-Ball Grounds was built on part of the site that became Millennium Park; the Chicago White Stockings played home games there until the grounds were destroyed in the Great Chicago Fire . Lake Front Park, the White Stockings' new ball grounds,

2125-463: A steel frame covered with glossy white plywood. It was situated on a raised platform, which was sliced by a ramp entrance, making it ADA accessible. The Hadid Pavilion was a tensioned fabric shell fitted over a curving aluminum framework made of more than 7,000 pieces. A centennial-themed video presentation was projected on its interior fabric walls after dark. Both pavilions were scheduled to be unveiled on June 19, 2009. However, Hadid's pavilion

2250-420: A structure for funding public art still utilized today. This program allotted one half of one percent of total construction costs of all government buildings to the purchase of contemporary American art for them. A-i-A helped solidify the policy that public art in the United States should be truly owned by the public. It also promoted site-specific public art. The approach to public art radically changed during

2375-526: A success story in urban planning and transit-oriented development. Pro-cycling and environmentalist journalists in publications well beyond Chicago have described the Cycle Center as exemplary, impressive, unique and ground-breaking. The Toronto Star notes that it is revered as "a kind of Shangri-La ", and describes it as "a jewel-like glass building on the Chicago waterfront, [that] has many of

2500-542: A way that a municipal improvement such as ordinary parking structure would not, and thus began the effort to create Millennium Park. The park was originally planned under the name Lakefront Millennium Park. The park was conceived as a 16-acre (6.5 ha) landscape-covered bridge over an underground parking structure to be built on top of the Metra /Illinois Central Railroad tracks in Grant Park. The parks overall design

2625-625: A year, it operates as McCormick Tribune Ice Rink, a free public outdoor ice skating rink . It is generally open for skating from mid-November until mid-March and hosts over 100,000 skaters annually. It is known as one of Chicago's better outdoor people watching locations during the winter months. The rink is operated by the Chicago Department of Cultural Affairs rather than the Chicago Park District , which operates most major public ice skating rinks in Chicago. For

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2750-498: Is " Urbs in Horto ", Latin for "City in a Garden". The Lurie Garden is composed of two "plates". The dark plate depicts Chicago's history by presenting shade-loving plants, and has a combination of trees that will provide a shade canopy for these plants when they fill in. The light plate, which has no trees, represents the city's future with sun-loving perennials that thrive in heat and light. The McCormick Tribune Plaza & Ice Rink

2875-546: Is a public park located in the Loop community area of Chicago , operated by the Chicago Department of Cultural Affairs. The park, opened in July 2004, is a prominent civic center near the city's Lake Michigan shoreline that covers a 24.5-acre (9.9 ha) section of northwestern Grant Park . Featuring a variety of public art , outdoor spaces and venues, the park is bounded by Michigan Avenue , Randolph Street , Columbus Drive and East Monroe Drive. In 2017, Millennium Park

3000-416: Is a 1525-seat theater for the performing arts located along the northern edge of Millennium Park. Constructed in 2002–03, it is the city's premier performance venue for small- and medium-sized performance groups, which had previously been without a permanent home and were underserved by the city's performing venue options. The theater, which is largely underground due to Grant Park-related height restrictions,

3125-405: Is a combination of perennials, bulbs, native prairie grasses, shrubs and trees. It is the featured nature component of the world's largest green roof . The garden cost $ 13.2 million and has a $ 10 million financial endowment for maintenance and upkeep. It was named after philanthropist Ann Lurie, who donated the $ 10 million endowment. The garden is a tribute to the city, whose motto

3250-581: Is a multipurpose venue located along the western edge of Millennium Park opposite the streetwall of the Historic Michigan Boulevard District . On December 20, 2001, it became the first attraction in Millennium Park to open, a few weeks ahead of the Millennium Park underground parking garage. The $ 3.2 million plaza was funded by a donation from the McCormick Tribune Foundation. For four months

3375-617: Is a portion of the 319-acre (129.1 ha) Grant Park, known as the "front lawn" of downtown Chicago, and has four major artistic highlights: the Jay Pritzker Pavilion, Cloud Gate , the Crown Fountain , and the Lurie Garden. Millennium Park is successful as a public art venue in part due to the grand scale of each piece and the open spaces for display. A showcase for postmodern architecture , it also features

3500-484: Is also the direct or indirect product of a public process of creation, procurement, and/or maintenance. Independent art created or staged in or near the public realm (for example, graffiti , street art ) lacks official or tangible public sanction has not been recognized as part of the public art genre, however this attitude is changing due to the efforts of several street artists. Such unofficial artwork may exist on private or public property immediately adjacent to

3625-495: Is an example of an interactive, social activist public art project. Rather than metaphorically reflecting social issues, new genre public art strove to explicitly empower marginalized groups while maintaining aesthetic appeal. An example was curator Mary Jane Jacob 's 1993 public art show " Culture in Action " that investigated social systems though engagement with audiences that typically did not visit traditional art museums. In

