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Neo-Futurists

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The Neo-Futurists are an experimental theater troupe founded by Greg Allen in 1988, based on an aesthetics of honesty, speed and brevity. Neo-Futurist theatre was inspired in part by the Italian Futurist movement from the early 20th century. Originating in Chicago , branches of the Neo-Futurists also exist in New York City , San Francisco , and London (the latter under the name Degenerate Fox).

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56-405: The Neo-Futurist aesthetic demands that everything that transpires in their theater be non-illusory, which is to say that they pretend nothing; actors only play themselves. All plays take place on a stage, specifically, the stage on which they are performed, in the present. If one of the performers reports that something has happened, you can bet that it really happened. Much of their work contains

112-547: A Backpage sex trafficking exposé, Village Voice Media executives Scott Tobias, Christine Brennan and Jeff Mars bought Village Voice Media's papers and associated web properties from its founders in September 2012, and formed the Denver-based Voice Media Group . In May 2013, The Village Voice editor Will Bourne and deputy editor Jessica Lustig told The New York Times that they were quitting

168-446: A horror movie and accept its images as absolute fact, they would have a true-to-life set of reactions that are impractical and contradict the safety of the leisure of viewing the movie. For instance, if this logic generally applied, then audience members would try to help endangered on-screen characters, or call authorities when witnessing on-screen murders. Not all authors believe that "suspension of disbelief" adequately characterizes

224-539: A New York Innovative Theater Award for Outstanding Performance Art Production in 2011. The New York Neo-Futurists were also New York Innovative Theatre Awards recipients for 'Outstanding Performance Art Production' in 2006, 2011, & 2017, 'Outstanding Ensemble' in 2009, and the Caffe Cino Award 2010. They also have been nominated for two Drama Desk awards in 2012 and 2014. In 2009 the New York company won

280-799: A former artistic director and ensemble member disputed Allen's claim that the split was motivated by external politics, citing instead ongoing personality conflicts. In solidarity with the Chicago company, the New York and San Francisco productions of Too Much Light also closed that December. Subsequently, the Neo-Futurists developed and opened a new weekly late-night show in 2017 titled The Infinite Wrench in all three branches to continue to showcase their two-minute plays. The Chicago ensemble notably reached their 10,000th play on September 29, 2017. A fourth branch, operating in London as Degenerate Fox, runs

336-418: A fully digital venture, on a date to be announced. The final printed edition, featuring a 1965 photo of Bob Dylan on the cover, was distributed on September 21, 2017. After halting print publication in 2017, The Voice provided daily coverage through its website until August 31, 2018, when it announced it was ceasing production of new editorial content. On December 23, 2020, editor R. C. Baker announced that

392-426: A host to underground cartoonists. In addition to mainstay Jules Feiffer , whose cartoon ran for decades in the paper until its cancellation in 1996, well-known cartoonists featured in the paper have included R. Crumb , Matt Groening , Lynda Barry , Stan Mack , Mark Alan Stamaty , Ted Rall , Tom Tomorrow , Ward Sutton , Ruben Bolling and M. Wartella . Backpage was a classified advertisement website owned by

448-402: A human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith. Mr. Wordsworth on the other hand was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from

504-403: A story—rather than simply the implausibility of the phenomena in a story. The phrase "suspension of disbelief" came to be used more loosely in the later 20th century, often used to imply that the burden was on the reader, rather than the writer, to achieve it. This might be used to refer to the willingness of the audience to overlook the limitations of a medium, so that these do not interfere with

560-589: A two-bedroom apartment in Greenwich Village ; that was its initial coverage area, which expanded to other parts of the city by the 1960s. In 1960, it moved from 22 Greenwich Avenue to 61 Christopher Street in a landmark triangular corner building adjoining Sheridan Square, and a few feet west of the Stonewall Inn ; then, from the 1970s through 1980, at 11th Street and University Place; and then Broadway and 13th Street. It moved to Cooper Square in

616-719: A valuable resource for reporters covering the Trump presidency. The Voice has published investigations of New York City politics, as well as reporting on national politics, with arts, culture, music, dance, film, and theater reviews. Writers and cartoonists for The Voice have received three Pulitzer Prizes : in 1981 ( Teresa Carpenter , for feature writing), 1986 ( Jules Feiffer , for editorial cartooning) and 2000 ( Mark Schoofs , for international reporting). The paper has, almost since its inception, recognized alternative theater in New York through its Obie Awards . The paper's " Pazz & Jop " music poll, started by Robert Christgau in