3750-439: Is an interactive work of public art and video sculpture , named in honor of Chicago's Crown family and opened in July 2004. It was designed by Catalan conceptual artist Jaume Plensa and executed by Krueck and Sexton Architects . The fountain is composed of a black granite reflecting pool placed between a pair of transparent glass brick towers. The towers are 50 feet (15 m) tall, and use light-emitting diodes behind

3875-428: Is approximately 620 ft (190 m) long and 15 ft (4.6 m) wide. The bottom of the bridge is made of white, painted structural steel, the floor is made of aluminum planking and the 42-inch (1.1 m) tall railings are steel set atop stainless steel mesh. The bridge features anti-slip walkways and heating elements to prevent the formation of ice. It meets standards for universal accessibility, as required by

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4000-534: Is designed to encourage direct hands-on interaction. Examples include public art that contain interactive musical, light, video, or water components. For example, the architectural centerpiece in front of the Ontario Science Centre is a fountain and musical instrument ( hydraulophone ) by Steve Mann where people can produce sounds by blocking water jets to force water through sound-producing mechanisms. An early and unusual interactive public artwork

4125-493: Is designed without handrails, using stainless steel parapets instead. The total length is 935 feet (285 m), with a five percent slope on its inclined surfaces that makes it barrier-free and accessible. It has won awards for its use of sheet metal. Although the bridge is closed in winter because ice cannot be safely removed from its wooden walkway, it has received favorable reviews for its design and aesthetics. The Joan W. and Irving B. Harris Theater for Music and Dance

4250-452: Is often created and provided within formal "art in public places" programs that can include community arts education and art performance. Such programs may be financed by government entities through Percent for Art initiatives. Some public art is planned and designed for stability and permanence. Its placement in, or exposure to, the physical public realm requires both safe and durable materials. Public artworks are designed to withstand

4375-458: Is regarded as less than ideal for jazz groups, because it is more expensive and larger than most places where jazz is performed. The design has been criticized for traffic flow problems, with an elevator bottleneck. However, the theater's prominent location and its underground design to preserve Millennium Park have been praised. Although there were complaints about high-priced events in its early years, discounted ticket programs were introduced in

4500-461: Is the Jay Pritzker Pavilion, a bandshell designed by Frank Gehry. The pavilion has 4,000 fixed seats, plus additional lawn seating for 7,000; the stage is framed by curving plates of stainless steel, characteristic of Gehry. It was named after Jay Pritzker , whose family is known for owning Hyatt Hotels and was a major donor. The Pritzker Pavilion is Grant Park's outdoor performing arts venue for small events, and complements Petrillo Music Shell ,

4625-596: Is the case for High Line Art, 2009, a commission program for the High Line , derived from the conversion of a portion of railroad in New York City ; and of Gleisdreieck , 2012, an urban park derived from the partial conversion of a railway station in Berlin which hosts, since 2012, an open-air contemporary art exhibition. The 1980s also witnessed the institutionalization of sculpture parks as curated programs. While

4750-486: The Americans with Disabilities Act of 1990 (ADA). The bridge is named after museum donors Alexandra and John Nichols. During development and construction of the park, many structures were added, redesigned or modified. These changes often resulted in budget increases. For example, the bandshell's proposed budget was $ 10.8 million. When the elaborate, cantilevered Gehry design required extra pilings to be driven into

4875-577: The Chicago Tribune described the park then under construction and its budget overruns as an "expensive public-works debacle that can be traced to haphazard planning, design snafus and cronyism". According to Lois Weisberg, commissioner of the Department of Cultural Affairs, and James Law, executive director of the Mayor's Office of Special Events, once the full scope of the project was finalized

5000-550: The Chinati Foundation (1986) in Texas, which advocates for the permanent nature of large-scale installations whose fragility may be destroyed when re-locating the work. Public art faces a design challenge by its very nature: how best to activate the images in its surroundings. The concept of “ sustainability ” arises in response to the perceived environmental deficiencies of a city. Sustainable development , promoted by

5125-837: The Grant Park Orchestra and Chorus. The park has received awards for its accessibility and green design. Millennium Park has free admission, and features the Jay Pritzker Pavilion , Cloud Gate , the Crown Fountain , the Lurie Garden , and various other attractions. The park is connected by the BP Pedestrian Bridge and the Nichols Bridgeway to other parts of Grant Park. Because the park sits atop parking garages,

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5250-799: The Great Depression . The tradition of symphonic Grant Park Music Festival concerts began in 1935. The 2004 season, during which the festival moved to the Pritzker Pavilion, was the event's 70th season. Formerly, the Grant Park Music Festival was held at the Petrillo Music Shell in Grant Park . Over time the festival has had various financial supporters, three primary locations and one name change. At times it has been broadcast nationally on

5375-931: The McCormick Tribune Ice Skating Rink , the BP Pedestrian Bridge, the Joan W. and Irving B. Harris Theater for Music and Dance , Wrigley Square , the McDonald's Cycle Center , the Exelon Pavilions , the AT&;T Plaza , the Boeing Galleries , the Chase Promenade , and the Nichols Bridgeway . Millennium Park is considered one of the largest green roofs in the world, having been constructed on top of