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672-464: Is a willing act that is supported by the value of a narrative that is being engaged with. When the person stops perceiving to think about what has been seen or heard, its "truth-value" is assessed. Aesthetic philosophers generally reject claims that a "suspension of disbelief" can accurately characterize the relationship between people and "fictions". American philosopher Kendall Walton noted that if viewers were to truly suspend disbelief when viewing

728-399: Is poetry". According to David Chandler, Coleridge also originally drew his notion from Johann Jakob Brucker 's Historia Critica Philosophiae which cited the phrase " assensus suspensione " ("suspension of assent"); Brucker's phrase was itself a modernization of the phrase " adsensionis retentio " ("a holding back of assent") used by Cicero in his Academica . The traditional concept of

784-497: Is to deal with what is going on right here and now. The general setup of the weekly shows is the same across groups and countries. "The Neo-Futurists ensemble attempts to perform 30 short plays in 60 minutes, with the order of the plays determined by the audience shouting out numbers based on a play menu handed out before the show. Each weekend, dice are rolled to determine how many of those plays will be replaced, which keeps each weekend’s iteration fresh." The Neo-Futurists began with

840-749: The Editor & Publisher EPpy Award for Best Overall U.S. Newspaper Online Service – Weekly, Community, Alternative & Free in 2003. In 2005, the Phoenix alternative weekly chain New Times Media purchased the company and took the Village Voice Media name. Previous owners of The Village Voice or of Village Voice Media have included co-founders Fancher and Wolf, New York City Councilman Carter Burden , New York magazine founder Clay Felker , Rupert Murdoch , and Leonard Stern of

896-589: The East Village in 1991, and in 2013, to the Financial District . Early columnists of the 1950s and 1960s included Jonas Mekas , who explored the underground film movement in his "Film Journal" column; Linda Solomon , who reviewed the Village club scene in the "Riffs" column; and Sam Julty , who wrote a popular column on car ownership and maintenance. John Wilcock wrote a column every week for

952-840: The Hartz Mountain empire. After The Village Voice was acquired by New Times Media in 2005, the publication's key personnel changed. The Voice was then managed by two journalists from Phoenix, Arizona . In April 2006, The Voice dismissed music editor Chuck Eddy . Four months later, the newspaper sacked longtime music critic Robert Christgau . In January 2007, the newspaper fired sex columnist and erotica author Rachel Kramer Bussel ; long-term creative director Ted Keller , art director Minh Oung, fashion columnist Lynn Yaeger and Deputy Art Director LD Beghtol were laid off or fired soon afterward. Editor in chief Donald Forst resigned in December 2005. Doug Simmons, his replacement,

1008-700: The National Press Foundation Award, and the George Polk Award . The Village Voice hosted a variety of writers and artists, including writer Ezra Pound , cartoonist Lynda Barry , artist Greg Tate , music critic Robert Christgau , and film critics Andrew Sarris , Jonas Mekas , and J. Hoberman . In October 2015, The Village Voice changed ownership and severed all ties with former parent company Voice Media Group (VMG). The Voice announced on August 22, 2017, that it would cease publication of its print edition and convert to

1064-539: The Village Voice Readers’ Choice poll for Best Performance Art and was named one of the nytheatre.com People of the Year. Suspension of disbelief Suspension of disbelief is the avoidance—often described as willing—of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction , in order to believe it for

1120-700: The Baby Go Blind , one video, and a recording of Jokes and their Relation to the Unconscious , a play described as an attempt to destroy comedy by analyzing it to death. In 2008 the New York Neo-Futurists put on (Not) Just a Day Like Any Other , four autobiographical stories woven together with accompanying Bollywood music videos, relationships charted via PowerPoint , and margaritas for all. In November 2016, Greg Allen announced in an emailed press release that he intended to revoke

1176-538: The Chicago company's rights to perform TMLMTBGB . Allen had ceased to be a member of the performing ensemble four years prior, and in his announcement he stated his intention to form a new company to perform the show as a way to "combat the new Trump administration." In a response statement, the Neo-Futurists stated that they were "disappointed that it has come to this conclusion," but that "throughout our long history with Greg there have been considerable artistic differences and irreconcilable personal conflicts." Additionally,