5500-412: The McDonald's Cycle Center , and the BP Pedestrian Bridge. Later that month, Gehry unveiled his new winding design for the bridge. Mayor Daley's influence was key in getting corporate and individual sponsors to pay for much of the park. Bryan, the former chief executive officer (CEO) of Sara Lee Corporation who spearheaded the fundraising, says that sponsorship was by invitation and no one refused

5625-490: The National Broadcasting Corporation (NBC) and Columbia Broadcasting Service (CBS) radio networks, and many of the world's leading classical musicians have performed there. In 2000, the festival organizers agreed to release some of the concerts to the public via compact disc recordings. In 2009, architects Zaha Hadid and Ben van Berkel were invited to design and build two pavilions on

5750-479: The San Francisco Ballet , Mikhail Baryshnikov , and Stephen Sondheim . The theater has been credited as contributing to the performing arts renaissance in Chicago, and it has been favorably reviewed for its acoustics , sightlines , proscenium and for providing a home base for numerous performing organizations. Although it is seen as a high-caliber venue for its music audiences, the theater

5875-636: The Smithsonian American Art Museum 's Archives of American Art . It currently holds over six thousand works in its database. There are dozens of non-government organizations and educational institutions that maintain online public art databases of public artworks covering numerous areas, including the National Endowment for the Arts , WESTAF , Public Art Fund , Creative Time , and others. Public Art Online, maintains

6000-477: The United Nations since the 1980s, includes economical, social, and ecological aspects. A sustainable public art work would include plans for urban regeneration and disassembly. Sustainability has been widely adopted in many environmental planning and engineering projects. Sustainable art is a challenge to respond the needs of an opening space in public. In another public artwork titled "Mission leopard"

6125-420: The historic Michigan Avenue "streetwall" , and the sky. It provides striking reflections of visitors, who can walk around and under its 12-foot (3.7 m) high arch. On the underside is the "omphalos" (Greek for "navel"), a concave chamber that warps and multiplies reflections. The sculpture builds upon many of Kapoor's artistic themes, and is a popular photo subject with tourists. After Kapoor's design for

6250-567: The 1970s by urban cultural policies, for example the New York-based Public Art Fund and urban or regional Percent for Art programs in the United States and Europe. Moreover, public art discourse shifted from a national to a local level, consistent with the site-specific trend and criticism of institutional exhibition spaces emerging in contemporary art practices. Between the 1970s and the 1980s, gentrification and ecological issues surfaced in public art practice both as

6375-401: The 1970s, following the civil rights movement's claims on public space, the alliance between urban regeneration programs and artistic efforts at the end of the 1960s, and revised ideas of sculpture. Public art acquired a status beyond mere decoration and visualization of official national histories in public space. Public art became much more about the public. This perspective was reinforced in

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6500-495: The 1990s, some artists called for artistic social intervention in public space. These efforts employed the term "new genre public art" in addition to the terms "contextual art", " relational art ", " participatory art ", "dialog art", " community-based art ", and "activist art". "New genre public art" is defined by Suzanne Lacy as "socially engaged, interactive art for diverse audiences with connections to identity politics and social activism". Mel Chin 's Fundred Dollar Bill Project

6625-474: The 2009–10 season. Wrigley Square is a public square located in the northwest corner of Millennium Park near the intersection of East Randolph Street and North Michigan , across from the Historic Michigan Boulevard District . It contains the Millennium Monument, a nearly full-sized replica of the semicircle of paired Greek Doric -style columns (called a peristyle ) that originally sat in this area of Grant Park between 1917 and 1953. The square also contains

6750-534: The 21st Century public art has often been a significant component of public realm projects in UK cities and towns, often via engagement with local residents where artists will work with the community in developing an idea or sourcing content to be featured in the artwork. Examples would include Adrian Riley 's 'Come Follow Me' in Minster in Lincolnshire where a 35m long text artwork in the public square outside

6875-686: The A-bomb Victims in Hiroshima Peace Memorial Park in Japan. Public art is sometimes controversial. The following public art controversies have been notable: Online databases of local and regional public art emerged in the 1990s and 2000s in tandem with the development of web-based data. Online public art databases can be general or selective (limited to sculptures or murals), and they can be governmental, quasi-governmental, or independent. Some online databases, such as

7000-555: The Chase Promenade South, to commemorate the 100th anniversary of Daniel Burnham's 1909 Plan of Chicago. The pavilions were privately funded and were designed to be temporary structures. They served as the focal point of Chicago's year-long celebration of Burnham's Plan, and were meant to symbolize the city's continued pursuit of the plan's architectural vision. The van Berkel Pavilion was composed of two parallel rectangular planes joined by curving scoops, all built on

7125-425: The Cycle Center was part of the larger "Bike 2010 Plan", in which the city aimed to make itself more accommodating to bicycle commuters. This plan (since replaced by the "Bike 2015 Plan" ) included provisions for front-mounted two-bike carriers on Chicago Transit Authority (CTA) buses, permitting bikes to be carried on Chicago 'L' trains, installing numerous bike racks and creating bicycle lanes in streets throughout

7250-502: The Gangsta Gardener (or Guerrilla Gardener) of South Central L.A. is an example of an artist whose works constitute temporary public art works in the form of public food gardens that addresses sustainability, food security and food justice . Andrea Zittel has produced works, such as Indianapolis Island that reference sustainability and permaculture with which participants can actively engage. Some public art

7375-549: The Harris Theater along Randolph Street and were completed in November 2004, with a grand opening on April 30, 2005. Besides producing energy, three of the four pavilions provide access to the park's underground parking garages and the fourth serves as the park's welcome center. Exelon , a company that generates the electricity transmitted by its subsidiary Commonwealth Edison , donated approximately $ 6 million for

7500-523: The Millennium Park Bike Station; since June 2006, it has been sponsored by McDonald's and several other partners, including city departments and bicycle advocacy organizations. Suburban Chicago-based McDonald's sponsorship of the Cycle Center fit in well with its efforts to help its customers become more healthy by encouraging "balanced, active lifestyles". The Cycle Center is accessible by membership and day pass. Planning for

7625-489: The Pavilion. The bridge is known for its aesthetics, and Gehry's style is seen in its biomorphic allusions and extensive sculptural use of stainless steel plates to express abstraction. The bridge is referred to as snakelike in character due to its curving form. The bridge's design, which meets highway standards to accommodate rushes of pedestrian traffic simultaneously exiting Pritzker Pavilion events, enables it to bear

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7750-568: The South Shore Line platforms, there is a set of ticket vending machines. On the lower level are the Metra tracks, accessed by staircases or ramps from the concourse. The Metra platforms have a secondary exit at Lower South Water Street on the north end. CTA Pace ChicaGo Dash Millennium Station serves as a nexus of several Chicago Pedway connections, which links it to several hotels, residential buildings, office buildings, "L" stations and other notable locations. The pedway itself hosts

7875-458: The United States but possibly the world". The Grainger Plaza (formerly AT&T Plaza) is a public space that hosts the Cloud Gate sculpture. The plaza opened in July 2004 with the unveiling of the sculpture during the grand opening weekend of the park. Ameritech donated $ 3 million for the naming right for the plaza, but it was SBC Plaza when the park opened, as a merger had changed

8000-407: The aesthetic tradition of the park. New concerns were raised after the construction when the surveillance cameras were installed atop the fountain, which led to a public outcry (and their quick removal). However, the fountain has survived its somewhat contentious beginnings to find its way into Chicago pop culture. It is a popular subject for photographers and a common gathering place. While some of

8125-448: The amenities of an upscale health club ... close to the heart of the city", with the additional statement that "It's not heaven, but it's close". A Vancouver official told The Oregonian that it was "the ultimate in bicycle stations", and would be natural for bicycle friendly cities to emulate. The Exelon Pavilions are a set of four solar energy -generating structures in Millennium Park. The pavilions provide sufficient energy to power

8250-594: The annual Christmas caroling at Cloud Gate and to the new offerings of the nearby Maggie Daley Park . The annual tree raising now occurs in the park near Michigan Avenue and Washington Street. Some parties opposed the move that separated the annual tree from the Christkindlmarket and the Chicago Picasso . The city's first official tree lighting by Mayor Carter Harrison, Jr. in 1913 had been held in Grant Park on Michigan Avenue two blocks south of

8375-616: The annual Grant Park Music Festival, and two temporary pavilions to mark the centennial of Daniel Burnham 's 1909 Plan of Chicago . Millennium Park has also been featured in several films and television shows. The Grant Park Music Festival (formerly Grant Park Concerts) is an annual 10-week classical music concert series, which features the Grant Park Symphony Orchestra and the Grant Park Chorus as well as guest performers and conductors. Since 2004,

8500-436: The bedrock to support the added weight, the cost of the bandshell eventually spiraled to $ 60.3 million. The cost of the park, as itemized in the following table, amounted to almost $ 500 million. Mayor Daley at first placed much of the blame for the delay and cost overrun on Frank Gehry, who designed the pavilion and its connecting bridge; Daley's office later apologized to the architect. A 2001 investigative report by

8625-410: The bricks to display digital videos on their inward faces. Construction and design of the Crown Fountain cost $ 17 million. Weather permitting, the water operates from May to October, intermittently cascading down the two towers and spouting through a nozzle on each tower's front face. To achieve the effect in which water appears to be flowing from subjects' mouths, each video has a segment where

8750-412: The bridge design was preliminary and not well-conceived because funding for it was not committed. The need to fund a bridge to span the eight-lane Columbus Drive was evident, but some planning for the park was delayed in anticipation of details on the redesign of Soldier Field . In January 2000, the city announced plans to expand the park to include features that became Cloud Gate , the Crown Fountain ,