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1232-755: The GLF petitioned it to do so. Over time, The Voice changed its stance, and, in 1982, became the second organization in the US known to have extended domestic partner benefits. Jeff Weinstein, an employee of the paper and shop steward for the publishing local of District 65 UAW, negotiated and won agreement in the union contract to extend health, life insurance, and disability benefits to the "spouse equivalents" of its union members. The Voice ' s competitors in New York City include The New York Observer and Time Out New York . Seventeen alternative weeklies around

1288-461: The Lock , one of the few English poems of the century that invoked the supernatural. American psychological critic Norman N. Holland provided a neuroscientific theory of suspension of disbelief. Neurally, when a person engages with a narrative in a work of fiction, the brain goes wholly into a perceiving mode, engaging less intensely with the faculties for acting or planning to act; "poetic faith"

1344-544: The Reading Eagle Company, and holds the same roles at The Village Voice . After taking over ownership of The Voice , Barbey named Joe Levy, formerly of Rolling Stone , as interim editor in chief, and Suzan Gursoy, formerly of Ad Week , as publisher. In December 2016, Barbey named Stephen Mooallem, formerly of Harper's Bazaar , as editor in chief. Mooallem resigned in May 2018, and was not replaced before

1400-553: The United States are owned by The Voice's former parent company Village Voice Media . The film section writers and editors also produced a weekly Voice Film Club podcast. In 1996, after decades of carrying a cover price, The Voice switched from a paid weekly to a free, alternative weekly. The Voice website was a recipient of the National Press Foundation 's Online Journalism Award in 2001 and

1456-408: The acceptance of those premises. These premises may also lend to the engagement of the mind and perhaps proposition of thoughts, ideas, art and theories. With a film, for instance, the viewer has to ignore the reality that they are viewing a staged performance and temporarily accept it as their reality in order to be entertained. Early black-and-white films are an example of visual media that require

1512-506: The accomplishment of many years into an hourglass". Poetry and fiction involving the supernatural had gone out of fashion to a large extent in the 18th century, in part due to the declining belief in witches and other supernatural agents among the educated classes, who embraced the rational approach to the world offered by the new science. Alexander Pope , notably, felt the need to explain and justify his use of elemental spirits in The Rape of

1568-497: The audience to suspend their disbelief for this reason. Cognitive estrangement in fiction involves using a person's ignorance to promote suspension of disbelief. Suspension of disbelief is sometimes said to be an essential component of live theater, where it was recognized by Shakespeare , who refers to it in the Prologue to Henry V : "make imaginary puissance [...] 'tis your thoughts that now must deck our kings [...] turning

1624-436: The audience's relationship to imaginative works of art. J. R. R. Tolkien challenged this concept in " On Fairy-Stories ", choosing instead the paradigm of secondary belief based on inner consistency of reality: in order for the narrative to work, the reader must believe that what they read is true within the secondary reality of the fictional world . By focusing on creating an internally consistent fictional world ,

1680-489: The author makes secondary belief possible. Tolkien argued that suspension of disbelief is only necessary when the work has failed to create secondary belief, saying that from that point on, the reader ceases to be immersed in the story and so must make a conscious effort to suspend their disbelief or else give up on it entirely. Village Voice The Village Voice is an American news and culture publication based in Greenwich Village , New York City , known for being

1736-492: The country's first alternative newsweekly . Founded in 1955 by Dan Wolf , Ed Fancher , John Wilcock , and Norman Mailer , The Voice began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, The Voice reappeared in print as a quarterly in April 2021. The Village Voice has received three Pulitzer Prizes ,

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1792-425: The early 1970s, is released annually and remains an influential survey of the nation's music critics. In 1999, film critic J. Hoberman and film section editor Dennis Lim began a similar Village Voice Film Poll for the year in film. In 2001, The Voice sponsored its first music festival, Siren Festival, a free annual event every summer held at Coney Island . The event moved to the lower tip of Manhattan in 2011, and

1848-516: The first time since 2018. At the time, The Village Voice was a quarterly publication. The Voice has published columns and works by writers such as Ezra Pound , Henry Miller , Barbara Garson , Katherine Anne Porter , James Baldwin , E.E. Cummings , Nat Hentoff , staff writer and author Ted Hoagland , Colson Whitehead , Tom Stoppard , Paul Lukas , Lorraine Hansberry , Lester Bangs , Allen Ginsberg and Joshua Clover . Former editors have included Clay Felker . The newspaper has also been