8875-409: The city classifies the bandshell as a work of art rather than a building. With several design and assembly problems, the construction plans were revised over time, with features eliminated and others added as successful fundraising allowed the budget to grow. In the end, the performance venue was designed with a large fixed seating area, a Great Lawn, a trellis network to support the sound system, and

9000-485: The city. Additionally, the Chicago metropolitan area 's other mass transit providers, Metra and Pace , have developed increased bike accessibility. Mayor Daley was an advocate of the plan, noting it is also an environmentally friendly effort to cut down on traffic. Environmentalists, urban planners and cycling enthusiasts around the world have expressed interest in the Cycle Center, and want to emulate what they see as

9125-479: The commuter rail Millennium Station and rail lines, it is considered the world's largest rooftop garden . In 2015, the park became the location of the city's annual Christmas tree lighting. Some observers consider Millennium Park the city's most important project since the World's Columbian Exposition of 1893. It far exceeded its originally proposed budget of $ 150 million. The final cost of $ 475 million

9250-491: The companies using it, and turned a profit in its fourth fiscal year. The Harris Theater has hosted notable national and international performers, such as the New York City Ballet , which made its first visit to Chicago in over 25 years (in 2006). The theater began offering subscription series of traveling performers in its 2008–09 fifth anniversary season. Performances through this series have included

9375-587: The company name to SBC Communications . The 2005 merger of SBC and AT&T Corporation led to the name AT&T Plaza. In 2021, the Grainger Foundation established a $ 5 million endowment to support the ongoing enhancement of the plaza (now called Grainger Plaza) and Cloud Gate. The sculpture and the Grainger Plaza are located on top of Park Grill , between the Chase Promenade and McCormick Tribune Plaza & Ice Rink. The plaza has become

9500-426: The curator and art/architecture historian, Mary Jane Jacob , public art brings art closer to life. Public art is publicly accessible, both physically and/or visually. When public art is installed on privately owned property, general public access rights still exist. Public art is characterized by site specificity , where the artwork is "created in response to the place and community in which it resides" and by

9625-528: The development of public art during the Great Depression but was wrought with propaganda goals. New Deal art programs were intended to develop national pride in American culture while avoiding addressing the faltering economy. Although problematic, New Deal art programs such as FAP altered the relationship between the artist and society by making art accessible to all people. The New Deal program Art-in-Architecture (A-i-A) developed percent for art programs,

9750-492: The elements (sun, wind, water) as well as human activity. In the United States, unlike gallery, studio, or museum artworks, which can be transferred or sold, public art is legally protected by the Visual Artists Rights Act of 1990 (VARA) which requires an official deaccession process for sale or removal. The following forms of public art identify to what extent public art may be physically integrated with

9875-414: The entrance, a concourse lined with shops and restaurants leads to the main waiting area. The waiting area consists of a number of benches and ticket vending machines as well as a ticket counter and information desk for Metra. From the waiting room, there is a passage to the upper-level South Shore Line platforms, and along this passage is a set of ticket windows for the South Shore Line. At the north end of

10000-625: The equivalent of 14 Energy star -rated energy-efficient houses in Chicago. The pavilions were designed in January 2001 and construction began in January 2004. The Southeast and Southwest Exelon Pavilions (jointly the South Exelon Pavilions) along Madison Street were completed and opened in July 2004, and flank the Lurie Garden. The Northeast and Northwest Exelon Pavilions (jointly the North Exelon Pavilions) flank

10125-493: The fact that a curator conducts and supervises the realization of a public art work for a third party, it can also mean that the art work is produced by a community or public who commissions a work in collaboration with a curator-mediator. For the first, significant examples of these prospective manners of commissioning art projects have been established by the Public Art Fund launched by Doris C. Freedman in 1977, with

10250-477: The festival has been housed in the Jay Pritzker Pavilion in Millennium Park. On occasion, the festival has been held at the Harris Theater instead of the Pritzker Pavilion. The festival has earned non-profit organization status, and claims to be the nation's only free, outdoor classical music series. The Grant Park Music Festival has been a Chicago tradition since 1931, when Chicago Mayor Anton Cermak suggested free concerts to lift spirits of Chicagoans during

10375-544: The first public and private open-air sculpture exhibitions and collections dating back to the 1930s aimed at creating an appropriate setting for large-scale sculptural forms difficult to show in museum galleries, installations such as Noguchi's Garden in Queens , New York (1985) reflect the necessity of a permanent relationship between the artwork and its site. This relationship also develops in Donald Judd ’s project for

10500-725: The first rock concert there on August 31, 2005. The Pritzker Pavilion is the home of the Grant Park Symphony Orchestra and Chorus and the Grant Park Music Festival , the nation's only remaining free, municipally supported, outdoor, classical music series. The Festival is presented by the Chicago Park District and the Chicago Department of Cultural Affairs. The Pavilion hosts a wide range of other music series and annual performing arts events. Performers ranging from mainstream rock bands to classical musicians and opera singers have appeared at