1904-507: The imagination can seem to be truthful and present a greater contrast between fiction and reality. Coleridge also referred to this concept as "poetic faith", citing the concept as a feeling analogous to the supernatural, which stimulates the mind's faculties regardless of the irrationality of what is being understood. Coleridge recalled: It was agreed, that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature

1960-600: The last article to be published on the website. Two weeks after the Village Voice ceased operations on September 13, co-founder John Wilcock died in California at the age of 91. In January 2021, a new original story — the first one in two-and-a-half years — was published on the website of The Village Voice . On April 17, 2021, the Spring 2021 issue of The Village Voice appeared in news boxes and on newsstands for

2016-452: The lethargy of custom, and directing it to the loveliness and the wonders of the world before us. This concept had previously been understood in antiquity, particularly in the Roman theoretical concerns of Horace and Cicero who wrote in a time of increasing skepticism about the supernatural. In Horace's Ars Poetica , he used the quotation Ut pictura poesis , meaning "as is painting so

2072-429: The management by some of its current writers, Hentoff himself, and by The Voice ' s ideological rival paper National Review , which referred to Hentoff as a "treasure". At the end of 2011, Wayne Barrett, who had written for the paper since 1973, was laid off. Fellow muckraking investigative reporter Tom Robbins then resigned in solidarity. Following a scandal concerning The Village Voice 's editorial attack on

2128-464: The moment, which constitutes poetic faith". The phrase first appeared in English poet and aesthetic philosopher Samuel Taylor Coleridge 's Biographia Literaria , where he suggested that if an author could infuse a "human interest and a semblance of truth" into a story with implausible elements, the reader would willingly suspend judgement concerning the implausibility of the narrative. Coleridge

2184-401: The newspaper referred to the riots as "The Great Faggot Rebellion". Two reporters, Howard Smith and Lucian Truscott IV, both used the words " faggot " and " dyke " in their articles about the riots. (These words were not commonly used by homosexuals to refer to each other at this time.) Smith and Truscott retrieved their press cards from The Voice offices, which were very close to the bar, as

2240-466: The paper for decades. Feingold was rehired as a writer for The Village Voice in January 2016. Michael Musto was also rehired in 2016 and wrote cover stories regarding subjects like Oscar scandals and Madonna's body of work. Musto returned again to write features in 2021 under new publisher Brian Calle. In July 2013, Voice Media Group executives named Tom Finkel as editor. Peter Barbey , through

2296-445: The paper rather than executing further staff layoffs. Both had been recent appointments. By then, The Voice had employed five editors since 2005. Following Bourne's and Lustig's departure, Village Media Group management fired three of The Voice ' s longest-serving contributors: gossip and nightlife columnist Michael Musto , restaurant critic Robert Sietsema , and theater critic Michael Feingold , all of whom had been writing for

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2352-431: The paper would resume publishing new articles both online and in a quarterly print edition. In January 2021, new original stories began being published again on the website. A spring print edition was released in April 2021. The Voice 's website continues to feature archival material related to current events. The Village Voice was launched by Ed Fancher , Dan Wolf, and Norman Mailer on October 26, 1955, from

2408-660: The paper's first ten years. Another regular from that period was the cartoonist Kin Platt , who did weekly theatrical caricatures. Other prominent regulars have included Peter Schjeldahl , Ellen Willis , Jill Johnston , Tom Carson, and Richard Goldstein . Staff of The Voice joined a union, the Distributive Workers of America , in 1977. For more than 40 years, Wayne Barrett was the newspaper's muckraker , covering New York real estate developers and politicians, including Donald Trump . The material continued to be

2464-467: The possibility of failure, a unique theatrical component that keeps them and the audience honest. Their plays are wildly eclectic, touching on all genres and tones; plays may be political, satirical, personal, tragic, comic, abstract, musical, surreal, poetic, and so on. The bottom line is that Neo-Futurism does not buy into the " suspension of disbelief "—it does not attempt to take the audience anywhere else at any other time with any other people. The idea

2520-519: The privately owned investment company Black Walnut Holdings LLC, purchased The Village Voice from Voice Media Group in October 2015. Barbey is a member of one of America's wealthiest families. The family has had ownership interest in the Reading Eagle , a daily newspaper serving the city of Reading, Pennsylvania and the surrounding region, for many years. Barbey serves as president and CEO of

2576-454: The publication's shutdown. Under the Barbey ownership, advertisements for escort agencies and phone sex services came to an end. On August 31, 2018, it was announced that the Village Voice would cease production and lay off half of its staff. The remaining staff would be kept on for a limited period for archival projects. An August 31 piece by freelancer Steven Wishnia was hailed as

2632-499: The sake of enjoying its narrative. Historically, the concept originates in the Greco-Roman principles of theatre , wherein the audience ignores the unreality of fiction to experience catharsis from the actions and experiences of characters. The phrase was coined and elaborated upon by the English poet and philosopher Samuel Taylor Coleridge in his 1817 work Biographia Literaria : "that willing suspension of disbelief for

2688-505: The same parent company as The Village Voice. In 2012, Nicholas Kristof wrote an article in The New York Times detailing a young woman's account of being sold on Backpage. The Village Voice released an article entitled "What Nick Kristof Got Wrong" accusing Kristof of fabricating the story and ignoring journalistic standards. Kristof responded, noting that The Voice did not dispute the column, but rather tried to show how

2744-826: The show Too Much Light Makes the Baby Go Blind: 30 Plays in 60 Minutes , often abbreviated as TMLMTBGB (though many refer to it simply as TML ). For the first few years, the Neo-Futurist movement consisted entirely of TMLMTBGB , but then expanded to include "prime time productions." These productions began late evening, as opposed to TMLMTBGB 's late-night starting time (11:30 in Chicago, 10:30 in New York). The Neo-Futurists have published three books of plays from TMLMTBGB - two books of regular plays, and one of plays that use only one actor. They've also released one CD recording of plays from Too Much Light Makes

2800-536: The similar show The Dirty Thirty . Since 1988, the ranks of the Neo-Futurists have included the following individuals (listed alphabetically): In 2011, the New York Neo-Futurists produced an original piece, "Locker 4173b," wherein Neo-Futurists Joey Rizzolo and Christopher Borg purchased a foreclosed storage locker and, as amateur archaeologists, excavated, catalogued, and chronicled their findings. The show received critical acclaim and received

2856-406: The suspension of disbelief as proposed by Coleridge is not about suspending disbelief in the reality of fictional characters or events, but the suspension of disbelief in phenomena that is regarded as implausible. This can be demonstrated in the way a reader suspends disbelief in supernatural phenomena itself—simulating the feelings of a character that is experiencing the phenomena in the narrative of

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2912-510: The timeline in Kristof's original piece was inaccurate. In this rebuttal, he not only justified his original timeline, but expressed sadness "to see Village Voice Media become a major player in sex trafficking, and to see it use its journalists as attack dogs for those who threaten its corporate interests", noting another instance of The Village Voice attacking journalists reporting on Backpage's role in sex trafficking. After repeated calls for

2968-555: The trouble began; they were among the first journalists to record the event, Smith being trapped inside the bar with the police, and Truscott reporting from the street. After the riot, the Gay Liberation Front (GLF) attempted to promote dances for gays and lesbians in The Voice , but were not allowed to use the words "gay" or "homosexual", which the newspaper considered derogatory. The newspaper changed its policy after

3024-429: Was interested in returning fantastic elements to poetry and developed the concept to support how a modern, enlightened audience would continue to enjoy such types of literature. Coleridge suggested that his work, such as Lyrical Ballads , his collaboration with William Wordsworth , essentially involved attempting to explain supernatural characters and events in plausible terms so that implausible characters and events of

3080-514: Was re-christened the " 4knots Music Festival", a reference to the speed of the East River's current. During the 1980s and onward, The Voice was known for its staunch support for gay rights , and it published an annual Gay Pride issue every June. However, early in its history, the newspaper had a reputation as having a homophobic slant. While reporting on the Stonewall riots of 1969,

3136-451: Was sacked in March 2006 after it was discovered that a reporter had fabricated portions of an article. Simmons' successor, Erik Wemple , resigned after two weeks. His replacement, David Blum , was fired in March 2007. Tony Ortega then held the position of editor in chief from 2007 to 2012. The sacking of Nat Hentoff , who worked for the paper from 1958 to 2008, led to further criticism of

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