10625-637: The focus of controversies about the numerous associates of Mayor Daley who are investors, its exclusive location and lucrative contract terms. One of the most financially successful restaurants in Chicago, the Park Grill remains exempt from property taxes after a multi-year litigation which reached the appellate courts in Illinois. The BP Pedestrian Bridge is a girder footbridge over Columbus Drive that connects Millennium Park with Maggie Daley Park (formerly, Daley Bicentennial Plaza), both parts of

10750-459: The immediate context or environment. These forms, which can overlap, employ different types of public art that suit a particular form of environment integration. In the 1930s, the production of national symbolism implied by 19th century monuments began being regulated by long-term national programs with propaganda goals ( Federal Art Project , United States; Cultural Office, Soviet Union). Programs like President Roosevelt's New Deal facilitated

10875-469: The increase of ecological awareness through a green urban design process, bringing Denes to plant a two-acre field of wheat in downtown Manhattan and Beuys to plant 7000 oaks coupled with basalt blocks in Kassel, Germany in a guerrilla or community garden fashion. In recent years, programs of green urban regeneration aiming at converting abandoned lots into green areas regularly include public art programs. This

11000-474: The larger Grant Park. The pedestrian bridge is the first bridge Gehry designed to be built, and was named for BP plc , which donated $ 5 million to the construction of the park. It opened on July 16, 2004, along with the rest of Millennium Park. Gehry had been courted by the city to design the bridge and the neighboring Jay Pritzker Pavilion, and eventually agreed to do so after the Pritzker family funded

11125-419: The materials from van Berkel's were recycled, while Hadid's was stored for possible exhibition elsewhere. In October 2015, the city announced that its official annual Christmas tree lighting, which had been held at Daley Center since 1966 (except for 1982), would be held at the park in order that the official Christmas tree of the city could be closer to ice skating at McCormick Tribune Plaza & Ice Rink,

11250-399: The name became Chase Promenade. The 8-acre (3.2 ha) walkway accommodates exhibitions, festivals and other family events. It also serves as a private-event rental venue. The Chase Promenade hosted the 2009 Burnham Pavilions , which were the cornerstone of the citywide Burnham Plan centennial celebration. The Nichols Bridgeway, a pedestrian bridge that opened on May 16, 2009, connects

11375-530: The new location. Public art Public art is art in any media whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor settings. Public art seeks to embody public or universal concepts rather than commercial, partisan, or personal concepts or interests. Notably, public art

11500-499: The next century of architecture," and noted that no other architect was being sought. Gehry was approached several times by Skidmore architect Adrian Smith on behalf of the city. His hesitance and refusal to accept the commission was overcome by Cindy Pritzker, the philanthropist, who had developed a relationship with the architect when he won the Pritzker Prize in 1989. According to John H. Bryan , who led fund-raising for

11625-461: The opportunity to be a sponsor. One Time magazine writer describes the park as the crowning achievement for Mayor Daley, while another suggests the park's cost and time overages were examples of the city's mismanagement. The July 16–18, 2004, opening ceremony was sponsored by J.P. Morgan Chase & Co . The community around Millennium Park has become one of the most fashionable and desired residential addresses in Chicago. In 2006, Forbes named

11750-400: The original estimate of $ 6 million. Composed of 168 stainless steel plates welded together, its highly polished exterior has no visible seams. It is 33 by 66 by 42 feet (10 m × 20 m × 13 m) and weighs 110 short tons (100  t ; 98 long tons ). Its smooth shape and mirror-like surface were inspired by liquid mercury. It reflects the city skyline, particularly

11875-554: The park's 60602 zip code as the hottest in terms of price appreciation in the country, with upscale buildings such as The Heritage at Millennium Park (130 N. Garland) leading the way for other buildings, such as Waterview Tower , The Legacy and Joffrey Tower . The median sale price for residential real estate was $ 710,000 in 2005 according to Forbes, also ranking it on the list of most expensive zip codes. The park has been credited with increasing residential real estate values by $ 100 per square foot ($ 1,076 per m ). Millennium Park

12000-498: The park's older and larger bandshell. The pavilion is built partially atop the Harris Theater for Music and Dance, the park's indoor performing arts venue, with which it shares a loading dock and backstage facilities. The pavilion is seen as a major upgrade from the Petrillo Music Shell for those events it hosts. Initially, the pavilion's lawn seats were free for all concerts, but this changed when Tori Amos performed

12125-479: The park, Pritzker enticed Gehry in face-to-face discussions, using a $ 15 million funding commitment toward the bandshell's creation. Having Gehry get involved helped the city realize its vision of having modern themes in the park; upon rumors of his involvement the Chicago Sun-Times proclaimed "Perhaps the future has arrived", while the Chicago Tribune noted that "The most celebrated architect in

12250-402: The pavilion, which also hosts physical fitness activities such as yoga. All rehearsals at the pavilion are open to the public; trained guides are available for the music festival rehearsals, which are well-attended. The construction of the pavilion created a legal controversy, given that there are historic limitations on the height of buildings in Grant Park. To avoid these legal restrictions,

12375-471: The pavilions. The Boeing Galleries are a pair of outdoor exhibition spaces within Millennium Park; they are located along the south and north mid-level terraces, above and east of Wrigley Square and the Crown Fountain . They were added after the park opened; in March 2005, Boeing President and Chief Executive Officer James Bell announced the firm would make a $ 5 million grant to fund construction of

12500-448: The project was completed within the revised budget. Millennium Park had 3 million visitors in its first year; annual attendance was projected to grow to between 3.31 and 3.65 million by 2010. According to Crain's Chicago Business , however, the park had about 4 million visitors in 2009. In addition to the different uses detailed for each of the permanent features (above), the park has hosted some other notable events, including

12625-414: The public realm, or in natural settings but, however ubiquitous, it sometimes falls outside the definition of public art by its absence of public process or public sanction as "bona fide" public art. Common characteristics of public art are public accessibility, public realm placement, community involvement, public process (including public funding); these works can be permanent or temporary. According to

12750-666: The relationship between its content and the public. Cher Krause Knight states that "art's publicness rests in the quality and impact of its exchange with audiences ... at its most public, art extends opportunities for community engagement but cannot demand particular conclusion,” it introduces social ideas but leaves room for the public to come to their own conclusions. Public art is often characterized by community involvement and collaboration. Public artists and organizations often work in conjunction with architects, fabricators/construction workers, community residents and leaders, designers, funding organizations, and others. Public art

12875-487: The rest of the year, it serves as The Plaza at Park Grill or Park Grill Plaza, Chicago's largest al fresco dining facility. The 150-seat outdoor restaurant offers scenic views of the park, and hosts various culinary events and musical performances during its months of operation. From June 21 to September 15, 2002, the plaza served as an open-air exhibition space and hosted the inaugural exhibit in Millennium Park, Exelon Presents Earth From Above by Yann Arthus-Bertrand ,

13000-416: The scope of the field of transportation placed it under the jurisdiction of the city's Public Buildings Commission. In April 1999, the city announced that the Pritzker family had donated $ 15 million to fund Gehry's bandshell and an additional nine donors committed $ 10 million. The day of this announcement, Gehry agreed to the design request. In November, when his design was unveiled, Gehry said

13125-399: The sculpture was selected in a design competition, numerous technological concerns regarding its construction and assembly arose, in addition to concerns about the sculpture's upkeep and maintenance. Experts were consulted, some of whom believed the design could not be implemented. Eventually, a feasible method was found, but the sculpture's construction fell behind schedule. Cloud Gate

13250-659: The south end of Millennium Park with the Modern Wing of the Art Institute of Chicago . The bridge begins at the southwest end of the Jay Pritzker Pavilion's Great Lawn and extends across Monroe Street, where it connects to the third floor of the Art Institute's West Pavilion. The bridge design by Renzo Piano , the architect of the Modern Wing, was inspired by the hull of a boat. The Nichols Bridgeway

13375-535: The spaces, and for an endowment to "help fund visual arts exhibitions" in them. The galleries, which were built between March and June 2005, have hosted grand-scale art exhibits, some of which have run for two full summers. The Chase Promenade is an open-air tree-lined pedestrian walkway in Millennium Park that opened July 16, 2004. The promenade was made possible by a gift from the Bank One Foundation ; Bank One merged with JPMorgan Chase in 2004, and

13500-421: The subject's lips are puckered, which is then timed to correspond to the spouting water, reminiscent of gargoyle fountains; this happens roughly every five minutes. The park and fountain are open to the public daily from 6 a.m. to 11 p.m. Residents and critics have praised the fountain for its artistic and entertainment features. It highlights Plensa's themes of dualism, light, and water, extending

13625-411: The terminal as frequently as twice a minute. It is the third-busiest train station in Chicago. As Great Central Station , Randolph Street Terminal, along with Van Buren Street a few blocks south, was IC's primary downtown Chicago terminal until the completion in 1893 of Central Station (closed 1972) just south of Grant Park at today's Roosevelt Road. It still received many trains thereafter, but

13750-401: The ticketing facilities and the waiting room were located in the attached facility. The construction of Millennium Park gradually placed the entire station "underground." Randolph Street Station existed in a state of perpetual construction from the mid-1980s until 2005: exposed steel girders covered in flame retardant, unpainted plywood walls, bare concrete floors, and dim utility lights created

13875-415: The town's Minster includes local residents own stories alongside official civic history and the town's origin myth. The term "curated public art" is used to define the way of producing public art that significantly takes into account the context, the process and the different actors involved. It defines itself slightly differently from top-down approaches of direct commissioning. If it mainly designates

14000-416: The use of video technology from his prior works. The fountain promotes physical interaction between the public and the water in an artistic setting. Both the fountain and Millennium Park are highly accessible because of their universal design. The Crown Fountain has been the most controversial of all the Millennium Park features. Before it was built, some were concerned that the sculpture's height violated

14125-569: The videos displayed are of scenery, most attention has focused on its video clips of local residents, in which almost a thousand Chicagoans randomly appear on two screens. The fountain is a public play area and offers people an escape from summer heat, allowing children to frolic in the fountain's water. The Lurie Garden is a 2.5-acre (1.0 ha) public garden located at the southern end of Millennium Park; designed by landscape architecture firm GGN ( Gustafson Guthrie Nichol), Piet Oudolf , and Robert Israel , it opened on July 16, 2004. The garden

14250-545: The world may soon have a chance to bring Chicago into the 21st Century". Plans for the park were officially announced in March 1998 and construction began in September of that year. Initial construction was under the auspices of the Chicago Department of Transportation , because the project bridges the railroad tracks. However, as the project grew and expanded, its broad variety of features and amenities outside

14375-674: Was Jim Pallas ' 1980 C entury of Light in Detroit, Michigan of a large outdoor mandala of lights that reacted in complex ways to sounds and movements detected by radar (mistakenly destroyed 25 years later ). Another example is Rebecca Hackemann's two works The Public Utteraton Machines of 2015 and The Urban Field Glass Project / Visionary Sightseeing Binoculars 2 008, 20013, 2021, 2022. The Public Utteraton Machines records people's opinions of other public art in New York, such as Jeff Koon's Split Rocker and displays responses online . In

14500-418: Was borne by Chicago taxpayers and private donors. The city paid $ 270 million; private donors paid the rest, and assumed roughly half of the financial responsibility for the cost overruns . The construction delays and cost overruns were attributed to poor planning, many design changes, and cronyism . Many critics have praised the completed park. From 1852 until 1997, the Illinois Central Railroad owned

14625-544: Was built in 1878 with a short right field due to the railroad tracks. The grounds were improved and the seating capacity was doubled in 1883, but the team had to move after the season ended the next year, as the federal government had given the city the land "with the stipulation that no commercial venture could use it". Daniel Burnham planned Grant Park around the Illinois Central Railroad property in his 1909 Plan of Chicago . Between 1917 and 1953,

14750-419: Was by Skidmore, Owings & Merrill , and gradually additional architects and artists such as Frank Gehry and Thomas Beeby were incorporated into the plan. Sponsors were sought by invitation only. In February 1999, the city announced it was negotiating with Frank Gehry to design a proscenium arch and orchestra enclosure for a bandshell, as well as a pedestrian bridge crossing Columbus Drive, and that it

14875-455: Was commissioned in 2016 in Haryana, India, among the remote deciduous terrain of Tikli village a team coordinated by Artist Hunny Mor painted two leopards perched on branches on a water source tank 115 feet high. The campaign was aimed to spread awareness on co-habitation and environmental conservation. The art work can be seen from several miles across in all directions. Ron Finley 's work as

15000-468: Was named for its primary benefactors, Joan and Irving Harris . It serves as the park's indoor performing venue, a compliment to Jay Pritzker Pavilion, which hosts the park's outdoor performances. Among the regularly featured local groups are the Joffrey Ballet , Hubbard Street Dance Chicago and Chicago Opera Theater . It provides subsidized rental, technical expertise, and marketing support for

15125-547: Was not ready in time; it had construction delays and a construction team change, which led to coverage of the delay in The New York Times and The Wall Street Journal . Only its aluminum skeleton was available for public viewing on the scheduled date; the work was completed and unveiled on August 4, 2009. The van Berkel pavilion was temporarily closed for repairs August 10–14, due to unanticipated wear and tear. Both pavilions were dismantled after November 1, 2009;

15250-466: Was of secondary importance. Its importance increased dramatically in 1926 with the electrification of commuter services on IC's main line and its Blue Island and South Chicago branches. Commuter trains from all three branches were now routed into the Randolph Street terminal, while intercity traffic continued to terminate at Central Station. For many years, the station platforms were exposed and

15375-477: Was seeking donors to cover his work. At the time, the Chicago Tribune dubbed Gehry "the hottest architect in the universe" in reference to the acclaim for his Guggenheim Museum Bilbao , and they noted the designs would not include Mayor Richard M. Daley 's trademarks, such as wrought iron and seasonal flower boxes. Millennium Park project manager Edward Uhlir said "Frank is just the cutting edge of

15500-703: Was the top tourist destination in Chicago and in the Midwest , and placed among the top ten in the United States with 25 million annual visitors. Planning of the park, situated in an area occupied by parkland, the Illinois Central rail yards, and parking lots, began in October 1997. Construction began in October 1998, and Millennium Park opened in a ceremony on July 16, 2004, four years behind schedule. The three-day opening celebrations were attended by some 300,000 people and included an inaugural concert by

15625-427: Was unveiled in an incomplete form during the Millennium Park grand opening celebration, as the grid of welds around each metal panel was still visible. The sculpture was concealed again while it was completed; in early 2005, workers polished out the seams. Cloud Gate was formally dedicated on May 15, 2006, and it has since gained considerable popularity, domestically and internationally. The Crown Fountain

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